EmoClass stringclasses 10 values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID int64 1 3.33k | Gender stringclasses 2 values | Split_Set stringclasses 2 values | transcript stringlengths 1 353 ⌀ | emotion2vec_features listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|
N | 3.8 | 3.4 | 4 | 100 | Male | Train | so english is a must if you want to consume those kinds of things. i mean, | [
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N | 2.8 | 4.4 | 3.2 | 100 | Male | Train | sure that you have the subtitles in a movie and there are people that translate movies with voiceover and whatnot. | [
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N | 4 | 3.6 | 4.2 | 100 | Male | Train | but i think we'll agree it's not the same. no. no, it's not. and the fact is you still have to speak english if you want to translate. | [
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X | 5.5 | 3 | 5.5 | 101 | Male | Train | and that's just another thing, because if you have this work in english and you want to translate it in spanish, you would think that you would contract someone who actually speaks the language? yeah. | [
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N | 4.833333 | 4.5 | 4.333333 | 101 | Male | Train | it's so, so sober task what they do with this text. yeah. it is. especially with titles. | [
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N | 2.6 | 3.2 | 3.8 | 100 | Male | Train | titles for movies and what... it's wow. does really make sense. | [
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X | 3 | 3.6 | 3.2 | 101 | Male | Train | there are some really few, a minute percentage of the movies made in mexico that does suck. | [
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C | 5.2 | 3.2 | 5 | 101 | Male | Train | and please hear me out. they don't suck. they do not suck. i'm not saying they are good. | [
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N | 5 | 3.6 | 4.8 | 101 | Male | Train | the thing is we have all this entertainment that comes to us in the form of translated media. | [
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X | 4.2 | 3.6 | 5 | 101 | Male | Train | why not cut the middle man, if you're already consuming so much culture that comes from another place. | [
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N | 4 | 4 | 4 | 101 | Male | Train | there are people who say that they want to keep their culture pure, for example, but they only want to have their heritage- | [
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N | 5.166667 | 3.833333 | 4.333333 | 100 | Male | Train | i don't think that's a valid claim nowadays. no, it isn't because we live in a globalized society now. | [
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X | 3 | 3 | 4 | 101 | Male | Train | when the internet wasn't around then you actually had an excuse to say that you will never interact with people who are not from your own local community. | [
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N | 4.6 | 3.6 | 4.4 | 100 | Male | Train | and not just american. before the internet, before the american influence came to mexico... | [
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H | 4.705882 | 4.882353 | 4.352941 | 100 | Male | Train | and hold on, try to stall. okay. say something while i think. okay. | [
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N | 4.6 | 3.8 | 4.6 | 100 | Male | Train | and actually the mexican revolution was the first, what's the word? i'm sorry. | [
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N | 3.6 | 4 | 3.6 | 100 | Male | Train | the mexican revolution was the first historical... account? account. | [
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H | 5 | 5 | 4.666667 | 100 | Male | Train | yeah, the first historical account to have been documented in video | [
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N | 4 | 4 | 3.6 | 100 | Male | Train | with themes and subjects that were relevant for their time. yeah. and, | [
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U | 4.105263 | 4.789474 | 3.947368 | 100 | Male | Train | one of the things that i found really interesting, | [
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N | 3 | 4 | 3.6 | 100 | Male | Train | there is a culture of inconsistency when it comes to being productive. | [
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N | 3.8 | 3.2 | 4.4 | 100 | Male | Train | the fact is very few people in mexico that are independent, actually finish what they start off to do. | [
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U | 5.052632 | 5.263158 | 4.631579 | 100 | Male | Train | makes sense. yeah, that's true. and it really amazed me that even back then someone saw that. | [
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S | 4.2 | 3 | 3.6 | 100 | Male | Train | isn't that just sad? it is. it made me sad. it made me sad. and it's one of the first things i tell my students at my school | [
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N | 3.6 | 4 | 3.8 | 100 | Male | Train | when studying the history of movies. | [
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N | 3 | 3.8 | 3.8 | 100 | Male | Train | because i mean, | [
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C | 4 | 2.6 | 4.2 | 101 | Male | Train | i don't like the golden era movies from mexico, which is the way they call them. | [
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N | 4.2 | 4.6 | 4.2 | 101 | Male | Train | but we do have this other culture, if you will, or this other industry: soap operas. | [
