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igH3ixpts2g@3@Character 1@intention@second | videos/igH3ixpts2g.mp4 | intention_questions | second-order | What does Scott Wolf think Character 1 intends by talking about both the 'God complex' and subsequent vulnerability of his character? | D | Character 1's animated gestures and shifts in tone indicate a deliberate effort to convey depth, suggesting he intends to highlight a dramatic character arc that evokes empathy and complexity. | Character 1 | Character 1 | Scott Wolf, dark blue scrub top | while Character 1 talks about aspects of his character in his narrative | To encourage the group to acknowledge the character's struggles as relatable to their own experiences | To address his own uncertainties about portraying the character by emphasizing the contrast in traits | To shift the group's focus away from his emotional response to the character's challenges | To highlight a dramatic character arc that evokes empathy and complexity |
igH3ixpts2g@2@Character 3@belief@second | videos/igH3ixpts2g.mp4 | belief_questions | second-order | What does Woman in floral dress think Character 1 believes about her reaction to his joke? | B | The Woman in floral dress smiles and nods, which are clear signs of positive engagement. Character 1 likely perceives these cues as appreciation for his humor, reinforcing his confidence. | Character 1 | Character 3 | Woman in floral dress | after Woman in floral dress smiles and nods at Character 1’s joke | She thinks he believes she is analyzing his joke carefully, possibly questioning whether he meant it sincerely. | She thinks he believes she appreciates his humor and is engaged positively. | She thinks he believes she is unfazed by his attempt, showing little interest or enthusiasm in response. | She thinks he believes she is puzzled by the joke, unsure of its meaning or why it is supposed to be funny. |
igH3ixpts2g@1@Character 2@intention@second | videos/igH3ixpts2g.mp4 | intention_questions | second-order | What does Man in Dark Suit think the woman in the floral dress intends by leaning forward and gesturing in response to his statements? | C | The woman in the floral dress leans forward and gestures animatedly, which suggests she is engaged and amused by the conversation. Her body language, including smiling and open gestures, indicates she is encouraging the playful exchange rather than challenging or redirecting it. | Woman in Floral Dress | Character 2 | Man in Dark Suit | when the woman in the floral dress leans forward and gestures | To subtly steer the discussion toward a matter she feels is being overlooked by the group | To assert her own authority in the discussion and gently push back against his influence | To show amusement and encouragement to keep the playful exchange going | To express polite doubt and distance herself from fully agreeing with his statements |
igH3ixpts2g@5@Character 1@intention@second | videos/igH3ixpts2g.mp4 | intention_questions | second-order | What does Scott Wolf think Character 3 believes about his statement of being mistaken for Michael J. Fox? | B | Scott Wolf perceives that Character 3 is slightly amused and doubts the frequency or truth of his mistaken identity claim. This is inferred from Character 3's neutral tone and the questioning 'Do you?' which indicates polite skepticism. | Character 3 | Character 1 | Scott Wolf, dark suit | after Scott Wolf says 'And I get mistaken for him.' | Scott thinks Character 3 questions whether Scott is exaggerating the mistaken identity story and is curious about why he brought it up. | Scott thinks Character 3 doubts the frequency or truth of the mistaken identity claim and is slightly amused. | Scott thinks Character 3 is neutral about the mistaken identity story, seeing it as just another anecdote with no real impact. | Scott thinks Character 3 completely accepts the mistaken identity claim and finds it flattering, showing no skepticism or humor. |
IHMufbuDySg@2@character_3@belief@second | videos/IHMufbuDySg.mp4 | belief_questions | second-order | What does Nurse think Dr. Lulu believes Mrs. Smith thinks about the doctors’ discussion before she spoke up? | D | Nurse perceives that Dr. Lulu is aware Mrs. Smith might feel excluded from the discussion about her son. His measured tone and hesitation indicate he believes Mrs. Smith thinks the doctors were discussing her son without her consent. | Dr. Lulu | character_3 | Nurse, white uniform, attentive | right after Mrs. Smith says she heard the discussion | That Dr. Lulu believes Mrs. Smith thinks the doctors were downplaying how serious her son's condition actually is during their discussion. | That Dr. Lulu believes Mrs. Smith thinks the doctors were genuinely attentive and forthright about all of her concerns regarding her son's care. | That Dr. Lulu believes Mrs. Smith thinks the doctors were purposefully overlooking the questions and worries she raised about her son's health. | That Dr. Lulu believes Mrs. Smith thinks the doctors were discussing her son without her consent |
IHMufbuDySg@1@character_1@intention@second | videos/IHMufbuDySg.mp4 | intention_questions | second-order | What does Mrs. Smith think the nurse intends by saying the neurological impossibility of recovery? | B | Mrs. Smith interprets the nurse's emphasis on the neurological prognosis as an attempt to prepare the medical team for making end-of-life decisions, which she internally struggles to accept. | Nurse | character_1 | Mrs. Smith, blue cardigan | while the nurse speaks to the doctor about the patient's condition | She thinks the nurse intends to reassure the family by downplaying the seriousness of the condition. | She thinks the nurse intends to prepare the medical team for end-of-life decisions. | She thinks the nurse intends to communicate that decisions about the patient's care should be handled by specialists rather than herself. | She thinks the nurse intends to offer comfort by suggesting that there is still a possibility of improvement. |
IHMufbuDySg@1@character_3@belief@second | videos/IHMufbuDySg.mp4 | belief_questions | second-order | What does Nurse think the doctor believes about the patient’s prognosis despite the scan results? | D | The nurse perceives the doctor's commitment to continuing treatment as driven by procedural ethics, despite the poor prognosis indicated by the scan results. | Dr. Lulu | character_3 | Nurse, white uniform, focused | after Nurse shows the scan evidence | The doctor is primarily concerned with administrative protocols and sees the scan results as secondary to fulfilling hospital requirements. | The doctor maintains an optimistic outlook, expressing confidence that the patient will improve quickly even though the scan results are discouraging. | The doctor questions the accuracy of the scan results, suggesting that the patient might recover despite what the prognosis indicates. | The doctor believes treatment should continue regardless of poor prognosis due to procedural ethics. |
IHMufbuDySg@3@character_3@belief@second | videos/IHMufbuDySg.mp4 | belief_questions | second-order | What does Nurse think Mrs. Smith believes about what the doctors think of her son’s prognosis? | A | The Nurse interprets Mrs. Smith's insistence on stopping negative talk as a sign that she perceives the doctors as holding a pessimistic view of her son's prognosis. | Mrs. Smith | character_3 | Nurse, white uniform, attentive | during Mrs. Smith's talk to change the conversation | She thinks doctors believe the prognosis is negative and discouraging | She thinks doctors are unsure and haven't made up their minds about her son's prognosis. | She thinks doctors don't care much about her son's prognosis and are emotionally detached. | She thinks doctors believe the prognosis is optimistic and that her son will likely recover. |
ijDEOFcJmEc@2@character_2@belief@second | videos/ijDEOFcJmEc.mp4 | belief_questions | second-order | What does Mike think Eddie believes about Mike’s intentions when Mike asks if Eddie wants an explanation? | C | Mike's serious demeanor and firm tone suggest to Eddie that Mike is asserting dominance rather than offering help. Eddie likely perceives Mike's approach as controlling, which aligns with the interpretation of Mike's intentions. | Eddie | character_2 | Mike, man with glasses | during Mike’s question | Mike thinks Eddie believes Mike genuinely wants to clarify things and is open about his motives. | Mike thinks Eddie believes Mike doesn't care much about how the conversation turns out. | Mike thinks Eddie believes Mike is trying to assert dominance rather than help. | Mike thinks Eddie believes Mike is uncertain about his own reasons for asking. |
ijDEOFcJmEc@2@character_1@desire@second | videos/ijDEOFcJmEc.mp4 | desire_questions | second-order | What does Eddie think Mike desires by talking to him? | C | Eddie perceives Mike's serious tone and direct gaze as an attempt to establish control over the conversation. This interpretation is supported by Mike's assertive demeanor, which suggests a desire for dominance. | Mike | character_1 | Eddie, bearded man | when Mike says 'You're not clear. Okay, well, you want me to explain it to you?' | Eddie thinks Mike desires to clarify any misunderstandings between them as soon as possible. | Eddie thinks Mike desires to make sure Eddie fully grasps the situation through sincere explanation. | Eddie thinks Mike desires to establish control over the conversation. | Eddie thinks Mike desires to steer the conversation toward making Eddie feel upset or reactive. |
ijDEOFcJmEc@4@character_1@intention@second | videos/ijDEOFcJmEc.mp4 | intention_questions | second-order | What does Eddie think Mike intends by saying 'I don't want to get into it' after Eddie explains his health reasons? | C | Eddie perceives Mike's reluctance to discuss further as an attempt to maintain control and avoid weakening his authority. Mike's gestures and tone indicate he prefers to keep the conversation superficial. | Mike | character_1 | Eddie, bearded man | after Eddie talks about exercising for heart rate and oxygen | Mike is pretending not to understand Eddie's health explanation to avoid addressing the real issue. | Mike is trying to quickly resolve the situation by suggesting an immediate compromise, such as increasing Eddie's payment. | Mike wants to avoid a deeper discussion that could weaken his control | Mike is trying to show empathy for Eddie's health, hoping to shift the conversation to a more supportive and less confrontational tone. |
ijDEOFcJmEc@5@character_1@desire@second | videos/ijDEOFcJmEc.mp4 | desire_questions | second-order | What does Eddie think Mike desires by speaking and preparing to say his position? | D | Eddie interprets Mike's serious tone and deliberate phrasing as an attempt to persuade him to accept Mike's viewpoint. Eddie prepares for negotiation or rebuttal, understanding Mike's desire for clarity. | Mike | character_1 | Eddie, bearded man | when Mike prepares to say | Eddie thinks Mike desires to steer the conversation away from sensitive topics and avoid confrontation. | Eddie thinks Mike desires to express his feelings in hopes of getting support and understanding from Eddie. | Eddie thinks Mike desires to distract him and create uncertainty about the real issue being discussed. | Eddie thinks Mike desires to convince him to accept Mike’s terms or viewpoint. |
