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Works |
Luigi and Alvise III Pisani and family |
Portrait of Carlo Goldoni (125 cm × 105 cm (49 in × 41 in)) |
Portrait of a Composer, erroneously to be the Portrait of Domenico Cimarosa |
Portrait of a Lady (100 cm × 80 cm (39 in × 31 in)) |
Portrait of a Gentleman (65 cm × 34 cm (26 in × 13 in)) |
Portrait of a Gentleman (206 cm × 115 cm (81 in × 45 in)) |
Portrait of Bartholomeo Ferracino Ca' Rezzonico Venice |
Couple 1 of 2 |
Couple 2 of 2 |
Portrait of Giambattista Piazzetta |
Portrait of Giuseppe Chiribiri (Cherubini) (83.5 cm × 65 cm (32.9 in × 25.6 in)) |
Portrait of Giulio Contarini (102.5 cm × 91 cm (40.4 in × 35.8 in)) |
Portrait of Giacomo Casanova |
Portrait of Antonio Renier (233 cm × 137 cm (92 in × 54 in)) |
Portrait of a Magistrate |
Painting and Merit |
The Visitation of the Virgin in Sant'Antonio Taumaturgo, Trieste |
Gallery |
References |
Wittkower, Rudolf (1993). "Art and Architecture Italy, 1600-1750". Pelican History of Art. 1980. Penguin Books Ltd. p. 493. |
External links |
Italian Paintings, Venetian School, a collection catalog containing information about Longhi and his works (see index; plate 44). |
Alessandro Tiarini (20 March 1577 – 8 February 1668) was an Italian Baroque painter of the Bolognese School. |
Biography |
Alessandro Tiarini was born in Bologna. His mother died when he was a child, and he was raised by an aunt. Early on his family tried, unsuccessfully, to guide him towards becoming a cleric. He was the godson of painter Lavinia Fontana and initially apprenticed in Bologna under her father Prospero Fontana, and subsequen... |
He was lured back to Bologna and Reggio Emilia, by Ludovico Carracci. His Grieving over a dead Jesus is in the Pinacoteca Nazionale of Bologna. He painted a series of frescoes for the Brami Chapel in the sanctuary, as well as other works, for the Basilica della Ghiara in Reggio Emilia. He also painted in Cremona (162... |
He painted a Virgin, Mary Magdalene, and St John, weeping over the instruments of the Passion for church of S. Benedetto; St. Catherine kneeling before a Crucifix for Santa Maria Maddalena; a Pietà for Sant'Antonio; and St Dominic resurrecting a child for the church of San Domenico. Other works in Bologna include a Ma... |
Tiarini died in Bologna. His closest pupils were Francesco Carbone and Luca Barbieri. |
Gallery |
References |
Further reading |
Francis P. Smyth and John P. O'Neill (Editors in Chief) (1986). National Gallery of Art, Washington DC (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. pp. 538–542. {{cite book}}: |author= has generic name (help) |
Marchese Antonio Bolognini Amorini (1843). Vite de Pittori ed Artifici Bolognesi. Tipografia Governativa alla Volpe ed Nobili, Bologna. pp. 72–93. |
Bryan, Michael (1889). Walter Armstrong; Robert Edmund Graves (eds.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. II L-Z. London: George Bell and Sons. p. 570. |
External links |
Media related to Alessandro Tiarini at Wikimedia Commons |
Alfred Stevens may refer to: |
Alfred Stevens (painter) (1823–1906), Belgian painter |
Alfred Stevens (sculptor) (1818–1875), British sculptor |
See also |
Alfred George Stephens ('A. G. Stephens') (1865–1933), Australian writer |
Alfred Stephen (1802–1894), Australian judge |
Alonso Cano Almansa or Alonzo Cano (19 March 1601 – 3 September 1667) was a Spanish painter, architect, and sculptor born in Granada. |
Biography |
He learned architecture from his father, Miguel Cano; painting in the academy of Juan del Castillo, and from Francisco Pacheco the teacher of Velázquez; and sculpture from Juan Martínez Montañés. As a sculptor, his most famous works are the Madonna and Child in the church of Lebrija (also called Nebrija), and the colos... |
He was made first royal architect, painter to Philip IV, and instructor to the prince, Balthasar Charles, Prince of Asturias. The King gave him the church preferment of a canon of the Granada Cathedral (1652), in order to take up a position as chief architect of the cathedral. Towards the end of his life, he designed t... |
He was notorious for his ungovernable temper; and it is said that once he risked his life by committing the then capital offence of dashing to pieces the statue of a saint, when in a rage with the purchaser who begrudged the price he demanded. According to another story, he found his house robbed after coming home one ... |
After the death of his wife he took Holy Orders as a protection from further prosecution, but still continued his professional pursuits. He died in 1667. In his last moments, when the priest held to him a crucifix, he told him to take it away because it was badly carved. According to the Catholic Encyclopedia, the dyin... |
Works |
San Vicente Ferrer (praying) |
Virgin of the Olive Tree (1629) |
Inmaculada del Facistol (1655–1656) in the sacristy of the Cathedral of Granada. |
Virgen of Bethlehem |
Bust of Saint Paul |
Head of San Juan de Dios |
Annunciation |
Christ Bound to the Column in the church of the Convento del Stmo. Cristo de la Victoria de Serradilla (Cáceres). |
Entrance of the Cathedral of Granada |
Saint John the Baptist as a Youth 1634, in the National Sculpture Museum (Valladolid). |
St. Anthony Preaching to the Fishes (ca. 1630) [The Detroit Institute of Arts] |
Christ and the Samaritan Woman(ca. 1650-1652) Real Academia de Bellas Artes de San Fernando Madrid. |
The Death of Saint Francis. Real Academia de Bellas Artes de San Fernando, Madrid. |
The Christ Crucified (c.1646) Real Academia de Bellas Artes de San Fernando. |
Works by Cano in the Prado Museum in Madrid include: |
The Crucifixion |
Saint Anthony of Padua |
The Crucified Christ appears to Saint Teresa |
A king of Spain |
Two kings of Spain |
The Miracle of the Well |
Saint Bernard and the Virgin |
The Virgin and Child |
The Dead Christ supported by an Angel |
Gallery |
External links |
Paintings of Alonso Cano on Insecula |
Scholarly articles about Alonso Cano both in web and PDF at the Spanish Old Masters Gallery |
Alonso Cano on Artcyclopedia |
Jusepe de Ribera, 1591–1652, a full text exhibition catalog from The Metropolitan Museum of Art, which includes material on Alonso Cano (see index) |
References |
This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed. (1913). "Alonso Cano". Catholic Encyclopedia. New York: Robert Appleton Company. |
Ambrosius Francken I (1544–1618) was a Flemish painter known for his religious works and historical allegories painted in a late Mannerist style. He was a prominent member of the Francken family of artists, which played a very important role in the Flemish art scene from the late 16th to middle 17th century. |
Life |
Ambrosius Francken I was born in Herentals. His father was the painter Nicolaes Francken from Herentals who later moved to Antwerp. His brothers Frans Francken I and Hieronymus Francken I both became successful painters. Ambrosius studied under his father and the leading Antwerp Mannerist painter Frans Floris. The... |
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