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C | 5.4 | 3.6 | 4.8 | 101 | Male | Train | we do. i mean, some of you guys who are mexican and watch soap operas, and also go into the internet to look for podcasts on storytelling, | [
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N | 4.4 | 4.6 | 4 | 101 | Male | Train | which i'm going to guess is the majority of our listenership. audience. | [
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N | 4.6 | 4.2 | 4.8 | 101 | Male | Train | yeah. but, i mean, they're still soap operas, but they're good soap operas. if that's possible, if the concept actually exists. | [
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N | 2.6 | 3.8 | 3.8 | 100 | Male | Train | two other formats that they use... sherlock, for example. each season, it's just three episodes. | [
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N | 2.8 | 3.2 | 3.2 | 100 | Male | Train | but there was a year... i don't know what happened. i want to look into it, but i forget to do it. | [
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N | 4 | 3.8 | 3.8 | 100 | Male | Train | it turns out that normally they're a yearly thing, every series. sure. | [
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N | 4.6 | 4 | 4.2 | 100 | Male | Train | okay. and it turns out that one year they only | [
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N | 3.8 | 3.6 | 3.4 | 100 | Male | Train | produced four episodes for the series. only four? yeah. | [
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N | 3.6 | 3.6 | 3.8 | 100 | Male | Train | that's weird. i don't know why. but | [
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N | 3.333333 | 4 | 3.833333 | 100 | Male | Train | to be a little inconsistent with the format or your deliveries... | [
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X | 5 | 5 | 4.8 | 101 | Male | Train | really? yeah. how do you mean? they released every episode, all of the episodes at the same time, | [
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N | 4 | 3.8 | 4 | 101 | Male | Train | which is so many episodes long, let's say 23 or something like that. | [
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N | 4 | 4.4 | 4.4 | 101 | Male | Train | there's also this cultural thing that we've talked about many times, which i think is really interesting, | [
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N | 3.4 | 4 | 3 | 101 | Male | Train | but i bring this up because... | [
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O | 4 | 3.333333 | 4.166667 | 100 | Male | Train | do i start by the beginning? do i write something from the end and write towards that? | [
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H | 4.6 | 5.4 | 4.8 | 101 | Male | Train | okay. first of all, they said, that's the highway. you can find him on facebook by looking for dusty highway. | [
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N | 3 | 3.615385 | 3.692308 | 101 | Male | Train | so everything becomes very tense, very forced. and you don't get the effect you're looking for. | [
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H | 5 | 5.736842 | 4.842105 | 101 | Male | Train | yeah. and also ask for commissions. he loves those. | [
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H | 6.6 | 5.4 | 5.2 | 100 | Male | Train | i don't know, [inaudible] that doesn't allow them to finish their things right. | [
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U | 4.2 | 4 | 4.2 | 100 | Male | Train | so you're, you're saying that memory functions on emotion? yeah. okay. | [
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N | 5.4 | 5.3 | 5.1 | 101 | Male | Train | that's what i mean. i mean, american way of telling stories is good because at the end, | [
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N | 4.2 | 3.8 | 4.6 | 101 | Male | Train | then that's what i think makes some people go away from anime because that's rarely the case. yeah. and at most what you're going to get for an anime is not a... | [
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N | 3.6 | 3 | 4.6 | 100 | Male | Train | that's the thing. they don't really get it across, | [
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X | 4.6 | 2.8 | 4 | 100 | Male | Train | but sometimes it really just doesn't make any sense. sometimes it's pointless. | [
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C | 4.666667 | 3.166667 | 4.916667 | 100 | Male | Train | and also another thing that i don't like in japanese storytelling is the inconsistency when it comes to the storytelling. | [
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N | 4 | 4 | 5 | 100 | Male | Train | i mean, mexicans might be inconsistent in production, but the japanese are really inconsistent when it comes to the | [
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N | 4.8 | 4 | 4 | 100 | Male | Train | structure or the facts of their stories. | [
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N | 4 | 4.4 | 4.4 | 101 | Male | Train | for example, there's other things that i don't know if you want to get into this, but there are stories in japan in anime that they start being one thing, | [
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C | 5.6 | 3.4 | 5 | 101 | Male | Train | then it seems like, in the middle of the thing they decided they don't want to tell that story anymore. yeah. | [
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N | 4.6 | 4.2 | 3.6 | 100 | Male | Train | but that's a very asian thing. it's in korean works. i mean, according to what i heard, | [
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N | 3.2 | 3.8 | 4 | 100 | Male | Train | it seems that koreans do that a lot, too. | [
