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David Martin (tight end) (born 1979), American football player |
Dave Martin (soccer) (born 1988), American soccer player |
Other sports |
David Martin (tennis) (born 1981) |
David Martín (water polo) (born 1977), Spanish water polo player |
Dave Martin (snooker player) (born 1948), English snooker player |
David Martin (gymnast) (born 1977), French trampoline gymnast |
Other |
David Martin (French theologian) (1639–1721), French theologian |
David Grier Martin (1910–1974), president of Davidson College |
Sir David Christie Martin (1914–1976), Scottish-born scientific administrator |
David Martin (criminal), escaped prisoner in the 1980s |
David A. Martin (lawyer), American lawyer |
David Martin (Kansas judge) (1839–1901), Chief Justice of the Kansas Supreme Court |
David Martin (journalist) (born 1943), American television news correspondent |
David Martin (sociologist) (1929–2019), British academic |
David C. Martin, American architect |
David N. Martin (1930–2012), American advertising executive |
Dave Martin (sportscaster), American sports announcer |
See also |
David Forbes Martyn (1906–1970), Scottish-born Australian physicist and radiographer |
David Marteen, Dutch privateer |
David Martín (disambiguation) |
David Martí (born 1971), actor and makeup specialist |
All pages with titles containing David Martin |
Domenico di Pace Beccafumi (1486 – May 18, 1551) was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting. |
Biography |
Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist. In 1509 he travelled to Rome, where he learned from the artists... |
Pavement of Duomo di Siena |
In addition to painting, he also directed the celebrated pavement of the cathedral of Siena from 1517 to 1544, a task that took over a century and a half. The pavement shows vast designs in commesso work—white marble, that is, engraved with the outlines of the subject in black, and having borders inlaid with rich patte... |
Critical assessment and legacy |
Compared to the equilibrated, geometric, and self-assured Florentine style, the Sienese style of painting edges into a more irrational and emotionally unbalanced world. Buildings are often transected, and perspectives are awkward. The setting is often hallucinogenic; the colours are discordant. For example, in the Nati... |
In Medieval Italy, Siena had been an artistic, economic, and political rival of Florence; but wars and natural disasters caused a decline by the 15th century. Stylistically, Beccafumi is among the last in a line of Sienese artists, a medieval believer of miracles awaking in Renaissance reality. |
Partial anthology of works |
The Miraculous Communion of St Catherine of Siena (1513) – J. Paul Getty Museum, Los Angeles |
Saint Catherine of Siena Receiving the Stigmata (1513) – J. Paul Getty Museum, Los Angeles |
Trinity Triptych (1513) – Oil on wood, 152 x 228 cm, Pinacoteca Nazionale, Siena |
Holy Family with the Infant Saint John the Baptist (c. 1514–1515) – Uffizi, Florence |
Marriage of St Catherine (1514–1515) – Pinacoteca Nazionale, Siena |
Bellanti Madonna (c. 1515) – Pinacoteca Nazionale, Siena |
St. Paul (1515) – Oil on wood, 190 x 150 cm, Museo dell'Opera Metropolitana, Siena |
Marcia (1519), National Gallery, London |
Stigmatization of St. Catherine of Siena (1515) – Oil on wood, 208 x 156 cm, Pinacoteca Nazionale, Siena |
The Betrothal of the Virgin (1518) – Fresco, 295 x 304 cm, Oratory of San Bernardino, Siena |
Tanaquil (1519) – Oil on wood, 92 x 53 cm, National Gallery, London |
Self Portrait (1520) |
The Story of Papirius (1520–1530) – National Gallery, London |
St. Lucy (1521) – Oil on wood, Pinacoteca Nazionale, Siena |
Mystical Marriage of St. Catherine (1521) – Hermitage, St. Petersburg |
Holy Family with the Infant Saint John the Baptist (c.1521–1522) – Galleria Palatina, Florence |
Frescoes – Palazzo Bindi-Segardi, Siena |
Frescoes of scenes from Roman historyPalazzo Pubblico, Siena (1529–1535) |
The Holy Family with Young Saint John (1523–1524) – Oil on panel, diameter 86 cm, Museo Thyssen-Bornemisza, Madrid |
Fall of the Rebel Angels (c. 1524) – Pinacoteca Nazionale, Siena |
Fall of the Rebel Angels (c. 1528) – Oil on wood, 347 x 225 cm, San Niccolò al Carmine, Siena |
Mystic Marriage of Saint Catherine (1528) – Palazzo Chigi-Saracini, Siena |
Vision of St. Catherine of Sienna (1528) – Philbrook Museum of Art, Tulsa |
The Baptism of Christ (1528) – Philbrook Museum of Art, Tulsa |
The Nativity – Allentown Art Museum, Allentown |
Venus and Cupid with Vulcan (1528) – New Orleans Museum of Art, New Orleans |
Holy Family with St. John (c. 1530) – Oil on panel, diameter 84 cm, Uffizi, Florence |
Holy Family with Saint Anne – Private collection |
Flight of Clelia and the Roman Virgins – Uffizi, Florence |
Punishment of Dathan – Pisa Cathedral |
Drawing for Christ in Limbo (Stolen) |
Christ in Limbo (1535) – Pinacoteca Nazionale, Siena |
Moses and the Golden Calf (1536–1537) – Oil on wood, 197 x 139 cm, Pisa Cathedral |
Saint Bernard of Siena Preaching (1537) – Musée du Louvre, Paris |
Saint Anthony and the Miracle of the Mule (1537) – Musée du Louvre, Paris |
Saint Francis receives the stigmata (1537) – Musée du Louvre, Paris |
Coronation of the Virgin (1539) – Pinacoteca Nazionale, Siena |
Birth of the Virgin (1543) – Oil on wood, 233 x 145 cm, Accademia, Siena |
Sarteano Annunciation (c.1546) – Oil on canvas, San Martino in Foro, Sarteano |
Coronation of the Virgin (1540s) – Santo Spirito, Siena |
Madonna with infant and St. John (1540) – Oil on panel, 90 x 65 cm, Galleria Nazionale d'Arte Antica, Rome |
Holy Family with Angels – National Gallery of Art, Washington, DC |
Holy Family and St. John – Alte Pinakothek, Munich |
Statues of Angels (1548–1550) – Presbytery of Siena Cathedral |
Judith with the Head of Holofernes – The Wallace Collection, London. |
Drawing of Abraham |
St. Peter – Woodcut, Cleveland Museum of Art |
Angels drawing (1524–25) – San Francisco |
Gallery |
References |
Painting in Italy 1500–1600, S.J. Freedberg, (Penguin History of Art, 2nd Edition, 1983). |
Notes |
External links |
Domenico Beccafumi in the "A World History of Art" |
Domenico di Pace Beccafumi. paintings |
Texts on Wikisource: |
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