text stringlengths 0 353 | EmoClass stringclasses 10
values | EmoAct float64 1 7 | EmoVal float64 1 7 | EmoDom float64 1 7 | SpkrID stringlengths 1 7 | Gender stringclasses 3
values |
|---|---|---|---|---|---|---|
which i suspect says more about the uk distributors wanting a more conventional[inaudible 00:03:59] | N | 3.4 | 3.4 | 3.6 | Unknown | Unknown |
you said previously in other episodes that sometimes they use sequences that they hadn't used in the italian version, i didn't... | X | 3.2 | 3.8 | 3.8 | Unknown | Unknown |
comes back round and a man who was suicidal potentially... | N | 3.8 | 3.2 | 4.2 | Unknown | Unknown |
...has answers if nothing else. | N | 4.4 | 4 | 4.2 | Unknown | Unknown |
golf and in the other it's to go bracing... | X | 3.8 | 4 | 4.2 | Unknown | Unknown |
cross-written. the guy who did luther got his story from 2010, played john [inaudible 00:08:23] | N | 3.2 | 3.8 | 3.8 | Unknown | Unknown |
cutting away, yes, to a seaside haunt of him and his wife used to go to, his wife has severe dementia and is going into... | X | 3.2 | 3.2 | 3.6 | Unknown | Unknown |
james' tale rather than a straight adaptation. | N | 3.8 | 4.2 | 3.8 | Unknown | Unknown |
intensely frustrating. but then that depends on how you approach the film, i think. | O | 4.6 | 4 | 3.8 | Unknown | Unknown |
i thought, oh this is check when what's... | X | 3.2 | 3.4 | 3.6 | Unknown | Unknown |
writing a canon of what counts as a giallo film is important to... | N | 3.8 | 4.2 | 4.4 | Unknown | Unknown |
but they've left it as a third-rate giallo... | N | 3.2 | 3.8 | 3.8 | Unknown | Unknown |
all great. the fifth chord is absolutely fantastic, and... | X | 3.4 | 4.8 | 3.8 | Unknown | Unknown |
preparation for this and enjoyed it even more the second time round. because i could just have let go the... | N | 4.4 | 3.6 | 4.6 | Unknown | Unknown |
...probably. if it's not really too much. and you know this. | N | 4.6 | 4 | 3.8 | Unknown | Unknown |
...is even worse than on [inaudible 00:04:28] cast, when we were doing the beast episode. and then it got it... | X | 4.8 | 2.8 | 5 | Unknown | Unknown |
really within bernard's mind. | N | 4.2 | 3.8 | 4.2 | Unknown | Unknown |
although i guess, ultimately, several people confessed to doing bad things. | N | 4 | 4.2 | 3.6 | Unknown | Unknown |
and when that scene where francesco and bernard on the lake and you have that light looking down on them... | X | 3.8 | 4.4 | 4.2 | Unknown | Unknown |
and he sees...yes.adriana, who he thinks might be tilda, at the beginning, to chase after. and then you know, you spy illicit lovers because this is also... | N | 3 | 4 | 3.4 | Unknown | Unknown |
a line, the mountains kill you or something? | S | 2 | 3 | 2.8 | Unknown | Unknown |
your reputation and the life you live all intertwined with someone in a fundamental, and these, you see this challenge to what will happen with people. | X | 2.8 | 4 | 4 | Unknown | Unknown |
in italian england. except, it's the word "corpse" in italian. | X | 4.6 | 4.6 | 4.8 | Unknown | Unknown |
that segment. plus having done girling you too much. | S | 2.2 | 3.2 | 3.8 | Unknown | Unknown |
yeah. it's far more tactile, in terms of- | N | 4.4 | 3.8 | 4.2 | Unknown | Unknown |
motivation of retrieving a scandalous diary... | N | 4.2 | 4.2 | 4 | Unknown | Unknown |
... particularly negative assumptions that are being made about this film are almost being anticipated by barver. | N | 4 | 3.2 | 4.4 | Unknown | Unknown |
time with these characters, well, we have dialogue with these characters... | X | 4.2 | 4.4 | 3.8 | Unknown | Unknown |
the interior's quite bourock in terms of the fireplace and the ornaments. that sticks out as the fashion place as something would- | H | 3.8 | 5 | 3.6 | Unknown | Unknown |
where even if the fashions themselves are not the most modern... | X | 4 | 4 | 4 | Unknown | Unknown |
...a vast amount of competition. | H | 4.6 | 4.8 | 4.2 | Unknown | Unknown |
is someone saying that women or the models will stab each other in the back rather than work together? | A | 2.8 | 3.8 | 3.4 | Unknown | Unknown |
