identifier stringlengths 7 768 | collection stringclasses 3 values | open_type stringclasses 1 value | license stringclasses 2 values | date float64 2.01k 2.02k ⌀ | title stringlengths 1 250 ⌀ | creator stringlengths 0 19.5k ⌀ | language stringclasses 357 values | language_type stringclasses 3 values | word_count int64 0 69k | token_count int64 2 438k | text stringlengths 1 388k | __index_level_0__ int64 0 57.4k |
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https://ru.wikipedia.org/wiki/Antimerus | Wikipedia | Open Web | CC-By-SA | 2,023 | Antimerus | https://ru.wikipedia.org/w/index.php?title=Antimerus&action=history | Russian | Spoken | 255 | 706 | Antimerus — род жуков-стафилинид из подсемейства Staphylininae. Австралия и Тасмания. Около 10 видов.
Описание
Крупного и среднего размера коротконадкрылые жуки-стафилины, длина тела от 13 до 20 мм. Ширина головы примерно равна ширине пронотума, надкрылий и брюшка. Голова поперечная; шея в 2 раза уже головы. Переднеспинка субквадратная или поперечная. Скутеллюм крупный, треугольной формы с двумя поперечными килями. Надкрылья (вместе взятые) примерно равной ширины и длины. От близких родов отличается крупными размерами и серповидными мандибулами без отчётливых зубцов. Лапки 5-члениковые; 1-4 членики всех пар лапок у обоих полов широкие с щетинками на вентральной стороне. Обитают во влажных лесах Австралии и Тасмании.
Систематика
Систематическое положение внутри трибы Staphylinini остаётся неясным, род помещён в группу неопределённого положения (incertae sedis) и сходен с представителями подтриб Quediina и Xanthopygina. Единственный симпатрический род с которым можно спутать антимерусов это род , но у него жвалы с зубцами и простые лапки средних и задних ног.
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Примечания
Литература
Chatzimanolis S., Cohen I., Schomann A., Solodovnikov A. (2010). Molecular phylogeny of the mega-diverse rove beetle tribe Staphylinini (Insecta, Coleoptera, Staphylinidae). — Zoologica Scripta 39 (5):436-449.
Herman L. (2001). Catalog of the Staphylinidae (Insecta: Coleoptera). 1758 to the end of the second millennium. Parts I—VII. — Bulletin of the American Museum of Natural History 265: 1-4218 (in 7 vols.)
Smetana A., Davies A. (2000). Reclassification of the north temperate taxa associated with Staphylinus sensu lato, including comments on relevant subtribes of Staphylinini (Coleoptera: Staphylinidae). — American Museum Novitates 3287:1-88.
Ссылки
biolib.cz: Antimerus
ION: Antimerus Fauvel 1878
Staphylininae
Насекомые Австралии
Роды жесткокрылых | 25,418 |
https://ceb.wikipedia.org/wiki/Dispira%20simplex | Wikipedia | Open Web | CC-By-SA | 2,023 | Dispira simplex | https://ceb.wikipedia.org/w/index.php?title=Dispira simplex&action=history | Cebuano | Spoken | 60 | 112 | Kaliwatan sa uhong ang Dispira simplex. sakop sa ka-ulo nga Zygomycota, ug Una ning gihulagway ni Richard Keith Benjamin ni adtong 1959. Ang Dispira simplex sakop sa kahenera nga Dispira, ug kabanay nga Dimargaritaceae.
Kini nga matang hayop na sabwag sa:
California
Walay nalista nga matang nga sama niini.
Ang mga gi basihan niini
Abungawg-uhong
Abungawg-uhong sa California
Dispira (Dimargaritaceae) | 3,996 |
https://ar.wikipedia.org/wiki/%D9%82%D8%A7%D8%A6%D9%85%D8%A9%20%D8%A7%D9%84%D8%AF%D9%88%D9%84%20%D8%AD%D8%B3%D8%A8%20%D9%86%D9%85%D9%88%20%D8%A7%D9%84%D9%86%D8%A7%D8%AA%D8%AC%20%D8%A7%D9%84%D9%85%D8%AD%D9%84%D9%8A%20%D8%A7%D9%84%D8%A5%D8%AC%D9%85%D8%A7%D9%84%D9%8A | Wikipedia | Open Web | CC-By-SA | 2,023 | قائمة الدول حسب نمو الناتج المحلي الإجمالي | https://ar.wikipedia.org/w/index.php?title=قائمة الدول حسب نمو الناتج المحلي الإجمالي&action=history | Arabic | Spoken | 23 | 84 |
انظر أيضاً
قائمة الدول حسب الناتج المحلي الإجمالي
قائمة البلدان حسب الناتج المحلي الإجمالي في الماضي والمستقبل (الاسمي) للفرد
قوائم اقتصادية
قوائم الدول | 15,033 |
https://stackoverflow.com/questions/40894722 | StackExchange | Open Web | CC-By-SA | 2,016 | Stack Exchange | Kevin, Rajat, https://stackoverflow.com/users/4210332, https://stackoverflow.com/users/6680338 | English | Spoken | 701 | 1,544 | Swift MKMapView Drop a Pin Annotation to Current Location
I am looking to be able to ask the app user for his/her current location and a pin to be automatically dropped on that location. Here is my code for grabbing the current location, but I am having trouble understanding how I can drop a pin for the current location.
import UIKit
import MapKit
import CoreLocation
class MapVC: UIViewController, MKMapViewDelegate, CLLocationManagerDelegate {
@IBOutlet weak var map: MKMapView!
let locationManager = CLLocationManager()
override func viewDidLoad() {
super.viewDidLoad()
// User's location
locationManager.delegate = self
locationManager.desiredAccuracy = kCLLocationAccuracyBest
if #available(iOS 8.0, *) {
locationManager.requestAlwaysAuthorization()
} else {
// Fallback on earlier versions
}
locationManager.startUpdatingLocation()
// add gesture recognizer
let longPress = UILongPressGestureRecognizer(target: self, action: #selector(MapVC.mapLongPress(_:))) // colon needs to pass through info
longPress.minimumPressDuration = 1.5 // in seconds
//add gesture recognition
map.addGestureRecognizer(longPress)
}
// func called when gesture recognizer detects a long press
func mapLongPress(_ recognizer: UIGestureRecognizer) {
print("A long press has been detected.")
let touchedAt = recognizer.location(in: self.map) // adds the location on the view it was pressed
let touchedAtCoordinate : CLLocationCoordinate2D = map.convert(touchedAt, toCoordinateFrom: self.map) // will get coordinates
let newPin = MKPointAnnotation()
newPin.coordinate = touchedAtCoordinate
map.addAnnotation(newPin)
}
func locationManager(_ manager: CLLocationManager, didUpdateLocations locations: [CLLocation]) {
let location = locations.last! as CLLocation
let center = CLLocationCoordinate2D(latitude: location.coordinate.latitude, longitude: location.coordinate.longitude)
let region = MKCoordinateRegion(center: center, span: MKCoordinateSpan(latitudeDelta: 0.01, longitudeDelta: 0.01))
//set region on the map
self.map.setRegion(region, animated: true)
}
override func didReceiveMemoryWarning() {
super.didReceiveMemoryWarning()
// Dispose of any resources that can be recreated.
}
}
If you want to add pin to user location you can do that in didUpdateLocations delegate method like this
func locationManager(_ manager: CLLocationManager, didUpdateLocations locations: [CLLocation]) {
mapView.removeAnnotation(newPin)
let location = locations.last! as CLLocation
let center = CLLocationCoordinate2D(latitude: location.coordinate.latitude, longitude: location.coordinate.longitude)
let region = MKCoordinateRegion(center: center, span: MKCoordinateSpan(latitudeDelta: 0.01, longitudeDelta: 0.01))
//set region on the map
map.setRegion(region, animated: true)
newPin.coordinate = location.coordinate
map.addAnnotation(newPin)
}
Create a global variable for your pin
let newPin = MKPointAnnotation()
So whenever user will move to a new location the previous pin will be removed and a new pin will be added to updated location.
When I implement this, it gives me the error "Use of unresolved identifier 'mapView'"
mapView is name of variable of MapView replace it with your MapView variable which is map , also i have updated it in my answer
Ah I see. This has fixed the error. How can I test this out? When I run it with the map it doesn't recognize the app's current location.
First of all you need to add 'NSLocationAlwaysUsageDescription' in your plist, the add breakpoint on didUpdateLocation method and check whether that method being called or not
I have already added NSLocationAlwaysUsageDescription in my plist, and I added the breakpoint, but I didn't notice a change, so I don't think the method is being called.
Make sure u have not changed anything in viewDidLoad it must be same as you posted in your question for locationManager because it's working for me also try to simulate location on your simulator
No, I have not changed the viewDidLoad. How do I simulate the location on the simulator?
Check this - http://stackoverflow.com/questions/19624719/didupdatelocations-not-called and this - http://stackoverflow.com/questions/214416/set-the-location-in-iphone-simulator
I've figured out how to simulate the location. Now when I select a location and run the code, I get the "Thread 1: breakpoint 3.1" error on map.removeAnnotation(newPin).
Nevermind, I was foolish and didn't remove the breakpoint I previously put. Thanks for your help!!
First you need to add annotation in didUpdateLocations method and then whenever any annotation is added then viewForAnnotation is called so here is the code and corresponding method to add pin in user current location :
//Adding Annotation on Current Location
func locationManager(_ manager: CLLocationManager, didUpdateLocations locations: [CLLocation]) {
//Get Current Location
let location = locations.last! as CLLocation
let userLocation:CLLocation = locations[0] as CLLocation
let myAnnotation: MKPointAnnotation = MKPointAnnotation()
myAnnotation.coordinate = CLLocationCoordinate2DMake(userLocation.coordinate.latitude, userLocation.coordinate.longitude)
myAnnotation.title = "Current location"
map.addAnnotation(myAnnotation)
}
//Adding image to user current location pin
func mapView(_ mapView: MKMapView, viewFor annotation: MKAnnotation) -> MKAnnotationView? {
guard !(annotation is MKUserLocation) else {
let annotationView = MKAnnotationView(annotation: annotation, reuseIdentifier: "userLocation")
annotationView.image = UIImage(named:"anyimage.png")
return annotationView
}
return nil
}
Feel free to ask if any further issue.
| 50,333 |
https://be-x-old.wikipedia.org/wiki/%D0%A2%D1%80%D0%B0%D0%BA%D0%B5%D0%BB%D1%96%20%28%D0%90%D1%81%D1%82%D1%80%D0%B0%D0%B2%D0%B5%D1%86%D0%BA%D1%96%20%D1%80%D0%B0%D1%91%D0%BD%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | Тракелі (Астравецкі раён) | https://be-x-old.wikipedia.org/w/index.php?title=Тракелі (Астравецкі раён)&action=history | Belarusian (Taraškievica) | Spoken | 42 | 168 | Траке́лі — вёска ў Гервяцкім сельсавеце Астравецкага раёну Гарадзенскай вобласьці.
Гісторыя
26 лютага 2013 году вёска перададзеная зь ліквідаванага Астравецкага ў склад Гервяцкага сельсавету.
Насельніцтва
2010 год — 73 чалавекі
1999 год — 106 чалавек
Крыніцы
Катэгорыя:Гервяцкі сельсавет
Катэгорыя:Населеныя пункты Астравецкага раёну | 50,306 |
https://en.wikipedia.org/wiki/Nikki%20Harvey | Wikipedia | Open Web | CC-By-SA | 2,023 | Nikki Harvey | https://en.wikipedia.org/w/index.php?title=Nikki Harvey&action=history | English | Spoken | 44 | 84 | Nikki Harvey is an English Ten-pin bowler, from Southampton.
Nikki won the 2003 World Tenpin Masters defeating Andrew Frawley from Australia at the Goresbrook Leisure Centre in Dagenham.
References
British ten-pin bowling players
Year of birth missing (living people)
Living people
Sportspeople from Southampton | 49,480 |
https://math.stackexchange.com/questions/2204992 | StackExchange | Open Web | CC-By-SA | 2,017 | Stack Exchange | AlexT, https://math.stackexchange.com/users/428860 | English | Spoken | 335 | 524 | How big, or small, are humans when compared to everything from the subatomic to the universal level on a scale of 1-100.?
First time poster, so go easy on me! I have this question in 3 forms. Feel free to answer one, none, or all three. If unsure about the data, or potential missing data, go with what makes the most sense to you
On a scale of 1-100 where does a 6ft human find itself placed?
First,
For the minimum use a small atom (radius ~0.1 nanometer)
The max (largest sun) = UY Scuti ~(1,708 ± 192 R☉)
Second,
Min = Electron (radius 2.82 x 10-15 meters)
Max (largest quasar) = S5 0014+81 (radius 118.35 billion kilometers)
Third,
Min = Quark (radius 0.43⋅10−16 cm) and
Max = Hercules-Corona Borealis Great Wall (18 to 23 billion light-years (5.5 to 7 billion parsecs) in length)
Fourth,
Do you think there is a better mathematical approach to acquiring a clearer perspective of our size in the cosmos?
You may want to take a look at this website: http://htwins.net
So one way you could solve this question is by using transformations on the number line. First you can slide by the minimum and then scale by the maximum to fit your 1-100. Your max, min and 'human' should be in meters.
You first find out by how much you need to slide your number line such that $0$ is the min point you choose. You do $$b=-min$$ where $b$ is the displacement factor
Then you do a stretch of the number line to fit your scale of 1-100. To find the scale factor $k$ you do $max*k=100$ so
$$k=100/max$$
Then to find where a human or any size lies on this new stretched and displaced number line you do:
$$(x-b)*k=y $$
Where $x$ is the original size and $y$ is the new size $(0-100)$
Using this you should be able to plug in any value for the min and max and see where on the $0-100$ it lies
| 21,738 |
https://stackoverflow.com/questions/71651809 | StackExchange | Open Web | CC-By-SA | 2,022 | Stack Exchange | English | Spoken | 216 | 503 | Uncaught (in promise) TypeError: Cannot set properties of null (setting 'innerText') at app.js:2186:27
when i use axios in my node app to change the cart icon value it works but after the page refresh/reload. but it should work without page reload please help me to fix this problem. github link for my project check here to understand resources->js->app.js click here
app.js
import axios from 'axios'import Noty from 'noty'let addToCart = document.querySelectorAll('.add-to-cart')let cartCounter = document.querySelector('#cartCounter')function updateCart(food) {axios.post('/update-cart', food).then(res => {cartCounter.innerText = res.data.totalQtynew Noty({type: 'success',timeout: 1000,text: 'Item added to cart',progressBar: false,}).show();}).catch(err => {new Noty({type: 'error',timeout: 1000,text: 'Something went wrong',progressBar: false,}).show();})}
addToCart.forEach((btn) => {btn.addEventListener('click', (e) =>{
let food=JSON.parse(btn.dataset.food)
updateCart(food)
})
})
problem that shows in the inspect console
app.js:2186 Uncaught (in promise) TypeError: Cannot set properties of null (setting 'innerText') at app.js:2186:27 (anonymous) @ app.js:2186 Promise.then (async) updateCart @ app.js:2185 (anonymous) @ app.js:2205
It works but after the page reload/refresh then my cart value incremented otherwise not.
If you are using functional components, you need to use the useEffect handler. If you are using class components, you need to use the componentDidMount() property.
// In Functional Component
useEffect(() => {
// Code you want to run when the component mounts
}, []);
// In Class Component
componentDidMount() {
// Code you want to run when the component mounts
}
| 50,011 | |
https://es.wikipedia.org/wiki/Fiat%20Argenta | Wikipedia | Open Web | CC-By-SA | 2,023 | Fiat Argenta | https://es.wikipedia.org/w/index.php?title=Fiat Argenta&action=history | Spanish | Spoken | 823 | 1,421 | El Fiat Argenta es un coche del segmento de las grandes berlinas producido por la marca italiana de automóviles Fiat, de 1981 a 1985. Fue una actualización exhaustiva del Fiat 132 y el último Fiat con propulsión trasera fabricado en serie, hasta que en 2016 salió el nuevo 124 Spider. El cese por parte de Fiat de las denominaciones numéricas fue un cambio de estrategia, pasando de denominaciones con números de tres cifras a nombres significativos. Este modelo estuvo disponible solamente en carrocería sedán.
El contexto
Terminando los años 1970, el envejecimiento del 132 (puesto en el mercado en 1972) plantea a FIAT la necesidad de proyectar un modelo sucesor: por este motivo, en mayo de 1981, sale al mercado el Argenta. Los recursos financieros del grupo Fiat estaban en aquel momento concentrados en el proyecto de un nuevo modelo del segmento B (el futuro Uno), así que no era posible el estudio de un coche completamente nuevo dentro del segmento E; también porque ya estaba en estudio el proyecto Tipo4 que entonces compartía con Lancia y que dio origen a un verdadero sucesor, el Fiat Croma y el Lancia Thema, en el que participaron también otras marcas, con sus necesarias adaptaciones: Saab 9000 y posteriormente el Alfa Romeo 164.
Mientras tanto, se opta por un profundo restilizado del 132, del cual se conserva la estructura base (plataforma, habitáculo y matricerías de las puertas). Sin embargo se rediseñan el frontal y la zaga (ambos más bien altos y cuadrados); completan el maquillaje los grupos ópticos rectangulares (los posteriores muy amplios), los envolventes paragolpes y marcajes laterales en plástico, en vez de los abundantes perfiles cromados. También se rehízo completamente el interior, con un revestimiento de los asientos, contribuyendo a mejorar el confort . Totalmente retomada del 132, sin embargo, la ya conocida mecánica de propulsión trasera, unida al motor situado en posición delantera y eje rígido posterior. La derivación se la llamó en su fase de proyecto "132-G".
Cuando debutó la nueva berlina, denominada Argenta (en homenaje, según dicen, a Argenta Campello, hija joven de Maria Sole Agnelli), disponible en versiones "1600" (1585 cm³, 98 CV DIN); "2000 i.e." (1995 cm³, 122 CV DIN) y "2500 Diesel" (2445 cm³, 72 CV DIN, este último se distingue de los demás modelos de la gama por una protuberancia en el capó del motor, dada la mayor altura del bloque).
La acogida por parte del público fue tibia en Italia y fría en el extranjero.
No obstante, aun con la rica dotación de accesorios (dirección asistida y panel de control de serie en el"2000 i.e."), la nueva berlina de Fiat resultaba de entrada superada, por culpa de un aspecto que no era apasionante, de modesto comportamiento en carretera sobre suelo mojado y de prestaciones poco brillantes para el consumo soportado.
En 1983 este modelo fue sometido a un restilizado: el material plástico de los parachoques y de los marcajes laterales se hace semibrillante (y carente de orlas cromadas), mientras que el anagrama delantero, que incorpora el nuevo emblema de FIAT con 5 barras oblicuas, tiene un reticulado diferente. Frontal, parachoques y marcajes se hacen finalmente más angulosos. Estas reformas tienen el mérito de diferenciarle estilísticamente de la estética de su antecesor el 132 y de hacer al coche más "importante", sin embargo no logra ocultar la edad del proyecto. Pero la modificación mayormente digna di nota no se refiere a la estética, sino a la mecánica, en particular la geometría del tren delantero. De hecho fue aumentada la medida de la vía delantera, con importantes consecuencias en lo que se refiere a las características dinámicas del coche. La revista Quattroruote, con motivo de las "impresiones de conducción", además se plantea la cuestión de por qué esta variación non fue adoptada antes de aquel momento. También se registra el lanzamiento de la inédita (por la casa turinesa) de la versión turbodiesel. La nueva gama comprende el "100" (1585 cm³, 98 CV DIN), el "110" para los mercados exteriores que en la práctica era un 2 litros con carburador (1995 cm³, 113 CV), el "120 i.e." (1995 cm³, 122 CV); el "D" (2445 cm³, 72 CV) y el "Turbo D" (2445 cm³, 90 CV), primera berlina FIAT con motor turbodiesel.
Asimismo, en junio de 1984 se lanza la versión "SX" ("VX" para los mercados exteriores), equipada con el 4 cilindros biárbol de 1995 cm³ dotado de compresor volumétrico y potencia máxima de 135 CV. Pero fue un movimiento tardío para sostener un modelo ya obsoleto, que en 1985 deja su puesto a su sucesor, el Croma.
Motores
Gasolina
Diesel
Fabricación fuera de Italia
A partir de octubre de 1981 el Argenta fue producido bajo licencia en la factoría Zastava de Kragujevac.
Modelos de Fiat
Modelos de automóviles del segmento E
Otros proyectos
https://upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Commons-logo.svg/18px-Commons-logo.svg.png Wikimedia Commons contiene imágenes u otros archivos del Fiat Argenta
Enlaces externos
Prueba comparativa del Fiat Argenta Turbo D frente al Peugeot 505 GTD Turbo | 49,351 |
https://eo.wikipedia.org/wiki/Ilha%20de%20Mo%C3%A7ambique | Wikipedia | Open Web | CC-By-SA | 2,023 | Ilha de Moçambique | https://eo.wikipedia.org/w/index.php?title=Ilha de Moçambique&action=history | Esperanto | Spoken | 124 | 287 | Insulo Mozambiko () estas insulo antaŭ la marbordo de la afrika lando Mozambiko, kiu estas nomita laŭ la insulo. Pro la historia signifo de la insulo ĝi ekde 1991 troviĝas sur la monda heredaĵo-listo de UNESKO.
Ĝi havas surfacon de 1.5 km² kaj oni ĉirkaŭkalkulas proksimume 54.000 loĝantojn.
Ekde la 1960-aj jaroj la insulo estas ligita al la kontinento pere de tri kilometrojn longa ponto, kun proksima flughaveno.
Post la malfermo de la sueza kanalo la insulo perdis sian gravecon kaj en 1898 la ĉefurbo de la portugala kolonio Mozambiko translokiĝis al Lourenço Marques, nun la ĉefurbo Maputo.
Pro sia kultura valoro, la insulo en 1991 estis aldonita al la monda heredaĵo-isto de UNESKO.
Bildaro
Insuloj en Mozambiko
Mondaj heredaĵoj en Mozambiko
Svahilaj urboŝtatoj | 9,691 |
https://id.wikipedia.org/wiki/Cugliate-Fabiasco | Wikipedia | Open Web | CC-By-SA | 2,023 | Cugliate-Fabiasco | https://id.wikipedia.org/w/index.php?title=Cugliate-Fabiasco&action=history | Indonesian | Spoken | 28 | 77 | Cugliate-Fabiasco adalah kota yang terletak di Provinsi Varese, Italia. Cugliate-Fabiasco memiliki luas sebesar 6.7 km². Kota ini memiliki penduduk sebesar 2.961 jiwa. Kota ini memiliki kode pos 21030. | 19,359 |
https://ceb.wikipedia.org/wiki/Partington%20Canyon | Wikipedia | Open Web | CC-By-SA | 2,023 | Partington Canyon | https://ceb.wikipedia.org/w/index.php?title=Partington Canyon&action=history | Cebuano | Spoken | 54 | 108 | Ang Partington Canyon ngalan niining mga mosunod:
Heyograpiya
Tinipong Bansa
Partington Canyon (walog), California, Monterey County,
Mga nasod ug dili sa bisan unsa nga nasud
Partington Canyon (dalama sa dagat),
Pagklaro paghimo ni bot 2017-02
Pagklaro paghimo ni bot Tinipong Bansa
Pagklaro paghimo ni bot Mga nasod ug dili sa bisan unsa nga nasud | 38,311 |
https://mzn.wikipedia.org/wiki/%DA%A9%D9%86%DA%AF%D9%88 | Wikipedia | Open Web | CC-By-SA | 2,023 | کنگو | https://mzn.wikipedia.org/w/index.php?title=کنگو&action=history | Mazanderani | Spoken | 105 | 360 | کُنگو یا کونگو اتا نوم هسته که مشترکاً دِتا همسایه کشور وسّه آفریقا دله استفاده وونه:
کنگو جمهوری که وه ره «کنگو-برازاویل» هم گانّه وه اتدیگه جه خوردته هسته و غربی آفریقای غرب دله دره. اینتا کشور فرانسه مستعمره بییه.
کنگو دموکراتیک جمهوری که وه ره «کنگو-کینشازا» یا DRC هم گانّه. اینتا کشور اتکمه برازاویل جه گتته هسته و مرکزی آفریقای شرقوَری کته. اینجه زمونی بلژیک مستعمره بییه و وه ره اتگادِر کنگوی آزاد کشور یا بلژیک کنگو گاتنه. سالئون ۱۹۷۱ تا ۱۹۹۷ وه ره زئیر گاتنه.
کنگو کراتون، اتا باستونی منطقه بییه.
کنگوی ِدرکا، اتا درکا (= روخنه) هسته که اون منطقه دله دَره. | 29,225 |
https://sv.wikipedia.org/wiki/Cliff%20Edwards | Wikipedia | Open Web | CC-By-SA | 2,023 | Cliff Edwards | https://sv.wikipedia.org/w/index.php?title=Cliff Edwards&action=history | Swedish | Spoken | 426 | 878 | Cliff Avon Edwards, född 14 juni 1895 i Hannibal, Missouri, död 17 juli 1971 i Hollywood i Los Angeles, också känd som "Ukulele Ike", var en amerikansk sångare, skådespelare, ukulelespelare och underhållare. Edwards var mycket populär under 1920- och tidiga 1930-talet, hans specialitet var att göra jazziga versioner av populärmusik. Han hade också en stor hit med låten "Singin' In The Rain" 1929. Han verkade även som röstskådespelare i animerade filmer och är främst känd för att ha givit sin röst till Benjamin Syrsa i Walt Disneys Pinocchio (1940) och Pank och fågelfri (1947).
Biografi
Edwards storhetstid inföll under 1920-talet då han uppträdde på kända vaudevilleteatrar och revyer som Ziegfeld Follies i New York samt gjorde ett stort antal skivinspelningar för bland annat Pathé (och dess underetikett Perfect). På dessa skivor finns bland annat tidiga exempel på hans instrumenthärmande scatsång.
Med början 1929 och under 1930-talets början medverkade han i en rad filmer för främst Metro-Goldwyn-Mayer. Han arbetade också inom radio, men generellt dalade hans stjärna under 1930-talet, och under detta och följande decennium gick han i personlig konkurs inte mindre än fyra gånger. Han fortsatte dock att göra spridda filmroller, och fick inte minst en stor framgång 1940 som rösten till Benjamin Syrsa i Walt Disneys Pinocchio, där han bland annat sjöng Ser du stjärnan i det blå?
Edwards gifte sig för första gången 1919 med Gertrude Ryrholm, de skilde sig fyra år senare. Han gifte sig sedan med Irene Wylie 1923, de skiljde sig 1931. År 1932 gifte han sig för tredje och sista gången, med skådespelaren Judith Barrett. Makarna skilde sig 1936. Han fick inga barn i några av äktenskapen.
Under sina sista år levde Edwards i fattigdom, och då han avled på ett sjukhem 1971 skänktes hans kropp först som studieobjekt till ett universitet, men räddades genom att företaget Disney löste ut kroppen och betalade för begravningen.
Filmografi (i urval)
Hollywood-revyn 1930 (1929)
Lord Byron of Broadway (1930)
Don Juan i pyamas (1931)
Saratoga (1937)
Flickan från gyllene västern (1938)
Borta med vinden (1939)
Efterlyst av polisen (1940)
Det ligger i blodet (1940)
Millionaires in Prison (1940)
She Couldn't Say No (1940)
Pinocchio (1940) (röst)
Dumbo (1941) (röst)
The Monster and the Girl (1941)
Cliff Edwards and His Buckaroos (1941) (kortfilm)
Fighting Frontier (1943)
Falken slår till (1943)
The Avenging Rider (1943)
Pank och fågelfri (1947) (röst)
The Cliff Edwards Show (1949) (TV-serie)
Walt Disney's Wonderful World of Color (1955-1960) (TV-serie)
Källor
Externa länkar
Kort dokumentär om Edwards på Youtube
Amerikanska sångare
Amerikanska skådespelare under 1900-talet
Män
Födda 1895
Avlidna 1971
Ukulelespelare | 22,139 |
https://en.wikipedia.org/wiki/Abraham%20Cohen%20Labatt | Wikipedia | Open Web | CC-By-SA | 2,023 | Abraham Cohen Labatt | https://en.wikipedia.org/w/index.php?title=Abraham Cohen Labatt&action=history | English | Spoken | 1,096 | 1,672 | Abraham Cohen Labatt (1802, Charleston, South Carolina - August 16, 1899, Galveston, Texas) was an American Sephardic Jew who was a prominent pioneer of Reform Judaism in the United States in the 19th century, founding several early congregations in the South and in San Francisco after the Gold Rush. A merchant, in the 1830s he helped pioneer trade between United States interests in Charleston and those in Texas and Mexico.
Early life and education
Abraham Labatt was a Sephardic Jew born in Charleston, South Carolina. His parents were David C. Labatt and Catherine Cohen (1773-1846), who came to Charleston by the time of the 1800 census having emigrated from Spain and Portugal, via Germany, France, the Netherlands and England.
Career
As a young man, Labatt was one of the founders and first settlers of Cheraw, South Carolina, where he joined a Masonic Lodge in 1823.
In 1825, Labatt helped organize the Reform congregation in Charleston, the first in the United States.
A few years later, he moved with his young family to Charlotte, North Carolina, where he worked as a merchant and trader. He was appointed post master of a small town in what was then Mecklenburg County and is now believed to be Monroe, North Carolina by US President Andrew Jackson, which he named Jacksonville (not to be confused with Jacksonville, North Carolina). In 1827 he purchased large plots of land there and in 1830 and 1832 he was granted powers of attorney by his father-in-law Samuel Hyams to sell more land in Mecklenburg and two slaves named Sandy and Gabriel that Hyams owned. On 3 November 1829 he placed an advertisement in the Western Carolinian for a "House of Accommodation", believed to be same place as Labatt's Crossroads, where Union County's first court sat.
In 1831 he moved to New Orleans, where he engaged in mercantile pursuits. In that city, he was one of the founders of the first Jewish congregations in Louisiana, which became known as the Portuguese Jewish Nefutzot Yehudah congregation (or Portuguese Synagogue). (In 1870, its rabbi visited Galveston to dedicate the cornerstone of the first synagogue of Congregation B'nai Israel.) Labatt was also a firefighter and was the secretary and a founder of the Firemen's Charitable Association of New Orleans, which was established in 1832.
In 1831, Labatt visited Velasco, Texas, then part of Mexico, which had achieved independence in 1821, to explore opportunities for international trade. A settlement had just been started based on a trading post. He visited again in 1837 as supercargo of the steamship Columbia. This was the first cargo ship to trade between the U.S., via Charleston, and Texas (by then an independent republic) and Mexico.
Following the Gold Rush of 1849, Labatt went to California as a merchant, along with hundreds of thousands of other migrants. He also served as the first president of Congregation Emanu-El (San Francisco) in April 1851. One of the founders of the San Francisco synagogue Shearith Israel, he laid its foundation-stone in 1856.