IJUiVWubgtc@1@character_1@emotion@second | videos/IJUiVWubgtc.mp4 | emotion_questions | second-order | What does the Older Woman think the younger woman feels when she hears the assessment that she is a 'difficult read'? | A | The younger woman's widened eyes and stiff posture suggest she is surprised or unsettled by the comment, even though she tries to maintain a composed exterior. | Younger Woman | character_1 | Older Woman, gray hair, glasses | immediately after the Older Woman’s comment | She thinks the younger woman feels shocked or unsettled but tries to mask it. | She thinks the younger woman feels dismissive and unfazed, acting as though the assessment doesn't matter. | She thinks the younger woman feels satisfied and affirmed, taking the comment as a compliment to her complexity. | She thinks the younger woman feels perplexed and introspective, questioning what about her led to that perception. |
IJUiVWubgtc@2@character_2@emotion@second | videos/IJUiVWubgtc.mp4 | emotion_questions | second-order | What does the Younger Woman think the Older Woman feels when she says 'Oh, you don't have to take it personally'? | C | The Younger Woman perceives the Older Woman's kindness as an attempt to avoid misunderstanding, reflecting sympathy and a need to maintain control. | Older Woman | character_2 | Younger Woman, blonde, pink blouse | immediately after Younger Woman's statement | She thinks the Older Woman feels hesitant and self-doubting, uncertain about her own reactions and what is expected of her. | She thinks the Older Woman feels emotionally distant and unaffected, as if the situation doesn't matter much to her. | She thinks the Older Woman feels a mix of sympathy and a need to maintain control. | She thinks the Older Woman feels defensive and irritated, prepared to push back strongly or argue if challenged. |
IJUiVWubgtc@3@character_1@belief@second | videos/IJUiVWubgtc.mp4 | belief_questions | second-order | What does the Older Woman believe the younger woman thinks about the Older Woman’s willingness to ask about the night involving Perry? | D | The Older Woman notices the younger woman's tense posture and wide eyes, which indicate she is bracing for confrontation. This suggests the younger woman anticipates being confronted by the Older Woman's questions. | Younger Woman | character_1 | Older Woman, gray hair, glasses | as the Older Woman pauses before asking a question | The Older Woman believes the younger woman thinks the Older Woman is no longer concerned about what happened with Perry. | The Older Woman believes the younger woman thinks she is about to receive reassurance instead of being questioned. | The Older Woman believes the younger woman thinks the Older Woman is making light of the situation with Perry. | The Older Woman believes the younger woman thinks she is about to be confronted. |
IJUiVWubgtc@3@character_2@intention@second | videos/IJUiVWubgtc.mp4 | intention_questions | second-order | What does Younger Woman think the older woman intends by saying she is 'very tempted to ask' about that night? | D | The Younger Woman interprets the Older Woman's forward lean, hand gestures, and serious tone as signs of a probing intent. This suggests the Older Woman is pressuring her to reveal hidden truths. | Older Woman | character_2 | Younger Woman, blonde hair, pink blouse | when older woman leans forward and talks about wanting answers | Intends to communicate her curiosity while leaving it up to Younger Woman to respond or not | Intends to signal discomfort about bringing up the past and to avoid deepening the conversation | Intends to express suspicion about Younger Woman’s story, hoping to unsettle her without directly asking questions | Intends to pressure Younger Woman to reveal hidden truths |
IJUiVWubgtc@3@character_2@belief@second | videos/IJUiVWubgtc.mp4 | belief_questions | second-order | What does Younger Woman think the older woman believes about Younger Woman’s knowledge of what happened that night? | B | The Younger Woman perceives the Older Woman's probing tone and serious demeanor as indications that she suspects hidden knowledge. This suggests the Older Woman believes the Younger Woman knows more than she admits. | Older Woman | character_2 | Younger Woman, blonde hair, pink blouse | when older woman talks about the idea of asking about that night | Believes Younger Woman is intentionally hiding her ignorance about the night | Believes Younger Woman knows more than she admits | Believes Younger Woman is confused and does not realize anything happened that night | Believes Younger Woman is uncomfortable and deliberately steering the conversation away from that night |
IJUiVWubgtc@4@character_1@intention@second | videos/IJUiVWubgtc.mp4 | intention_questions | second-order | What does the Older Woman think the younger woman believes about her doubt regarding the truth? | D | The Older Woman's serious expression and deliberate tone suggest she wants the younger woman to perceive her as skeptical and not easily deceived. This is reinforced by her choice of words and the context of their interaction. | Younger Woman | character_1 | Older Woman, gray hair, glasses, beige coat | immediately after stating her doubt | She thinks the younger woman believes she is overwhelmed, struggling to make sense of what's going on, and hesitant to take any side. | She thinks the younger woman believes she is detached, unaffected by the discussion, and simply going through the motions. | She thinks the younger woman believes she is open to accepting explanations at face value and willing to believe them without hesitation. | She thinks the younger woman believes she is skeptical and not easily fooled by superficial answers. |
iNPwOO_Minc@1@character_1@intention@second | videos/iNPwOO_Minc.mp4 | intention_questions | second-order | What does the Woman think the Man intends when he starts speaking and asks 'Does that cover me? What's next?'? | A | The Woman perceives the Man's quick interruption as an attempt to rush the process, likely due to impatience or discomfort with detailed explanations. His eagerness to move on is evident from his forward-leaning posture and quick interjection. | Man | character_1 | Woman, dark blazer, pink top | when the Man starts speaking before the Woman finishes explaining the premium | She thinks he intends to rush the process, possibly due to impatience or discomfort with detailed explanations. | She thinks he intends to avoid further discussion because he is already satisfied with the explanation. | She thinks he intends to test her expertise by questioning her mid-explanation. | She thinks he intends to confirm the details so he can point out any mistakes in her explanation. |
iNPwOO_Minc@2@character_1@intention@second | videos/iNPwOO_Minc.mp4 | intention_questions | second-order | What does the woman think the man intends by saying 'No' to all qualifying questions? | B | The woman's observation of the man's quick 'No' responses, along with his discomfort, leads her to believe he is trying to avoid revealing information that might increase his perceived risk. His impatience suggests he wants to expedite the process without disclosing potentially disqualifying details. | Man | character_1 | Woman, dark blazer, pen in hand | after he says 'No' to each question | She thinks he intends to see if she will challenge his answers by deliberately giving incorrect responses. | She thinks he intends to avoid disclosure and minimize perceived risk to speed up the process. | She thinks he intends to make her feel comfortable by providing straightforward and truthful answers. | She thinks he intends to create uncertainty by responding in a way that makes his intentions unclear. |
iNPwOO_Minc@3@character_2@intention@first | videos/iNPwOO_Minc.mp4 | intention_questions | first-order | What does Man intend by saying something when asked about his drinking and smoking habits? | C | The man uses humor to make the conversation less tense, allowing him to indirectly admit to his habits while observing the woman's reaction. His serious expression suggests he is aware of the potential consequences and is testing the waters. | Man | character_2 | Man, gray blazer, blue shirt | immediately after Woman talks about lifestyle habits | To make light of the situation so that Woman doesn’t worry about his lifestyle choices | To imply that such personal questions are intrusive and shift the focus away from himself | To soften the seriousness of his admission and gauge Woman's reaction | To persuade Woman to overlook his habits by displaying self-assurance and control |
iNPwOO_Minc@3@character_1@intention@second | videos/iNPwOO_Minc.mp4 | intention_questions | second-order | What does the woman think the man intends by talking about his drinking habits? | C | The woman perceives the man's humor as a tactic to ease the tension of admitting risky behavior, allowing him to maintain some control over the conversation. His light-hearted approach suggests he is not entirely comfortable with full disclosure. | Man | character_1 | Woman, dark blazer, serious | immediately after the woman talks about lifestyle habits | To make a joke so he seems more relaxed and open during the conversation | To shift attention away from himself and focus on her reactions | To lighten the mood while indirectly admitting to some risky behavior | To challenge the formality of the conversation and see how she responds |
iNPwOO_Minc@4@character_1@belief@second | videos/iNPwOO_Minc.mp4 | belief_questions | second-order | What does the woman think the man believes about her role in the insurance process? | C | The woman believes the man sees her as a gatekeeper, recognizing her authority and necessity in the approval process. His detailed responses indicate an understanding that her cooperation is crucial. | Man | character_1 | Woman, professional, dark blazer | when she talks about his earlier answer and asks for more details | She thinks he believes she is merely an observer with no real influence over the insurance outcome. | She thinks he believes she lacks detailed knowledge about the insurance procedures and can be given incorrect information. | She thinks he believes she is a gatekeeper who controls access to the policy’s approval. | She thinks he believes she is intentionally making the process more difficult for him. |
iOdEJMNEzyI@1@character_2@belief@first | videos/iOdEJMNEzyI.mp4 | belief_questions | first-order | What does Interviewer believe about Erin’s true feelings despite her verbal expression of feeling safe? | B | The Interviewer likely perceives Erin's calm words as masking deeper emotions, as her subtle facial tension and tone suggest a mix of safety and underlying anxiety. | Erin | character_2 | Interviewer, blonde hair, blue sleeveless top | immediately after Erin says 'This makes me feel safe' | Erin is attempting to hide her anxiety by insisting she feels safe | Erin feels a complex mix of safety and underlying anxiety | Erin feels entirely at ease and has no underlying concerns about her situation | Erin is emotionally detached and unconcerned about what might happen |
