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ART002006976
oai_dc
โ€˜์ง์—… ์˜ˆ์ˆ ์ธโ€™์˜ ์ •์ฒด์„ฑ - ๋ณต์ˆ˜์˜ ์ง์—… ์ •์ฒด์„ฑ์„ ์ง€๋‹Œ ์˜ˆ์ˆ ๊ฐ€์™€์˜ ์‹ฌ์ธต์ธํ„ฐ๋ทฐ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Job Identities of the Creatives - Interviews with the Artists Holding Multiple Jobs and Job Identities -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๊ฐ•์ง„(์šฉ์ธ๋Œ€ํ•™๊ต)" ]
ํ˜„๋Œ€ ์‚ฌํšŒ์—์„œ ์ธ๋ฌธ, ์˜ˆ์ˆ , ๊ฒฝ์˜, ๊ณตํ•™ ๋“ฑ ์ „ ๋ถ„์•ผ์— ๊ฑธ์ณ ์ด์ œ โ€˜์ฐฝ์˜์„ฑโ€™์€ ๋ฐ˜๋“œ์‹œ ๊ฐ–์ถ”๊ณ  ํ‚ค์›Œ์•ผ ํ•  ์ค‘์š”ํ•œ ๋•๋ชฉ์ด ๋˜์—ˆ๋‹ค. ์ด ๊ฐ™์€ ํ˜„์ƒ์€ ์ •๋ณดํ†ต์‹ ๊ธฐ์ˆ ์„ ๋ฐ”ํƒ•์œผ๋กœ ํ•œ ๋ฌธํ™”์˜ˆ์ˆ ๊ณผ ๊ณผํ•™๊ธฐ์ˆ ์˜ ์œต๋ณตํ•ฉ ์†์—์„œ ๋‚˜ํƒ€๋‚œ ์ƒˆ๋กœ์šด ํŠธ๋ Œ๋“œ์ผ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๋ฌธํ™”์ž๋ณธ์˜ ๊ฐ€์น˜๊ฐ€ ์ƒ์Šนํ•˜๊ณ  ์žˆ์Œ์„ ์ž…์ฆํ•˜๋Š” ๊ฒƒ์ด๊ธฐ๋„ ํ•  ๊ฒƒ์ด๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ๋ฌธํ™”์‚ฐ์—…์— ์ข…์‚ฌํ•˜๋ฉฐ ์ƒ๊ณ„๋ฅผ ์œ ์ง€ํ•˜๊ณ  ์žˆ๋Š” ์˜ˆ์ˆ ๊ฐ€๋“ค์— ๋Œ€ํ•œ ์ง์—… ์ •์ฒด์„ฑ์— ์ฃผ๋ชฉํ•œ๋‹ค. ์ด๋“ค์€ ์ฐฝ์˜์„ฑ์„ ๊ธฐ๋ฐ˜์œผ๋กœ ํ•˜๋Š” ์˜ˆ์ˆ ๊ฐ€ ์ •์ฒด์„ฑ์„ ๋ฐ”ํƒ•์œผ๋กœ ๊ฒฝ์ œ์ ์ธ ๋ณด์ƒ์„ ์ถ”๊ตฌํ•ด์•ผํ•˜๋Š” ์‚ฌํšŒ์  ์ง์—…์„ ๊ฐ–๊ฒŒ ๋˜๋Š” ๊ณผ์ •์—์„œ ๊ฐˆ๋“ฑ๊ณผ ๋ชจ์ˆœ๋œ ๊ฒฝํ—˜์„ ๊ฒช๊ฒŒ ๋œ๋‹ค. ์ด ์—ฐ๊ตฌ๊ฐ€ ๊ฐ–๋Š” ์˜๋ฏธ๋Š”...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2015.13.03.181
kci_detailed_000302.xml
ART002006748
oai_dc
์˜ํ™” ์† โ€˜๊ณผ์ • ์ค‘์˜ ์ฃผ์ฒดโ€™์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ๋ผ์Šค ํฐ ํŠธ๋ฆฌ์—์˜ <์•ˆํ‹ฐํฌ๋ผ์ด์ŠคํŠธ> ์ค‘ ์—ฌ์„ฑ ์บ๋ฆญํ„ฐ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study about โ€˜Subject in Processโ€™ โ€“ Focusing on Female Character on Lars von Trierโ€™s <Antichrist> -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ง„๋น›๋‚จ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต); ๋ณ€ํ˜(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์˜ํ™” <Antichirst>์— ๋‚˜ํƒ€๋‚˜๋Š” ์•„๋ธŒ์ ์‹œ์˜น ์ด๋ฏธ์ง€๋“ค์„ ํ†ตํ•ด์„œ ์˜ํ™”์˜ ๋‚ด์šฉ๊ณผ ์˜๋ฏธ๋ฅผ ๋ถ„์„ํ•œ๋‹ค. ์•„๋ธŒ์ ์‹œ์˜น์€ ์ค„๋ฆฌ์•„ ํฌ๋ฆฌ์Šคํ…Œ๋ฐ”(Julia Kristeva)์˜ใ€ŽPowers of Horror : An Essay on Abjectionใ€์—์„œ ์ง‘์ค‘์ ์œผ๋กœ ๋‹ค๋ฃจ์–ด์กŒ๋‹ค. ํฌ๋ฆฌ์Šคํ…Œ๋ฐ”์— ์˜ํ•˜๋ฉด ์ฃผ์ฒด๋Š” ์•„๋ธŒ์ ํŠธ์— ์˜ํ•ด์„œ ์ง€์†์ ์œผ๋กœ ๊ฒฝ๊ณ„๋ฅผ ์œ„ํ˜‘๋ฐ›๋Š”๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ฃผ์ฒด๊ฐ€ ์œ„ํ˜‘๋ฐ›๋Š” ์ƒํ™ฉ์„ ์•„๋ธŒ์ ์‹œ์˜น์ด๋ผ ๋ถ€๋ฅธ๋‹ค. ๊ทธ๋…€์—๊ฒŒ ์ฃผ์ฒด๋Š” ์ˆ˜์‹œ๋กœ ์•„๋ธŒ์ ์‹œ์˜น์„ ๊ฒช๋Š” โ€˜๊ณผ์ • ์ค‘์˜ ์ฃผ์ฒดโ€™์ด๋‹ค. ๊ณ ์ •๋˜์ง€ ๋ชปํ•œ ์ฃผ์ฒด๋Š” ์•„๋ธŒ์ ํŠธ๋ฅผ ๋ชฐ์•„๋‚ด๋Š” ํ–‰์œ„๋ฅผ ํ†ตํ•ด์„œ ๊ฒฝ๊ณ„๋ฅผ ํ˜•์„ฑํ•˜๊ณ , ๋‹ค์‹œ ์•„๋ธŒ์ ํŠธ์˜ ๊ณต๊ฒฉ์„ ๋ฐ›๊ฒŒ ๋˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2015.13.03.117
kci_detailed_000302.xml
ART002006719
oai_dc
์˜๋ฃŒ ์„œ๋น„์Šค ํ™˜๊ฒฝ์—์„œ ๋””์ž์ธ์˜ ํ•„์š”์„ฑ๊ณผ ๋””์ž์ด๋„ˆ์˜ ์—ญํ• ์— ๊ด€ํ•œ ์†Œ๊ณ 
Some Thoughts about The Needs for Design and the Role of Designer in Innovative Medical Service System
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์„์ˆ˜์„ (์—ฐ์„ธ๋Œ€ํ•™๊ต); ์‹ ๋™์žฌ(์ค‘์•™๋Œ€ํ•™๊ต)" ]
๋””์ž์ธ์€ ์‹œ๋Œ€์˜ ๋ณ€ํ™”์— ๋”ฐ๋ผ ๊ทธ ์—ญํ• ์ด ํ™•์žฅ๋˜์–ด ์–ด๋–ค ๋งฅ๋ฝ์—์„œ ์–ด๋–ป๊ฒŒ ์ ์šฉํ•˜๋А๋ƒ์— ๋”ฐ๋ผ ๋‹ค์–‘ํ•œ ์˜๋ฏธ๋ฅผ ์ง€๋‹Œ๋‹ค. ์„œ๋น„์Šค ์‚ฐ์—… ์‹œ๋Œ€ ์†์—์„œ ๋””์ž์ธ์˜ ์—ญํ• ์€ ๋‹จ์ˆœํ•œ ์‹œ๊ฐ์  ๋ฌธ์ œ ํ•ด๊ฒฐ๋งŒ์ด ์•„๋‹Œ ์ „์ฒด์ ์ธ ์„œ๋น„์Šค ์‹œ์Šคํ…œ์„ ํŒŒ์•…ํ•˜์—ฌ ๊ทผ๋ณธ์ ์ธ ํ•ด๊ฒฐ์ฑ…์„ ์ œ์‹œํ•˜๋Š” ๊ฒƒ์œผ๋กœ ๊ทธ ์˜์—ญ์„ ํ™•์žฅํ•˜๊ณ  ์žˆ๋‹ค. ์ง€๊ธˆ ์ „ ์„ธ๊ณ„๋Š” ํ˜์‹ ์„ ํ†ตํ•ด ์ž ์žฌ๋˜์–ด ์žˆ๋Š” ์ƒˆ๋กœ์šด ์‹œ์žฅ์„ ๋ฐœ๊ฒฌํ•  ๊ธฐํšŒ๋ฅผ ์ฐพ๊ณ , ํ™œ๋ฐœํ•œ ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด ๊ทธ ๊ฒฐ๊ณผ๋ฅผ ๋‹ค์–‘ํ•œ ์„œ๋น„์Šค ์‚ฐ์—…์— ์ ์šฉํ•˜๊ณ  ์žˆ๋‹ค. ๊ทธ์— ๋น„ํ•ด ํ•œ๊ตญ์€ ์ตœ๊ทผ์—์•ผ ์„œ๋น„์Šค ์‚ฐ์—… ์—ฐ๊ตฌยท๊ฐœ๋ฐœ์˜ ํ•„์š”์„ฑ์„ ์ธ์‹ํ•˜๊ธฐ ์‹œ์ž‘ํ•˜๊ณ  ์ƒˆ๋กœ์šด ์„œ๋น„์Šค ๊ฐœ๋ฐœ ๋ฐ ํ”„๋กœ์„ธ์Šค ๊ฐœ์„ ์— ๋งŽ์€ ๊ด€์‹ฌ์„ ๊ธฐ์šธ์ด๊ณ  ์žˆ๊ธฐ๋Š”...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2015.13.03.087
kci_detailed_000302.xml
ART002006710
oai_dc
์šฐ๋ฆฌ๋“ค์˜ ์ผ๊ทธ๋Ÿฌ์ง„ ์žํ™”์ƒ - ์˜ํ™” ใ€ˆํ•œ๊ณต์ฃผใ€‰์˜ ์Šคํ† ๋ฆฌํ…”๋ง ์—ฐ๊ตฌ -
Our Twisted Self-portrait - A Study on the Storytelling of ใ€ˆHan Gong-juใ€‰ by Lee, Su-Jin -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๊ฒฝ์• (๋ชฉ์›๋Œ€ํ•™๊ต)" ]
์ด ๊ธ€์—์„œ๋Š” ใ€ˆํ•œ๊ณต์ฃผใ€‰์˜ ์Šคํ† ๋ฆฌ์™€ ์Šคํ† ๋ฆฌํ…”๋ง์„ ๋ถ„์„ํ•˜์—ฌ ์ด ์˜ํ™”๊ฐ€ ํ•œ๊ตญ ์‚ฌํšŒ์™€ ํ•œ๊ตญ ์˜ํ™”์— ๋˜์ง„ ์‹œ์‚ฌ์ ๊ณผ ์˜๋ฏธ๋ฅผ ๋ฐํžˆ๋ ค๊ณ  ํ•˜์˜€๋‹ค. ๋จผ์ € ์Šคํ† ๋ฆฌ ๋ถ„์„์„ ์ค‘์‹ฌ์œผ๋กœ ์ด ์˜ํ™”๊ฐ€ โ€˜์ฃผ์ธ๊ณต ํ•œ๊ณต์ฃผ๊ฐ€ ์Œ์•…์„ ํ†ตํ•ด ์œ„์•ˆ ๋ฐ›์œผ๋ คํ•˜๋‹ค๊ฐ€ ์Œ์•…์ด ์ž์‹ ์„ ์ง€์ผœ์ค„ ์ˆ˜ ์—†์Œ์„ ๊นจ๋‹ซ๊ณ  ์ž์‚ดํ•˜๋Š” ์ด์•ผ๊ธฐโ€™์ž„์„ ๋ฐํ˜”๋‹ค. ์•„์šธ๋Ÿฌ ์ด ์˜ํ™”๊ฐ€ ์ •์ž‘ ์ธ๊ฐ„์˜ ์ •์ฒด์„ฑ์„ ์œ„ํ˜‘ํ•˜๋Š” ์ง„์งœ ๊ดด๋ฌผ๋“ค์€ ์ฒ˜๋ฒŒํ•˜์ง€ ์•Š๊ณ  ์œค๋ฆฌ์  ์ธ๊ฐ„๋“ค์„ ๊ฑฐ์„ธํ•ด ๋ฒ„๋ฆฌ๋Š” ์‚ฌํšŒ ๊ตฌ์กฐ๋ฅผ ๋น„ํŒํ•˜๊ณ  ์ด๋ฅผ ์žฌ๊ตฌ์„ฑํ•˜๋ ค๋Š” ์˜๋„๋ฅผ ์ง€๋‹ˆ๊ณ  ์žˆ์Œ์„ ์‚ดํŽด๋ณด์•˜๋‹ค. ์Šคํ† ๋ฆฌํ…”๋ง ๊ตญ๋ฉด์—์„œ๋Š” ์ด ์˜ํ™”๊ฐ€ ์‹คํ™”๋ฅผ ๋Œ€์ƒ์œผ๋กœ ํ•˜์˜€์Œ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ  ์„ ์ •์„ฑ์— ํ•จ๋ชฐ๋˜์ง€ ์•Š๊ณ  ์˜ํ™”๋ฅผ ๋น„ํŒ์ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2015.13.03.069
kci_detailed_000302.xml
ART002006885
oai_dc
์˜ˆ์ˆ ์˜ ์œ ํฌ์  ํŠน์„ฑ์„ ์ด์šฉํ•œ ๋””์ง€ํ„ธ ์ฝ˜ํ…์ธ ์˜ ์˜ˆ์ˆ ์น˜๋ฃŒ์  ํ™œ์šฉ์˜ ๊ฐ€๋Šฅ์„ฑ
Possibilities in Application of Art Therapy employing Digital Contents with Play-instinct of the Art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ•œ์ฃผ์—ฐ(ํ•œ์–‘๋Œ€ํ•™๊ต)" ]