Labatt became the Worshipful Master or Postmaster General of the Davy Crockett Lodge, the West's first Masonic Lodge, named after an American pioneer of the Southeast, a name which he helped choose. He had been a friend of Crockett's, as well as Texas president Sam Houston. Active politically, Labatt was elected as an alderman of San Francisco.
Marriage and family
Labatt's sister Cora was the Queen of Mardi Gras in New Orleans in the Rex parade in 1877.
In Charleston, South Carolina, Labatt married Caroline Hyams (born 1802), a sister of Louisiana Lieutenant-Governor Henry M. Hyams and Samuel M. Hyams, Jr. (Asst. Adjutant General & Lieut. Colonel, 3rd Infantry Regt., LA, Confederate Army). They had sixteen children together.
One of his sons, Leon L. Labatt (1854-1928), was a Louisiana judge and chess player who won the Louisiana Chess Championship in 1917, and in his lifetime played against fellow Louisianans Paul Morphy and Armand Blackmar, as well as worldwide greats Emanuel Lasker, Carlos Torre Repetto, Wilhelm Steinitz, Johannes Zukertort, Adolf Albin and José Raúl Capablanca.
Another of his sons, Henry Jacob Labatt (1832-1900), became an influential attorney in San Francisco, where he was editor of the Voice of Israel, the first Jewish newspaper in the US West in 1856, along with Herman Bien. He had moved to Galveston, Texas by 1869, when he was elected to the Galveston Board of Aldermen and served as the City Treasurer. He was a member of the Texas House of Representatives 1881-1883, became president of the Zacharias Frankel B’nai B’rith Lodge #242 and had a small town named after him called Labatt, Texas, situated in western Wilson County on the San Antonio and Aransas Pass Railway, which was abandoned in the 1930s. He, his wife Eleanor, their children Ellie and Joseph, and Joseph's wife and four children, all died in the 1900 Galveston hurricane.
Other Labatt children include David Cohen Labatt (Captain & Quartermaster, 5th Infantry Regt., LA, Confederate Army; Judge), Samuel Kosciusko Labatt
(Commander, Ringgold Lite Artillery, California Militia, 1853-1855), Eliza E. Labatt (never married), Louise C. Labatt (died in the 1900
Galveston Storm), Jackson E. Labatt (Private, Co. G, 26th Infantry Regt., LA, Confederate Army), Joseph Isaac Labatt and Miriam Hyams Labatt Smith (Mrs.
John B., Brigadier General; Louisiana Confederate Widow's Pension).
Return to the Gulf Coast
In the 1860s, the Labatt family returned to Louisiana. They moved to Waco, Texas in 1869. After his wife died in the fall of 1878, Labatt moved to Galveston and lived with his son, Henry J. Labatt, until his death in 1899. Labatt joined the Congregation B'nai Israel, which was also Reform. He continued to be active in temple activities.
Death
Labatt died of old age and gastritis at his son Henry's house in Galveston on August 16, 1899, aged 97 or 98. He was the second oldest Mason in the United States at the time of death.
See also
History of the Jews in Galveston, Texas
History of the Jews in Charleston, South Carolina
References
Further reading
Natalie Ornish, Pioneer Jewish Texans (Dallas: Texas Heritage, 1989).
Ruthe Winegarten and Cathy Schechter, Deep in the Heart: The Lives and Legends of Texas Jews (Austin: Eakin Press, 1990).
External links
Diana J. Kleiner, "LABATT, ABRAHAM COHEN", Handbook of Texas Online, Published by the Texas State Historical Association
"Telegraph Ticks", The Standard Union (Brooklyn, New York) 17 Aug 1899, Thu · Page 12, link to newspapers.com
1802 births
1899 deaths
Jews and Judaism in Galveston, Texas
Jewish-American history
Religious leaders from Texas
American Sephardic Jews
Jewish Confederates
19th-century American Sephardic Jews
19th-century American Jews | 19,743 |
https://tt.wikipedia.org/wiki/%D0%A5%D0%B0%D0%BD%D0%BE%D0%B1%D0%B0%D1%81%D1%8B%20%28%D0%9F%D0%B0%D0%B7%D0%B0%D1%80%D2%97%D1%8B%D0%BA%20%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | Ханобасы (Пазарҗык ) | https://tt.wikipedia.org/w/index.php?title=Ханобасы (Пазарҗык )&action=history | Tatar | Spoken | 58 | 230 | Ханобасы () — Төркия Җөмһүриятенең Акдиңгез бүлгесе Каһраманмараш иле Пазарҗык илчесенә караган бер мәхәллә ().
Географиясе
Халык саны
Искәрмәләр
Сылтамалар
Турция // Большая российская энциклопедия : [в 35 т. / гл. ред. Ю. С. Осипов. — М. : Большая российская энциклопедия, 2004—2017.]
Mahalle Nedir?
Kısaltmalar Dizini
Пазарҗык илчесе мәхәлләләре
Әлифба буенча торак пунктлар
Төркия торак пунктлары
Төркия мәхәлләләре | 25,762 |
https://lad.wikipedia.org/wiki/Diya%20Internasional%20de%20la%20Lingua%20Madre | Wikipedia | Open Web | CC-By-SA | 2,023 | Diya Internasional de la Lingua Madre | https://lad.wikipedia.org/w/index.php?title=Diya Internasional de la Lingua Madre&action=history | Ladino | Spoken | 338 | 659 | El Diya Internasional de la lingua madre se krió en la UNESCO el 21 de Fevrero de 2000, i es fiestado en esta data kada anyo en los payises ke azen parte de la UNESCO i endemas en las fráguas de la misma, kon el buto de dezvelopar la diversita kulturala i linguistika, endemas del uzo de munchas linguas, espesialmente akeyas linguas en perikolo.
Este diya fue eskojido espesialmente por la akseptasion internasionala del Movimento por la Lingua Bengali fiestado en Bangladesh el Diya del Movimento por la Lingua desde 1952, kuando la polisiya i la armada de Pakistan dechidieron tirar balas en kontro de los avlantes de lingua bengali, los kualos manifestavan sus diritos linguistikos en las kalejas de la sivdad de Dhaka.
Temas del Día internacional de la lengua materna
Kada anyada el Dia Internasional de la Lingua Madre tiene un tema, el kualo es echo konosido por la UNESCO.
2000, Priméra selebrasion del Diya Internasional de la Lingua Madre
2001, Sigunda selebrasion
2002, Diversita linguistika: 3.000 Linguas en perikolo (slogan: "En la galaksia de linguas, kada biervo es una estreya")
2003, Katrena selebrasion
2004, Ambezamyento de las kreaturas (En la frágua de la UNESCO afilu era topada "una amostra de los livros uzados por las kreaturas en todo el mundo, ansina amostrando el modo enel kualo las kreaturas ambezan a meldar i eskrivir en la eskola")
2005, Eskritura Braille i linguas de sinyos
2006, Las linguas i la internet
2007, La Edukasion multilinguistika
2008, Anyo Internasional de las Linguas
2009, Diezena selebrasion
2010, Anyo Internasional del rankontro de las kulturas
2011, Las teknolojiyas de la informasion i de la komunikasion kon el buto de kudiar i promover las linguas i la diversita linguistika
2012, Ambezamiento de la lingua materna i una edukasion inklusiva
Ver endemas
Atlas de la UNESCO de las Linguas en Perikolo del Mundo
Imperializmo linguistiko
Index Translationum
Lingua madre
Radio de la ONU
Referensias
Atamientos eksternos
Las linguas en perikolo. UNESCO
UNESCO
Lingua madre
Linguas en perikolo
Diritos linguistikos
Diya Internasional
Linguistika | 16,903 |
https://en.wikipedia.org/wiki/Wicked%20Game | Wikipedia | Open Web | CC-By-SA | 2,023 | Wicked Game | https://en.wikipedia.org/w/index.php?title=Wicked Game&action=history | English | Spoken | 1,278 | 2,042 | "Wicked Game" is a song by American rock musician Chris Isaak, released from his third album, Heart Shaped World (1989). Despite being released as a single in July 1989, it did not become a hit until it was featured in the 1990 David Lynch film Wild at Heart, starring Nicolas Cage and Laura Dern. Lee Chesnut, an Atlanta radio station music director who loved David Lynch films, began playing the song, and it quickly became an American top-10 hit in January 1991, reaching number six on the Billboard Hot 100. Worldwide, the single became a number-one hit in Belgium and reached the top 10 in several other nations.
"Wicked Game" has been covered by many other artists and been featured in numerous movies and television series and advertisements, so much so that Dazed magazine questioned whether it might be the most influential love song in modern music. It has subsequently received retrospective critical acclaim, being listed in the 2010 book 1001 Songs You Must Hear Before You Die, and noted by Dave Marsh in an updated edition of his 1989 book The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made.
Composition
The song is in B Dorian, performed in what AllMusic describes as a "brooding, sorrowfully conflicted" tone.
Although it is often interpreted as a ballad about unrequited love, Isaak has said that the song was inspired by a telephone call from a woman seeking to arrange a hook-up and is about "what happens when you have a strong attraction to people that aren't necessarily good for you". It was written shortly after the call.
During the sessions for Isaak's third album, many different versions and arrangements of the song were made before the final version was completed. James Calvin Wilsey wrote and played the distinctive guitar lead using a Fender Stratocaster's vibrato arm; both the bassline and drums were sampled from previous recordings of the song and looped.
Critical reception
The Aberdeen Evening Express extolled the "haunting strains" of "Wicked Game." Grant Walters of Albumism praised the song as a "pristine union of Isaak's aching vocal and the desolate wail of James Calvin Wilsey's '65 Stratocaster." He added, "Underneath, the brushed drum loop, simple bass line, and muted background vocals create a simmering atmospheric buzz." Steve Huey of AllMusic described it as a "shimmering," "spare," "smoky," and "moody masterpiece." Larry Flick from Billboard called it "[a] delicious treat." Alaister Moughan from Dazed wrote, "Some songs are masterpieces, some represent moments in time, and others are simply good jams. Chris Isaak's "Wicked Game" is all three." Joe Rhodes from Entertainment Weekly stated that this is "perhaps the album's darkest mood piece," noting its "otherworldly" opening guitar line. Pan-European magazine Music & Media described it as "[a] laid-back C&W tinged song featuring Isaak's Orbison-esque vocals." Duncan Holland from Music Week felt that its "dexterity and panache is something rarely heard. The touches of Roy Orbison only make it stronger and given the right airplay, Isaak should score a significant, if unpredictable hit." A reviewer from Sunday Life complimented it as "[a] brooding ballad, image-laden, and worthy of Roy Orbison in his heyday."
Music videos
There are two different music videos for this song. The more well-known video was directed by Herb Ritts and shot in Hawaii at what was formerly known as Kamoamoa Beach in Hawaii Volcanoes National Park on the Big Island. The newly formed black-sand beach was created from lava from Kilauea volcano flowing into the ocean about a mile away. The beach was covered by lava not long after the video was shot. The video features supermodel Helena Christensen rolling and frolicking on the beach with Isaak. It was mostly filmed in black and white. Christensen is topless through most of the video, although her nudity is concealed by camera angles. In the middle of the video, Christensen is seen only in her black lace bra and panty; other times, she wears only a men's white brief. The video achieved heavy rotation on MTV and MTV Europe, winning the MTV Video Music Awards for Best Male Video and Best Cinematography. It was ranked number 13 on VH1's "100 Greatest Videos", number four on VH1's "50 Sexiest Video Moments", number 73 on Rolling Stone magazine's "The 100 Top Music Videos", number one on Rolling Stone magazine's "The 30 Sexiest Music Videos of All Time", and number one on Fuse's "40 Sexiest Videos" in 2010.
Another video was commissioned for the Wild at Heart VHS release and was directed by David Lynch. It features scenes of Lula (Laura Dern) and Sailor (Nicolas Cage) from the film, interspersed with black-and-white footage of Isaak and his band performing the song. This video won the MTV Video Music Award for Best Video from a Film.
Track listings
US 7-inch and cassette single
A. "Wicked Game" (edit) – 4:06
B. "Wicked Game" (instrumental) – 4:48
European 7-inch single (1989)
A. "Wicked Game" – 4:46
B. "Don't Make Me Dream About You" – 3:30
UK 7-inch and cassette single
A. "Wicked Game"
B. "Cool Cat Walk" (by Angelo Badalamenti)
UK 12-inch and CD single
"Wicked Game"
"Cool Cat Walk" (by Badalamenti)
"Dark Spanish Symphony" (by Badalamenti; string version)
French CD single
"Wicked Game" – 4:46
"Don't Make Me Dream About You" – 3:30
"Wicked Game" (instrumental) – 4:48
French cassette single
"Wicked Game" (edit) – 4:46
"Don't Make Me Dream About You" – 3:30
Personnel
Chris Isaak – vocals, acoustic guitar
James Calvin Wilsey – electric guitar
Rowland Salley – bass guitar, vocals
Kenney Dale Johnson – percussion
Frank Martin – keyboards
Charts
Weekly charts
Year-end charts
Certifications
Release history
Other versions
Covers (studio releases)
HIM
The Finnish band HIM remade this song, first using it in their demo This Is Only the Beginning, then on their EP 666 Ways To Love: Prologue, followed by another recording of it on their first album Greatest Lovesongs Vol. 666, and again on the British and American versions of their second album Razorblade Romance. The last recording they made of it then reappeared on their compilation album And Love Said No: The Greatest Hits 1997–2004. "Wicked Game" became the band's breakthrough song in their native Finland. Their version appeared on an episode of Smallville.
Track listings
German release
"Wicked Game" – 3:54
"For You" – 4:00
"Our Diabolical Rapture" – 5:20
"Wicked Game" (666 Remix) – 3:58
Finnish release
"Wicked Game"
"For You"
2000 UK release
"Wicked Game" – 3:36
"When Love and Death Embrace" (Amnt Mix) – 3:34
"The Heartless" (Serdlidlim Mix) – 3:11
2000 Swedish release
"Wicked Game" 2000
"When Love and Death Embrace" (Amnt Mix) – 3:34
Parra for Cuva
In 2013, German house producer Parra for Cuva released a cover version that featured Anna Naklab. The single was re-titled as "Wicked Games" in plural. It was first released on Beatport worldwide as a digital download in August 2013, then a mainstream release as a digital download in France in October 2013 and in Germany on February 14, 2014. The song has charted in Australia, France, Belgium, the United Kingdom and the Netherlands.
Track listing
"Wicked Games" (radio edit) – 3:15
"Wicked Games" (original mix) – 5:58
Charts
Weekly charts
Year-end charts
Certifications
Others
References
1989 songs
1990 singles
American folk rock songs
Chris Isaak songs
HIM (Finnish band) songs
Il Divo songs
MTV Video Music Award for Best Male Video
Music videos directed by Herb Ritts
Music videos directed by David Lynch
Black-and-white music videos
Song recordings produced by Erik Jacobsen
Bertelsmann Music Group singles
Reprise Records singles
Syco Music singles
Spinnin' Records singles
Songs written by Chris Isaak
Country ballads
1980s ballads
Songs about casual sex
1998 singles | 41,178 |
https://ru.wikipedia.org/wiki/%D0%9E%D1%81%D0%BC%D0%B0%D0%BD%D0%B8%D0%B5%20%28%D0%B8%D0%BB%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | Османие (ил) | https://ru.wikipedia.org/w/index.php?title=Османие (ил)&action=history | Russian | Spoken | 92 | 346 | Османие () — ил на юге Турции.
Османие стала провинцией в 1996 году. Административный центр — город Османие.
6 февраля 2023 года, в результате мощного землетрясения, в провинции погиб 991 человек.
География
Ил Османие граничит с илами Хатай, Газиантеп, Адана, Кахраманмараш.
Административное деление
Ил разделён на 7 округов:
Бахче (Bahçe)
Дюзичи (Düziçi)
Хасанбейли (Hasanbeyli)
Кадирли (Kadirli)
Османие (Osmaniye)
Сумбас (Sumbas)
Топраккале (Toprakkale)
Культура
Фестиваль борьбы Каракучак, проводится в Кадирли (25-26 мая)
Достопримечательности
Каратепе
Асланташ
Кадирли
древние города-крепости Кастабала и Хемите, а также развалины крепостей Френк (Чардак), Топраккале, Савранда (Кайпак).
Примечания
Османие (ил) | 37,956 |
https://ru.stackoverflow.com/questions/1114030 | StackExchange | Open Web | CC-By-SA | 2,020 | Stack Exchange | Speedy Gonzales, don Rumata, https://ru.stackoverflow.com/users/191416, https://ru.stackoverflow.com/users/340172 | Russian | Spoken | 194 | 552 | Ansible, task, playbook
Есть задача скопировать на хосты папку с файлами и сделать этим скопированным файлам аналог chmod +x
---
- host: ABC
become: True
become_method: su
gather_facts: su
task:
- name: Copy folder to host
copy:
src: /home/temp/my_folder
dest: /home/work_folder
- name: Change files1 to exec
file: dest=/home/work_folder/file1.sh mode=a+x
- name: Change files2 to exec
file: dest=/home/work_folder/file2.sh mode=a+x
и всё типа такого
но при выполнении playbook возникает ошибка:
первый файл становиться исполняемым, а дальше ошибка:
FAILED! => {"changed": false? "msg": "file (/home/work_folder/file2.sh) is absent, cannot continue", "path": "/home/work_folder/file2.sh"}
почему file2.sh absent, он существует если зайти на хост
в чём проблема?
Спасибо!
и ещё вопрос: почему playbook надо запускать с ключём (-К) и вводить root пароль, иначе ошибка:
FAILED! => "Timeout (12s) waiting for privilege escalation prompt:"
Ответ на первую часть вопроса на нашёл сам, мною были допущены ошибки в именах файлов и поэтому возникала ошибка.
А вот вопрос с ключом (-К) так и не решился, как можно запускать безного и без ввода root-пароля
Спасибо!
В смысле без ввода пароля? Для суперпользователя есть штука become: yes.
не помогает
только если стоит ключ -К при запуске PlayBook, система спросить root пароль и начнет выполнять сценарий
| 38,303 |
https://sk.wikipedia.org/wiki/T%C3%A2rgu%20Mure%C8%99 | Wikipedia | Open Web | CC-By-SA | 2,023 | Târgu Mureș | https://sk.wikipedia.org/w/index.php?title=Târgu Mureș&action=history | Slovak | Spoken | 86 | 221 | Târgu Mureș (, , ) je municípium v Rumunsku, ktoré je centrom župy Mureș.
Dejiny
Mesto bolo až do roku 1918 súčasťou Uhorského kráľovstva. Po roku 1918 bolo pripojené s celým Sedmohradskom k Rumunskému kráľovstvu. Počas druhej svetovej vojny, po druhej viedenskej arbitráži, bolo súčasťou horthyovského Maďarska. Po skončení vojny sa stalo opäť súčasťou Rumunska. V rokoch 1952 až 1968 bolo centrom Maďarskej autonómnej oblasti v Rumunsku. Postupne sa zmenilo na mesto s rozvinutým priemyslom.
Pravidelné podujatia
Peninsula / Félsziget Festival
Iné projekty
Mestá v Rumunsku | 13,149 |
https://stackoverflow.com/questions/28634120 | StackExchange | Open Web | CC-By-SA | 2,015 | Stack Exchange | AlainD, Jeremy, Steve Mitcham, https://stackoverflow.com/users/10156, https://stackoverflow.com/users/17776, https://stackoverflow.com/users/2377399, https://stackoverflow.com/users/314507, jac | English | Spoken | 504 | 864 | Suspend updates to control Text property
I am implementing a QWERTY-style keyboard on a cheap touchscreen PC running (similar to a bank ATM). The Panel container has several dozen buttons and when the user presses "Shift", I swap all the text on the buttons. For example, btnPos12.Text = (m_bShiftOn) ? "Q" : "q"; in a big loop for all buttons on the Panel.
This works fine, but because the processor is not very powerful, there is significant flicker as all the button text changes. I'd like to suspend all text updates till they've all been done and then...bang!...change them all (aka double-buffering). I tried using this thread:
How do I suspend painting for a control and its children?
This works very well for single controls, such as a multi-line TextBox, but does not prevent each button's text from updating.
I then tried changing the text on a single button. First I suspended drawing on that button, and then changed the text in a big loop...but again the text changes each time btnPosXX.Text = ... is called. Is there any way to prevent changes to the "Text" property of a control?
int nShiftIndex = (m_bShiftOn) ? UPPER : LOWER;
for (int nButton = 0; nButton < pnlButtons.Controls.Count; nButton++)
{
pnlButtons.Controls[nButton].Text = m_aszKeys[nShiftIndex];
}
Adding your actual code will help in getting an answer.
Have a look at this question / answer. http://stackoverflow.com/questions/615781/can-i-suspend-redrawing-of-a-form-until-i-have-performed-all-updates
@AlainD, see jac's edit to your question, you can just keep editing your question to add code details. Also, look at his suggested link and also if you could add where you are attempting to suspend/resume the updates.
@SteveMitcham: Thanks. Actually, the question has all the details, but I think you're hinting that coders (like myself) prefer to see a succinct code sample rather than something more wordy (and potentially ambiguous)! Point taken, I'll work on that...
If you look here: http://referencesource.microsoft.com/#System.Windows.Forms/winforms/Managed/System/WinForms/Control.cs,f12a8fdec6c1bb36 the button text is set via the low-level SetWindowText function in the win32 api. I'll have to wait for a bit until I can get to a machine I can develop winforms on to try and work something out.
Yes, code examples of a specific reproducible problem are preferred for SO.
thinking outside the box...can you have a separate set of buttons in the same location, and just change visibility en mass? pausing the layout when changing visibility may look better visually.
this.SuspendLayout();
...
this.ResumeLayout();
That doesn't work. SuspendLayout just stops the layout logic for the control, but doesn't appear to affect the Text property for the control.
Did you try it at the form level before setting any properties? It should stop updating all controls that belong to the form if I'm not mistaken.
Just tried it, but it doesn't help. SuspendLayout doesn't appear to affect the Text property of a control, only layout logic.
How about BeginUpdate and EndUpdate?
BeginUpdate / EndUpdate are supported on some classes (eg. ComboBox) but not on the Panel or Form classes.
one more thing. I noticed the autogenerated designer code does this.ResumeLayout(False)
this.PerformLayout()
| 6,566 |
https://de.wikipedia.org/wiki/Elsie%20Uwamahoro | Wikipedia | Open Web | CC-By-SA | 2,023 | Elsie Uwamahoro | https://de.wikipedia.org/w/index.php?title=Elsie Uwamahoro&action=history | German | Spoken | 193 | 403 | Elsie Uwamahoro (* 23. Oktober 1988 in Mabanda, Burundi) ist eine burundische Schwimmerin.
Die je nach Quellenlage 1,65 Meter bzw. 1,69 Meter große Sportlerin, die 2012 ein Wettkampfgewicht von 56 kg auf die Waage brachte, wird von Basogomba Cassien trainiert und gehört dem Verein Entente in Bujumbura an. Sie studiert Business Administration und Marketing Management an der Light University of Bujumbura.
Bereits an den Olympischen Sommerspielen 2008 in Peking nahm die Burundierin teil. Dort klassifizierte sie sich mit einer erschwommenen Zeit von 36,86 Sekunden als Siebte ihres Vorlaufs in der Endabrechnung auf Rang 86 des 50-Meter-Freistil-Rennens. Uwamahoro stand erneut im sechsköpfigen Aufgebot der burundischen Mannschaft für die Olympischen Sommerspiele 2012. In London startete sie über die 50-Meter-Freistil-Strecke. In ihrem Vorlauf erschwamm Uwamahoro mit einer Zeit von 33,14 Sekunden den 4. Platz. Damit verpasste sie das Halbfinale und beendete den Wettbewerb als 67. des Gesamtklassements. Im Jahr 2013 nahm Uwamahoro an den Schwimmweltmeisterschaften 2013 in Barcelona teil.
Weblinks
, abgerufen am 13. August 2012
, abgerufen am 13. August 2012
Einzelnachweise
Teilnehmer der Olympischen Sommerspiele 2008
Teilnehmer der Olympischen Sommerspiele 2012
Teilnehmer der Olympischen Sommerspiele 2016
Olympiateilnehmer (Burundi)
Schwimmer (Burundi)
Burundier
Geboren 1988
Frau | 1,845 |
https://stackoverflow.com/questions/13750014 | StackExchange | Open Web | CC-By-SA | 2,012 | Stack Exchange | Kerberos, https://stackoverflow.com/users/1200262, https://stackoverflow.com/users/1730272, iDev | English | Spoken | 337 | 956 | iOS - Double tap on uibutton
I have a button and I'm testing the taps on it, with one tap it change a background color, with two taps another color and with three taps another color again.
The code is:
- (IBAction) button
{
UITapGestureRecognizer *tapOnce = [[UITapGestureRecognizer alloc] initWithTarget:self action:@selector(tapOnce:)];
UITapGestureRecognizer *tapTwice = [[UITapGestureRecognizer alloc] initWithTarget:self action:@selector(tapTwice:)];
UITapGestureRecognizer *tapTrice = [[UITapGestureRecognizer alloc] initWithTarget:self action:@selector(tapTrice:)];
tapOnce.numberOfTapsRequired = 1;
tapTwice.numberOfTapsRequired = 2;
tapTrice.numberOfTapsRequired = 3;
//stops tapOnce from overriding tapTwice
[tapOnce requireGestureRecognizerToFail:tapTwice];
[tapTwice requireGestureRecognizerToFail:tapTrice];
//then need to add the gesture recogniser to a view - this will be the view that recognises the gesture
[self.view addGestureRecognizer:tapOnce];
[self.view addGestureRecognizer:tapTwice];
[self.view addGestureRecognizer:tapTrice];
}
- (void)tapOnce:(UIGestureRecognizer *)gesture
{
self.view.backgroundColor = [UIColor redColor];
}
- (void)tapTwice:(UIGestureRecognizer *)gesture
{
self.view.backgroundColor = [UIColor blackColor];
}
- (void)tapTrice:(UIGestureRecognizer *)gesture
{
self.view.backgroundColor = [UIColor yellowColor];
}
The problem is that the first tap don't works, the other yes.
If I use this code without button it works perfectly.
Thanks.
Are you adding this gestures on button tap? why dont you add it in viewDidLoad?
Because I must use this gesture only on a small part of view.
But your code is setting gestures on the whole self.view. You should change it as shown in my answer then.
If you want the colors to change on tap of button, you should add these gestures on button in viewDidLoad method or so rather than on the same button action. The above code will repeatedly add gestures on tap of the button to the self.view and not on button.
- (void)viewDidLoad {
[super viewDidLoad];
UITapGestureRecognizer *tapOnce = [[UITapGestureRecognizer alloc] initWithTarget:self action:@selector(tapOnce:)];
UITapGestureRecognizer *tapTwice = [[UITapGestureRecognizer alloc] initWithTarget:self action:@selector(tapTwice:)];
UITapGestureRecognizer *tapTrice = [[UITapGestureRecognizer alloc] initWithTarget:self action:@selector(tapTrice:)];
tapOnce.numberOfTapsRequired = 1;
tapTwice.numberOfTapsRequired = 2;
tapTrice.numberOfTapsRequired = 3;
//stops tapOnce from overriding tapTwice
[tapOnce requireGestureRecognizerToFail:tapTwice];
[tapTwice requireGestureRecognizerToFail:tapTrice];
//then need to add the gesture recogniser to a view - this will be the view that recognises the gesture
[self.button addGestureRecognizer:tapOnce]; //remove the other button action which calls method `button`
[self.button addGestureRecognizer:tapTwice];
[self.button addGestureRecognizer:tapTrice];
}
| 20,606 |
https://wuu.wikipedia.org/wiki/%E7%B1%B3%E5%B0%94%E9%A1%BF%C2%B7%E5%A5%A5%E5%8D%9A%E7%89%B9 | Wikipedia | Open Web | CC-By-SA | 2,023 | 米尔顿·奥博特 | https://wuu.wikipedia.org/w/index.php?title=米尔顿·奥博特&action=history | Wu Chinese | Spoken | 3 | 92 | 阿波罗·米尔顿·奥博特（斯瓦希里语：Apollo Milton Obote，1924年12月28号－2005年10月10号），乌干达政治家，1962到1966年间出任该国总理，1966到1971年搭1980到1985年期间两度出任总统。 | 2,880 |
https://salesforce.stackexchange.com/questions/177357 | StackExchange | Open Web | CC-By-SA | 2,017 | Stack Exchange | English | Spoken | 116 | 207 | Health cloud : Adding Visual Force Page to Patient Card Navigation Menu and Patient Subtabs Data not Pulling
Patient Card Navigation Menu and Patient Sub-tabs:
I have Created one Visulaforce page and I want to render that visulaforce page after clicking on Patient Card Navigation Menu. For that I have addded a new Record into the Custom Setting i.e. "Card View Dropdown" follow the same process as per the below link -
https://developer.salesforce.com/docs/atlas.en-us.health_cloud.meta/health_cloud/admin_card_view_menu.html
But still I am facing issue related to "Data Pulling". Could you please look into this issue and Let me Know some feedback..
Please make sure that your custom setting has below fields populated for redirecting:
URL : /apex/VFPageName
Page Type : VFpage
| 19,890 | |
https://nl.wikipedia.org/wiki/Agape%20%28Grieks%20woord%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | Agape (Grieks woord) | https://nl.wikipedia.org/w/index.php?title=Agape (Grieks woord)&action=history | Dutch | Spoken | 580 | 1,092 | Agape, Oudgrieks: , is een Grieks woord, dat in het Nederlands vaak met 'liefde' wordt vertaald.
Dit wordt vaak gezien als een verarming van het woord in zijn volledige betekenis. Met a'ga·pe wordt een door beginselen geleide of beheerste liefde bedoeld. Ze kan al dan niet genegenheid en warme gevoelens inhouden. Deze liefde richt zich op de behoeften van de ander, zoekt wat het beste voor de ander is en laat de ander de vrije keus om die liefde te beantwoorden of niet.
Gebruik in de Bijbel en daarbuiten
Klassiek Grieks
Het woord agape zelf werd door de Grieken niet vaak gebruikt: eros, de geslachtelijke liefde, en philia, vriendschap, komen veel meer voor. Agape werd in het Latijn vaak vertaald als caritas, wat men kan vertalen naar het Nederlands als dierbaarheid of naastenliefde. Toch heeft men enkele niet-Joodse inscripties gevonden met het woord. Vanaf Homerus, 800 v.Chr., vinden we echter wel de verwante woorden als agapaō, ik heb lief, en agapētos, geliefd.
Septuaginta en Nieuwe Testament
Het woord agape wordt in de Septuagint en ook bij de Joodse schrijver Philo van Alexandrië vaak gevonden en het komt in het Nieuwe Testament 110 keer voor. Het woord eros, dat de liefde tussen de seksen weergeeft, komt in de Bijbel alleen in de Griekse vertaling van het Oude Testament, in de Septuagint, voor, maar niet in het Nieuwe Testament. De pauselijke encycliek Deus Caritas Est geeft een christelijke visie op de (positieve) samenhang tussen eros en agape.