i would say that, and the... well, actually, yeah. the- | H | 3.2 | 4.6 | 3.4 | Unknown | Unknown |
but that's, i think, far more problematic than anything that actually happens in this film. | H | 4.4 | 4.4 | 4.2 | Unknown | Unknown |
and obviously, in horrible pan and scan versions with the color grading all wrong. | S | 3.6 | 3.2 | 3.2 | Unknown | Unknown |
does that reflect an italian view of state? | N | 4 | 4.4 | 3.6 | Unknown | Unknown |
the protagonist, are they an amateur or a private detective or? | X | 3 | 4.6 | 3.6 | Unknown | Unknown |
sure. sure. horror or ghost fiction like of- | N | 3 | 4 | 3.2 | Unknown | Unknown |
... protagonist, i presume. that's often the in, if you like. | X | 3.6 | 4.4 | 4 | Unknown | Unknown |
except it's sub genre.yeah.rather than something like... i don't know, i was thinking of the sub genre that i have become somewhat skeptical of over the years when- | N | 4.2 | 4.4 | 4 | Unknown | Unknown |
it was just initially a term that piers haggard pulled out of his arse when trying to talk about a slightly rural aspect to the- | C | 4 | 3.8 | 3.8 | 2223 | Female |
there's often a footnote mentioned that sort of the first... technically, the first- | N | 4.6 | 4.4 | 4.4 | Unknown | Unknown |
the most famous name in italian horror filmmaking if not- | S | 3 | 3.2 | 3.4 | Unknown | Unknown |
this is one of the most beautiful movies i've ever seen. | H | 5 | 5.4 | 4.8 | Unknown | Unknown |
so he was a fan of the genre of jallow as a mystery- | N | 3.8 | 4 | 4 | 2223 | Female |
basically, this was a social structure where it's more like a cafe or a pub in which you're ostensibly there to watch a film but- | H | 3.8 | 4.6 | 4 | Unknown | Unknown |
visual style would trump narrative coherence in many of these... | N | 4.2 | 4.2 | 4.6 | Unknown | Unknown |
which is not the least of which because we're in 1963 and probably not quite there, in terms of at least the sexual exploitation element in terms of- | X | 4.8 | 3 | 4.4 | Unknown | Unknown |
and richardson did when he made mademoiselle and got jean morro to record, to do the scenes. | N | 4.4 | 4.4 | 3.8 | Unknown | Unknown |
there's no evidence of it, and they all think she's making it up. | N | 3.4 | 3 | 3.2 | Unknown | Unknown |
an alphabet killer, who's killed-yeah. | N | 3 | 3 | 3.2 | Unknown | Unknown |
even though it's a locked door in someone else's house that she doesn't know- | N | 3.4 | 3.2 | 4 | Unknown | Unknown |
is that a conscious nod from [inaudible 00:01:42] or something he's trying to bring out to the italian- | X | 3.6 | 4 | 3.8 | Unknown | Unknown |
... not to write nearly all of them in one way or another. | H | 4 | 5.4 | 4.4 | Unknown | Unknown |
... variations. this didn't. under my expectations, this was more subtle in some ways. | N | 3.6 | 3.8 | 3.8 | Unknown | Unknown |
and that's where you see the lack of consensus going on between the federal government and some of the member states with the political opposition in mogadishu and elsewhere. | X | 3 | 3.2 | 4.2 | Unknown | Unknown |
so i think it's in a very critical moment right now. | O | 4.8 | 3 | 4 | Unknown | Unknown |
it's been inherent, kind of, in the state building process. | X | 2.6 | 3.4 | 3 | Unknown | Unknown |
and does that appear any closer now than ever before? | X | 2.6 | 4.6 | 3.8 | Unknown | Unknown |
it is kind of driving poverty up a bit and- | X | 4.8 | 4.8 | 3.6 | Unknown | Unknown |
very reliant on the aviation sector because of how close you are to gatwick airport. | H | 5 | 4.6 | 4.6 | Unknown | Unknown |
well, our wages will be cut and therefore the quality of life is going to decline- | S | 3.6 | 3.4 | 4.4 | Unknown | Unknown |
unsafe can risk life and risk spreading it and therefore lead to further deaths. | S | 4.4 | 2.4 | 4.4 | Unknown | Unknown |
and if a lot more people had their incomes protected- | N | 3.6 | 3.4 | 4.2 | Unknown | Unknown |
a lot of industries are going completely redundant anyway, so- | X | 4.4 | 3 | 3.4 | Unknown | Unknown |