์ •์‹ ์˜ ๊ฑด๊ฐ•๊ณผ ์‹ฌ๋ฆฌ์  ์žฅ์• ๋ฅผ ์น˜๋ฃŒํ•˜๋Š” ๋ชฉ์ ์œผ๋กœ ์ •์‹ ๊ณผ์  ์น˜๋ฃŒ, ์‹ฌ๋ฆฌ ์ƒ๋‹ด ์น˜๋ฃŒ์™€ ํ•จ๊ป˜ ์“ฐ์ด๋Š” ์˜ˆ์ˆ ์น˜๋ฃŒ๋Š” ๋ฏธ์ˆ , ์Œ์•…, ๋™์ž‘, ์—ฐ๊ทน ๋“ฑ์˜ ์˜ˆ์ˆ ์˜ ๊ฐ์ƒ์ด๋‚˜ ํ‘œํ˜„์„ ํ†ตํ•ด ๋‚ด๋‹ด์ž๊ฐ€ ๋‚ด๋ฉด์„ ํ‘œ์ถœํ•˜๊ณ  ์ •์‹ ์  ๋ฌธ์ œ๋ฅผ ์น˜๋ฃŒํ•˜๋Š” ๊ฒƒ์ด๋‹ค. ์˜ˆ์ˆ ์น˜๋ฃŒ๋Š” ์˜ˆ์ˆ ์ด ์น˜์œ ์  ๊ธฐ๋Šฅ๊ณผ ๊ต์œก์  ๊ธฐ๋Šฅ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค๋Š” ์ ๊ณผ ๋ฌด์˜์‹์ ์ธ ์˜์—ญ์˜ ํ‘œํ˜„์€ ์–ธ์–ด์  ์†Œํ†ต๋ณด๋‹ค ๋น„์–ธ์–ด์  ์†Œํ†ต์—์„œ ๋น„๋กฏ๋œ ๋‹ค๋Š” ์ ์„ ์น˜๋ฃŒ์— ํ™œ์šฉํ•œ๋‹ค. ํ˜„๋Œ€ ๋””์ง€ํ„ธ ํ™˜๊ฒฝ์„ ์˜ˆ์ˆ ์  ํŠน์„ฑ์œผ๋กœ ์ด์šฉํ•œ ๋‰ด ๋ฏธ๋””์–ด ์•„ํŠธ๋Š” ๋ชจ๋“  ์žฅ๋ฅด์˜ ์˜ˆ์ˆ ๊ณผ ๋ฌธํ™” ํ˜•์‹์˜ ์†์„ฑ์„ ํก์ˆ˜ํ•˜์—ฌ ์ด์ฒด์  ๊ฐ๊ฐ์„ ํ†ตํ•ด ๋“œ๋Ÿฌ๋‚ด๋ฉฐ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์˜ ํŠน์„ฑ์— ๋”ฐ๋ผ ์–ด๋–ค ์˜ˆ์ˆ ํ˜•์‹๋ณด๋‹ค ์œ ์—ฐํ•˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2015.13.03.145
kci_detailed_000302.xml
ART002006951
oai_dc
๊ด‘๊ณ  ๋งค์ฒด๋กœ์„œ์˜ Digital OOH Media์— ๋Œ€ํ•œ ์—ฐ๊ตฌ - ์ˆ˜์šฉ์ž ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์—์„œ ํ˜•์„ฑ๋˜๋Š” ๊ด‘๊ณ  ํƒœ๋„๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
A Study on Digital OOH Media as Advertisement Media - Focusing on Advertisement Attitude formed in Consumer Communication
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์•ˆํฌ์ง„(์•„์ฟ ์•„ํ•„๋ง์ฝ”๋ฆฌ์•„); ์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ํ˜„์žฌ ์šด์˜๋˜๊ณ  ์žˆ๋Š” Digital OOH Media์˜ ์ˆ˜์šฉ์ž ํƒœ๋„๊ฐ€ ์–ด๋–ป๊ฒŒ ํ˜•์„ฑ๋˜์–ด ์žˆ๋Š”์ง€ ์•Œ์•„๋ณด๊ณ ์žํ•˜๋Š” ๊ถ๊ธˆ์ฆ์—์„œ ์ถœ๋ฐœํ•˜์˜€๋‹ค. ๊ธฐ์กด์˜ OOH Media๊ฐ€ ๋””์ง€ํ„ธํ™”๋จ์— ๋”ฐ๋ผ Digital OOH Media์˜ ์—ญํ• ์ด ์ ์ฐจ ํ™•๋Œ€๋˜๊ณ  ์žˆ๋‹ค. ๊ฒŒ๋‹ค๊ฐ€ ์„ค์น˜์žฅ์†Œ์— ๋”ฐ๋ฅธ ์ œ์•ฝ์ด ๊ฑฐ์˜ ์—†๊ธฐ ๋•Œ๋ฌธ์— ๊ด‘๊ณ , ์•ˆ๋‚ด, ํ•ด๋‹น๊ตฌ๊ฐ„์˜ ์ •๋ณด ๋“ฑ ๋””์Šคํ”Œ๋ ˆ์ด ๋งค์ฒด๋กœ์„œ ์ •๋ณด์ „๋‹ฌ์ด ๊ฐ€๋Šฅํ•œ ๊ณณ์—๋Š” ํƒ„๋ ฅ์ ์œผ๋กœ ์ ์šฉ๋˜๊ณ  ์žˆ๋‹ค. ํ˜„์žฌ์˜ OOH Media๋Š” ๊ธฐ์กด์˜ ์•„๋‚ ๋กœ๊ทธ์ ์ธ ์ •๋ณด์ „๋‹ฌ ๋ฐฉ์‹์—์„œ Digital OOH Media์˜ ๋””์ง€ํ„ธ์ ์ธ ์ •๋ณด์ „๋‹ฌ ๋ฐฉ์‹์œผ๋กœ ๋ณ€ํ™”ํ•ด๊ฐ€๋Š” ๊ณผ๋„๊ธฐ ์‹œ์ ์— ์žˆ๋‹ค. ๋•Œ๋ฌธ์— ํ–ฅํ›„ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2015.13.03.161
kci_detailed_000302.xml
ART002006981
oai_dc
๋งค์ง์„œํด๋กœ ํ•ด์„ํ•œ ์›จ์–ด๋Ÿฌ๋ธ” ๊ฒŒ์ž„์˜ ํŠน์ง•
The Attribute of Wearable Games Described through the Magic Circle
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •๋ˆ์šฑ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ํ˜„์žฌ ํ†ต์šฉ๋˜์–ด์ง€๋Š” ์›จ์–ด๋Ÿฌ๋ธ” ๊ฒŒ์ž„์˜ ๊ฐœ๋…์ด ๋ฌด๋ถ„๋ณ„ํ•จ๊ณผ ๋™์‹œ์— ๊ธฐ์กด ๋ชจ๋ฐ”์ผ ๊ฒŒ์ž„์˜ ํŠน์ง•๊ณผ ๊ณตํ†ต๋˜๋Š” ๋ถ€๋ถ„์ด ๋‹ค๋ถ„ํ•˜์—ฌ ์›จ์–ด๋Ÿฌ๋ธ” ๊ฒŒ์ž„์˜ ์ •์ฒด์„ฑ์ด ๋ชจํ˜ธํ•จ์— ์ฃผ๋ชฉํ•˜์˜€๋‹ค. ์›จ์–ด๋Ÿฌ๋ธ” ๊ฒŒ์ž„์˜ ๊ฐœ๋…๊ณผ ๊ตฌ๋ถ„์„ ๋ช…ํ™•ํ•˜๊ฒŒ ํ•˜๊ธฐ์œ„ํ•ด ๋งค์ง์„œํด์˜ ๊ฐœ๋…์„ ์ฐจ์šฉํ•˜์˜€๋Š”๋ฐ, ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ๋งค์ง์„œํด์— ๋”ฐ๋ฅธ ๊ฒŒ์ž„ ๊ฒฝ๊ณ„๋ฅผ ๋ฐœํ˜„, ํ˜•ํƒœ, ๊ทœ์น™์˜ ์„ธ ๊ฐ€์ง€ ์ธก๋ฉด์—์„œ ๋ถ„์„ํ•˜์—ฌ ๊ฐ ๊ฒŒ์ž„์„ ๋น„๊ตํ•˜์˜€๋‹ค. ๋ชจ๋ฐ”์ผ ๊ฒŒ์ž„์—์„œ์˜ ๋งค์ง์„œํด์€ ํ”Œ๋ ˆ์ด์–ด์˜ ์„ ํƒ์— ๊ฐ€์žฅ ๋งŽ์€ ์˜ํ–ฅ์„ ๋ฐ›๊ณ  ์žˆ์—ˆ๋‹ค. ์ฆ‰, ํ”Œ๋ ˆ์ด์–ด๊ฐ€ ๊ฒŒ์ž„์„ ํ•˜๊ธฐ์œ„ํ•ด ๋ชจ๋ฐ”์ผ ๋””๋ฐ”์ด์Šค๋ฅผ ์ˆ˜์‹œ๋กœ ์ž‘๋™์‹œํ‚ค๋Š” ๊ฒƒ๊ณผ ์—ฐ๊ด€์ด ์žˆ๋‹ค. ํ•œํŽธ ์›จ์–ด๋Ÿฌ๋ธ” ๊ฒŒ์ž„์—์„œ์˜ ๋งค์ง์„œํด์€ ๋ณด๋‹ค ํ˜„...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2015.13.03.197
kci_detailed_000302.xml
ART002006722
oai_dc
๋””์ง€ํ„ธ ๋‰ด๋ฏธ๋””์–ด์˜ ์‹œ๊ฐ„์„ฑ๊ณผ ํ˜ผํ•ฉ์„ฑ
A Study on Temporality and Complexity in Digital New Media
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ƒ์€(์ƒ๋ช…๋Œ€ํ•™๊ต)" ]
๋””์ง€ํ„ธ ์‹œ๋Œ€๋Š” ์˜ˆ์ˆ ์˜ ์˜์—ญ์„ ์œตํ•ฉ์œผ๋กœ ์ด๋Œ๊ณ  ์žˆ๋‹ค. ๋‹ค์–‘ํ•œ ๋””์ง€ํ„ธ ์ด๋ฏธ์ง€๋“ค์€ ํ˜ผํ•ฉํ•˜๊ฑฐ๋‚˜ ๋ถ„๋ฆฌ๋˜์–ด ์ƒˆ๋กœ์šด ์ž‘ํ’ˆ์„ ๋งŒ๋“ค์–ด ๊ฐ€๊ณ  ๋””์ง€ํ„ธ๋กœ ์ €์žฅ๋œ ์ž‘ํ’ˆ๋“ค์€ ์ธํ„ฐ๋„ท์œผ๋กœ ์—ฌ๋Ÿฌ ์‚ฌ๋žŒ๋“ค๊ณผ ๊ณต์œ  ํ•  ์ˆ˜๋„ ์žˆ๊ณ , ๋‹ค์–‘ํ•œ ๋งค์ฒด๋กœ ์ถœ๋ ฅ๋˜๊ฑฐ๋‚˜ ํ™•์žฅ๋œ ๊ณต๊ฐ„์œผ๋กœ ๋””์Šคํ”Œ๋ ˆ์ด ๋  ์ˆ˜๋„ ์žˆ๋‹ค. ๊ด€๊ฐ๊ณผ์˜ ์ƒํ˜ธ์ž‘์šฉ์— ์˜ํ•ด ๋งŒ๋“ค์–ด์ง€๋Š” ์ฐธ์—ฌ์™€ ์†Œํ†ต, ๊ณต์œ ์™€ ๊ฐœ๋ฐฉ์„ ๊ฐ€๋Šฅํ•˜๊ฒŒ ํ•˜๋Š” ๋””์ง€ํ„ธ ๋‰ด๋ฏธ๋””์–ด ์•„ํŠธ๋Š” ์˜์ƒ, ์ธํ„ฐ๋„ท, ์‚ฌ์šด๋“œ, ๊ทธ๋ž˜ํ”ฝ, ์„ค์น˜, ํผํฌ๋จผ์Šค ๋“ฑ ๋‹ค์–‘ํ•œ ๋ถ„์•ผ์™€ ๊ฒฐํ•ฉํ•˜๊ณ  ์ ‘๋ชฉ๋˜์–ด ์ƒˆ๋กœ์šด ๋‹ด๋ก ์„ ์ด๋Œ์–ด ๋‚ธ๋‹ค. ์ด ์—ฐ๊ตฌ๋Š” ํ˜„๋Œ€๋ฏธ์ˆ ์ด ๋””์ง€ํ„ธ ํ…Œํฌ๋†€๋Ÿฌ์ง€์™€ ์ ‘๋ชฉํ•˜๋ฉด์„œ ๋ณด์—ฌ์ค€ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์•„ํŠธ์— ๋‚˜ํƒ€๋‚œ ๋””์ง€ํ„ธ์˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2015.13.03.103
kci_detailed_000302.xml
ART002006691
oai_dc
์˜์ƒ์˜ ํ›„๊ฐ์  ์ƒ์ƒํ•จ์ด ํ–ฅ ์ œ์‹œ๋ฅผ ํ†ตํ•œ ์‹ค๊ฐํ–ฅ์ƒ์— ๋ฏธ์น˜๋Š” ํšจ๊ณผ
The Effect of Olfactory Vividness of Video on Reality Improvement through Providing Scents
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๊ตญํฌ(๊ด‘์šด๋Œ€ํ•™๊ต); ์ •์œค์ง„(๊ด‘์šด๋Œ€ํ•™๊ต); ์ดํ˜•์ฒ (๊ด‘์šด๋Œ€ํ•™๊ต); ์•ˆ์ถฉํ˜„(ํ•œ๊ตญ์ „์žํ†ต์‹ ์—ฐ๊ตฌ์›); ๊ธฐ๋ช…์„(ํ•œ๊ตญ์ „์žํ†ต์‹ ์—ฐ๊ตฌ์›); ๊น€์‹ ์šฐ(๊ด‘์šด๋Œ€ํ•™๊ต)" ]
์˜์ƒ์žฅ๋ฉด์— ์–ด์šธ๋ฆฌ๋Š” ํ›„๊ฐ์ •๋ณด๋ฅผ ์ œ์‹œํ•จ์œผ๋กœ์จ ์˜์ƒ์‹ค๊ฐ์ด ํ–ฅ์ƒ๋  ๊ฒƒ์ด๋ผ๋Š” ๊ฐ€์„ค์€ ์˜ˆ์ธก ๊ฐ€๋Šฅํ•˜๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ƒ„์ƒˆ๊ฐ€ ์—ฐ์ƒ๋˜๋Š” ๋ชจ๋“  ์žฅ๋ฉด์— ์–ด์šธ๋ฆฌ๋Š” ํ›„๊ฐ์ •๋ณด๋ฅผ ์ œ์‹œํ•˜๋Š” ๊ฒƒ์€ ํ˜„์‹ค์ ์œผ๋กœ ๋ถˆ๊ฐ€๋Šฅํ•˜๊ธฐ ๋•Œ๋ฌธ์— ์–ด๋–ค ์žฅ๋ฉด์„ ์„ ํƒํ•˜์—ฌ ํ›„๊ฐ์ •๋ณด๋ฅผ ์ œ์‹œํ•˜๋Š” ๊ฒƒ์ด ๊ฐ€์žฅ ํšจ๊ณผ์ ์ธ ์‹ค๊ฐํ–ฅ์ƒ๋ฐฉ๋ฒ•์ธ์ง€๋Š” ์—ฐ๊ตฌ๊ฐ€ ํ•„์š”ํ•˜๋‹ค. ํ•œ ๊ฐ€์ง€ ๊ฐ€๋Šฅํ•œ ๊ฐ€์„ค์€ ํ›„๊ฐ์ •๋ณด์— ๋Œ€ํ•œ ๋ฌ˜์‚ฌ๊ฐ€ ์ƒ์ƒํ•œ ์˜์ƒ์— ์–ด์šธ๋ฆฌ๋Š” ๋ƒ„์ƒˆ๋ฅผ ์ œ๊ณตํ•˜๋Š” ๊ฒƒ์ด ํ›„๊ฐ์ •๋ณด๊ฐ€ ๋น„์ƒ์ƒํ•œ ์˜์ƒ์—์„œ ์ œ๊ณตํ•˜๋Š” ๊ฒƒ๋ณด๋‹ค ๋” ๊ฐ•ํ•œ ์‹ค๊ฐํ–ฅ์ƒ์„ ๊ฐ€์ ธ์˜จ๋‹ค๋Š” ๊ฒƒ์ด๋‹ค. ์ด๋ฅผ ๊ฒ€์ฆํ•˜๊ธฐ ์œ„ํ•œ ๋ณธ ์—ฐ๊ตฌ๋Š” ์˜์ƒ์˜ ํ›„๊ฐ์  ์ƒ์ƒํ•จ์„ ์„ธ ๊ฐ€์ง€ ์กฐ๊ฑด (๋ฌด๊ด€ vs. ๋น„์ƒ์ƒ vs. ์ƒ์ƒ)์œผ๋กœ ๊ตฌ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2015.13.03.005
kci_detailed_000302.xml
ART002006708
oai_dc
