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Digital twin market: Analyzing growth and 4 emerging trends
The digital twin was designed to help facility managers inspect, maintain, and repair building assets. 3D simulations assist facility managers in visualizing, predicting, and optimizing energy consumption, and the expected benefits include lower annual energy consumption, water usage, and waste.
Trend 2: Digital twins employed as virtual sensors in complex conditions
Virtual sensors approximate data that otherwise cannot be obtained via physical sensors, often due to physical sensors being impractical, costly, or hazardous to employ. Companies are now building digital twins to model hardware and calculate data based on other conditions. This not only allows the collection of data from complex equipment but also enables operators to track equipment performance and predict maintenance and downtimes.
Example: In large motor applications, such as room-sized motors that pump high volumes of gas, oil, or other chemicals, operators need to monitor the motors’ temperatures—especially if the motors are high-powered and repeatedly started. If a motor is too hot during a restart, the components could cause serious damage.
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13901
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Digital twin market: Analyzing growth and 4 emerging trends
3D simulations assist facility managers in visualizing, predicting, and optimizing energy consumption, and the expected benefits include lower annual energy consumption, water usage, and waste.
Trend 2: Digital twins employed as virtual sensors in complex conditions
Virtual sensors approximate data that otherwise cannot be obtained via physical sensors, often due to physical sensors being impractical, costly, or hazardous to employ. Companies are now building digital twins to model hardware and calculate data based on other conditions. This not only allows the collection of data from complex equipment but also enables operators to track equipment performance and predict maintenance and downtimes.
Example: In large motor applications, such as room-sized motors that pump high volumes of gas, oil, or other chemicals, operators need to monitor the motors’ temperatures—especially if the motors are high-powered and repeatedly started. If a motor is too hot during a restart, the components could cause serious damage. Unfortunately, using a direct, physical sensor within a motor is often impractical, and operators must work from an assumptive time it takes for the motor to cool (with an additional safety buffer time).
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13902
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Digital twin market: Analyzing growth and 4 emerging trends
Trend 2: Digital twins employed as virtual sensors in complex conditions
Virtual sensors approximate data that otherwise cannot be obtained via physical sensors, often due to physical sensors being impractical, costly, or hazardous to employ. Companies are now building digital twins to model hardware and calculate data based on other conditions. This not only allows the collection of data from complex equipment but also enables operators to track equipment performance and predict maintenance and downtimes.
Example: In large motor applications, such as room-sized motors that pump high volumes of gas, oil, or other chemicals, operators need to monitor the motors’ temperatures—especially if the motors are high-powered and repeatedly started. If a motor is too hot during a restart, the components could cause serious damage. Unfortunately, using a direct, physical sensor within a motor is often impractical, and operators must work from an assumptive time it takes for the motor to cool (with an additional safety buffer time). This means motors can be down longer than necessary, impacting efficiency and revenue.
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13903
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Digital twin market: Analyzing growth and 4 emerging trends
Companies are now building digital twins to model hardware and calculate data based on other conditions. This not only allows the collection of data from complex equipment but also enables operators to track equipment performance and predict maintenance and downtimes.
Example: In large motor applications, such as room-sized motors that pump high volumes of gas, oil, or other chemicals, operators need to monitor the motors’ temperatures—especially if the motors are high-powered and repeatedly started. If a motor is too hot during a restart, the components could cause serious damage. Unfortunately, using a direct, physical sensor within a motor is often impractical, and operators must work from an assumptive time it takes for the motor to cool (with an additional safety buffer time). This means motors can be down longer than necessary, impacting efficiency and revenue.
To address this issue, Siemens developed a prototype virtual sensor based on a digital twin. It offers a simulation of how a physical sensor would operate if it were possible to install it within a motor.
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13904
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Digital twin market: Analyzing growth and 4 emerging trends
This not only allows the collection of data from complex equipment but also enables operators to track equipment performance and predict maintenance and downtimes.
Example: In large motor applications, such as room-sized motors that pump high volumes of gas, oil, or other chemicals, operators need to monitor the motors’ temperatures—especially if the motors are high-powered and repeatedly started. If a motor is too hot during a restart, the components could cause serious damage. Unfortunately, using a direct, physical sensor within a motor is often impractical, and operators must work from an assumptive time it takes for the motor to cool (with an additional safety buffer time). This means motors can be down longer than necessary, impacting efficiency and revenue.
To address this issue, Siemens developed a prototype virtual sensor based on a digital twin. It offers a simulation of how a physical sensor would operate if it were possible to install it within a motor. Using AR headsets, operators can see a simulation of the motor and its interior with a demonstrator superimposed over it, and they can see the motor’s temperature.
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13905
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Digital twin market: Analyzing growth and 4 emerging trends
Example: In large motor applications, such as room-sized motors that pump high volumes of gas, oil, or other chemicals, operators need to monitor the motors’ temperatures—especially if the motors are high-powered and repeatedly started. If a motor is too hot during a restart, the components could cause serious damage. Unfortunately, using a direct, physical sensor within a motor is often impractical, and operators must work from an assumptive time it takes for the motor to cool (with an additional safety buffer time). This means motors can be down longer than necessary, impacting efficiency and revenue.
To address this issue, Siemens developed a prototype virtual sensor based on a digital twin. It offers a simulation of how a physical sensor would operate if it were possible to install it within a motor. Using AR headsets, operators can see a simulation of the motor and its interior with a demonstrator superimposed over it, and they can see the motor’s temperature.
Trend 3: Partnerships forged in the clouds: Hyperscalers team up with OT and simulation specialists
In the last few years, cloud hyperscalers like AWS and Microsoft Azure have introduced digital twin platforms, e.g., AWS IoT TwinMaker and Azure Digital Twins, that allow for interconnecting various data sources and building digital twin topology.
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13906
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Digital twin market: Analyzing growth and 4 emerging trends
This means motors can be down longer than necessary, impacting efficiency and revenue.
To address this issue, Siemens developed a prototype virtual sensor based on a digital twin. It offers a simulation of how a physical sensor would operate if it were possible to install it within a motor. Using AR headsets, operators can see a simulation of the motor and its interior with a demonstrator superimposed over it, and they can see the motor’s temperature.
Trend 3: Partnerships forged in the clouds: Hyperscalers team up with OT and simulation specialists
In the last few years, cloud hyperscalers like AWS and Microsoft Azure have introduced digital twin platforms, e.g., AWS IoT TwinMaker and Azure Digital Twins, that allow for interconnecting various data sources and building digital twin topology. However, these companies realize they cannot deliver end-to-end digital twin solutions by themselves and are thus partnering with OT and simulation companies to add capabilities to their networks.
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13907
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Digital twin market: Analyzing growth and 4 emerging trends
This means motors can be down longer than necessary, impacting efficiency and revenue.
To address this issue, Siemens developed a prototype virtual sensor based on a digital twin. It offers a simulation of how a physical sensor would operate if it were possible to install it within a motor. Using AR headsets, operators can see a simulation of the motor and its interior with a demonstrator superimposed over it, and they can see the motor’s temperature.
Trend 3: Partnerships forged in the clouds: Hyperscalers team up with OT and simulation specialists
In the last few years, cloud hyperscalers like AWS and Microsoft Azure have introduced digital twin platforms, e.g., AWS IoT TwinMaker and Azure Digital Twins, that allow for interconnecting various data sources and building digital twin topology. However, these companies realize they cannot deliver end-to-end digital twin solutions by themselves and are thus partnering with OT and simulation companies to add capabilities to their networks.
Hyperscalers and OT companies
OT companies provide industrial data management capabilities and connections to millions of local physical assets.
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13908
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Digital twin market: Analyzing growth and 4 emerging trends
It offers a simulation of how a physical sensor would operate if it were possible to install it within a motor. Using AR headsets, operators can see a simulation of the motor and its interior with a demonstrator superimposed over it, and they can see the motor’s temperature.
Trend 3: Partnerships forged in the clouds: Hyperscalers team up with OT and simulation specialists
In the last few years, cloud hyperscalers like AWS and Microsoft Azure have introduced digital twin platforms, e.g., AWS IoT TwinMaker and Azure Digital Twins, that allow for interconnecting various data sources and building digital twin topology. However, these companies realize they cannot deliver end-to-end digital twin solutions by themselves and are thus partnering with OT and simulation companies to add capabilities to their networks.
Hyperscalers and OT companies
OT companies provide industrial data management capabilities and connections to millions of local physical assets. By partnering with hyperscalers, OT companies can reach broader audiences looking for digital transformation solutions by offering typical cloud benefits like storage and computation power.
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13909
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Digital twin market: Analyzing growth and 4 emerging trends
Using AR headsets, operators can see a simulation of the motor and its interior with a demonstrator superimposed over it, and they can see the motor’s temperature.
Trend 3: Partnerships forged in the clouds: Hyperscalers team up with OT and simulation specialists
In the last few years, cloud hyperscalers like AWS and Microsoft Azure have introduced digital twin platforms, e.g., AWS IoT TwinMaker and Azure Digital Twins, that allow for interconnecting various data sources and building digital twin topology. However, these companies realize they cannot deliver end-to-end digital twin solutions by themselves and are thus partnering with OT and simulation companies to add capabilities to their networks.
Hyperscalers and OT companies
OT companies provide industrial data management capabilities and connections to millions of local physical assets. By partnering with hyperscalers, OT companies can reach broader audiences looking for digital transformation solutions by offering typical cloud benefits like storage and computation power.
Example: In 2021, Siemens and AWS announced an expansion of their partnership, with digital twin technology being an area of focus.
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13910
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Digital twin market: Analyzing growth and 4 emerging trends
Trend 3: Partnerships forged in the clouds: Hyperscalers team up with OT and simulation specialists
In the last few years, cloud hyperscalers like AWS and Microsoft Azure have introduced digital twin platforms, e.g., AWS IoT TwinMaker and Azure Digital Twins, that allow for interconnecting various data sources and building digital twin topology. However, these companies realize they cannot deliver end-to-end digital twin solutions by themselves and are thus partnering with OT and simulation companies to add capabilities to their networks.
Hyperscalers and OT companies
OT companies provide industrial data management capabilities and connections to millions of local physical assets. By partnering with hyperscalers, OT companies can reach broader audiences looking for digital transformation solutions by offering typical cloud benefits like storage and computation power.
Example: In 2021, Siemens and AWS announced an expansion of their partnership, with digital twin technology being an area of focus. The companies aimed to accelerate Siemens Xcelerator adoption and democratize new digital twin solutions using AWS IoT TwinMaker, a service intended to make creating digital twins that incorporate multiple data sources faster and easier.
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13911
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Digital twin market: Analyzing growth and 4 emerging trends
However, these companies realize they cannot deliver end-to-end digital twin solutions by themselves and are thus partnering with OT and simulation companies to add capabilities to their networks.