Storge, zoiets als: genegenheid, komt alleen voor in het Nieuwe Testament in samengestelde woorden. In Romeinen 12:10 , philostorgoi, daar te vertalen met de koesterende liefde zoals van een moeder voor haar kind. Het tegengestelde astorgos komt ook voor, in 2 Timoteüs 3:3. Het betekent het ontbreken van deze natuurlijke liefde onderling.
Het zelfstandige naamwoord agape is daarmee de meest voorkomende soort liefde in de Bijbel, en is de grondslag voor bijvoorbeeld 1 Korinthiërs, hoofdstuk. 13. De concordantie van Strong geeft de volgende betekenis aan: broederlijke liefde, genegenheid, het goedgezind zijn, liefde, welwillendheid. In Johannes 21:15-17 worden beide woorden, agape en philia, gebruikt. In de NBG-vertaling zijn ze respectievelijk vertaald als 'waarlijk liefhebben' en 'liefhebben'. In de NBV-vertaling werd gekozen voor 'liefhebben' en 'houden van'. De Herziene Statenvertaling heeft eveneens 'liefhebben' en 'houden van'.
Agape kiest ervoor de ander te beschouwen zoals in 1 Korintiërs 13 gebeurt: altijd bereid het beste van de ander te denken, klaar om te vergeven, bereid het beste voor de ander te zoeken. Als dit volkomen ontbreekt is het christelijk leven zinloos. Een belangrijke eigenschap van agape, caritas, is dat ze niet gebaseerd is op de eigen behoeften. Het Nieuwe Testament leert dat de mens deze agape van God ontvangt, opdat we die zelf weer door geven.
Liefde in soorten
Er zijn meer soorten liefde te onderscheiden:
Genegenheid, Grieks storge, zoals tussen ouders en kinderen. Het woord komt in de Bijbel niet voor, het onderwerp zelf wel.
Vriendschap, Grieks philia. de Bijbel spreekt vaak van philadelphia, liefde als broeders en zusters onderling.
De geslachtelijke liefde, eros. Hier kan onderscheid gemaakt worden tussen zuiver lichamelijke aantrekkingskracht, verliefdheid, en de liefde als in een huwelijk. Ook hier geldt dat het onderwerp zelf in de Bijbel voorkomt, maar het woord in het Nieuwe Testament niet en in de Septuagint maar zelden. Merkwaardig is dat in het boek Hooglied, waar je het woord eros zou verwachten, in de Griekse vertaling liefde agape wordt genoemd.
Liefde als keus, agape, zoals hierboven beschreven.
Christelijke ethiek
Oudgrieks | 30,886 |
https://zh-min-nan.wikipedia.org/wiki/Paleu | Wikipedia | Open Web | CC-By-SA | 2,023 | Paleu | https://zh-min-nan.wikipedia.org/w/index.php?title=Paleu&action=history | Min Nan Chinese | Spoken | 28 | 99 | Paleu sī Romania Bihor Koān ê chi̍t ê chū-tī-thé (comună).
Jîn-kháu
Chit ūi tī 2011 nî ê jîn-kháu-sò͘ sī 2,523 lâng.
Liân-kiat
Koaⁿ-hong bāng-chām
Bihor Koān ê chū-tī-thé | 11,136 |
https://fi.wikipedia.org/wiki/Insar | Wikipedia | Open Web | CC-By-SA | 2,023 | Insar | https://fi.wikipedia.org/w/index.php?title=Insar&action=history | Finnish | Spoken | 141 | 413 | Insar () on kaupunki, kaupunkikunta ja Insarin piirin hallinnollinen keskus Mordvan tasavallassa Venäjällä. Se sijaitsee Issajokeen laskevan Insarkan suussa 77 kilometriä Saranskista lounaaseen. Kaupungissa ja kunnassa on 8 400 asukasta (vuonna 2015).
Kaupunki on saanut alkunsa vuonna 1647 perustetusta rajalinnoituksesta. Sen kautta kulkivat Kaspianmeren aroilta Temnikoviin ja Moskovaan sekä Mustaltamereltä Kazaniin johtavat tiet. Vuodesta 1708 Insar kuului Azovin, vuodesta 1725 Voronežin ja 1700-luvun lopusta lähtien Penzan kuvernementtiin. Jemeljan Pugatšovin joukot hävittivät sen vuonna 1774.
Insar sai kaupunginoikeudet vuonna 1780. Se oli pieni kihlakunnan keskus, jossa järjestettiin vuosittain kahdet markkinat. Insar alennettiin kyläksi vuonna 1926, mutta vuonna 1958 siitä tuli jälleen kaupunki.
Kaupungissa toimii kutomo, elintarvike- ja laiteteollisuutta. Palveluihin kuuluvat kolme yleissivistävää koulua, ammattikoulu, musiikki- ja taidekoulut, joukko kulttuurilaitoksia ja piirisairaala. Kaupungissa on kotiseutumuseo. Nähtävyyksiä ovat vanha kauppahalli, 1800-luvun lopun asuintalot ja vuonna 1914 rakennettu venäläistyylinen naisluostari.
Lähteet
Insarin piiri
Mordvan kaupungit | 1,011 |
https://sh.wikipedia.org/wiki/Melilotat%203-monooksigenaza | Wikipedia | Open Web | CC-By-SA | 2,023 | Melilotat 3-monooksigenaza | https://sh.wikipedia.org/w/index.php?title=Melilotat 3-monooksigenaza&action=history | Serbo-Croatian | Spoken | 48 | 211 | Melilotat 3-monooksigenaza (, 2-hidroksifenilpropionatna hidroksilaza, melilotatna hidroksilaza, 2-hidroksifenilpropionska hidroksilaza, melilotinska hidroksilaza) je enzim sa sistematskim imenom 3-(2-hidroksifenil)propanoat,NADH:kiseonik oksidoreduktaza (3-hidroksilacija). Ovaj enzim katalizuje sledeću hemijsku reakciju
3-(2-hidroksifenil)propanoat + NADH + H+ + O2 3-(2,3-dihidroksifenil)propanoat + NAD+ + H2O
Ovaj enzim je flavoprotein (FAD).
Reference
Literatura
Spoljašnje veze
EC 1.14.13 | 33,741 |
https://stackoverflow.com/questions/50724907 | StackExchange | Open Web | CC-By-SA | 2,018 | Stack Exchange | Rajass, Slagmoth, https://stackoverflow.com/users/2033992, https://stackoverflow.com/users/2262225 | English | Spoken | 230 | 556 | Authorization error (401) in .net core when calling api to api in windows authentication
Have 2 Web API's created using .Net Core 2.0 and hosted internally in IIS under windows authentication (anonymous disabled) on same server. Both API's run on same service account as well with appropriate permissions/rolegroups in Active Directory. However, get 401 unauthorized error when consuming one API from the other. Using HTTPClient to make API calls. Note that, it works when accessing the 2nd API endpoint directly via browser but not from another API.
Decorated with Authorize filter in controller
[Authorize(Policy = "ValidRoleGroup")]
Start up code in ConfigureServices in both api services as below.
services.AddAuthentication(IISDefaults.AuthenticationScheme);
services.AddAuthorization(options =>
{
options.AddPolicy("ValidRoleGroup", policy => policy.RequireRole(Configuration["SecuritySettings:ValidRoleGroup"]));
});
services.AddMvc(configure =>
{
var policy = new AuthorizationPolicyBuilder()
.RequireAuthenticatedUser()
.Build();
configure.Filters.Add(new AuthorizeFilter(policy));
});
services.Configure<IISOptions>(options =>
{
options.AutomaticAuthentication = true;
options.ForwardClientCertificate = true;
});
services.AddMvc();
services.AddScoped<HttpClient>(c => new HttpClient(new HttpClientHandler()
{
UseDefaultCredentials = true,
PreAuthenticate = true,
ClientCertificateOptions = ClientCertificateOption.Automatic,
}));
services.Configure<ForwardedHeadersOptions>(options =>
{
options.ForwardedHeaders =
ForwardedHeaders.XForwardedFor | ForwardedHeaders.XForwardedProto;
});
Just to add, the API's are on same server but different domains.
The 401 errors went away after adding registry entries as described in below article (Method 1)
https://support.microsoft.com/en-us/help/896861/you-receive-error-401-1-when-you-browse-a-web-site-that-uses-integrate
Note that the Value data should be your actual domain URL (XXX.com) and not machine name.
That link is dead... I am getting a 401 when hitting my API using JWT and can't find a solution.
| 36,339 |
https://stats.stackexchange.com/questions/281683 | StackExchange | Open Web | CC-By-SA | 2,017 | Stack Exchange | StatStud, https://stats.stackexchange.com/users/158565, https://stats.stackexchange.com/users/161897, user158565 | English | Spoken | 230 | 429 | Likelihood ratio test statistic for Poisson GLM
I consider data {$y_{ij}$} which is a rectangular table of counts, and that follows a Poisson distribution, $y_{ij}\sim \operatorname{Poisson}(\mu_{ij})$. The mean value, $\mu_{ij}$ depends on a variable $x_{ij}$, which for each pair $(i,j)$ is known. As a model I have the following: $$\mu_{ij}=\alpha_i\beta_jx_{ij}^\gamma.$$ I have derived the log likelihood function as: $$\sum_i\sum_j(y_{ij}\log \mu_{ij}-\mu_{ij}-\log y_{ij}!).$$ Now I want to derive a large-sample type test statistic (e.g. likelihood ratio test statistic) for testing if $x_{ij}$ has influence on $\mu_{ij}$ . More specifically, however, this test statistic should be selected such that
it does not involve the MLE of $\gamma$.
In fact, $x_{ij}$ has influence on $μ_{ij}$ means $γ \ne 0$. How can test statistics does not involve MLE of $γ$?
hm, that's true. I mean I basically want to construct the LR-test, but gets really big expressions that does'nt seem to be right.
Suppose your log likelihood function is correct (I did not verify), then replace $\mu_{ij}$ by $\alpha_i\beta_jX_{ij}^\gamma$, get MLE of $\alpha,\beta, \gamma$, get value of log likelihood function at the value of MLE of the parameters. Repeat it by fixing $\gamma = 0$. 2 times of the difference follows Chi square distribution with df =1. It is likelihood ratio test. But i did not think there is simpler way. Of course you may find the available software to finish these steps for you.
| 2,647 |
https://eu.wikipedia.org/wiki/Rocheservi%C3%A8re | Wikipedia | Open Web | CC-By-SA | 2,023 | Rocheservière | https://eu.wikipedia.org/w/index.php?title=Rocheservière&action=history | Basque | Spoken | 469 | 1,326 | Rocheservière Frantziako udalerri bat da, Vendée departamenduan dagoena, Loirerria eskualdean. 2013an biztanle zituen.
Demografia
Biztanleria
2007an Rocheservière udalerrian erroldatutako biztanleak 2.789 ziren. Familiak 1.079 ziren, horien artean 270 pertsona bakarrekoak ziren (183 bakarrik bizi ziren gizonak eta 87 bakarrik bizi ziren emakumeak), 353 seme-alabarik gabeko familiak ziren, 419 seme-alabak dituzten bikoteak ziren eta 37 seme-alabak dituzten guraso-bakarreko familiak ziren.
Biztanleriak, denboran, ondorengo grafikoan ageri den bilakaera izan du:
Erroldatutako biztanleak
<noinclude>
Etxebizitza
2007an 1.193 etxebizitza zeuden, 1.107 familiaren etxebizitza nagusia ziren, 48 bigarren erresidentzia ziren eta 38 hutsik zeuden. 1.100 etxeak ziren eta 90 apartamentuak ziren. 1.107 etxebizitza nagusietatik 809 bere jabearen bizilekua ziren, 277 alokairuan okupaturik zeuden eta 21 doan lagata zeuden; 7 etxek gela bat zuten, 61 etxek bi zituzten, 149 etxek hiru zituzten, 314 etxek lau zituzten eta 576 etxek bost zituzten. 872 etxek euren parking plaza propioa zuten azpian. 474 etxetan ibilgailu bat zegoen eta 578 etxetan bat baino gehiago zituzten.
Biztanleria-piramidea
2009an sexu eta adinaren araberako biztanleria-piramidea hau zen:
Ekonomia
2007an lan egiteko adina zuten pertsonak 1.805 ziren, horien artean 1.472 aktiboak ziren eta 333 inaktiboak ziren. 1.472 pertsona aktiboetatik 1.378 lanean zeuden (774 gizon eta 604 emakume) eta 94 langabezian zeuden (33 gizon eta 61 emakume). 333 pertsona inaktiboetatik 125 erretiraturik zeuden, 97 ikasten zeuden eta 111 "bestelako inaktibo" gisa sailkaturik zeuden.
Diru sarrerak
2009an Rocheservière udalerrian 1.102 unitate fiskal zeuden, 2.827,5 pertsonek osaturik. Pertsona bakoitzeko diru-sarrera fiskalaren mediana urteko 17.192 euro zen.
Ekonomia jarduerak
2007an zeuden 114 komertzioetatik, 3 janari enpresak ziren, 1 material elektrikoaren fabrikazioko enpresa zen, 4 bestelako produktu industrialen fabrikazioko enpresak ziren, 27 eraikuntza enpresak ziren, 21 ibilgailuen saltze eta konpontze enpresak ziren, 4 garraio enpresak ziren, 5 ostalaritza eta jatetxe enpresak ziren, 1 informazio eta komunikazio enpresa zen, 6 finantziazio enpresak ziren, 6 higiezinen enpresak ziren, 14 zerbitzu enpresak ziren, 12 administrazio publikoko enpresak ziren eta 10 «beste zerbitzu jarduera batzuk» multzoan sailkatutako enpresak ziren.
2009an zeuden norbanakoentzako 45 zerbitzu publikoetatik, 1 jendarmeria zen, 1 posta bulegoa, 3 banku bulegoak, 1 funeraria, 6 ibilgailuen konpontzeko eta nekazaritza tresnetako lantokiak, 3 igeltseroak, 4 margolariak, 8 zurginak, 3 iturginak, 4 argiketariak, 3 ile apaindegiak, 1 albaitaria, 2 jatetxeak, 4 higiezinen agentziak eta 1 apaindegia.
2009an zeuden 7 establezimendu komertzialetatik, 1 supermerkatu zen, 2 okindegiak, 1 harategi zen, 1 liburu denda zen, 1 zapata-denda zen eta 1 lore-denda zen.
2000. urtean Rocheservière udalerrian 40 nekazaritza-ustiategi zeuden, 2.139 hektarea erabiltzen.
Hezkuntza eta osasun ekipamenduak
2009an botika 1 eta anbulantzia 1 bat zegoen.
2009an haur-eskola 1 eta 2 lehen-hezkuntzako eskola zegoen. Rocheservière udalerrian Bigarren Hezkuntzako ikastetxe bat zegoen 422 ikaslekin.
Gertuen dauden herriak
Diagrama honek gertuen dauden herriak erakusten ditu.
Erreferentziak
Kanpo estekak
Résumé statistique INSEEren udalerriko estatistiken laburpena.
Évolution et structure de la population INSEEren udalerriko datuen fitxa.
France par comune Frantziako udalerri guztietako datu zehatzak mapa baten bitartez eskuragarri.
Vendéeko udalerriak | 43,324 |
https://en.wikipedia.org/wiki/Varanus%20macraei | Wikipedia | Open Web | CC-By-SA | 2,023 | Varanus macraei | https://en.wikipedia.org/w/index.php?title=Varanus macraei&action=history | English | Spoken | 731 | 1,097 | Varanus macraei, the blue-spotted tree monitor or blue tree monitor, is a species of monitor lizard found on the island of Batanta in Indonesia. It is named after herpetologist Duncan R. MacRae, founder of the reptile park Rimba on Bali.
Geographic range
The distribution of V. macraei is restricted to the island of Batanta, on the northwestern tip of the Vogelkop peninsula of Irian Jaya of Indonesia. There this species lives like its relatives, the other members of the prasinus-group, as a tree climber, which is clearly visible by the prehensile tail. This may be the smallest distribution of any tree monitor, as this island has a size of only 450 km2, which is comparable with Lake Constance of Central Europe.
Habitat
The blue-spotted tree monitor inhabits tropical forests that average . In the dry season the humidity is around 65%, but it spikes to 100% in the wet season.
Description
Varanus macraei is part of the prasinus-group and the subgenus (Hapturosaurus). As its common names suggest, it is black with scattered blue scales, forming ocellations that may in turn form bands across the back. The tip of the snout is light blue and the lower jaw is white with uniform green scales along the neck, forming a v-shaped pattern. There are less than 9 dorsal crossbands and the legs are heavily spotted with turquoise ocelli. There are 85–103 scale rows at midbody. A single distinct blue scale row stretches from the lower angle of the eye to the upper edge of the ear. Its throat is light with dark spots forming a reticulated pattern. Like all members of the prasinus-group, with 22–23 more or less symmetrical blue rings, the tail is prehensile and about 1.95 times as long as the snout-vent length (SVL). Male blue-spotted monitors reach a larger maximum size than female blue-spotted monitors, and they can be distinguished by the comparatively broader temporal region and distinct hemipenal bulges posterolateral to the cloaca. Adult male blue-spotted monitors may reach in total length, and female blue-spotted monitors are about shorter than the male blue-spotted monitors, making V. macraei the largest known species of the V. prasinus complex.
Behavior and diet
This species is diurnal and arboreal thus it avoids predators by fleeing up a tree and keeping the trunk between itself and the intruder, as many anoles do. Currently no studies have been published on the matter, however the diet of V. macraei is likely primarily made up of (in order) stick insects, orthopterans (grasshoppers, katydids and crickets), moths, beetles, smaller lizards, small eggs, and the occasional berry.
History
As recently as a decade ago, only five species comprised the tree monitor group: Varanus prasinus, V. beccarii, V. bogerti, V. keithhornei, and V. telenesetes. In the early years of the 21st century, that number has been supplemented with the discoveries and naming of V. macraei, V. boehmei, and V. reisingeri. The considerable similarity among these species made them difficult to differentiate. Some individuals of the decidedly green V. prasinus have very little yellow pigmentation, and thus appear pale blue. Varanus reisingeri can very well be described as looking like V. prasinus without blue pigmentation. While there are very few reports — and no specific field studies — relating to the natural history of any of the tree monitors, there is a considerable body of knowledge available for the green tree monitor (V. prasinus) and the black tree monitor (V. beccarii), two of the species that have been very successfully maintained and bred in captivity for more than two decades. Consequently, several herpetoculturists and at least two zoos, such as the Cincinnati Zoo and the Virginia Zoo, have now kept and bred the blue-spotted monitor (V. macraei).
Varanus macraei is sought after for the international pet trade. Illegal and unsustainable collection and trade of Varanus macraei is causing a decline in the wild population and is likely a threat to the long term survival of this species in the wild. As Vanarnus macraei is a protected species in Indonesia, there is no legal collection of the species from the wild.
References
Further reading
Böhme W, Jacobs HJ (2001). "Varanus macraei sp. n., eine neue Waranart der V. prasinus-Gruppe aus West Irian, Indonesien ". Herpetofauna 23 (133): 5-10. (Varanus macraei, new species). (in German).
Varanus
Reptiles of Indonesia
Endemic fauna of Indonesia
Reptiles described in 2001
Taxa named by Wolfgang Böhme (herpetologist) | 46,396 |
https://ceb.wikipedia.org/wiki/Stornah%C3%A5gen | Wikipedia | Open Web | CC-By-SA | 2,023 | Stornahågen | https://ceb.wikipedia.org/w/index.php?title=Stornahågen&action=history | Cebuano | Spoken | 175 | 320 | Bungtod ang Stornahågen (Norwegian: Stornahaugen) sa Noruwega. Nahimutang ni sa munisipyo sa Hemnes ug lalawigan sa Nordland Fylke, sa sentro nga bahin sa nasod, km sa amihanan sa Oslo ang ulohan sa nasod. metros ibabaw sa dagat kahaboga ang nahimutangan sa Stornahågen.
Ang yuta palibot sa Stornahågen kabungtoran sa amihang-kasadpan, apan sa habagatang-sidlakan nga kini mao ang kabukiran. Ang kinahabogang dapit sa palibot dunay gihabogon nga ka metro ug km sa kasadpan sa Stornahågen. Dunay mga ka tawo kada kilometro kwadrado sa palibot sa Stornahågen may kaayo gamay nga populasyon. Ang kinadul-ang mas dakong lungsod mao ang Hemnesberget, km sa amihanan sa Stornahågen. Hapit nalukop sa [[kalibonan ang palibot sa Stornahågen. Sa rehiyon palibot sa Stornahågen, busay, mga patag, mga bungtod, ug mga kalapukan talagsaon komon.
Ang klima klima sa kontinente. Ang kasarangang giiniton °C. Ang kinainitan nga bulan Hulyo, sa °C, ug ang kinabugnawan Pebrero, sa °C.
Saysay
Ang mga gi basihan niini
Mga bungtod sa Nordland Fylke
Kabukiran sa Noruwega nga mas taas kay sa 200 metros ibabaw sa dagat nga lebel
sv:Stornahågen | 21,387 |
https://en.wikipedia.org/wiki/Chinese%20character%20internal%20structures | Wikipedia | Open Web | CC-By-SA | 2,023 | Chinese character internal structures | https://en.wikipedia.org/w/index.php?title=Chinese character internal structures&action=history | English | Spoken | 3,349 | 5,727 | Chinese character forms studies the external structure of Chinese characters, i.e. strokes, components and whole characters and their structural relations on the pure dimension of forms or appearances.
The internal structure of Chinese characters (Pinyin: hànzì nèibù jiégòu; Traditional Chinese: 漢字的內部結構; Simplified Chinese: 汉字内部结构) studies the relationship between the forms, sounds and meanings of the characters, thereby explaining the rationale for character formation.
In the analysis of internal structures, Chinese characters are decomposed into internal structural components in relations with the sound and meaning of the character.
Internal structural components
The character-building units obtained by analyzing the external structure of Chinese characters are external structural components. In internal structures, Chinese characters are analyzed according to the rationale of character formation, and the basic unit of character formation are internal structural components, or internal components in short, also called pianpang (偏旁） or characters (字符).
In most cases, the components of internal structure of a Chinese character is similar to the first-level components in external structure, for example, character 江 is decomposed into 氵 and 工 in both analysises. However, they are not always the same. For example, character "腾" is decomposed according to the internal structure as "semantically related to '马' and phonetically related to '朕'", in a semi-surrounding structure; while the external analysis then simply split it according to the left-right structure.
The external structure splitting method is used only when the internal structure analysis cannot be decomposed according to the character formation rational..
According to their sound-meaning relationship with the whole character, internal components can be classified into three categories: semantic component （義符, 义符, 意符, 意旁 or 形旁）, phonetic component (音符, 音旁 or 聲旁) and pure (form) component (記號, 符號).
Any component related to the meaning of the character is a semantic component. For example: component "扌" (hand) in characters "推"(push) and "拉" (pull), and "心" (heart) in "思" (think) and "想" (think).
A component related to the pronunciation of the character is a phonetic component. For example, "包" (bāo) in "抱" (bào) and "苞" (bāo).
A pure (form) component is neither related to the meaning nor to the pronunciation of the character. For example: "多" (duō) in "移" (yí, move), and "立" (lì, stand) in 拉 (lā, pull)".
Traditional internal structural classification
In Shuowen Jiezi, Xu Shen proposed the six categories (六書; liùshū; 'Six Writings') for the formation of Chinese characters, including
Pictograms (象形; xiàngxíng; 'form imitation') – A pictographic character consists of one semantic component which is a drawing of the object it represents, such as: 日 (sun) and 月 (moon). When created, character 日 was a simplified picture of the sun and 月 was like the moon.
Simple ideograms (指事; zhǐshì; 'indication') express an abstract idea with an iconic form, such as: 一 (one), 二 (two), 三 (three), 上 （up） and 下 （down）. The whole character is a semantic component.
Compound ideographs (會意; huìyì; 'joined meaning'), are compounds of two or more semantic component to suggest the meaning of the character, for example: 武 （'military', formed from 戈 (dagger-axe) and 止 (foot)） and 信 ('truthful', formed from 人 (person, later reduced to 亻) and 言 (speech)).
Phono-semantic compound characters (形声; 形聲; xíngshēng; 'form and sound'); A phono-semantic character consists of a phonetic component and a semantic component, for example, 江 （river, semantic 氵, phonetic 工), 河 (river, semantic 氵， phonetic: 可).
Derivative cognates (轉注/转注; zhuǎnzhù; 'reciprocal meaning') is the smallest category and also the least understood. In the postface to the Shuowen Jiezi, Xu Shen gave as an example the characters 考 (kǎo, verify) and 老 (lǎo, old), which had similar Old Chinese pronunciations and may have had the same etymological root, meaning "elderly person", but became lexicalized into two separate words.
Rebus (phonetic loan) characters (假借; jiǎjiè; borrowing, making use of) are characters that are "borrowed" to write another morpheme which is pronounced the same or nearly the same. For example, the character 令 (order) and 長 (long), These two characters originally were official titles. The whole loan character is a phonetic component.
Modern internal structural classification
The traditional Six Writings classification pre-supposed that each component in a Chinese character can either represent the sound or meaning of the character. But, after the long evolution of the Chinese writing system, quite a few of components can no longer effectively play the roles. For example, component 又 in character 邓 and 鸡 can neither represent sound nor meaning, and has become pure form component.
From the internal structure point of view, modern Chinese characters are composed of semantic components, phonetic components and pure form components.
These three types of components are used in combination to form the seven structures of modern Chinese characters: semantic component characters, phonetic component characters, pure form component characters, semantic-phonetic characters, semantic-form characters, phonetic-form characters, and semantic-phonetic-form characters.
Semantic component characters
Semantic component characters, or simply semantic characters, are composed of semantic components.
Single semantic component characters
Single semantic component characters are composed of one semantic component, and most of them correspond to pictograms and simple ideograms in the traditional six writings. For example:
田 (field), 井 (well), 門 (door), 网 (net) are ancient pictograms, and 门 (door), 伞(umbrella) are modern pictograms.
一 (one), 二 (two), 三 (three), 刃 (blade) are ancient simple ideograms, and 丫（branch, fork), 凹 (concave), 凸 (convex), and 串 (string) are later simple ideograms.
Multi-semantic component characters
Multi-semantic-component characters are composed of two or more semantic components. They include the compound ideographs in the traditional Six writings. For example,
Most multi-semantic component characters contain two semantic components, for example,
信 (trust): semantic components 人 (people) and 言 (words), trust what people say.
尖 (pointed, sharp, tip): 小 (small) at the top and 大 (large) at the bottom.
拿 (take): 合 (close) your 手 (hands) together to take.
Some characters composed of three semantic components, for example,
掰 (break apart): Separate (分) something with both hands (手).
晶 (brilliant, crystal): three 日 (suns) are very bright.
Some characters repeat the same semantic components, for example,
从 (follow): Indicates that one 人 (person) follows another person.
炎 (flame): Two 火 (fire) represents rising flames.
森 (large forest): Three 木 (trees) means there are many trees.
Some are simplified characters:
尘 (dust): 小 (small) 土 (soil) particles, representing dust.
灭 (extinguish): Use 一 (like a cover) to suppress 火 (fire).
泪 (tears): 氵(water) from 目 (eyes).
There are some special cases
叵 (can not): turn 可 (can) to the opposite (right) side. (Shuowen)
乌 /烏 (crow, a pure black bird), 鳥/鸟 cannot see its eyes. (Note by Duan Yucai)
冇 (none, not have): 有 (have) taken away "二" (content).
Phonetic component characters
A phonetic component character, or shortly phonetic character, is composed of one or more phonetic components.
A single phonetic component character may be used to express an phonetic-loan meaning while its original or basic meaning is still understood by people. For example:
The pronunciation of character "花" meaning "spending" is the same as that of the "花" which means "flower" in its original meaning. The latter can be regarded as the phonetic component of the former.
A single phonetic component character can also represent a syllable in a transliterated foreign word, for example, the characters in words "打" (dá, dozen) and "馬達" (mǎdá, motor).
Multi-phonetic component characters were produced during the development of writing systems. For example:
"新" (xīn) was originally a semantic-phonetic character, but its modern meaning of "new" has nothing to do with the original semantic component of "斤" (jīn, 0.5kg), but the sound are similar. In this way, "新" (xīn) then has two phonetic components: "亲" (qīn) and "斤" (jīn).
"耻” （chǐ, shame) used to be written as 恥 which is a semantic-phonetic character. The semantic component 心 （heart) has become 止 (zhǐ, stop）, "耻” （chǐ) then has two phonetic components, "耳" (ěr) and 止 (zhǐ).
乒乓（pīngpāng, ping pong), both forms and sounds of the two characters are derived from 兵 (bīng, soldier) with similar sounds.
Pure form component characters
A pure form character is composed of one or more form components, which neither represent the sound nor the meaning of the characters.
Single-component characters
These characters are composed of single pure form components. Many of them were originally ancient pictographic characters, but due to the evolution of the glyphs, they no longer look like the object represented. For example:
日: The 日 character in modern regular script is no longer of round shape.
月: It has become a ladder shape.
魚: Not quite like a fish now.
After tracing to the origin of this kind of characters, it is easy to associate them with the things they represent and obtain the correct meanings.
Some characters with single form components are borrowed characters from ancient times. For example:
我: In oracle it is like a weapon with a blade shaped like a saw, and was later used as a first-person pronoun. And in modern Chinese, the original meaning is lost.
方: "Shuowen Jiezi" believes that the original meaning is a kind of boat, which has been borrowed to express the shape of "square".
而: The ancient character was like a beard, now has been borrowed to be a conjunction in modern Chinese.
Some combined characters have been simplified and become single form component characters.
广: The traditional Chinese character is "廣".
农: Traditional character "農".
书: Traditional character "書".
专: Traditional character "專".
门: Traditional character "門".
Multi-component characters
These characters consist of two or more pure form components. Some of these characters came from ancient pictographic characters, but later became non-pictographic. For example,
角(horn): This character in oracle bone script looks like an ox horn
鼎(tripod): The oracle bone inscriptions are in the shape of a tripod.
鹿 (deer): Oracle resembled a deer.
Some came from ancient semantic-phonetic characters, and the semantic and phonetic components of these characters have lost their functions. For example:
騙 (piàn)： It originally meant to jump on the horse. Now means deception, and semantic component 馬 (horse) and phonetic 扁 (biǎn) have become pure forms.
特: semantic 牛 and sound 寺, it originally refed to bull, but now it means "special" and "unusual", and both components are pure forms.
穌：semantic 禾 (crop) and sound 魚 (yu2, fish), Duan Yucai's note in Shuowen says: "If the grain is scattered, pick it up with a loaf." The character now expresses the meaning of awakening, or is used in a person's name.
Some are simplified characters. For example:
头 (head): The traditional Chinese character is “頭”, semantic component 頁 and phonetic component 豆. The simplified character component 大 and the two dots are pure form components.
Some are from ancient ideographic characters. For example:
射 (shooting): The word "射" in oracle bone and bronze inscriptions is like pulling a bow and shooting, now neither 身 nor 寸 can express the sound or meaning of 射.
至 (to): in oracle bones is like an arrow shooting to the ground. According to the current glyph, the original meaning can no longer be seen, let alone the modern meaning of the word.