๋Œ€ํ•™์ƒ๋“ค์˜ ์„ฑ๋ณ„๊ณผ ํ…”๋ ˆ๋น„์ „ ์˜ˆ๋Šฅํ”„๋กœ๊ทธ๋žจ ๊ฐ„์ ‘๊ด‘๊ณ (PPL)์— ๋Œ€ํ•œ ๋…ธ์ถœ ์ •๋„๊ฐ€ PPL ํƒœ๋„, PPL ๋ธŒ๋žœ๋“œ ํƒœ๋„์™€ ๊ตฌ๋งคํ–‰๋™ ๋ฐ ์˜๋„์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ
The Influence on the PPL Attitudes, PPL Brand Attitudes, Purchasing Behaviors and Intentions by College Studentsโ€™ Gender and the Degree of Exposure on Product Placements(PPL) in TV Entertainment Programs
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ˆœ๊ธฐ(์„ธ์ข…๋Œ€ํ•™๊ต); ํ™์ข…๋ฐฐ(ํ•œ๊ตญ๋ฐฉ์†กํ†ต์‹ ์ „ํŒŒ์ง„ํฅ์›); ์ด๊ท€์˜ฅ(์„ธ์ข…๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์ตœ๊ทผ ์ฆ๊ฐ€ํ•˜๊ณ  ์žˆ๋Š” ์˜ˆ๋Šฅํ”„๋กœ๊ทธ๋žจ PPL์— ๋Œ€ํ•œ ๋Œ€ํ•™์ƒ์˜ ํƒœ๋„๋ฅผ ์ธก์ •ํ•˜๊ณ , ์ด๋Ÿฌํ•œ ํƒœ๋„๊ฐ€ PPL ๋ธŒ๋žœ๋“œ ํƒœ๋„์™€ ๊ตฌ๋งคํ–‰๋™์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ์„ ๊ฒ€์ฆํ•˜์˜€๋‹ค. ์—ฐ๊ตฌ๊ฒฐ๊ณผ๋Š” ๋‹ค์Œ๊ณผ ๊ฐ™๋‹ค. ์ฒซ์งธ, ์˜ˆ๋Šฅํ”„๋กœ๊ทธ๋žจ PPL์— ๋Œ€ํ•œ ํƒœ๋„๋ฅผ ์š”์ธ ๋ถ„์„ํ•œ ๊ฒฐ๊ณผ ๋ถ€์ •์  ํƒœ๋„๊ฐ€ ๊ธ์ •์  ํƒœ๋„๋ณด๋‹ค ๋†’๊ฒŒ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ๋‘˜์งธ, ์„ฑ๋ณ„์˜ ๊ฒฝ์šฐ ์—ฌ์„ฑ์ด ๋‚จ์„ฑ๋ณด๋‹ค ์˜ˆ๋Šฅํ”„๋กœ๊ทธ๋žจ PPL์— ๋Œ€ํ•œ ๋ถ€์ •์  ํƒœ๋„๊ฐ€ ๋†’์•˜์œผ๋ฉฐ, ์žฅ๋ฅด(๋ฆฌ์–ผ ๋ฒ„๋ผ์ด์–ดํ‹ฐ, ํ† ํฌ์‡ผ, ๊ฐœ๊ทธ)๋ณ„ ์‹œ์ฒญ์ •๋„์˜ ๊ฒฝ์šฐ ๊ฐœ๊ทธํ”„๋กœ๊ทธ๋žจ ์‹œ์ฒญ์ •๋„๊ฐ€ ๋†’์„์ˆ˜๋ก ์˜ˆ๋Šฅํ”„๋กœ๊ทธ๋žจ PPL์— ๋Œ€ํ•œ ํƒœ๋„๋Š” ๋ถ€์ •์ ์ธ ๊ฒƒ์œผ๋กœ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ํ•˜์ง€๋งŒ ๋ฆฌ์–ผ ๋ฒ„๋ผ์ด์–ดํ‹ฐ์™€ ํ† ํฌ ์žฅ๋ฅด์˜ ์˜ˆ๋Šฅํ”„๋กœ๊ทธ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2015.13.03.051
kci_detailed_000302.xml
ART001945140
oai_dc
์›จ์–ด๋Ÿฌ๋ธ” ๋””๋ฐ”์ด์Šค์™€ ๋ณตํ•ฉํ˜„์‹ค ๊ฒŒ์ž„
Mixed Reality Game in The Wearable Devices
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •๋ˆ์šฑ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
ํ”Œ๋ ˆ์ด์–ด๊ฐ€ ๊ฒŒ์ž„์„ ํ•˜๋Š” ๋ชจ์Šต๊ณผ ๊ทธ ๊ฒŒ์ž„์˜ ํ˜•ํƒœ๋Š” ๋ฏธ๋””์–ด์˜ ๋ฐœ์ „๊ณผ ๋งŽ์€ ๊ด€๋ จ์ด ์žˆ๋‹ค. ๊ธฐ์ˆ ์˜ ๋ฐœ์ „๊ณผ ๋”๋ถˆ์–ด ์žฌ์กฐ๋ช…๋ฐ›๋Š” ์›จ์–ด๋Ÿฌ๋ธ” ๋””๋ฐ”์ด์Šค๋Š” ๊ธฐ์กด ๋น„๋””์˜ค ๊ฒŒ์ž„์ด ๊ฐ€์ ธ์˜ค๋Š” ํ˜„์‹ค์„ฑ์˜ ๊ฒฝ๊ณ„๋ฅผ ์—ท๊ฒŒ ํ•˜๊ณ  ํ™•์žฅํ•˜์˜€๋‹ค. ์ด๋ ‡๊ฒŒ ํ”Œ๋ ˆ์ด ๊ณต๊ฐ„์˜ ๊ฒฝ๊ณ„๋ฅผ ํ˜„์‹ค๋กœ ํ™•์žฅํ•œ ์›จ์–ด๋Ÿฌ๋ธ” ๋””๋ฐ”์ด์Šค๋Š” ๋ฏธ๋””์–ด์™€ ๊ฒŒ์ž„์˜ ์—ฐ๊ด€์„ฑ์— ๋งž์ถฐ ํ™œ์šฉํ•˜์˜€์„ ๋•Œ, ํ˜„์‹ค์„ฑ์ด ๊ฐ•์กฐ๋˜๋Š” ๋‹ค์–‘ํ•œ ํ˜•ํƒœ์˜ ๊ฒŒ์ž„์„ ์ฐฝ์ถœํ•  ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค. ์ด์— ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ํ˜„์‹ค์˜ ๊ณต๊ฐ„๊ณผ ์ƒํ˜ธ์ž‘์šฉํ•˜๋Š” ๊ฒŒ์ž„ ์žฅ๋ฅด์ธ ๋ณตํ•ฉํ˜„์‹ค ๊ฒŒ์ž„๊ณผ ์›จ์–ด๋Ÿฌ๋ธ” ๋””๋ฐ”์ด์Šค๋ฅผ ์ ‘๋ชฉํ•˜์—ฌ ์ƒˆ๋กœ์šด ๊ฒŒ์ž„์˜ ํ˜•ํƒœ๋ฅผ ์œ ์ถ”ํ•˜์˜€์œผ๋ฉฐ ์›จ์–ด๋Ÿฌ๋ธ” ๋””๋ฐ”์ด์Šค๋ฅผ ํ†ตํ•œ ๋ณตํ•ฉํ˜„์‹ค ๊ฒŒ์ž„์—์„œ ์œ ์ €๊ฐ€ ์–ด๋–ป๊ฒŒ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2014.12.03.133
kci_detailed_000302.xml
ART001945131
oai_dc
์†Œ์…œ ๋ฏธ๋””์–ด ์‚ฌํšŒ์—์„œ ์†Œ๋น„์ž์™€์˜ ์‹ ๋ขฐ ๊ด€๊ณ„ ๊ตฌ์ถ•์„ ์œ„ํ•œ ๊ด€๊ณ„ ๋งˆ์ผ€ํŒ… ์ค‘์‹ฌ์˜ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๋ฐฉ๋ฒ•๋ก  ๊ณ ์ฐฐ- ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜๋””์ž์ธ ๊ด€์ ์—์„œ ์ ‘๊ทผํ•œ ์‚ฌ๋ก€์—ฐ๊ตฌ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Integrated relationship-marketing communication: an approach to establish customer-centered relationship in a social media society- a case study by communication design perspective
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ˜œ์šฑ(ํ™์ต๋Œ€ํ•™๊ต)" ]
์ƒํ˜ธ ์œ ๊ธฐ์ ์ธ ์—ฐ๊ฒฐ๊ณผ ํ‰๋“ฑํ•จ์˜ ํŠน์„ฑ์„ ์ง€๋‹Œ ์†Œ์…œ ๋ฏธ๋””์–ด๋Š” ๊ธฐ์กด ๋ฏธ๋””์–ด๊ฐ€ ์ง€๋‹Œ ์œ„๊ณ„์  ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ์‹œ์Šคํ…œ์„ ์ˆ˜ํ‰์  ์‹œ์Šคํ…œ์œผ๋กœ ๋ฐ”๊พธ๋ฉด์„œ, ๊ด‘๊ณ  ๋ฐ ๋งˆ์ผ€ํŒ…์„ ์œ„์‹œํ•œ ์†Œ๋น„์ž์™€์˜ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๋ฐฉ๋ฒ•๋ก ์— ํฐ ๋ณ€ํ˜์„ ๊ฐ€์ ธ์™”๋‹ค. ์†Œ๋น„์ž ์ค‘์‹ฌ์˜ ์ˆ˜ํ‰์ ์ธ ๊ด€๊ณ„, ์ธ๊ฐ„์ ์ธ ์‹ ๋ขฐ ๊ธฐ๋ฐ˜์˜ ๊ด€๊ณ„ ๊ตฌ์ถ•์ด ๊ทธ ๋ณ€ํ™”์˜ ์ค‘์‹ฌ์— ๋†“์—ฌ์žˆ๋‹ค๊ณ  ์—ฌ๊ฒจ์ง„๋‹ค. ์ด ์—ฐ๊ตฌ๋Š” ์†Œ์…œ ๋ฏธ๋””์–ด ์‚ฌํšŒ์—์„œ ์†Œ๋น„์ž๋“ค๊ณผ์˜ ์‹ ๋ขฐ ๊ธฐ๋ฐ˜ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๊ตฌ์ถ•์„ ์œ„ํ•œ ๋ฏธ๋””์–ด ํ™œ์šฉ ๋ฐฉ๋ฒ•๋ก ์„ ๋ชจ์ƒ‰ํ•˜๊ธฐ ์œ„ํ•˜์—ฌ, ๊ตญ๋‚ด ๋ธŒ๋žœ๋“œ ์ปคํ”ผ ์ „๋ฌธ์  ์ค‘์˜ ํ•˜๋‚˜์ธ ํ• ๋ฆฌ์Šค ์ปคํ”ผ(Hollyโ€˜s Coffee) ๋ฆฌ๋ธŒ๋žœ๋”ฉ(Re-Branding) ํ”„๋กœ์ ํŠธ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ๊ธฐํš์—...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2014.12.03.067
kci_detailed_000302.xml
ART001945134
oai_dc
๋น„์–ธ์–ด ๊ธฐํ˜ธ๋กœ์„œ์˜ ์‹ ์ฒด ์›€์ง์ž„ ๊ธฐ๋ฐ˜ ๊ฒŒ์ž„ ์ธํ„ฐํŽ˜์ด์Šค ๊ฐœ๋ฐœ- Inclusive design ๋ฐฉ๋ฒ• ์ ์šฉ๊ณผ ํ‰๊ฐ€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
Interface Development of Non-verbal Symbolic Body Movement Based Game- Inclusive Design Methodology Adaptation And Evaluation
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ง€์˜(ํ•œ๊ตญ๊ณผํ•™๊ธฐ์ˆ ์›); ์šฐํƒ(๊ฒฝํฌ๋Œ€ํ•™๊ต)" ]
์ด์šฉ์ž์˜ ์‹ ์ฒด ์›€์ง์ž„์„ ๊ธฐ๋ฐ˜์œผ๋กœ ํ•˜๋Š” ์ฒด๊ฐํ˜• ๊ฒŒ์ž„์€ ์Šคํฌ์ธ  ๋ฐ ๋Œ„์Šค ์žฅ๋ฅด์˜ ๊ฒŒ์ž„์— ๊ตญํ•œ๋˜์–ด ๊ฐœ๋ฐœ๋˜๊ณ  ์žˆ๋Š” ๊ฒฝํ–ฅ์ด ์žˆ๋‹ค. ์šด๋™ ํ™œ๋™์ด๋‚˜ ์ถค์„ ์ถ”๋Š” ํ–‰์œ„๋Š” ๋™์ž‘์˜ ๋ฒ”์œ„๊ฐ€ ๋ช…ํ™•ํ•˜๋ฉฐ, ๋™์ž‘์˜ ์˜๋ฏธ๊ฐ€ ๋ถ„๋ช…ํ•˜๊ธฐ ๋•Œ๋ฌธ์—, ๋™์ž‘ ์ž์ฒด๋ฅผ ๊ตฌํ˜„ํ•˜๋Š”๋ฐ ์žฌ๋ฏธ๋ฅผ ๋А๋‚„ ์ˆ˜ ์žˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋˜ํ•œ ์ผ์ƒ์ƒํ™œ์—์„œ์˜ ๋™์ž‘๊ณผ ๊ฐ™๊ธฐ ๋•Œ๋ฌธ์— ํ”Œ๋ ˆ์ด์–ด๊ฐ€ ๊ฒŒ์ž„์„ ํ”Œ๋ ˆ์ดํ•˜๊ธฐ ์œ„ํ•ด ๋ณ„๋„์˜ ํ•™์Šต์„ ์ง„ํ–‰ํ•˜์ง€ ์•Š์•„๋„ ๋œ๋‹ค๋Š” ์ ์—์„œ ์žฅ์ ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ RPG ์žฅ๋ฅด์™€ ๊ฐ™์€ ๊ฒŒ์ž„์—์„œ ๊ฒŒ์ž„ ํ”Œ๋ ˆ์ด๋ฅผ ์œ„ํ•ด ํ”Œ๋ ˆ์ด์–ด๊ฐ€ ์žฅ์‹œ๊ฐ„ ํ˜„์‹ค ๋ชจ์‚ฌ ๋™์ž‘์„ ์ˆ˜ํ–‰ํ•˜๋Š” ๊ฒƒ์€ ์‹ ์ฒด ํ”ผ๋กœ๋„๋ฅผ ์ฆ์ง„์‹œํ‚ค๊ณ , ์Šคํฌ๋ฆฐ ์ƒ์˜ ์บ๋ฆญํ„ฐ์™€ ๋™์ผํ•œ ๋™์ž‘์„ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2014.12.03.089