Hyperscalers and OT companies
OT companies provide industrial data management capabilities and connections to millions of local physical assets. By partnering with hyperscalers, OT companies can reach broader audiences looking for digital transformation solutions by offering typical cloud benefits like storage and computation power.
Example: In 2021, Siemens and AWS announced an expansion of their partnership, with digital twin technology being an area of focus. The companies aimed to accelerate Siemens Xcelerator adoption and democratize new digital twin solutions using AWS IoT TwinMaker, a service intended to make creating digital twins that incorporate multiple data sources faster and easier.
Hyperscalers and simulation companies
Simulation companies bring specialized expertise in creating accurate, high-fidelity models of physical entities, be it machinery, buildings, or entire ecosystems.
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13912
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Digital twin market: Analyzing growth and 4 emerging trends
However, these companies realize they cannot deliver end-to-end digital twin solutions by themselves and are thus partnering with OT and simulation companies to add capabilities to their networks.
Hyperscalers and OT companies
OT companies provide industrial data management capabilities and connections to millions of local physical assets. By partnering with hyperscalers, OT companies can reach broader audiences looking for digital transformation solutions by offering typical cloud benefits like storage and computation power.
Example: In 2021, Siemens and AWS announced an expansion of their partnership, with digital twin technology being an area of focus. The companies aimed to accelerate Siemens Xcelerator adoption and democratize new digital twin solutions using AWS IoT TwinMaker, a service intended to make creating digital twins that incorporate multiple data sources faster and easier.
Hyperscalers and simulation companies
Simulation companies bring specialized expertise in creating accurate, high-fidelity models of physical entities, be it machinery, buildings, or entire ecosystems. By partnering with a hyperscaler, simulation companies can harness these cloud services’ data storage and computational power to create more robust, responsive, and accurate data twins that can be scaled and integrated seamlessly into broader IT ecosystems.
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13913
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Digital twin market: Analyzing growth and 4 emerging trends
By partnering with hyperscalers, OT companies can reach broader audiences looking for digital transformation solutions by offering typical cloud benefits like storage and computation power.
Example: In 2021, Siemens and AWS announced an expansion of their partnership, with digital twin technology being an area of focus. The companies aimed to accelerate Siemens Xcelerator adoption and democratize new digital twin solutions using AWS IoT TwinMaker, a service intended to make creating digital twins that incorporate multiple data sources faster and easier.
Hyperscalers and simulation companies
Simulation companies bring specialized expertise in creating accurate, high-fidelity models of physical entities, be it machinery, buildings, or entire ecosystems. By partnering with a hyperscaler, simulation companies can harness these cloud services’ data storage and computational power to create more robust, responsive, and accurate data twins that can be scaled and integrated seamlessly into broader IT ecosystems.
Example: In 2023, Ansys and Microsoft announced a partnership to help customers envision digital twins on a large scale.
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13914
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Digital twin market: Analyzing growth and 4 emerging trends
Example: In 2021, Siemens and AWS announced an expansion of their partnership, with digital twin technology being an area of focus. The companies aimed to accelerate Siemens Xcelerator adoption and democratize new digital twin solutions using AWS IoT TwinMaker, a service intended to make creating digital twins that incorporate multiple data sources faster and easier.
Hyperscalers and simulation companies
Simulation companies bring specialized expertise in creating accurate, high-fidelity models of physical entities, be it machinery, buildings, or entire ecosystems. By partnering with a hyperscaler, simulation companies can harness these cloud services’ data storage and computational power to create more robust, responsive, and accurate data twins that can be scaled and integrated seamlessly into broader IT ecosystems.
Example: In 2023, Ansys and Microsoft announced a partnership to help customers envision digital twins on a large scale. In cooperation with Tata Consultancy Services, Ansys and Microsoft integrated Ansys’s Twin Builder’s physics-based simulation capabilities with Azure Digital Twin and IoT data to allow Twin Builder users to run scenarios and obtain predictions on how their systems will behave.
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13915
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Digital twin market: Analyzing growth and 4 emerging trends
The companies aimed to accelerate Siemens Xcelerator adoption and democratize new digital twin solutions using AWS IoT TwinMaker, a service intended to make creating digital twins that incorporate multiple data sources faster and easier.
Hyperscalers and simulation companies
Simulation companies bring specialized expertise in creating accurate, high-fidelity models of physical entities, be it machinery, buildings, or entire ecosystems. By partnering with a hyperscaler, simulation companies can harness these cloud services’ data storage and computational power to create more robust, responsive, and accurate data twins that can be scaled and integrated seamlessly into broader IT ecosystems.
Example: In 2023, Ansys and Microsoft announced a partnership to help customers envision digital twins on a large scale. In cooperation with Tata Consultancy Services, Ansys and Microsoft integrated Ansys’s Twin Builder’s physics-based simulation capabilities with Azure Digital Twin and IoT data to allow Twin Builder users to run scenarios and obtain predictions on how their systems will behave.
Trend 4: Initiatives promoting interoperability of digital twins across systems from different vendors
Agreement on integration standards among the various digital twin technology providers is crucial for building cross-system digital twins.
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13916
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Digital twin market: Analyzing growth and 4 emerging trends
Hyperscalers and simulation companies
Simulation companies bring specialized expertise in creating accurate, high-fidelity models of physical entities, be it machinery, buildings, or entire ecosystems. By partnering with a hyperscaler, simulation companies can harness these cloud services’ data storage and computational power to create more robust, responsive, and accurate data twins that can be scaled and integrated seamlessly into broader IT ecosystems.
Example: In 2023, Ansys and Microsoft announced a partnership to help customers envision digital twins on a large scale. In cooperation with Tata Consultancy Services, Ansys and Microsoft integrated Ansys’s Twin Builder’s physics-based simulation capabilities with Azure Digital Twin and IoT data to allow Twin Builder users to run scenarios and obtain predictions on how their systems will behave.
Trend 4: Initiatives promoting interoperability of digital twins across systems from different vendors
Agreement on integration standards among the various digital twin technology providers is crucial for building cross-system digital twins. With standards, manufacturers can offer services that can be applied to unique situations with other digital twin technology and software.
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13917
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Digital twin market: Analyzing growth and 4 emerging trends
By partnering with a hyperscaler, simulation companies can harness these cloud services’ data storage and computational power to create more robust, responsive, and accurate data twins that can be scaled and integrated seamlessly into broader IT ecosystems.
Example: In 2023, Ansys and Microsoft announced a partnership to help customers envision digital twins on a large scale. In cooperation with Tata Consultancy Services, Ansys and Microsoft integrated Ansys’s Twin Builder’s physics-based simulation capabilities with Azure Digital Twin and IoT data to allow Twin Builder users to run scenarios and obtain predictions on how their systems will behave.
Trend 4: Initiatives promoting interoperability of digital twins across systems from different vendors
Agreement on integration standards among the various digital twin technology providers is crucial for building cross-system digital twins. With standards, manufacturers can offer services that can be applied to unique situations with other digital twin technology and software.
Recognizing this, countries and industry organizations have taken several steps to address this need:
Plattform Industrie 4.0 and CESMII
Plattform Industrie 4.0 and the Clean Energy Smart Manufacturing Innovation Institute (CESMII) partnered to establish standards for manufacturers in Germany and the United States to better enable smart, sustainable competition.
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13918
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Digital twin market: Analyzing growth and 4 emerging trends
In cooperation with Tata Consultancy Services, Ansys and Microsoft integrated Ansys’s Twin Builder’s physics-based simulation capabilities with Azure Digital Twin and IoT data to allow Twin Builder users to run scenarios and obtain predictions on how their systems will behave.
Trend 4: Initiatives promoting interoperability of digital twins across systems from different vendors
Agreement on integration standards among the various digital twin technology providers is crucial for building cross-system digital twins. With standards, manufacturers can offer services that can be applied to unique situations with other digital twin technology and software.
Recognizing this, countries and industry organizations have taken several steps to address this need:
Plattform Industrie 4.0 and CESMII
Plattform Industrie 4.0 and the Clean Energy Smart Manufacturing Innovation Institute (CESMII) partnered to establish standards for manufacturers in Germany and the United States to better enable smart, sustainable competition. The partnership addressed similar challenges related to Industry 4.0 and Smart Manufacturing.
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13919
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Digital twin market: Analyzing growth and 4 emerging trends
Trend 4: Initiatives promoting interoperability of digital twins across systems from different vendors
Agreement on integration standards among the various digital twin technology providers is crucial for building cross-system digital twins. With standards, manufacturers can offer services that can be applied to unique situations with other digital twin technology and software.
Recognizing this, countries and industry organizations have taken several steps to address this need:
Plattform Industrie 4.0 and CESMII
Plattform Industrie 4.0 and the Clean Energy Smart Manufacturing Innovation Institute (CESMII) partnered to establish standards for manufacturers in Germany and the United States to better enable smart, sustainable competition. The partnership addressed similar challenges related to Industry 4.0 and Smart Manufacturing.
DTC digital twin interoperability framework
The Digital Twin Consortium (DTC), a collaborative partnership of industry, academia, and government experts, released the Digital Twin System Interoperability Framework to “unify a nascent ecosystem of high-value, multi-vendor services that can seamlessly ‘plug into’ a multi-dimensional, interoperable system of systems.”
DTC and IDTA collaboration
DTC and the Industrial Digital Twin Association (IDTA) announced a liaison agreement to collaborate on standardization requirements, enabling interoperability through discussions, aligning work in horizontal domains, and collaborating on open-source projects, contributions, and reference implementations.
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13920
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Digital twin market: Analyzing growth and 4 emerging trends
The partnership addressed similar challenges related to Industry 4.0 and Smart Manufacturing.
DTC digital twin interoperability framework
The Digital Twin Consortium (DTC), a collaborative partnership of industry, academia, and government experts, released the Digital Twin System Interoperability Framework to “unify a nascent ecosystem of high-value, multi-vendor services that can seamlessly ‘plug into’ a multi-dimensional, interoperable system of systems.”
DTC and IDTA collaboration
DTC and the Industrial Digital Twin Association (IDTA) announced a liaison agreement to collaborate on standardization requirements, enabling interoperability through discussions, aligning work in horizontal domains, and collaborating on open-source projects, contributions, and reference implementations.
DTC and OPC Foundation collaboration
DTC and the OPC Foundation announced a liaison agreement to “accelerate the development and adoption of digital twin-enabling technologies,” promoting interoperability standards and processes to advance the use of digital twins in manufacturing across multiple industries.
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13921
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Digital twin market: Analyzing growth and 4 emerging trends
The partnership addressed similar challenges related to Industry 4.0 and Smart Manufacturing.
DTC digital twin interoperability framework
The Digital Twin Consortium (DTC), a collaborative partnership of industry, academia, and government experts, released the Digital Twin System Interoperability Framework to “unify a nascent ecosystem of high-value, multi-vendor services that can seamlessly ‘plug into’ a multi-dimensional, interoperable system of systems.”
