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of the characters with their inner |
thoughts bubbling up to the surface |
great ass goes out with that loser |
patrick vapin what a dork |
another martini paul with bateman feeling |
inferior after being caught a door can |
seem the success of paul allen brings a |
wave of pressure that his mask can no |
longer handle |
[Music] |
the shallowness and ridiculousness of |
this whole situation is then perfectly |
summed up at the scene of bateman |
dragging paul's dead body into his car |
as he's dragging away this body bag his |
colleague notices him but only to |
question the brand of bag rather than to |
question the morbid intentions the bag |
is being used for |
where did you get that overnight bag |
[Music] |
sean paul gautier however in the |
following scene it pans back to bateman |
in his office just where he started |
before listening to music in his own |
little world almost to him that all of |
this was just a fantasy inside of his |
head it's this pattern of daytime |
monotony a nightly release that repeats |
throughout the film and that's why i |
believe the killings throughout this |
film are a metaphor for bateman releasing |
his shadow self it's all to escape the |
drab meaningless culture that is eroding |
his inner self and i think this is why |
so many men flock to american psycho |
because so many men find themselves |
repeating a similar pattern a pattern of |
wearing your mask through the day and |
stifling your inner self to releasing |
the shadow at night through excessive |
hedonistic behavior but to fully |
understand why this happens we first |
need to understand the looking glass |
self sociologist charles cooley |
theorized that people develop their |
sense of identity through their |
perception of others views using social |
interaction as a type of mirror people |
use the judgments they receive from |
others and the culture around them to |
measure their own character values and |
behavior so when you have a looking |
glass that erodes character humor and |
authentic self-expression your identity |
erodes and you become invisible to those |
around you and if you can't express your |
abilities human character you may start |
to feel a profound sense of emptiness a |
sense of worthlessness and |
soul-destroying nihilism and patrick |
bateman represents this everyday |
repression of expression in a |
corporatized mega metropolis world where |
the cleanliness and sterile nature of |
everyday life becomes so unbearable that |
the um self becomes extreme where your |
shadow self metastasizes in response to |
your eroding identity you may want more |
power you may want control you may want |
to tell everyone what you really think |
is that all you ever have to contribute |
what about dinner |
or in the case of patrick bateman this |
may emerge in the form of murderous |
fantasies because patrick bateman's inner |
shadow is swallowing him up earth just |
opens up and swallows them this is why |
throughout the film we see patrick |
releasing his inner shadow at home |
watching either extreme porn and horror |
films in a casual manner just to fill |
something or using prostitutes and drugs |
which is why bateman later admits that |
he's not very good at controlling his |
willpower i don't want to ruin your |
willpower |
that's all right |
i'm not very good at controlling it |
anyway because the willpower to maintain |
the mask is unbearable the lashing out |
at his colleagues what's the matter no |
shiatsu this morning touching me |
hold on there little buddy the erratic |
behavior using hookers degrading those |
low in the social hierarchy and |
eventually breaking up with his fiance |
is all a coping mechanism they're not |
terribly important to me |
[Music] |
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