kci_detailed_000302.xml
ART001945125
oai_dc
์˜ํ™”์—์„œ์˜ ์ดˆ์ ์ด๋™์˜ ๋ฏธํ•™
The aesthetic of rack focus in film
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฐ์ƒ์ค€(์„ฑ์‹ ์—ฌ์ž๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์˜ํ™”์—์„œ ๊ตฌ์‚ฌ๋˜๋Š” ์ดˆ์ ์ด๋™(rack focus) ๊ธฐ๋ฒ•์˜ ๊ธฐ๋Šฅ๊ณผ ์˜ํ™”๋ฏธํ•™์  ํšจ๊ณผ์— ๊ด€ํ•ด ๋ถ„์„ํ•˜์˜€๋‹ค. ์ดˆ์ ์ด๋™์€ ํ•ต์‹ฌ๊ธฐ๋Šฅ์€ ๊ด€๊ฐ์˜ ์ฃผ์˜/๊ด€์‹ฌ ๋Œ๊ธฐ์ด์ง€๋งŒ, ๋ณด๋‹ค ๊ด‘๋ฒ”์œ„ํ•œ ์ฐจ์›์—์„œ ์˜ํ™”๋ฏธํ•™์  ํšจ๊ณผ๋ฅผ ์ด๋Œ์–ด๋‚ด๋Š” ์žฅ์น˜๋กœ ํŒŒ์•…ํ•  ์ˆ˜ ์žˆ๋‹ค. ์ฆ‰ ์ดˆ์ ์ด๋™์€ ์˜ํ™”์˜ ๋‹ค์–‘ํ•œ ํ‘œํ˜„์ˆ˜๋‹จ๋“ค ์ค‘์˜ ํ•˜๋‚˜๋กœ์„œ, ์‹œ๊ณต๊ฐ„์˜ ์—ฐ์†์„ฑ์„ ์œ ์ง€ํ•˜๊ณ  ์ฐฝ์˜์  ์žฌ์ƒ์‚ฐ์„ ๊ฐ€๋Šฅํ•˜๊ฒŒ ํ•œ๋‹ค. ๋˜ํ•œ ์ดˆ์ ์ด๋™์— ์˜ํ•œ ์ด๋ฏธ์ง€์˜ ๋ณ€ํ™”๋Š” ๋“ฑ์žฅ์ธ๋ฌผ์˜ ๋‚ด๋ฉด์„ธ๊ณ„๋ฅผ ํ™˜๊ธฐ์‹œํ‚ค๊ณ  ๊ฐ์ •์˜ ๋ณ€ํ™”๋ฅผ ์‹œ๊ฐํ™”ํ•œ๋‹ค. ์ดˆ์ ์ด๋™์„ ๋‚ฎ์€ ์ดˆ์ ์‹ฌ๋„์—์„œ ๊ตฌ์‚ฌ๋˜๋Š” ์ดˆ์ ๊ณผ ํƒˆ์ดˆ์ ์˜ ์ƒํ˜ธ์œ ๊ธฐ์ ์ธ ๊ด€๊ณ„๋ผ ๊ทœ์ •ํ•  ๋•Œ, ์ดˆ์ ์ด๋™์€ ๋ชฝํƒ€์ฃผ์™€ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ๊ฐ๊ฐ์˜ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2014.12.03.005
kci_detailed_000302.xml
ART001945126
oai_dc
๋Œ€ํ•™์ƒ ์ง‘๋‹จ์˜ SNS ์ŠคํŠธ๋ ˆ์Šค์— ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š” ๋ณ€์ธ์— ๊ด€ํ•œ ์—ฐ๊ตฌ- ์„ฑ๊ฒฉ, SNS ์ด์šฉํ–‰ํƒœ, SNS ์ด์šฉ๋™๊ธฐ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
A Study on Variables Affecting SNS Stress Among College Students- Focused on Personality, SNS Usage Behavior and SNS Motive of Use
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฅ˜์„ค๋ฆฌ(์„œ๊ฐ•๋Œ€ํ•™๊ต); ๊ณต์šฉ๋ฐฐ(ํ•œ๊ตญ๋Šฅ๋ฅ ํ˜‘ํšŒ์ปจ์„คํŒ…); ์žฅ์˜ˆ๋น›(์•„์ฃผ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” โ€˜SNS๊ณผ๋ถ€ํ•˜โ€™, โ€˜SNS๋ณต์žก์„ฑโ€™, โ€˜SNS๋ถˆ์•ˆ๊ฐโ€™, โ€˜SNS์นจํ•ดโ€™ ๋“ฑ 4๊ฐ€์ง€ ์š”์ธ์œผ๋กœ ๊ตฌ๋ถ„๋˜์–ด์ง€๋Š” โ€˜SNS ์ŠคํŠธ๋ ˆ์Šคโ€™๋ผ๋Š” ์ƒˆ๋กœ์šด ๊ฐœ๋…์„ ์ œ์•ˆํ•˜์—ฌ, ์ด๋ฅผ ํ† ๋Œ€๋กœ ๋Œ€ํ•™์ƒ ์ง‘๋‹จ์˜ SNS ์ŠคํŠธ๋ ˆ์Šค ํ˜•์„ฑ์— ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š” ๋ณ€์ˆ˜๋กœ โ€˜์„ฑ๊ฒฉโ€™, โ€˜SNS ์ด์šฉํ–‰ํƒœ(์ด์šฉ๋นˆ๋„ ๋ฐ ์ด์šฉ์‹œ๊ฐ„)โ€™, โ€˜SNS ์ด์šฉ๋™๊ธฐโ€™๋“ฑ ๊ฐ„์˜ ๊ด€๊ณ„๋ฅผ ์‚ดํŽด๋ณด์•˜๋‹ค. ์—ฐ๊ตฌ๊ฒฐ๊ณผ, ์—ฌ์„ฑ์ด ๋‚จ์„ฑ์— ๋น„ํ•ด โ€˜SNS ๊ณผ๋ถ€ํ•˜โ€™์™€ โ€˜SNS ์นจํ•ดโ€™ ์š”์ธ์—์„œ ๋” ๋†’์€ ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ณด์˜€๋‹ค. ์„ฑ๊ฒฉ์˜ ๊ฒฝ์šฐ ์‹ ๊ฒฝ์ฆ์ด ๋†’์„์ˆ˜๋ก โ€˜SNS์นจํ•ดโ€™, โ€˜โ€˜SNS๋ณต์žก์„ฑโ€™, โ€˜SNS๋ถˆ์•ˆ๊ฐโ€™ ๋“ฑ ์„ธ ํ•˜์œ„ ์š”์ธ์—์„œ ๋†’์€ SNS ์ŠคํŠธ๋ ˆ์Šค ํ‰๊ท ์„ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2014.12.03.023
kci_detailed_000302.xml
ART001945128
oai_dc
์บ๋ฆญํ„ฐ์™€ ํ™”๋ฉด์˜ ๊ด€๊ณ„๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ๋ถ„์„ํ•œ ๊ฒŒ์ž„์บ๋ฆญํ„ฐ์˜ ๋ฐœ์ „๊ณผ์ • ์—ฐ๊ตฌ
A Study on Evolutionary Process of Game Character from the Viewpoint of Relation Between Character and Screen
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„์ต์ˆ˜(ํ•œ๊ตญ๊ณผํ•™๊ธฐ์ˆ ์›); ์šฐํƒ(๊ฒฝํฌ๋Œ€ํ•™๊ต)" ]
์ฐฝ์กฐ๊ฒฝ์ œ ์‹œ๋Œ€๋ฅผ ๋งž์•„ ๋ฌธํ™”์  ์ƒ์ƒ๋ ฅ๊ณผ ์ฐฝ์˜์„ฑ์„ ๋ชจํƒœ๋กœ ๋งŒ๋“ค์–ด์ง€๋Š” ๋””์ง€ํ„ธ ์ฝ˜ํ…์ธ  ์‚ฐ์—…์ด ์ฃผ๋ชฉ๋ฐ›๊ณ  ์žˆ๋‹ค. ๊ทธ์ค‘์—์„œ ๊ฒŒ์ž„์€ ๊ฐ€์žฅ ์ƒ์—…์ ์œผ๋กœ ์„ฑ๊ณตํ•œ ๋ถ„์•ผ๋กœ์„œ ๊ทธ ์–ด๋–ค ๋ถ„์•ผ๋ณด๋‹ค ๊ด€์‹ฌ๋„๊ฐ€ ๋†’์•„์ง€๊ณ  ์žˆ๋‹ค. ๊ฒŒ์ž„์— ๋Œ€ํ•œ ๋†’์•„์ง„ ๊ด€์‹ฌ์œผ๋กœ ์ธํ•ด ๋‹ค์–‘ํ•œ ์‚ฐ์—…๊ณผ ๊ธฐ์ˆ ๋“ค๊ณผ ์œตํ•ฉํ•˜๊ฒŒ ๋˜๋ฉด์„œ, ๋‹ค๋ฅธ ์‚ฐ์—…์„ ์—ฐ๊ฒฐ์‹œํ‚ค๋Š” ๊ฐ€๊ต์˜ ์—ญํ• ์„ ํ•  ์ˆ˜ ์žˆ๋Š” ๊ฒŒ์ž„ ์บ๋ฆญํ„ฐ์˜ ์ค‘์š”์„ฑ์ด ๋†’์•„์ง€๊ฒŒ ๋˜์—ˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์œ„์ƒ์ด ๋†’์•„์ง„ ๊ฒŒ์ž„ ์บ๋ฆญํ„ฐ์˜ ๋ฏธ๋ž˜๋ฅผ ์ „๋งํ•˜๊ณ  ์ œ์•ˆํ•˜๊ธฐ ์œ„ํ•˜์—ฌ ๊ฒŒ์ž„ ์บ๋ฆญํ„ฐ์˜ ๊ด€์ ์—์„œ ๊ฒŒ์ž„์˜ ๋ณ€์ฒœ ๊ณผ์ •์„ ์ •๋ฆฌํ•ด ๋ณด์•˜๋‹ค. ํŠนํžˆ ์œ ์ €์™€ ์บ๋ฆญํ„ฐ๊ฐ€ ๋งŒ๋‚˜๋Š” ์ง€์ ์ด์ž ๊ฒŒ์ž„ ์บ๋ฆญํ„ฐ์˜ ์ฃผ๋œ ํ™œ๋™ ๊ณต๊ฐ„์ธ ํ™”๋ฉด์„ ๋ฐ”ํƒ•์œผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2014.12.03.041
kci_detailed_000302.xml
ART001945129
oai_dc
Transmedial Expansion of a Game Character through Fan Art
Transmedial Expansion of a Game Character through Fan Art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ •๋ฏผ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
This paper presents the process of the adaption of transmedia storytelling to the reinterpretive expansion case of Diablo 3โ€™s โ€˜Treasure Goblinโ€™ to the โ€˜Treasure Guardianโ€™ for the Blizzardfest Challenge entry. The focus of the transmedial expansion is placed on the participation of amateur fans who can provide with enor...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2014.12.03.055
kci_detailed_000302.xml
ART001945135
oai_dc
์˜์ƒ์ฝ˜ํ…์ธ  ๋ธŒ๋žœ๋“œ ์ฒดํ—˜์ด ๋ธŒ๋žœ๋“œ ์• ์ฐฉ๊ณผ ๋ธŒ๋žœ๋“œ ์ถฉ์„ฑ๋„์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ- ์ง€๋ธŒ๋ฆฌ์ŠคํŠœ๋””์˜ค ์˜์ƒ์ฝ˜ํ…์ธ ์— ๋Œ€ํ•œ ๊ฐ„์ ‘ ์ฒดํ—˜์„ ์ค‘์‹ฌ์œผ๋กœ
The Effect of Video Contents Experiences Brand on Brand Attachment and Brand Loyalty
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํ—Œ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต); ํ•œ์€๊ฒฝ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์˜์ƒ์ฝ˜ํ…์ธ  ๋ธŒ๋žœ๋“œ ์ฒดํ—˜์ด ๋งค๊ฐœ๋ณ€์ˆ˜์ธ ๋ธŒ๋žœ๋“œ ์• ์ฐฉ๊ณผ ์ข…์†๋ณ€์ˆ˜์ธ ๋ธŒ๋žœ๋“œ ์ถฉ์„ฑ๋„์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ์„ ์‚ดํŽด๋ณด๋Š” ๋ฐ ๋ชฉ์ ์ด ์žˆ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ํŒŒ์ธ๊ณผ ๊ธธ๋ชจ์–ด(Pine, & Gilmore, 1998)๊ฐ€ ์ œ์•ˆํ•œ ๋„ค ๊ฐ€์ง€ ์ฒดํ—˜ ๊ฒฝ์ œ ๊ฐœ๋…์ธ ์—”ํ„ฐํ…Œ์ธ๋จผํŠธ์  ์ฒดํ—˜, ๊ต์œก์  ์ฒดํ—˜, ๋ฏธ์ ์ฒดํ—˜, ํ˜„์‹ค ๋„ํ”ผ์  ์ฒดํ—˜์„ ๋ณธ ์—ฐ๊ตฌ์— ์ ์šฉํ•˜์˜€๋‹ค. ๊ฒฐ๊ณผ์ ์œผ๋กœ ์˜์ƒ์ฝ˜ํ…์ธ  ๋ธŒ๋žœ๋“œ ์ฒดํ—˜๋ณ€์ธ์œผ๋กœ์„œ ๊ธฐ์กด์˜ ๊ต์œก์  ์ฒดํ—˜๊ณผ ํ˜„์‹ค ๋„ํ”ผ์  ์ฒดํ—˜์ด ํ™•์ธ๋˜์—ˆ์œผ๋ฉฐ ์—”ํ„ฐํ…Œ์ธ๋จผํŠธ์  ์ฒดํ—˜๊ณผ ๋ฏธ์ ์ฒดํ—˜์€ ๋™์ผํ•œ ์š”์ธ์œผ๋กœ ๋„์ถœ๋˜์—ˆ๋‹ค. ๋˜ํ•œ 3๊ฐ€์ง€ ์ฐจ์›์˜ ์ฒดํ—˜์š”์ธ์ด ๋ธŒ๋žœ๋“œ ์• ์ฐฉ์— ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š” ๊ฒƒ์œผ๋กœ ๋‚˜ํƒ€๋‚ฌ๋‹ค. ๋ณธ ์—ฐ๊ตฌ์˜ ๋งค๊ฐœ๋ณ€์ธ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2014.12.03.103