DTC and IDTA collaboration
DTC and the Industrial Digital Twin Association (IDTA) announced a liaison agreement to collaborate on standardization requirements, enabling interoperability through discussions, aligning work in horizontal domains, and collaborating on open-source projects, contributions, and reference implementations.
DTC and OPC Foundation collaboration
DTC and the OPC Foundation announced a liaison agreement to “accelerate the development and adoption of digital twin-enabling technologies,” promoting interoperability standards and processes to advance the use of digital twins in manufacturing across multiple industries.
Considerations for digital twin vendors
3 questions digital twin vendors should ask themselves based on research findings discussed in this article:
1.
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13922
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Digital twin market: Analyzing growth and 4 emerging trends
DTC and OPC Foundation collaboration
DTC and the OPC Foundation announced a liaison agreement to “accelerate the development and adoption of digital twin-enabling technologies,” promoting interoperability standards and processes to advance the use of digital twins in manufacturing across multiple industries.
Considerations for digital twin vendors
3 questions digital twin vendors should ask themselves based on research findings discussed in this article:
1. Sustainability goals: Given the emphasis on sustainability and the role of digital twins in achieving it, is my company’s digital twin solution well-equipped to support sustainability objectives? Are there new features we need to develop?
2. Interoperability: Is our digital twin solution currently designed to be interoperable with other systems and technologies, especially those from different vendors?
3. Product development: How aligned is our product development roadmap with the emerging trends highlighted in the report, especially around end-user and technological advancements?
Considerations for adopters
3 questions adopters should ask themselves based on research findings discussed in this article:
1.
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13923
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Digital twin market: Analyzing growth and 4 emerging trends
Considerations for digital twin vendors
3 questions digital twin vendors should ask themselves based on research findings discussed in this article:
1. Sustainability goals: Given the emphasis on sustainability and the role of digital twins in achieving it, is my company’s digital twin solution well-equipped to support sustainability objectives? Are there new features we need to develop?
2. Interoperability: Is our digital twin solution currently designed to be interoperable with other systems and technologies, especially those from different vendors?
3. Product development: How aligned is our product development roadmap with the emerging trends highlighted in the report, especially around end-user and technological advancements?
Considerations for adopters
3 questions adopters should ask themselves based on research findings discussed in this article:
1. Infrastructure readiness: Do we have the necessary infrastructure and resources in place to support the deployment and effective use of digital twins? If not, what investments are required?
2.
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13924
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Digital twin market: Analyzing growth and 4 emerging trends
Considerations for digital twin vendors
3 questions digital twin vendors should ask themselves based on research findings discussed in this article:
1. Sustainability goals: Given the emphasis on sustainability and the role of digital twins in achieving it, is my company’s digital twin solution well-equipped to support sustainability objectives? Are there new features we need to develop?
2. Interoperability: Is our digital twin solution currently designed to be interoperable with other systems and technologies, especially those from different vendors?
3. Product development: How aligned is our product development roadmap with the emerging trends highlighted in the report, especially around end-user and technological advancements?
Considerations for adopters
3 questions adopters should ask themselves based on research findings discussed in this article:
1. Infrastructure readiness: Do we have the necessary infrastructure and resources in place to support the deployment and effective use of digital twins? If not, what investments are required?
2. Data integration: How compatible are our current data sources and systems with digital twin technologies, especially in terms of sensor data (both physical and virtual/soft)?
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13925
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Digital twin market: Analyzing growth and 4 emerging trends
Sustainability goals: Given the emphasis on sustainability and the role of digital twins in achieving it, is my company’s digital twin solution well-equipped to support sustainability objectives? Are there new features we need to develop?
2. Interoperability: Is our digital twin solution currently designed to be interoperable with other systems and technologies, especially those from different vendors?
3. Product development: How aligned is our product development roadmap with the emerging trends highlighted in the report, especially around end-user and technological advancements?
Considerations for adopters
3 questions adopters should ask themselves based on research findings discussed in this article:
1. Infrastructure readiness: Do we have the necessary infrastructure and resources in place to support the deployment and effective use of digital twins? If not, what investments are required?
2. Data integration: How compatible are our current data sources and systems with digital twin technologies, especially in terms of sensor data (both physical and virtual/soft)?
3.
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13926
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Digital twin market: Analyzing growth and 4 emerging trends
Sustainability goals: Given the emphasis on sustainability and the role of digital twins in achieving it, is my company’s digital twin solution well-equipped to support sustainability objectives? Are there new features we need to develop?
2. Interoperability: Is our digital twin solution currently designed to be interoperable with other systems and technologies, especially those from different vendors?
3. Product development: How aligned is our product development roadmap with the emerging trends highlighted in the report, especially around end-user and technological advancements?
Considerations for adopters
3 questions adopters should ask themselves based on research findings discussed in this article:
1. Infrastructure readiness: Do we have the necessary infrastructure and resources in place to support the deployment and effective use of digital twins? If not, what investments are required?
2. Data integration: How compatible are our current data sources and systems with digital twin technologies, especially in terms of sensor data (both physical and virtual/soft)?
3. Interoperability concerns: As we use multiple software solutions across our operations, how important is interoperability between digital twin technologies and our existing systems?
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13927
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
In 2021, Quentin Tarantino defended his intention to make “just” 10 movies and retire, saying, “I know film history, and from here on in, directors do not get better.” That view of both artistry and film is squarely at odds with Martin Scorsese’s historic body of work. Scorsese had already made his 10th feature-length narrative film by 1986. He is now 80 years old, and his 27th, Killers of the Flower Moon, is a strong argument that directors are still capable of groundbreaking greatness late in life — and in Scorsese’s case, continued exhilarating experimentation and discovery.
Since the year 2000, Scorsese has curated a 23-year career within a career, and the quality and variety of his films have come not in spite of his age and experience, but because of it. His movies have never been more relevant than they became during the past two decades.
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13928
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
Scorsese had already made his 10th feature-length narrative film by 1986. He is now 80 years old, and his 27th, Killers of the Flower Moon, is a strong argument that directors are still capable of groundbreaking greatness late in life — and in Scorsese’s case, continued exhilarating experimentation and discovery.
Since the year 2000, Scorsese has curated a 23-year career within a career, and the quality and variety of his films have come not in spite of his age and experience, but because of it. His movies have never been more relevant than they became during the past two decades. With each subsequent release, as his career winds down, critical appreciation for him grows. Scorsese worship is the one remaining form of gerontocracy America is perfectly content with, and with good reason.
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13929
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
Scorsese had already made his 10th feature-length narrative film by 1986. He is now 80 years old, and his 27th, Killers of the Flower Moon, is a strong argument that directors are still capable of groundbreaking greatness late in life — and in Scorsese’s case, continued exhilarating experimentation and discovery.
Since the year 2000, Scorsese has curated a 23-year career within a career, and the quality and variety of his films have come not in spite of his age and experience, but because of it. His movies have never been more relevant than they became during the past two decades. With each subsequent release, as his career winds down, critical appreciation for him grows. Scorsese worship is the one remaining form of gerontocracy America is perfectly content with, and with good reason.
In the 21st century alone, Scorsese has made nine feature-length narrative films: Gangs of New York, The Aviator, The Departed, Shutter Island, Hugo, The Wolf of Wall Street, Silence, The Irishman, and now, Killers of the Flower Moon.
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13930
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
Since the year 2000, Scorsese has curated a 23-year career within a career, and the quality and variety of his films have come not in spite of his age and experience, but because of it. His movies have never been more relevant than they became during the past two decades. With each subsequent release, as his career winds down, critical appreciation for him grows. Scorsese worship is the one remaining form of gerontocracy America is perfectly content with, and with good reason.
In the 21st century alone, Scorsese has made nine feature-length narrative films: Gangs of New York, The Aviator, The Departed, Shutter Island, Hugo, The Wolf of Wall Street, Silence, The Irishman, and now, Killers of the Flower Moon. His stretch from 1976’s Taxi Driver through 1990’s Goodfellas is still his peak run, the films that defined his style and his perspective.
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13931
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
His movies have never been more relevant than they became during the past two decades. With each subsequent release, as his career winds down, critical appreciation for him grows. Scorsese worship is the one remaining form of gerontocracy America is perfectly content with, and with good reason.
In the 21st century alone, Scorsese has made nine feature-length narrative films: Gangs of New York, The Aviator, The Departed, Shutter Island, Hugo, The Wolf of Wall Street, Silence, The Irishman, and now, Killers of the Flower Moon. His stretch from 1976’s Taxi Driver through 1990’s Goodfellas is still his peak run, the films that defined his style and his perspective. But decades from now, the nine features he’s made since 2000 won’t be looked back on as half-baked, indulgent afterthoughts from a diminished artist who lost his fastball, a fate some great auteurs suffer in old age.
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13932
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
With each subsequent release, as his career winds down, critical appreciation for him grows. Scorsese worship is the one remaining form of gerontocracy America is perfectly content with, and with good reason.
In the 21st century alone, Scorsese has made nine feature-length narrative films: Gangs of New York, The Aviator, The Departed, Shutter Island, Hugo, The Wolf of Wall Street, Silence, The Irishman, and now, Killers of the Flower Moon. His stretch from 1976’s Taxi Driver through 1990’s Goodfellas is still his peak run, the films that defined his style and his perspective. But decades from now, the nine features he’s made since 2000 won’t be looked back on as half-baked, indulgent afterthoughts from a diminished artist who lost his fastball, a fate some great auteurs suffer in old age. Instead, it’s a fertile, vital body of work, virtuosic in entirely new ways, and as important in contextualizing his greatness as all the incredible work that preceded it.
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
In the 21st century alone, Scorsese has made nine feature-length narrative films: Gangs of New York, The Aviator, The Departed, Shutter Island, Hugo, The Wolf of Wall Street, Silence, The Irishman, and now, Killers of the Flower Moon. His stretch from 1976’s Taxi Driver through 1990’s Goodfellas is still his peak run, the films that defined his style and his perspective. But decades from now, the nine features he’s made since 2000 won’t be looked back on as half-baked, indulgent afterthoughts from a diminished artist who lost his fastball, a fate some great auteurs suffer in old age. Instead, it’s a fertile, vital body of work, virtuosic in entirely new ways, and as important in contextualizing his greatness as all the incredible work that preceded it.
Old classics
Some of those nine movies are long-gestating bucket-list triumphs revisiting the pet subjects that defined Scorsese’s oeuvre in the 20th century, often directly commenting on work from the front half of his career.
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
His stretch from 1976’s Taxi Driver through 1990’s Goodfellas is still his peak run, the films that defined his style and his perspective. But decades from now, the nine features he’s made since 2000 won’t be looked back on as half-baked, indulgent afterthoughts from a diminished artist who lost his fastball, a fate some great auteurs suffer in old age. Instead, it’s a fertile, vital body of work, virtuosic in entirely new ways, and as important in contextualizing his greatness as all the incredible work that preceded it.
