text stringlengths 0 1.19k |
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the cherry on top of all of this is that |
patrick realizes everyone around him is |
going through exactly the same thing |
everyone is so wrapped up in their own |
mask their extreme behavior can't help |
but unravel |
thanks patrick |
this struggle to escape the perfectly |
crafted public persona has ended up with |
a painting right here this painting is |
part of a collection called men of the |
cities as you can see all these |
paintings faces are hidden away with |
their colours being a bland black and |
white capturing the feeling of |
atomization and the need to escape the |
confines of their surroundings which is |
why these paintings serve as the perfect |
metaphor for what the film is trying to |
warn us of |
now all of this stuff is building up to |
the climax of the film where bateman is |
thrown into a full-on breakdown where |
his psyche becomes fully psychotic |
feeding a cat into an atm machine |
shooting police and anyone in his way |
[Music] |
but with all the overtop explosions the |
people he shoots never actually dying |
and the surroundings staying exactly the |
same the film points to the fact that |
this is just bateman's pent-up reverie of |
aggression and defiance of convention or |
in other words it's an extreme fantasy |
to imagine a world where he can release |
his extreme shadow self in the real |
world this repression reaches its climax |
with bateman's final phone call where his |
breakdown finally becomes visible to all |
of those around him |
patrick i can't hear you what am i doing |
she's sounding so big |
and yet the sad truth is no one cares |
patrick's lawyer doesn't recognize him |
don't you know who i am |
i'm not davis i'm patrick bateman |
the people around him continue the same |
superficial conversations now where do |
we have reservations |
i mean i'm not really hungry but i'd |
like to have reservations someplace the |
people around him are indifferent the |
culture uncaring and the cycle of |
repression repeats itself this blunt |
ending is in a way more disturbing than |
any of the murderous fantasies because |
it's real all the repression masks all |
the lives of quiet desperation is just |
part and parcel of life in the modern |
world where we've been taught that |
people who think differently are a |
danger to society and then they must be |
censored into silence where we are numb |
to a drab deluge of hollow meaningless |
plastic culture that shows us nothing |
but vicious hostility to anyone trying |
to express authenticity the whole point |
of this film is to show the fundamental |
importance of self-expression and human |
connection something that nihilistic |
materialism just can't replace we need |
friendship love and community all the |
things that the radical atomization and |
isolation of modern life destroys which |
is why american psycho serves as an |
essential message a message telling us |
to rethink the destruction of the |
institutions and traditions that |
supported the very things that foster |
prosperity and happiness but sadly this |
is a message that has become all too |
forgotten |
title-You Will Never Own Anything (But You'll Pay Forever) |
---end-title--- |
You will never own anything. The death of ownership is here, and the subscription model industry has exploded since 2014. Buy now, pay later is booming, and debt is on the rise. Gen Z are the guinea pigs in this new experiment. Today, Generation Z is in record levels of debt while earning far less than the generations before them. |
So let's take a look at the day-to-day life of someone growing up in the anti-ownership economy. However young or old you are, the first thing most people do when they wake up is look at their phones. Over 80% of people do this in the first 15 minutes of the day. For some people it's just an alarm clock, but most are plugging into the digital world as soon as possible. |
The smartphone has become the starting point for nearly everyone's day, and it was also what first enabled the subscription model to really take off. Before their meteoric rise in both functionality and price, phones generally weren't something you bought through a rolling contract. Some people paid a monthly bill for access to the cellular network, but most of the time that wasn't for the physical device itself. Instead, before smartphones came around, the devices were cheap and more disposable. People would pay upfront for phones, as well as all other tech products. This even extended to software, music, and other products that are really just packets of data. People expected to pay once for something, then own it forever. That was how the rest of the world worked. |
When smartphones and high-speed internet came along, they changed the entire game. Phones became high-tech gateways into the wider world of services. They also got a lot more sophisticated and expensive, pushing them out of reach for most consumers. Of course, some of this was due to higher production costs, but a much larger part of the price hike was because tech companies realized they could justify these much higher prices. If that wasn't enough, it gave mobile phone companies a huge opportunity to change their entire business model. Instead of just selling the phones as individual devices, they could push forward the idea of paying for both the device and the network in one single contract. It was just one small step for consumers, and for many of them it was a better option—instead of paying hundreds upfront, they could pay it off over a few years, keeping it generally affordable. And this didn't seem like much of a big change either, because the data, texts, and calls were already often a monthly payment. |
But why were these companies so intent on pushing this kind of business model? Well, the author Terry Pratchett came up with a classic example that shows why being poor generally means that you end up paying far more for the exact same things. Imagine that a really good pair of boots—the kind that will last you a decade—cost $100. A man on minimum wage likely couldn't afford all of that at once. He can't spend the time saving up for them either, as he needs the shoes now so that he can work in the first place. So he goes for the cheaper option: a $10 pair of boots that don't really keep his feet dry and only last around 6 months to a year at best. Over time, this man will spend more money on his boots than the rich man who just bought the nice ones in the first place. Meanwhile, despite paying more, he'll still have wet feet. |
A subscription model is like an even worse version of this. Imagine that for just $3.99 a month, the man could subscribe to "Boots Plus." They provide a service which gives you access to a pair of their cheap boots, as well as monthly repairs, maintenance, and replacements as well. While the initial cost is even less for the service, over time it'll mean paying about $48 a year for boots. Over a decade, this will cost nearly five times more than the expensive boots ever did upfront. |
So it's pretty obvious now why companies are all trying to switch their customers onto the subscription model. It simply makes them far more money, and there's a whole host of other hidden tricks and benefits for them. |
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