Dataline int64 1 111k | Play stringclasses 36 values | PlayerLinenumber float64 1 405 ⌀ | ActSceneLine stringlengths 5 8 ⌀ | Player stringclasses 934 values | PlayerLine stringlengths 1 1.03k |
|---|---|---|---|---|---|
103,301 | Twelfth Night | 42 | 1.5.95 | MARIA | I know not, madam: 'tis a fair young man, and well attended. |
103,302 | Twelfth Night | 43 | 1.5.96 | OLIVIA | Who of my people hold him in delay? |
103,303 | Twelfth Night | 44 | 1.5.97 | MARIA | Sir Toby, madam, your kinsman. |
103,304 | Twelfth Night | 45 | 1.5.98 | OLIVIA | Fetch him off, I pray you, he speaks nothing but |
103,305 | Twelfth Night | 45 | 1.5.99 | OLIVIA | madman: fie on him! |
103,306 | Twelfth Night | 45 | null | OLIVIA | Exit MARIA |
103,307 | Twelfth Night | 45 | 1.5.100 | OLIVIA | Go you, Malvolio: if it be a suit from the count, I |
103,308 | Twelfth Night | 45 | 1.5.101 | OLIVIA | am sick, or not at home, what you will, to dismiss it. |
103,309 | Twelfth Night | 45 | null | OLIVIA | Exit MALVOLIO |
103,310 | Twelfth Night | 45 | 1.5.102 | OLIVIA | Now you see, sir, how your fooling grows old, and |
103,311 | Twelfth Night | 45 | 1.5.103 | OLIVIA | people dislike it. |
103,312 | Twelfth Night | 46 | 1.5.104 | Clown | Thou hast spoke for us, madonna, as if thy eldest |
103,313 | Twelfth Night | 46 | 1.5.105 | Clown | son should be a fool, whose skull Jove cram with |
103,314 | Twelfth Night | 46 | 1.5.106 | Clown | brains! for,--here he comes,--one of thy kin has a |
103,315 | Twelfth Night | 46 | 1.5.107 | Clown | most weak pia mater. |
103,316 | Twelfth Night | 46 | null | Clown | Enter SIR TOBY BELCH |
103,317 | Twelfth Night | 47 | 1.5.108 | OLIVIA | By mine honour, half drunk. What is he at the gate, cousin? |
103,318 | Twelfth Night | 48 | 1.5.109 | SIR TOBY BELCH | A gentleman. |
103,319 | Twelfth Night | 49 | 1.5.110 | OLIVIA | A gentleman! what gentleman? |
103,320 | Twelfth Night | 50 | 1.5.111 | SIR TOBY BELCH | 'Tis a gentle man here--a plague o' these |
103,321 | Twelfth Night | 50 | 1.5.112 | SIR TOBY BELCH | pickle-herring! How now, sot! |
103,322 | Twelfth Night | 51 | 1.5.113 | Clown | Good Sir Toby! |
103,323 | Twelfth Night | 52 | 1.5.114 | OLIVIA | Cousin, cousin, how have you come so early by this lethargy? |
103,324 | Twelfth Night | 53 | 1.5.115 | SIR TOBY BELCH | Lechery! I defy lechery. There's one at the gate. |
103,325 | Twelfth Night | 54 | 1.5.116 | OLIVIA | Ay, marry, what is he? |
103,326 | Twelfth Night | 55 | 1.5.117 | SIR TOBY BELCH | Let him be the devil, an he will, I care not: give |
103,327 | Twelfth Night | 55 | 1.5.118 | SIR TOBY BELCH | me faith, say I. Well, it's all one. |
103,328 | Twelfth Night | 55 | null | SIR TOBY BELCH | Exit |
103,329 | Twelfth Night | 56 | 1.5.119 | OLIVIA | What's a drunken man like, fool? |
103,330 | Twelfth Night | 57 | 1.5.120 | Clown | Like a drowned man, a fool and a mad man: one |
103,331 | Twelfth Night | 57 | 1.5.121 | Clown | draught above heat makes him a fool, the second mads |
103,332 | Twelfth Night | 57 | 1.5.122 | Clown | him, and a third drowns him. |
103,333 | Twelfth Night | 58 | 1.5.123 | OLIVIA | Go thou and seek the crowner, and let him sit o' my |