Old classics
Some of those nine movies are long-gestating bucket-list triumphs revisiting the pet subjects that defined Scorsese’s oeuvre in the 20th century, often directly commenting on work from the front half of his career. 2002’s Gangs of New York, about how organized crime was woven into the operation of Scorsese’s native city from its inception, is a prequel (or ancestor) to his classics Goodfellas and Casino.
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
But decades from now, the nine features he’s made since 2000 won’t be looked back on as half-baked, indulgent afterthoughts from a diminished artist who lost his fastball, a fate some great auteurs suffer in old age. Instead, it’s a fertile, vital body of work, virtuosic in entirely new ways, and as important in contextualizing his greatness as all the incredible work that preceded it.
Old classics
Some of those nine movies are long-gestating bucket-list triumphs revisiting the pet subjects that defined Scorsese’s oeuvre in the 20th century, often directly commenting on work from the front half of his career. 2002’s Gangs of New York, about how organized crime was woven into the operation of Scorsese’s native city from its inception, is a prequel (or ancestor) to his classics Goodfellas and Casino. 2019’s The Irishman, about a man aging and dying with his guilt and sins unresolved at the end of a life of crime, is intended as a bookend to his crime trilogy with Robert De Niro and Joe Pesci.
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
Instead, it’s a fertile, vital body of work, virtuosic in entirely new ways, and as important in contextualizing his greatness as all the incredible work that preceded it.
Old classics
Some of those nine movies are long-gestating bucket-list triumphs revisiting the pet subjects that defined Scorsese’s oeuvre in the 20th century, often directly commenting on work from the front half of his career. 2002’s Gangs of New York, about how organized crime was woven into the operation of Scorsese’s native city from its inception, is a prequel (or ancestor) to his classics Goodfellas and Casino. 2019’s The Irishman, about a man aging and dying with his guilt and sins unresolved at the end of a life of crime, is intended as a bookend to his crime trilogy with Robert De Niro and Joe Pesci. 2016’s Silence is in conversation with, if not a synthesis of, the ideas explored in The Last Temptation of Christ and Kundun; all three are searching, anti-commercial religious films Scorsese struggled for years to get made.
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
Old classics
Some of those nine movies are long-gestating bucket-list triumphs revisiting the pet subjects that defined Scorsese’s oeuvre in the 20th century, often directly commenting on work from the front half of his career. 2002’s Gangs of New York, about how organized crime was woven into the operation of Scorsese’s native city from its inception, is a prequel (or ancestor) to his classics Goodfellas and Casino. 2019’s The Irishman, about a man aging and dying with his guilt and sins unresolved at the end of a life of crime, is intended as a bookend to his crime trilogy with Robert De Niro and Joe Pesci. 2016’s Silence is in conversation with, if not a synthesis of, the ideas explored in The Last Temptation of Christ and Kundun; all three are searching, anti-commercial religious films Scorsese struggled for years to get made.
In all Scorsese’s late-period films (along with the passel of rock documentaries he’s made during this era, including his two on Bob Dylan and one on George Harrison), Scorsese is consciously returning to certain pet subjects and periods in his work — not to repeat himself, but to revise and add greater perspective.
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13938
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
2019’s The Irishman, about a man aging and dying with his guilt and sins unresolved at the end of a life of crime, is intended as a bookend to his crime trilogy with Robert De Niro and Joe Pesci. 2016’s Silence is in conversation with, if not a synthesis of, the ideas explored in The Last Temptation of Christ and Kundun; all three are searching, anti-commercial religious films Scorsese struggled for years to get made.
In all Scorsese’s late-period films (along with the passel of rock documentaries he’s made during this era, including his two on Bob Dylan and one on George Harrison), Scorsese is consciously returning to certain pet subjects and periods in his work — not to repeat himself, but to revise and add greater perspective. There’s a sense that he’s trying to adjust his positions with the clear eye of an older person who has seen more of the world, dropped his pretensions, and lost his capacity for bullshit.
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13939
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
2016’s Silence is in conversation with, if not a synthesis of, the ideas explored in The Last Temptation of Christ and Kundun; all three are searching, anti-commercial religious films Scorsese struggled for years to get made.
In all Scorsese’s late-period films (along with the passel of rock documentaries he’s made during this era, including his two on Bob Dylan and one on George Harrison), Scorsese is consciously returning to certain pet subjects and periods in his work — not to repeat himself, but to revise and add greater perspective. There’s a sense that he’s trying to adjust his positions with the clear eye of an older person who has seen more of the world, dropped his pretensions, and lost his capacity for bullshit. His later films return to his old themes and obsessions, but in the process, they’ve become more contemplative.
New tricks
This era has included some radical departures for Scorsese as well.
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13940
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
2016’s Silence is in conversation with, if not a synthesis of, the ideas explored in The Last Temptation of Christ and Kundun; all three are searching, anti-commercial religious films Scorsese struggled for years to get made.
In all Scorsese’s late-period films (along with the passel of rock documentaries he’s made during this era, including his two on Bob Dylan and one on George Harrison), Scorsese is consciously returning to certain pet subjects and periods in his work — not to repeat himself, but to revise and add greater perspective. There’s a sense that he’s trying to adjust his positions with the clear eye of an older person who has seen more of the world, dropped his pretensions, and lost his capacity for bullshit. His later films return to his old themes and obsessions, but in the process, they’ve become more contemplative.
New tricks
This era has included some radical departures for Scorsese as well. 2004’s The Aviator is his most conventional movie to date, the most traditional, Oscar-baity, Old Hollywood biography he’s made.
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13941
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
In all Scorsese’s late-period films (along with the passel of rock documentaries he’s made during this era, including his two on Bob Dylan and one on George Harrison), Scorsese is consciously returning to certain pet subjects and periods in his work — not to repeat himself, but to revise and add greater perspective. There’s a sense that he’s trying to adjust his positions with the clear eye of an older person who has seen more of the world, dropped his pretensions, and lost his capacity for bullshit. His later films return to his old themes and obsessions, but in the process, they’ve become more contemplative.
New tricks
This era has included some radical departures for Scorsese as well. 2004’s The Aviator is his most conventional movie to date, the most traditional, Oscar-baity, Old Hollywood biography he’s made. It’s best understood as a director-for-hire palate-cleanser after Scorsese completed the odyssey of making the perpetually troubled Gangs of New York.
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13942
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
There’s a sense that he’s trying to adjust his positions with the clear eye of an older person who has seen more of the world, dropped his pretensions, and lost his capacity for bullshit. His later films return to his old themes and obsessions, but in the process, they’ve become more contemplative.
New tricks
This era has included some radical departures for Scorsese as well. 2004’s The Aviator is his most conventional movie to date, the most traditional, Oscar-baity, Old Hollywood biography he’s made. It’s best understood as a director-for-hire palate-cleanser after Scorsese completed the odyssey of making the perpetually troubled Gangs of New York. 2010’s Shutter Island is horror and suspense, an expert exercise in pure genre, part Hammer Films and part Alfred Hitchcock. It also contains some of the most inventive, moving, and painterly visuals he’s ever committed to film.
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13943
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
There’s a sense that he’s trying to adjust his positions with the clear eye of an older person who has seen more of the world, dropped his pretensions, and lost his capacity for bullshit. His later films return to his old themes and obsessions, but in the process, they’ve become more contemplative.
New tricks
This era has included some radical departures for Scorsese as well. 2004’s The Aviator is his most conventional movie to date, the most traditional, Oscar-baity, Old Hollywood biography he’s made. It’s best understood as a director-for-hire palate-cleanser after Scorsese completed the odyssey of making the perpetually troubled Gangs of New York. 2010’s Shutter Island is horror and suspense, an expert exercise in pure genre, part Hammer Films and part Alfred Hitchcock. It also contains some of the most inventive, moving, and painterly visuals he’s ever committed to film.
And 2011’s Hugo is perhaps the hardest Scorsese film to imagine a younger Scorsese making.
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13944
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
His later films return to his old themes and obsessions, but in the process, they’ve become more contemplative.
New tricks
This era has included some radical departures for Scorsese as well. 2004’s The Aviator is his most conventional movie to date, the most traditional, Oscar-baity, Old Hollywood biography he’s made. It’s best understood as a director-for-hire palate-cleanser after Scorsese completed the odyssey of making the perpetually troubled Gangs of New York. 2010’s Shutter Island is horror and suspense, an expert exercise in pure genre, part Hammer Films and part Alfred Hitchcock. It also contains some of the most inventive, moving, and painterly visuals he’s ever committed to film.
And 2011’s Hugo is perhaps the hardest Scorsese film to imagine a younger Scorsese making. It’s a 3D Robert Zemeckis-style family film that’s also about the end of life and about immortality in art.
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13945
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
New tricks
This era has included some radical departures for Scorsese as well. 2004’s The Aviator is his most conventional movie to date, the most traditional, Oscar-baity, Old Hollywood biography he’s made. It’s best understood as a director-for-hire palate-cleanser after Scorsese completed the odyssey of making the perpetually troubled Gangs of New York. 2010’s Shutter Island is horror and suspense, an expert exercise in pure genre, part Hammer Films and part Alfred Hitchcock. It also contains some of the most inventive, moving, and painterly visuals he’s ever committed to film.
And 2011’s Hugo is perhaps the hardest Scorsese film to imagine a younger Scorsese making. It’s a 3D Robert Zemeckis-style family film that’s also about the end of life and about immortality in art. Scorsese made the film as a love letter to Georges Méliès, Harold Lloyd, and his own then-12-year-old daughter, Francesca.
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13946
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It’s best understood as a director-for-hire palate-cleanser after Scorsese completed the odyssey of making the perpetually troubled Gangs of New York. 2010’s Shutter Island is horror and suspense, an expert exercise in pure genre, part Hammer Films and part Alfred Hitchcock. It also contains some of the most inventive, moving, and painterly visuals he’s ever committed to film.
And 2011’s Hugo is perhaps the hardest Scorsese film to imagine a younger Scorsese making. It’s a 3D Robert Zemeckis-style family film that’s also about the end of life and about immortality in art. Scorsese made the film as a love letter to Georges Méliès, Harold Lloyd, and his own then-12-year-old daughter, Francesca. It’s a project seemingly designed to remind fathers of all the times they tried to introduce their kids to their favorite old films.
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13947
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It’s best understood as a director-for-hire palate-cleanser after Scorsese completed the odyssey of making the perpetually troubled Gangs of New York. 2010’s Shutter Island is horror and suspense, an expert exercise in pure genre, part Hammer Films and part Alfred Hitchcock. It also contains some of the most inventive, moving, and painterly visuals he’s ever committed to film.