iOdEJMNEzyI@2@character_1@belief@second | videos/iOdEJMNEzyI.mp4 | belief_questions | second-order | What does Erin think the other woman believes about Erin’s reaction to the diagnosis? | B | Erin's calm narration likely leads the other woman to believe she is handling the news with strength and composure. Erin's controlled expression suggests she wants to be perceived as strong despite her internal fear. | the other woman | character_1 | Erin, woman with long wavy blonde hair | Erin is talking about the diagnosis, focusing on the need for a hysterectomy. | The other woman believes Erin is unconcerned and unaffected by the diagnosis | The other woman believes Erin is handling the news with strength and composure | The other woman believes Erin is being overly dramatic in her response to the diagnosis | The other woman believes Erin is suppressing her true emotions because she feels embarrassed |
iOdEJMNEzyI@4@character_1@desire@second | videos/iOdEJMNEzyI.mp4 | desire_questions | second-order | What does Erin think the interviewer desires from the conversation? | A | Erin perceives that the interviewer desires a deeper understanding of her emotional context, as shown by the interviewer's engaged tone and sustained eye contact. This suggests genuine curiosity and empathy. | Interviewer | character_1 | Erin, blonde woman in light top | during the interviewer’s follow-up question about Erin’s parents | The interviewer desires a deeper understanding of Erin’s support system and emotional context | The interviewer desires to downplay the importance of Erin’s perspective by focusing on factual details. | The interviewer desires to challenge Erin’s narrative by probing for inconsistencies in her responses. | The interviewer desires to steer the conversation towards practical outcomes rather than Erin’s emotional experience. |
irJR5kZA_Ag@1@Vic@intention@second | videos/irJR5kZA_Ag.mp4 | intention_questions | second-order | What does Vic think Stu intends by entering the car and talking? | B | Vic observes Stu's hurried entry and frustrated sigh, which suggests that Stu is impatient and wants to get going quickly. This behavior indicates that Stu is likely in a rush and expects Vic to accommodate his need for speed. | Stu | Vic | Vic, younger male, blue shirt | when Stu nods and gets into the passenger seat | Vic thinks Stu intends to get in the car just to check if it's the right vehicle and might leave if it's not. | Vic thinks Stu intends to get a quick ride despite the suddenness, showing impatience with delays. | Vic thinks Stu intends to quickly explain himself for interrupting Vic's routine by getting in abruptly. | Vic thinks Stu intends to immediately start discussing the planned route or complain about the trip details as soon as he enters. |
irJR5kZA_Ag@2@Stu@intention@second | videos/irJR5kZA_Ag.mp4 | intention_questions | second-order | What does Stu think Vic intends by saying 'start it up' and looking at him? | B | Vic's calm and expectant look indicates he wants to reassure Stu and keep the interaction light, while also showing he is ready to proceed with the journey. This approach helps avoid any escalation of impatience. | Vic | Stu | Stu, older man with glasses | when Vic says 'Come on, start it up. Let's go.' and looks at Stu | Stu thinks Vic intends to downplay the tension between them and steer the conversation away from any disagreement. | Stu thinks Vic intends to reassure him and keep the mood light, while also signaling readiness to drive. | Stu thinks Vic intends to challenge him to take off more quickly than usual, almost as a dare. | Stu thinks Vic intends to tease him about being restless or eager to get going. |
irJR5kZA_Ag@2@Stu@belief@second | videos/irJR5kZA_Ag.mp4 | belief_questions | second-order | What does Stu think Vic believes about Stu’s sarcasm and impatience during their exchange? | D | Stu uses sarcasm to convey impatience, which Vic interprets as playful but understands the underlying urgency. Vic's calm demeanor suggests he recognizes the impatience but does not see it as anger. | Vic | Stu | Stu, older man with glasses | when Stu gestures with his right hand and speaks | Stu thinks Vic believes Stu is targeting Vic with hostility rather than just being sarcastic. | Stu thinks Vic believes Stu is sincerely frustrated and losing control. | Stu thinks Vic believes Stu is just joking around and doesn't actually care about the situation. | Stu thinks Vic believes the sarcasm is playful but recognizes the impatience underneath. |
irJR5kZA_Ag@3@Stu@belief@second | videos/irJR5kZA_Ag.mp4 | belief_questions | second-order | What does Stu think Vic believes about Stu’s role in this interaction? | B | Stu perceives that Vic sees his attempts at friendliness as lacking seriousness. Vic's clipped responses and lack of engagement indicate he views Stu's efforts as superficial. | Vic | Stu | Stu, older man with glasses | after Stu’s response | Stu thinks Vic believes Stu is being defensive and argumentative during the interaction. | Stu thinks Vic believes Stu is trying to be friendly but is not serious. | Stu thinks Vic believes Stu is taking charge and directing how things unfold. | Stu thinks Vic believes Stu is acting aloof and not really invested in the exchange. |
irJR5kZA_Ag@1@Vic@emotion@second | videos/irJR5kZA_Ag.mp4 | emotion_questions | second-order | What emotion does Vic think Stu is experiencing when he breathes out and says 'Oh, my God' after entering the car? | B | Vic interprets Stu's exasperated sigh and tone as signs of frustration, likely due to impatience or stress about timing. This interpretation is supported by Stu's hurried actions and urgent demeanor. | Stu | Vic | Vic, younger male, blue shirt | right after Stu gets into the car and breathes out | Vic thinks Stu is feeling relieved that he managed to get into the car after struggling. | Vic thinks Stu is feeling frustration due to impatience or stress about timing. | Vic thinks Stu is feeling apologetic and worries he may have inconvenienced Vic by taking so long. | Vic thinks Stu is feeling entertained and finds the whole situation humorous. |
irJR5kZA_Ag@3@Vic@intention@first | videos/irJR5kZA_Ag.mp4 | intention_questions | first-order | What does Vic intend by saying something funny while speaking during the interaction? | D | Vic uses humor to manage the interaction while maintaining control. His clipped tone and steady gaze suggest he wants to keep emotional distance, indicating he is not fully engaging with Stu. | Vic | Vic | Vic, younger male, driver | when Vic says 'Drive' after Stu's joke | To manage his own discomfort by shifting the focus away from the main issue between him and Stu | To sincerely lighten the mood so that both he and Stu can move past their disagreement completely | To challenge Stu by inviting a playful exchange that escalates their banter | To subtly control the conversation and maintain emotional distance while appearing to ease tension |
ISH53OGhv4M@3@Mary@belief@second | videos/ISH53OGhv4M.mp4 | belief_questions | second-order | What does Mary think Pat believes about her level of interest in the car deal during his pitch? | C | Mary observes Pat's enthusiastic demeanor and smiling, which indicates he believes she is receptive to the deal. His positive body language suggests he thinks she might be persuaded. | Pat | Mary | Mary, light brown hair, beige top | Pat's facial expressions change from neutral to smiling while explaining the 'no money down' offer | Mary thinks Pat believes she is hesitant and probably won't go along with the deal. | Mary thinks Pat believes she is bored and not paying much attention to the pitch. | Mary thinks Pat believes she is interested and might be persuaded. | Mary thinks Pat believes she doesn't fully understand the offer and requires further clarification. |
ISH53OGhv4M@3@Pat@intention@second | videos/ISH53OGhv4M.mp4 | intention_questions | second-order | What does Pat think Mary believes about the car deal when he notices her head tilt and listening? | D | Pat notices Mary's head tilt and attentive listening, which suggests she is cautiously interested but not fully convinced. Her posture indicates curiosity mixed with reservation. | Mary | Pat | Pat, bearded male red shirt | Mary listens with head tilted while Pat talks about the 'no money down' offer | Pat thinks Mary is unsure about some details and needs clarification before she can decide. | Pat thinks Mary is distracted and not paying close attention to the deal being discussed. | Pat thinks Mary is enthusiastic and ready to accept the deal without any reservations. | Pat thinks Mary is cautiously interested but not fully convinced about the deal’s value. |
ISH53OGhv4M@4@Pat@intention@second | videos/ISH53OGhv4M.mp4 | intention_questions | second-order | What does Pat think Mary believes when she says 'It's not a mindset. We don't have the money'? | B | Pat perceives Mary's calm and firm response as an indication that she sees the financial situation as unchangeable. This frustrates him because he views it as a mindset that limits their options. | Mary | Pat | Pat, bearded male red shirt | when Mary talks to Pat about financial concerns | Pat thinks Mary believes he is exaggerating the problem, which makes him feel misunderstood. | Pat thinks Mary believes the financial reality is fixed and non-negotiable, which frustrates him because he sees it as a limiting mindset. | Pat thinks Mary is just trying to change the subject to avoid discussing their finances, which makes him irritated. | Pat thinks Mary is downplaying the seriousness of their money situation, which leaves him feeling unsure about her intentions. |
ISH53OGhv4M@5@Pat@intention@second | videos/ISH53OGhv4M.mp4 | intention_questions | second-order | What does Pat think Mary intends by talking about her carefulness and cutting back on things during their discussion? | A | Mary's emphasis on carefulness and cutting back is intended to show Pat her seriousness about their shared goals. Her direct approach and concerned demeanor suggest she wants Pat to recognize and appreciate her efforts. | Mary | Pat | Pat, bearded male, red shirt | while Mary is saying her approach to financial responsibility | Pat thinks Mary intends to convince him that she is serious about their shared goal and wants him to acknowledge her effort. | Pat thinks Mary intends to subtly highlight his past spending habits so she can shift responsibility for their financial issues onto him. | Pat thinks Mary intends to steer the conversation away from their underlying relationship tensions by keeping the focus on practical matters like finances. | Pat thinks Mary intends to gauge whether he will support her approach by emphasizing caution, seeing if he will align with her priorities. |
isQIyXfV6Cw@1@Tank Top Man@emotion@second | videos/isQIyXfV6Cw.mp4 | emotion_questions | second-order | What emotion does Tank Top Man think the man in gray suit feels while focusing on the object in his hands? | B | The man in the gray suit's deliberate actions and intense focus suggest he is serious and preoccupied with something important. His demeanor indicates he is mentally preparing for a significant matter. | man in gray suit | Tank Top Man | Tank Top Man, white tank top | during the initial moments of the scene when the man in gray suit is adjusting his jacket | He feels curious and somewhat skeptical about the object | He feels serious and preoccupied with something important | He feels calm and satisfied with what he is doing | He feels uncertain and distracted by his surroundings |
