question stringlengths 10 175 | answer1 stringlengths 1 171 | answer2 stringlengths 1 171 | document stringlengths 1.13k 6.04k |
|---|---|---|---|
Who becomes unfaithful to their fiance? | Harry Clavering. | Harry. | Harry Clavering is the only son of Reverend Henry Clavering, a well-to-do clergyman and the paternal uncle of the affluent baronet Sir Hugh Clavering. At the novel's beginning, Harry is jilted by his fiancĂŠe, the sister of Sir Hugh's wife, who proceeds to marry Lord Ongar, a wealthy but debauched earl.
Harry's father urges him to make the church his profession; but Harry aspires to become a civil engineer, of the type of Robert Stephenson, Joseph Locke, and Thomas Brassey. To this end, he becomes a pupil at the firm of Beilby and Burton.
A year and a half later, Harry has become engaged to Florence Burton, the daughter of one of his employers. He presses her for an early marriage; but although she loves him deeply, she refuses, insisting that they wait until he has an income adequate to support himself and a family.
At this point, Lord Ongar dies, and his widow returns to England. Sir Hugh, her nearest male relative, is a hard and selfish man, and refuses to see her upon her arrival. This lends spurious credence to rumours about her conduct; and it forces her sister, Lady Clavering, to ask Harry to assist her when she returns.
Harry fails to tell Lady Ongar of his engagement; and, in a moment of weakness, he embraces and kisses her. This puts him in a position where he must behave dishonourably toward one of the two women in his life: either he must break his engagement, or he must acknowledge that he has gravely insulted Lady Ongar. Although he loves Florence Burton and knows that she is the better woman, he is unwilling to subject Lady Ongar to further misery.
Lady Ongar, because of her considerable wealth, is pursued by others. She is courted by Count Pateroff, one of her late husband's friends, and by Archie Clavering, Sir Hugh's younger brother. Count Pateroff's scheming sister Sophie Gourdeloup, the only woman who will see Lady Ongar because of the rumours about her conduct, wants her to remain single so that Mme. Gourdeloup can continue to exploit her.
Mme. Gourdeloup sees to it that Lady Ongar learns about Harry's engagement. Meanwhile, Florence Burton learns that Harry has been seeing Lady Ongar regularly, and decides that she must release him if he does not truly love her.
Through the good influence of his mother, Harry comes to realise that Florence Burton is the better woman and the less deserving of dishonorable treatment. To her letter offering to end their engagement, he responds with a reaffirmation of his love for her. He also writes to Lady Ongar, regretting his past conduct toward her and making it clear that he intends to remain true to his fiancĂŠe.
Soon thereafter, Sir Hugh and Archie Clavering are both drowned when their yacht goes down off Heligoland. This makes Harry's father the new baronet and the possessor of Clavering Park, with Harry the heir apparent. This increase in wealth allows him to marry immediately and to give up engineering, a profession for which he almost certainly lacked sufficient self-discipline. Lady Ongar gives up much of her property to the family of the new earl, and retires into seclusion with her widowed sister. |
Who does Harry reaffirnm his love too? | Florence Burton | Florence Burton. | Harry Clavering is the only son of Reverend Henry Clavering, a well-to-do clergyman and the paternal uncle of the affluent baronet Sir Hugh Clavering. At the novel's beginning, Harry is jilted by his fiancĂŠe, the sister of Sir Hugh's wife, who proceeds to marry Lord Ongar, a wealthy but debauched earl.
Harry's father urges him to make the church his profession; but Harry aspires to become a civil engineer, of the type of Robert Stephenson, Joseph Locke, and Thomas Brassey. To this end, he becomes a pupil at the firm of Beilby and Burton.
A year and a half later, Harry has become engaged to Florence Burton, the daughter of one of his employers. He presses her for an early marriage; but although she loves him deeply, she refuses, insisting that they wait until he has an income adequate to support himself and a family.
At this point, Lord Ongar dies, and his widow returns to England. Sir Hugh, her nearest male relative, is a hard and selfish man, and refuses to see her upon her arrival. This lends spurious credence to rumours about her conduct; and it forces her sister, Lady Clavering, to ask Harry to assist her when she returns.
Harry fails to tell Lady Ongar of his engagement; and, in a moment of weakness, he embraces and kisses her. This puts him in a position where he must behave dishonourably toward one of the two women in his life: either he must break his engagement, or he must acknowledge that he has gravely insulted Lady Ongar. Although he loves Florence Burton and knows that she is the better woman, he is unwilling to subject Lady Ongar to further misery.
Lady Ongar, because of her considerable wealth, is pursued by others. She is courted by Count Pateroff, one of her late husband's friends, and by Archie Clavering, Sir Hugh's younger brother. Count Pateroff's scheming sister Sophie Gourdeloup, the only woman who will see Lady Ongar because of the rumours about her conduct, wants her to remain single so that Mme. Gourdeloup can continue to exploit her.
Mme. Gourdeloup sees to it that Lady Ongar learns about Harry's engagement. Meanwhile, Florence Burton learns that Harry has been seeing Lady Ongar regularly, and decides that she must release him if he does not truly love her.
Through the good influence of his mother, Harry comes to realise that Florence Burton is the better woman and the less deserving of dishonorable treatment. To her letter offering to end their engagement, he responds with a reaffirmation of his love for her. He also writes to Lady Ongar, regretting his past conduct toward her and making it clear that he intends to remain true to his fiancĂŠe.