And 2011’s Hugo is perhaps the hardest Scorsese film to imagine a younger Scorsese making. It’s a 3D Robert Zemeckis-style family film that’s also about the end of life and about immortality in art. Scorsese made the film as a love letter to Georges Méliès, Harold Lloyd, and his own then-12-year-old daughter, Francesca. It’s a project seemingly designed to remind fathers of all the times they tried to introduce their kids to their favorite old films. Hugo is explicitly about Scorsese’s legendary cinephilia in a way his films that came before it are not, and it’s sentimental in a way his work has never been before or since.
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13948
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It also contains some of the most inventive, moving, and painterly visuals he’s ever committed to film.
And 2011’s Hugo is perhaps the hardest Scorsese film to imagine a younger Scorsese making. It’s a 3D Robert Zemeckis-style family film that’s also about the end of life and about immortality in art. Scorsese made the film as a love letter to Georges Méliès, Harold Lloyd, and his own then-12-year-old daughter, Francesca. It’s a project seemingly designed to remind fathers of all the times they tried to introduce their kids to their favorite old films. Hugo is explicitly about Scorsese’s legendary cinephilia in a way his films that came before it are not, and it’s sentimental in a way his work has never been before or since.
New life
2002’s Gangs of New York was the final product of an interesting but ultimately flawed compromise between Scorsese and producer Harvey Weinstein.
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13949
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
And 2011’s Hugo is perhaps the hardest Scorsese film to imagine a younger Scorsese making. It’s a 3D Robert Zemeckis-style family film that’s also about the end of life and about immortality in art. Scorsese made the film as a love letter to Georges Méliès, Harold Lloyd, and his own then-12-year-old daughter, Francesca. It’s a project seemingly designed to remind fathers of all the times they tried to introduce their kids to their favorite old films. Hugo is explicitly about Scorsese’s legendary cinephilia in a way his films that came before it are not, and it’s sentimental in a way his work has never been before or since.
New life
2002’s Gangs of New York was the final product of an interesting but ultimately flawed compromise between Scorsese and producer Harvey Weinstein. But the film retains significance because it’s the beginning of the defining relationship in this portion of Scorsese’s career, with Leonardo DiCaprio.
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It’s a 3D Robert Zemeckis-style family film that’s also about the end of life and about immortality in art. Scorsese made the film as a love letter to Georges Méliès, Harold Lloyd, and his own then-12-year-old daughter, Francesca. It’s a project seemingly designed to remind fathers of all the times they tried to introduce their kids to their favorite old films. Hugo is explicitly about Scorsese’s legendary cinephilia in a way his films that came before it are not, and it’s sentimental in a way his work has never been before or since.
New life
2002’s Gangs of New York was the final product of an interesting but ultimately flawed compromise between Scorsese and producer Harvey Weinstein. But the film retains significance because it’s the beginning of the defining relationship in this portion of Scorsese’s career, with Leonardo DiCaprio. It was a symbiotic partnership that elevated both men: the industry outsider who needed a safe box-office bet to finally get his epic, expensive dream projects financed, and the teen heartthrob who needed an auteur with arthouse gravitas to take him seriously so the industry would.
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13951
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It’s a project seemingly designed to remind fathers of all the times they tried to introduce their kids to their favorite old films. Hugo is explicitly about Scorsese’s legendary cinephilia in a way his films that came before it are not, and it’s sentimental in a way his work has never been before or since.
New life
2002’s Gangs of New York was the final product of an interesting but ultimately flawed compromise between Scorsese and producer Harvey Weinstein. But the film retains significance because it’s the beginning of the defining relationship in this portion of Scorsese’s career, with Leonardo DiCaprio. It was a symbiotic partnership that elevated both men: the industry outsider who needed a safe box-office bet to finally get his epic, expensive dream projects financed, and the teen heartthrob who needed an auteur with arthouse gravitas to take him seriously so the industry would.
To date, the project has been wildly successful, producing six films over 21 years.
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13952
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
Hugo is explicitly about Scorsese’s legendary cinephilia in a way his films that came before it are not, and it’s sentimental in a way his work has never been before or since.
New life
2002’s Gangs of New York was the final product of an interesting but ultimately flawed compromise between Scorsese and producer Harvey Weinstein. But the film retains significance because it’s the beginning of the defining relationship in this portion of Scorsese’s career, with Leonardo DiCaprio. It was a symbiotic partnership that elevated both men: the industry outsider who needed a safe box-office bet to finally get his epic, expensive dream projects financed, and the teen heartthrob who needed an auteur with arthouse gravitas to take him seriously so the industry would.
To date, the project has been wildly successful, producing six films over 21 years. The first five (Gangs of New York, The Aviator, The Departed, Shutter Island, The Wolf of Wall Street) are Scorsese’s top five highest-grossing films, with the box office for Killers incoming.
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13953
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
New life
2002’s Gangs of New York was the final product of an interesting but ultimately flawed compromise between Scorsese and producer Harvey Weinstein. But the film retains significance because it’s the beginning of the defining relationship in this portion of Scorsese’s career, with Leonardo DiCaprio. It was a symbiotic partnership that elevated both men: the industry outsider who needed a safe box-office bet to finally get his epic, expensive dream projects financed, and the teen heartthrob who needed an auteur with arthouse gravitas to take him seriously so the industry would.
To date, the project has been wildly successful, producing six films over 21 years. The first five (Gangs of New York, The Aviator, The Departed, Shutter Island, The Wolf of Wall Street) are Scorsese’s top five highest-grossing films, with the box office for Killers incoming. Over the years, the Scorsese-DiCaprio team-up has served as a true creative marriage.
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13954
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
But the film retains significance because it’s the beginning of the defining relationship in this portion of Scorsese’s career, with Leonardo DiCaprio. It was a symbiotic partnership that elevated both men: the industry outsider who needed a safe box-office bet to finally get his epic, expensive dream projects financed, and the teen heartthrob who needed an auteur with arthouse gravitas to take him seriously so the industry would.
To date, the project has been wildly successful, producing six films over 21 years. The first five (Gangs of New York, The Aviator, The Departed, Shutter Island, The Wolf of Wall Street) are Scorsese’s top five highest-grossing films, with the box office for Killers incoming. Over the years, the Scorsese-DiCaprio team-up has served as a true creative marriage. The two men now share a manager in Rick Yorn, the man responsible for discovering DiCaprio.
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13955
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It was a symbiotic partnership that elevated both men: the industry outsider who needed a safe box-office bet to finally get his epic, expensive dream projects financed, and the teen heartthrob who needed an auteur with arthouse gravitas to take him seriously so the industry would.
To date, the project has been wildly successful, producing six films over 21 years. The first five (Gangs of New York, The Aviator, The Departed, Shutter Island, The Wolf of Wall Street) are Scorsese’s top five highest-grossing films, with the box office for Killers incoming. Over the years, the Scorsese-DiCaprio team-up has served as a true creative marriage. The two men now share a manager in Rick Yorn, the man responsible for discovering DiCaprio. It’s evidence DiCaprio hasn’t “just” been a muse and face on the posters; he’s had a say in deciding what projects Scorsese has taken on, and has even made significant decisions in shaping Scorsese’s stories.
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13956
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
To date, the project has been wildly successful, producing six films over 21 years. The first five (Gangs of New York, The Aviator, The Departed, Shutter Island, The Wolf of Wall Street) are Scorsese’s top five highest-grossing films, with the box office for Killers incoming. Over the years, the Scorsese-DiCaprio team-up has served as a true creative marriage. The two men now share a manager in Rick Yorn, the man responsible for discovering DiCaprio. It’s evidence DiCaprio hasn’t “just” been a muse and face on the posters; he’s had a say in deciding what projects Scorsese has taken on, and has even made significant decisions in shaping Scorsese’s stories. (Scorsese entirely reimagined Killers of the Flower Moon after DiCaprio offered notes on an early draft of the script, including shifting focus to a different main character and moving DiCaprio into that role.)
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13957
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
The first five (Gangs of New York, The Aviator, The Departed, Shutter Island, The Wolf of Wall Street) are Scorsese’s top five highest-grossing films, with the box office for Killers incoming. Over the years, the Scorsese-DiCaprio team-up has served as a true creative marriage. The two men now share a manager in Rick Yorn, the man responsible for discovering DiCaprio. It’s evidence DiCaprio hasn’t “just” been a muse and face on the posters; he’s had a say in deciding what projects Scorsese has taken on, and has even made significant decisions in shaping Scorsese’s stories. (Scorsese entirely reimagined Killers of the Flower Moon after DiCaprio offered notes on an early draft of the script, including shifting focus to a different main character and moving DiCaprio into that role.)
For certain older filmmakers — say, Clint Eastwood — aging has meant settling for more routine and less challenging stories and shots, on a tight production schedule.
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13958
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
Over the years, the Scorsese-DiCaprio team-up has served as a true creative marriage. The two men now share a manager in Rick Yorn, the man responsible for discovering DiCaprio. It’s evidence DiCaprio hasn’t “just” been a muse and face on the posters; he’s had a say in deciding what projects Scorsese has taken on, and has even made significant decisions in shaping Scorsese’s stories. (Scorsese entirely reimagined Killers of the Flower Moon after DiCaprio offered notes on an early draft of the script, including shifting focus to a different main character and moving DiCaprio into that role.)
For certain older filmmakers — say, Clint Eastwood — aging has meant settling for more routine and less challenging stories and shots, on a tight production schedule. Scorsese went in the other direction. From the outside, The Departed appears to be a cynical, domestic remake of a Hong Kong cops-and-robbers shootout.
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13959
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
The two men now share a manager in Rick Yorn, the man responsible for discovering DiCaprio. It’s evidence DiCaprio hasn’t “just” been a muse and face on the posters; he’s had a say in deciding what projects Scorsese has taken on, and has even made significant decisions in shaping Scorsese’s stories. (Scorsese entirely reimagined Killers of the Flower Moon after DiCaprio offered notes on an early draft of the script, including shifting focus to a different main character and moving DiCaprio into that role.)
For certain older filmmakers — say, Clint Eastwood — aging has meant settling for more routine and less challenging stories and shots, on a tight production schedule. Scorsese went in the other direction. From the outside, The Departed appears to be a cynical, domestic remake of a Hong Kong cops-and-robbers shootout. But Scorsese makes it his own and breathes bizarre life and energy into it.
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13960
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It’s evidence DiCaprio hasn’t “just” been a muse and face on the posters; he’s had a say in deciding what projects Scorsese has taken on, and has even made significant decisions in shaping Scorsese’s stories. (Scorsese entirely reimagined Killers of the Flower Moon after DiCaprio offered notes on an early draft of the script, including shifting focus to a different main character and moving DiCaprio into that role.)