isQIyXfV6Cw@2@Tank Top Man@emotion@second | videos/isQIyXfV6Cw.mp4 | emotion_questions | second-order | What does Tank Top Man think the man in the light brown shirt feels while listening to the missing person story? | A | Tank Top Man observes Green Shirt Man's forward-leaning posture and focused gaze, which indicate curiosity and engagement. His attentive questioning further supports the interpretation that he is genuinely interested in the story. | Green Shirt Man | Tank Top Man | Tank Top Man, white tank top | when Green Shirt Man leans forward and asks questions | Tank Top Man thinks Green Shirt Man feels curious and engaged. | Tank Top Man thinks Green Shirt Man feels doubtful about the story and questions its credibility. | Tank Top Man thinks Green Shirt Man feels uncertain and struggles to follow the details of the story. | Tank Top Man thinks Green Shirt Man feels uninterested and pays little attention to what is being said. |
isQIyXfV6Cw@5@Tank Top Man@emotion@second | videos/isQIyXfV6Cw.mp4 | emotion_questions | second-order | What emotion does Tank Top Man think Green Shirt Man is trying to convey by his tone and sitting posture? | A | Green Shirt Man's serious tone combined with his calm sitting posture suggests he is trying to convey controlled authority. The assertive speech indicates impatience, but the calm posture shows he is managing his emotions to maintain dominance. | Green Shirt Man | Tank Top Man | Tank Top Man, white tank top | Green Shirt Man sits after speaking | Controlled authority with underlying impatience | Polite interest mixed with subtle skepticism | A sense of superiority, as if Green Shirt Man is challenging Tank Top Man's position | Reluctant acceptance of Tank Top Man's viewpoint |
IwHMr9alZP4@1@Man (Darren)@belief@second | videos/IwHMr9alZP4.mp4 | belief_questions | second-order | What does Darren think Anna believes about his honesty in this moment? | D | Darren thinks Anna believes he is partially truthful but holding back some information, as her patient and curious demeanor suggests she suspects he is not fully disclosing everything. | Anna | Man (Darren) | Darren, purple checkered shirt | while Anna listens to Darren’s explanation | He thinks Anna believes he is uncertain about the facts and struggling to explain himself. | He thinks Anna believes he is intentionally deceiving her and purposefully withholding the real story. | He thinks Anna believes he is being fully open and transparent, accepting everything he says without doubt. | He thinks Anna believes he is partially truthful but holding back some information. |
IwHMr9alZP4@5@Man (Gary)@emotion@second | videos/IwHMr9alZP4.mp4 | emotion_questions | second-order | What does Gary think Anna feels about Darren during the introduction? | C | Gary thinks Anna feels comfortable and approving toward Darren, as indicated by her warm smile and attentive posture. This perception makes Gary more attentive to Darren's responses. | Anna | Man (Gary) | Gary, purple plaid shirt | as Anna says Darren's name and listens to Gary's questions | Anna feels reserved and emotionally distant from Darren, maintaining a neutral stance throughout the introduction. | Anna feels cautious and unsure about Darren, questioning whether he belongs in the group. | Anna feels comfortable and approving toward Darren | Anna feels bothered by Darren's behavior and seems eager to end the interaction with him. |
iwryTZf6bA0@1@Maya@belief@second | videos/iwryTZf6bA0.mp4 | belief_questions | second-order | What does Maya think Jules believes about Maya’s decision to speak honestly at lunch? | A | Maya thinks Jules believes her decision was risky but understandable, as Jules shows concern without blame. | Jules | Maya | Maya, woman with curly hair | when Jules reacts after hearing the firing reason | Maya thinks Jules believes the decision was risky but understandable given the circumstances | Maya thinks Jules believes the decision was careless and unnecessary, suggesting Maya didn’t consider the possible consequences. | Maya thinks Jules believes the decision had little impact on the outcome, since other reasons were more important for what happened. | Maya thinks Jules believes Maya spoke up mainly to challenge authority, hoping to stir up some response from the group. |
iwryTZf6bA0@3@Maya@desire@second | videos/iwryTZf6bA0.mp4 | desire_questions | second-order | What does Maya think Jules desires in this moment of their conversation? | B | Maya perceives that Jules desires reassurance and understanding rather than pressure to change her mind, as indicated by Jules' hesitant posture and downcast eyes. | Jules | Maya | Maya, woman with curly hair, green shirt | while Jules is listening | Jules desires to steer the conversation in a new direction so she can avoid discussing her vulnerabilities with Maya. | Jules desires reassurance and understanding rather than pressure to change her mind | Jules desires to stand her ground and show Maya that she can make her own decisions, regardless of Maya's advice. | Jules desires to bring the discussion to a close so she doesn't have to face uncomfortable emotions in front of Maya. |
iwryTZf6bA0@3@Maya@emotion@second | videos/iwryTZf6bA0.mp4 | emotion_questions | second-order | What emotion does Maya think Jules is experiencing while looking down and holding her phone? | B | Maya interprets Jules' closed-off body language and downcast eyes as signs of overwhelm and discomfort with the pressure to respond, indicating unease. | Jules | Maya | Maya, woman with curly hair, green shirt | while Jules listens to Maya | Excitement and anticipation to share her own thoughts in response to Maya’s ideas | Overwhelm and discomfort with the pressure to respond to Maya's encouragement | Frustration and resistance to Maya’s efforts to influence her decision | Playfulness and a sense of humor about the conversation with Maya |
iwxe2sIgQL0@3@Alex@belief@first | videos/iwxe2sIgQL0.mp4 | belief_questions | first-order | What does Alex believe about Gabe's commitment when Alex repeats 'Exactly like I told you'? | C | Alex's repetition suggests he doubts Gabe's commitment and feels the need to reinforce the importance of following the plan precisely. | Gabe | Alex | Alex, blue shirt, serious | during the instruction phase | Alex believes Gabe is likely to rush ahead, acting impulsively rather than sticking to the agreed plan. | Alex believes Gabe wants to put his own spin on the plan, indicating he may not stick exactly to what was discussed. | Alex believes Gabe is not fully committed and needs reassurance to follow instructions precisely. | Alex believes Gabe doesn't really care about the outcome and is just going through the motions without real interest. |
iwxe2sIgQL0@3@Gabe@emotion@first | videos/iwxe2sIgQL0.mp4 | emotion_questions | first-order | What is Gabe's emotional state when talking to Alex about the repeated instructions? | D | Gabe's emotional state is a mix of anxiety and determination, as he tries to mask his concerns with verbal compliance. | Gabe | Gabe | Gabe, man in suit jacket | during the talk about instructions | Annoyance at Alex's questioning, causing Gabe to become impatient and curt in his responses. | Projecting unwavering optimism and self-assurance about the instructions, demonstrating no internal conflict. | Displaying indifference and disengagement, as if Gabe is emotionally checked out from the situation. | A mix of anxiety and determination masked by verbal compliance to reassure Alex. |
J1oI2CHFgPU@1@Ben@belief@first | videos/J1oI2CHFgPU.mp4 | belief_questions | first-order | What does Ben believe about Fiona’s true intentions behind suggesting they could go on tour? | D | Ben interprets Fiona's suggestion as a strategic move to test the group's reaction, allowing her to gauge their support or resistance to her ideas. | Fiona | Ben | Ben, brown blazer | after Fiona says 'I imagine we could all go on tour' and before Michaela responds | Ben believes Fiona sincerely wants the group to experience something new together and has no secret reasons for bringing up the tour idea. | Ben believes Fiona is making the tour suggestion playfully, intending it as a lighthearted comment rather than a real plan. | Ben believes Fiona brought up the idea of a tour to sidestep an uncomfortable discussion and steer everyone's attention elsewhere. | Ben believes Fiona is testing the group’s reaction to gauge support or resistance |
JBezmnlNTPI@2@Dr. Carter@belief@first | videos/JBezmnlNTPI.mp4 | belief_questions | first-order | What does Dr. Carter believe about Emily's sincerity when he asks about her sleep habits? | D | Dr. Carter's suspicion arises from Emily's surprised yet calm demeanor, which suggests she might be withholding information about her sleep habits. | Emily | Dr. Carter | Dr. Carter, light shirt | Dr. Carter asks about Emily's sleep habits during the haircut | He thinks Emily is struggling to remember her sleep habits and may need prompting to answer accurately. | He believes Emily is being candid and transparent about her sleep, interpreting her responses as trustworthy. | He assumes Emily is dismissive of the question, interpreting her reaction as a lack of concern about her sleep issues. | He suspects she may be evasive or withholding information because of her surprised but guarded reaction. |
JBezmnlNTPI@3@Dr. Carter@belief@first | videos/JBezmnlNTPI.mp4 | belief_questions | first-order | What does Dr. Carter believe about Emily's mention of her friend's use of Adderall during the ear examination? | B | Dr. Carter suspects Emily is using her friend's story to justify her own request for medication. Her guarded behavior and the incongruence between her demeanor and the topic raise his suspicion. | Emily | Dr. Carter | Dr. Carter, light blue shirt | while listening to Emily talk about her friend's use of Adderall | Dr. Carter thinks Emily is uncertain about what Adderall is used for, interpreting her comment as a misunderstanding of the medication's purpose. | Dr. Carter suspects Emily is using the story to justify her own request for medication, doubting its sincerity because of her guarded behavior. | Dr. Carter believes Emily is earnestly worried about the potential risks her friend faces with Adderall, interpreting her mention as a request for medical guidance for her friend. | Dr. Carter assumes Emily brings up her friend's Adderall use in order to redirect the conversation away from her own health issues, perhaps to avoid personal disclosure. |
JBezmnlNTPI@1@Dr. Carter@belief@first | videos/JBezmnlNTPI.mp4 | belief_questions | first-order | What does Dr. Carter believe about the truthfulness of Emily's stated difficulty focusing? | C | Dr. Carter believes Emily may be exaggerating or fabricating symptoms to obtain medication, as suggested by his intense scrutiny and her hesitant demeanor. | Emily | Dr. Carter | Dr. Carter, middle-aged man | while examining her and hearing her complaint | He believes Emily is misinterpreting normal distractions as a serious issue. | He believes she is genuinely experiencing difficulties that suggest an underlying disorder. | He believes she may be exaggerating or fabricating symptoms to obtain medication. | He believes Emily does not realize how much her concentration problems affect her daily life. |