kci_detailed_000302.xml
ART001945139
oai_dc
ํŒํƒ€์ง€ ์˜ํ™”์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ์ด์ฐจ ์„ธ๊ณ„์˜ ์œ ํ˜• ๋ถ„๋ฅ˜
Classification of the Secondary World for Fantasy Films
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์œ ๋ฏผ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต); ์ด์ค€ํฌ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ํŒํƒ€์ง€ ์˜ํ™” ์žฅ๋ฅด์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ํ˜„์‹ค์— ์กด์žฌํ•˜์ง€ ์•Š๋Š” ์„ธ๊ณ„, ์ฆ‰ ์ด์ฐจ ์„ธ๊ณ„๋ฅผ ๊ณต๊ฐ„์˜ ํŠน์ง•๋ณ„๋กœ ๋ถ„๋ฅ˜ํ•˜์˜€๋‹ค. ์ด์ฐจ ์„ธ๊ณ„๋Š” ํ†จํ‚จ์ด ์ œ์‹œํ•œ ๊ฐœ๋…์œผ๋กœ์„œ, ํ˜„์‹ค ์„ธ๊ณ„์ธ ์ผ์ฐจ ์„ธ๊ณ„์™€๋Š” ์ „ํ˜€ ๋‹ค๋ฅธ ๋…ผ๋ฆฌ๋กœ ์ด๋ฃจ์–ด์ง„ ํ™˜์ƒ์˜ ์„ธ๊ณ„์ด๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ์ด์ฐจ์„ธ๊ณ„๋ฅผ ๋ถ„๋ฅ˜ํ•˜๋Š” ๊ธฐ์ค€์„ โ€œ์ด์ฐจ ์„ธ๊ณ„์˜ ํ˜•ํƒœโ€์™€ โ€œ์ผ์ฐจ ์„ธ๊ณ„์™€์˜ ๊ด€๊ณ„โ€๋กœ ์„ธ์šฐ๊ณ  ์ด๋ฅผ ๊ธฐ์ค€์œผ๋กœ ๋‹ค์„ฏ ๊ฐ€์ง€ ์œ ํ˜•์œผ๋กœ ๋„์ถœํ•˜๋ฉฐ ๋„์‹ํ™” ํ•˜์˜€๋‹ค. ๊ฒฌ๊ณ ํ•˜๊ฒŒ ๊ตฌ์ถ•๋œ ์ด์ฐจ ์„ธ๊ณ„๋Š” ๋‹ค์–‘ํ•œ ํ”Œ๋žซํผ์„ ํ†ตํ•ด ์ด์•ผ๊ธฐ๊ฐ€ ํ™•์žฅ๋˜๋Š” ํŠธ๋žœ์Šค๋ฏธ๋””์–ด ์ฝ˜ํ…์ธ ๋กœ์„œ์˜ ๊ฐ€๋Šฅ์„ฑ์ด ๋ฌด๊ถ๋ฌด์ง„ํ•˜๋‹ค. ํ•˜์ง€๋งŒ ์ œ์ž‘์— ์•ž์„œ ์„œ๋กœ ๋‹ค๋ฅธ ๋งค์ฒด์˜ ์ œ์ž‘์ž๋“ค์ด ์„ธ๊ณ„๊ด€์— ๋Œ€ํ•œ ์ดํ•ด๊ฐ€ ์„ ํ–‰ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2014.12.03.121
kci_detailed_000302.xml
ART002125553
oai_dc
ํ”ผ๋ผ๋„ค์‹œ์˜ โ€œ์ƒ์ƒ์˜ ๊ฐ์˜ฅโ€์— ๋‚˜ํƒ€๋‚œ ์‹œ๊ฐ„-๊ณต๊ฐ„์˜ ํ˜•ํƒœ
Shape of Space-Time in Piranesiโ€™s Prisons of the Invention
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ๋ณ‘์ง„(์„œ์šธ์—ฌ์ž๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ํ”ผ๋ผ๋„ค์‹œ์˜ ๊ฐ€์žฅ ์ž˜ ์•Œ๋ ค์ง„ ์นดํ”„๋ฆฌ์ดˆ์ธ โ€œ์ƒ์ƒ์˜ ๊ฐ์˜ฅโ€์„ ๊ฒ€ํ† ํ•˜๊ณ  ์ž‘ํ’ˆ์˜ ์žฅ์†Œ์˜ ๊ฐœ๋…๊ณผ ์‹œ๊ฐ„์˜ ํ˜•์‹์„ ๋ถ„์„ํ•œ๋‹ค. 18์„ธ๊ธฐ์˜ ๊ฑด์ถ•๊ณผ ๊ณ ๊ณ ํ•™์˜ ์—ญ์‚ฌ ๋ฌธํ™”์  ์ปจํ…์ŠคํŠธ์—์„œ ์ค‘์š”ํ•œ ์ธ๋ฌผ์ธ ์กฐ๋ฐ˜๋‹ˆ ๋ฐ”ํ‹ฐ์Šคํƒ€ ํ”ผ๋ผ๋„ค์‹œ(1720-1778)๋Š” ๋Œ€์—ฌํ–‰์‹œ๋Œ€์˜ ๊ฐ€์žฅ ์ค‘์š”ํ•œ ํŒํ™”๊ฐ€ ์ค‘ ํ•œ ์‚ฌ๋žŒ์ด์—ˆ๋‹ค. ๋˜ํ•œ ๊ทธ๋Š” ์ข…์ข… ํ˜„์‹ค๋“ค์„ ๋›ฐ์–ด๋„˜์œผ๋ฉฐ ๊ณ ๋Œ€๋ฅผ ๊ฟˆ๊ฟจ๊ณ , ์ด๋Ÿฐ ์ ์œผ๋กœ ์ธํ•ด์„œ ๋ฏธ์ˆ ์‚ฌ๊ฐ€๋“ค์€ โ€œ์ƒ์ƒ์˜ ๊ฐ์˜ฅโ€์ด ๋ชจํ˜ธํ•˜๊ณ , ์—‰๋šฑํ•˜๋ฉฐ, ๊ณผ์žฅ๋˜์—ˆ๋‹ค๊ณ  ํ•˜๊ฑฐ๋‚˜ ์—ญ์„ค์ ์ด๊ฑฐ๋‚˜ ๋ถ€์กฐ๋ฆฌํ•˜๋ฉฐ, ์‹ ๋น„ํ•˜์ง€๋งŒ ๋น„์ด์„ฑ์ ์ด๋ฉฐ ๊ด‘๊ธฐ์–ด๋ฆฐ ์ž‘ํ’ˆ์ด๋ผ๊ณ  ํ‰๊ฐ€ํ•ด์™”๋‹ค. ์ด๋Ÿฐ ๊ด€์ ์€ ์–ด๋А ์ •๋„ ์‚ฌ์‹ค์ด์ง€๋งŒ ์ƒ์ƒ๊ณผ ์นดํ”„๋ฆฌ์ดˆ๋Š” ๊ณ ๊ณ ํ•™์ ์ด๊ณ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.04.005
kci_detailed_000302.xml
ART002125557
oai_dc
์—ญ์‚ฌ์œ ์ ์ง€์˜ ๊ด€๊ด‘๊ฐ์„ ์œ„ํ•œ ์Šคํ† ๋ฆฌ๊ธฐ๋ฐ˜ ์Šค๋งˆํŠธ์ฝ˜ํ…์ธ  ์—ฐ๊ตฌ - โ€˜์ˆ˜์›ํ™”์„ฑ - ๊ฑด๋ฆฝโ€™์„ ์ค‘์‹ฌ์œผ๋กœ
A Study on Story - Based Smart Contents for Tourists in Historical Sites - Focus on Animation, โ€˜Suwon Hwaseong Fortress - Constructionโ€™
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์žฅ์˜ˆ๋น›(์•„์ฃผ๋Œ€ํ•™๊ต); ์ด์œค์ง„(์•„์ฃผ๋Œ€ํ•™๊ต); ์˜ค๊ทœํ™˜(์•„์ฃผ๋Œ€ํ•™๊ต); ์„ํ˜œ์ •(์•„์ฃผ๋Œ€ํ•™๊ต)" ]
์—ญ์‚ฌ์œ ์ ์ง€๋ฅผ ์ฐพ๋Š” ๊ด€๊ด‘๊ฐ๋“ค์—๊ฒŒ ์ œ๊ณต๋˜๊ณ  ์žˆ๋Š” ๋ฏธ๋””์–ด๋Š” ์œ ์ ์ด๋‚˜ ์œ ๋ฌผ์˜ ์ด๋ฏธ์ง€, ๋™์˜์ƒ, ํ…์ŠคํŠธ, ๋‚˜๋ ˆ์ด์…˜ ๋“ฑ์˜ ์‚ฌ์ „์ ์ธ ์ •๋ณด์ „๋‹ฌ ๊ธฐ๋Šฅ์„ ๊ฐ–๋Š” ๋””์ง€ํ„ธ ๋ฆฌํ”Œ๋ ›์˜ ํ˜•ํƒœ๋กœ ์ œ๊ณต๋˜๋Š” ์ฝ˜ํ…์ธ ๊ฐ€ ๋Œ€๋ถ€๋ถ„์ด๋‹ค. ์ตœ๊ทผ์—๋Š” ์Šค๋งˆํŠธ ๋””๋ฐ”์ด์Šค๊ฐ€ ์ผ๋ฐ˜ํ™” ๋˜๋ฉด์„œ ์Šค๋งˆํŠธ์ฝ˜ํ…์ธ ๊ฐ€ ์‚ฌ์šฉ์ž์˜ ๋‹ค์–‘ํ•œ ์š”๊ตฌ์— ํŽธ๋ฆฌํ•˜๊ณ  ๋น ๋ฅธ ํ•ด๊ฒฐ์ฑ…์„ ์ œ๊ณตํ•˜๊ธฐ ์œ„ํ•ด ์ƒํ˜ธ์ž‘์šฉ์ด ๊ฐ€๋Šฅํ•œ ์Šค๋งˆํŠธ์ฝ˜ํ…์ธ ๋ฅผ ์ œ๊ณตํ•˜๊ธฐ ์‹œ์ž‘ํ•˜๊ณ  ์žˆ๋‹ค. ํ•œํŽธ, ๊ด€๊ด‘๊ฐ๋“ค์ด ๊ด€๊ด‘์ง€๋ฅผ ์„ ํƒํ•˜๋Š” ์š”์ธ์— ๋Œ€ํ•œ ์„ ํ–‰ ์—ฐ๊ตฌ๋“ค์—์„œ ๊ด€๊ด‘๋งค๋ ฅ ์ค‘ ํ•˜๋‚˜์ธ ๊ต์œก์„ฑ๊ณผ ๊ด€๋ จํ•œ โ€˜๊ฒฝํ—˜์  ๊ฐ€์น˜โ€™๊ฐ€ ํฐ ์—ญํ• ์„ ํ•˜๋Š” ๊ฒƒ์„ ์•Œ ์ˆ˜ ์žˆ์—ˆ๋‹ค. ๊ทธ๋Ÿฌ๋ฏ€๋กœ ๊ต์œก๊ณผ ์žฌ๋ฏธ๋ฅผ ํ•ฉ์ณ ํ•™์Šต์ž์˜ ํ•™์Šตํšจ๊ณผ๋ฅผ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.04.043
kci_detailed_000302.xml
ART002125567
oai_dc
HMD ๊ธฐ๋ฐ˜์˜ ๊ฐ€์ƒํ˜„์‹ค ์ฝ˜ํ…์ธ  ๋””์ž์ธ ๋ฐฉ๋ฒ•๋ก  ๊ฐœ๋ฐœ์„ ์œ„ํ•œ ํƒ์ƒ‰ ์—ฐ๊ตฌ
Exploratory Research on Virtual Reality Contents Design Methods based on Head Mounted Device
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ž„์ต์ˆ˜(ํ•œ๊ตญ๊ณผํ•™๊ธฐ์ˆ ์›); ์šฐํƒ(๊ฒฝํฌ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ๋ฏธ๋””์–ด ์–ดํŠธ๋ž™์…˜์œผ๋กœ์„œ ์ตœ๊ทผ์— ๊ฐ€์žฅ ์ฃผ๋ชฉ๋ฐ›๊ณ  ์žˆ๋Š” HMD ๊ธฐ๋ฐ˜ ๊ฐ€์ƒํ˜„์‹ค์˜ ์ง€์†์ ์ธ ์„ฑ์žฅ์„ ์œ„ํ•œ ์ฝ˜ํ…์ธ  ๋””์ž์ธ ๋ฐฉ๋ฒ•๋ก ์„ ์ฐพ๊ธฐ ์œ„ํ•œ ๋ชฉ์ ์œผ๋กœ ์‹œํ–‰๋˜์—ˆ๋‹ค. ํ˜„์žฌ์˜ ๊ฐ€์ƒํ˜„์‹ค ์ฝ˜ํ…์ธ ๋“ค์€ ๋Œ€๋ถ€๋ถ„ ์ง€๊ฐ์  ๋ชฐ์ž…์˜ ์„ค๊ณ„์—๋งŒ ์ง‘์ค‘ํ•จ์œผ๋กœ์จ ๊ฐ€์ƒํ˜„์‹ค์ด ๊ถ๊ทน์ ์œผ๋กœ ์ถ”๊ตฌํ•˜๋Š” ๊ฐ๊ฐ์˜ ์œตํ•ฉ์— ๋„๋‹ฌํ•˜์ง€ ๋ชปํ•˜๋Š” ํ•œ๊ณ„์ ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ํ•œ๊ณ„๋ฅผ ๊ทน๋ณตํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ๊ฐ€์ƒํ˜„์‹ค ์ฝ˜ํ…์ธ ์— ์‹ฌ๋ฆฌ์  ๋ชฐ์ž… ์š”์†Œ๋ฅผ ์ ์šฉํ•˜๋Š” ๋…ธ๋ ฅ์ด ์š”๊ตฌ๋œ๋‹ค. ๊ฐ€์ƒํ˜„์‹ค ์ฝ˜ํ…์ธ ์—์„œ ์‹ฌ๋ฆฌ์  ๋ชฐ์ž… ์š”์†Œ ์ ์šฉํ•˜๋Š” ๋ฐฉ๋ฒ•์„ ์ฐพ๊ธฐ ์œ„ํ•ด โ€˜๊ฐ€์ƒ์„ฑ(Virtuality)โ€™์„ ์ค‘์‹ฌ์œผ๋กœ ๊ฐ€์ƒํ˜„์‹ค์˜ ์—ญ์‚ฌ์™€ ๊ฐœ๋ฐœ ๊ณผ์ •์„ ๋ถ„์„ํ•˜์˜€๋‹ค. ๊ทธ ๊ฒฐ๊ณผ ์Šคํ† ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.04.091
kci_detailed_000302.xml
ART002125571
oai_dc
์˜์ƒ ๊ธฐ๋ฐ˜ ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด ์•„ํŠธ์—์„œ ํ’๊ฒฝ์„ ํ†ตํ•œ ๊ณต๊ฐ„ ์žฌํ˜„์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on Space Reproduction for Landscape Based on Moving Image in Interactive Media Art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์–‘์—ฐํฌ(์„œ์šธ๋ฏธ๋””์–ด๋Œ€ํ•™์›๋Œ€ํ•™๊ต ๋‰ด๋ฏธ๋””์–ดํ•™๋ถ€); ์ „์ง€์œค(์„œ์šธ๋ฏธ๋””์–ด๋Œ€ํ•™์›๋Œ€ํ•™๊ต)" ]