For certain older filmmakers — say, Clint Eastwood — aging has meant settling for more routine and less challenging stories and shots, on a tight production schedule. Scorsese went in the other direction. From the outside, The Departed appears to be a cynical, domestic remake of a Hong Kong cops-and-robbers shootout. But Scorsese makes it his own and breathes bizarre life and energy into it. It contains the continuity errors, quick cutting, both rhythmic and arrhythmic needle bombs, and goofball humor his movies hadn’t featured since Goodfellas.
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13961
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
(Scorsese entirely reimagined Killers of the Flower Moon after DiCaprio offered notes on an early draft of the script, including shifting focus to a different main character and moving DiCaprio into that role.)
For certain older filmmakers — say, Clint Eastwood — aging has meant settling for more routine and less challenging stories and shots, on a tight production schedule. Scorsese went in the other direction. From the outside, The Departed appears to be a cynical, domestic remake of a Hong Kong cops-and-robbers shootout. But Scorsese makes it his own and breathes bizarre life and energy into it. It contains the continuity errors, quick cutting, both rhythmic and arrhythmic needle bombs, and goofball humor his movies hadn’t featured since Goodfellas. That film essentially birthed an entire genre of filmic language, but The Departed goes a step beyond the original. It was constantly being rewritten and adjusted with the actors on the fly.
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13962
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
For certain older filmmakers — say, Clint Eastwood — aging has meant settling for more routine and less challenging stories and shots, on a tight production schedule. Scorsese went in the other direction. From the outside, The Departed appears to be a cynical, domestic remake of a Hong Kong cops-and-robbers shootout. But Scorsese makes it his own and breathes bizarre life and energy into it. It contains the continuity errors, quick cutting, both rhythmic and arrhythmic needle bombs, and goofball humor his movies hadn’t featured since Goodfellas. That film essentially birthed an entire genre of filmic language, but The Departed goes a step beyond the original. It was constantly being rewritten and adjusted with the actors on the fly. The result was exhilarating seat-of-the-pants filmmaking that Scorsese and his longtime creative partner, editor Thelma Schoonmaker, wrangled into a coherent film.
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
For certain older filmmakers — say, Clint Eastwood — aging has meant settling for more routine and less challenging stories and shots, on a tight production schedule. Scorsese went in the other direction. From the outside, The Departed appears to be a cynical, domestic remake of a Hong Kong cops-and-robbers shootout. But Scorsese makes it his own and breathes bizarre life and energy into it. It contains the continuity errors, quick cutting, both rhythmic and arrhythmic needle bombs, and goofball humor his movies hadn’t featured since Goodfellas. That film essentially birthed an entire genre of filmic language, but The Departed goes a step beyond the original. It was constantly being rewritten and adjusted with the actors on the fly. The result was exhilarating seat-of-the-pants filmmaking that Scorsese and his longtime creative partner, editor Thelma Schoonmaker, wrangled into a coherent film.
Scorsese brought this cokey, maximalist energy to The Wolf of Wall Street, a pointed comedy as wildly, masterfully off the rails and improvisational as anything he’s ever done.
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13964
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
From the outside, The Departed appears to be a cynical, domestic remake of a Hong Kong cops-and-robbers shootout. But Scorsese makes it his own and breathes bizarre life and energy into it. It contains the continuity errors, quick cutting, both rhythmic and arrhythmic needle bombs, and goofball humor his movies hadn’t featured since Goodfellas. That film essentially birthed an entire genre of filmic language, but The Departed goes a step beyond the original. It was constantly being rewritten and adjusted with the actors on the fly. The result was exhilarating seat-of-the-pants filmmaking that Scorsese and his longtime creative partner, editor Thelma Schoonmaker, wrangled into a coherent film.
Scorsese brought this cokey, maximalist energy to The Wolf of Wall Street, a pointed comedy as wildly, masterfully off the rails and improvisational as anything he’s ever done. (Jonah Hill perhaps smuggled in a touch of Judd Apatow’s “Keep the camera rolling” ethos.)
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13965
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
But Scorsese makes it his own and breathes bizarre life and energy into it. It contains the continuity errors, quick cutting, both rhythmic and arrhythmic needle bombs, and goofball humor his movies hadn’t featured since Goodfellas. That film essentially birthed an entire genre of filmic language, but The Departed goes a step beyond the original. It was constantly being rewritten and adjusted with the actors on the fly. The result was exhilarating seat-of-the-pants filmmaking that Scorsese and his longtime creative partner, editor Thelma Schoonmaker, wrangled into a coherent film.
Scorsese brought this cokey, maximalist energy to The Wolf of Wall Street, a pointed comedy as wildly, masterfully off the rails and improvisational as anything he’s ever done. (Jonah Hill perhaps smuggled in a touch of Judd Apatow’s “Keep the camera rolling” ethos.) You can feel a healthy dose of Scorsese’s established-filmmaker confidence (and a touch of “Eh, why not?
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13966
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
That film essentially birthed an entire genre of filmic language, but The Departed goes a step beyond the original. It was constantly being rewritten and adjusted with the actors on the fly. The result was exhilarating seat-of-the-pants filmmaking that Scorsese and his longtime creative partner, editor Thelma Schoonmaker, wrangled into a coherent film.
Scorsese brought this cokey, maximalist energy to The Wolf of Wall Street, a pointed comedy as wildly, masterfully off the rails and improvisational as anything he’s ever done. (Jonah Hill perhaps smuggled in a touch of Judd Apatow’s “Keep the camera rolling” ethos.) You can feel a healthy dose of Scorsese’s established-filmmaker confidence (and a touch of “Eh, why not? Fuck it!” thinking) as DiCaprio’s Ferrari changes color mid-narration during a highway blowjob, and when DiCaprio addresses the camera directly, urging the audience not to worry about specific plot points.
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13967
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It was constantly being rewritten and adjusted with the actors on the fly. The result was exhilarating seat-of-the-pants filmmaking that Scorsese and his longtime creative partner, editor Thelma Schoonmaker, wrangled into a coherent film.
Scorsese brought this cokey, maximalist energy to The Wolf of Wall Street, a pointed comedy as wildly, masterfully off the rails and improvisational as anything he’s ever done. (Jonah Hill perhaps smuggled in a touch of Judd Apatow’s “Keep the camera rolling” ethos.) You can feel a healthy dose of Scorsese’s established-filmmaker confidence (and a touch of “Eh, why not? Fuck it!” thinking) as DiCaprio’s Ferrari changes color mid-narration during a highway blowjob, and when DiCaprio addresses the camera directly, urging the audience not to worry about specific plot points. It’s an absolute miracle Scorsese and Schoonmaker manage to produce a masterpiece out of the chaotic pieces of this production process (again in post, with ample voice-over).
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13968
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
Scorsese brought this cokey, maximalist energy to The Wolf of Wall Street, a pointed comedy as wildly, masterfully off the rails and improvisational as anything he’s ever done. (Jonah Hill perhaps smuggled in a touch of Judd Apatow’s “Keep the camera rolling” ethos.) You can feel a healthy dose of Scorsese’s established-filmmaker confidence (and a touch of “Eh, why not? Fuck it!” thinking) as DiCaprio’s Ferrari changes color mid-narration during a highway blowjob, and when DiCaprio addresses the camera directly, urging the audience not to worry about specific plot points. It’s an absolute miracle Scorsese and Schoonmaker manage to produce a masterpiece out of the chaotic pieces of this production process (again in post, with ample voice-over). Everyone is letting loose, and to hear the actors and the director describe the shoot after the fact, it takes on something of a religious quality, with Scorsese as the wrinkled shaman handing out the peyote.
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13969
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
(Jonah Hill perhaps smuggled in a touch of Judd Apatow’s “Keep the camera rolling” ethos.) You can feel a healthy dose of Scorsese’s established-filmmaker confidence (and a touch of “Eh, why not? Fuck it!” thinking) as DiCaprio’s Ferrari changes color mid-narration during a highway blowjob, and when DiCaprio addresses the camera directly, urging the audience not to worry about specific plot points. It’s an absolute miracle Scorsese and Schoonmaker manage to produce a masterpiece out of the chaotic pieces of this production process (again in post, with ample voice-over). Everyone is letting loose, and to hear the actors and the director describe the shoot after the fact, it takes on something of a religious quality, with Scorsese as the wrinkled shaman handing out the peyote.
What grounds it is the framing.
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13970
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
(Jonah Hill perhaps smuggled in a touch of Judd Apatow’s “Keep the camera rolling” ethos.) You can feel a healthy dose of Scorsese’s established-filmmaker confidence (and a touch of “Eh, why not? Fuck it!” thinking) as DiCaprio’s Ferrari changes color mid-narration during a highway blowjob, and when DiCaprio addresses the camera directly, urging the audience not to worry about specific plot points. It’s an absolute miracle Scorsese and Schoonmaker manage to produce a masterpiece out of the chaotic pieces of this production process (again in post, with ample voice-over). Everyone is letting loose, and to hear the actors and the director describe the shoot after the fact, it takes on something of a religious quality, with Scorsese as the wrinkled shaman handing out the peyote.
What grounds it is the framing. Scorsese is telling us a familiar story we’ve come to expect from him, about criminals and the pleasure they take in committing crimes and reaping the benefits.
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13971
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
You can feel a healthy dose of Scorsese’s established-filmmaker confidence (and a touch of “Eh, why not? Fuck it!” thinking) as DiCaprio’s Ferrari changes color mid-narration during a highway blowjob, and when DiCaprio addresses the camera directly, urging the audience not to worry about specific plot points. It’s an absolute miracle Scorsese and Schoonmaker manage to produce a masterpiece out of the chaotic pieces of this production process (again in post, with ample voice-over). Everyone is letting loose, and to hear the actors and the director describe the shoot after the fact, it takes on something of a religious quality, with Scorsese as the wrinkled shaman handing out the peyote.
What grounds it is the framing. Scorsese is telling us a familiar story we’ve come to expect from him, about criminals and the pleasure they take in committing crimes and reaping the benefits. The brilliance is the way he mines filmgoers’ long relationship with his work, repurposing the style and tone of his gangster classics and inserting it into the world of finance.
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13972
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It’s an absolute miracle Scorsese and Schoonmaker manage to produce a masterpiece out of the chaotic pieces of this production process (again in post, with ample voice-over). Everyone is letting loose, and to hear the actors and the director describe the shoot after the fact, it takes on something of a religious quality, with Scorsese as the wrinkled shaman handing out the peyote.
What grounds it is the framing. Scorsese is telling us a familiar story we’ve come to expect from him, about criminals and the pleasure they take in committing crimes and reaping the benefits. The brilliance is the way he mines filmgoers’ long relationship with his work, repurposing the style and tone of his gangster classics and inserting it into the world of finance. As he’s done effectively since Casino, Scorsese weaponizes postmodernism, using viewers’ presumed existing familiarity with his films as context.