jbN9n-cClPg@2@Richard@belief@first | videos/jbN9n-cClPg.mp4 | belief_questions | first-order | What does Richard believe about Nina's perception of the punishment's fairness? | C | Richard believes that Nina perceives the punishment as excessive and unjustified, as indicated by her objection to its severity. | Richard | Richard | Richard, dark sweater, collared shirt | while Nina talks about the punishment | She misunderstands the reason for the punishment, thinking it was given by mistake. | She is resigned to the punishment, feeling it won't make a difference either way. | She believes the punishment is excessive and unjustified | She sees the punishment as expected, believing it aligns with typical consequences. |
JC2eKssXavo@1@Will@desire@second | videos/JC2eKssXavo.mp4 | desire_questions | second-order | What does Will think the Host desires by saying such a personal and painful story early in their conversation? | B | Will thinks the Host desires to test his empathy and build a meaningful connection by sharing a personal story. The Host's candidness and emotional cues suggest he seeks genuine understanding. | Host | Will | Will, beige cap & jacket | when the Host talks about the child's death | Will thinks the Host desires to distance themselves by making the conversation awkward from the start. | Will thinks the Host desires to test Will's empathy and build a meaningful connection. | Will thinks the Host desires to evoke sympathy from Will in order to steer the conversation in their favor. | Will thinks the Host desires to unsettle Will with the story so that the Host can control the tone and direction of their interaction. |
JC2eKssXavo@1@Will@emotion@first | videos/JC2eKssXavo.mp4 | emotion_questions | first-order | What emotion does Will most likely feel when the Host says 'she died a child, bro'? | B | Will feels conflicted between empathy and discomfort due to the Host's mix of sorrow and casual tone. His subtle facial tension and attentive gaze suggest a complex emotional response. | Will | Will | Will, beige cap & jacket | immediately after the Host talks about the child's death | Will feels frustrated because the Host's comments seem to trivialize the loss, making it hard for him to process the story. | Will feels conflicted between empathy and discomfort due to the awkward tone. | Will feels detached because he believes the Host's story is too distant from his own experiences to relate to emotionally. | Will feels awkwardly entertained by the Host's nonchalant delivery, even though he recognizes the topic is tragic. |
JhSRGLe18OI@3@character_1@emotion@second | videos/JhSRGLe18OI.mp4 | emotion_questions | second-order | What emotion does Elise think Frank feels when he nods after saying 'Trouble, certainly'? | B | Elise perceives Frank's earnest nod as a sign of concern or seriousness, indicating a shift from his earlier playful tone. This suggests he might be testing her reaction to a more serious narrative. | Frank | character_1 | Elise, woman with reddish-brown hair | when Frank says the line | A sense of detachment, as if Frank wishes to change the subject. | Concern or seriousness beneath the playful tone. | A quiet satisfaction, as if Frank is pleased with how he told the story. | A hint of uncertainty, as if Frank is unsure how Elise interprets his words. |
JhSRGLe18OI@1@character_2@emotion@first | videos/JhSRGLe18OI.mp4 | emotion_questions | first-order | What emotion does Frank experience when Elise says his name is 'terrible' but smiles? | D | Frank experiences amusement mixed with mild surprise, as indicated by his slight smile and raised eyebrow, showing he finds the teasing unexpected but funny. | Frank | character_2 | Frank, dark wavy hair, beard | immediately after Elise’s remark | Mild embarrassment and awkwardness, feeling self-conscious about his name. | Playful defensiveness, responding with a joking retort to Elise's comment. | Curiosity and intrigue, wondering why Elise would comment on his name in that way. | Amusement mixed with mild surprise |
JmB3Vch1bGk@1@character_2@emotion@first | videos/JmB3Vch1bGk.mp4 | emotion_questions | first-order | What emotion does Man in light gray suit and fedora primarily experience during the man behind the desk's remarks? | C | The man in the fedora experiences discontent masked by composure to avoid revealing weakness. His neutral expression and reserved posture support this emotion. | Man in light gray suit and fedora | character_2 | Man in light gray suit and fedora | immediately after the press release is mentioned | Mild amusement at the man behind the desk’s persuasive tactics, as suggested by a faint smile, though his overall demeanor remains controlled. | Optimism about the potential benefits discussed, as indicated by a briefly raised eyebrow and attentive nods. | Discontent masked by composure to avoid revealing weakness. | Detached curiosity, as if he is observing the proceedings out of interest rather than personal involvement, despite his focused gaze. |
JmB3Vch1bGk@1@character_3@belief@first | videos/JmB3Vch1bGk.mp4 | belief_questions | first-order | What does the man with glasses and gray suit believe about the sincerity of the press release's presentation? | C | The man with glasses and gray suit believes the press release was crafted to impress but may exaggerate the truth. His composed demeanor and choice of words support this belief. | Man with glasses and gray suit | character_3 | Man with glasses and gray suit | while talking about the press release | He believes the press release was intentionally structured to obscure certain facts from the stakeholders, implying a hidden agenda behind its publication. | He believes the press release was poorly timed and released without proper approval, suggesting it was a careless mistake rather than a strategic move. | He believes the press release was crafted to impress but may exaggerate the truth. | He believes the press release closely follows the official agreements and gives a fair account of the negotiation's outcomes, indicating full trust in its accuracy. |
jsLUidiYm0w@5@Phil@belief@second | videos/jsLUidiYm0w.mp4 | belief_questions | second-order | What does Phil think Bill believes about Phil's competence in handling the missing person situation? | C | Phil perceives that Bill doubts his competence, as indicated by Bill's patronizing tone and indirect criticism during the questioning. | Bill Lumbergh | Phil | Phil, light blue shirt, dark tie | during the questioning about the missing person | Phil thinks Bill believes Phil simply overlooked the issue due to distraction, rather than noticing it. | Phil thinks Bill believes Phil is handling the problem adequately and will address any concerns as needed. | Phil thinks Bill believes Phil is somewhat incompetent or negligent in this matter, questioning his ability to manage the situation | Phil thinks Bill believes Phil is intentionally not following protocols, assuming there's a willful disregard for the rules. |
jtl1GY2TF7A@1@character_1@desire@first | videos/jtl1GY2TF7A.mp4 | desire_questions | first-order | What does Adora desire by saying thank you and sorry while speaking despite her visible distress? | B | Adora's calm voice and gratitude indicate she wants to be seen as cooperative and responsible, aiming to avoid conflict. | Adora | character_1 | Adora, distressed blonde woman | while speaking to the sheriff in the kitchen | She desires to suppress her emotions so others will think she is in control of the situation. | She desires to be seen as cooperative and responsible to avoid conflict. | She desires to keep the sheriff uncertain about whether she is truly upset or just being polite. | She desires to indirectly prompt the sheriff to react more sympathetically by expressing politeness despite her distress. |
jtl1GY2TF7A@5@character_1@belief@first | videos/jtl1GY2TF7A.mp4 | belief_questions | first-order | What does Adora believe about Sheriff Vickery's conviction regarding the detective's suspicion? | C | Adora believes the sheriff is hesitant because his body language and tone suggest uncertainty, despite the detective's confidence. She interprets his reluctance as a sign of internal conflict. | Sheriff Vickery | character_1 | Adora, blonde woman, composed | while talking to the sheriff about the detective's stance | She believes the sheriff is withholding his actual opinion to protect someone involved, because of his careful choice of words and subtle glances away. | She believes the sheriff outwardly agrees with the detective's suspicion to maintain unity, because he repeats the detective's claims with emphasis and little hesitation. | She believes the sheriff is hesitant and not fully convinced despite the detective's certainty, because she notices his reluctance and body language. | She believes the sheriff is dismissive of the detective's suspicion, because he responds briefly and shifts the conversation to unrelated topics. |
JUGSh3BMuaQ@1@Mary@desire@second | videos/JUGSh3BMuaQ.mp4 | desire_questions | second-order | What does Mary think John desires by standing silently behind her without interrupting? | A | Mary interprets John's silent presence as an attempt to intimidate her, suggesting he wants her to stop probing further. His stance and gaze imply a controlling demeanor. | John | Mary | Mary, long wavy brown hair | John stands silently behind Mary while she is on the phone. | Mary thinks John desires to intimidate her silently to prevent her from probing further. | Mary thinks John desires to quietly back her up by standing nearby, offering silent encouragement as she speaks. | Mary thinks John desires to slip away quietly so he won’t get involved in the discussion or be put on the spot. | Mary thinks John desires to participate directly in the call so he can share his input on the matter being discussed. |
JUGSh3BMuaQ@5@Mary@desire@second | videos/JUGSh3BMuaQ.mp4 | desire_questions | second-order | What does Mary think Casey desires by saying to help with forensics in the conversation? | B | Mary thinks Casey desires to appear helpful and gain influence, as indicated by Casey's proactive interjection and confident tone. | Casey | Mary | Mary, red-white checkered shirt | when Casey says to help with forensics | Mary thinks Casey desires to keep a low profile and avoid taking sides by volunteering to help with forensics. | Mary thinks Casey desires to appear helpful and gain influence in the group dynamic | Mary thinks Casey desires to steer attention toward practical matters so that emotional tensions are not addressed. | Mary thinks Casey desires to subtly challenge John's authority by redirecting the group's attention and minimizing his problems. |
Jx5O2VW0pIw@1@Man@emotion@second | videos/Jx5O2VW0pIw.mp4 | emotion_questions | second-order | What does Ethan think Maya feels about his teasing during their sandwich conversation? | D | Ethan perceives Maya's reaction as one of surprise and slight discomfort, based on her furrowed brows and concerned gaze, indicating she might not be amused by his teasing. | Maya | Man | Ethan, colorful Hawaiian shirt | right after Ethan talks to Maya about 'new to eating' | Ethan thinks Maya feels distracted and disengaged, as if she is preoccupied with something else during their conversation. | Ethan thinks Maya feels playful and is in on the joke, finding his teasing lighthearted and fun. | Ethan thinks Maya feels annoyed and hurt by his teasing, believing she takes his remarks as personal criticism. | Ethan thinks Maya feels surprised and slightly uncomfortable. |