Soon thereafter, Sir Hugh and Archie Clavering are both drowned when their yacht goes down off Heligoland. This makes Harry's father the new baronet and the possessor of Clavering Park, with Harry the heir apparent. This increase in wealth allows him to marry immediately and to give up engineering, a profession for which he almost certainly lacked sufficient self-discipline. Lady Ongar gives up much of her property to the family of the new earl, and retires into seclusion with her widowed sister. |
Why did Henry inherit Clavering Park? | Sir Hugh and Archie drowned. | Sir hugh has died | Harry Clavering is the only son of Reverend Henry Clavering, a well-to-do clergyman and the paternal uncle of the affluent baronet Sir Hugh Clavering. At the novel's beginning, Harry is jilted by his fiancĂŠe, the sister of Sir Hugh's wife, who proceeds to marry Lord Ongar, a wealthy but debauched earl.
Harry's father urges him to make the church his profession; but Harry aspires to become a civil engineer, of the type of Robert Stephenson, Joseph Locke, and Thomas Brassey. To this end, he becomes a pupil at the firm of Beilby and Burton.
A year and a half later, Harry has become engaged to Florence Burton, the daughter of one of his employers. He presses her for an early marriage; but although she loves him deeply, she refuses, insisting that they wait until he has an income adequate to support himself and a family.
At this point, Lord Ongar dies, and his widow returns to England. Sir Hugh, her nearest male relative, is a hard and selfish man, and refuses to see her upon her arrival. This lends spurious credence to rumours about her conduct; and it forces her sister, Lady Clavering, to ask Harry to assist her when she returns.
Harry fails to tell Lady Ongar of his engagement; and, in a moment of weakness, he embraces and kisses her. This puts him in a position where he must behave dishonourably toward one of the two women in his life: either he must break his engagement, or he must acknowledge that he has gravely insulted Lady Ongar. Although he loves Florence Burton and knows that she is the better woman, he is unwilling to subject Lady Ongar to further misery.
Lady Ongar, because of her considerable wealth, is pursued by others. She is courted by Count Pateroff, one of her late husband's friends, and by Archie Clavering, Sir Hugh's younger brother. Count Pateroff's scheming sister Sophie Gourdeloup, the only woman who will see Lady Ongar because of the rumours about her conduct, wants her to remain single so that Mme. Gourdeloup can continue to exploit her.
Mme. Gourdeloup sees to it that Lady Ongar learns about Harry's engagement. Meanwhile, Florence Burton learns that Harry has been seeing Lady Ongar regularly, and decides that she must release him if he does not truly love her.
Through the good influence of his mother, Harry comes to realise that Florence Burton is the better woman and the less deserving of dishonorable treatment. To her letter offering to end their engagement, he responds with a reaffirmation of his love for her. He also writes to Lady Ongar, regretting his past conduct toward her and making it clear that he intends to remain true to his fiancĂŠe.
Soon thereafter, Sir Hugh and Archie Clavering are both drowned when their yacht goes down off Heligoland. This makes Harry's father the new baronet and the possessor of Clavering Park, with Harry the heir apparent. This increase in wealth allows him to marry immediately and to give up engineering, a profession for which he almost certainly lacked sufficient self-discipline. Lady Ongar gives up much of her property to the family of the new earl, and retires into seclusion with her widowed sister. |
Why is Lady Onger pursued by others? | Due to her consideranble wealth. | because she is rich | Harry Clavering is the only son of Reverend Henry Clavering, a well-to-do clergyman and the paternal uncle of the affluent baronet Sir Hugh Clavering. At the novel's beginning, Harry is jilted by his fiancĂŠe, the sister of Sir Hugh's wife, who proceeds to marry Lord Ongar, a wealthy but debauched earl.
Harry's father urges him to make the church his profession; but Harry aspires to become a civil engineer, of the type of Robert Stephenson, Joseph Locke, and Thomas Brassey. To this end, he becomes a pupil at the firm of Beilby and Burton.
A year and a half later, Harry has become engaged to Florence Burton, the daughter of one of his employers. He presses her for an early marriage; but although she loves him deeply, she refuses, insisting that they wait until he has an income adequate to support himself and a family.
At this point, Lord Ongar dies, and his widow returns to England. Sir Hugh, her nearest male relative, is a hard and selfish man, and refuses to see her upon her arrival. This lends spurious credence to rumours about her conduct; and it forces her sister, Lady Clavering, to ask Harry to assist her when she returns.
Harry fails to tell Lady Ongar of his engagement; and, in a moment of weakness, he embraces and kisses her. This puts him in a position where he must behave dishonourably toward one of the two women in his life: either he must break his engagement, or he must acknowledge that he has gravely insulted Lady Ongar. Although he loves Florence Burton and knows that she is the better woman, he is unwilling to subject Lady Ongar to further misery.
Lady Ongar, because of her considerable wealth, is pursued by others. She is courted by Count Pateroff, one of her late husband's friends, and by Archie Clavering, Sir Hugh's younger brother. Count Pateroff's scheming sister Sophie Gourdeloup, the only woman who will see Lady Ongar because of the rumours about her conduct, wants her to remain single so that Mme. Gourdeloup can continue to exploit her.