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13973
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It’s an absolute miracle Scorsese and Schoonmaker manage to produce a masterpiece out of the chaotic pieces of this production process (again in post, with ample voice-over). Everyone is letting loose, and to hear the actors and the director describe the shoot after the fact, it takes on something of a religious quality, with Scorsese as the wrinkled shaman handing out the peyote.
What grounds it is the framing. Scorsese is telling us a familiar story we’ve come to expect from him, about criminals and the pleasure they take in committing crimes and reaping the benefits. The brilliance is the way he mines filmgoers’ long relationship with his work, repurposing the style and tone of his gangster classics and inserting it into the world of finance. As he’s done effectively since Casino, Scorsese weaponizes postmodernism, using viewers’ presumed existing familiarity with his films as context. You don’t get the full gale force of this film, its pleasures and its overarching point, without Scorsese reaching back to his past work, and relying on viewers to recognize his voice in the storytelling.
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13974
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
Everyone is letting loose, and to hear the actors and the director describe the shoot after the fact, it takes on something of a religious quality, with Scorsese as the wrinkled shaman handing out the peyote.
What grounds it is the framing. Scorsese is telling us a familiar story we’ve come to expect from him, about criminals and the pleasure they take in committing crimes and reaping the benefits. The brilliance is the way he mines filmgoers’ long relationship with his work, repurposing the style and tone of his gangster classics and inserting it into the world of finance. As he’s done effectively since Casino, Scorsese weaponizes postmodernism, using viewers’ presumed existing familiarity with his films as context. You don’t get the full gale force of this film, its pleasures and its overarching point, without Scorsese reaching back to his past work, and relying on viewers to recognize his voice in the storytelling.
Killers of the Flower Moon
Killers of the Flower Moon is perhaps most closely related to The Aviator as a film that appears to be a recognizable, industry-friendly form of awards-season prestige.
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13975
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
What grounds it is the framing. Scorsese is telling us a familiar story we’ve come to expect from him, about criminals and the pleasure they take in committing crimes and reaping the benefits. The brilliance is the way he mines filmgoers’ long relationship with his work, repurposing the style and tone of his gangster classics and inserting it into the world of finance. As he’s done effectively since Casino, Scorsese weaponizes postmodernism, using viewers’ presumed existing familiarity with his films as context. You don’t get the full gale force of this film, its pleasures and its overarching point, without Scorsese reaching back to his past work, and relying on viewers to recognize his voice in the storytelling.
Killers of the Flower Moon
Killers of the Flower Moon is perhaps most closely related to The Aviator as a film that appears to be a recognizable, industry-friendly form of awards-season prestige. It’s also a return to Scorsese’s core themes and characters.
|
13976
|
Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
The brilliance is the way he mines filmgoers’ long relationship with his work, repurposing the style and tone of his gangster classics and inserting it into the world of finance. As he’s done effectively since Casino, Scorsese weaponizes postmodernism, using viewers’ presumed existing familiarity with his films as context. You don’t get the full gale force of this film, its pleasures and its overarching point, without Scorsese reaching back to his past work, and relying on viewers to recognize his voice in the storytelling.
Killers of the Flower Moon
Killers of the Flower Moon is perhaps most closely related to The Aviator as a film that appears to be a recognizable, industry-friendly form of awards-season prestige. It’s also a return to Scorsese’s core themes and characters. It’s another cast of avarice-fueled, violent white American dumbasses gaining ill-gotten wealth and making the country incrementally worse.
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13977
|
Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
The brilliance is the way he mines filmgoers’ long relationship with his work, repurposing the style and tone of his gangster classics and inserting it into the world of finance. As he’s done effectively since Casino, Scorsese weaponizes postmodernism, using viewers’ presumed existing familiarity with his films as context. You don’t get the full gale force of this film, its pleasures and its overarching point, without Scorsese reaching back to his past work, and relying on viewers to recognize his voice in the storytelling.
Killers of the Flower Moon
Killers of the Flower Moon is perhaps most closely related to The Aviator as a film that appears to be a recognizable, industry-friendly form of awards-season prestige. It’s also a return to Scorsese’s core themes and characters. It’s another cast of avarice-fueled, violent white American dumbasses gaining ill-gotten wealth and making the country incrementally worse. It’s again about those men failing up, consolidating power, and shading the country more evil.
|
13978
|
Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
As he’s done effectively since Casino, Scorsese weaponizes postmodernism, using viewers’ presumed existing familiarity with his films as context. You don’t get the full gale force of this film, its pleasures and its overarching point, without Scorsese reaching back to his past work, and relying on viewers to recognize his voice in the storytelling.
Killers of the Flower Moon
Killers of the Flower Moon is perhaps most closely related to The Aviator as a film that appears to be a recognizable, industry-friendly form of awards-season prestige. It’s also a return to Scorsese’s core themes and characters. It’s another cast of avarice-fueled, violent white American dumbasses gaining ill-gotten wealth and making the country incrementally worse. It’s again about those men failing up, consolidating power, and shading the country more evil.
Killers adapts a major literary work of historical true crime from a New Yorker writer.
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13979
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
As he’s done effectively since Casino, Scorsese weaponizes postmodernism, using viewers’ presumed existing familiarity with his films as context. You don’t get the full gale force of this film, its pleasures and its overarching point, without Scorsese reaching back to his past work, and relying on viewers to recognize his voice in the storytelling.
Killers of the Flower Moon
Killers of the Flower Moon is perhaps most closely related to The Aviator as a film that appears to be a recognizable, industry-friendly form of awards-season prestige. It’s also a return to Scorsese’s core themes and characters. It’s another cast of avarice-fueled, violent white American dumbasses gaining ill-gotten wealth and making the country incrementally worse. It’s again about those men failing up, consolidating power, and shading the country more evil.
Killers adapts a major literary work of historical true crime from a New Yorker writer. The book delves into an obscure but monstrous historical incident that is a cosmic truth in miniature, an evil that speaks to the heart of the entire dark American project.
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13980
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
Killers of the Flower Moon
Killers of the Flower Moon is perhaps most closely related to The Aviator as a film that appears to be a recognizable, industry-friendly form of awards-season prestige. It’s also a return to Scorsese’s core themes and characters. It’s another cast of avarice-fueled, violent white American dumbasses gaining ill-gotten wealth and making the country incrementally worse. It’s again about those men failing up, consolidating power, and shading the country more evil.
Killers adapts a major literary work of historical true crime from a New Yorker writer. The book delves into an obscure but monstrous historical incident that is a cosmic truth in miniature, an evil that speaks to the heart of the entire dark American project. On screen, it’s Scorsese’s first true Western, filled with gorgeous vistas and Oklahoma horizons that would bring a tear to the eye of John Ford, one of Scorsese’s many idols.
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13981
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It’s also a return to Scorsese’s core themes and characters. It’s another cast of avarice-fueled, violent white American dumbasses gaining ill-gotten wealth and making the country incrementally worse. It’s again about those men failing up, consolidating power, and shading the country more evil.
Killers adapts a major literary work of historical true crime from a New Yorker writer. The book delves into an obscure but monstrous historical incident that is a cosmic truth in miniature, an evil that speaks to the heart of the entire dark American project. On screen, it’s Scorsese’s first true Western, filled with gorgeous vistas and Oklahoma horizons that would bring a tear to the eye of John Ford, one of Scorsese’s many idols.
But the film is much stranger than it sounds on paper. Scorsese’s take on the material largely operates outside the text, centering the story on a peripheral character we know little about from David Grann’s book.
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13982
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It’s another cast of avarice-fueled, violent white American dumbasses gaining ill-gotten wealth and making the country incrementally worse. It’s again about those men failing up, consolidating power, and shading the country more evil.
Killers adapts a major literary work of historical true crime from a New Yorker writer. The book delves into an obscure but monstrous historical incident that is a cosmic truth in miniature, an evil that speaks to the heart of the entire dark American project. On screen, it’s Scorsese’s first true Western, filled with gorgeous vistas and Oklahoma horizons that would bring a tear to the eye of John Ford, one of Scorsese’s many idols.
But the film is much stranger than it sounds on paper. Scorsese’s take on the material largely operates outside the text, centering the story on a peripheral character we know little about from David Grann’s book. Miraculously, the film also has its funny elements, incorporating The Departed and The Wolf of Wall Street’s nervy energy, featuring long and zany improvisational exchanges on grim subject matter, sudden wild swings in tone, and one major decision that should spark more debate and differences of opinion than any narrative device Scorsese has ever employed.
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13983
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
The book delves into an obscure but monstrous historical incident that is a cosmic truth in miniature, an evil that speaks to the heart of the entire dark American project. On screen, it’s Scorsese’s first true Western, filled with gorgeous vistas and Oklahoma horizons that would bring a tear to the eye of John Ford, one of Scorsese’s many idols.
But the film is much stranger than it sounds on paper. Scorsese’s take on the material largely operates outside the text, centering the story on a peripheral character we know little about from David Grann’s book. Miraculously, the film also has its funny elements, incorporating The Departed and The Wolf of Wall Street’s nervy energy, featuring long and zany improvisational exchanges on grim subject matter, sudden wild swings in tone, and one major decision that should spark more debate and differences of opinion than any narrative device Scorsese has ever employed. It’s a suspenseful, moving film with many brilliant parts.
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13984
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
On screen, it’s Scorsese’s first true Western, filled with gorgeous vistas and Oklahoma horizons that would bring a tear to the eye of John Ford, one of Scorsese’s many idols.
But the film is much stranger than it sounds on paper. Scorsese’s take on the material largely operates outside the text, centering the story on a peripheral character we know little about from David Grann’s book. Miraculously, the film also has its funny elements, incorporating The Departed and The Wolf of Wall Street’s nervy energy, featuring long and zany improvisational exchanges on grim subject matter, sudden wild swings in tone, and one major decision that should spark more debate and differences of opinion than any narrative device Scorsese has ever employed. It’s a suspenseful, moving film with many brilliant parts.
Killers is a classic Scorsese Catholic reckoning.
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13985
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
On screen, it’s Scorsese’s first true Western, filled with gorgeous vistas and Oklahoma horizons that would bring a tear to the eye of John Ford, one of Scorsese’s many idols.
But the film is much stranger than it sounds on paper. Scorsese’s take on the material largely operates outside the text, centering the story on a peripheral character we know little about from David Grann’s book. Miraculously, the film also has its funny elements, incorporating The Departed and The Wolf of Wall Street’s nervy energy, featuring long and zany improvisational exchanges on grim subject matter, sudden wild swings in tone, and one major decision that should spark more debate and differences of opinion than any narrative device Scorsese has ever employed. It’s a suspenseful, moving film with many brilliant parts.
Killers is a classic Scorsese Catholic reckoning. This time, the director is concerned with white supremacy and systemic racism, full of unsparing and punishing conclusions and self recriminations in the wake of George Floyd’s death and the 2020 protests.