103,334 | Twelfth Night | 58 | 1.5.124 | OLIVIA | coz, for he's in the third degree of drink, he's |
103,335 | Twelfth Night | 58 | 1.5.125 | OLIVIA | drowned: go, look after him. |
103,336 | Twelfth Night | 59 | 1.5.126 | Clown | He is but mad yet, madonna, and the fool shall look |
103,337 | Twelfth Night | 59 | 1.5.127 | Clown | to the madman. |
103,338 | Twelfth Night | 59 | null | Clown | Exit |
103,339 | Twelfth Night | 59 | null | Clown | Re-enter MALVOLIO |
103,340 | Twelfth Night | 60 | 1.5.128 | MALVOLIO | Madam, yond young fellow swears he will speak with |
103,341 | Twelfth Night | 60 | 1.5.129 | MALVOLIO | you. I told him you were sick, he takes on him to |
103,342 | Twelfth Night | 60 | 1.5.130 | MALVOLIO | understand so much, and therefore comes to speak |
103,343 | Twelfth Night | 60 | 1.5.131 | MALVOLIO | with you. I told him you were asleep, he seems to |
103,344 | Twelfth Night | 60 | 1.5.132 | MALVOLIO | have a foreknowledge of that too, and therefore |
103,345 | Twelfth Night | 60 | 1.5.133 | MALVOLIO | comes to speak with you. What is to be said to him, |
103,346 | Twelfth Night | 60 | 1.5.134 | MALVOLIO | lady? he's fortified against any denial. |
103,347 | Twelfth Night | 61 | 1.5.135 | OLIVIA | Tell him he shall not speak with me. |
103,348 | Twelfth Night | 62 | 1.5.136 | MALVOLIO | Has been told so, and he says, he'll stand at your |
103,349 | Twelfth Night | 62 | 1.5.137 | MALVOLIO | door like a sheriff's post, and be the supporter to |
103,350 | Twelfth Night | 62 | 1.5.138 | MALVOLIO | a bench, but he'll speak with you. |
103,351 | Twelfth Night | 63 | 1.5.139 | OLIVIA | What kind o' man is he? |
103,352 | Twelfth Night | 64 | 1.5.140 | MALVOLIO | Why, of mankind. |
103,353 | Twelfth Night | 65 | 1.5.141 | OLIVIA | What manner of man? |
103,354 | Twelfth Night | 66 | 1.5.142 | MALVOLIO | Of very ill manner, he'll speak with you, will you or no. |
103,355 | Twelfth Night | 67 | 1.5.143 | OLIVIA | Of what personage and years is he? |
103,356 | Twelfth Night | 68 | 1.5.144 | MALVOLIO | Not yet old enough for a man, nor young enough for |
103,357 | Twelfth Night | 68 | 1.5.145 | MALVOLIO | a boy, as a squash is before 'tis a peascod, or a |
103,358 | Twelfth Night | 68 | 1.5.146 | MALVOLIO | cooling when 'tis almost an apple: 'tis with him |
103,359 | Twelfth Night | 68 | 1.5.147 | MALVOLIO | in standing water, between boy and man. He is very |
103,360 | Twelfth Night | 68 | 1.5.148 | MALVOLIO | well-favoured and he speaks very shrewishly, one |
103,361 | Twelfth Night | 68 | 1.5.149 | MALVOLIO | would think his mother's milk were scarce out of him. |
103,362 | Twelfth Night | 69 | 1.5.150 | OLIVIA | Let him approach: call in my gentlewoman. |
103,363 | Twelfth Night | 70 | 1.5.151 | MALVOLIO | Gentlewoman, my lady calls. |
103,364 | Twelfth Night | 70 | null | MALVOLIO | Exit |
103,365 | Twelfth Night | 70 | null | MALVOLIO | Re-enter MARIA |
103,366 | Twelfth Night | 71 | 1.5.152 | OLIVIA | Give me my veil: come, throw it o'er my face. |
103,367 | Twelfth Night | 71 | 1.5.153 | OLIVIA | We'll once more hear Orsino's embassy. |