Mme. Gourdeloup sees to it that Lady Ongar learns about Harry's engagement. Meanwhile, Florence Burton learns that Harry has been seeing Lady Ongar regularly, and decides that she must release him if he does not truly love her.
Through the good influence of his mother, Harry comes to realise that Florence Burton is the better woman and the less deserving of dishonorable treatment. To her letter offering to end their engagement, he responds with a reaffirmation of his love for her. He also writes to Lady Ongar, regretting his past conduct toward her and making it clear that he intends to remain true to his fiancĂŠe.
Soon thereafter, Sir Hugh and Archie Clavering are both drowned when their yacht goes down off Heligoland. This makes Harry's father the new baronet and the possessor of Clavering Park, with Harry the heir apparent. This increase in wealth allows him to marry immediately and to give up engineering, a profession for which he almost certainly lacked sufficient self-discipline. Lady Ongar gives up much of her property to the family of the new earl, and retires into seclusion with her widowed sister. |
Why Mme Gourdeloup the only woman who will see Lady Onger? | Due to the rumors about Lady Onger. | Because of the rumors about her conduct. | Harry Clavering is the only son of Reverend Henry Clavering, a well-to-do clergyman and the paternal uncle of the affluent baronet Sir Hugh Clavering. At the novel's beginning, Harry is jilted by his fiancĂŠe, the sister of Sir Hugh's wife, who proceeds to marry Lord Ongar, a wealthy but debauched earl.
Harry's father urges him to make the church his profession; but Harry aspires to become a civil engineer, of the type of Robert Stephenson, Joseph Locke, and Thomas Brassey. To this end, he becomes a pupil at the firm of Beilby and Burton.
A year and a half later, Harry has become engaged to Florence Burton, the daughter of one of his employers. He presses her for an early marriage; but although she loves him deeply, she refuses, insisting that they wait until he has an income adequate to support himself and a family.
At this point, Lord Ongar dies, and his widow returns to England. Sir Hugh, her nearest male relative, is a hard and selfish man, and refuses to see her upon her arrival. This lends spurious credence to rumours about her conduct; and it forces her sister, Lady Clavering, to ask Harry to assist her when she returns.
Harry fails to tell Lady Ongar of his engagement; and, in a moment of weakness, he embraces and kisses her. This puts him in a position where he must behave dishonourably toward one of the two women in his life: either he must break his engagement, or he must acknowledge that he has gravely insulted Lady Ongar. Although he loves Florence Burton and knows that she is the better woman, he is unwilling to subject Lady Ongar to further misery.
Lady Ongar, because of her considerable wealth, is pursued by others. She is courted by Count Pateroff, one of her late husband's friends, and by Archie Clavering, Sir Hugh's younger brother. Count Pateroff's scheming sister Sophie Gourdeloup, the only woman who will see Lady Ongar because of the rumours about her conduct, wants her to remain single so that Mme. Gourdeloup can continue to exploit her.
Mme. Gourdeloup sees to it that Lady Ongar learns about Harry's engagement. Meanwhile, Florence Burton learns that Harry has been seeing Lady Ongar regularly, and decides that she must release him if he does not truly love her.
Through the good influence of his mother, Harry comes to realise that Florence Burton is the better woman and the less deserving of dishonorable treatment. To her letter offering to end their engagement, he responds with a reaffirmation of his love for her. He also writes to Lady Ongar, regretting his past conduct toward her and making it clear that he intends to remain true to his fiancĂŠe.
Soon thereafter, Sir Hugh and Archie Clavering are both drowned when their yacht goes down off Heligoland. This makes Harry's father the new baronet and the possessor of Clavering Park, with Harry the heir apparent. This increase in wealth allows him to marry immediately and to give up engineering, a profession for which he almost certainly lacked sufficient self-discipline. Lady Ongar gives up much of her property to the family of the new earl, and retires into seclusion with her widowed sister. |
What realization does Florence Burton come to in regards to Henry? | She realizes she must release him if he doesn't truly love her. | He has been seeing lady Ognar regularly. | Harry Clavering is the only son of Reverend Henry Clavering, a well-to-do clergyman and the paternal uncle of the affluent baronet Sir Hugh Clavering. At the novel's beginning, Harry is jilted by his fiancĂŠe, the sister of Sir Hugh's wife, who proceeds to marry Lord Ongar, a wealthy but debauched earl.
Harry's father urges him to make the church his profession; but Harry aspires to become a civil engineer, of the type of Robert Stephenson, Joseph Locke, and Thomas Brassey. To this end, he becomes a pupil at the firm of Beilby and Burton.
A year and a half later, Harry has become engaged to Florence Burton, the daughter of one of his employers. He presses her for an early marriage; but although she loves him deeply, she refuses, insisting that they wait until he has an income adequate to support himself and a family.
At this point, Lord Ongar dies, and his widow returns to England. Sir Hugh, her nearest male relative, is a hard and selfish man, and refuses to see her upon her arrival. This lends spurious credence to rumours about her conduct; and it forces her sister, Lady Clavering, to ask Harry to assist her when she returns.