์˜ˆ์ˆ ์—์„œ ๊ธฐ์ˆ ์˜ ๋ฐœ๋‹ฌ์€ ์ด๋ฏธ์ง€์˜ ์žฌํ˜„์„ ์‰ฝ๊ณ  ๋น ๋ฅด๊ฒŒ ๊ทธ๋ฆฌ๊ณ  ํŽธ๋ฆฌํ•˜๊ฒŒ ํ‘œํ˜„ํ•˜๋„๋ก ๋งŒ๋“ค์—ˆ๋‹ค. ๋˜ํ•œ ์‚ฌ์ง„๊ณผ ์˜์ƒ์ฒ˜๋Ÿผ ์˜ˆ์ˆ  ์žฅ๋ฅด์˜ ๋ฒ”์œ„๋ฅผ ๋„“ํžˆ๋Š”๋ฐ๋„ ๋„์›€์„ ์ฃผ์—ˆ๋‹ค. ๊ฐ€๋ น, ๊ณต๊ฐ„ ์† ํ’๊ฒฝ์˜ ์žฌํ˜„์—์„œ ์ธ๋ฅ˜๋Š” ๋‰ด๋ฏธ๋””์–ด๋ฅผ ํ™œ์šฉํ•ด ์ด์ „๋ณด๋‹ค ์ง„ํ™”๋œ ํ˜•ํƒœ์˜ ํ‘œํ˜„์„ ์‹œ๋„ํ•˜๊ณ  ์žˆ๋‹ค. ๋”ฐ๋ผ์„œ ์˜์ƒ ๊ธฐ๋ฐ˜ ๋ฏธ๋””์–ด ์•„ํŠธ์—์„œ๋Š” ํ˜„์‹ค๊ณผ ๋‹ค๋ฆ„์—†๋Š” ์‹ค์ œ์ ์ธ ํ‘œํ˜„์ด ๋ณด๋‹ค ์ˆ˜์›”ํ•ด์กŒ๋‹ค. ๋‰ด๋ฏธ๋””์–ด์˜ ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด์  ์š”์†Œ๋Š” ๊ฐ์ƒ์ž์˜ ์˜ˆ์ˆ  ์ž‘ํ’ˆ ๊ด€๋žŒ ์‹œ ๋‹จ๋ฐฉํ–ฅ์—์„œ ์–‘๋ฐฉํ–ฅ ์ธํ„ฐ๋ž™์…˜์œผ๋กœ์˜ ๊ตฌํ˜„์„ ๊ฐ€๋Šฅํ•˜๊ฒŒ ํ–ˆ๋‹ค. ์ด์ฒ˜๋Ÿผ ์˜์ƒ ๊ธฐ๋ฐ˜ ๋ฏธ๋””์–ด ์•„ํŠธ๋Š” ๊ธฐ์ˆ ์˜ ๋ฐœ์ „์œผ๋กœ ๋ณด๋‹ค ํšจ์œจ์ ์ธ ํ‘œํ˜„ ๋„๊ตฌ๋กœ ๋Œ€๋‘๋œ ๋ฏธ๋””์–ด๋ฅผ ํ™œ์šฉํ•˜๊ธฐ ์œ„ํ•ด ๋‹ค์–‘ํ•œ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.04.107
kci_detailed_000302.xml
ART002125555
oai_dc
๋””์ง€ํ„ธ ๊ธ€๋ฆฌ์น˜ ๋น„๋””์˜ค์—์„œ์˜ ์œ ๋ฌผ๋ก ๊ณผ ํ˜ผ์ข…์„ฑ
Materialism and Hybridity in Digital Glitch Videos
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ง€ํ›ˆ(์ค‘์•™๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋””์ง€ํ„ธ ๊ธ€๋ฆฌ์น˜ ๋น„๋””์˜ค ์ž‘ํ’ˆ๋“ค์„ ์œ ๋ฌผ๋ก ๊ณผ ํ˜ผ์ข…์„ฑ์˜ ๋ณ€์ฆ๋ฒ•์ด๋ผ๋Š” ์ฐจ์›์—์„œ ์‚ดํŽด๋ณธ๋‹ค. ๋””์ง€ํ„ธ ๊ธ€๋ฆฌ์น˜ ๋น„๋””์˜ค๋ž€ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ์‹œ์Šคํ…œ์— ๊ณ ์œ ํ•œ ๊ธฐ์ˆ ์  ํ•œ๊ณ„๋“ค ๋˜๋Š” ์ด ์‹œ์Šคํ…œ์˜ ์˜๋„์ ์ด๊ฑฐ๋‚˜ ์šฐ๋ฐœ์ ์ธ ์˜ค์ž‘๋™์œผ๋กœ๋ถ€ํ„ฐ ๋ฐœ์ƒํ•˜๋Š” ์˜ค๋ฅ˜์™€ ์žก์Œ์ธ ๊ธ€๋ฆฌ์น˜๋ฅผ ๊ฐ€์‹œํ™”ํ•˜๊ณ  ํƒ๊ตฌํ•˜๋Š” ๋น„๋””์˜ค ์˜ˆ์ˆ ์ž‘ํ’ˆ์„ ๋œปํ•œ๋‹ค. ๋””์ง€ํ„ธ ๊ธ€๋ฆฌ์น˜ ๋น„๋””์˜ค๊ฐ€ ํ‘œํ˜„ํ•˜๋Š” ์ถ”์ƒ์  ํ˜•ํƒœ๋“ค์ธ ๋ธ”๋Ÿฌ, ๋ถˆ๊ทœ์น™ํ•œ ์„ ๋“ค, ํƒˆ์ƒ‰ํšจ๊ณผ, ๊นจ์ง„ ํ”ฝ์…€, ์ถœํ˜ˆํ•˜๋Š” ์ƒ‰์ฑ„ ๋“ฑ์€ ๋””์ง€ํ„ธ ๋น„๋””์˜ค ํŒŒ์ผ์„ ๊ตฌ์„ฑํ•˜๋Š” ์ฝ”๋“œ์™€ ํ”„๋ ˆ์ž„์˜ ์ธต์œ„๋ฅผ ๋ฐ์ดํ„ฐ๋ฒค๋”ฉ๊ณผ ๋ฐ์ดํ„ฐ๋ชจ์‹ฑ ๋“ฑ์˜ ๊ธฐ๋ฒ•๋“ค๋กœ ํƒ๊ตฌํ•˜๊ณ  ๋””์ง€ํ„ธ ์‹œ์ฒญ๊ฐ ๋ฌธํ™”์˜ ๊ฐ€์ •์ธ ์ •๋ณด์˜ ํˆฌ๋ช…ํ•œ ์ „์†ก๊ณผ ์ €์žฅ์— ๋ฌธ์ œ๋ฅผ ์ œ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.04.021
kci_detailed_000302.xml
ART002125574
oai_dc
๋งค์ฒด, ๋ชธ ๊ทธ๋ฆฌ๊ณ  ์ง€๊ฐ
Media, Body and Perception
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ฌํ˜œ๋ จ(์ „๋ถ๋Œ€ํ•™๊ต)" ]
์ด ๋…ผ๋ฌธ์˜ ์ฃผ์ œ๋Š” ๋งค์ฒด, ๋ชธ ๊ทธ๋ฆฌ๊ณ  ์ง€๊ฐ์˜ ๊ด€๊ณ„์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๋‹ค. ๋งค์ฒด์™€ ๋ชธ ๊ทธ๋ฆฌ๊ณ  ์ง€๊ฐ์˜ ๊ด€๊ณ„ ๋ฌธ์ œ๋Š” ๋งค์šฐ ์ค‘์š”ํ•œ ๋ฌธ์ œ์ž„๊ณผ ๋™์‹œ์— ์˜ค๋ž˜๋œ ๋ฌธ์ œ๋‹ค. ํŠนํžˆ ๋งค์ฒด๊ธฐ์ˆ ์˜ ๋ฐœ์ „์ดํ›„ ์ด๋“ค์˜ ๊ด€๊ณ„๋Š” ๋Š˜ ๋…ผ์Ÿ์˜ ์ค‘์‹ฌ์— ์žˆ์—ˆ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ๋””์ง€ํ„ธ ๋งค์ฒด๊ฐ€ ๋“ฑ์žฅํ•œ ์ดํ›„, ๋งค์ฒด์™€ ๋ชธ ๊ทธ๋ฆฌ๊ณ  ์ง€๊ฐ์˜ ๊ด€๊ณ„๋Š” ์ด์ „๊ณผ๋Š” ๋‹ค๋ฅธ ๊ด€์ ์—์„œ ๋…ผ์˜๋˜์—ˆ๋‹ค. ์›๊ฒฉํ˜„์กด์œผ๋กœ ์กด์žฌํ•˜๊ณ , ๋˜ ์‚ฌ์ด๋ฒ„์ŠคํŽ˜์ด์Šค๋กœ์˜ ํƒˆ์‹ ์ฒดํ™”๊ฐ€ ๋…ผ์˜๋˜๋Š” ์ง€๊ธˆ, ๋‹ค๋ฅธ ํ•œ ์ชฝ์—์„œ๋Š” ์‹ ์ฒด์— ๋Œ€ํ•œ ๊ณผ๋„ํ•œ ๊ด€์‹ฌ์„ ์ค‘์‹ฌ์œผ๋กœ ๊ณผ์‹ ์ฒดํ™” ํ˜„์ƒ์ด ์ผ์–ด๋‚˜๊ณ  ์žˆ๋Š” ๊ฒƒ์ด๋‹ค. ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ, ๋‹ค์–‘ํ•œ ๊ณผํ•™๊ธฐ์ˆ ์˜ ๋ฐœ์ „์œผ๋กœ ์ธํ•ด ๋ชธ์˜ ๊พธ๋ฐˆ๊ณผ ๋ณ€ํ˜• ๋˜ํ•œ ๊ณผ๊ฑฐ์™€๋Š” ๋‹ฌ๋ฆฌ, ์‰ฝ๊ฒŒ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.04.121
kci_detailed_000302.xml
ART002125559
oai_dc
๋””์ง€ํ„ธ ์ƒํ˜ธ์ž‘์šฉ์„ฑ์˜ ์น˜๋ฃŒ์  ์ ์šฉ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Research of the Therapeutic Applications of Digital Interactivity
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ•œ์ฃผ์—ฐ(ํ•œ์–‘๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์˜ˆ์ˆ  ์น˜๋ฃŒ์  ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ๊ฐœ๋ฐœ์„ ์œ„ํ•œ ์„ ํ–‰์  ์—ฐ๊ตฌ๋กœ์จ์˜ ์˜๋ฏธ๋ฅผ ๋‘๊ณ  ์ง„ํ–‰๋˜์—ˆ๋‹ค. ํ˜„์žฌ, ์ •์‹ ๋ถ„์„์น˜๋ฃŒ, ์˜ˆ์ˆ ์น˜๋ฃŒ, ๋†€์ด์น˜๋ฃŒ, ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ์น˜๋ฃŒ ๋“ฑ ๋‹ค์–‘ํ•œ ์—ฐ๊ตฌ๋“ค์ด ์ง„ํ–‰ ์ค‘์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ํ†ตํ•ฉ๋ฏธ์ˆ ์น˜๋ฃŒ์™€ ์น˜๋ฃŒ์  ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์˜ ์œตํ•ฉ์„ ํ†ตํ•ด ์šฐ์šธ์ฆ ๋“ฑ์˜ ์‹ฌ๋ฆฌ์  ์ฆ์ƒ์„ ์น˜๋ฃŒํ•˜๋Š” ์—ฐ๊ตฌ๋Š” ๋ถ€์กฑํ•œ ์‹ค์ •์ด๋‹ค. ํŠนํžˆ, ์šฐ์šธ๊ฐ, ๋‚ฎ์€ ์ž์กด๊ฐ, ๋ฏธ๋น„ํ•œ ๋ถ„๋…ธ ์กฐ์ ˆ ๋“ฑ๊ณผ ๊ฐ™์€ ์ •์„œ์  ์–ด๋ ค์›€์„ ํ˜ธ์†Œํ•˜๋Š” ์ฒญ์†Œ๋…„์—๊ฒŒ ์ ์šฉํ•œ ์น˜๋ฃŒ์  ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์˜ ์—ฐ๊ตฌ๋Š” ๋ถ€์กฑํ•˜๋ฉฐ ์‹ค์ œ ์น˜๋ฃŒ์  ์‚ฌ๋ก€๋ฅผ ์ ์šฉํ•œ ๊ตญ๋‚ด ์—ฐ๊ตฌ๋Š” ๋งค์šฐ ๋ฏธ๋น„ํ•œ ํŽธ์ด๋‹ค. ์—ฐ๊ตฌ์ž๋Š” ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์˜ ์ƒํ˜ธ์ž‘์šฉ์„ฑ์˜ ํŠน์ง•์ด ์•ผ๊ธฐํ•˜๋Š” ํšจ๊ณผ์™€ ํŠน...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.04.057
kci_detailed_000302.xml
ART002125564
oai_dc
์ฒดํ—˜ํ˜• ์ „์‹œ์™€ Tangible User Interface(TUI) - ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋””์Šคํ”Œ๋ ˆ์ด ๋ฏธ๋””์–ด์˜ ์ˆ˜์šฉ์ž ํ˜•ํƒœ ํƒœ๋„๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Hands - on Exhibition and Tangible User Interface(TUI) - A Study on Audience Attitude about Forms in Interactive Display Media
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ ์€๊ฒฝ((์ฃผ)์ „์‹œ๊ณผํ•™ ๋ฏธ๋””์–ด ์กฐํ˜•ํŒ€); ์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์˜ ๋ฐœ๋‹ฌ์— ํž˜์ž…์–ด ์˜ค๋Š˜๋‚ ์€ ์—ฌ๋Ÿฌ ๋ฏธ๋””์–ด๋“ค์ด ์„œ๋กœ ํ†ตํ•ฉ๋˜๋Š” โ€˜๋ฏธ๋””์–ด ์ปจ๋ฒ„์ „์Šค(Media Convergence)'์˜ ์‹œ๋Œ€๋กœ ์ ‘์–ด๋“ค๊ฒŒ ๋˜์—ˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋ฏธ๋””์–ด ํ™˜๊ฒฝ์—์„œ ์—ฌ๋Ÿฌ ๋ฏธ๋””์–ด ํ”Œ๋žซํผ์„ ์ž์œ ๋กญ๊ฒŒ ๋„˜๋‚˜๋“œ๋Š” ์œตํ•ฉ์  ํ˜•ํƒœ์˜ ๋ฏธ๋””์–ด์— ๋Œ€ํ•œ ์ƒˆ๋กœ์šด ํ•ด์„ ๋ฐฉ์‹์œผ๋กœ ๋“ฑ์žฅํ•œ ์‹ค๊ฐ ๋ฏธ๋””์–ด(Tangible Media)๋Š” ์ธ๊ฐ„์˜ ์˜ค๊ฐ ์ธ์‹ ๊ธฐ์ˆ ๊ณผ ์ ‘๋ชฉ๋˜์–ด ์ฐจ์„ธ๋Œ€ ์˜์ƒ ๋ฏธ๋””์–ด๋กœ ๊ฐ๊ด‘์„ ๋ฐ›๊ณ  ์žˆ๋‹ค. ์‹œ๊ฐ์  ์ธก๋ฉด๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์‹ค์ œ ๋Œ€์ƒ์„ ๋งŒ์ง€๋Š” ๋“ฏํ•œ ์ด‰๊ฐ์  ์ฒดํ—˜์„ ๊ฐ€๋Šฅ์ผ€ ํ•˜๋Š” ์‹ค๊ฐ ๋ฏธ๋””์–ด๋Š”โ€˜Tangible User Interface(์‹ค๊ฐํ˜• ์‚ฌ์šฉ์ž ์ธํ„ฐํŽ˜์ด์Šค, ์ดํ•˜ TUI)'์™€ ์กฐ์šฐํ•˜๋ฉด...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.04.073
