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where we see the bland staleness of |
modern metropolises with skyscrapers |
buildings all being carbon copies of one |
another with each office within each |
building being the same artificial box |
with the same artificial lighting with |
all the people in these offices looking |
talking and acting identically to one |
another |
the cinematography and atmosphere is |
perfectly designed to resemble the |
monotonous drone of post-modern america |
where you live in a box and work for an |
uncaring machine that demands |
productivity where no natural behavior |
is allowed neither in the office or with |
the people around you where everyone's |
wearing the exact same clothes they |
don't want to wear everyone showing up |
to a job they don't want to do and have |
no connection for where every week |
you're trying to fill that hole in the |
sad shadow of a life that you're left |
with and this is what the film warns of |
because when you're consumed in the |
sterile culture that rewards lukewarm |
morality above all else you're |
programmed to never incorporate your |
shadow self which denicia was a key part |
of self-development he described this |
process as going beyond good and evil |
but this can only be done when you |
loosen your mask and escape the confines |
of conventional expectations to do this |
as a man you need aggression and |
expression for your own self-development |
but in a culture that erodes authentic |
self-expression and rewards material |
conformity we start to see the |
consequences of this begin to manifest |
and this is exactly what american psycho |
taps into |
we see this in the next scene where |
patrick is with his fiance on another |
night out in this scene it quickly |
becomes obvious that their relationship |
is only a social mask to keep up their |
public appearances to fit in with the |
rest |
because i want to fit |
in |
with the whole night out being another |
means of blending in and conforming as |
they walk in everything is comedically |
shallow patrick's supposed friend is |
kissing his wife patrick is indifferent |
about it as he's having his own affair |
and the person he's with is drugged out |
of their mind because for these people |
to release their shadow self they have |
to gratify their immediate impulses to |
feel some sort of connection and the |
holiness of this whole situation is |
perfectly summed up with patrick |
bateman's social justice corporate |
political speech |
and oppose racial discrimination and |
promote civil rights while also |
promoting equal rights for women |
most importantly we have to promote |
general social concern |
we have to encourage a return |
to traditional moral values he's just |
forced into being another walking |
talking clone of this corporate culture |
births where the most bland and trite |
opinions are the only way to keep up the |
public persona but meanwhile deep inside |
everyone is living a completely opposite |
life to their supposed values for |
example bateman talks about returning to |
traditional moral values and everyone |
agrees with them while simultaneously |
taking drugs having affairs and hating |
each other with their connections to one |
another being as fake as their masks and |
this hypocrisy continues to unravel as |
the film goes on the first sign of this |
hypocrisy comes in the next scene the |
laundrette where after just talking |
about moral values and cohesion and |
concern for others beyond sheets are |
covered in blood or while bateman is |
screaming at the workers |
listen i cannot understand you |
crazy you're a fool i can't cope with |
the stupid fishy because we're seeing |
bateman's real shadow side the bateman |
that isn't covered up by a mask where |
all his repressed tension is released |
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