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N | 4.6 | 3.4 | 3.8 | 100 | Male | Train | and he emulated that in one of his works. | [
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N | 4.2 | 3.2 | 5 | 100 | Male | Train | and this was what made me not like pacific rim so much- that guillermo del toro, who is a mexican, | [
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N | 5 | 4 | 5 | 100 | Male | Train | at the beginning, | [
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U | 4.166667 | 4.5 | 4.333333 | 100 | Male | Train | he's piloting it with the girl | [
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X | 4.6 | 2.6 | 4.7 | 100 | Male | Train | and they're trying to beat the shit out of the kaiju, right? yeah. | [
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U | 5.6 | 3.4 | 5.2 | 100 | Male | Train | it seems that the only way they have to fight with it is beating the shit out of it with their fists. | [
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A | 5.8 | 3.6 | 5.6 | 100 | Male | Train | then take the sword out. what? you had a sword? why didn't you use it from the goddamn beginning? | [
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H | 5 | 4.5 | 5 | 100 | Male | Train | i remember these scenes very clearly because this guy takes these | [
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U | 5.6 | 4.6 | 5.6 | 100 | Male | Train | storage hangar things from the dock. i mean, those big, big, big metal containers. yeah? and he grabs them | [
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X | 5.6 | 3.2 | 5.2 | 100 | Male | Train | and he beats the shit out of the kaiju with it. i mean, | [
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N | 5.2 | 3.8 | 5.2 | 100 | Male | Train | okay, your fists are made of some goddamned metal that does not get bent | [
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A | 5.545455 | 2.363636 | 5.454545 | 100 | Male | Train | when hitting a kaiju. do you really think that a goddamned metal container that | [
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O | 5.285714 | 4.714286 | 5.285714 | 100 | Male | Train | was crushed when you grabbed it, is going to help you do more damage? | [
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H | 4.6 | 5.4 | 4.2 | 101 | Male | Train | and apparently, it does work. | [
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C | 6 | 3.4 | 5.4 | 100 | Male | Train | it doesn't make sense. i know. and that's the kind of things that japanese do a lot | [
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X | 4.4 | 2.8 | 4.8 | 100 | Male | Train | with their works. there's a lot of inconsistencies in the facts | [
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H | 3.6 | 4.8 | 3.8 | 100 | Male | Train | of the story. yeah, that's true. that's true. i got a really good kick out of something someone told me. | [
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... |
N | 2 | 4 | 3 | 100 | Male | Train | okay. i understand that at the very beginning of the movie, when the protagonist's brother dies, | [
{
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N | 3.8 | 3.6 | 4 | 100 | Male | Train | they didn't use a sword. maybe because they didn't have a sword back then. | [
{
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N | 4 | 4 | 4 | 100 | Male | Train | yeah. right? okay. well, here's the thing. | [
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N | 4.2 | 3.8 | 4.2 | 100 | Male | Train | someone told me that they read up on the backstory quotes, a lot of quotes here for the movie. | [
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N | 3.6 | 3.6 | 3.8 | 100 | Male | Train | and he's saying that he read that the swords eat up a lot of the energy. | [
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H | 5.909091 | 6 | 5.363636 | 100 | Male | Train | okay? and i'm like, dude, did you see how many plasma gun blasts they waste | [
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H | 6.727273 | 5.181818 | 6.454545 | 100 | Male | Train | before getting a fucking sword out? you're going to tell me a plasma gun eats less energy away than a sword? | [
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X | 4.2 | 4.2 | 3.8 | 101 | Male | Train | isn't a sword really a stick? a carbon stick? | [
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D | 3.8 | 3 | 3.4 | 100 | Male | Train | argue, with this guy? | [
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X | 4.8 | 3.5 | 4.5 | 100 | Male | Train | also, i don't know how the communications kept working when they crossed the gate to the other dimension. | [
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N | 3.8 | 4 | 3.2 | 101 | Male | Train | because obviously they love [inaudible] | [
{
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N | 4.6 | 3.6 | 5 | 101 | Male | Train | flow. right. so if you have this communication system, even if you go through this dimensional barrier, | [
{
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X | 3.8 | 3.6 | 3.6 | 101 | Male | Train | you get to [crosstalk] know, | [
{
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... |
X | 5.4 | 4.4 | 4.8 | 101 | Male | Train | i mean. no, no. but you know what i hate about this thing that i see so many guys, so many americans go | [
{
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D | 4.333333 | 3 | 4.583333 | 101 | Male | Train | to pacific rim to exemplify a movie in which it is not an american that saves the day. | [
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... |
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