Jx5O2VW0pIw@2@Man@belief@first | videos/Jx5O2VW0pIw.mp4 | belief_questions | first-order | What does Ethan believe about Maya’s understanding of his personality when he says 'a crazy person' indirectly? | D | Ethan believes Maya thinks he is socially awkward but harmless, as his self-deprecating humor and animated gestures suggest a non-threatening demeanor. | Maya | Man | Ethan, colorful Hawaiian shirt | when Ethan turns to others and gestures | Ethan believes Maya sees him as dull and lacking excitement, so she doesn't pay much attention to what he says. | Ethan believes Maya perceives him as intense and possibly intimidating due to his expressive behavior. | Ethan believes Maya interprets his actions as outgoing and endearing, seeing him as likable and confident. | Ethan believes Maya thinks he is socially awkward but harmless. |
jxsvzuRl1O8@1@character_1@emotion@second | videos/jxsvzuRl1O8.mp4 | emotion_questions | second-order | What emotion does Jack think Kate is feeling when she gestures and talks about Annie’s schooling? | D | null | Kate | character_1 | Jack, green sweater | when Kate talks to Jack about his schooling plan | Jack thinks Kate is feeling optimistic and enthusiastic about moving back to New York for better opportunities. | Jack thinks Kate is feeling detached and unconcerned about the impact of his proposed changes on the family. | Jack thinks Kate is feeling uncertain and overwhelmed by the choices regarding the children’s education. | Jack thinks Kate is feeling frustrated and possibly worried about the children’s wellbeing. |
jxsvzuRl1O8@3@character_1@desire@second | videos/jxsvzuRl1O8.mp4 | desire_questions | second-order | What does Jack think Kate desires from this conversation about moving back to the city? | C | Kate's emotional distress and emphasis on family reasons suggest she wants Jack to acknowledge their past decisions and prioritize family wellbeing over moving back. | Kate | character_1 | Jack, male, dark green sweater | when Kate talks about moving back to the city | Kate wants Jack to admit his plan is flawed so she can establish that her viewpoint on their children's education is superior. | Kate is mainly expressing annoyance and doesn't actually care much about whether they move or not. | Kate wants Jack to acknowledge the reasons they left and prioritize family wellbeing | Kate secretly hopes to return to the city herself, but raises objections to see if Jack will insist on the move. |
jzhXtCHYrAM@1@character_1@belief@second | videos/jzhXtCHYrAM.mp4 | belief_questions | second-order | What does Woman with glasses and short blonde hair think the woman with long brown hair believes about the seriousness of the conversation? | D | The woman believes her friend is masking concern with positivity to avoid awkwardness, as indicated by her smile and light tone. | Woman with long brown hair | character_1 | Woman with glasses and short blonde hair | after the woman with long brown hair says 'Great' in response to 'I drove' | She believes the other woman is anxious and wants to change the topic to avoid discomfort, hoping to steer the conversation elsewhere. | She believes the other woman is puzzled about why she brought up her legal blindness, not grasping its relevance to the current discussion. | She believes the other woman is treating the situation casually and making jokes because she doesn't recognize how serious it actually is. | She believes the other woman is masking concern with a positive remark to avoid awkwardness and maintain a light mood |
jzhXtCHYrAM@5@character_1@desire@second | videos/jzhXtCHYrAM.mp4 | desire_questions | second-order | What does the Woman with glasses and short blonde hair think the Woman with long brown hair desires when she leans forward and smiles? | B | The woman with glasses perceives the warm smile and forward-leaning posture as signs of genuine affection and support, indicating a desire to comfort and encourage her sincerely. | Woman with long brown hair in floral top | character_1 | Woman with glasses and short blonde hair | while talking about the hair regrowth | She thinks the other woman desires to see how she copes with vulnerability and challenge her emotionally. | She thinks the other woman desires to comfort and encourage her sincerely. | She thinks the other woman desires to steer the conversation in a way that benefits her own emotional needs. | She thinks the other woman desires to steer away from serious subjects and maintain a playful atmosphere. |
jZO9d1Gijv8@3@character_1@belief@first | videos/jZO9d1Gijv8.mp4 | belief_questions | first-order | What does the officer believe about the accuracy of the man in the cap's statement during the conversation? | A | The officer suspects the man in the cap might be withholding information due to his defensive posture and guarded expression, which contrasts with the situation's seriousness. | Officer | character_1 | Officer, young male in uniform | while speaking to the man in the cap about the number of suspects | The officer believes the man in the cap might be hiding or downplaying some details due to his defensive posture and guarded expression. | The officer believes the man in the cap is fabricating parts of his story on purpose, noticing the contradictions and his avoidance of direct eye contact. | The officer thinks the man in the cap is uncertain about the events, picking up on his inconsistent answers and moments of hesitation. | The officer assumes the man in the cap's account is completely truthful, relying on his composed manner and steady voice for assurance. |
jZO9d1Gijv8@1@character_1@belief@first | videos/jZO9d1Gijv8.mp4 | belief_questions | first-order | What does the Officer believe about the prisoner's compliance at the moment he places his hand on the prisoner's shoulder? | A | The Officer uses physical contact to assert control, believing the prisoner might resist. His serious demeanor and firm hand suggest a need to maintain authority. | Officer | character_1 | Officer, young male, light uniform | while placing his hand on the prisoner's shoulder | The Officer believes the prisoner might resist, so he uses physical contact to assert control. | The Officer believes the prisoner does not fully grasp what is happening, so he uses a gentle touch to provide reassurance and clarity. | The Officer believes the prisoner is about to attempt an escape, so he readies himself to intervene physically, expecting immediate resistance. | The Officer believes the prisoner is already cooperative and compliant, so the physical contact serves as a calm, affirming gesture rather than a means of control. |
j_a_zvQOrIE@3@character_1@belief@first | videos/j_a_zvQOrIE.mp4 | belief_questions | first-order | What does Aiden believe about the woman's concern when she asks, 'How did you get that, Shiner?' | D | Aiden interprets the woman's serious expression as a sign that she suspects he is not being fully truthful. Her focused attention suggests she doubts his initial explanation. | the woman with blonde hair | character_1 | Aiden, young man, dark blue shirt | when the woman talks to Aiden | Aiden believes she is just asking out of politeness, since her voice is calm and she avoids pressing him further. | Aiden believes she is trying to catch him in a lie, as her eyes narrow and she interrupts him quickly. | Aiden believes she isn't really concerned about the answer, since she quickly changes the topic and doesn't wait for his response. | Aiden believes she suspects there is more to the story than he is willing to reveal because her serious expression suggests doubt. |
K-bZQJ3P9N0@1@character_1@emotion@first | videos/K-bZQJ3P9N0.mp4 | emotion_questions | first-order | What emotion does the woman most likely feel while saying her line with hand movements? | C | The woman likely feels controlled nervousness, as indicated by her neutral expression and slight gestures, suggesting she is managing internal uncertainty while maintaining composure. | Woman with black buzz cut | character_1 | Woman with black buzz cut | while talking on the television set | She feels assertive and self-assured about the topic, as suggested by her deliberate hand gestures. | She feels emotionally distant and somewhat disinterested in the conversation, as reflected in her measured movements. | She feels controlled nervousness, managing internal uncertainty while maintaining composure. | She feels lighthearted and entertained by the subject, indicated by a hint of a smile during her gestures. |
k10DDJ4L2lc@2@character_1@belief@first | videos/k10DDJ4L2lc.mp4 | belief_questions | first-order | What does the woman believe about the man’s feelings toward her while she counts blindfolded? | B | The woman believes the man cares for her, as his gentle movements and the setup suggest affection rather than annoyance or suspicion. | man | character_1 | Woman with long dark hair | while counting blindfolded | She believes he is uncertain about her motives, perhaps questioning whether she is playing fairly. | She believes he cares for her and wants to create a memorable moment. | She believes he is bothered by how quickly she is counting, thinking she is rushing through the experience. | She believes he is uninterested in what she is doing, distracted and not really engaged with her. |
k10DDJ4L2lc@3@character_1@emotion@first | videos/k10DDJ4L2lc.mp4 | emotion_questions | first-order | What complex emotion is the woman experiencing while counting in this scene? | D | The woman experiences playful eagerness mixed with self-restraint, as indicated by her skipping numbers while maintaining a focused posture. | Woman with long dark hair | character_1 | Woman with long dark hair | while she is counting aloud in the dimly lit room | She feels tense anticipation and unease about the outcome, which makes her lose track and skip numbers. | She experiences indifference and emotional distance from the counting task, resulting in skipped numbers. | She feels irritation and resistance to the man's guidance, prompting her to deliberately skip numbers. | She feels a mix of playful eagerness and self-restraint. |
k10DDJ4L2lc@3@character_3@belief@first | videos/k10DDJ4L2lc.mp4 | belief_questions | first-order | What does Man in dark jacket and jeans believe about the woman's awareness during counting? | C | The man believes the woman is aware of her impatience and tries to conceal it with a focused posture, as indicated by her controlled body language and skipped numbers. | woman with long dark hair | character_3 | Man in dark jacket and jeans | while the woman counts aloud and skips numbers | He believes she is intentionally exaggerating her impatience to influence how he responds. | He believes she doesn't notice her impatience at all and is sincerely absorbed in the counting task. | He believes she is aware of her impatience but tries to conceal it with a focused posture. | He believes she misunderstands the counting task and deliberately alters the pace by omitting numbers. |
