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Note that you do not have to play the greeting again, only the main menu prompt. |
Selection 0 |
As stated before, and whether you like it or not, this is the choice that many (possibly |
the majority) of your callers will select. If you really don’t want to have somebody |
handle these calls, you can send this extension to a mailbox, but we don’t recommend |
it. If you are a business, many of your callers will be your customers. You want to |
make it easy for them to get in touch with you. Trust us. |
Designing Your AA |
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251 |
Timeout |
Many people will call a number and not pay too much attention to what is happening. |
They know that if they just wait on the line, they will eventually be transferred to the |
operator. Or perhaps they are in their cars, and really shouldn’t be pressing buttons |
on their phones. Either way, oblige them. If they don’t make any selection, don’t har‐ |
ass them and force them to do so. Connect them to the operator. |
Invalid |
People make mistakes. That’s OK. The invalid handler will let them know that what‐ |
ever they have chosen is not a valid option and will return them to the menu prompt |
so that they can try again. Note that you should not play the greeting again, only the |
main menu prompt. |
Dial by Extension |
If somebody calls your system and knows the extension she wants to reach, your |
automated attendant should have code in place to handle this. |
Although Asterisk can handle an overlap between menu choices |
and extension numbers (e.g., you can have a menu choice 1 and |
extensions from 100 to 199), it is generally best to avoid this over‐ |
lap. Otherwise, the dialplan will always have to wait for the interdi‐ |
git timeout whenever somebody presses 1, because it won’t know if |
they are planning to dial extension 123. The interdigit timeout is |
the delay the system will allow between digits before it assumes the |
entire number has been input. This timer ensures callers have |
enough time to dial a multidigit extension, but it also causes a delay |
in the processing of single-digit inputs. |
Building Your AA |
After you have designed your AA, there are three things you need to do to make it |
work properly: |
• Record prompts. |
• Build the dialplan for the menu. |
• Direct the incoming channels to the AA context. |
We will start by talking about recordings. |
252 |
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Chapter 14: The Automated Attendant |
Recording Prompts |
Recording prompts for a telephone system is a critical task. This is what your callers |
will hear when they interact with your system, and the quality and professionalism of |
these prompts will reflect on your organization. |
Asterisk is very flexible in this regard and can work with many different audio for‐ |
mats. We have found that, in general, the most useful format to use is WAV. Files |
saved in this format can be of many different kinds, but only one type of WAV file |
will work with Asterisk: files must be encoded in 16-bit, 8,000 Hz, mono format. |
Recommended Prompt File Format |
The WAV file format we have recommended is useful for system prompts because it |
can easily be converted to any other format that your phones might use, without loss |
or distortion, and almost any computer can play it without any special software. Thus, |
not only can Asterisk handle the file easily, but it is also easy to work with it on a PC |
(which can be useful). Asterisk can handle other file formats as well, and in some |
cases these may be more suitable for your needs, but in general we find 16-bit 8 kHz |
WAV files to be the easiest to work with and, most of the time, the best possible |
quality. |
There are essentially two ways to get prompts into a system. One is to record sound |
files in a studio or on a PC, and then move those files into the system. A second way |
is to record the prompts directly onto the system using a telephone set. We prefer the |
second method. |
Our advice is this: don’t get hung up on the complexities of recording audio through a |
PC or in a studio.5 It is generally not necessary. A telephone set will produce |
excellent-quality recordings, and the reasons are simple: the microphone and elec‐ |
tronics in a telephone are carefully designed to capture the human voice in a format |
that is ideal for transmission on telephone networks, and therefore a phone set is also |
ideal for doing prompts. The set will capture the audio in the correct format, and will |
filter out background noise and normalize the decibel level. |
Yes, a properly produced studio prompt will be superior to a |
prompt recorded over a telephone, but if you don’t have the equip‐ |
ment or experience, take our advice and use a telephone to do your |
recordings, because a poorly produced studio prompt will be much |
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