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13986
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
But the film is much stranger than it sounds on paper. Scorsese’s take on the material largely operates outside the text, centering the story on a peripheral character we know little about from David Grann’s book. Miraculously, the film also has its funny elements, incorporating The Departed and The Wolf of Wall Street’s nervy energy, featuring long and zany improvisational exchanges on grim subject matter, sudden wild swings in tone, and one major decision that should spark more debate and differences of opinion than any narrative device Scorsese has ever employed. It’s a suspenseful, moving film with many brilliant parts.
Killers is a classic Scorsese Catholic reckoning. This time, the director is concerned with white supremacy and systemic racism, full of unsparing and punishing conclusions and self recriminations in the wake of George Floyd’s death and the 2020 protests. (In a press conference on Oct.
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13987
|
Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
But the film is much stranger than it sounds on paper. Scorsese’s take on the material largely operates outside the text, centering the story on a peripheral character we know little about from David Grann’s book. Miraculously, the film also has its funny elements, incorporating The Departed and The Wolf of Wall Street’s nervy energy, featuring long and zany improvisational exchanges on grim subject matter, sudden wild swings in tone, and one major decision that should spark more debate and differences of opinion than any narrative device Scorsese has ever employed. It’s a suspenseful, moving film with many brilliant parts.
Killers is a classic Scorsese Catholic reckoning. This time, the director is concerned with white supremacy and systemic racism, full of unsparing and punishing conclusions and self recriminations in the wake of George Floyd’s death and the 2020 protests. (In a press conference on Oct. 16, Scorsese described the film as “a story of complicity, a story of sin by omission.”)
Scorsese is expressing guilt and culpability as a beneficiary of this inequality.
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13988
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
Miraculously, the film also has its funny elements, incorporating The Departed and The Wolf of Wall Street’s nervy energy, featuring long and zany improvisational exchanges on grim subject matter, sudden wild swings in tone, and one major decision that should spark more debate and differences of opinion than any narrative device Scorsese has ever employed. It’s a suspenseful, moving film with many brilliant parts.
Killers is a classic Scorsese Catholic reckoning. This time, the director is concerned with white supremacy and systemic racism, full of unsparing and punishing conclusions and self recriminations in the wake of George Floyd’s death and the 2020 protests. (In a press conference on Oct. 16, Scorsese described the film as “a story of complicity, a story of sin by omission.”)
Scorsese is expressing guilt and culpability as a beneficiary of this inequality. In the movie’s closing minutes, he literally puts himself squarely in the frame.
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13989
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It’s a suspenseful, moving film with many brilliant parts.
Killers is a classic Scorsese Catholic reckoning. This time, the director is concerned with white supremacy and systemic racism, full of unsparing and punishing conclusions and self recriminations in the wake of George Floyd’s death and the 2020 protests. (In a press conference on Oct. 16, Scorsese described the film as “a story of complicity, a story of sin by omission.”)
Scorsese is expressing guilt and culpability as a beneficiary of this inequality. In the movie’s closing minutes, he literally puts himself squarely in the frame. That’s a level of awareness that goes beyond the introverted morality plays he grappled with earlier in his career: It’s a mature framing of the individual, and the responsibilities we have toward one another, on a societal scale.
In a charitable light, adding himself to the movie as the voice of its final reckoning is a bold statement of accountability.
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13990
|
Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
Killers is a classic Scorsese Catholic reckoning. This time, the director is concerned with white supremacy and systemic racism, full of unsparing and punishing conclusions and self recriminations in the wake of George Floyd’s death and the 2020 protests. (In a press conference on Oct. 16, Scorsese described the film as “a story of complicity, a story of sin by omission.”)
Scorsese is expressing guilt and culpability as a beneficiary of this inequality. In the movie’s closing minutes, he literally puts himself squarely in the frame. That’s a level of awareness that goes beyond the introverted morality plays he grappled with earlier in his career: It’s a mature framing of the individual, and the responsibilities we have toward one another, on a societal scale.
In a charitable light, adding himself to the movie as the voice of its final reckoning is a bold statement of accountability. In an uncharitable light, it plays as performative, as an older relative getting worked up over a police brutality Facebook post.
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13991
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
(In a press conference on Oct. 16, Scorsese described the film as “a story of complicity, a story of sin by omission.”)
Scorsese is expressing guilt and culpability as a beneficiary of this inequality. In the movie’s closing minutes, he literally puts himself squarely in the frame. That’s a level of awareness that goes beyond the introverted morality plays he grappled with earlier in his career: It’s a mature framing of the individual, and the responsibilities we have toward one another, on a societal scale.
In a charitable light, adding himself to the movie as the voice of its final reckoning is a bold statement of accountability. In an uncharitable light, it plays as performative, as an older relative getting worked up over a police brutality Facebook post. It’s too early to decide how this film tags into our present historical moment, or how it will be remembered. We all have many viewings of and conversations about Killers of the Flower Moon ahead of us.
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13992
|
Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
In the movie’s closing minutes, he literally puts himself squarely in the frame. That’s a level of awareness that goes beyond the introverted morality plays he grappled with earlier in his career: It’s a mature framing of the individual, and the responsibilities we have toward one another, on a societal scale.
In a charitable light, adding himself to the movie as the voice of its final reckoning is a bold statement of accountability. In an uncharitable light, it plays as performative, as an older relative getting worked up over a police brutality Facebook post. It’s too early to decide how this film tags into our present historical moment, or how it will be remembered. We all have many viewings of and conversations about Killers of the Flower Moon ahead of us.
A true master
This century has seen Scorsese zigging and zagging as always, but because he’s following his own varied interests, not because he’s moving from compromise to compromise, as he once had to in order to continue working.
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13993
|
Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
That’s a level of awareness that goes beyond the introverted morality plays he grappled with earlier in his career: It’s a mature framing of the individual, and the responsibilities we have toward one another, on a societal scale.
In a charitable light, adding himself to the movie as the voice of its final reckoning is a bold statement of accountability. In an uncharitable light, it plays as performative, as an older relative getting worked up over a police brutality Facebook post. It’s too early to decide how this film tags into our present historical moment, or how it will be remembered. We all have many viewings of and conversations about Killers of the Flower Moon ahead of us.
A true master
This century has seen Scorsese zigging and zagging as always, but because he’s following his own varied interests, not because he’s moving from compromise to compromise, as he once had to in order to continue working. An artist who spent the first 30 years of his career desperate for autonomy finally got it, and now he’s taking full advantage: telling difficult stories, setting his own mega-budgets, and demanding every minute of run time he feels each picture demands.
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13994
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
In a charitable light, adding himself to the movie as the voice of its final reckoning is a bold statement of accountability. In an uncharitable light, it plays as performative, as an older relative getting worked up over a police brutality Facebook post. It’s too early to decide how this film tags into our present historical moment, or how it will be remembered. We all have many viewings of and conversations about Killers of the Flower Moon ahead of us.
A true master
This century has seen Scorsese zigging and zagging as always, but because he’s following his own varied interests, not because he’s moving from compromise to compromise, as he once had to in order to continue working. An artist who spent the first 30 years of his career desperate for autonomy finally got it, and now he’s taking full advantage: telling difficult stories, setting his own mega-budgets, and demanding every minute of run time he feels each picture demands.
He’s used this autonomy to revisit his work and revise the record, creating great new films as well as adding crucial addendums to past work.
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13995
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Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It’s too early to decide how this film tags into our present historical moment, or how it will be remembered. We all have many viewings of and conversations about Killers of the Flower Moon ahead of us.
A true master
This century has seen Scorsese zigging and zagging as always, but because he’s following his own varied interests, not because he’s moving from compromise to compromise, as he once had to in order to continue working. An artist who spent the first 30 years of his career desperate for autonomy finally got it, and now he’s taking full advantage: telling difficult stories, setting his own mega-budgets, and demanding every minute of run time he feels each picture demands.
He’s used this autonomy to revisit his work and revise the record, creating great new films as well as adding crucial addendums to past work. He’s blazing new trails and adding new layers to his style.
|
13996
|
Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
It’s too early to decide how this film tags into our present historical moment, or how it will be remembered. We all have many viewings of and conversations about Killers of the Flower Moon ahead of us.
A true master
This century has seen Scorsese zigging and zagging as always, but because he’s following his own varied interests, not because he’s moving from compromise to compromise, as he once had to in order to continue working. An artist who spent the first 30 years of his career desperate for autonomy finally got it, and now he’s taking full advantage: telling difficult stories, setting his own mega-budgets, and demanding every minute of run time he feels each picture demands.
He’s used this autonomy to revisit his work and revise the record, creating great new films as well as adding crucial addendums to past work. He’s blazing new trails and adding new layers to his style. Remarkably, getting the control that eluded him when he was younger has made his films more consistently collaborative and creative, more fluid and alive than he was often allowed to be prior to the 2000s.
|
13997
|
Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
A true master
This century has seen Scorsese zigging and zagging as always, but because he’s following his own varied interests, not because he’s moving from compromise to compromise, as he once had to in order to continue working. An artist who spent the first 30 years of his career desperate for autonomy finally got it, and now he’s taking full advantage: telling difficult stories, setting his own mega-budgets, and demanding every minute of run time he feels each picture demands.
He’s used this autonomy to revisit his work and revise the record, creating great new films as well as adding crucial addendums to past work. He’s blazing new trails and adding new layers to his style. Remarkably, getting the control that eluded him when he was younger has made his films more consistently collaborative and creative, more fluid and alive than he was often allowed to be prior to the 2000s. He has the earned confidence of an artist who has spent a lifetime in film and knows he’ll be able to find something great in post.
|
13998
|
Martin Scorsese’s late-stage career has proved Quentin Tarantino wrong
An artist who spent the first 30 years of his career desperate for autonomy finally got it, and now he’s taking full advantage: telling difficult stories, setting his own mega-budgets, and demanding every minute of run time he feels each picture demands.
He’s used this autonomy to revisit his work and revise the record, creating great new films as well as adding crucial addendums to past work. He’s blazing new trails and adding new layers to his style. Remarkably, getting the control that eluded him when he was younger has made his films more consistently collaborative and creative, more fluid and alive than he was often allowed to be prior to the 2000s. He has the earned confidence of an artist who has spent a lifetime in film and knows he’ll be able to find something great in post. His late period has only added to his legend. That should give Tarantino cause to reconsider — alongside any artist or critic who thinks the creative spark has an expiration date.
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13999
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Martin Scorsese gets quizzed by his daughter on internet slang
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Martin Scorsese has put his knowledge of internet slang to the test in a new TikTok challenge posted by none other than his daughter, Francesca Scorsese.
In a TikTok posted by Francesca on Thursday 5 October, the father-daughter duo appeared on camera while the legendary director’s daughter explained that she was going to quiz him on popular internet slang. “I’m going to ask you to guess what specific slang terms mean,” Francesca told her father, 80.
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