Harry fails to tell Lady Ongar of his engagement; and, in a moment of weakness, he embraces and kisses her. This puts him in a position where he must behave dishonourably toward one of the two women in his life: either he must break his engagement, or he must acknowledge that he has gravely insulted Lady Ongar. Although he loves Florence Burton and knows that she is the better woman, he is unwilling to subject Lady Ongar to further misery.
Lady Ongar, because of her considerable wealth, is pursued by others. She is courted by Count Pateroff, one of her late husband's friends, and by Archie Clavering, Sir Hugh's younger brother. Count Pateroff's scheming sister Sophie Gourdeloup, the only woman who will see Lady Ongar because of the rumours about her conduct, wants her to remain single so that Mme. Gourdeloup can continue to exploit her.
Mme. Gourdeloup sees to it that Lady Ongar learns about Harry's engagement. Meanwhile, Florence Burton learns that Harry has been seeing Lady Ongar regularly, and decides that she must release him if he does not truly love her.
Through the good influence of his mother, Harry comes to realise that Florence Burton is the better woman and the less deserving of dishonorable treatment. To her letter offering to end their engagement, he responds with a reaffirmation of his love for her. He also writes to Lady Ongar, regretting his past conduct toward her and making it clear that he intends to remain true to his fiancĂŠe.
Soon thereafter, Sir Hugh and Archie Clavering are both drowned when their yacht goes down off Heligoland. This makes Harry's father the new baronet and the possessor of Clavering Park, with Harry the heir apparent. This increase in wealth allows him to marry immediately and to give up engineering, a profession for which he almost certainly lacked sufficient self-discipline. Lady Ongar gives up much of her property to the family of the new earl, and retires into seclusion with her widowed sister. |
What emotion did Henry exhibit before kissing Lady Onger? | He felt weakness. | Dishonor | Harry Clavering is the only son of Reverend Henry Clavering, a well-to-do clergyman and the paternal uncle of the affluent baronet Sir Hugh Clavering. At the novel's beginning, Harry is jilted by his fiancĂŠe, the sister of Sir Hugh's wife, who proceeds to marry Lord Ongar, a wealthy but debauched earl.
Harry's father urges him to make the church his profession; but Harry aspires to become a civil engineer, of the type of Robert Stephenson, Joseph Locke, and Thomas Brassey. To this end, he becomes a pupil at the firm of Beilby and Burton.
A year and a half later, Harry has become engaged to Florence Burton, the daughter of one of his employers. He presses her for an early marriage; but although she loves him deeply, she refuses, insisting that they wait until he has an income adequate to support himself and a family.
At this point, Lord Ongar dies, and his widow returns to England. Sir Hugh, her nearest male relative, is a hard and selfish man, and refuses to see her upon her arrival. This lends spurious credence to rumours about her conduct; and it forces her sister, Lady Clavering, to ask Harry to assist her when she returns.
Harry fails to tell Lady Ongar of his engagement; and, in a moment of weakness, he embraces and kisses her. This puts him in a position where he must behave dishonourably toward one of the two women in his life: either he must break his engagement, or he must acknowledge that he has gravely insulted Lady Ongar. Although he loves Florence Burton and knows that she is the better woman, he is unwilling to subject Lady Ongar to further misery.
Lady Ongar, because of her considerable wealth, is pursued by others. She is courted by Count Pateroff, one of her late husband's friends, and by Archie Clavering, Sir Hugh's younger brother. Count Pateroff's scheming sister Sophie Gourdeloup, the only woman who will see Lady Ongar because of the rumours about her conduct, wants her to remain single so that Mme. Gourdeloup can continue to exploit her.
Mme. Gourdeloup sees to it that Lady Ongar learns about Harry's engagement. Meanwhile, Florence Burton learns that Harry has been seeing Lady Ongar regularly, and decides that she must release him if he does not truly love her.
Through the good influence of his mother, Harry comes to realise that Florence Burton is the better woman and the less deserving of dishonorable treatment. To her letter offering to end their engagement, he responds with a reaffirmation of his love for her. He also writes to Lady Ongar, regretting his past conduct toward her and making it clear that he intends to remain true to his fiancĂŠe.
Soon thereafter, Sir Hugh and Archie Clavering are both drowned when their yacht goes down off Heligoland. This makes Harry's father the new baronet and the possessor of Clavering Park, with Harry the heir apparent. This increase in wealth allows him to marry immediately and to give up engineering, a profession for which he almost certainly lacked sufficient self-discipline. Lady Ongar gives up much of her property to the family of the new earl, and retires into seclusion with her widowed sister. |
What enables Harry to marry immediately? | His increase in wealth. | When he becomes the heir apparent | Harry Clavering is the only son of Reverend Henry Clavering, a well-to-do clergyman and the paternal uncle of the affluent baronet Sir Hugh Clavering. At the novel's beginning, Harry is jilted by his fiancĂŠe, the sister of Sir Hugh's wife, who proceeds to marry Lord Ongar, a wealthy but debauched earl.
Harry's father urges him to make the church his profession; but Harry aspires to become a civil engineer, of the type of Robert Stephenson, Joseph Locke, and Thomas Brassey. To this end, he becomes a pupil at the firm of Beilby and Burton.
A year and a half later, Harry has become engaged to Florence Burton, the daughter of one of his employers. He presses her for an early marriage; but although she loves him deeply, she refuses, insisting that they wait until he has an income adequate to support himself and a family.