kci_detailed_000302.xml
ART002086616
oai_dc
๊ฒŒ์ž„ํ™” ์š”์†Œ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ํ•œ ๋งค์žฅ ๋‚ด ๊ธฐ๋Šฅ์„ฑ ๊ฒŒ์ž„ ๊ฐœ๋ฐœ ๋ฐ ์œ ์ €ํ–‰๋™๋ชจ๋ธ ์—ฐ๊ตฌ
Study of Serious Game and User Behaviour Utilizing Game Mechanics In Store Environment
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†๋™์ง„(๊ฒฝํฌ๋Œ€ํ•™๊ต); ์šฐํƒ(๊ฒฝํฌ๋Œ€ํ•™๊ต)" ]
๊ธฐ์—…์˜ ์ž…์žฅ์—์„œ ์†Œ๋น„์ž์™€ ๋งŒ๋‚˜๋Š” ์ตœ์ข… ์ ‘์ ์€ ์ œํ’ˆ์„ ํŒ๋งคํ•˜๋Š” ๋งค์žฅ์ด๋‹ค. ๋งค์žฅ ๋‚ด์—๋Š” ํŒ๋งค ์•ˆ๋‚ด์›๊ณผ ๋”๋ถˆ์–ด ์†Œ๋น„์ž์˜ ์ด๋ชฉ์„ ๋Œ๊ณ  ๊ตฌ๋งค๋ฅผ ์ž๊ทนํ•˜๊ธฐ ์œ„ํ•œ ๋‹ค์–‘ํ•œ ๋งˆ์ผ€ํŒ… ์ „์ˆ ์ด ์กด์žฌํ•œ๋‹ค. ํ•˜์ง€๋งŒ ์ด๋“ค์€ ๊ธฐ์—…์— ์˜ํ•œ ์†Œ๋น„์ž์— ๋Œ€ํ•œ ์ผ๋ฐฉ์ ์ธ ๋ฉ”์‹œ์ง€ ์ „๋‹ฌ์ด๋ผ๋Š” ํ•œ๊ณ„๋ฅผ ๊ฐ–๋Š”๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ๋งค์žฅ ๋‚ด ๋งˆ์ผ€ํŒ…์— ๊ฒŒ์ž„ํ™” ์š”์†Œ๋ฅผ ์ ์šฉํ•˜์—ฌ ๊ณ ๊ฐ์—๊ฒŒ ๋ณด๋‹ค ๋…ํŠนํ•˜๊ณ  ์ฆ๊ฑฐ์šด ๊ฒฝํ—˜์„ ์ œ๊ณตํ•จ์œผ๋กœ์จ ๊ณ ๊ฐ๊ด€์—ฌ๋„๋ฅผ ์ฆ์ง„ํ•˜๊ณ ์ž ํ•˜๋Š”๋ฐ ๋ชฉ์ ์ด ์žˆ๋‹ค๋Š” ์ ์—์„œ ์ถœ๋ฐœํ•˜์˜€๋‹ค. ์ฆ‰, ๋งค์žฅ ๋‚ด์—์„œ์˜ ๊ฒŒ์ž„ํ™” ์š”์†Œ๋ฅผ ์ ‘๋ชฉํ•œ ์ฝ˜ํ…์ธ ๋ฅผ ํ†ตํ•ด ๊ณ ๊ฐ๋“ค์ด ์ œํ’ˆ์˜ ๊ธฐ๋Šฅ์„ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ์ดํ•ดํ•˜๋ฉด์„œ ๊ตฌ๋งค์š•์„ ์ƒ์Šน์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š” ํ™๋ณด ๋„๊ตฌ๋กœ ์ •...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.02.075
kci_detailed_000302.xml
ART002086558
oai_dc
๋ฌธํ™” ๊ฐ„ ๋น„์–ธ์–ด ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๊ต์œก ํ™œ์„ฑํ™”๋ฅผ ์œ„ํ•œ ์‹œ๊ฐ๋งค์ฒด ๋น„๊ต์—ฐ๊ตฌ - ์ค‘๊ตญ ์†์ง“์–ธ์–ด๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
The Comparative Study of Instructional Media to Promote Intercultural Nonverbal Communication Education - Focused on Chinese Hand Language
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๋…ธ๋ฏธ(๊ฒฝ๊ธฐ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์ค‘๊ตญ ์†์ง“์–ธ์–ด์˜ ์‹œ๊ฐ๋งค์ฒด ๊ต์œกํšจ๊ณผ์™€ ํ•™์Šต์ž ๊ด€์—ฌ๋„์— ๋Œ€ํ•œ ํŠน์„ฑ๊ณผ ์‹คํƒœ๋ฅผ ๋ฉด๋ฐ€ํžˆ ๋ถ„์„ํ•˜์—ฌ ๋ฌธํ™” ๊ฐ„ ๋น„์–ธ์–ด ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๊ต์œก ํ™œ์„ฑํ™” ๋ฐฉ์•ˆ์„ ๋ชจ์ƒ‰ํ•˜๋Š”๋ฐ ๊ทธ ๋ชฉ์ ์ด ์žˆ๋‹ค. ์ƒ์ดํ•œ ์–ธ์–ด๋ฅผ ์‚ฌ์šฉํ•˜๋Š” ํ•œใ†์ค‘ ๋ฌธํ™” ๊ฐ„ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์—์„œ ์˜์‹์  ํ˜น์€ ๋ฌด์˜์‹์ ์œผ๋กœ ์‚ฌ์šฉํ•˜๋Š” ์†์ง“์–ธ์–ด๋Š” ๊ฐ๊ธฐ ๋‹ค๋ฅธ ๋ฌธํ™”๊ทœ๋ฒ”์— ์˜ํ•ด ํ˜•์„ฑ๋œ ์ƒ์ง•๊ธฐํ˜ธ์ธ ๊นŒ๋‹ญ์— ๋‹ค์˜์ ์ธ ๋ฉ”์‹œ์ง€ ํ•ด์„์˜ ๋ถˆํ™•์‹ค์„ฑ์ด ๋†’์€ ๋งŒํผ ๋น„์–ธ์–ด ์Šต๋“์„ ์œ„ํ•œ ๋ฌธํ™” ๊ฐ„ ๋น„์–ธ์–ด ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๊ต์œก์˜ ๋‹น์œ„์„ฑ์ด ์ œ๊ธฐ๋˜๊ณ  ์žˆ๋‹ค. ๋ฌธํ™” ๊ฐ„ ๋น„์–ธ์–ด ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๊ต์œก์˜ ์ฃผ์š”๋ชฉํ‘œ๋Š” ์ƒ์ดํ•œ ๋ฌธํ™”๊ตฌ์„ฑ์›๊ณผ์˜ ์›ํ™œํ•œ ์˜์‚ฌ์†Œํ†ต์„ ์œ„ํ•œ ๋น„์–ธ์–ด ์ •๋ณด๋ฅผ ์Šต๋“ํ•จ์œผ๋กœ์จ ํ•™...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.02.059
kci_detailed_000302.xml
ART002086512
oai_dc
ํ•œ๊ธ€ ์•„์Šคํ‚ค ์•„ํŠธ์˜ ์ž๋™ ์ƒ์„ฑ
Automatic Generation of Han-gul ASCII Art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์œ ๋ฏธ(๋‹จ๊ตญ๋Œ€ํ•™๊ต)" ]
์ด ๋…ผ๋ฌธ์€ KS X 1001 ์™„์„ฑํ˜• ํ•œ๊ธ€ ์ฝ”๋“œ์— ์„ ๋ณ„๋œ ํ•œ๊ธ€ ์ž๋ชจ์Œ ๋ฐ ์‚ฌ์šฉ์ž๊ฐ€ ์ž„์˜๋กœ ์ž…๋ ฅํ•œ ํ•œ๊ธ€์„ ๊ธฐ๋ฐ˜์œผ๋กœ, ์ด๋ฏธ์ง€ ๋ฐ ์˜์ƒ์„ ์‚ฌ์šฉ์ž๊ฐ€ ์›ํ•˜๋Š” ๊ธ€๊ผด๋กœ ์ด๋ฃจ์–ด์ง„ ํ•œ๊ธ€ ์•„์Šคํ‚ค ์•„ํŠธ๋กœ ์†์‰ฝ๊ฒŒ ์ž๋™์œผ๋กœ ๋ณ€ํ™˜ํ•ด์ฃผ๋Š” ๊ธฐ๋ฒ•์— ๋Œ€ํ•ด ๋‹ค๋ฃจ๊ณ ์ž ํ•œ๋‹ค. ์ด๋ฅผ ์œ„ํ•˜์—ฌ ๋จผ์ € ์‚ฌ์šฉ์ž๊ฐ€ ์›ํ•˜๋Š” ํŠธ๋ฃจ ํƒ€์ž… ๊ธ€๊ผด(.ttf) ๋ฐ ํŠธ๋ฃจ ํƒ€์ž… ๊ธ€๊ผด ๋ฌถ์Œ(.ttc) ํŒŒ์ผ ๋ถ„์„์„ ํ†ตํ•ด ๊ฐ ๊ธ€๊ผด๋ณ„ ํŠน์„ฑ์„ ์ž๋™์œผ๋กœ ์ถ”์ถœํ•˜๊ณ , ์ž…๋ ฅ๋œ ์ด๋ฏธ์ง€์˜ ๋ช…๋„๋ฅผ ๋ถ„์„ํ•˜์—ฌ ์ด๋ฅผ ์‚ฌ์šฉ์ž๊ฐ€ ์ž…๋ ฅํ•œ ๊ธ€์ž์— ๋งคํ•‘์‹œํ‚จ๋‹ค. ์šฐ๋ฆฌ์˜ ์•Œ๊ณ ๋ฆฌ์ฆ˜์œผ๋กœ ์ƒ์„ฑ๋œ ๊ฒฐ๊ณผ๋ฌผ์€ ๋‹ค์–‘ํ•œ ์ด๋ฏธ์ง€์™€ ๋‹ค์–‘ํ•œ ์ž…๋ ฅ ํ•œ๊ธ€์— ๋Œ€ํ•˜์—ฌ ์‹ ๋ขฐ๋„ ๋†’๊ณ  ์•ˆ์ •์ ์œผ๋กœ ์•„์Šคํ‚ค ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.02.005
kci_detailed_000302.xml
ART002086564
oai_dc
์ƒ๋ฌผ์ง„ํ™”์ด๋ก ์—์„œ ์˜ํ–ฅ ๋ฐ›์€ ์ด๋ฏธ์ง€ ์ƒ์„ฑ ์‹œ์Šคํ…œ ์—ฐ๊ตฌ: ์—๋ณด ์‹œ์Šคํ…œ ๋””์ž์ธ์„ ์ค‘์‹ฌ์œผ๋กœ
Studying on Biologically Inspired Image Generated System : Focused on EVO System Design
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํ˜œ๋ฆฌ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์ƒ๋ฌผํ•™์  ์ด๋ก ์„ ์€์œ ํ•˜์—ฌ ์ƒ๋ช…์ง„ํ™”๊ณผ์ •์„ ์‹œ์Šคํ…œ์œผ๋กœ ์„ค๊ณ„ํ•œ ์—๋ณด ์‹œ์Šคํ…œ(EVO System)์— ๋Œ€ํ•œ ์—ฐ๊ตฌ์ด๋‹ค. ์—ฐ๊ตฌ์ž์— ์˜ํ•ด ๋””์ž์ธ๋œ ์—๋ณด ์‹œ์Šคํ…œ์€ ์ž์—ฐ ๋„ํƒœ(Natural Selection) ๊ณผ์ •์— ๋”ฐ๋ฅธ ๋…ธํ™”(aging) ํ˜„์ƒ์ด ์‹œ์Šคํ…œ ์„ค๊ณ„์— ์ ์šฉ๋˜์–ด ์ด ๊ณผ์ •์„ ํ†ตํ•ด ์ด๋ฏธ์ง€๊ฐ€ ์ƒ์„ฑ๋œ๋‹ค. ์ด๋ ‡๊ฒŒ ์ƒ๋ฌผํ•™์  ์ด๋ก ์„ ์ปดํ“จํ„ฐ ์˜ˆ์ˆ ์„ ์„ค๊ณ„ํ•˜๋Š” ๋ฐฉ๋ฒ•๋ก ์œผ๋กœ ์ ์šฉํ•œ ์˜ˆ์ˆ  ์žฅ๋ฅด๋ฅผ ์ง„ํ™”์ƒ์„ฑ์˜ˆ์ˆ (Evolutionary Generative Art)๋ผ ํ•œ๋‹ค. ์ง„ํ™”์ƒ์„ฑ์˜ˆ์ˆ  ์—ฐ๊ตฌ์ž, ์ด๋ก ๊ฐ€์— ๋”ฐ๋ฅด๋ฉด ๊ณผ์ • ์ค‘์‹ฌ์˜ ์‹œ์Šคํ…œ ๋ฏธํ•™(System Esthetics)๊ณผ ๋ฏธํ•™์  ์„ ํƒ(Aestheti...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.02.109
kci_detailed_000302.xml
ART002086562
oai_dc
๊ทผ๊ฑฐ ์ด๋ก  ๋ฐฉ๋ฒ•๋ก ์„ ํ™œ์šฉํ•œ ๋ธŒ๋žœ๋””๋“œ ๋ชจ๋ฐ”์ผ ์•ฑ์˜ ์ง€์†์  ์‚ฌ์šฉ ์š”์ธ ๋ถ„์„
The Elements of Consistent Usage of Branded Mobile Apps : The Analysis by Using Grounded Theory Research Methodology