Semantic-phonetic characters
Semantic-phonetic characters (also called "phono-semantic characters", 意音字, 形聲字) consist of semantic components and phonetic components. The semantic component indicates the category of word meaning, and the phonetic component indicates (or prompts) the pronunciation of the character.
The phonetic components of some semantic-phonetic characters are of exactly the same pronunciation as the whole character. For example,
搬 (bān, move): 般 (bān).
銅 (tóng, copper): 同 (tóng).
辯 (biàn, debate): 辡 (biàn).
The sounds of the character and its phonetic component are the same except in tones. For example,
巍 (wēi, tall): 魏 (wèi).
拥 (yōng): 用 (yòng).
帳 (zhàng, account): 長 (zhǎng).
According to the experiment by Li (1993), among the 7,000 characters in the "Modern Chinese Common Character List", 5,631 are of semantic-phonetic structures. Considering that there are 479 polyphonic characters, the number of semantic-phonetic structures increases accordingly to 6,110. Among them,
there are 2292 items with characters and components of the same pronunciations and tones, accounting for 37.51%. There are 1110 items with characters and components of the same pronunciations but different tones, accounting for 18.17%
The phonetic components of some characters are also semantic components. For example:
娶 (qǔ, marry (a wife)): semantic 女 (female), phonetic 取 (qǔ), 取(take) also express the meaning.
駟 (sì, four horses of a cart): semantic 馬 (horse), phonetic 四 (sì), 四 (four) also represents meaning.
懈 (xiè, slack): 解 (xiè, scattered) represents sound and meaning.
Some phonetic or semantic components have some parts omitted. For example:
珊 (shān, coral): 冊 is 删 (shān) with the right part omitted.
氮 (dàn, nitrogen): 炎 is 淡 (dàn) with the left part omitted.
夜 (yè, night): semantic 夕, the rest is 亦 (yì) with some strokes omitted.
耆(qí, senior over sixty years old), semantic 老 with lower part omitted, phonetic 旨
or semantic 老, phonetic 旨 with upper part omitted.
There are six combinations of semantic components and phonetic components:
Left meaning (semantic) and right sound (phonetic), such as 肝 (gān, liver), 惊 (jīng, fear), 湖 (hú, lake);
Right meaning and left sound, such as 鵡 (wǔ, parrot), 剛 (gāng, firm), 甥 (shēng, nephew);
Upper meaning and the lower sound: 霖 (lín, rain), 茅 (máo, grass) and 竿 (gān, pole);
Lower meaning and upper sound: 盂 (yú， bowl), 岱 (dài, Mount Tai), 鯊 (shā, shark);
Outer meaning and inner sounds: 癢 (yǎng, itch), 園 (yuán, garden), 衷 (zhōng, heart), 座 (zuò, seat), 旗 (qí, flag);
Inner meaning and outer sound: 辮 (biàn, braid), 悶 (mèn, dull), 摹 (mó, imitation).
Modern character-making mainly inherits traditional character-making methods, but there are also innovations, such as combining the sounds and forms of two characters. For example,
甭 (béng, no need), meaning 不用 (bùyòn, no need), and sound derived from “bùyòng”.
巰 (qiú, compound of hydrogen and sulfur), 氫 (qīng, hydrogen) + 硫 (liú, sulfur), with parts omitted.
Semantic-phonetic characters account for more than 90% in ancient Chinese characters.
According to statistics, among the 7,000 modern common characters of the simplified Chinese character writing system, semantic-phonetic characters account for only 56.7%. The traditional Chinese character system is slightly higher.
Semantic-form characters
Semantic-form characters are composed of semantic components and pure form components. They are also called semi-semantic components and semi-pure form components.
Many of these characters were originally semantic-phonetic characters. Due to subsequent changes in the pronunciation of the phonetic components or of the characters, the phonetic components could not effectively represent the pronunciation of the character and became pure form components. For example:
布 (bù, cloth): used to have semantic (component) 巾 (scarf) and phonetic 父 (fù), the phonetic component is no longer 父.
江 (river): used to have semantic 水 and phonetic 工, now in the Mandarin 工 (gōng) does not pronounce 江 (jiāng).
急 (jí, urgent): used to have semantic 心 (heart) and sound 及 (jí). Now the upper component no longer looks like 及.
Due to the simplification of Chinese characters, some phonetic components are no longer effective. For example:
灿(càn, brilliant), not read as 山 (shān).
鸡(jī, chicken), not read as 又 (yòu).
环 (huán, ring), not read as 不 (bù).
Some are modified from ancient pictographic characters. For example:
栗 (lì, chestnut): The upper part of the ancient Chinese character resembles the fruit on a chestnut tree. Now 覀 is a pure form component.
泉 (quán, spring): The oracle character looks like water flowing out of a cave. Now it has become components 白 (bái, white) and 水 (shuǐ, water). 白 is a pure form component.
桑 Mulberry: in oracle script the upper part of 桑 resembles lush branches and leaves. The current 叒 is a pure form component.
Phonetic-form characters
Phonetic-form characters are composed of phonetic components and pure form components. This type of characters mainly comes from ancient semantic-phonetic characters, and the semantic components lost their semantic roles and became pure form components. For example,
球 (qiú, ball)： Originally refers to a kind of beautiful jade, with semantic component 王（玉, jade). Later, it was borrowed to represent a ball, and then extended to a round three-dimensional object, and 王（jade) became a pure form component. And 求 （qiú） remains a phonetic component.
笨 (bèn, stupid): Originally refers to the inner white layer of bamboo, with semantic component 竹 and phonetic 本. Later, the character was borrowed by sound to mean stupid.
华：This is a simplified character with phonetic 化, and 十 is a pure form component.
Semantic-phonetic-form characters
A semantic-phonetic-form character consists of all three kinds of components: semantic, phonetic and pure form components.
For example,
岸 (àn, bank, shore), originally had semantic component ⿱山厂 and phonetic 干 (gàn). In modern Chinese, ⿱山厂 is not a character or radical with a sound or meaning, but 山 can still express meaning, while 厂 remains a pure form component.
聽 (tīng, listen), semantic 耳 (ear) and phonetic 壬 (ting3). In modern Chinese characters, the right part has become a pure form component.
Semantic-phonetic-form characters are very rare and the examples above are not quite persuasive. Whether it can be justified as an internal structural category remains to be further studied. (If not, the classification above can also be called the "New Six Writings")
Statistics on the internal structures of modern Chinese characters
According to Yang, among the 3500 frequently used Chinese characters of his experiment, semantic component characters are the least, accounting for about 5%;
pure form component characters account for about 18%;
semantic-form and phonetic-form characters account for about 19%.
The largest group is semantic-phonetic characters, accounting for about 58%.
The rationality of characters
Using texts to record a language is to establish a fixed connection between text symbols and language words. If this connection is arbitrary, it is irrational; if there is a reason for it, it is rational.
English words are mainly a phonetic text, and their rationality mainly lies in using a combination of letters to represent the pronunciation of the corresponding word. Chinese characters are phonetic and semantic characters, and their rationality is mainly reflected in the use of phonetic components to express sounds and semantic components to express meanings.
Generally speaking, words with higher rationality are easier to learn and use. Because the unreasonable parts often require rote memorization. There are thousands of modern Chinese characters, and it is unrealistic to require every character to have high rationality.
The phonetic components and semantic components are related to the pronunciation and meaning of the character, so they are reasonable; the pure form components are not related to the pronunciation or meaning of the character, and they are irrational.
Therefore, semantic component characters, phonetic component characters, semantic-phonetic characters, pure form component characters are irrational characters. And the other characters are semi-rational characters.
Su defined the rationality of a character set as the proportion of rational components in all the internal components.
The formula is:
Rationality = (actual rationality value)/(maximum rationality value).
Professor Su's preliminary experiment results showed the rationality of modern Chinese characters to be about 50%, which is far lower than that of ancient Chinese characters.
Rational characters are easier to learn and often arouse students' interest.
In modern Chinese teaching, in order to enhance the rationality of Chinese characters, the traceability method is often used. For example: "日 (sun), 月 (moon), 山 (mountain), 水 (water), 牛 (cow), 羊 (sheep), 网 (net), 木 (wood), 目 (eye), 門 (door) and 刀 (knife)” are all pictographic characters from the etymology point of view. If the teacher makes some etymology analysis with the evolution of glyphs, he/she may achieve twice the result with half the effort.
The traceability analysis mentioned here is only for the convenience of teaching, rather than a comprehensive analysis of the origin and evolution of Chinese characters.
There is no need to trace the origin of characters that can be explained from the current situation; only for those characters where the rationale cannot be seen from the current situation and it is easy to trace the origin to explain the rationale, this method can be employed.
See also
Chinese character classification
Chinese character forms
Chinese character meanings
Chinese character sounds
Notes
References
Works cited
Writing systems
Chinese character components | 29,717 |
https://wordpress.stackexchange.com/questions/178750 | StackExchange | Open Web | CC-By-SA | 2,015 | Stack Exchange | Brad, https://wordpress.stackexchange.com/users/67333, https://wordpress.stackexchange.com/users/67850, mjakic | English | Spoken | 1,023 | 1,579 | Displaying External Data - Not Posts
I am creating a plugin that needs to display external data, not wordpress posts.
What I have done: registered rewrites so wp recognizes my archive/single URLs, hooked into template_include to direct it to use my template if the requested URL was one of mine, and then in the template I call a function to load the external data and display it in post/archive format.
This works fine as long as I dont switch templates. Unfotunately, there is a variation in twentyfourteen and twentyfifteen template structure, in which #content and #main are inverted.
TwentyFifteen: body > #page > #content > #primary > #main
TwentyFourteen: body > #page > #main > #primary > #content
This means that whatever one I code my plugin template for, it is broken in the other.
twentyfifteen/single.php
get_header(); ?>
<div id="primary" class="content-area">
<main id="main" class="site-main" role="main">
<?php
// Start the loop.
while ( have_posts() ) : the_post();
twentyfourteen/single.php
get_header(); ?>
<div id="primary" class="content-area">
<div id="content" class="site-content" role="main">
<?php
// Start the Loop.
while ( have_posts() ) : the_post();
So my question(s) are:
Am I going about this the right way? Do you know of a better way to inject external data?
Why are twentyfifteen tags inverted? Is this not a bug? Because I checked going back to twentlyeleven, and they are all in the order ...#main > #primary > #content.
Is there a way to do this, without requiring including a template, so that it works on more sites? The templates are going to be problematic on each site the plugin is used on, for just such reasons. I would prefer to forgo including a template, and somehow hook into archive.php and single.php to display my content, given the URL matches one of my requests.
You can hook the content of any post and request data you want through WordPress HTTP API.
Like this:
add_filter('the_content', 'my_content_178750', 1, 99);
function my_content_178750($content) {
return wp_remote_retrieve_body(wp_remote_get('http://example.com'));
}
Also there is possibility to check path you're on and decide what you want to get depending on that.
I like this idea, but it doesnt allow me to alter the title. Im also not sure how it would work on an archive page, where the_content I believe is called repeatedly. Any idea how to handle that situation?
Marko, thank you very much for this idea!
I have done a little more research on it, and found that I can actually add query values to a page name, so if I have a page at /cars/ I can add a rewrite rule that accepts /cars/123/, which I did not know previously was possible. I was able to retrieve the value 123 in the_content.
What Im not sure how to do now, is know ahead of time which page 'cars' is, so that I configure the rewrite ahead of time.
can you recommend a filter or action earlier in wordpress execution so that I can load the external data and have it ready for consumption by the_title and the_content?
Thank you all for your answers. I have it set up now where I intercept a page by slug, and override the_title and the_content which works much nicer, as it doesnt require a custom template. I would like to alter this now so that instead of a using a page, it uses an archive. Is it standard practice here to respond with additional questions inline, or post a new topic?
Glad that you're going in right direction now. On archive (or index) pages you probably have excerpt, not contents - I'm only guessing here, since I don't know how your files look like. If that's the case you can also use the_excerpt filter - see here that it's used to retrieve it.
Yes there is a simple way to make it work with most any template.
This is the exact reason so many plugins use shortcodes to inject data or other wise add whatever feature the plugin is designed for. Template structure is far too unpredictable, to do it the way you are currently pursuing.
So right from the API it is simple as naming your shortcode and then adding it to your plugin.
function foobar_func( $atts ){
return "foo and bar";
}
add_shortcode( 'foobar', 'foobar_func' );
Shortcodes wont work because the URLs are rewritten. /cars/ for the archive, /cars/123/ for the detail on car 123. I could have users add a shortcode to a page, but then how would it work for the detail page?
As per Skribe wrote before... I will just try to give more details on what he meant if you are not already used to what are shortcodes...
Shortcodes have been created to display different content in different manners, when they are incorporated in posts or pages.
You can see here a current list of existing shortcodes included inside WordPress (as per 2015-02-20):
http://en.support.wordpress.com/shortcodes/
What Skribe is referring about the API can be found here: (as per 2015-02-20) you will find more details about shortcode:
http://codex.wordpress.org/Shortcode_API
You can see that adding the shortcode [gallery id="123" size="medium"] in a post or a page will display pictures. (Read more for exact details).
What you can also do for Plugins is to create you own ShortCode. What this will do, it will control where you want and how you want your Plugin to appear. A ShortCode is included in a page or a post so it will always appear where it should (if that's where you want it). So with the code Skribe was giving you:
function foobar_func( $atts ){
return "foo and bar";
}
add_shortcode( 'foobar', 'foobar_func' );
You would create a PAGE or A POST with the ShortCode [foobar] inside and the it would display the function called by this shortcode... In this instance it would write on the screen "foo and bar".
If you want your Plugin to appear somewhere else then a posts or a page, you should look into WordPress Hooks. If you need more details about hooks let me know I will add to my answer. But considering your are talking about MAIN and CONTENT having your own ShortCode should be what you need.
| 33,049 |
https://dba.stackexchange.com/questions/146731 | StackExchange | Open Web | CC-By-SA | 2,016 | Stack Exchange | English | Spoken | 395 | 761 | Sqlite - Query on table?
I have a lot of records like this (over 6000) in this table Lat and Lng is same and I should select base these fields (lat,lng) :
I need to computing on these records ( and )
I need to get first record of a Lat Lng(same) and latest (between same date) for compute on time field with filter date ,and get latest record with first record from lat lng next one.
How I can write this query ?
I wrote this query, and I need to get first and last record base date now !
SELECT mDate as date ,xLat as lat,yLng as lng
FROM ReportAct_tbl ,
(SELECT mDate as dt,xLat as lt,yLng as lg
FROM ReportAct_tbl )
WHERE date = dt and lat = lt and lng = lg
order by date ASC,lat ASC,ylng ASC
As I understand it sqlite does not have window functions which really simplify these kind of queries (I replaced a couple of identifiers which I suspect is reserved words):
select dt, tm, lat, lng
from (
select dt, tm, lat, lng
, row_number() over (partition by dt, lat, lng
order by tm asc) rn1
, row_number() over (partition by dt, lat, lng
order by tm desc) rn2
from ReportAct_tbl
) x
where 1 in (x.rn1, x.rn2)
Without window function (like row_number) it's probably easiste to get the row where its does not exists any rows that date before that time
select dt, tm, lat, lng
from ReportAct_tbl r1
where not exists (
select 1
from ReportAct_tbl r2
where r1.dt = r2.dt
and r1.lat = r2.lat
and r1.lng = r2.lng
and r1.tm < r2.tm
)
To get the last rows we do the same:
select dt, tm, lat, lng
from ReportAct_tbl r1
where not exists (
select 1
from ReportAct_tbl r2
where r1.dt = r2.dt
and r1.lat = r2.lat
and r1.lng = r2.lng
and r1.tm > r2.tm
)
and finally we can combine them as:
select dt, tm, lat, lng
from ReportAct_tbl r1
where not exists (
select 1
from ReportAct_tbl r2
where r1.dt = r2.dt
and r1.lat = r2.lat
and r1.lng = r2.lng
and r1.tm < r2.tm
)
union
select dt, tm, lat, lng
from ReportAct_tbl r1
where not exists (
select 1
from ReportAct_tbl r2
where r1.dt = r2.dt
and r1.lat = r2.lat
and r1.lng = r2.lng
and r1.tm > r2.tm
)
| 18,307 | |
https://ar.wikipedia.org/wiki/%D8%B9%D8%A8%D8%AF%20%D8%A7%D9%84%D9%84%D9%87%20%D8%A8%D9%86%20%D8%B3%D8%B9%D9%88%D8%AF%20%D8%A7%D9%84%D8%B9%D9%86%D8%B2%D9%8A | Wikipedia | Open Web | CC-By-SA | 2,023 | عبد الله بن سعود العنزي | https://ar.wikipedia.org/w/index.php?title=عبد الله بن سعود العنزي&action=history | Arabic | Spoken | 725 | 2,414 | عبد الله بن سعود بن رحيل الزحماني الطويلعي العنزي هو دبلوماسي سعودي، قضى حياته العملية بين أروقة وزارة الخارجية، تقلّد خلالها العديد من المناصب، ومثلها في عدد من الوفود الرسمية، وشارك خلال مسيرته العملية في مجموعة من الاجتماعات الإقليمية والدولية. عُيّن في 22 أبريل 2021 سفيرًا فوق العادة ومفوضًا لخادم الحرمين الشريفين لدى سلطنة عُمان، وعُيّن في 5 سبتمبر 2023 سفيرًا لخادم الحرمين الشريفين لدى إيران.
النشأة
ولد عبد الله بن سعود الطويلعي العنزي في مدينة الطائف، ونشأ منذ صغره في أسرة عسكرية وعلمية، حيث كان والده اللواء متقاعد/ سعود بن رحيل الطويلعي العنزي، قائد حرس الحدود السعودي بمنطقة جازان، وأشقائه اللواء الركن متقاعد/ سلطان بن سعود الطويلعي العنزي، قائد حرس الحدود بالمنطقة الجنوبية، والدكتور/ عبد لعزيز بن سعود العنزي، مدير جامعة تبوك سابقًا، وأ. د./ محمد بن سعود الطويلعي العنزي الأكاديمي بجامعة الملك سعود.
التعليم
دبلوم معهد الأمير سعود الفيصل للدراسات الدبلوماسية بتقدير ممتاز (الأول على الدفعة)، وحاصل على جائزة سمو وزير الخارجية.
تخرج من جامعة الملك سعود، حيث حصل على درجة البكالوريوس في العلوم السياسية.
حصل على الشهادة الثانوية العامة من مدرسة أبي بكر الصديق بتقدير ممتاز (الأول على مستوى المملكة).
المناصب والخبرات
مدير عام الإدارة العامة للقضايا الدولية في وكالة الوزارة المتعددة الأطراف.
مدير عام إدارة العلاقات الاقتصادية الدولية بوزارة الخارجية.
إعداد التقارير الاقتصادي والمشاركة في أعمال اللجان المشتركة والاتفاقيات الثنائية المتخصصة (منع الازدواج الضريبي -الاستثمار) والاعداد لزيارات مجالس الأعمال وتقييم المعارض والندوات المتخصصة.
أمين عام مجلس التنسيق السعودي القطري (1441-1429هـ) وعضو في اللجنة التحضيرية للجانب السعودي بمجلس التنسيق السعودي القطري في الديوان الملكي السعودي.
المشاركة في اجتماعات هيئة الخبراء بمجلس الوزراء لدراسة مشاريع الاتفاقيات ومذكرات التفاهم التي وقعت في إطار مجلس التنسيق السعودي القطري.
المشاركة في اللجنة الوزارية الفرعية المشتركة لمجلس التنسيق السعودي القطري، واعداد محاضر الجانب السعودي في اللجنة الوزارية.
المشاركة في اجتماعات مجلس التنسيق السعودي القطري الخمسة التي عقدت في الرياض والدوحة وجدة، والاعداد لمحاضرها.
رئيس وفد المملكة في اجتماعات اللجنة الإسلامية والاقتصادية والثقافية والاجتماعية التابعة لمنظمة المؤتمر الإسلامي التي عقدت في جدة.
المشاركة في اجتماعات وزراء خارجية الدول الإسلامية التي عقدت في كمبالا.
المشاركة في القمة الإسلامية التي عقدت في السنغال، وفي الاجتماعات التحضيرية لها على مستوى الوزراء والخبراء.
المشاركة في اجتماعات وزراء خارجية دول مجلس التعاون لدول الخليج العربية، ولجانه الوزارية.
المشاركة في القمة الخليجية (28) التي عقدت في الدوحة.
المشاركة في العديد من اجتماعات هيئة الخبراء بمجلس الوزراء.
العمل بوفد المملكة العربية السعودية الدائم لدى الأمم المتحدة، ومسؤول عن القضايا الاقتصادية والمساعدات التنموية والإرهاب الدولي ولجانه في مجلس الأمن، والبيئة والتنمية المستدامة.
القيام بكافة الإجراءات القانونية لحصول مجلس التعاون لدول الخليج العربية على صفة مراقب في الأمم المتحدة.
حضور اجتماعات لجنة الصومال التابعة لمجلس الأمن، وتفنيد الاتهامات الموجهة للمملكة، وتم تعديل التقرير النهائي بما يضمن حقوق المملكة.
حضور اجتماعات الجمعية العامة، والمجلس الاقتصادي والاجتماعي بالأمم المتحدة.
القيام بكافة الاجراءات القانونية لحصول البنك الإسلامي للتنمية على صفة مراقب في الأمم المتحدة.
القيام بكافة الإجراءات القانونية لحصول صندوق الدول المصدرة للنفط للتنمية الدولية على صفة مراقب بالأمم المتحدة.
المشاركة في المشاورات غير الرسمية بشأن صياغة إستراتيجية الأمم المتحدة العالمية لمكافحة الإرهاب.
شكر من رئيس مجموعة (77) والصين على الجهود المبذولة في إطار المجموعة في إبراز جهود المملكة في مجال مكافحة الإرهاب.
تأسيس وافتتاح أول سفارة للمملكة العربية السعودية في جمهورية التشيك.
المشاركة في اجتماعات اللجنة الوزارية السعودية اليمنية المشتركة.
المشاركة في العديد من اللجان المشتركة والمؤتمرات والندوات الدولية.
في عام 2011 وافق مجلس الوزراء على تعيين عبد الله العنزي بوظيفة (وزير مفوض) في وزارة الخارجية.
الجوائز والتكريمات
الحصول على جائزة سمو سفير خادم الحرمين الشريفين لدى الولايات المتحدة الأمريكية للموظف المثالي على كافة الممثليات والمكاتب والملحقيات في أمريكا في عام 2006.
جائزة مندوب دولة قطر الدائم لدى الأمم المتحدة في نيويورك.
خطاب شكر من الرابطة الاتحادي للسياسة الأمنية في أكاديمية السياسة والاقتصاد والثقافة الألمانية على المحاضرة التي ألقيت عليهم في نيويورك.
خطاب شكر من معالي وكيل الأمين العام للأمم المتحدة للشؤون السياسية.
العديد من خطابات الشكر من الوزارات والجهات الحكومية، وهيئات ومنظمات دولية، والمدير التنفيذي للمملكة لدى مجموعة البنك الدولي، ورئيس صندوق الدول المصدرة للنفط للتنمية الدولية، البنك الإسلامي للتنمية ومن سمو مساعد وزير الخارجية على الجهد المتميز الذي بذل في افتتاح سفارة المملكة في جمهورية التشيك.
الحصول على وسام النعمان من الدرجة الأولى الذي منحه إياه السلطان هيثم بن طارق سلطان دولة عمان وهو وسام عماني رفيع يتم منحه تشريفًا لمن ساهم في خدمة العلاقات الثنائية بين سلطنة عمان والدول الشقيقة.
مراجع
خريجو جامعة الملك سعود
خريجو معهد الأمير سعود الفيصل للدراسات الدبلوماسية
دبلوماسيون سعوديون
سفراء السعودية لدى سلطنة عمان
سياسيون سعوديون
مسؤولون سعوديون في الأمم المتحدة | 28,366 |
https://stackoverflow.com/questions/35162222 | StackExchange | Open Web | CC-By-SA | 2,016 | Stack Exchange | Doug Coats, Horaciux, Ladiesman191, https://stackoverflow.com/users/2994412, https://stackoverflow.com/users/5009293, https://stackoverflow.com/users/5347590 | English | Spoken | 169 | 318 | VBA, How to make formula into Macro
I have the following basic formula,
=LEFT(A1,FIND(".",A1)-1)
How can I make this into a macro, so on my selected cell it pastes this formula? Just instead of copying and pasting over and over it may be easier to make this a shortcut to a macro. Also is this something that can be applied among-st any formulas?
Thanks
if you select all cells that need to contain any data or formula and press F2 for edit, type or past content, and then CTRL+ENTER it will past in all selected cells.
I was going to say this is easily solved with drag down as well....however a1 would need to be $A$1
Sub qwerty()
ActiveCell.Formula = "=LEFT(A1,FIND(""."",A1)-1)"
End Sub
NOTE:
We double-up on the double-quotes!
You can also create custom function:
Function MyLeft(my_Cell_String) As String
MyLeft = Left(my_Cell_String, InStr(1, my_Cell_String, ".") - 1)
End Function
Then your formula in the cell will be:
=MyLeft(A1)
Wow thanks, this is really good, was looking for this actually.
| 25,038 |
https://ja.wikipedia.org/wiki/Makemagic | Wikipedia | Open Web | CC-By-SA | 2,023 | Makemagic | https://ja.wikipedia.org/w/index.php?title=Makemagic&action=history | Japanese | Spoken | 32 | 432 | 「makemagic」（メイクマジック）は、日本のヴィジュアル系ロックバンド、jealkbのメジャー6thシングル。2010年1月20日発売。発売元はjkb records/R and C Ltd.。
概要
表題曲「makemagic」は、映画『10thアニバーサリー 劇場版 遊☆戯☆王 〜超融合!時空を越えた絆〜』主題歌。PVでは、はるな愛と共演。jealkb史上初の外部による作曲・編曲となった。カップリング曲「キワダタサレタ美貌」も、フジテレビ系『ジャンクSPORTS』のエンディングテーマ(2010年1月 - 3月)としてタイアップした。
収録曲
makemagic（メイクマジック）
作詞:haderu / 作曲:サイトウヨシヒロ / 編曲:Shogo Ohnishi
キワダタサレタ美貌（キワダタサレタびぼう）
作詞:haderu / 作曲:小形誠
makemagic（instrumental)（メイクマジック・インストゥルメンタル）
キワダタサレタ美貌（instrumental)（キワダタサレタびぼう・インストゥルメンタル）
外部リンク
Jealkbの楽曲
2010年のシングル
アニメ映画主題歌
遊☆戯☆王の音楽
いくましつく | 14,206 |
https://ru.stackoverflow.com/questions/1114052 | StackExchange | Open Web | CC-By-SA | 2,020 | Stack Exchange | Russian | Spoken | 165 | 501 | Python. Сумма значений с одинаковым ключом
Всем привет, никак не могу разобраться, как в Python поcчитать сумму значений, которые имеют одинаковы ключи.
Допустим пользователь вводит: Миша 2
Гриша 1
Миша 1
На выходе мы должны получить: Миша 3
Гриша 1
Помогите, пожалуйста. Прикрепил фрагмент кода с вводом.
quantity = int(input('Введите число голосующих регионов:'))
votes = dict([input('Введите имя кандидата и количество голосов через пробел:').split() for i in range(quantity)])
Предлагаю воспользоваться методом словаря get, возвращая в случае отсутствия ключа 0.
Пример:
quantity = int(input('Введите число голосующих регионов:'))
d = {}
for _ in range(quantity):
k, v = input('Введите имя кандидата и количество голосов через пробел:').split()
d[k] = d.get(k, 0) + int(v)
print(d)
Можно через Counter как-то так. Как совместить с вашим кодом надеюсь разберётесь:
from collections import Counter
l = [('Миша', '2'), ('Гриша', '1'), ('Миша', '1')]
c = Counter()
[c.update({k: int(v)}) for k,v in l]
print(c)
Вывод:
Counter({'Миша': 3, 'Гриша': 1})
Когда вы пытаетесь создать словарь из всего списка, значение с повторяющимся ключом просто затирает предыдущее значение.
| 47,254 | |
https://sv.wikipedia.org/wiki/Micaria%20tarabaevi | Wikipedia | Open Web | CC-By-SA | 2,023 | Micaria tarabaevi | https://sv.wikipedia.org/w/index.php?title=Micaria tarabaevi&action=history | Swedish | Spoken | 34 | 78 | Micaria tarabaevi är en spindelart som beskrevs av Mikhailov 1988. Micaria tarabaevi ingår i släktet Micaria och familjen plattbuksspindlar.
Artens utbredningsområde är Kazakstan. Inga underarter finns listade i Catalogue of Life.
Källor
Plattbuksspindlar
tarabaevi | 30,719 |
https://pt.wikipedia.org/wiki/Linha%20Bex-Villars-Bretaye | Wikipedia | Open Web | CC-By-SA | 2,023 | Linha Bex-Villars-Bretaye | https://pt.wikipedia.org/w/index.php?title=Linha Bex-Villars-Bretaye&action=history | Portuguese | Spoken | 192 | 447 | A Linha Bex-Villars-Bretaye (BVB) é uma linha de caminho de ferro de 17 km, a via única, de bitola métrica, a cremalheira sistema Abt, e que circula em entre Bex e Bretaye.
A ASD é uma das linhas dos Transportes públicos do Chablais (TPC) que além desta possui:
Linha Aigle-Leysin (AL)
Linha Aigle-Ollon-Monthey-Champéry (AOMC)
Linha Aigle-Sépey-Diablerets (ASD)
Linha Bex-Villars-Bretaye (BVB)
Os Transportes públicos do Chablais (TPC) são uma empresa ferroviária que foi criada em 1999 com a fusão de quatro companhias de caminho de ferro a bitola métrica na região do Chablais Vaudois, Além do caminho de ferro esta empresa também possui uma rede de autocarros.
Datas
1898-1901 : construção de Bex-Gryon-Villars-Chesières
1913: construção de Villars-Bretaye
1942 : fusão das duas companhias
1999 : regroupamento da ASD, da AL, da BVB e da OMC para formar os TPC
Características
Comprimento; 17 km
Bitola; métrica
Cremalheira; em 7.3 km
Sistema Abt
Altitudes
Bex, 411 m
Bretaye 1 806 m
Linha de via única
Imagens
Entreprise, images
TSR- Achives; Documentaire, Sur la ligne du BVB
- Jul. 2012
Ver também
Transportes públicos do Chablais (TPC)
Ligações externas
Empresas ferroviárias da Suíça
B
Cremalheira
B | 16,972 |
https://fa.wikipedia.org/wiki/%DB%B2%DB%B9%20%D8%A8%D8%B1%D9%87 | Wikipedia | Open Web | CC-By-SA | 2,023 | ۲۹ بره | https://fa.wikipedia.org/w/index.php?title=۲۹ بره&action=history | Persian | Spoken | 51 | 184 | ۲۹ بره یک ستاره است که در صورت فلکی برج حمل قرار دارد.