... the austerity. and we've seen youth services being closed- | S | 3.4 | 3.2 | 3.4 | Unknown | Unknown |
i-basically, you... yeah. you [inaudible 00:09:07].i didn't follow him on twitter there. i don't- | N | 5.4 | 4.2 | 5 | Unknown | Unknown |
... everything for free, but i don't think... but- | N | 4.4 | 3.4 | 3.6 | Unknown | Unknown |
... it's not like... i have heard the whole trickle-down argument like, "oh- | X | 3.8 | 3 | 3.6 | Unknown | Unknown |
if you give more money to these people, then somehow it will trickle down to the others. that- | N | 3.4 | 3.6 | 3 | Unknown | Unknown |
and customers are shifting more and more of their transactions to our digital channels. | N | 3.8 | 4 | 4.6 | Unknown | Unknown |
we have an amazing design team here at chase. | H | 3.8 | 4.8 | 4.6 | Unknown | Unknown |
and we are hiring like crazy, and i've been just impressed with the talent that we've been able to recruit- | H | 3.2 | 5 | 4.2 | Unknown | Unknown |
... and i think that's just really at the core of what we do. | N | 3 | 4 | 3.6 | Unknown | Unknown |
so an api into accessing the data held within employment. | N | 4.4 | 4 | 4.2 | Unknown | Unknown |
and part of that is i think i've just always personally found myself more drawn to- | N | 3 | 4.2 | 3.6 | Unknown | Unknown |
with new solutions to manage and report multiple sources of income. | H | 4.4 | 5.2 | 4.6 | Unknown | Unknown |
we are very much excited about the prospects of north america and we... | X | 4.2 | 4.6 | 4.2 | Unknown | Unknown |
you mentioned linkedin. what does the funnel look like- | X | 3.6 | 4 | 4.2 | Unknown | Unknown |
it was particularly brutal, particularly bad. | X | 4.2 | 3.4 | 4.4 | Unknown | Unknown |
i think this actually is a really good demonstration of who we are as men. | H | 4.4 | 5 | 4.2 | Unknown | Unknown |
so, presentations are about sharing information. | N | 4.2 | 4.2 | 4.6 | Unknown | Unknown |
this is great. last thing- | N | 2.8 | 4.6 | 3.8 | Unknown | Unknown |
... before explaining it is there's a blog post on that. so- | N | 3.6 | 3.8 | 3 | Unknown | Unknown |
also to a general ground swell of opinion that i've held off on responding to for a long time. | X | 4.2 | 2.6 | 3.6 | Unknown | Unknown |
it's interesting because when i think of the podcast that i worry a little bit about- | X | 3.4 | 4.2 | 4.2 | Unknown | Unknown |
so i think one of the things that pisses me off and as i get further along in my career, i realize i'm turning into like a... | X | 4.4 | 4 | 5.2 | Unknown | Unknown |
i mean, we could talk about the effects of twitter going away on that group- | C | 3.8 | 3.2 | 4.6 | 2259 | Female |
but i'm no bob [inaudible 00:03:13]. i mean, this- | X | 3.6 | 4 | 3.8 | Unknown | Unknown |
and he talks about quitting social media and not feeling the need to always fill in the empty spaces in your life when you're in line for- | X | 3.6 | 3.4 | 4.2 | Unknown | Unknown |
oh my gosh, rob. first off, this is inappropriate for the wild cast. don't... | U | 4.8 | 2.6 | 4.8 | 2259 | Female |
wild em podcast, a show about nothing. | H | 5.6 | 5 | 5.4 | Unknown | Unknown |
not work well. holy crap. | U | 3.8 | 4.4 | 4.2 | 2224 | Male |
it's like bowling. soccer's like bowling is what he said. | N | 3.8 | 3.6 | 4.6 | Unknown | Unknown |
one of the things that pisses me off and as i get further along in my career, i realize i'm turning into a... | C | 4.6 | 3.2 | 5 | 2224 | Male |
there was a process to buy into you having that audience | N | 4.2 | 4 | 4 | 2224 | Male |
if a patient's nearly dead and... | S | 4 | 3 | 4.4 | 2224 | Male |
i have something wrong with my esophagus or my pharyngeal mucous or something- | N | 4.2 | 3 | 4.6 | Unknown | Unknown |
well, sort of... ryan's going to take one side, walt's going to take the other. | N | 5 | 4.4 | 4.2 | Unknown | Unknown |
because if you look, hopefully somebody's got the graph of the cdc's most recent data, 2014. | H | 4.8 | 4.8 | 4.6 | Unknown | Unknown |
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