k4X42D5Gg7o@1@character_1@emotion@first | videos/k4X42D5Gg7o.mp4 | emotion_questions | first-order | What emotion is Patient likely experiencing during the introduction? | D | Despite the warm tone, the patient likely experiences anxiety, using affection as a shield to avoid revealing vulnerability in the clinical setting. | Patient | character_1 | Patient, Kentucky shirt | while introducing Walt to the doctor | Warmth and optimism about the doctor’s presence, feeling reassured by the support from his companion | Irritation at being brought to the appointment and a sense of frustration with the doctor’s explanations | Disinterest in the medical discussion, focusing instead on maintaining a lighthearted demeanor | Anxiety masked by affection to avoid revealing vulnerability |
k4X42D5Gg7o@1@character_3@belief@first | videos/k4X42D5Gg7o.mp4 | belief_questions | first-order | What does Walt believe about the doctor’s attitude toward the patient's introduction of him? | B | Walt believes the doctor maintains professional neutrality, possibly feeling uncomfortable with the personal nature of the introduction. | Dr. Hussermans | character_3 | Walt, seated man | immediately after the handshake and introduction | That the doctor responds with polite enthusiasm and asks friendly questions, appearing genuinely pleased to meet Walt. | That the doctor is maintaining professional neutrality but may feel uncomfortable with the personal nature of the introduction. | That the doctor acknowledges the introduction with a brief nod but quickly redirects focus to the medical discussion, showing minimal engagement. | That the doctor reacts with subtle signs of discomfort and avoids eye contact, giving the impression of underlying disapproval toward Walt and the patient. |
k4X42D5Gg7o@2@character_1@emotion@first | videos/k4X42D5Gg7o.mp4 | emotion_questions | first-order | What is the patient’s emotional state during the doctor’s explanation? | D | The patient feels a conflicted mix of anxiety and denial, masking fear with detachment. His neutral expression and lack of emotional display suggest hidden anxiety beneath a composed exterior. | Patient | character_1 | Patient in Kentucky shirt | while the doctor talks about the immune system and treatment side effects | The patient feels calm and outwardly reassured by the doctor’s explanation, responding as if comforted by the medical details. | The patient feels puzzled and uneasy, occasionally making light comments to the doctor instead of expressing open distress. | The patient experiences irritation and sarcasm in reaction to the doctor’s accent and manner, focusing on these features more than the medical news. | The patient feels a conflicted mix of anxiety and denial, masking fear with detachment. |
KD7l7XgWSXs@1@character_1@emotion@second | videos/KD7l7XgWSXs.mp4 | emotion_questions | second-order | What does the woman with glasses think the woman in the robe feels when she says she doesn't have any good stories? | C | The woman with glasses thinks the woman in the robe feels vulnerable and emotionally low, as indicated by her slow tone and closed posture. She senses the emotional fatigue and responds gently. | woman in the robe | character_1 | Woman with glasses and patterned top | right after entering and speaking | She thinks the woman in the robe feels frustrated and defensive, possibly because her boundaries are being challenged. | She thinks the woman in the robe feels restless and looking for distraction, even though she claims not to have stories. | She thinks the woman in the robe feels vulnerable and emotionally low. | She thinks the woman in the robe feels emotionally detached and uninterested, simply wanting to be left alone. |
KD7l7XgWSXs@1@character_1@desire@first | videos/KD7l7XgWSXs.mp4 | desire_questions | first-order | What does the woman with glasses desire by maintaining eye contact and speaking to the woman in the robe? | C | By maintaining eye contact and speaking gently, the woman with glasses desires to create a safe space for the woman in the robe to open up emotionally. Her calm demeanor suggests she is trying to foster a supportive environment. | woman in the robe | character_1 | Woman with glasses and patterned top | while asking if there is anything to talk about | She desires to reinforce her need for uninterrupted workspace by calmly explaining her perspective. | She desires to steer the conversation toward practical matters, avoiding personal feelings or emotions. | She desires to create a safe space for the woman in the robe to open up emotionally. | She desires to establish clear boundaries so that she can focus on her work without being distracted by emotional discussions. |
kl3DqK3BGHI@3@character_1@belief@second | videos/kl3DqK3BGHI.mp4 | belief_questions | second-order | What does Stripes think the older man believes about Stripes’ honesty in explaining the case? | B | Stripes believes the older man thinks he is honest but possibly biased, as indicated by Stripes' serious demeanor and the older man's silent contemplation. | Older man | character_1 | Stripes, middle-aged, striped shirt | while Stripes observes the older man’s reaction | That Stripes is unconcerned with the actual outcome and is only giving a casual explanation. | That Stripes is being honest but possibly biased in his justification | That Stripes is intentionally shaping the story to benefit himself, regardless of the facts. | That Stripes is deliberately omitting important details to avoid blame. |
kl3DqK3BGHI@1@character_1@desire@first | videos/kl3DqK3BGHI.mp4 | desire_questions | first-order | What does Stripes desire by maintaining an expression while talking to the bald man? | D | Stripes desires to keep control of the situation while uncovering the truth, as shown by his composed posture and measured tone. | Stripes | character_1 | Stripes, striped shirt man | while standing and asking the question | He desires to subtly signal disinterest to the bald man, hoping the conversation will wrap up soon without confrontation. | He desires to push the bald man into revealing his true feelings by provoking a more heated exchange. | He desires to appear emotionally detached so the bald man cannot guess his real motivations. | He desires to keep control of the situation while uncovering the truth. |
kl3DqK3BGHI@5@character_1@desire@second | videos/kl3DqK3BGHI.mp4 | desire_questions | second-order | What does Stripes think the bald man desires when he says 'What's your problem?' with a tilted head and narrowed eyes? | D | Stripes interprets the bald man's narrowed eyes and head tilt as a challenge, suggesting the bald man desires to provoke him into revealing his true feelings or mistakes. This posture indicates a confrontational rather than cooperative intent. | Bald man | character_1 | Stripes, middle-aged man with striped shirt | when the bald man says 'What's your problem?' with a tilted head and narrowed eyes | To steer the conversation toward a neutral topic and minimize further disagreement, reflecting a desire to deflect tension. | To clarify Stripes’ point of view out of curiosity, reflecting a desire for information and mutual understanding. | To acknowledge Stripes’ emotions and calm the situation, reflecting a desire to soothe any animosity. | To provoke Stripes into revealing his true feelings or mistakes, reflecting a desire to unsettle him. |
KPMSMXne3zw@2@character_1@desire@first | videos/KPMSMXne3zw.mp4 | desire_questions | first-order | What does the man in pink top desire regarding the outcome of this interaction with the man outside? | D | The man in pink top desires to feel secure enough to consider offering a ride, balancing caution with openness. | man in pink top | character_1 | Man in pink top, curly brown hair | as the man outside speaks to him | He desires to quickly conclude the conversation and shut the window, putting his personal safety above any further engagement. | He desires to disengage from the man outside and redirect his attention elsewhere, effectively abandoning the interaction. | He desires to confirm his doubts by making the man outside appear suspicious or threatening, thus validating his mistrust. | He desires to feel safe enough to consider giving the man a ride or at least not rejecting him outright. |
KtEzZuRX23M@5@Charles@belief@second | videos/KtEzZuRX23M.mp4 | belief_questions | second-order | What does Charles think Julia believes about his intentions in standing close after her rejection? | D | Charles thinks Julia believes he is trying to force her to listen despite her refusal. Her frustrated body language and tone suggest she perceives his presence as pressure. | Julia | Charles | Charles, male, curly brown hair, black leather jacket | while Julia pushes Charles away and speaks | Charles thinks Julia believes he is unfazed by her rejection and acting as if her response has no effect on him. | Charles thinks Julia believes he is intentionally keeping his distance and attempting to show respect for her boundaries, even though he is standing close. | Charles thinks Julia believes he is uncertain about how to proceed, appearing hesitant and conflicted in his actions. | Charles thinks Julia believes he is trying to force her to listen despite her refusal. |
KtEzZuRX23M@1@Charles@belief@first | videos/KtEzZuRX23M.mp4 | belief_questions | first-order | What does Charles believe Julia thinks about his confession when he says 'So, I'm Charles Fern'? | D | Charles believes Julia thinks he is joking or not serious about his confession. Her sharp tone and surprised expression suggest disbelief. | Julia | Charles | Charles, curly brown hair, black leather jacket | immediately after talking about what happened | She believes he is revealing an important secret about his involvement with the radio station. | She believes he is trying to distract her by bringing up something unrelated to the confession. | She believes he is trying to steer the conversation away from a previous topic she mentioned. | She believes he is joking or not serious about his confession |
KuMy7-yMXO8@1@character_1@emotion@first | videos/KuMy7-yMXO8.mp4 | emotion_questions | first-order | What emotion is the Older Man most likely experiencing when he looks up with a neutral expression? | D | The Older Man feels a mix of cautious hope and vulnerability, as he is about to share something personal and is unsure of Daisy's reaction. | Daisy | character_1 | Older Man, light suit jacket | immediately after talking to Daisy about stamp collecting | He is experiencing mild impatience and distraction, wishing the topic would shift to something else. | He is experiencing quiet amusement and a sense of irony, seeing humor in the moment even if he doesn't show it outwardly. | He is experiencing subtle irritation and disappointment towards Daisy for not picking up on his hints. | He is experiencing cautious hope mixed with vulnerability about sharing something personal. |
KuMy7-yMXO8@2@character_2@emotion@first | videos/KuMy7-yMXO8.mp4 | emotion_questions | first-order | What emotion is Daisy most likely experiencing when she answers without looking up? | A | Daisy is likely experiencing cautiousness mixed with guardedness, as her concentrated and tense tone suggests she is protecting herself from vulnerability. Her avoidance of eye contact indicates a desire to maintain emotional safety. | Daisy | character_2 | Daisy, woman in sweater | when saying 'I don't' to the man | Cautiousness mixed with guardedness to protect herself from potential vulnerability. | Irritation at being interrupted by the man's attention, feeling her privacy is being invaded. | Detached disinterest in the conversation, signaling that she doesn't care about the outcome. | Self-assuredness and composure, believing she has full control over the situation. |