منابع
اجرام اچآر
اجرام اچآیپی
اجرام فلمستید
اجرام کاتالوگ هنری دراپر
دوتاییهای طیفی
سامانههای ستارهای سهگانه
ستارگان رشته اصلی کلاس F
ستارههای از نوع خورشیدی
ستارههای موجود در فهرست نظرسنجی بن
صورت فلکی بره
اجرام گلیز و جیجی | 38,180 |
https://sv.wikipedia.org/wiki/Impatiens%20vittata | Wikipedia | Open Web | CC-By-SA | 2,023 | Impatiens vittata | https://sv.wikipedia.org/w/index.php?title=Impatiens vittata&action=history | Swedish | Spoken | 31 | 69 | Impatiens vittata är en balsaminväxtart som beskrevs av Adrien René Franchet. Impatiens vittata ingår i släktet balsaminer, och familjen balsaminväxter. Inga underarter finns listade i Catalogue of Life.
Källor
Balsaminer
vittata | 30,792 |
https://stackoverflow.com/questions/70006567 | StackExchange | Open Web | CC-By-SA | 2,021 | Stack Exchange | Limecat, https://stackoverflow.com/users/17376754 | Dutch | Spoken | 892 | 2,298 | error when saving multiple (onetoonefield) forms in django views.py. pls, Need correct working view or suggestion
models.py
class CustomUser(AbstractUser):
username = None
email = models.EmailField(_('email address'), unique=True)
mobileno = models.IntegerField(blank=True, null=True)
is_customer = models.BooleanField(default=False)
is_vendor = models.BooleanField(default=False)
USERNAME_FIELD = 'email'
REQUIRED_FIELDS = []
objects = UserManager()
def __str__(self):
return self.email
class VendorDetails(models.Model):
vendoruser = models.OneToOneField(CustomUser, on_delete=models.CASCADE)
aadhar_number = models.CharField(max_length=200)
pan_number = models.CharField(max_length=200)
store_name = models.CharField(max_length=200)
brand_name = models.CharField(max_length=200)
mail_id = models.EmailField(max_length=200)
contact_no = models.IntegerField(blank=True, null=True)
gst_number = models.CharField(max_length=100)
acct_number = models.CharField(max_length=100)
ifsc_code = models.CharField(max_length=100)
fb_account = models.CharField(max_length=100,blank=True, null=True)
insta_account = models.CharField(max_length=100,blank=True, null=True)
website = models.CharField(max_length=100,blank=True, null=True)
door_no = models.CharField(max_length=100,blank=True, null=True)
street_name = models.CharField(max_length=100, blank=True, null=True)
city = models.CharField(max_length=100, blank=True, null=True)
pincode = models.IntegerField(blank=True, null=True)
def __str__(self):
return self.mail_id
forms.py
class UserCreationForm(UserCreationForm):
"""
A Custom form for creating new users.
"""
class Meta:
model = CustomUser
fields = ['email','first_name','last_name','mobileno']
""" For Vendor users forms"""
class VendorAdminDetailsForm(forms.ModelForm):
class Meta:
model = VendorDetails
fields = ['aadhar_number', 'pan_number']
class VendorStoreDetailsForm(forms.ModelForm):
class Meta:
model = VendorDetails
fields = ['store_name', 'brand_name', 'mail_id', 'contact_no', 'gst_number']
class VendorBankDetailsForm(forms.ModelForm):
class Meta:
model = VendorDetails
fields = ['acct_number', 'ifsc_code']
class VendorSocialMediaDetailsForm(forms.ModelForm):
fb_account = forms.CharField(required=False)
insta_account = forms.CharField(required=False)
website = forms.CharField(required=False)
class Meta:
model = VendorDetails
fields = ['fb_account', 'insta_account', 'website']
class VendorContactDetailsForm(forms.ModelForm):
door_no = forms.CharField(required=False)
street_name = forms.CharField(required=False)
pincode = forms.IntegerField(required=False)
class Meta:
model = VendorDetails
fields = ['door_no', 'street_name', 'city', 'pincode']
views.py
#Vendor Signup
def VendorSignup(request):
form = UserCreationForm()
vendordetail = VendorAdminDetailsForm()
vendorstore = VendorStoreDetailsForm()
vendorbankdetail = VendorBankDetailsForm()
vendorsocialmedia = VendorSocialMediaDetailsForm()
vendorcontact = VendorContactDetailsForm()
if request.method == 'POST':
form = UserCreationForm(request.POST)
vendordetail = VendorAdminDetailsForm(request.POST)
vendorstore = VendorStoreDetailsForm(request.POST)
vendorbankdetail = VendorBankDetailsForm(request.POST)
vendorsocialmedia = VendorSocialMediaDetailsForm(request.POST)
vendorcontact = VendorContactDetailsForm(request.POST)
if form.is_valid() and vendordetail.is_valid() and vendorstore.is_valid() and vendorbankdetail.is_valid() and vendorsocialmedia.is_valid() and vendorcontact.is_valid():
form.save()
print("form")
vendordetail.save()
vendorstore.save()
vendorbankdetail.save()
vendorsocialmedia.save()
vendorcontact.save()
return redirect('login')
else:
form = UserCreationForm()
vendordetail = VendorAdminDetailsForm()
vendorstore = VendorStoreDetailsForm()
vendorbankdetail = VendorBankDetailsForm()
vendorsocialmedia = VendorSocialMediaDetailsForm()
vendorcontact = VendorContactDetailsForm()
I have created multiple forms for signup with extending abstractuser model. also I have put all these forms in template separately. Is it the correct way to handle multiple forms. Facing issue in the line (vendordetail.save()) Not null field (onetoonefield related issue). But I don't know how to write views for this all forms. Please help me to get this solved.
Where are you inserting the correct vendoruser? That needs to be filled in prior to calling save().
You need to do something like:
vendordetail.instance.vendoruser = request.user
If indeed vendoruser is the user that's currently logged in, else you need to get it from somewhere else. After insertion you can call:
vendordetail.save()
Edit: I missed that you are creating your user on the same page in another form. In that case you can first save your user form:
new_user = form.save()
The save() method of a model form will return the new object, therefore you can use it afterwards for your other forms:
vendordetail.instance.vendoruser = new_user
i inserted the above line before vendordetail.save(). but got error - (ValueError at /vendor/signup/
Cannot assign "<SimpleLazyObject: <django.contrib.auth.models.AnonymousUser object at 0x00000269C17B2730>>": "VendorDetails.vendoruser" must be a "CustomUser" instance.).
Are you logged in?
Yes you can do it with every form (if all models have a required field for user)
can i save user instance before every form.save(). also user is not logged in. so getting the user instance is not possible, I think. But I want save this model for a user before login.
Yes you can do it for every form, but it needs a logged-in user. Otherwise you will have an anonymous user as request.user, and that won't work. Surely you don't want anonymous users to save database objects?
yes. I need to save the entire vendordetails model for the current requested user but this can be done in while the user Signup. Is it possible? then, how can I do it?
Updated my answer
new_user = form.save()
print("form")
vendordetail.instance.vendoruser = new_user
vendordetail.save()
vendorstore.instance.vendoruser = new_user
vendorstore.save()
vendorbankdetail.instance.vendoruser = new_user
vendorbankdetail.save()
vendorsocialmedia.instance.vendoruser = new_user
vendorsocialmedia.save()
vendorcontact.instance.vendoruser = new_user
vendorcontact.save()
return redirect('login') . error appeared in line vendorstore.save() -UNIQUE constraint failed: customer_vendordetails.vendoruser_id
Argh! You're using the same model for all your forms!! On the same page!! Each with different fields! Why don't you just create one ModelForm for VendorDetails? Then insert your new_user once, and save it once? There is no need for all these different forms. If you insist, you can get the values of what's submitted in the other little forms and set them individually on the vendordetail.instance but seriously, just use one form for one model.
sorry for more disturbing you. I am a newbie, I don't know this basic thing. if i did, there are two forms one form for user basicdetail another is vendordetail form. but if it is, I will have two submit buttons.how can i do this same time. This is my last comment in this chat. Thanks for answering my silly questions.
@sam It's ok buddy. No worries. You just do the ModelForm for the whole form instead of the part-forms you've done now. `class VendorDetailsForm(forms.ModelForm):
class Meta:
model = VendorDetails
fields = ['put every single field here that you need']` and then forget about all the other part-forms. You just need one form + your usercreation form (although I still think you should log users in first)
@Limecate yes, I modified this. Now it is working. I can save user instances with storedetails. Thankyou very much for your great help.
| 35,193 |
https://stackoverflow.com/questions/4187771 | StackExchange | Open Web | CC-By-SA | 2,010 | Stack Exchange | Athreya, Cyrille YAO, Gyarmati Peter, Jeff Mercado, Jon Skeet, MetaGuru, Mr. T, SurenderMeg, VSR, https://stackoverflow.com/users/18309, https://stackoverflow.com/users/224087, https://stackoverflow.com/users/22656, https://stackoverflow.com/users/390278, https://stackoverflow.com/users/8819329, https://stackoverflow.com/users/8819330, https://stackoverflow.com/users/8819331, https://stackoverflow.com/users/8819421, https://stackoverflow.com/users/8819433, https://stackoverflow.com/users/8819440, https://stackoverflow.com/users/8819556, isaiah etim, quentin-starin | English | Spoken | 1,014 | 1,575 | Why is LINQPAD assuming this variable is a System.Int32 and how can I change its mind?
I'm trying to optimize a query so I plugged it into LINQPAD but I keep getting a null reference error, can't assign null value to System.Int32.. when I comment out the FolderID one at the end there, the error no longer occurs. Why does it assume that FolderID is a System.Int32 and how can I make it an Int32? instead so it's nullable and I can run the query?
(from groupBundle in GroupBundles
join userGroup in UserGroups on groupBundle.GroupID equals userGroup.GroupID
join bundle in Bundles on groupBundle.BundleID equals bundle.BundleID
where userGroup.UserID == 75
orderby bundle.BundleName
select new
{
BundleID = bundle.BundleID,
BundleName = bundle.BundleName,
BundleIcon = bundle.BundleIcon,
UseSpecialPlayer = (bundle.UseSpecialPlayer != null && bundle.UseSpecialPlayer == true) ? true : false,
height = bundle.PuHeight,
width = bundle.PuWidth,
UserID = 75,
CompanyID = 32,
IsFavorite = ((from f in Favorites where f.FavoriteTypeID == 1 && f.UserID == 75 && f.ActionID == bundle.BundleID select f).Count() > 0) ? true : false,
//THIS ONE HERE
FolderID = (from cf in CategoryFolders
join folder in Folders on cf.FolderID equals folder.FolderID
where folder.CompanyID == 32 &&
cf.CategoryID == bundle.BundleID
select cf.FolderID).FirstOrDefault()
}).Distinct()
if you downvote, please comment... not sure why this is a bad question, just don't know where LINQPAD is getting the idea for this variable from since it's just a new object being created on the fly... right?
Not that I've downvoted, but you could definitely have simplified your example very significantly. Not only is it needlessly complex, but it's also incomplete - what is UserGroups? What is Bundles? What are the types involved? A short but complete example would have been a lot easier to work with.
yeah I get that, but I just wanted to include everything since I didn't know what was causing the thing to assume what FolderIDs type should be, now that they have pointed it out to me I see that you are correct, I only needed that last part, I just had no idea what it was that was determining what FolderID should be
Add a cast to nullable int to the expression being assigned:
FolderID = (int?)(from cf in CategoryFolders
is FolderID nullable in the database? If not, that explains this.
I'm not sure FolderID is in the database as I am declaring a new object here... I don't know where it would be referencing this from.
ah ha, this worked and will let me continue with my task, thanks, still want to know where it is making this assumption, is it based off of what I am selecting in the sub query? because obviously FolderID is not defined anywhere..
Yes, you are selecting a new anonymous object. But you are selecting it from: "from cf in CategoryFolders". So what is the IQueryable source "CategoryFolders". A Linq-to-SQL data source, yes? So then it's defined in the database, and the type of that field determines what type Linq-to-SQL will use for the object's field in code. Did you try the cast? Did it work?
yep the cast worked, thanks, and yes, CategoryFolder.FolderID is non nullable, that explains it! I was thinking of it in the wrong direction
You may want to move the cast into the subquery in the select clause so it returns int?. Otherwise the FirstOrDefault() will force it to be 0 first and always before it even gets the chance to be null.
The FolderID field in the database is likely a Primary Key, and is therefore NOT NULL (and is likely auto numbered too). So L2S generates the class with an Int32 field, rather than Nullable. The result of the query for that field, the return type from FirstOrDefault, is Int32, because that is the type of the field you are selecting. The anonymous object uses that information to type the field. If the query then later tries to assign null to that field, you get the exception you did. Casting is nothing more than a hint to the compiler here for how to type the field in the anon type.
@Jeff but if that was true then why would I be getting the null cannot be assigned to Int32 in the first place? Wouldn't it be then spitting back zero instead? When I ran it with (int?) in either location, it returned back nulls each time there was no available value (fyi)
@shogun: I'll guess that discrepency happens in the Linq to SQL conversion. FirstOrDefault is determining the anonymous type's field type, but not the runtime behavior. That's because FirstOrDefault doesn't actually get run. It get's translated into an equivalent SQL statement which actually returns null either way. The cast simply fixes the compiler's generation of the anonymous type.
@shogun: If CategoryFolder.FolderID's type was in fact int?, then the return type of FirstOrDefault() would also be int?. You said that the resulting type is int suggesting it is not nullable. The key is to make the subquery's type IQueryable<int?> that way FirstOrDefault() will actually return (int?)null if it is empty. Otherwise if it were IQueryable<int>, you would always get 0 if it were empty. The cast on the result only ensures that FolderID's type is int?, but not that it will necessarily have null when it is supposed to.
Jeff: "you would always get 0 if it were empty", except when the LINQ provider rolls the whole thing up into a SQL query and populates the field without ever actually running the extension method FirstOrDefault. Of course, the correct thing to do is code LINQ so that it runs consistently across providers, which your suggested modification acheives, although that is often impossible.
I'm assuming that FolderId is in a database somewhere, and I would guess that it's declared as a nullable type, perhaps even a nullable Int column.
I'm sorry I can't post this as a comment, but does just querying this work?
//THIS ONE HERE
FolderID = (from cf in CategoryFolders
join folder in Folders on cf.FolderID equals folder.FolderID
where folder.CompanyID == 32 &&
cf.CategoryID == bundle.BundleID
select cf.FolderID).FirstOrDefault()
| 12,118 |
https://stackoverflow.com/questions/58142358 | StackExchange | Open Web | CC-By-SA | 2,019 | Stack Exchange | Xhosa | Spoken | 121 | 377 | Azure Resource Manager Template: How to get connection string for a resource in a different ResourceGroup?
I want to deploy a AzureKeyVault that contains AzureStorageAccount connection string from another resource group. I know you can do this if AzureKeyVault and AzureStorageAccount are in the same resource group, like in the following:
"resources": [
{
"type": "Microsoft.KeyVault/vaults/secrets",
"name": "secretName",
"properties": {
"value": "[concat('DefaultEndpointsProtocol=https;EndpointSuffix=core.windows.net;AccountName=', 'StorageAccountName', ';AccountKey=', first(listKeys(resourceId('Microsoft.Storage/storageAccounts', 'StorageAccountName'), variables('storageApiVersion')).keys).value)]"
},
"dependsOn": []
},
{
"type": "Microsoft.Storage/storageAccounts",
"name": "StorageAccountName",
...
},
{
"type": "Microsoft.KeyVault/vaults",
"name": "KeyVaultName",
...
}
]
My question is how can an change this to get the connection string from a different resource group that has already been deployed?
use the built-in functionality of the resourceId() function:
resourceId(%different_rg_name%, 'Microsoft.Storage/storageAccounts', 'StorageAccountName')
https://learn.microsoft.com/en-us/azure/azure-resource-manager/resource-group-template-functions-resource#resourceid
| 20,600 | |
https://no.wikipedia.org/wiki/NGC%206751 | Wikipedia | Open Web | CC-By-SA | 2,023 | NGC 6751 | https://no.wikipedia.org/w/index.php?title=NGC 6751&action=history | Norwegian | Spoken | 40 | 108 | NGC 6751 er en øyelignende planetarisk tåke som ligger rundt lysår unna jorden i stjernebildet Ørnen. Overflatetemperaturen til sentralstjernen har blitt estimert til å være °C.
Referanser
Pressemelding STScI-2000-12 fra Space Telescope Science Institute
Planetariske tåker
6751
Artikler i astronomiprosjektet | 13,426 |
https://arz.wikipedia.org/wiki/%D9%83%D9%85%20%D8%AA%D8%B4%D9%89%20%D8%AC%D9%88%D9%86 | Wikipedia | Open Web | CC-By-SA | 2,023 | كم تشى جون | https://arz.wikipedia.org/w/index.php?title=كم تشى جون&action=history | Egyptian Arabic | Spoken | 93 | 245 | كم تشى جون لاعب كورة قدم من كوريا الجنوبيه.
حياته
كم تشى جون من مواليد يوم 29 يوليه 1983 فى بوسان.
الدراسه
درس فى Dongnae High School.
الحياه الرياضيه
بيلعب فى مركز مُدَافِع, و لعب مع فريق اولسان هيونداى و نادى سول و Sangju Sangmu FC و منتخب كوريا الجنوبيه تحت 23 سنه لكره القدم و منتخب كوريا الجنوبيه تحت 20 سنه لكره القدم و Anyang LG Cheetahs و منتخب كوريا الجنوبيه لكره القدم.
المشاركات
شارك فى:
الالعاب الاولمبيه الصيفيه 2004
لينكات برانيه
مصادر
لاعبين كوره القدم
لاعبين كوره قدم من كوريا الجنوبيه | 2,351 |
https://en.wikipedia.org/wiki/Gustav%20Waldemar%20Elmen | Wikipedia | Open Web | CC-By-SA | 2,023 | Gustav Waldemar Elmen | https://en.wikipedia.org/w/index.php?title=Gustav Waldemar Elmen&action=history | English | Spoken | 82 | 136 | Gustav Waldemar Elmen was a Swedish–American researcher.
Early life
Gustav Waldemar Elmen was born on 22 December 1876 in Stockholm, Sweden. He emigrated to the United States in 1893 and became a U.S. citizen in 1918.
Career
As a researcher, he worked at the Bell Telephone Laboratories. At Bell Laboratories, he invented magnetic alloys. His finding paved the way for high-capacity undersea telegraph lines.
In 1941, he founded Naval Artillery laboratory.
References
1876 births
1957 deaths
Swedish emigrants to the United States | 4,964 |
https://zh-min-nan.wikipedia.org/wiki/Santo%20Ant%C3%B3nio%20%28Lisboa%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | Santo António (Lisboa) | https://zh-min-nan.wikipedia.org/w/index.php?title=Santo António (Lisboa)&action=history | Min Nan Chinese | Spoken | 14 | 60 | Santo António sī Phû-tô-gâ Lisboa chū-tī-thé ê chi̍t ê kàu-khu (freguesia).
Phû-tô-gâ ê kàu-khu | 30,466 |
https://stackoverflow.com/questions/47380843 | StackExchange | Open Web | CC-By-SA | 2,017 | Stack Exchange | FatBoyXPC, https://stackoverflow.com/users/5373991 | English | Spoken | 256 | 555 | Laravel 5.5 - Class Custom BaseController not found but exists
Laravel 5.5 Custom BaseController not found even though it exists. Have checked the other questions on StackOverflow regarding the BaseController not found but they are referring to the default BaseController which isn't the same in mine case.
Here is my implementation
Controller.php
use Illuminate\Foundation\Bus\DispatchesJobs;
use Illuminate\Routing\Controller as CheckController;
use Illuminate\Foundation\Validation\ValidatesRequests;
use Illuminate\Foundation\Auth\Access\AuthorizesRequests;
class Controller extends CheckController
{
use AuthorizesRequests, DispatchesJobs, ValidatesRequests;
}
Custom BaseController (BaseController.php)
use App\Http\Controllers\Controller;
class BaseController extends Controller
{
/**
* Setup the layout used by the controller.
*
* @return void
*/
public $data = array();
public function __construct()
{
if (Sentinel::check()) {
// User is not logged in, or is not activated
$this->data['admin'] = Sentinel::getUser();
}
}
protected function setupLayout()
{
if (!is_null($this->layout)) {
$this->layout = View::make($this->layout);
}
}
}
Extending a class named HomeCtontroller to Custom BaseController
class HomeController extends BaseController {
protected $layout = 'master';
public function main()
{
...
}
}
And then it gives the following error
Symfony \ Component \ Debug \ Exception \ FatalErrorException (E_UNKNOWN)
Class 'BaseController' not found
Would appreciate any sort of pointers.
I believe you haven't included full namespaces.
Make sure in BaseController you have:
namespace App\Http\Controllers;
and in HomeController make sure you are using:
use App\Http\Controllers\BaseController;
all those controllers should be located in app/Http/Controllers directory.
If you are sure you have valid directories and namespaces run composer dump-autoload in console
I think all he needs to do is put in the namespace. You don't need to import from the same namespace.
| 3,979 |
https://stackoverflow.com/questions/63095900 | StackExchange | Open Web | CC-By-SA | 2,020 | Stack Exchange | Antti Haapala -- Слава Україні, Jonathan Leffler, KamilCuk, Mike Henderson, https://stackoverflow.com/users/15168, https://stackoverflow.com/users/179715, https://stackoverflow.com/users/6367851, https://stackoverflow.com/users/9072753, https://stackoverflow.com/users/918959, jamesdlin | English | Spoken | 469 | 779 | Redirect stdin to stdout
Let's say I have a trivial C program that adds 2 numbers together:
#include <stdio.h>
int main(void) {
int a, b;
printf("Enter a: "); scanf("%d", &a);
printf("Enter b: "); scanf("%d", &b);
printf("a + b = %d\n", a + b);
return 0;
}
Instead of typing into the termnial every time it executes, I enter the values of a and b into a file:
// input.txt
10
20
I then redirect stdin to this file:
./a.out < input.txt
The program works but its output is a bit messed up:
Enter a: Enter b: a + b = 30
Is there a way to redirect stdin to stdout so the output appears as if a user typed the values manually, ie:
Enter a: 10
Enter b: 20
a + b = 30
There's no portable way to do it, but on POSIX systems, you could check isatty(0) (from unistd.h), and if stdin is not a tty, echo back a line after reading it.
Is there a way to do this without touching the code?
Not without modifying the code, no.
yes, there are ways, but all of them require more code :D for example on Linux you could use a wrapper program that debugs the program using ptrace and intercepts all read system calls... now, perhaps modifying the source would still be easier...
The real problem is that the output of input.txt has to come in exact places, after Enter a: there has to be a 10. Cause you can tee /dev/stderr <input.txt | a.out but then 10 and 20 will be unsynchronized with the output of your program. So the only way is to synchronize input with output of your program - which suggest you have to track internal state of your program - either by tracking read system calls within your program, or writing another program that will capturing output like expect and act accordingly.
You could use expect for this. Expect is a tool for automating interactive command-line programs. Here's how you could automate typing those values in:
#!/usr/bin/expect
set timeout 20
spawn "./a.out"
expect "Enter a: " { send "10\r" }
expect "Enter b: " { send "20\r" }
interact
This produces output like this:
$ ./expect
spawn ./test
Enter a: 10
Enter b: 20
a + b = 30
There are more examples here.
Forget prompting; try this:
#include <stdio.h>
#include <stdlib.h>
int main(void) {
int a, b;
if (scanf("%d%d", &a, &b) != 2) exit(EXIT_FAILURE);
printf("%d + %d = %d\n", a, b, a + b);
return 0;
}
You may want to find a way to allow your users to know what the executable is about, maybe adding command-line options?
$ echo "10 20" |./a.out
10 + 20 = 30
$ ./a.out --help
Program reads two integers and displays their sum
$
| 34,191 |
https://en.wikipedia.org/wiki/Pterocerina%20colorata | Wikipedia | Open Web | CC-By-SA | 2,023 | Pterocerina colorata | https://en.wikipedia.org/w/index.php?title=Pterocerina colorata&action=history | English | Spoken | 24 | 49 | Pterocerina colorata is a species of ulidiid or picture-winged fly in the genus Pterocerina of the family Ulidiidae.
References
colorata
Insects described in 1909 | 13,536 |
https://en.wikipedia.org/wiki/France%E2%80%93Italy%20Maritime%20Boundary%20Agreement | Wikipedia | Open Web | CC-By-SA | 2,023 | France–Italy Maritime Boundary Agreement | https://en.wikipedia.org/w/index.php?title=France–Italy Maritime Boundary Agreement&action=history | English | Spoken | 225 | 338 | The France–Italy Maritime Boundary Agreement is a 1986 treaty between France and Italy which delimits the maritime boundary between the two countries in the Strait of Bonifacio.
The Strait of Bonifacio separates the French island of Corsica from the Italian island of Sardinia. The treaty was signed in Paris on 28 November 1986. The boundary set out by the text of the treaty is a relatively short 40 nautical miles long and consists of five straight-line maritime segments defined by six individual coordinate points. The agreed-to boundary is an approximate equidistant line between the two islands.
The treaty came into force on 15 May 1989 after both countries had ratified it. The full name of the treaty is Agreement between the Government of the French Republic and the Government of the Italian Republic on the Delimitation of the Maritime Boundaries in the Area of the Strait of Bonifacio.
Notes
References
Anderson, Ewan W. (2003). International Boundaries: A Geopolitical Atlas. Routledge: New York. ; OCLC 54061586
Charney, Jonathan I., David A. Colson, Robert W. Smith. (2005). International Maritime Boundaries, 5 vols. Hotei Publishing: Leiden. ; ; ; ; ; OCLC 23254092
External links
Full text of agreement
Treaties concluded in 1986
Treaties entered into force in 1989
1986 in France
1986 in Italy
Boundary treaties
France–Italy border
Bilateral treaties of France
Treaties of Italy
France–Italy relations | 24,331 |
https://stackoverflow.com/questions/45786926 | StackExchange | Open Web | CC-By-SA | 2,017 | Stack Exchange | Tim Strawbridge, Vishal Yadav, aidinMC, https://stackoverflow.com/users/2943403, https://stackoverflow.com/users/3398171, https://stackoverflow.com/users/4590215, https://stackoverflow.com/users/6244429, https://stackoverflow.com/users/8492251, mickmackusa, שגיא שלום | English | Spoken | 549 | 1,510 | Using POST to fill Database through PHP and JSON - bug on Android
I'm new here
I would like to get some help with my code.
I'm trying to send 6 strings using JSON Object to a database and its failed.
here is my android code:
buttonsend.setOnClickListener(new View.OnClickListener() {
@Override
public void onClick(View view) {
StringRequest request = new StringRequest(Request.Method.POST, insertUrl, new Response.Listener<String>() {
@Override
public void onResponse(String response) {
System.out.println(response.toString());
}
}, new Response.ErrorListener() {
@Override
public void onErrorResponse(VolleyError error) {
buttonsend.setText("Failed!");
}
}) {
@Override
protected Map<String, String> getParams() throws AuthFailureError {
Map<String,String> parameters = new HashMap<String, String>();
parameters.put("name",TName.getText().toString());
parameters.put("phone",TPhone.getText().toString());
parameters.put("mail",TMail.getText().toString());
parameters.put("A1",Q1Answer);
parameters.put("A2",Q2Answer);
parameters.put("A3",Q3Answer);
return parameters;
}
};
requestQueue.add(request);
}
});
}
here is my PHP Script (i have another script for the credentials):
<?php
define('hostname', 'localdb');
define('user', 'sagisupr_qweasd');
define('password', 'sagisupr_qweasd');
define('databaseName', 'sagisupr_ppls');
$connect = mysqli_connect(hostname, user, password, databaseName);
$name = $_POST["name"];
$phone = $_POST["phone"];
$mail = $_POST["mail"];
$A1 = $_POST["A1"];
$A2 = $_POST["A2"];
$A3 = $_POST["A3"];
$query = "Insert into ppls VALUES ('$name','$phone','$mail','$A1','$A2','$A3')";
mysqli_query($connect, $query) or die (mysqli_error($connect));
mysqli_close($connect);
echo 'HERE IS IT ! ';
?>
any idea why i get exepction ?\
here are some logs from android monitor:
08-20 22:23:08.476 9694-9694/com.example.sagis.motor1 W/art: Before Android 4.1, method int android.support.v7.widget.ListViewCompat.lookForSelectablePosition(int, boolean) would have incorrectly overridden the package-private method in android.widget.ListView
08-20 22:23:17.154 9694-9839/com.example.sagis.motor1 D/NetworkSecurityConfig: No Network Security Config specified, using platform default
08-20 22:23:17.154 9694-9839/com.example.sagis.motor1 E/Volley: [306] NetworkDispatcher.run: Unhandled exception java.lang.NullPointerException: Attempt to invoke virtual method 'int java.lang.String.length()' on a null object reference
java.lang.NullPointerException: Attempt to invoke virtual method 'int java.lang.String.length()' on a null object reference
at java.net.URLEncoder.encode(URLEncoder.java:205)
at com.android.volley.Request.encodeParameters(Request.java:476)
at com.android.volley.Request.getBody(Request.java:462)
at com.android.volley.toolbox.HurlStack.addBodyIfExists(HurlStack.java:253)
at com.android.volley.toolbox.HurlStack.setConnectionParametersForRequest(HurlStack.java:227)
at com.android.volley.toolbox.HurlStack.performRequest(HurlStack.java:107)
at com.android.volley.toolbox.BasicNetwork.performRequest(BasicNetwork.java:97)
at com.android.volley.NetworkDispatcher.run(NetworkDispatcher.java:114)
manifest permission:
<uses-permission android:name="android.permission.INTERNET" />
debug error:
enter image description here
What is your error? Is it in the DB or Android?
your error in php side or java?
it looks like your missing a comma in your insert statement.
the error is that I can't insert information into the database, in addition,i put some text change to the button when the execution occurs
it's not a comma i guess, the APP is running, just not filling information in the DB and i fixed the script in addition, thanks
but its not the issue
try to post your error, that way I'm not throwing darts in the dark. Also, if the fields in table ppls are not ordered in the same manner as your insert statement then it wont go through. If it is, are you using an auto incrementing primary key?