At this point, Lord Ongar dies, and his widow returns to England. Sir Hugh, her nearest male relative, is a hard and selfish man, and refuses to see her upon her arrival. This lends spurious credence to rumours about her conduct; and it forces her sister, Lady Clavering, to ask Harry to assist her when she returns.
Harry fails to tell Lady Ongar of his engagement; and, in a moment of weakness, he embraces and kisses her. This puts him in a position where he must behave dishonourably toward one of the two women in his life: either he must break his engagement, or he must acknowledge that he has gravely insulted Lady Ongar. Although he loves Florence Burton and knows that she is the better woman, he is unwilling to subject Lady Ongar to further misery.
Lady Ongar, because of her considerable wealth, is pursued by others. She is courted by Count Pateroff, one of her late husband's friends, and by Archie Clavering, Sir Hugh's younger brother. Count Pateroff's scheming sister Sophie Gourdeloup, the only woman who will see Lady Ongar because of the rumours about her conduct, wants her to remain single so that Mme. Gourdeloup can continue to exploit her.
Mme. Gourdeloup sees to it that Lady Ongar learns about Harry's engagement. Meanwhile, Florence Burton learns that Harry has been seeing Lady Ongar regularly, and decides that she must release him if he does not truly love her.
Through the good influence of his mother, Harry comes to realise that Florence Burton is the better woman and the less deserving of dishonorable treatment. To her letter offering to end their engagement, he responds with a reaffirmation of his love for her. He also writes to Lady Ongar, regretting his past conduct toward her and making it clear that he intends to remain true to his fiancĂŠe.
Soon thereafter, Sir Hugh and Archie Clavering are both drowned when their yacht goes down off Heligoland. This makes Harry's father the new baronet and the possessor of Clavering Park, with Harry the heir apparent. This increase in wealth allows him to marry immediately and to give up engineering, a profession for which he almost certainly lacked sufficient self-discipline. Lady Ongar gives up much of her property to the family of the new earl, and retires into seclusion with her widowed sister. |
Why wasn't Henry a good engineer? | He lacked self discipline. | He didn't have self discipiline. | Harry Clavering is the only son of Reverend Henry Clavering, a well-to-do clergyman and the paternal uncle of the affluent baronet Sir Hugh Clavering. At the novel's beginning, Harry is jilted by his fiancĂŠe, the sister of Sir Hugh's wife, who proceeds to marry Lord Ongar, a wealthy but debauched earl.
Harry's father urges him to make the church his profession; but Harry aspires to become a civil engineer, of the type of Robert Stephenson, Joseph Locke, and Thomas Brassey. To this end, he becomes a pupil at the firm of Beilby and Burton.
A year and a half later, Harry has become engaged to Florence Burton, the daughter of one of his employers. He presses her for an early marriage; but although she loves him deeply, she refuses, insisting that they wait until he has an income adequate to support himself and a family.
At this point, Lord Ongar dies, and his widow returns to England. Sir Hugh, her nearest male relative, is a hard and selfish man, and refuses to see her upon her arrival. This lends spurious credence to rumours about her conduct; and it forces her sister, Lady Clavering, to ask Harry to assist her when she returns.
Harry fails to tell Lady Ongar of his engagement; and, in a moment of weakness, he embraces and kisses her. This puts him in a position where he must behave dishonourably toward one of the two women in his life: either he must break his engagement, or he must acknowledge that he has gravely insulted Lady Ongar. Although he loves Florence Burton and knows that she is the better woman, he is unwilling to subject Lady Ongar to further misery.
Lady Ongar, because of her considerable wealth, is pursued by others. She is courted by Count Pateroff, one of her late husband's friends, and by Archie Clavering, Sir Hugh's younger brother. Count Pateroff's scheming sister Sophie Gourdeloup, the only woman who will see Lady Ongar because of the rumours about her conduct, wants her to remain single so that Mme. Gourdeloup can continue to exploit her.
Mme. Gourdeloup sees to it that Lady Ongar learns about Harry's engagement. Meanwhile, Florence Burton learns that Harry has been seeing Lady Ongar regularly, and decides that she must release him if he does not truly love her.
Through the good influence of his mother, Harry comes to realise that Florence Burton is the better woman and the less deserving of dishonorable treatment. To her letter offering to end their engagement, he responds with a reaffirmation of his love for her. He also writes to Lady Ongar, regretting his past conduct toward her and making it clear that he intends to remain true to his fiancĂŠe.
Soon thereafter, Sir Hugh and Archie Clavering are both drowned when their yacht goes down off Heligoland. This makes Harry's father the new baronet and the possessor of Clavering Park, with Harry the heir apparent. This increase in wealth allows him to marry immediately and to give up engineering, a profession for which he almost certainly lacked sufficient self-discipline. Lady Ongar gives up much of her property to the family of the new earl, and retires into seclusion with her widowed sister. |
Where does Lady Onger go after he husband dies? | England. | England. | Harry Clavering is the only son of Reverend Henry Clavering, a well-to-do clergyman and the paternal uncle of the affluent baronet Sir Hugh Clavering. At the novel's beginning, Harry is jilted by his fiancĂŠe, the sister of Sir Hugh's wife, who proceeds to marry Lord Ongar, a wealthy but debauched earl.