KuMy7-yMXO8@4@character_2@emotion@first | videos/KuMy7-yMXO8.mp4 | emotion_questions | first-order | What mixed emotions does Daisy experience when she asks 'Shall I?'? | C | Daisy feels nervous about the response but maintains calmness to avoid showing weakness, reflecting her mixed emotions of uncertainty and composure. | herself | character_2 | Daisy, apron, tied-back hair | while standing and speaking | Daisy feels hesitant and slightly resentful, but she maintains a composed tone so others won't notice her discomfort. | Daisy experiences a sense of obligation mixed with detachment, and her calm delivery is more out of routine than true emotional investment. | Daisy feels nervous about the response but tries to maintain calmness to avoid showing weakness. | Daisy feels hopeful and self-assured, yet chooses to appear calm in order to keep her excitement hidden from others. |
kx-B4SYbglE@3@Older Woman@belief@second | videos/kx-B4SYbglE.mp4 | belief_questions | second-order | What does the Older Woman think the Younger Woman believes about the Older Woman's certainty? | D | The Older Woman's steady and direct response suggests she believes the Younger Woman perceives her as confident and sure, which aligns with the Younger Woman's reliance on her affirmation. | Younger Woman | Older Woman | Older Woman, short light hair | while responding to the Younger Woman's question | The Older Woman thinks the Younger Woman believes she (the Older Woman) is uncertain and possibly misinterpreting the information, but that is not accurate. | The Older Woman thinks the Younger Woman believes she (the Older Woman) doesn't care much about the information, which isn't actually the case. | The Older Woman thinks the Younger Woman believes she (the Older Woman) is wavering and doubtful about the information, though this is not true. | The Older Woman thinks the Younger Woman believes she (Older Woman) is confident and sure about the information. |
kx-B4SYbglE@5@Older Woman@desire@first | videos/kx-B4SYbglE.mp4 | desire_questions | first-order | What does the Older Woman desire to achieve by saying something about the deceased's impact on minorities or criminals? | D | The Older Woman aims to provoke a strong reaction to stimulate deeper thought. Her steady tone and deliberate pacing indicate a calculated attempt to challenge conventional boundaries. | Older Woman | Older Woman | Older Woman, short light hair | while talking about obituary criteria on the couch | She desires to highlight how the deceased's life may be perceived by various marginalized groups, aiming to demonstrate inclusivity in the obituary. | She desires to redirect the focus of the conversation away from literary concerns by bringing up sensitive social issues. | She desires to bring the exchange to a close by making a bold statement that might unsettle or disarm the younger woman. | She desires to provoke a strong emotional or intellectual reaction to stimulate deeper thought. |
kx-B4SYbglE@5@Older Woman@emotion@second | videos/kx-B4SYbglE.mp4 | emotion_questions | second-order | What emotion does the Older Woman think the younger woman feels in response to the statement? | D | The Older Woman perceives discomfort and internal conflict in the younger woman's response. Her stiff posture and focused gaze suggest tension rather than amusement or agreement. | Younger Woman | Older Woman | Older Woman, short light hair | immediately after the statement | She thinks the younger woman feels confident and supportive, as if she fully backs the idea. | She thinks the younger woman feels detached and indifferent, as though the conversation doesn't concern her. | She thinks the younger woman feels entertained and playful, not taking the statement seriously. | She thinks the younger woman feels discomfort and internal conflict. |
kxZQeR3c_Wg@4@Mary@emotion@first | videos/kxZQeR3c_Wg.mp4 | emotion_questions | first-order | What complex emotion does Mary experience when John talks about her job? | C | Mary experiences mild surprise mixed with amusement at John's reaction, as indicated by her slight smile and calm demeanor. This suggests she finds his repeated surprise somewhat humorous. | Mary | Mary | Mary, woman with fork | immediately after John’s 'Wow, really?' | Disappointment that John does not seem to value her contributions at work | Embarrassment because she feels her job is not as impressive as others present | Mild surprise mixed with amusement at his reaction | Annoyance that John keeps focusing on negative aspects of her job |
KynPhJA4yww@1@character_1@desire@first | videos/KynPhJA4yww.mp4 | desire_questions | first-order | What does Young Woman desire by speaking to the man outside her car? | C | The Young Woman's mixture of fear and frustration indicates her desire to be left alone and safe. Her defensive gestures and tone suggest she wants to distance herself from the man. | Young Woman | character_1 | Young Woman, gray tank top | while inside the vehicle during the talk | She desires to assert control over the situation by negotiating firmly with the man, hoping to change the dynamic between them. | She desires to persuade the man to calm down and reconsider his actions, believing this might de-escalate the encounter. | She desires to be left alone and safe from any harm. | She desires to keep the man engaged in conversation so that someone else might arrive to help her, though this intent is not obvious. |
KynPhJA4yww@1@character_1@belief@first | videos/KynPhJA4yww.mp4 | belief_questions | first-order | What does Young Woman believe about the man’s reaction to her saying 'Come on' during the interaction? | A | The Young Woman believes the man will not leave despite her command, as indicated by his unmoving stance and silence. | Young Woman | character_1 | Young Woman, gray tank top | while she gestures and talks inside the vehicle | She believes he will not leave despite her command. | She believes he will quickly step back and leave after she says 'Come on', even though she is visibly uneasy. | She thinks he might try to signal someone else for help after her statement, but there is no indication of this. | She believes he will approach the car and get inside right away when she says 'Come on', which is not what she wants. |
L38j8UMd4oM@1@Young Woman@emotion@first | videos/L38j8UMd4oM.mp4 | emotion_questions | first-order | What complex emotions does the Young Woman experience while saying 'I'm fine' and covering her face? | D | The Young Woman's trembling voice and gestures of covering her face indicate a mix of sadness, anxiety, and shame. These emotions are evident as she struggles to maintain composure while verbally insisting she is fine. | Young Woman | Young Woman | Young Woman, white sweater | while she is covering her face on the sofa | She experiences numbness and emotional withdrawal, trying to distance herself from what is happening. | She experiences fleeting hope and brief comfort while insisting she is fine, momentarily convincing herself things will improve. | She experiences frustration and defensiveness beneath her calm words, using them to protect herself from criticism. | She experiences sadness, anxiety, and shame simultaneously, struggling to maintain composure. |
L38j8UMd4oM@4@Young Woman@emotion@first | videos/L38j8UMd4oM.mp4 | emotion_questions | first-order | What is Young Woman's emotional state when she says 'That's horrible' while looking down and then to the side? | B | The Young Woman's quiet response and avoidance of eye contact indicate she is masking her sadness and helplessness. Her actions suggest she is emotionally affected but trying to maintain a calm exterior. | Young Woman | Young Woman | Young Woman, white sweater | immediately after Older Woman says 'Much harder.' | She feels momentarily comforted by the Older Woman’s straightforwardness, interpreting her words as a sign that things will eventually improve. | She feels a mix of sadness and helplessness but tries to mask it with a calm exterior. | She feels upset with the Older Woman for discouraging her, interpreting the comments as unsupportive and feeling a sense of resentment. | She feels slightly entertained and emotionally distant, taking the Older Woman’s remarks as a joke rather than something to take seriously. |
lawcIailzXE@2@character_1@emotion@first | videos/lawcIailzXE.mp4 | emotion_questions | first-order | What emotion does White Shirt & Glasses (Dr. Malloy) most likely conceal while being talked to about his resume? | D | Dr. Malloy most likely conceals surprise mixed with guarded defensiveness, as indicated by subtle tension in his eyes and slight stiffening of posture. He feels caught off guard but strives to maintain control. | White Shirt & Glasses (Dr. Malloy) | character_1 | White Shirt & Glasses (Dr. Malloy) | while the man in light blue is looking at his credentials | Suppressed irritation and annoyance about the detailed questioning | A sense of self-assurance and mild amusement as he listens to the critique | A detached lack of interest and disengagement during the conversation | Surprise mixed with guarded defensiveness |
lawcIailzXE@4@character_1@desire@second | videos/lawcIailzXE.mp4 | desire_questions | second-order | What does Dr. Malloy think the red polo man desires regarding his mention of the boss during the conversation? | D | Dr. Malloy perceives that the red polo man desires recognition or approval from the boss, as indicated by his respectful tone and focus on the magazine, suggesting a need for validation. | red polo man | character_1 | White Shirt & Glasses (Dr. Malloy) | while the red polo man shows the magazine and talks about the boss | Dr. Malloy thinks the red polo man desires to cast doubt on the boss’s intentions and encourage the group to question the boss’s authority. | Dr. Malloy thinks the red polo man desires to influence the group’s decisions by referencing the boss in order to sway opinions in his favor. | Dr. Malloy thinks the red polo man desires to distance himself from any blame by putting the focus on the boss’s decisions instead of his own actions. | Dr. Malloy thinks the red polo man desires recognition or approval from the boss for his aspirations. |
Lg-L3FzdkEI@1@Marcus@emotion@first | videos/Lg-L3FzdkEI.mp4 | emotion_questions | first-order | What complex emotion is Marcus likely experiencing beneath his exterior? | C | Marcus's calm demeanor hides a mix of pride and anxiety, reflecting the emotional complexity of making a sacrifice while facing an uncertain future. His composed exterior masks deeper feelings. | Marcus | Marcus | Marcus, dark hoodie | Marcus talks to Eli about the swap | He feels frustration at Eli for assuming his responsibilities, but covers it with polite behavior. | He feels fully satisfied with his decision and is content, with no underlying worries. | He feels a mix of pride in making a sacrifice and anxiety about the uncertain future. | He feels emotionally unaffected and unconcerned about the outcome, not displaying any strong feelings. |
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