08-20 22:23:17.154 9694-9839/com.example.sagis.motor1 E/Volley: [306] NetworkDispatcher.run: Unhandled exception java.lang.NullPointerException: Attempt to invoke virtual method 'int java.lang.String.length()' on a null object reference
java.lang.NullPointerException: Attempt to invoke virtual method 'int java.lang.String.length()' on a null object reference
Did you test your query directly in your database with some sample values in place of the variables? What is your database table structure? You know about prepared statements and placeholders for security, right?
i update main post
yes i have test that and its works fine
Have you tried to add the INTERNET permissions in your manifest? You would need to add android.permission.INTERNET. Also, is the url set?
yes I did (updated), and the URL is set correctly
i add the errors from debug
Possible duplicate of What is a NullPointerException, and how do I fix it?
| 1,306 |
https://stackoverflow.com/questions/29345095 | StackExchange | Open Web | CC-By-SA | 2,015 | Stack Exchange | Chris Stratton, Hitendra, Michael, https://stackoverflow.com/users/1524450, https://stackoverflow.com/users/411359, https://stackoverflow.com/users/429063 | English | Spoken | 377 | 747 | NDK build error - LOCAL_SRC_FILES points to a missing file
I am getting below error while building.
mobi@mobi-H81M-DS2:~$ cd workspace/MasterX/jni/
mobi@mobi-H81M-DS2:~workspace/MasterX/jni/$ "/home/mobi/Android/Ndk/android-ndk-r10d/ndk-build"
Android NDK: ERROR:/home/mobi/workspace/MasterX/jni/libsndfile/Android.mk:sndfile-prebuilt: LOCAL_SRC_FILES points to a missing file
Android NDK: Check that /home/mobi/workspace/MasterX/jni/libsndfile/arm64-v8a/libsndfile.so exists or that its path is correct
/home/mobi/Android/Ndk/android-ndk-r10d/build/core/prebuilt-library.mk:45: *** Android NDK: Aborting . Stop.
mobi@mobi-H81M-DS2:~workspace/MasterX/jni/$
Can any body tell me what is the problem here?
Please include the contents of your Android.mk file in the question.
The errors make the problem sufficiently clear; rather than the Android.mk, what would be useful to know would be the intention, ie, was building for 64-bit ARM a goal, in which case it needs to happen for the library as well, or was it simply a result of inheriting a modern "build everything" project setup.
Check that
/home/mobi/workspace/MasterX/jni/libsndfile/arm64-v8a/libsndfile.so
exists or that its path is correct
To literally resolve this complaint, you would need to place a 64-bit ARM version of your prebuilt library in the listed location.
Did you mean to build for 64-bit ARM (by including it on on your ABI list or telling it to build all ABIs)? If so, you will need to provide versions of all your prebuilts matching this ABI, and any others you request.
It looks like libsndfile.so is probably the output of building someone's android port of the libsndfile project from source with the Android NDK, so you can repeat that for 64 bit ARM. You should be able to do this, because the library is under the LGPL license, which effectively means that you cannot use it if you do not have the corresponding source and build scripts available to fulfill your license obligations. Hopefully it will be as simple as adding 64-bit ARM to the ABI list for whatever Android NDK adaption of that project's build system you used.
Thanks for your reply, let me try it
I downloaded source code and tried to follow "readme" to compile source code.
Can you please tell me how can i get .so files for each version?
It's not clear that the primary upstream source supports android. You should make an LGPL sources request to whoever you got the 32-bit arm .so from for their android-adapted source and build script which you can modify to include the 64-bit ABI.
| 47,204 |
https://ceb.wikipedia.org/wiki/West%20Soap%20Creek%20%28suba%20sa%20Tinipong%20Bansa%2C%20Montana%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | West Soap Creek (suba sa Tinipong Bansa, Montana) | https://ceb.wikipedia.org/w/index.php?title=West Soap Creek (suba sa Tinipong Bansa, Montana)&action=history | Cebuano | Spoken | 77 | 112 | Alang sa ubang mga dapit sa mao gihapon nga ngalan, tan-awa ang West Soap Creek.
Suba ang West Soap Creek sa Tinipong Bansa. Nahimutang ni sa kondado sa Big Horn County ug estado sa Montana, sa sentro nga bahin sa nasod, km sa kasadpan sa Washington, D.C. Ang West Soap Creek mao ang bahin sa tubig-saluran sa Mississippi River ang ulohan sa nasod.
Ang mga gi basihan niini
Mississippi River (suba) tubig-saluran
Mga suba sa Montana (estado) | 35,421 |
https://askubuntu.com/questions/1311076 | StackExchange | Open Web | CC-By-SA | 2,021 | Stack Exchange | https://askubuntu.com/users/19626, user535733 | English | Spoken | 282 | 442 | Accidentally deleted gnome keyring from startup applications. How do I get it back?
I was trying to delete Microsoft teams from the list of startup applications but I accidentally deleted something else from the list instead.
I think that the program I deleted from the list was SSH Key Agent - Gnome Keyring. I think this because of this website:
https://www.maketecheasier.com/manage-startup-applications-ubuntu/
In which there's a picture of the list of what seem to be the default startup programs.
I only just installed Ubuntu. My only remaining startup programs in the list are: "im-launch" and "NVIDIA X Server Settings". Did I in fact delete the Gnome Keyring? How do I get it back? When I press 'add' on the list of startup programs, it expects me to provide it with the location of the program that I want to run, but I don't know where the Gnome Keyring program is in the computer. I tried searching for it in usr/bin, but there are a few different files it could be.
Thanks for any help.
Use the command history to see your last 1000 shell commands used, in order. Copy/paste the relevant section of that list into your question. We need to see exactly what you did.
"SSH Key Agent" is autostarted by default in an Ubuntu desktop. Therefore, a .desktop launcher is installed in /etc/xdg/autostart/gnome-keyring-ssh.desktop. Such entries are disabled on a per user basis through settings in a copy in your local autostart folder. To enable the item again, delete your local user copy ~/.config/autostart/gnome-keyring-ssh.desktop. To see it appear, you need to quit and restart "Startup Applications" or "Gnome Tweaks" if you used the latter.
Thanks, it reappeared in the startup applications list.
| 49,831 |
https://stackoverflow.com/questions/69135293 | StackExchange | Open Web | CC-By-SA | 2,021 | Stack Exchange | T.J. Crowder, benrg, https://stackoverflow.com/users/157247, https://stackoverflow.com/users/5670773 | English | Spoken | 619 | 1,424 | How to save and restore the browser selection with vanilla Javascript?
I am using a library that uses a hidden input element as a side effect. This causes the browser selection to be lost when activated. How do I save the current selection and restore it after the (synchronous) action is complete? I would like to know how to do this in vanilla Javascript if possible.
// how to save the selection?
doSomethingThatUsesHiddenInput() // removes the selection
// how to restore the selection?
Closely related: https://stackoverflow.com/questions/39566611/how-can-i-save-and-restore-selection-range-in-javascript That question calls for serialization, though (e.g., to string).
You can use getSelection to get a Selection object, which contains the ranges of selected content. Most browsers support only a single range in a selection created by users interacting with the page (multiple if done programmatically), but Gecko-based browsers such as Firefox allow users to create multiple ranges by holding down Ctrl while selecting, or by Ctrl-clicking table cells to select them.
Saving:
const selection = window.getSelection();
const savedRanges = [];
for (let i = 0; i < selection.rangeCount; ++i) {
savedRanges.push(selection.getRangeAt(i));
}
Restoring:
Unfortunately, Firefox has odd behavior when you use Ctrl-click to select table cells and then hold down Ctrl to select text is other elements as well. We have to work around that to make this work reliably on Firefox by restoring the table cell ones (startContainer.nodeName is "TR") first, then the others; see below.
const selection = window.getSelection();
selection.removeAllRanges();
for (const range of savedRanges.filter(({startContainer: {nodeName}}) => nodeName === "TR")) {
selection.addRange(range);
}
for (const range of savedRanges.filter(({startContainer: {nodeName}}) => nodeName !== "TR")) {
selection.addRange(range);
}
Live Example:
const plural = (singular, plural) =>
(number) =>
`${number} ${number === 1 ? singular : plural}`;
const ranges = plural("range", "ranges");
document.querySelector(".hover").addEventListener("mouseenter", function() {
// Save selection
console.log(`Saving selection...`);
const selection = window.getSelection();
const savedRanges = [];
for (let i = 0; i < selection.rangeCount; ++i) {
savedRanges.push(selection.getRangeAt(i));
}
// Remove it and report
selection.removeAllRanges();
console.log(`${ranges(savedRanges.length)} saved and removed.`);
// Restore it after a moment
setTimeout(() => {
console.log(`Restoring ${ranges(savedRanges.length)}...`);
const selection = window.getSelection();
selection.removeAllRanges();
// To support unusual Firefox behavior around a mix of selections
// inside and outside tables, restore ranges whose start container
// is TR first, then others
for (const range of savedRanges.filter(({startContainer: {nodeName}}) => nodeName === "TR")) {
selection.addRange(range);
}
for (const range of savedRanges.filter(({startContainer: {nodeName}}) => nodeName !== "TR")) {
selection.addRange(range);
}
console.log(`Done`);
}, 800);
});
.hover {
display: inline-block;
border: 1px solid black;
padding: 4px;
}
<p>
Select text in the document, then move your mouse over the <strong>Hover to Run</strong> box below but <strong>don't</strong> click it (because that would remove your selection). The action will happen when your mouse enters the <strong>Hover to Run</strong> area. On Firefox, try doing multiple selections by holding down Ctrl when selecting, or by Ctrl-clicking table cells.
</p>
<table>
<thead>
<tr>
<th>Column 1</th>
<th>Column 2</th>
</tr>
</thead>
<tbody>
<tr>
<td>One</td>
<td>two</td>
</tr>
<tr>
<td>three</td>
<td>four</td>
</tr>
<tr>
<td>five</td>
<td>six</td>
</tr>
</tbody>
</table>
<div class="hover">Hover to Run</div>
The suggested ways of saving the selection will not properly restore the selection when it is backward (when the "focus" position is before the "anchor" position). The following solves this.
function saveSelection() {
selection = window.getSelection();
return [selection.anchorNode, selection.anchorOffset, selection.focusNode, selection.focusOffset];
}
function restoreSelection(saved) {
selection = window.getSelection();
selection.setBaseAndExtent(saved[0], saved[1], saved[2], saved[3]);
}
But unlike T.J. Crowder's answer this doesn't work if there is more than one selected range. Is there any approach that works in all cases?
You can use the Browser Selection API and restore the selection range:
// save the selection
const sel = window.getSelection()
const range = sel?.rangeCount > 0 ? sel?.getRangeAt(0) : null
doSomethingThatUsesHiddenInput() // removes the selection
// restore the selection
if (range) {
sel?.removeAllRanges()
sel?.addRange(range)
}
| 15,112 |
https://ceb.wikipedia.org/wiki/Nickel%20Canyon | Wikipedia | Open Web | CC-By-SA | 2,023 | Nickel Canyon | https://ceb.wikipedia.org/w/index.php?title=Nickel Canyon&action=history | Cebuano | Spoken | 39 | 83 | Ang Nickel Canyon ngalan niining mga mosunod:
Heyograpiya
Tinipong Bansa
Nickel Canyon (walog sa Tinipong Bansa, California), Riverside County,
Nickel Canyon (walog sa Tinipong Bansa, Washington), Okanogan County,
Pagklaro paghimo ni bot 2017-02
Pagklaro paghimo ni bot Tinipong Bansa | 12,460 |
https://nl.wikipedia.org/wiki/Ziggo%20Dome | Wikipedia | Open Web | CC-By-SA | 2,023 | Ziggo Dome | https://nl.wikipedia.org/w/index.php?title=Ziggo Dome&action=history | Dutch | Spoken | 437 | 825 | De Ziggo Dome is een concertzaal in Amsterdam-Zuidoost, direct naast de Johan Cruijff ArenA en het woonwinkelcentrum Villa Arena. Het biedt plaats aan 17.000 bezoekers; 6.300 op de vloer en de overigen op de twee ringen met tribunes.
Geschiedenis
Wat begon als idee van twee heren uitkijkend op een parkeerterrein naast de ArenA, leidde tot een plan genaamd Music Dome. Dit was aanvankelijk de werktitel van het gebouw totdat Ziggo, een aanbieder van televisie en telecommunicatie in Nederland, tijdens de voorbereidingen van de bouw, in 2009 aangetrokken werd als naamgevend sponsor. Destijds een opvallende stap voor Ziggo, omdat de latere Ziggo Dome zich midden in het verzorgingsgebied van de andere grote kabelmaatschappij, UPC, bevond.
Marco Borsato was op 24 juni 2012 de eerste artiest die optrad in de eerder die maand opgeleverde Ziggo Dome. Twee dagen later trad de eerste buitenlandse artiest er op; de Amerikaanse rockband Pearl Jam.
In de jaren die volgden wisten meer (inter)nationale artiesten hun weg naar de Ziggo Dome te vinden. Op 10 november 2013 werden de MTV EMA-Awards uitgereikt in de Ziggo Dome. Op 16 en 19 december van datzelfde jaar verving de Ziggo Dome het Arnhemse GelreDome als locatie voor de Symphonica in Rosso-concerten van Anouk, omdat die wegens stemproblemen tweemaal niet kon optreden in het GelreDome. Daarom werden de concerten op een later moment in de Ziggo Dome alsnog gegeven. Vanaf 2015 werd de Ziggo Dome de permanente locatie voor de Symphonica in Rosso-concertreeksen.
Door de jaren heen kwamen er steeds meer jaarlijks terugkerende evenementen bij voor de Ziggo Dome. Zo organiseert Radio 538 sinds 2012 het 538 Jingle Ball, een groots kerstspektakel. Sinds 2013 is de Ziggo Dome gastheer van Holland zingt Hazes, waarbij bekende Nederlandse artiesten hits van André Hazes zingen. Ook vindt er in december jaarlijks het Muziekfeest van het jaar plaats, een concert waarbij vele Nederlandse artiesten optreden. Dit evenement wordt op oudejaarsavond op TV uitgezonden, waarbij tevens wordt afgeteld naar het nieuwe jaar.
Architectuur
De Ziggo Dome is ontworpen door Benthem Crouwel Architekten. Hoewel de naam Dome verwijst naar een koepel, zijn er geen ronde vormen. Het gebouw heeft de vorm van een vierkant blok; de grootte is 90 bij 90 meter, met een hoogte van 30 meter. Aan de buitenkant is de Ziggo Dome, op een zwarte achtergrond, volledig bekleed met in totaal 840.000 ledlampjes, waar videobeelden op getoond kunnen worden. Het gebouw is ontworpen voor versterkte muziek, maar is multi-inzetbaar en kan met minimale aanpassingen ook geschikt gemaakt worden voor tennis- en korfbalwedstrijden, een olympisch zwembad of een ijsbaan.
Externe link
Officiële website
Bouwwerk in Amsterdam-Zuidoost
Concertzaal in Amsterdam
Poppodium in Nederland | 7,898 |
https://ceb.wikipedia.org/wiki/Shi%E2%80%98b%20Dan%C4%ABmar | Wikipedia | Open Web | CC-By-SA | 2,023 | Shi‘b Danīmar | https://ceb.wikipedia.org/w/index.php?title=Shi‘b Danīmar&action=history | Cebuano | Spoken | 81 | 160 | Wadi ang Shi‘b Danīmar sa Yemen. Nahimutang ni sa lalawigan sa Muḩāfaz̧at Ḩaḑramawt, sa sentro nga bahin sa nasod, km sa sidlakan sa Sanaa ang ulohan sa nasod.
Ang klima init nga kamadan. Ang kasarangang giiniton °C. Ang kinainitan nga bulan Mayo, sa °C, ug ang kinabugnawan Disyembre, sa °C. Ang kasarangang pag-ulan milimetro matag tuig. Ang kinabasaan nga bulan Agosto, sa milimetro nga ulan, ug ang kinaugahan Hunyo, sa milimetro.
Ang mga gi basihan niini
Mga suba sa Muḩāfaz̧at Ḩaḑramawt | 35,922 |
https://en.wikipedia.org/wiki/Tokyo%209th%20district%20%281890%E2%80%931898%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | Tokyo 9th district (1890–1898) | https://en.wikipedia.org/w/index.php?title=Tokyo 9th district (1890–1898)&action=history | English | Spoken | 81 | 125 | Tokyo 9th district was a constituency of the House of Representatives in the Imperial Diet of Japan (national legislature) between 1890 and 1898. It was located in Tokyo and consisted of Tokyo City's Koishikawa, Ushigome and Yotsuya wards.
After losing narrowly in 1890, former Tokyo prefectural representative Hatoyama Kazuo represented Tokyo 9th district from the 1892 election until its dissolution in 1902. He was unchallenged in the 1894 and 1898 elections.
Election results
References
Districts of the House of Representatives (Japan) | 50,535 |
https://nl.wikipedia.org/wiki/Phorocera%20exigua | Wikipedia | Open Web | CC-By-SA | 2,023 | Phorocera exigua | https://nl.wikipedia.org/w/index.php?title=Phorocera exigua&action=history | Dutch | Spoken | 29 | 55 | Phorocera exigua is een vliegensoort uit de familie van de sluipvliegen (Tachinidae). De wetenschappelijke naam van de soort is voor het eerst geldig gepubliceerd in 1972 door Wood.
Sluipvliegen | 46,727 |
https://ru.wikipedia.org/wiki/%D0%A1%D1%8B%D0%B3%D1%83%D0%BB%D1%8C%D1%81%D0%BA%D0%B8%D0%B9%2C%20%D0%90%D1%80%D1%82%D1%83%D1%80 | Wikipedia | Open Web | CC-By-SA | 2,023 | Сыгульский, Артур | https://ru.wikipedia.org/w/index.php?title=Сыгульский, Артур&action=history | Russian | Spoken | 28 | 91 | Артур Сыгульский (; род. 22 июля 1960, Прашка) — польский шахматист, международный мастер (1984).
В составе национальной сборной участник 3-х Олимпиад (1982—1986).
Изменения рейтинга
Примечания
Ссылки
Шахматисты Польши | 20,480 |
https://stackoverflow.com/questions/50713825 | StackExchange | Open Web | CC-By-SA | 2,018 | Stack Exchange | Amit, Binod Bajracharya, https://stackoverflow.com/users/3901530, https://stackoverflow.com/users/8572719 | English | Spoken | 70 | 131 | How can we obtain date time format in yyyy.MM.dd
How can we obtain the current date in format yyyy.MM.dd in C# ASP.NET?
using DateTime.Now
you want that as string right ?
We want it in date time.
@BinodBajracharya Datetime is datetime, it is string which can be formated, not DateTime object.
Simply by using
string date = DateTime.Now.ToString("yyyy.MM.dd");
See this documentation for more info on custom date and time formats.
| 20,928 |
https://superuser.com/questions/490197 | StackExchange | Open Web | CC-By-SA | 2,012 | Stack Exchange | Ameen Jabbar, Andersson Kara, Gunn Boyette, Kishan Dhankecha, Nick, OldSchool1948, Polaris Property Management, Samuel, Sathyajith Bhat, Valeriy Gorin, https://superuser.com/users/1284479, https://superuser.com/users/1284480, https://superuser.com/users/1284481, https://superuser.com/users/1284531, https://superuser.com/users/1284653, https://superuser.com/users/1287213, https://superuser.com/users/1287268, https://superuser.com/users/1287994, https://superuser.com/users/1361156, https://superuser.com/users/1361157, https://superuser.com/users/4377, ishita | English | Spoken | 497 | 678 | Is it possible to have a Start button for Windows 8 without any Application?
Well I have seen some applications having Windows Start button.
But is there any trick to have the Windows Start button without downloading any application ?
you'll need to use a thirdparty app like mentioned here Start button for Windows 8
I think, a reasonable compromise to replicate the Start button functionality is to build tiles corresponding to the features offered through the Start button & group them together.
Scott Hanselman has a nice article on how you can customize Start menu options as shortcuts and then make them accessible through Tiles.
For instance, to Shutdown the PC with a single click, create a shortcut on the desktop with the Target set to c:\Windows\System32\Shutdown.exe -s -t 00. To make this shortcut appear as a Tile on the Metro Home screen, right click on the desktop shortcut and select Pin to Start from context menu.
Its a bit of an ugly hack but there's a very simple way to get something that works almost like a start button. Rightclick on the taskbar in desktop mode and select "add toolbar"
That will open up a file selection window. Click on the folder image, to switch from breadcrumb to directory mode, and change the folder to C:\ProgramData\Microsoft\Windows\Start Menu\Programs and hit select folder (It will be something else by default.)
This will add a toolbar to the bottom right hand corner of the taskbar next to your notification bar. Now unlock the toolbar and click between the first icon and texture that unlocking the toolbar causes.
Drag it right till the toolbar and icons swap places and shift the icons to a more reasonable size.
Then click on the >> for a ghetto start button
There might be a way bymessing with a shell file, but it is not for the faint of heart. You can potentially mess things up if you are not sure what effect the changes will have on the system.
Alternatively, you can use Start8 or checkout this thread.
Not sure at all if this is what you want, but I was frustrated by the lack of mouse support for activating the Win8 Start Screen (which imo is grand for getting at apps once you have it open).
The hotspots are slow and fiddly with a mouse, so I pinned my own makeshift "Start" button to the taskbar which simply opens the existing Win8 Start Screen - no need for any apps to be installed.
Create a VBS file with the following source
WScript.CreateObject("WScript.Shell").SendKeys "^{ESC}"
This just triggers the WinKey keyboard shortcut every time you run it.
Create a shortcut that runs the VBS file
The shortcut is actually to C:\Windows\explorer.exe and then takes the path to the VBS as a param. You can also add an icon for your button here by hitting "Change Icon..." - I threw in a nice pink one.
Then you just pin that shortcut to the taskbar.
| 36,313 |
https://stackoverflow.com/questions/68268440 | StackExchange | Open Web | CC-By-SA | 2,021 | Stack Exchange | Corralien, Nil_07, https://stackoverflow.com/users/14709096, https://stackoverflow.com/users/15239951 | English | Spoken | 353 | 700 | Python : How to assign ranks to categorical variables within a group in Python
Given I have a dataset containing only the first two columns, how do I create another column using Python which will contain the rank based on these ranges for each group separately. My desired output would look like this -
id
range
rank
1
10-20
2
1
20-30
3
1
5-10
1
2
20-30
2
2
10-20
1
2
3
10-20
2
3
5-10
1
3
20-30
3
3
30+
4
NOTE - These are the only 4 ranges [5-10, 10-20, 20-30, 30+] that can belong to any id at max. There can be blanks as well For example as given in the reproducible example, if for id 2 there are two ranges 10-20 and 20-30 the corresponding to 10-20 the rank will be 1 and corresponding to 20-30 the rank will be 2. I have checked that df.groupby can be used but I am not being able to figure out how in this case.
Convert your range column to a category dtype before apply rank:
df['range'] = df['range'].astype(pd.CategoricalDtype(
['5-10', '10-20', '20-30', '30+'], ordered=True))
df['rank'] = df.groupby('id')['range'].apply(lambda x: x.rank())
>>> df
id range rank
0 1 10-20 2.0
1 1 20-30 3.0
2 1 5-10 1.0
3 2 20-30 2.0
4 2 10-20 1.0
5 2 NaN NaN
6 3 10-20 2.0
7 3 5-10 1.0
8 3 20-30 3.0
9 3 30+ 4.0
AttributeError: 'str' object has no attribute 'str'
and after removing 'str' I am getting this error
AttributeError: 'str' object has no attribute 'astype'
What is the output of df.info()?
output is - <class 'pandas.core.frame.DataFrame'>.
I have also edited the dataset a little bit for the purpose of giving a better reproducible example
df['rank'] = int(df['range'][j][0])```
Trying to use something like this for the time being..running into issues with None values
Your sample should be representative of your real data.
It is now..sorry for the troubles.,I missed to check for blanks. It would be great if you can help me.
I updated my answer. While there are NaN values, you cannot convert rank to an integer.
| 24,988 |
https://it.wikipedia.org/wiki/Ricette%20pericolose | Wikipedia | Open Web | CC-By-SA | 2,023 | Ricette pericolose | https://it.wikipedia.org/w/index.php?title=Ricette pericolose&action=history | Italian | Spoken | 396 | 704 | Ricette pericolose è una serie televisiva britannica, prodotta dalla BBC fino al 2008 (titolo originale Cooking in the Danger Zone) e presentata dall'inglese Stefan Gates. In Italia viene trasmessa da Cielo la terza stagione dal lunedì al venerdì alle ore 14.00 e alle 10.30.
Format
In ciascuna puntata, il coraggioso gastronauta Stefan Gates esplora le insolite abitudini alimentari in alcune delle zone più pericolose del mondo, sfruttando il cibo per scoprire disagi e verità di ciascuna cultura. Infatti Il cibo è uno stile di vita, ma spesso indagando su di esso si scoprono i problemi di una nazione. Ha mangiato cose come i topi in India, i cuccioli di foca al Polo Nord e una minestra radioattiva a Černobyl'.
Episodi in onda
Etiopia
Il primo resoconto arriva dall'Etiopia, dove il commercio di animali selvatici minaccia alcune specie in via di estinzione e la crisi di aiuti rende sempre più precaria la vita della gente. Nelle foreste i cacciatori non hanno altra scelta se non nutrirsi della carne di animali selvatici come zibetti o gatti. Ma nelle città c'è chi propone quella del cosiddetto Topo del bambù come soluzione alternativa. Purtroppo a 25 anni dalla carestia che ha flagellato il paese nel 1984, molti problemi non sono stati risolti e rischiano di diventare ancora più gravi.
Haiti e Messico
Stefan si sposta ad Haiti e visita le baraccopoli di Cité Soleil con i soldati brasiliani delle Nazioni Unite. Qui il celebre reporter-gastronomo indaga su come gli accordi commerciali americani influenzino in maniera deleteria questi luoghi. Il suo viaggio prosegue in Messico, dove la lotta per le terre coltivabili miete continuamente vittime e le rivolte contro l'aumento dei prezzi alimentari sono all'ordine del giorno. Inoltre molti messicani vedono gli Stati Uniti come un paese verso cui fuggire per rifarsi una vita. Ma anche quello della fuga è un business.
Israele
Il racconto di Stefan si conclude in una terra martoriata dalla guerra: Israele. Qui la realtà è popolata da gas lacrimogeni, missili e razzi. Anche in questi luoghi chi controlla il cibo spesso è in conflitto con chi deve raccoglierlo, prepararlo o mangiarlo. Visita poi le tribù beduine del deserto del Negev, costrette ad abbandonare la loro terra e a sopravvivere crescendo capre e cammelli. E nella striscia di Gaza la situazione è ancora più esplosiva...
Collegamenti esterni
Programmi televisivi degli anni 2000
Programmi televisivi degli anni 2010 | 30,253 |
https://arz.wikipedia.org/wiki/MODS%20deep%202736%20%28%D9%85%D8%AC%D8%B1%D9%87%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | MODS deep 2736 (مجره) | https://arz.wikipedia.org/w/index.php?title=MODS deep 2736 (مجره)&action=history | Egyptian Arabic | Spoken | 168 | 465 | MODS deep 2736 هيا مجره بتتبع كوكبة اوسا مايور.
معلومات المجره
الانزياح الأحمر: 0.1 ~ 1.37 ~ 1.377 ~ 1.42.
السرعه الشعاعيه: 249920.
المطلع المستقيم: 189.2140589.
الميل: 62.2290983.
مصطلحات تعريفيه
الكوكبه هيا مجموعه من النجوم اللى بتكون شكل أو صوره و هيا مجال الكره السماويه اللى المجره جزء منها.
الانزياح الاحمر هو زيادة طول الموجه الكهرومغناطيسيه اللى جايه لينا من المجره بسبب سرعه ابتعادها عننا. ده بيستخدم فى حسابات الفلك.
السرعه الشعاعيه هيا سرعه الجرم الفضائى فى اتجاه الراصد و بتنقاس بالانزياح الاحمر.
المطلع المستقيم هوا الزاويه المحصوره بين الدايره الساعيه لجرم سماوى و الدايره الساعيه لنقطة الاعتدال الربيعى. المطلع المستقيم ممكن يتقاس بقوس دايره الاستواء السماويه من نقطه الاعتدال الربيعى لحد نقطه تقاطع الدايره الساعيه لجرم سماوى مع دايره الاستواء السماويه.
الميل هوا المكافئ الفلكى لخط العرض و بيتقس بقيمة الزاويه بين أى جسم سماوى وخط الاستوا السماوى. لو كان النجم شمال خط الاستوا السماوى تكون قيمة بعده بالموجب (+) و لو النجم جنوب خط الاستوا السماوى تكون قيمة بعده بالسالب (-).