Harry's father urges him to make the church his profession; but Harry aspires to become a civil engineer, of the type of Robert Stephenson, Joseph Locke, and Thomas Brassey. To this end, he becomes a pupil at the firm of Beilby and Burton.
A year and a half later, Harry has become engaged to Florence Burton, the daughter of one of his employers. He presses her for an early marriage; but although she loves him deeply, she refuses, insisting that they wait until he has an income adequate to support himself and a family.
At this point, Lord Ongar dies, and his widow returns to England. Sir Hugh, her nearest male relative, is a hard and selfish man, and refuses to see her upon her arrival. This lends spurious credence to rumours about her conduct; and it forces her sister, Lady Clavering, to ask Harry to assist her when she returns.
Harry fails to tell Lady Ongar of his engagement; and, in a moment of weakness, he embraces and kisses her. This puts him in a position where he must behave dishonourably toward one of the two women in his life: either he must break his engagement, or he must acknowledge that he has gravely insulted Lady Ongar. Although he loves Florence Burton and knows that she is the better woman, he is unwilling to subject Lady Ongar to further misery.
Lady Ongar, because of her considerable wealth, is pursued by others. She is courted by Count Pateroff, one of her late husband's friends, and by Archie Clavering, Sir Hugh's younger brother. Count Pateroff's scheming sister Sophie Gourdeloup, the only woman who will see Lady Ongar because of the rumours about her conduct, wants her to remain single so that Mme. Gourdeloup can continue to exploit her.
Mme. Gourdeloup sees to it that Lady Ongar learns about Harry's engagement. Meanwhile, Florence Burton learns that Harry has been seeing Lady Ongar regularly, and decides that she must release him if he does not truly love her.
Through the good influence of his mother, Harry comes to realise that Florence Burton is the better woman and the less deserving of dishonorable treatment. To her letter offering to end their engagement, he responds with a reaffirmation of his love for her. He also writes to Lady Ongar, regretting his past conduct toward her and making it clear that he intends to remain true to his fiancĂŠe.
Soon thereafter, Sir Hugh and Archie Clavering are both drowned when their yacht goes down off Heligoland. This makes Harry's father the new baronet and the possessor of Clavering Park, with Harry the heir apparent. This increase in wealth allows him to marry immediately and to give up engineering, a profession for which he almost certainly lacked sufficient self-discipline. Lady Ongar gives up much of her property to the family of the new earl, and retires into seclusion with her widowed sister. |
What did Dan lose? | He lost all his Whuffie. | Whuffie | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Who is Lil? | Julius' girlfriend. | Lil is Julius' girlfriend. | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Who does Dan move in with? | He moved in with Julius and Lil. | Julius and Lil. | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
What happens to Julius after he is murdered at the park? | He is refreshed/rejuvenated. | He is soon refreshed. | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
What is Julius' favorite ride? | The Haunted Mansion is his favorite ride. | The Haunted Mansion | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
What happens to Julius because his cranial interface is damaged? | He can no longer back himself up. | He can't back himself up | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
What do elevators do after Julius' Whuffie hits rock bottom? | Elevators don't stop for Julius. | refuse to stop for him | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
How does Dan plan to commit suicide? | By lethal injection. | Leathal injection | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
What did Debra do so she would believe she was not involved in the plan to kill Julius? | She had herself restored from a backup that was created before the plan. | Restored from a backup made before the plan | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
What does it mean to deadhead? | To put oneself into a voluntary coma. | voluntary coma | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Who is telling the story? | Julius | Julius. | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Who moves in with Julius and his girlfriend, Lil? | Dan | Dan | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
How do Julius and Dan know each other? | They went to college together | They are friends. | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
What measured Dan's reputation, determining him to be on of the most popular people in the country at one point? | The Whuffie | Whuffie | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Whose ad hoc group takes control of the Hall of Presidents? | Debra's | Debra's | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
What happens to Julius after he is murdered? | He is refreshed | He is refreshed. | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
What is Julius's favorite ride? | The Haunted Mansion | The Haunted Mansion | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
At the end of the story, who do we learn arranged to have Julius killed? | Dan | Dan | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
What was Dan's payment for having Julius killed? | Whuffie | Whuffie from Debra's team | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Instead of killing himself, Dan decides to do what? | He deadheads himself | deadhead | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Where is Julius murdered? | At the park | At the park | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Who arranged to kill Julius? | Dan | Dan. | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Why did Dan arrange to kill Julius? | For the Whuffie from her team | for Whuffie | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
What does it mean to deadhead? | To voluntarily go into a coma | To put oneself into a voluntary coma. | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
How long will Dan be deadheaded? | Until the heat death of the universe | Until the heat death of the Universe | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Who takes over the hall of presidents? | Debra's ad hoc group | Debra's ad hoc | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Why does Debra believe she wasn't involved? | Because she was restored from an old backup | She had herself restored from a backup made before the plan to murder Julius. | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Who does Julius believe had him killed? | Another ad hoc team | Debra's ad hoc | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
What is Julius's favorite ride? | The Haunted Mansion | The Haunted Mansion | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Who is Julius's girlfriend? | Lil | Lil | The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad hoc) that oversees the Magic Kingdom's Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn't believe in rejuvenation and wishes to die, but not while he's at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra's ad hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim.
Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion.