103,368 | Twelfth Night | 71 | null | OLIVIA | Enter VIOLA, and Attendants |
103,369 | Twelfth Night | 72 | 1.5.154 | VIOLA | The honourable lady of the house, which is she? |
103,370 | Twelfth Night | 73 | 1.5.155 | OLIVIA | Speak to me, I shall answer for her. |
103,371 | Twelfth Night | 73 | 1.5.156 | OLIVIA | Your will? |
103,372 | Twelfth Night | 74 | 1.5.157 | VIOLA | Most radiant, exquisite and unmatchable beauty,--I |
103,373 | Twelfth Night | 74 | 1.5.158 | VIOLA | pray you, tell me if this be the lady of the house, |
103,374 | Twelfth Night | 74 | 1.5.159 | VIOLA | for I never saw her: I would be loath to cast away |
103,375 | Twelfth Night | 74 | 1.5.160 | VIOLA | my speech, for besides that it is excellently well |
103,376 | Twelfth Night | 74 | 1.5.161 | VIOLA | penned, I have taken great pains to con it. Good |
103,377 | Twelfth Night | 74 | 1.5.162 | VIOLA | beauties, let me sustain no scorn, I am very |
103,378 | Twelfth Night | 74 | 1.5.163 | VIOLA | comptible, even to the least sinister usage. |
103,379 | Twelfth Night | 75 | 1.5.164 | OLIVIA | Whence came you, sir? |
103,380 | Twelfth Night | 76 | 1.5.165 | VIOLA | I can say little more than I have studied, and that |
103,381 | Twelfth Night | 76 | 1.5.166 | VIOLA | question's out of my part. Good gentle one, give me |
103,382 | Twelfth Night | 76 | 1.5.167 | VIOLA | modest assurance if you be the lady of the house, |
103,383 | Twelfth Night | 76 | 1.5.168 | VIOLA | that I may proceed in my speech. |
103,384 | Twelfth Night | 77 | 1.5.169 | OLIVIA | Are you a comedian? |
103,385 | Twelfth Night | 78 | 1.5.170 | VIOLA | No, my profound heart: and yet, by the very fangs |
103,386 | Twelfth Night | 78 | 1.5.171 | VIOLA | of malice I swear, I am not that I play. Are you |
103,387 | Twelfth Night | 78 | 1.5.172 | VIOLA | the lady of the house? |
103,388 | Twelfth Night | 79 | 1.5.173 | OLIVIA | If I do not usurp myself, I am. |
103,389 | Twelfth Night | 80 | 1.5.174 | VIOLA | Most certain, if you are she, you do usurp |
103,390 | Twelfth Night | 80 | 1.5.175 | VIOLA | yourself, for what is yours to bestow is not yours |
103,391 | Twelfth Night | 80 | 1.5.176 | VIOLA | to reserve. But this is from my commission: I will |
103,392 | Twelfth Night | 80 | 1.5.177 | VIOLA | on with my speech in your praise, and then show you |
103,393 | Twelfth Night | 80 | 1.5.178 | VIOLA | the heart of my message. |
103,394 | Twelfth Night | 81 | 1.5.179 | OLIVIA | Come to what is important in't: I forgive you the praise. |
103,395 | Twelfth Night | 82 | 1.5.180 | VIOLA | Alas, I took great pains to study it, and 'tis poetical. |
103,396 | Twelfth Night | 83 | 1.5.181 | OLIVIA | It is the more like to be feigned: I pray you, |
103,397 | Twelfth Night | 83 | 1.5.182 | OLIVIA | keep it in. I heard you were saucy at my gates, |
103,398 | Twelfth Night | 83 | 1.5.183 | OLIVIA | and allowed your approach rather to wonder at you |
103,399 | Twelfth Night | 83 | 1.5.184 | OLIVIA | than to hear you. If you be not mad, be gone, if |
103,400 | Twelfth Night | 83 | 1.5.185 | OLIVIA | you have reason, be brief: 'tis not that time of |
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