مصادر
مجرات
فضاء
اوسا مايور | 38,432 |
https://as.wikipedia.org/wiki/%E0%A6%9B%E0%A7%8B%E0%A6%A8%E0%A6%BF%E0%A6%AF%E0%A6%BC%E0%A6%BE%20%E0%A6%97%E0%A6%BE%E0%A6%A8%E0%A7%8D%E0%A6%A7%E0%A7%80 | Wikipedia | Open Web | CC-By-SA | 2,023 | ছোনিয়া গান্ধী | https://as.wikipedia.org/w/index.php?title=ছোনিয়া গান্ধী&action=history | Assamese | Spoken | 334 | 2,092 | ছোনিয়া গান্ধী (, , জন্ম: এণ্ট'নিয়া এলবিনা মাইন' ) এগৰাকী ইটালীয় মূলৰ ভাৰতীয় ৰাজনীতিক। তেখেত ভাৰতীয় জাতীয় কংগ্ৰেছৰ প্ৰাক্তন সভানেত্ৰী তথা ভাৰতৰ প্ৰাক্তন প্ৰধানমন্ত্ৰী প্ৰয়াত ৰাজীৱ গান্ধীৰ পত্নী।
জন্ম আৰু প্ৰাৰম্ভিক জীৱন
১৯৪৬ চনৰ ৯ ডিচেম্বৰত ইটালীৰ লুচিয়ানাৰ ভেনেটোত ছোনিয়া গান্ধীৰ জন্ম হৈছিল। ছোনিয়াই তেওঁৰ কৈশোৰ কাল অতিবাহিত কৰে টুৰিনৰ ওচৰৰ অৰবাছান' নামৰ এখন চহৰত। ৰ'মান কেথলিক খ্ৰীষ্টান পৰিয়ালত ডাঙৰ দীঘল হোৱা ছোনিয়াই প্ৰাৰম্ভিক শিক্ষা এখন স্থানীয় কেথলিক বিদ্যালয়ৰ পৰাই কৰিছিল। ১৩ বছৰ বয়সত তেওঁ স্কুলীয়া শিক্ষা সমাপ্ত কৰে আৰু ইয়াৰ পাছত কেম্ব্ৰিজ চহৰৰ 'বেল্চ এডুকেশ্যনেল ট্ৰাষ্টৰ ভাষা বিদ্যালয়ত ইংৰাজী অধ্যয়ন কৰিবলৈ যায়। তাৰেই এখন ৰেস্তোৰাঁত তেওঁ কেম্ব্ৰিজ ইউনিভাৰ্চিটিৰ ট্ৰিনিটি কলেজত ইঞ্জিনিয়াৰিং পঢ়িবলৈ যোৱা ৰাজীৱ গান্ধীক লগ পায়, য'ত ছোনিয়াই আজৰি সময়ত ৱে'ট্ৰেচ হিচাপে কাম কৰিছিল। ইয়াৰ পাছত ১৯৬৮ চনত হিন্দু বৈবাহিক পদ্ধতিৰে দুয়ো বিবাহ পাশত আৱদ্ধ হৈ তেওঁৰ শাহুৱেক তথা তদানীন্তন প্ৰধানমন্ত্ৰী ইন্দিৰা গান্ধীৰ ঘৰত থাকিবলৈ লয়। পাছলৈ ছোনিয়াই ভাৰতীয় নাগৰিকত্ব গ্ৰহণ কৰে।
ৰাজনৈতিক জীৱন
১৯৬৮চনত তেওঁ ৰাজীৱ গান্ধীৰ সৈতে বিবাহ পাশত আৱদ্ধ হৈ ভাৰতলৈ আহি পাছলৈ তেওঁ ভাৰতীয় নাগৰিকত্ব গ্ৰহণ কৰে। তেওঁ যদিওবা তদানীন্তন প্ৰধানমন্ত্ৰী ইন্দিৰা গান্ধীৰ বোৱাৰী আছিল, তথাপি তেওঁ সেইসময়ত ৰাজনীতি আৰু জনগণৰ পৰা দূৰত আছিল।
তেওঁৰ স্বামী ৰাজীৱ গান্ধীৰ হত্যাৰ পাছত, কংগ্ৰেছ নেত্ৰীবৰ্গই তেওঁক ৰাজনীতিত যোগদান কৰি পাৰ্টীটোক নেতৃত্ব প্ৰদান কৰিবলৈ আমন্ত্ৰণ জনাইছিল, কিন্তু তেওঁ সদায়ে অসন্মত আছিল। অৱশেষত ১৯৯৭ চনত তেওঁ এই আমন্ত্ৰণ স্বীকাৰ কৰি ৰাজনীতিত যোগদান কৰিছিল। তাৰ পাছৰ বছৰতে তেওঁক কংগ্ৰেছৰ সভানেত্ৰী পদৰ বাবে মনোনীত কৰা হৈছিল আৰু নিৰ্বাচিত হৈছিল। তেখেতৰ নেতৃত্বত কংগ্ৰেছে ২০০৪ চনৰ লোকসভা নিৰ্বাচনত ভাল ফলাফল দেখুৱাই মিত্ৰজোঁটত চৰকাৰ গঠন কৰিবলৈ সক্ষম হয়।
ইয়াৰ পাছত ২০০৯ চনতো পুনৰ নিৰ্বাচিত হৈ ইউ পি এই দিল্লীত চৰকাৰ গঠন কৰিবলৈ সক্ষম হয়।
বঁটা আৰু স্বীকৃতি
২০০৪ৰ পৰা ২০১৪ লৈ তেওঁক ভাৰতৰ আটাইতকৈ শক্তিশালী ৰাজনীতিক হিচাপে গণ্য কৰা হৈছিল। বিভিন্ন মেগাজিনত তেওঁক আটাইতকৈ ক্ষমতাশালী ব্যক্তি /নাৰীৰ তালিকাত দেখা গৈছিল।
২০১৩ চনত ফ'ৰ্ব্ছ মেগাজিনে প্ৰকাশ কৰা তালিকাত ছোনিয়াক পৃথিৱীৰ আটাইতকৈ ক্ষমতাশালী ব্যক্তিৰ ভিতৰত ২১ নম্বৰ স্থানত আৰু আটাইতকৈ ক্ষমতাশালী নাৰীৰ ভিতৰত ৯ নম্বৰ স্থানত ৰখা হৈছিল।
২০০৭ চনত তেওঁক আটাইতকৈ ক্ষমতাশালী নাৰীৰ ৩য় স্থানত আৰু আটাইতকৈ শক্তিশালী ব্যক্তিৰ ৬ষ্ঠ স্থানত ৰখা হৈছিল।
তথ্য সংগ্ৰহ
ভাৰতীয় ৰাজনীতিবিদ
জীৱিত ব্যক্তি | 20,743 |
https://fr.wikipedia.org/wiki/PTS | Wikipedia | Open Web | CC-By-SA | 2,023 | PTS | https://fr.wikipedia.org/w/index.php?title=PTS&action=history | French | Spoken | 103 | 228 | PTS ou Pts peut signifier :
Police
Police technique et scientifique
Monde des affaires
Pacific Telemanagement Services
Public Television Service
Swedish Post and Telecom Authority
Politique
:
Argentine : Parti des travailleurs socialistes
Enseignement
Palmer Trinity School
Pittsburgh Theological Seminary
Princeton Theological Seminary
Religion
Protestant Truth Society
Pali Text Society (PTS), société britannique créée en 1881 pour promouvoir l'étude des anciens textes du bouddhisme écrits en langue pâli.
Sport automobile
Peugeot-Talbot Sport
Véhicule
PTS (véhicule amphibie)
Sciences
Gêne PTS (6-pyruvoyltetrahydropterine)
Peroxisomal targeting signal
Post-thrombotic syndrome
Pay to surf
Phoronix Test Suite
Presentation time stamp
Pseudoterminal
Pure type system
Homonymie
Sigle de 3 caractères | 39,598 |
https://meta.stackexchange.com/questions/164776 | StackExchange | Open Web | CC-By-SA | 2,013 | Stack Exchange | ElGordo, MikeMacMan, Mohit, Mỹ Zung, Rodrigo Lousada, SeinopSys, User1000547, animuson, caerolmo, https://meta.stackexchange.com/users/1201149, https://meta.stackexchange.com/users/141525, https://meta.stackexchange.com/users/184030, https://meta.stackexchange.com/users/188613, https://meta.stackexchange.com/users/506144, https://meta.stackexchange.com/users/506145, https://meta.stackexchange.com/users/506146, https://meta.stackexchange.com/users/506149, https://meta.stackexchange.com/users/508469, https://meta.stackexchange.com/users/770803, https://meta.stackexchange.com/users/770804, https://meta.stackexchange.com/users/856544, rsf, thietkentaeros, user770804 | English | Spoken | 170 | 293 | Inline code overlaps link underline
When inline code appears directly below a link, it overlaps and hides the underline of the link (on Meta, the only visual indicator that a link is present. Example on this question:
I see this on IE 9.
Not sure if this happens on sites other than Meta.
It happens in many other cases and ways too.
@animuson once I noticed it, I have realized that it happens freaking everywhere.
Not for me on Chrome. https://dl.dropbox.com/u/38516275/MyWebPage/Questions%20on%20when%20to%20flag%20-%20Meta%20Stack%20Overflow.png
@DJDavid98 now that you mention it, this specific instance doesn't overlap for me, either. Is this part of the new slimmer UX?
These issues are dependent upon your browser and/or font settings. Different browsers, fonts, etc will cause different line heights and other small differences that aren't very noticeable on the large scale but are for tiny things such as this.
@animuson I'd like an 'official' verdict on this. If it is indeed browser/setting dependent, I'd like to how to stop this from happening, because it's annoying as hell.
| 26,785 |
https://stackoverflow.com/questions/15972146 | StackExchange | Open Web | CC-By-SA | 2,013 | Stack Exchange | OmnipresentPerception, Phil, https://stackoverflow.com/users/1200614, https://stackoverflow.com/users/1771347, https://stackoverflow.com/users/607314, paparazzo | Wolof | Spoken | 221 | 607 | Insert in a dropdownlist a line to separate two intervas
i have a dropdownlist filled with the 24 hours.
After the 12:00 i want to insert a line to differentiate two timeslice.
How can i do?
Thanks
There is not dropdownlist control in WPF. Do you mean ComboBox?
If you're hard coding the values then something like this will do the trick:
<Grid>
<Grid.RowDefinitions>
<RowDefinition Height="Auto"/>
<RowDefinition/>
</Grid.RowDefinitions>
<ComboBox HorizontalAlignment="Center" Margin="10">
<!-- ... -->
<ComboBoxItem Content="10:00"/>
<ComboBoxItem Content="11:00"/>
<ComboBoxItem>
<ComboBoxItem.Content>
<Border BorderBrush="Black" BorderThickness="0,0,0,1">
<TextBlock Text="12:00" Margin="0,0,0,1"/>
</Border>
</ComboBoxItem.Content>
</ComboBoxItem>
<ComboBoxItem Content="13:00"/>
<!-- ... -->
</ComboBox>
</Grid>
Thanks Phil for your response. I've forgotten that my hard problem is that the separator is dynamic and it's possible to set it.
@user1771347 Do you need any more help with that, and what do you mean by dynamic, visible/not visible?
I found online this trick...and it works!!!
in my XAML i have introduced this code snippet:
<ComboBox.ItemContainerStyle>
<Style TargetType="{x:Type ComboBoxItem}"
BasedOn="{StaticResource {x:Type ComboBoxItem}}">
<Style.Triggers>
<DataTrigger Binding="{Binding}"
Value="">
<Setter Property="Template">
<Setter.Value>
<ControlTemplate TargetType="{x:Type ComboBoxItem}">
<Separator HorizontalAlignment="Stretch"
IsEnabled="False" />
</ControlTemplate>
</Setter.Value>
</Setter>
</DataTrigger>
</Style.Triggers>
</Style>
</ComboBox.ItemContainerStyle>
Then in my code behind i have insered a brand new blank item not editable.
The result is a line under the item pre-selected.
My goal is reached.
I hope this might help someone (also me in future :) )
| 26,440 |
https://stackoverflow.com/questions/1854583 | StackExchange | Open Web | CC-By-SA | 2,009 | Stack Exchange | Omar, https://stackoverflow.com/users/3716815, https://stackoverflow.com/users/3716816, https://stackoverflow.com/users/3716817, https://stackoverflow.com/users/3716833, msaldivar, user3716816, user3716833 | English | Spoken | 169 | 283 | How to use the Facade.Instance method without object construction?
I only recently completed a unit on software patterns and am now attempting to comprehend the PureMVC framework. One thing has got my stumped however, something which is simple to the gurus here.
I'm attempting to create an instance of the singleton Facade class. In the constructor, the comments state:
This IFacade implementation is a Singleton, so you should not call the constructor directly, but instead call the static Singleton Factory method Facade.Instance
How can you call the instance method when the Facade object has not even been created?
The Facade.Instance method looks like this:
public static IFacade Instance
{
get
{
if (m_instance == null)
{
lock (m_staticSyncRoot)
{
if (m_instance == null) m_instance = new Facade();
}
}
return m_instance;
}
}
You are accessing a static property. Static properties are part of the class definition, not class instances. To access a static member (property, field, method), simply use the class name dot member:
var myFacade = SomeClass.Instance;
| 48,198 |
https://es.wikipedia.org/wiki/Mon%C3%B3logo%20dram%C3%A1tico | Wikipedia | Open Web | CC-By-SA | 2,023 | Monólogo dramático | https://es.wikipedia.org/w/index.php?title=Monólogo dramático&action=history | Spanish | Spoken | 1,226 | 2,138 | El monólogo dramático puede ser dos cosas:
Un género dramático cómico francés de fines de la Edad Media ().
Un género lírico-dramático que surgió en el XIX durante la Inglaterra victoriana del postromanticismo y fue adoptado después como uno de los géneros o modos de expresión de la poesía.
El género medieval
Como género teatral francés de fines de la Edad Media, se trata de un tipo de poema cómico con vocación escénica. El actor, solo en escena, encarnaba diversos personajes estereotipados (el charlatán, el soldado fanfarrón, el amante). Como tal, es considerado uno de los cuatro grandes géneros cómicos de fines de la Edad Media junto a la sotie o bufonada, el sermón jocoso (que parodia el sermón cristiano durante la fiesta de los locos) y la farsa.
Solo se encuentran trazas de quince monólogos dramáticos. El género apareció en el , en el mismo periodo que otra forma cómica monologada, el sermón jocoso. Sin embargo, el Dit de l’Herberie, escrito por Rutebeuf hacia 1265, es citado a menudo como la primera obra del género. Algunos historiadores del teatro (Jean-Claude Aubailly, por ejemplo) hacen remontar sus orígenes al arte de los juglares. Estos artistas itinerantes, cantores, músicos, narradores y actores habrían utilizado a la vez los registros narrativo y dramático, notablemente a través de la forma literaria del monólogo.
El género decimonónico y moderno
Como género lírico-dramático nacido hacia la mitad del , se inspira en los monólogos del teatro clásico griego y, en especial, en los del teatro clásico inglés de Shakespeare y es una estructura poética o subgénero lírico creado por el Ulysses (1842) de Alfred Tennyson y llevado a su perfección por los poetas postrománticos ingleses Matthew Arnold y Robert Browning. En él, el poeta asume la personalidad de un personaje histórico o de la ficción ya desaparecido con el cual se identifica y al que da voz en primera persona, poniéndose su máscara y confundiéndose con su identidad. En la literatura moderna podemos citar los ejemplos de The Captain of the 1984 Top of the Form Team de Carol Ann Duffy, o incluso Lady Lazarus de Sylvia Plath.
Asimismo, en la literatura española pueden encontrarse ejemplos ocasionales de esta técnica en el en poetas posrománticos como Larmig y Núñez de Arce, siendo más abundantes en el desde que los utilizó Luis Cernuda.
Autores
El periodo victoriano representa el apogeo del monólogo dramático en la poesía inglesa.
Alfred Tennyson escribió con su poema Ulysses, publicado en 1842, lo que se ha venido a llamar el primer verdadero monólogo dramático. Tras el Ulysses, los esfuerzos más denotados en esta vena fueron Tithonus, The Lotus Eaters («Los lotófagos») y St. Simon Stylites ("San Simeón el Estilita"), todos incluidos en la colección Poemas de 1842; monólogos más tardíos aparecieron en otros volúmenes, en particular los Idylls of the King («Idilios del Rey»).
Matthew Arnold escribió algunos célebres monólogos dramáticos semiautobiográficos, como Dover Beach («La playa de Dover») y Stanzas from the Grand Chartreuse («Estancias desde la Gran Cartuja»). El primero, Dover Beach, es considerado en general como la forma última de expresión del creciente escepticismo que invadía la época victoriana; fue publicado al mismo tiempo que Stanzas from the Grand Chartreuse en los Nuevos poemas de 1867.
Robert Browning es considerado como quien ha llevado el monólogo dramático a su forma más perfecta, en particular en su colección Men and Women («Hombres y mujeres»). De hecho, más que en cualquier otra, compuso sus más bellos testimonios de este género. Si My Last Duchess es el más célebre, escribió con esta forma muchos otros, tales como Fra Lippo Lippi, Andrea del Sarto, Childe Roland to the Dark Tower Came, A Gramarian's Funeral («Las exequias de un gramático»), Caliban upon Setebos («Calibán sobre Setebos»), Soliloquy of the Spanish Cloister («Soliloquido del claustro español»), Porphyria's Lover («El amante de Porfiria»), etc.
Algunos otros poetas victorianos han utilizado igualmente esta forma. Dante Gabriel Rossetti publicó muchos, entre los cuales destacan Jenny y The Blessed Damozel («La damisela herida»); Christina Rossetti hizo también, por ejemplo The Convent Threshold («El umbral del convento»). Algernon Swinburne, con su Hymn to Proserpine («Himno a Proserpina»), ha podido ser considerado hasta cierto punto como el sucesor de Browning.
Características del género
Se puede definir el monólogo dramático como un cuadro que comprende una acción y unos personajes. En efecto, posee funciones propias de la pintura, como narrar una acción o revelar la personalidad del modelo. A diferencia del soliloquio, en el que el personaje, solo (solus) y ya conocido, se encarga de establecer una pausa en la acción antes de una decisión que la hará progresar, el monólogo empieza ex abrupto, súbitamente, y sumerge al lector en una crisis de la que nada sabe, ni siquiera si llegará a saberlo todo. Según M. H. Abrams, en A Glossary of Literary Terms ("Glosario de términos literarios"), publicado por vez primera en 1957, el monólogo dramático se define en particular por un enunciador que se dirige a un auditorio silencioso implícito, cuyas reacciones traspasan a través de las inflexiones del discurso monologado. Como precisa Éric Eigenmann, «mejor que por la presencia física de un segundo personaje, es por esta, que manifiesta o representa el enunciado mismo, por la cual se distingue más claramente el monólogo del soliloquio, del cual los diccionarios y manuales especializados dan definiciones contradictorias. Se convendrá –en opinión de Jacques Schérer (1983) y de Anne-Françoise Benhamou– que el monólogo designa el discurso sostenido por un personaje único o que se expresa como tal, dirigido a él mismo o a un ausente, que puede ser una persona (divina o humana, a veces animal) o una personificación (un sentimiento, una virtud: «mi corazón», «mi deber»; eventualmente, una cosa). Todo monólogo es así, más o menos, dialogado, pues uno habla siempre a alguno; y esto no sería más que a sí mismo», por lo cual el soliloquio se limita a un discurso «que abole todo destinatario».
Por tanto, este personaje, repentinamente locuaz, deja escapar, por inadvertencia o conscientemente, unas informaciones capitales que lo conciernen y delinean poco a poco los contornos de una situación insólita, la mayor parte del tiempo conflictiva. Las acciones pasadas se ven, pues, reaparecer, o se reseñan, y su aparente incoherencia se ve explicada a la postre. Se convida al lector, pero solamente en un segundo grado. En efecto, el alocucionario escucha y, en efecto, interviene a través de gestos o mímicas, pero sus reacciones no traspasan, también, más que por el discurso del locutor Andrew Sanders habla incluso de una relación de «familiaridad» (familiarity) que se construye y ejerce entre el locutor y el alocucionario.
Este pensamiento en voz alta no se asocia espontáneamente con un discurso de asociación de ideas, sino en una composición sabia y estructurada, que se pone ella misma en guardia, confesión, expansión, advertencia o declaración. Se habla así de «monólogo lírico» cuando el protagonista se dirige, como es casi siempre el caso en Browning (hay excepciones, como Porphyria's Lover ("El amante de Porfiria") ya citado, pero, de todas maneras, el lector permanece como el único público verdaderamente real), a un público imaginario. La mayor parte del tiempo, empero, el oyente, testigo privilegiado, puede él mismo llegar a ser actor del drama, a veces incluso víctima potencial, pero, más a menudo, es conducido a interpretar el rol de un jurado virtual.
Notas
Drama
Subgéneros dramáticos
Subgéneros líricos | 39,173 |
https://stackoverflow.com/questions/15040973 | StackExchange | Open Web | CC-By-SA | 2,013 | Stack Exchange | English | Spoken | 314 | 554 | ios : MPMoviePlayerViewController all orientation support for the entire portrait app
Entire app is supports only portrait orientation, only playing a video needs to support all the orientations.
The application is running perfectly on iOS < 6.0 in entirely portrait mode, now as the requirement need to support auto-rotation orientation for the MPMoviePlayerViewController (video to play) for iOS 6.0 as well, I've searched many things around, and I got below solutions so I've applied those in my app,
1) Support all the orientations in plist or in targets
2) add the below orientation functions for portrait support
- (BOOL)shouldAutorotateToInterfaceOrientation:(UIInterfaceOrientation)interfaceOrientation
{
return (interfaceOrientation == UIInterfaceOrientationPortrait);
}
- (BOOL)shouldAutorotate
{
return NO;
}
- (UIInterfaceOrientation)preferredInterfaceOrientationForPresentation
{
return UIInterfaceOrientationPortrait;
}
- (NSUInteger)supportedInterfaceOrientations
{
return UIInterfaceOrientationMaskPortrait;
}
3) Override MPMoviePlayerViewController class, and added all suitable orientation methods to support.
4) Put below method in AppDelegate file, and return landscape if you find an object of MPMoviePlayerViewController.
- (NSUInteger)application:(UIApplication *)application supportedInterfaceOrientationsForWindow:(UIWindow *)window { }
but at last, there's no success! - I can't play video in landscape mode, only portrait is supporting in entire app.
I don't know why its not rotating? Is there something that I'm missing to set?
I recently had to do the opposite in an app I developed, where I had to force video-playback to appear only in landscape mode. What I did was to let my app support all orientations, and instead override my mpMoviePlayerViews shouldAutorotateToInterfaceOrientation method to return YES only for landscape.
Since you want to do the opposite, how about allowing both potrait and landscape for your app - but limiting your regular views to only potrait? (and thus avoiding your problems to allow rotation for your mpmovieplayerview) I think it should be possible to create a parent (view) class that your regular views could inherit from, and in your parent class just override shouldAutorotateToInterfaceOrientation to only support/return YES for potrait mode.
| 7,411 | |
https://es.stackoverflow.com/questions/533065 | StackExchange | Open Web | CC-By-SA | 2,022 | Stack Exchange | DEVX75, Dan, Mateo, https://es.stackoverflow.com/users/154013, https://es.stackoverflow.com/users/169744, https://es.stackoverflow.com/users/284691 | Spanish | Spoken | 561 | 1,358 | Como guardar en un arraylist
Necesito guardar en un arrayList estos datos todas las veces que el usuario requiera pero los esta guardando en la misma posicion. Solo me imprime el ultimo guardado.
Muchas gracias de ante mano.
String nombre, apellido, id, celular;
ArrayList<Persona> personas = new ArrayList<Persona>();
public void agregarClientes() {
nombre = JOptionPane.showInputDialog("Ingresar nombre");
apellido = JOptionPane.showInputDialog("Ingresar apellido");
id = JOptionPane.showInputDialog("Ingresar identificacion");
celular = JOptionPane.showInputDialog("Ingresar celular");
Persona cliente = new Persona();
cliente.setNombre(nombre);
cliente.setApellido(apellido);
cliente.setId(id);
cliente.setCelular(celular);
personas.add(cliente);
if (JOptionPane.showConfirmDialog(null, "Desea continuar?") == 0) {
agregarClientes();
} else {
for (int j = 0; j < personas.size(); j++) {
System.out.println(cliente.getNombre() + "\n" + cliente.getApellido() + "\n" + cliente.getId() + "\n"
+ cliente.getCelular());
}
}
}
Si miras la línea del print;
System.out.println(cliente.getNombre() + "\n" + cliente.getApellido() + "\n" + cliente.getId() + "\n" + cliente.getCelular());
Verás que estás imprimiendo la misma persona misma cantidad de veces que personas tiene el ArrayList.
Para imprimir cada uno debes usar get()
for (int j = 0; j < personas.size(); j++) {
Persona p = personas.get(i); System.out.println(p.getNombre() + "\n" + p.getApellido() + "\n" + p.getId() + "\n" + p.getCelular());
}
También puedes usar un for each, que es muy útil cuando no necesitas la posición de los elementos:
for (Persona p: personas){
System.out.println(p.getNombre() + "\n" + p.getApellido() + "\n" + p.getId() + "\n" + p.getCelular());
}
Por último, te sugiero que no llames a la función dentro de si misma. Es una preocupación menor, pero al hacer eso, estás produciendo una función recursiva que puede dar un error StackOverflow.
Una mejor opción usaría ciclos. Algo como esto:
public void agregarClientes(){
do {
agregarCliente();
} while (JOptionPane.showConfirmDialog(null, "Desea continuar?") != 0);
for (Persona p: personas){
System.out.println(p.getNombre() + "\n" + p.getApellido() + "\n" + p.getId() + "\n" + p.getCelular());
}
}
public void agregarCliente() {
nombre = JOptionPane.showInputDialog("Ingresar nombre");
apellido = JOptionPane.showInputDialog("Ingresar apellido");
id = JOptionPane.showInputDialog("Ingresar identificacion");
celular = JOptionPane.showInputDialog("Ingresar celular");
Persona cliente = new Persona();
cliente.setNombre(nombre);
cliente.setApellido(apellido);
cliente.setId(id);
cliente.setCelular(celular);
personas.add(cliente);
}
celebro que hayas tenido más tiempo para hacerle el código, pero sigue siendo la misma respuesta y solución que yo planteaba, sin darle todo el código al OP, es decir dejandole chance para aprender.
@DEVX75 Simplemente ya tenía escrita la mayor parte de la respuesta para cuando apareció la tuya y me dio pereza borrar. También noté que estaba usando funciones recursiva y le mostré una alternativa.
Es correcto, te imprime únicamente el último cliente, "n" veces, tantas veces como inserciones hay en la lista, debido a esta línea:
System.out.println(cliente.getNombre() + "\n" + cliente.getApellido() + "\n" + cliente.getId() + "\n"
+ cliente.getCelular());
Ahi, cliente, es el último que leiste, y como está dentro del for... Lo que deberías estar referenciando por indice a cada elemento de la lista personas, dentro del for y justo antes del system.out.println()
cliente = personas.get(i);
Por otro lado, una sugerencia de mejora al control de recursos:
Tienes una llamada recursiva a tu función, aunque no afecta tanto, pero es mejor usar un bucle, que lea cada vez, datos del cliente, agrega la persona y continua solamente en dependencia de la respuesta del usuario: Un Do While es una buena opción. El for para imprimir la lista, puedes dejarla para despues de la lectura de datos.
Muchas gracias por su respuesta, efectivamente ese era el problema. Gracias por el consejo, llevo poco programando y la idea es seguir aprendiendo.
Excelente! Sigue adelante!
| 45,139 |
https://sv.wikipedia.org/wiki/Cicadula%20quadripunctata | Wikipedia | Open Web | CC-By-SA | 2,023 | Cicadula quadripunctata | https://sv.wikipedia.org/w/index.php?title=Cicadula quadripunctata&action=history | Swedish | Spoken | 33 | 72 | Cicadula quadripunctata är en insektsart som beskrevs av Charles Joseph de Villers 1789. Cicadula quadripunctata ingår i släktet Cicadula och familjen dvärgstritar. Inga underarter finns listade i Catalogue of Life.
Källor
Dvärgstritar
quadripunctata | 10,924 |
https://de.wikipedia.org/wiki/Ibrahim%20Abdel%20Meguid | Wikipedia | Open Web | CC-By-SA | 2,023 | Ibrahim Abdel Meguid | https://de.wikipedia.org/w/index.php?title=Ibrahim Abdel Meguid&action=history | German | Spoken | 669 | 1,337 | Ibrahim Abdel Meguid (* 2. Dezember 1946; ; alternative Schreibweisen des Namens: Ibrahim Abd al-Magid, Ibrāhīm ʻAbd al-Majīd) ist ein ägyptischer Schriftsteller.
Leben und Werk
Ibrahim Abdel Meguid studierte Philosophie an der Universität Alexandria und siedelte 1974 nach Kairo um. 1970 trat er der damals verbotenen kommunistischen Partei bei.
Entsprechend der ägyptischen Arbeitsmarktpolitik, die Studienabsolventen eine Staatsanstellung garantiert, wurde er im Ministerium für Kultur eingestellt. Dort war er von 1976 bis 1980 Sachbearbeiter für die »Kultur der Massen« (unter Nasser hatte sich Ägypten sozialistisch gegeben), die darauf folgenden fünf Jahre beriet er die Leitung der Abteilung Theater. 1989 stieg er zum Abteilungsleiter der »Kultur der Massen« auf, um 1995 als Chefredakteur die Serie »Neue Schriften« der staatlichen ägyptischen Buchgesellschaft zu betreuen. Sechs Jahre später wurde er zum Generaldirektor des Projektes »Atlas der ägyptischen Folklore« ernannt und kehrte in diesem Rahmen wieder zur Abteilung »Kultur der Massen« zurück.
Unter dem Regime des Diktators Husni Mubarak wurde Abdel Meguid aufgrund seiner politischen Ansichten mehrmals mit Haftstrafen verfolgt.
In seinen Romanen und Erzählungen behandelt Abdel Meguid die sozialen Verhältnisse und Umbrüche seines Landes; dies brachte ihm zahlreiche Preise ein, unter denen der Nagîb-Mahfûs-Preis besonders hervorzuheben ist. Tatsächlich gibt Abdel Meguid bei vielen Ägyptern als der legitime Nachfolger des berühmten Nobelpreisträgers Mahfûs.
In Niemand schläft in Alexandria behandelt er Ägypten zur Zeit des Zweiten Weltkrieges, während Das Jasminhaus der Zeit nach dem Jom-Kippur-Krieg gewidmet ist.
Das andere Land nimmt die Thematik ägyptischer Arbeiter in Saudi-Arabien auf. Wohlweislich veröffentlichte er diesen Roman 1991 in London, aber in Ägypten fand der Roman ein großes Echo.
Der in deutscher Übersetzung vorliegende Roman, halb Krimi, halb Gesellschaftskritik mit dem Titel Jede Woche gibt es ... einen Freitag schildert die ausgehende Mubarak-Zeit.
Die Tage des Tahrîr (Kairo 2011) oder auch Die Tage der Befreiung (denn das ist die Bedeutung des Namens dieses zentralen Platzes der ägyptischen Hauptstadt) geht auf die Geschehnisse ein, die zum Sturz des Diktators führen sollten.
Abdel Meguid leitet den Verlag Dâr al-Yasmîn (Jasmin-Verlag) zusammen mit seinen Söhnen.
Sein bekanntestes Werk ist die "Alexandria-Trilogie" mit den Romanen Niemand schläft in Alexandria, Vögel von Amber und Wolken über Alexandria. Diese ins Englische und Französische übersetzten Werke liegen in Deutsch noch nicht vor.
Sein 2009 entstandener Roman Jede Woche gibt es einen Freitag erschien 2016 in der Übersetzung von Aron Schatten beim Verlag auf dem Ruffel. Der formal aus Mitteilungen einer Chat-Gruppe bestehende Text gibt ein Panorama der ägyptischen Gesellschaft in Kairo und Alexandria in der Zeit vor dem Arabischen Frühling wieder, wobei eine auf der Täter- und Opferseite transparente Thrillerhandlung für Spannung sorgt. Das briefromanähnliche Erzählschema einer virtuellen Gruppe ermöglicht dem Autor zum einen, Vertreter unterschiedlicher gesellschaftlicher Gruppen, die sonst kaum in Berührung kämen, in Gespräch miteinander treten zu lassen. Zum anderen fühlen sich diese Personen in der Anonymität der Chat-Gruppe völlig frei, sich nicht nur über ihre persönliche Belange, sondern auch ohne Rücksicht auf Repressionen über gesellschaftliche Missstände zu äußern.
Werke
المسافات [Al-Masafât] (1983). Distant Train, übersetzt von Hosam M. Aboul-Ela (2007)
بيت الياسمين [Bayt al-yasâmin] (1987). The House of Jasmine, übersetzt von Noha Radwan (2012)
البلدة الأخرى [Al Balda al-ukhrâ] (1991). The Other Place, übersetzt von Farouk Abdel Wahab (1997)
لا أحد ينام في الإسكندرية [La Ahad yanam fil Iskandariya] (1996). No One Sleeps in Alexandria, übersetzt von Farouk Abdel Wahab (2004)
طيور العنبر [Toyour al-anbar] (2000). Birds of Amber, übersetzt von Farouk Abdel Wahab (2005)
في كل أسبوع يوم جمعة [Fi koulli ousbou ... yawmou joumoua] (2009). Jede Woche ... gibt es einen Freitag, übersetzt von Aron Schatten (2016), ISBN 978-3-933-847-55-3.