Dan leaves Lil, Julius is kicked out of the ad hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan's planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn't involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe. |
Which of the two central characters has high standards in his chosen profession? | Edwin Reardon | Milvain and Reardon | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
What was the main motivator that drove Milvain in his career? | Financial ambition. | To become rich | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
As a last ditch effort to avoid poverty, what did Reardon attempt to write? | A popular novel. | A commercially successful novel | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
What was Reardon's wife's first name? | Amy. | Yule. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
When did Milvain's sisters move to London? | After their mother died. | After their mothers death. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
According to Milvain, what element is crucial for marriage? | Money. | Money | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Who is the editor of The Current? | Clement Fadge. | Clement Fadge. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Who does Milvain initially set his sights on for marriage? | Marian Yule. | Marian | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Why does the narrator imply that Amy Reardon is the woman Milvain loves? | Because others have made that statement about Milvain. | so that the reader will wonder if he loves Amy or if he's haunter by his love for Marian | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
What is the question the reader is left with at the end of the story? | Whether Milvain is haunted by his love for Marian. | Whether Milvain is haunted by his love for Marian. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
In what city is Grub Street located? | London. | London | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
What is Grub Street synonymous with in the 18th century? | Hack literature. | Hack literature. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
What is Edwin Reardon's profession? | A novelist. | writer | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
What is Jasper Milvain's profession? | A journalist. | journalist | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
What drives Jasper Milvain in his profession? | Financial ambition. | Financial gain | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Why do Edwin and Amy Reardon seperate? | Amy can not come to terms with Edwin's high standards which results in poverty. | Amy cannot accept Edwin's high standards and eventual poverty. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Who are John and Alfred to Amy? | They are her uncles. | Her two uncles. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
What does Milvain believe is the crucial element in a marriage? | Money. | money | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
What legacy does John Yule leave to Marian? | Five thousand pounds. | 5,000 pounds. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
What legacy does John Yule leave Amy Reardon? | Ten thousand pounds. | 10,000 pounds. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Who wrote for finacial gain? | Milvain | Harper Milvain | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Who was Reardon's wife? | Amy | Amy Reardon | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Why did Amy left Reardon? | Amy left because Reardon was not making money | Because Reardon was poor. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Who was Mirian? | Alfred's daughter | A research assistant. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Who was John Yule? | Mirian's uncle. | Martin's wealthy uncle | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Why did Milvan wanted to marry Mirian? | Because Mirian inherited money from John | He respects her intellect | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Who did Milvan married? | Amy Reardon | Amy Reardon. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
What happen to Alfred? | He lost his eyesight. | Alfred goes blind. | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Who care for Alfred? | Mirian | Marian | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
How did Amy Reardon got money? | She inherited money from John. | John Yule died | The story deals with the literary world that Gissing himself had experienced. Its title refers to the London street, Grub Street, which in the 18th century became synonymous with hack literature; by Gissing's time, Grub Street itself no longer existed, though hack-writing certainly did. Its two central characters are a sharply contrasted pair of writers: Edwin Reardon, a novelist of some talent but limited commercial prospects, and a shy, cerebral man; and Jasper Milvain, a young journalist, hard-working and capable of generosity, but cynical and only semi-scrupulous about writing and its purpose in the modern (i.e. late Victorian) world.
New Grub Street opens with Milvain, an "alarmingly modern young man" driven by pure financial ambition in navigating his literary career. He accepts that he will "always despise the people [he] write[s] for," networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon, on the other hand, prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel. At this venture, he is of course too good to succeed, and he's driven to separate from his wife, Amy Reardon, née Yule, who cannot accept her husband's inflexibly high standards—and consequent poverty.
The Yule family includes Amy's two uncles—John, a wealthy invalid, and Alfred, a species of critic—and Alfred's daughter, and research assistant, Marian. The friendship that develops between Marian and Milvain's sisters, who move to London following their mother's death, provides opportunity for the former to meet and fall in love with Milvain. However much Milvain respects Marian's intellectual capabilities and strength of personality, the crucial element (according to him) for marriage is missing: money. Marrying a rich woman, after all, is the most convenient way to speed his career. Indeed, Milvain slights romantic love as a key to marriage:
As a rule, marriage is the result of a mild preference, encouraged by circumstances, and deliberately heightened into strong sexual feeling. You, of all men, know well enough that the same kind of feeling could be produced for almost any woman who wasn't repulsive.
Eventually, reason enough for an engagement is provided by a legacy of £5,000 left to Marian by John Yule.
Life and death eventually end the possibility of this union. Milvain's initial career advancement is a position on The Current, a paper edited by Clement Fadge. Twenty years earlier, Alfred Yule (Marian's father) was slighted by Fadge in a newspaper article, and the resulting acerbic resentment extends even to Milvain. Alfred refuses to countenance Marian's marriage; but his objection proves to be an obstacle to Milvain only after Yule's eyesight fails and Marian's legacy is reduced to a mere £1,500. As a result, Marian must work to provide for her parent, and her inheritance is no longer available to Milvain.
By this time, Milvain already has detected a more desirable target for marriage: Amy Reardon. Reardon's poverty and natural disposition toward ill-health culminate in his death following a brief reconciliation with his wife. She, besides the receipt of £10,000 upon John Yule's death, has the natural beauty and grace to benefit a man in the social events beneficial to his career. Eventually Amy and Milvain marry; however, as the narrator reveals, this marriage motivated by circumstances is not lacking in more profound areas. Milvain, it is said, has married the woman he loves, although it should be noted that the narrator never states this as a fact, merely reporting it as something others have said about Milvain. In fact, in a conversation that ends the book, the reader is left to question whether Milvain is in fact haunted by his love for Marian, and his ungentlemanly actions in that regard. |
Who raises Fyodor Lavretsky? | A severe maiden aunt. | his aunt | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Where does Lavretsky go to pursue his education? | Moscow. | Moscow | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Where does Lavretsky meet his future wife, Varvara Pavlovna? | At the opera in Moscow. | Moscow. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Where do Lavretsky and Varvara live after they marry? | Paris. | Paris. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
How does Lavretsky discover that Varvara is having an extramartial affair? | He finds a note written to her by her lover. | note | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
What does Liza do after it is discovered that Varvara is still alive? | She joins a remote convent. | Becomes a nun. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
What does Lavretsky find is the same when he returns to Liza;s house eight years after Liza joins the convent? | The piano and the garden are the same. | The piano and the garden. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
After Lavretsky returns to Russia, what does he read in a foreign journal? | He reads that Varvara is dead. | That Varvara Pavlovna has died. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Where is Lavretsky brought up? | At his family's country estate in Russia. | His family's country estate. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Why does Varvara return to Russia? | She has fallen out of favor with her Paris friends and needs money from Lavretsky. | She needs money from Lavretsky. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
What is Lavretsky's occupation? | A Nobleman | nobleman | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Who raised Lavretsky? | his aunt | An aunt | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Where does Lavretsky pursue his education? | Moscow | Moscow | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Where does Lavretsky move to get married? | Paris | Paris. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Who betrays Lavretsky? | Pavlovna | his wife | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Who does Lavretsky visit upon his return to Russia? | his cousin | cousin Marya | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
What does lavretsky read about in the journal? | Pavlovna's fall. | That Varvara Pavlovna died. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
What does Lavretsky find about what he read in the journal? | it was false. | Varvara has died | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
How does Liza live out the rest of her days? | A nun | As a nun. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Who does pavlovna need more money from? | Lavretsky | Lavretsky. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
How did Lavretsky learn of Varvara's affair? | He discovers a love note. | He discovers a note written by her lover. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Why is Lavretsky drawn to Liza? | She is very different from Varvara. | she was totally opposite of his wife. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
What is one item found in Liza's house that provides comfort to Lavretsky? | The piano. | piano | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Once she learns they cannot be together, where does Liza go? | A remote convent. | Liza goes to a convent and becomes a nun. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Who raised a young Lavretsky? | A maiden aunt. | A maiden aunt. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
After learning of Varvara's death, why can't Lavretsky and Liza be together? | Varvara wasn't actually dead. | His wife was not really dead | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Where does Lavretsky first see Varvara? | At the opera. | At the opera | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
What city do Lavretsky and Varvara move to when beginning their marriage? | Paris. | Paris | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
What are the names of Lavretsky's cousin Marya's daughters? | Liza and Lenochka. | Liza and Lenochka. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
What is Liza doing when Lavretsky sees her for the last time? | Walking between choirs. | She is walking from choir to choir. | The novel's protagonist is Fyodor Ivanych Lavretsky, a nobleman who shares many traits with Turgenev. The child of a distant, Anglophile father and a serf mother who dies when he is very young, Lavretsky is brought up at his family's country estate home by a severe maiden aunt, often thought to be based on Turgenev's own mother who was known for her cruelty.
Lavretsky pursues an education in Moscow, and while he is studying there, he spies a beautiful young woman at the opera. Her name is Varvara Pavlovna, and he falls in love with her and asks for her hand in marriage. Following their wedding, the two move to Paris, where Varvara Pavlovna becomes a very popular salon hostess and begins an affair with one of her frequent visitors. Lavretsky learns of the affair only when he discovers a note written to her by her lover. Shocked by her betrayal, he severs all contact with her and returns to his family estate.
Upon returning to Russia, Lavretsky visits his cousin, Marya Dmitrievna Kalitina, who lives with her two daughters, Liza and Lenochka. Lavretsky is immediately drawn to Liza, whose serious nature and religious devotion stand in contrast to the coquettish Varvara Pavlovna's social consciousness. Lavretsky realizes that he is falling in love with Liza, and when he reads in a foreign journal that Varvara Pavlovna has died, he confesses his love to her and learns that she loves him in return.
Unfortunately, a cruel twist of fate prevents Lavretsky and Liza from being together. After they confess their love to one another, Lavretsky returns home to find his supposedly dead wife waiting for him in his foyer. It turns out that the reports of her death were false, and that she has fallen out of favor with her friends and needs more money from Lavretsky.
Upon learning of Varvara Pavlovna's sudden appearance, Liza decides to join a remote convent and lives out the rest of her days as a nun. Lavretsky visits her at the convent one time and catches a glimpse of her as she is walking from choir to choir. The novel ends with an epilogue which takes place eight years later, in which Lavretsky returns to Liza's house and finds that, although many things have changed, there are elements such as the piano and the garden that are the same. Lavretsky finds comfort in his memories and is able to see the meaning and even the beauty in his personal pain. |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.