الإسكندرية في غيمة [Iskandriya fi ghayma] (2012). Clouds Over Alexandria, übersetzt von Kay Heikkinen (2019)
Ehrungen
1996 Naguib-Mahfouz-Medaille: Der andere Ort
1996 Internationale Buchmesse Kairo, Roman des Jahres: Niemand schläft in Alexandria
2011 Sawiris Cultural Award: Jede Woche ... gibt es einen Freitag
2015 Katara Prize for Arabic Novel: Adagio
Weblinks
Article by Ibrahim Abdel Meguid in Al-Ahram on the Egyptian revolution
Article by Ibrahim Abdel Meguid in Al-Ahram on the cinema halls of Alexandria
Einzelnachweise
Kairo
Alexandria
Ägypter
Geboren 1946
Mann | 47,750 |
https://stackoverflow.com/questions/52700417 | StackExchange | Open Web | CC-By-SA | 2,018 | Stack Exchange | Artur Müller Romanov, Dan Mašek, https://stackoverflow.com/users/3962537, https://stackoverflow.com/users/7826511 | English | Spoken | 545 | 1,028 | Convert red line in image to numpy list
I want to measure the height difference to ground of the detected object in this pipe. The lower red line shall be the marker for minimum height. I thought I might first convert the lower red line into a numpy list but how would I do that? The red circles are drawn with cv2.circle() function.
Edit:
Thanks to ZdaR I am closer to solving my problem. This is his solution rewritten to work with python3:
import cv2
import numpy as np
def get_center(arr):
return sum(arr)/len(arr)
def get_cluster_centers(arr, tolerance):
clusters = [[arr[0]]]
for ele in arr[1:]:
if abs(clusters[-1][0] - ele) < tolerance:
clusters[-1].append(ele)
else:
clusters.append([ele])
clusters_centers = map(get_center, clusters)
return clusters_centers
img = cv2.imread("/home/artur/Desktop/0.png")
# Segment the red color
mask = cv2.inRange(img, np.array([0, 0, 255]), np.array([0, 0, 255]))
for i in mask:
print(i)
# Let's iterate the middle column and get the distance between the two red lines.
half_width = int(mask.shape[1]/2)
middle_column = mask[:, half_width]
idx = np.where(middle_column == 255)
# Since the width of line is not 1 px so we need to cluster the pixels to get a single center value.
centers = list(get_cluster_centers(idx[0], 5))
if len(centers) == 2:
print("Distance between lines:", centers[1] - centers[0], "px")
It measures the pixel distance between upper and lower red line with the help of the middle column of the image. How would I iterate over all columns to determine the minimum distance between those two line or better, between detected object and lower red line? Do I get it right that this solution only takes the middle column into account?
What exactly do you mean by "convert the red line into numpy list"? Do you want an array of (x,y) coordinates of all the pixels that lie on the circumference? Since you know the center and radius, and the equations defining circles are well known, you can easily calculate them. | A lazy way to deal with it is just draw the circle (not as thick) into a black image, and find all the non-zero pixels.
You can first segment the red color from the input image to get a binary mask then assuming that your red line is centered to the input image, we take the center column of that image and iterate over the column to find the red dot locations then simply find the distance in pixels as:
import cv2
import numpy as np
def get_center(arr):
return sum(arr)/len(arr)
def get_cluster_centers(arr, tolerance):
clusters = [[arr[0]]]
for ele in arr[1:]:
if abs(clusters[-1][0] - ele) < tolerance:
clusters[-1].append(ele)
else:
clusters.append([ele])
clusters_centers = map(get_center, clusters)
return clusters_centers
img = cv2.imread("/home/anmol/Downloads/HK3WM.png")
# Segment the red color
mask = cv2.inRange(img, np.array([0, 0, 255]), np.array([0, 0, 255]))
# Let's iterate the middle column and get the distance between the two red lines.
half_width = mask.shape[1]/2
middle_column = mask[:, half_width]
idx = np.where(middle_column == 255)
# Since the width of line is not 1 px so we need to cluster the pixels to get a single center value.
centers = get_cluster_centers(idx[0], 5)
if len(centers) == 2:
print "Distance between lines:", centers[1] - centers[0], "px"
PS: I am kind on in hurry if this does not explain something feel free to ask in comments.
Thanks for your answer. Please check Edit section of my post.
| 45,564 |
https://nl.wikipedia.org/wiki/Alaena%20bicolora | Wikipedia | Open Web | CC-By-SA | 2,023 | Alaena bicolora | https://nl.wikipedia.org/w/index.php?title=Alaena bicolora&action=history | Dutch | Spoken | 28 | 48 | Alaena bicolora is een vlinder uit de familie van de Lycaenidae. De wetenschappelijke naam van de soort is voor het eerst geldig gepubliceerd in 1924 door Bethune-Baker.
bicolora | 21,475 |
https://de.wikipedia.org/wiki/Rundbl%C3%A4ttrige%20Glockenblume | Wikipedia | Open Web | CC-By-SA | 2,023 | Rundblättrige Glockenblume | https://de.wikipedia.org/w/index.php?title=Rundblättrige Glockenblume&action=history | German | Spoken | 412 | 981 | Die Rundblättrige Glockenblume (Campanula rotundifolia) gehört zur Gattung der Glockenblumen.
Beschreibung
Die mehrjährige krautige Pflanze wird zwischen (10) 20 und 40 (60) cm hoch. Sie wurzelt bis 120 Zentimeter tief. Der Stängel ist im unteren Bereich meist ringsum feinflaumig behaart. Die meist kahlen und ganzrandigen Stängelblätter sind gleichmäßig angeordnet; die oberen sind schmal linealisch, die unteren schmal lanzettlich geformt. Die Grundblätter sind dagegen von nieren- oder herzförmig-rundlicher Gestalt. Sie sind relativ lang gestielt und gekerbt oder gesägt. Zur Blütezeit sind sie allerdings oft verwelkt. Der Stängel ist meist mehr- bis vielblütig.
Blütezeit ist von Juni bis September. Die Blütenknospen stehen in der Regel aufrecht und beginnen erst kurz vor dem Aufblühen zu nicken. Die etwa 1,2 bis 2,2 cm lange Krone ist in etwa zu einem Drittel in dreieckige Zipfel gespalten und von violettblauer Farbe.
Die Chromosomenzahl der Art ist 2n = 34, 68 oder 102.
Inhaltsstoffe
Die Pflanzen enthalten Inulin und Triterpensaponine, die blutstillend und entzündungshemmend wirken.
Verbreitung und Standorte
Die Art kommt von Europa bis Sibirien und zum fernöstlichen Russland vor. In Neuseeland ist sie ein Neophyt. In Deutschland, der Schweiz und Österreich ist sie allgemein verbreitet.
Die Pflanze gilt als Magerkeitszeiger und bevorzugt trockene bis frische, meist bodensaure Magerwiesen, Weiderasen, Waldsäume, auch felsige Standorte (auch über Kalk) von der collinen bis montanen Höhenstufe. Sie gedeiht in Mitteleuropa in Gesellschaften der Klassen Nardo-Callunetea, Festuco-Brometea oder der Verbände Quercion roboris-petraeae oder Erico-Pinion.
In den Allgäuer Alpen steigt sie auf dem Ziebelmoos bei Rohrmoos in Bayern bis zu 1350 m Meereshöhe auf.
Systematik
Da die Art sehr formenreich ist, wurden von ihr besonders viele Unterarten, Varietäten und Formen beschrieben.
Darüber hinaus gibt es insbesondere auf der Alpensüdseite (Italien, Frankreich, Österreich, Slowenien) eine Reihe von ähnlichen – vermutlich nahe verwandten – Arten wie z. B. Campanula bertolae, Karnische Glockenblume (Campanula carnica), Zwerg-Glockenblume (Campanula cochleariifolia), Campanula macrorhiza, Campanula martinii, Campanula marchesettii, Scheuchzers Glockenblume (Campanula scheuchzeri), Witaseks Glockenblume (Campanula witesakiana).
Trivialnamen
Für die Rundblättrige Glockenblume bestehen bzw. bestanden, zum Teil auch nur regional, auch die weiteren deutschsprachigen Trivialnamen: Bußglöckel (Schlesien), Grasglöckel (Schlesien), Klockje (Ostfriesland), Milchglöckel (Schlesien) und Wiesenglöckel (Schlesien).
Literatur
Wolfgang Adler, Karl Oswald, Raimund Fischer: Exkursionsflora von Österreich. Hrsg.: Manfred A. Fischer. Ulmer, Stuttgart/Wien 1994, ISBN 3-8001-3461-6.
Otto Schmeil, Jost Fitschen: Flora von Deutschland und angrenzender Länder. 89. Auflage. Heidelberg 1993, ISBN 3-494-01210-5.
Sandro Pignatti: Flora d'Italia 1. Auflage. Bologna 1985.
Einzelnachweise
Weblinks
Thomas Meyer: Glockenblume Datenblatt mit Bestimmungsschlüssel und Fotos bei Flora-de: Flora von Deutschland (alter Name der Webseite: Blumen in Schwaben)
Glockenblumen | 50,224 |
https://uk.wikipedia.org/wiki/%D0%AF%D1%81%D0%BD%D0%B0%20%D0%9F%D0%BE%D0%BB%D1%8F%D0%BD%D0%B0%20%28%D0%A5%D0%B0%D0%B1%D0%B0%D1%80%D1%81%D1%8C%D0%BA%D0%B8%D0%B9%20%D1%80%D0%B0%D0%B9%D0%BE%D0%BD%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | Ясна Поляна (Хабарський район) | https://uk.wikipedia.org/w/index.php?title=Ясна Поляна (Хабарський район)&action=history | Ukrainian | Spoken | 46 | 134 | Я́сна Поля́на () — селище у складі Хабарського району Алтайського краю, Росія. Входить до складу Мічурінської сільської ради.
Населення
Населення — 66 осіб (2010; 124 у 2002).
Національний склад (станом на 2002 рік):
росіяни — 83 %
Джерела
Примітки
Населені пункти Хабарського району
Селища Алтайського краю | 41,613 |
https://fr.wikipedia.org/wiki/Terry%20Winters | Wikipedia | Open Web | CC-By-SA | 2,023 | Terry Winters | https://fr.wikipedia.org/w/index.php?title=Terry Winters&action=history | French | Spoken | 265 | 458 | Terry Winters (1949, New York) est un peintre américain, dessinateur et graveur abstrait dont l'œuvre joue avec la réintroduction relative de la figuration. La figuration étant utilisée non pas comme métaphore mais comme un process. Depuis le milieu des années 1970, il travaille sur la contradiction phénoménologique inhérente au dessin et à la couleur pour introduire plus de variétés aux formes, comme ses amis Carroll Dunham ou Bill Jensen. Il est représenté au début de sa carrière par la Galerie Sonnabend, son travail évolue vers des images biomorphiques, de plus en plus complexe, architecturées qui mélangent science naturelle et ordinateur.
Ses œuvres sont très largement représentées dans les collections publiques américaines.
Collections publiques
Whitney Museum of American Art, New York
Metropolitan Museum of Art, New York
Institut d'art de Chicago
Musée d'art moderne de San Francisco
Musée d'art du comté de Los Angeles
En 2001, dans le cadre d'une commande publique, il a réalisé pour la Chalcographie du Louvre une gravure à l'eau-forte intitulée Sans titre (Louvre).
Bibliographie
Winters, Terry. Graphic Primitives. New York: Matthew Marks Gallery, 1999.
Winters, Terry. Terry Winters: Drawings. New York: Matthew Marks Gallery, 2001.
Winters, Terry. Terry Winters: Drawings. Munich: Staatliche Graphische Sammlung München, 2004.
Winters, Terry. Terry Winters: 1981–1986. New York: Matthew Marks Gallery, 2004.
Winters, Terry. Terry Winters: Prints & Sequences. Waterville, Maine: Colby College Museum of Art, 2006.
Winters, Terry. Filters in Stock. New York: 38th Street Publishers, 2009.
Liens externes
Notes et références
Naissance en 1949
Naissance dans le Bronx
Peintre américain du XXe siècle
Peintre abstrait
Peintre américain du XXIe siècle
Étudiant de l'institut Pratt | 9,787 |
https://de.wikipedia.org/wiki/Hermann%20Grubert | Wikipedia | Open Web | CC-By-SA | 2,023 | Hermann Grubert | https://de.wikipedia.org/w/index.php?title=Hermann Grubert&action=history | German | Spoken | 131 | 273 | Hermann Grubert (* 1807 in Breslau; † Oktober 1874 in Kanth) war ein deutscher Richter und Politiker.
Leben
Grubert studierte Rechtswissenschaft an der Schlesischen Friedrich-Wilhelms-Universität. 1836 wurde er Oberlandesgerichtsassessor, 1844 Land- und Stadtgerichtsrat in Schneidemühl, 1845 Stadtgerichtsrat in Breslau. 1870 trat er in den Ruhestand, den er in Breslau und zuletzt in Kanth verbrachte.
1848 war Grubert Mitgründer des Demokratisch-Konstitutionellen Clubs in Breslau. Vom 31. Mai 1848 bis 30. Mai 1849 gehörte er der Frankfurter Nationalversammlung an (Donnersberg, Märzverein). Er wählte Friedrich Wilhelm IV. zum Deutschen Kaiser.
Literatur
Heinrich Best, Wilhelm Weege: Biographisches Handbuch der Abgeordneten der Frankfurter Nationalversammlung 1848/49 (= Handbücher zur Geschichte des Parlamentarismus und der politischen Parteien. Band 8). Droste, Düsseldorf 1996, ISBN 3-7700-5193-9, S. 163.
Mitglied der Frankfurter Nationalversammlung
Person (Breslau)
Deutscher
Geboren 1807
Gestorben 1874
Mann | 17,053 |
https://ko.wikipedia.org/wiki/%EB%AF%B8%EA%B5%AD%20%EB%8C%80%20%EB%B2%84%EC%A7%80%EB%8B%88%EC%95%84%20%EC%82%AC%EA%B1%B4 | Wikipedia | Open Web | CC-By-SA | 2,023 | 미국 대 버지니아 사건 | https://ko.wikipedia.org/w/index.php?title=미국 대 버지니아 사건&action=history | Korean | Spoken | 24 | 116 | 미국 대 버지니아 사건(United States v. Virginia)은 군사대학인 버지니아 밀리터리 인스티튜트(VMI)의 여성입학금지 정책에 대한 미국 연방대법원의 판례이다.
평등주의
헌법
미국 대법원 판례
1996년 판례 | 40,699 |
https://stackoverflow.com/questions/42031691 | StackExchange | Open Web | CC-By-SA | 2,017 | Stack Exchange | English | Spoken | 174 | 348 | Google URL Testing Tools API - Simple Web App Setup
I'd like to create my first web app using the Google URL Testing Tools API but haven't a clue where to start (https://developers.google.com/webmaster-tools/search-console-api-original/). I find the documentation very confusing and am struggling to find any real examples online. I have extensive HTML and CSS experience and also know my way around JavaScript and JSON. Note also that I have an API key.
I'd like to create a simple HTML page that returns 5 submitted chosen URL's to see whether they are mobile friendly or not. Sounds simple right - not for me.
Hope someone can help out as feeling a little lost. Any pointers from where to start would help massively.
Lee
I think you might just be looking in the wrong place. They have a couple of examples, including one in JavaScript, here:
https://developers.google.com/webmaster-tools/search-console-api/v1/samples
If that doesn't work, you can use a php or other server-side script to wrap the shell command:
curl -H 'Content-Type: application/json' --data '{url: "YOUR_URL"}' 'https://searchconsole.googleapis.com/v1/urlTestingTools/mobileFriendlyTest:run?key=YOUR_API_KEY'
found here: https://developers.google.com/webmaster-tools/search-console-api/v1/getting-started#curl-usage
| 45,162 | |
https://mr.wikipedia.org/wiki/%E0%A4%B2%E0%A4%BE%E0%A4%B2%E0%A5%81%E0%A4%A8%E0%A4%BE%E0%A4%88%E0%A4%95%E0%A4%A4%E0%A4%BE%E0%A4%82%E0%A4%A1%E0%A4%BE | Wikipedia | Open Web | CC-By-SA | 2,023 | लालुनाईकतांडा | https://mr.wikipedia.org/w/index.php?title=लालुनाईकतांडा&action=history | Marathi | Spoken | 116 | 851 | लालुनाईकतांडा हे भारताच्या महाराष्ट्र राज्यातील नांदेड जिल्ह्यातील किनवट तालुक्यातील एक गाव आहे.
भौगोलिक स्थान
हवामान
नैऋत्य मान्सूनमुळे पडणाऱ्या पावसाळ्याचा ऋतू वगळता येथील हवामान सर्वसाधारणपणे कोरडेच असते. येथे वर्षात चार ऋतू असतात. हिवाळा हा नोव्हेंबर ते फेब्रुवारी अखेरपर्यंत असतो. त्यानंतर येणारा उन्हाळा मात्र जूनच्या पहिल्या आठवड्यापर्यंत खेचला जातो. नैऋत्य मान्सूनचा पाऊस त्याच्या पाठोपाठ येतो आणि ऑक्टोबरच्या पहिल्या आठवड्यापर्यंत टिकतो. शेष ऑक्टोबर आणि नोव्हेंबरचा पूर्वार्ध हा मान्सूनोत्तर गरमीचा काळ असतो. सरासरी वार्षिक पर्जन्यमान ९९५ मि.मी.आहे. नैऋत्य मोसमी वाऱ्यापासून पडणाऱ्या पावसाचे प्रमाण एकूण वार्षिक पर्जन्याच्या ८० टक्के आहे. जुलै आणि ऑगस्ट हे वर्षातील सर्वाधिक पर्जन्याचे महिने आहेत.
लोकजीवन
प्रेक्षणीय स्थळे
नागरी सुविधा
जवळपासची गावे
संदर्भ
https://villageinfo.in/
https://www.census2011.co.in/
http://tourism.gov.in/
https://www.incredibleindia.org/
https://www.india.gov.in/topics/travel-tourism
https://www.mapsofindia.com/
https://www.weather.gov/dvn/climategraphics?n=climategraphics
https://www.weather-atlas.com/en/india-climate
किनवट तालुक्यातील गावे
नांदेड जिल्ह्यातील गावे | 13,216 |
https://zh-min-nan.wikipedia.org/wiki/Pierzchno%20%28%C5%9Aroda%20Wielkopolska%20K%C5%ABn%29 | Wikipedia | Open Web | CC-By-SA | 2,023 | Pierzchno (Środa Wielkopolska Kūn) | https://zh-min-nan.wikipedia.org/w/index.php?title=Pierzchno (Środa Wielkopolska Kūn)&action=history | Min Nan Chinese | Spoken | 28 | 104 | Pierzchno sī chi̍t ê tī Pho-lân Kiōng-hô-kok Tōa Pho-lân Séng Środa Wielkopolska Kūn Środa Wielkopolska Kong-siā ê chng-thâu.
Chham-oa̍t
Pho-lân ê chng-thâu
Chham-khó
Środa Wielkopolska Kūn ê chng-thâu | 46,947 |
https://tr.wikipedia.org/wiki/Cuspidozetes | Wikipedia | Open Web | CC-By-SA | 2,023 | Cuspidozetes | https://tr.wikipedia.org/w/index.php?title=Cuspidozetes&action=history | Turkish | Spoken | 11 | 47 | Cuspidozetes, Oribatellidae familyasına bağlı bir hayvan cinsidir.
Dış bağlantılar
Kaynakça
Oribatellidae | 32,464 |
https://fa.wikipedia.org/wiki/%D9%87%D9%87%E2%80%8C%DA%98%D9%88%D9%88 | Wikipedia | Open Web | CC-By-SA | 2,023 | ههژوو | https://fa.wikipedia.org/w/index.php?title=ههژوو&action=history | Persian | Spoken | 103 | 336 | ههژوو (به ژوانگ: Hocouh Si)(به چینی: 贺州市، به پینیین: Hézhōu Shì) یک شهر در سطح ولایت در جمهوری خلق چین است که در منطقه خودمختار گوانگشی ژوانگ واقع شدهاست.
خصوصیات
شهر در سطح ولایت ههژوو ۱۱٬۸۵۴ کیلومترمربع مساحت و ۲٬۰۹۰٬۰۰۰ نفر جمعیت دارد و ۱۰۷ متر بالاتر از سطح دریا واقع شدهاست.
۸۴٪ جمعیت شهر را مردم هان (قومیت چینی) تشکی می دهند. ۱۳٪ جمعیت شهر، معادل سه چهارم از تمامی اقلیتهای قومی ساکن این شهر را مردم یائو، و ۴٪ را مردم ژوانگ تشکیل می دهند..
جستارهای وابسته
فهرست شهرهای جمهوری خلق چین
منابع
بازبینی گمر شهرهای جمهوری خلق چین
شهرهای گوانگشی | 11,400 |
https://fur.wikipedia.org/wiki/Qu%C3%A9bec | Wikipedia | Open Web | CC-By-SA | 2,023 | Québec | https://fur.wikipedia.org/w/index.php?title=Québec&action=history | Friulian | Spoken | 19 | 32 | Il Québec al è une de dîs provinciis dal Canadà. Il cjâf lûc al è la citât di Québec. | 47,777 |
https://eu.wikipedia.org/wiki/Azaleodes | Wikipedia | Open Web | CC-By-SA | 2,023 | Azaleodes | https://eu.wikipedia.org/w/index.php?title=Azaleodes&action=history | Basque | Spoken | 18 | 61 | Azaleodes Palaephatidae familiako tximeleta genero bat da. Bere espezie tipoa Azaleodes micronipha da.
Espezieak
Erreferentziak
Kanpo estekak
Palaephatidae | 32,572 |
https://worldbuilding.stackexchange.com/questions/216706 | StackExchange | Open Web | CC-By-SA | 2,021 | Stack Exchange | Adrian Colomitchi, AlexP, BMF, Daron, Escaped dental patient., John O, Julien Busset, Lemming, Starfish Prime, Willk, el duderino, https://worldbuilding.stackexchange.com/users/14322, https://worldbuilding.stackexchange.com/users/26061, https://worldbuilding.stackexchange.com/users/29552, https://worldbuilding.stackexchange.com/users/31698, https://worldbuilding.stackexchange.com/users/32508, https://worldbuilding.stackexchange.com/users/46261, https://worldbuilding.stackexchange.com/users/55743, https://worldbuilding.stackexchange.com/users/62241, https://worldbuilding.stackexchange.com/users/62341, https://worldbuilding.stackexchange.com/users/90904, https://worldbuilding.stackexchange.com/users/91217 | English | Spoken | 1,734 | 2,231 | Is it plausible for FTL travel to be made easier to achieve through universal pure axial movement?
A bit of a strange concept that's been floating around in my mind. We all know how grid-based movement works. Moving in a straight line along any direction of X, Y, and Z requires only one step/instance of movement to move one space from start while moving diagonally or along two axes requires more energy or more time/steps to achieve the same result of moving a space from start.
Grid for visual explanation, numbers representing how many steps or expenditures of energy is necessary to reach whichever point in space from point 0:
Reaching anything diagonally requires the same amount of energy/steps to move only one space away from point 0 than it does to move two spaces away from point 0 if you were to move in a straight line along purely one axis. This got me to thinking... what if the universe itself follows the same rules? Things occupy spaces, and such spaces must have a point in which they reside, and such points must be next to each other in such a way that it allows things to be next to each other or on top or below, etc, and if the universe itself has such a grid due to things needing to occupy spaces then surely it would be in anything's best interest to try and move as universally purely axially as possible in order to be as efficient as possible in its energy expenditure and time spent in movement.
Now, there's a very big problem that stops things from being able to move along the axes of the universe, much less even be able to detect it. Gravity and orbits. Things are ALWAYS spinning and moving in circles and orbiting and doing every single thing possible that would prevent things from moving in a completely straight line, always moving along more than one axis, making moving along a single axis of the universe a fever dream at best.
Light is also subject to gravity and diagonal movement, and so I began to wonder that, if a civilization managed to invent a technology that allows them to only move along one axis of the universe if the grid-based movement rules applied, would they be able to move faster than the light that is currently wasting energy and time moving along two axes and achieve something like FTL travel?
If space wasn't nicely isotropic, surely you'd be able to see odd effects like the brightness (or redshift) of moving stars changing. I'm fairly certain this would interfere badly with relativity.
It's changing the geometry of space to achieve movement. This sounds like an Alcubierre drive with a Tic-Tac-Toe/checkers explanation. (No denigration intended, just observation).
Well, the problem is that real world spacetime is a continuum, not a grid. Of course, the physics of our continuous spacetime does not apply to a world with a grid-like spacetime, and the physics of a grid-like spacetime does not apply to our world of continuous spacetime. The two worlds are fundamentally different. Their physics are completely different.
@AlexP "that real world spacetime is a continuum" Is it, though? See https://arxiv.org/abs/1211.3816
If you change your grid of cubes to be concentric spheres the apparent difference between linear and diagonal goes away.
@AlexP The real world spacetime is not a continuum. It's just the Planck scale is so tiny that we mistake everything as analog when it really is digital in nature. This is why Zeno's isn't a real paradox.
@JohnO "The real world spacetime is not a continuum. It's just the Planck scale" Ummm... have you solved then the problem of Lorenz contraction of a Planck length? Like, different observers measuring different values for that "minimal length"?
@JohnO: The Planck length is not a quatum of space and the Planck time is not a quantum of time. I have no idea why you would think they were.
@AlexP "I have no idea why you would think they were." It would make the life so much simpler for string theorists and those others trying to come with something coherent in re quantum gravity, you can't blame them for trying.
Despite what the comments are arguing about this doesn't require space to be discrete-- it can be achieved by supplying spacetime an $L_1$ norm type structure (aka taxicab geometry). Unfortunately, the $L_1$ norm is not induced by any bilinear form, so we can't use the familiar setting of semi-Reimann geometry and must instead move our setting to more general Finsler manifolds. I don't know exactly how this would play out, but like @StarfishPrime said it definitely would be quite different from our own universe.
This thought experiment has interesting properties :
actually you can’t move diagonaly without moving one time ahead and then one time aside, because there is no common edge between the first one and the latter. For example, the square "2" has no common edge with the square "0", so you are forced to travel through a "1" to reach "2" from "0".
in a non-grid space (let’s say "like ours"), the energy to travel on a pure diagonal is equal to the square root of 2, not just 2, but it’s not a problem because you can do it, you don’t need a common edge. In your model, since you don’t have common edges in diagonal, you can’t.
in relativity theories, time has its own dimension: in your thought experiment, this means that you cannot travel at the same time in space AND in time because that would make you travel in diagonal. But in relativity, in a way, time IS space: if you travel far away, you also travel "late" away.
also in relativity theories, objects are not spinning, but they are travelling in straight lines: the space itself is distorted, and that makes thinking that objects are spinning. In your thought experiment, object could not actually spin in universe due to the rigid grid, so you will have to render forces another way. So, this implies, in your model, that gravity cannot make things accelerate or turn. So we can simply reject it.
So, with all these elements, I would say that you can’t travel faster than light, but you may just choose between travelling through space or through time at the speed of light, but not both at the same time, by steps of one. But actually this is enough, because 1 square of space = 1 square of time, so you have a perfect equivalence between them. That means that, at the speed of light, if you travel only in space, then time doesn’t flow FOR YOU ONLY. In an instant, you have reached the other part of the universe… But the people you left have aged equivalently to what you travelled. If you travel back, also in one instant, you will find your friends older… Except if they have travelled only through time, and not space, at the same speed, and one time forward, ONE TIME BACKWARD. Edit: you need to ignore the speed cone for that last thing to be possible (or you won’t be able to move backward in time…).
If you want to have deeper thoughts about it, you’ll have to make more hypotheses, like:
is it possible to travel backward in time like it is in space? (in our world, as far as I know, it is not)
is it possible to exchange time for space "freely"? (neither possible)
is it possible to travel in diagonal for "2", not for "square root of 2"?
what is your model for gravity?
do you have a special model for the other forces?
I am not sure about your story about my friends being older when I reach my destination. It does not line up with the picture where we draw time in the vertical direction and space on the horizontal. If we start at (0,0) and I travel one unit through space to the right to (1,0) and then another unit to the left I just end up back at (0,0). So after 2 units of traveling I am back when I started. On the other hand after 2 units of traveling my friends are at (0,2). But of course we cannot interact with each other since they are at time 2 and I am at time 0.
I agree with you @Daron, I may have over-interpreted the grid-thing. I need another hypothesis for that, which is linked to the speed cone: it should not exist, so that you can move backward in time. Thanks for the comment. I’m gonna make a quick edit.
Any grid, square, hexagonal or whatever, wouldn't increase the speed of light. This is because you're applying real world physics to an imagined grid. The reality is that the grid shows a step, which is a fixed distance. So a diagonal step is still the same step as a sideways step. That means that light moving diagonally would still move at the same speed as sideways.
It is as you say. Reaching anything diagonally requires the same amount of energy/steps to move only one space away from point 0. Step is the same distance, energy usage is identical. No difference in moving straight or diagonally.
Grid-based movement implies that you can only movement into squares/spaces that are next to the square/space within which you currently reside though. Moving in a single axial direction with enough energy to move you two spaces from point zero would allow you to move a distance equal to two spaces from the center of point zero to the center of point 2 in a single axial line, but move two axial directions, one up one left, diagonally up left, with the same energy then the total distance which you you traveled from the center point of point 0 to point 2 duo axially is equal to aprox 1.5 spaces.
A better way to think about it might be to imagine that things can only occupy the intersections of the grid, and move along the lines connecting those nodes.
Yes, you've invented hyperspace lanes.
Whatever made up science you have for it, basically if you fly in a particular place you go super fast. Hyperspace lanes where you can fly ftl are a popular sci fi concept, so this is certainly plausible.
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https://ceb.wikipedia.org/wiki/Smaragdia%20tragena | Wikipedia | Open Web | CC-By-SA | 2,023 | Smaragdia tragena | https://ceb.wikipedia.org/w/index.php?title=Smaragdia tragena&action=history | Cebuano | Spoken | 41 | 81 | Kaliwatan sa dawhilahila ang Smaragdia tragena. Una ning gihulagway ni Tom Iredale ni adtong 1936. Ang Smaragdia tragena sakop sa kahenera nga Smaragdia, ug kabanay nga Neritidae. Walay nalista nga matang nga sama niini.
Ang mga gi basihan niini
Dawhilahila
Smaragdia | 27,681 |
https://ja.wikipedia.org/wiki/%E5%B2%A9%E5%B4%8E%E8%A1%97%E9%81%93 | Wikipedia | Open Web | CC-By-SA | 2,023 | 岩崎街道 | https://ja.wikipedia.org/w/index.php?title=岩崎街道&action=history | Japanese | Spoken | 26 | 342 | 岩崎街道（いわさきかいどう）は、岩手県花巻市と同県北上市を結ぶ街道。
概要
幕政時代、陸奥国和賀郡の奥州街道花巻宿から岩崎までの盛岡藩の脇街道。
明暦 3年（1657年）、盛岡藩主南部重直による直命によって改修される以前の、奥州街道ができるまで本街道と呼ばれていた古道。
奥州街道と岩崎街道を分岐する地点が花巻市の南城小学校校庭にあり、今でも松並木が残っている。
宿場・伝馬継所
花巻宿
岩崎
脚注
参考資料
関連項目
街道
奥州街道
沢内街道
外部リンク
岩手県政策地域部 いわての文化情報大事典 > 生活文化 > いわての街道
街道
南部藩の街道
岩手県の交通史
岩手県の道路 | 39,665 |
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