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ˜œ์šฑ(ํ™์ต๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ๋ชจ๋ฐ”์ผ ์‚ฌํšŒ์˜ ์ „๋žต์ ์ธ ๋ธŒ๋žœ๋“œ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ์ˆ˜๋‹จ์œผ๋กœ ๊ฐœ๋ฐœ๋˜์–ด ํ™•์‚ฐ๋˜๊ณ  ์žˆ๋Š” ๋ธŒ๋žœ๋””๋“œ ๋ชจ๋ฐ”์ผ ์•ฑ์˜ ์ง€์†์  ์‚ฌ์šฉ ์š”์ธ ํƒ์ƒ‰์„ ๋ชฉ์ ์œผ๋กœ ๊ทผ๊ฑฐ์ด๋ก  ์—ฐ๊ตฌ๋ฐฉ๋ฒ•๋ก ์„ ์ฑ„ํƒํ•˜์—ฌ ์ฐธ์—ฌ์ž๋“ค์˜ ์‹ค์งˆ์  ๊ฒฝํ—˜ ์ž๋ฃŒ๋ฅผ ํƒ์ƒ‰์ ์œผ๋กœ ๋ถ„์„ํ•œ ์—ฐ๊ตฌ์ด๋‹ค. ๊ฐœ๋ฐฉ์ฝ”๋”ฉ, ์ถ•์ฝ”๋”ฉ ๋ฐ ์„ ํƒ์ฝ”๋”ฉ์„ ๊ฑฐ์ณ ์ž๋ฃŒ๋ฅผ ๋ถ„์„ํ•œ ๊ฒฐ๊ณผ ๋ธŒ๋žœ๋””๋“œ ๋ชจ๋ฐ”์ผ ์•ฑ์˜ ์ง€์†์  ์ด์šฉ์„ ์ด‰๊ตฌํ•˜๋Š” ์š”์ธ์œผ๋กœ๋Š” ์ƒˆ๋กœ์šด ๊ธฐ์ˆ  ๋ฐ ํ™˜๊ฒฝ์— ๋Œ€ํ•œ ์ ๊ทน์  ์ˆ˜์šฉํƒœ๋„๋ฅผ ์ง€๋‹Œ ์ด์šฉ์ž๋“ค์˜ ํ˜์‹ ์„ฑ, ์ด์šฉ์ž๋“ค์˜ ๋‹ˆ์ฆˆ๋ฅผ ์ •ํ™•ํ•˜๊ฒŒ ํŒŒ์•…ํ•จ์œผ๋กœ์จ ์ œ๊ณต๋˜๋Š” ์‹ค์งˆ์ ์ธ ๊ฒฝ์ œ์ ์ธ ํ˜œํƒ, ๋ธŒ๋žœ๋””๋“œ ๋ชจ๋ฐ”์ผ ์•ฑ์„ ์ด์šฉํ•œ ์ง์ ‘ ๊ฒฐ์žฌ ์‹œ์Šคํ…œ๊ณผ ๊ฐ™์€ ์ด์šฉ์˜ ํŽธ์˜์„ฑ, ๋…ํŠนํ•œ ๋ธŒ๋žœ๋“œ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.02.091
kci_detailed_000302.xml
ART002086541
oai_dc
MCN ๊ฒŒ์ด๋ฐ ์ฝ˜ํ…์ธ ์˜ ์Šคํ† ๋ฆฌํ…”๋ง ์—ฐ๊ตฌ
A Study on the Storytelling of MCN Gaming Contents
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์œคํ˜„์ •(์ธํ•˜๋Œ€ํ•™๊ต ํ•œ๊ตญํ•™์—ฐ๊ตฌ์†Œ)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” MCN ๊ฒŒ์ด๋ฐ ์ฝ˜ํ…์ธ ์˜ ์Šคํ† ๋ฆฌํ…”๋ง ํŠน์„ฑ์„ ๋ฒค์•ผ๋ฏผ์˜ โ€˜์ด์•ผ๊ธฐโ€™ ๊ฐœ๋…์„ ์ค‘์‹ฌ์œผ๋กœ ์‚ดํŽด๋ณด์•˜๋‹ค. โ€˜์ด์•ผ๊ธฐโ€™ ๊ฐœ๋…์€ ์‹œ๊ฐ„, ๊ณต๊ฐ„, ์ฃผ์ฒด๋ผ๋Š” ์„ธ ๊ฐ€์ง€ ๊ธฐ์ค€์— ์˜ํ•ด ๋…ผ์˜๋  ์ˆ˜ ์žˆ์—ˆ๋Š”๋ฐ ๋ณธ ์—ฐ๊ตฌ๋Š” ์ด ๊ธฐ์ค€๋“ค์ด MCN ๊ฒŒ์ด๋ฐ ์ฝ˜ํ…์ธ ์—์„œ ๊ด€๊ณ„ ๋งบ๊ณ  ์˜๋ฏธํ™” ๋˜๋Š” ๋ฐฉ์‹์„ ํƒ์ƒ‰ํ•จ์œผ๋กœ์จ ๊ทธ ์Šคํ† ๋ฆฌํ…”๋ง ํŠน์„ฑ์„ ๋ฐํžˆ๊ณ ์ž ํ•˜์˜€๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ๊ตฌ์ฒด์ ์ธ ์—ฐ๊ตฌ ๋Œ€์ƒ์œผ๋กœ ์œ ํŠœ๋ธŒ ์–‘๋ต ์ฑ„๋„์˜ ๊ฒŒ์ž„ <๋งˆ์ธํฌ๋ž˜ํ”„ํŠธ> ํŠœํ† ๋ฆฌ์–ผ ์ฝ˜ํ…์ธ  ์„ ์ •ํ•˜์˜€๋‹ค. ๋จผ์ € ์‹œ๊ฐ„๊ณผ ์ฃผ์ฒด์˜ ๊ด€๊ณ„๋งบ์Œ ์ฐจ์›์—์„œ MCN ๊ฒŒ์ด๋ฐ ์ฝ˜ํ…์ธ ๋Š” ์•ž์„  ๊ฒฝํ—˜์ด ์ง€์‹œํ•˜๋Š” ์ˆ˜ํ–‰์  ์Šคํ† ๋ฆฌํ…”๋ง์˜ ํŠน์„ฑ์„ ์ง€๋‹ˆ๊ณ  ์žˆ์—ˆ๋‹ค. ์ด์•ผ๊ธฐ๊พผ์ธ BJ๋Š” ์‹ค์‹œ๊ฐ„์œผ๋กœ ๊ฒŒ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.02.023
kci_detailed_000302.xml
ART002086543
oai_dc
๊ฒŒ์ž„์  ์‚ฌ๊ณ ๋ฅผ ํ†ตํ•œ ๋ฏธ๋””์–ด์•„ํŠธ ๊ต์œก ๋ฐฉ๋ฒ•๋ก  ์ œ์•ˆ
A Pedagogical Proposal for Media Art Education through Game Thinking
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํ˜„์ง„(์—ฐ์„ธ๋Œ€ํ•™๊ต)" ]
๋ฏธ๋””์–ด ๋ถ„์•ผ์— ๋Œ€ํ•œ ๊ต์œก์  ์ˆ˜์š” ์ฆ๊ฐ€ํ•จ์— ๋”ฐ๋ผ ๊ตญ๋‚ด์™ธ๋กœ ๋งŽ์€ ๊ต์œกํ”„๋กœ๊ทธ๋žจ๋“ค์ด ์ƒ๊ฒจ ์šด์˜๋˜๊ณ  ์žˆ์œผ๋‚˜, ์„ ํ–‰์—ฐ๊ตฌ๋“ค์€ ๋ฏธ๋””์–ด์•„ํŠธ ๊ต์œก์ด ์ง€์†์ ์œผ๋กœ ๋ณ€ํ™”ํ•˜๊ณ  ๋ฐœ์ „ํ•˜๋Š” ๋ฏธ๋””์–ด ๊ธฐ์ˆ ๋กœ ์ธํ•˜์—ฌ ๊ทธ๋•Œ๊ทธ๋•Œ์˜ ๊ธฐ์ˆ ์„ ์ตํžˆ๋Š”๋ฐ ์ง‘์ค‘๋˜๋Š” ๋ฌธ์ œ์ ์„ ์ง€์ ํ•˜๋ฉฐ, ๊ธฐ์ˆ ์— ๋Œ€ํ•œ ๊ต์œก๊ณผ ๋”๋ถˆ์–ด ์˜ˆ์ˆ  ๊ต์œก์œผ๋กœ์„œ ํ˜„๋Œ€ ๊ธฐ์ˆ  ๋ฏธ๋””์–ด์™€ ์‚ฌํšŒ์— ๋Œ€ํ•œ ๊ด€๊ณ„๋“ค์„ ๊ณ ์ฐฐํ•˜๋Š” ๋น„ํ‰์ ์ด๊ณ  ์‹ค์ฒœ์ ์ธ ์ ‘๊ทผ์ด ๋˜์–ด์•ผํ•œ๋‹ค๊ณ  ์ฃผ์žฅํ•œ๋‹ค. ์˜ค๋Š˜๋‚  ๋ฏธ๋””์–ด์•„ํŠธ๋Š” ๋‰ด๋ฏธ๋””์–ด ๊ธฐ์ˆ ์„ ์‚ฌ์šฉํ•˜๋Š” ์˜ˆ์ˆ , ํ˜„๋Œ€์˜ˆ์ˆ ์˜ ํ•˜์œ„์žฅ๋ฅด, ์˜ˆ์ˆ ๊ณผ ๊ธฐ์ˆ ์˜ ์œตํ•ฉ๋ฟ๋งŒ ์•„๋‹Œ ํƒ€๋ถ„์•ผ์™€์˜ ์œต๋ณตํ•ฉ ์—ฐ๊ตฌ๋ถ„์•ผ ๋“ฑ ๋‹ค์–‘ํ•œ ๋ฐฉ์‹์œผ๋กœ ์ธ์‹๋˜๊ณ  ์ ‘๊ทผ๋œ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ํ˜„๋Œ€ ๋ฏธ์ˆ  ์ด๋ก ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.02.039
kci_detailed_000302.xml
ART002125549
oai_dc
ํผ์Šค๊ด€์ ์—์„œ ๋ณธ ๋ณผํ„ฐ์˜ ์žฌ๋งค๊ฐœ๋ก 
Bolter's Remediation Theory on Peirce's Focus
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์šฉ์ˆ˜(ใˆœ ์˜๋กœ์šฐํŽ˜์ด์ง€ ๋””์ž์ธ์‚ฌ์—…๋ถ€)" ]
๋ฏธ๋””์–ด๋Š” ์ •๋ณด๋ฅผ ๋งค๊ฐœํ•ด์„œ ์šฐ๋ฆฌ์—๊ฒŒ ์ œ์‹œํ•˜๋Š”๋ฐ, ๊ฑฐ๊ธฐ์—๋Š” ๋น„๋งค๊ฐœ์„ฑ๊ณผ ํ•˜์ดํผ๋งค๊ฐœ์„ฑ์ด๋ผ๋Š” ๋‘ ๋…ผ๋ฆฌ๊ฐ€ ์ ์ ˆํžˆ ํ˜ผํ•ฉ๋˜์–ด ์šฐ๋ฆฌ์˜ ๋ฏธ๋””์–ด ๊ฒฝํ—˜์„ ์‹ค์žฌ์ ์œผ๋กœ ๋งŒ๋“ค์–ด ์ค€๋‹ค. ๋ฏธ๋””์–ด๋Š” ๊ทธ๋ ‡๊ฒŒ ์šฐ๋ฆฌ์˜ ์‹ค์žฌ์  ๊ฒฝํ—˜์„ ๋งŒ์กฑ์‹œํ‚ค๋ ค๋Š” ๋ฐฉํ–ฅ์œผ๋กœ ์ง„ํ™”ํ•ด ์™”๋‹ค๋Š” ๊ฒƒ์ด ๋ณผํ„ฐ(Bolter)์™€ ๊ทธ๋ฃจ์‹ (Grusin)์˜ ์žฌ๋งค๊ฐœ๋ก ์˜ ํ•ต์‹ฌ์ด๋‹ค. ์ด ๋•Œ ์ด ๊ฐœ๋…์„ ์„ค๋ช…ํ•˜๊ธฐ ์œ„ํ•ด ๊ทธ๋“ค์ด ์˜ˆ์‹œํ•˜๊ณ  ์žˆ๋Š” ๊ฒƒ์€ ์„œ๊ตฌ ํšŒํ™”์˜ ๊ด€์Šต์ด๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ๋น„๋งค๊ฐœ์„ฑ๊ณผ ํ•˜์ดํผ๋งค๊ฐœ์„ฑ์˜ ๊ตฌ๋ถ„์„ ์žฌํ˜„์˜ ์‚ฌ์‹ค์„ฑ์— ๋‘๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ๋ฌธ์ œ๋Š”, ์ด๋ก ์—์„œ ํ•ต์‹ฌ์  ์œ„์น˜๋ฅผ ์ฐจ์ง€ํ•˜๋Š” ์‹ค์žฌ์„ฑ์ด๋ž€ ์šฉ์–ด๊ฐ€ ๊ฑฐ์˜ ์ •์˜๊ฐ€ ๋˜์ง€ ์•Š์•˜๋‹ค๋Š” ์ ์ด๋‹ค. ๋ณผํ„ฐ์™€ ๊ทธ๋ฃจ์‹ ์€...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.03.121
kci_detailed_000302.xml
ART002125527
oai_dc
์ง ์ž๋ฌด์‰ฌ์˜ <๋ฐ๋“œ ๋งจ>(1995)์— ๋‚˜ํƒ€๋‚œ ์ดˆํ˜„์‹ค์ฃผ์˜์  ํŠน์ง•
Surrealistic Characteristics in Jim Jarmuschโ€™s <Dead Man>(1985)
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฐ์ƒ์ค€(๊ฑด๊ตญ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์ง ์ž๋ฌด์‰ฌ์˜ <๋ฐ๋“œ ๋งจ>์„ ์ดˆํ˜„์‹ค์ฃผ์˜์˜ ๊ด€์ ์—์„œ ๋ถ„์„ํ•˜์˜€๋‹ค. ์ด ์˜ํ™”์˜ ์™ธํ˜•์€ ์›จ์Šคํ„ด ์žฅ๋ฅด์˜ ์ „ํ˜•์„ ๋”ฐ๋ฅด๋Š” ๋“ฏํ•˜๋‹ค. ํ•˜์ง€๋งŒ ์žฅ๋ฅด์˜ ์ „ํ˜•์„ฑ์€ ์ฒ ์ €ํžˆ ํŒŒ๊ดด๋˜๊ณ , ๊ทธ ์ž๋ฆฌ๋ฅผ ๋Œ€์‹ ํ•˜๋Š” ๊ฒƒ์€ ์ดˆํ˜„์‹ค์ฃผ์˜ ๋ฏธํ•™์˜ ์ •์‹ ์ด๋‹ค. ์ดˆํ˜„์‹ค์ฃผ์˜๋Š” ์ธ๊ฐ„์˜ ๋‚ด๋ฉด์„ธ๊ณ„๋ฅผ ํƒ๊ตฌํ•˜์—ฌ ์ž ์žฌ์˜์‹์„ ํ‘œ๋ฉด ์œ„๋กœ ๋Œ์–ด์˜ฌ๋ฆฌ๊ณ , ๊ธฐ์„ฑ์˜ ๋„๋•์ ยท์œค๋ฆฌ์  ๊ด€์Šต์—์„œ ํƒˆํ”ผ๋œ ๋‚ด์  ์ƒํƒœ์—์„œ ์ž์œ ๋กญ๊ณ  ๋‹ค์–‘ํ•œ ๋ฏธ์  ์‹คํ—˜์„ ์ถ”๊ตฌํ–ˆ๋˜ ์˜ˆ์ˆ ์šด๋™์ด๋‹ค. <๋ฐ๋“œ ๋งจ>์ด ์ œ์‹œํ•˜๋Š” ์ฃผ์ œ๋Š” ๋ชฝํ™˜์  ๋ฌด์˜์‹, ์‚ถ๊ณผ ์ฃฝ์Œ์˜ ํ•ฉ์ผ ๊ทธ๋ฆฌ๊ณ  ์ด๋ฅผ ํ†ตํ•œ ์˜ํ˜ผ์˜ ๊ตฌ์›์ด๋ฉฐ, ๋”ฐ๋ผ์„œ ์ด๋Š” ์ดˆํ˜„์‹ค์ฃผ์˜์˜ ์ •์‹ ์„ ๋ฐ˜์˜ํ•˜๊ณ  ์žˆ๋Š” ๊ฒƒ์ด๋‹ค. ๋˜ํ•œ ์ž๋ฌด์‰ฌ ํŠน์œ ์˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.03.021
kci_detailed_000302.xml
ART002125543
oai_dc
์‹œ๋„ค๋งˆํ‹ฑ ํŽ˜๋ฅด์†Œ๋‚˜ ๋ฐฉ๋ฒ•๋ก ์„ ์‚ฌ์šฉํ•œ ์›จ์–ด๋Ÿฌ๋ธ” ์Šคํ† ๋ฆฌํ…”๋ง - ์ธ๋ฐ”๋”” ๋ฐด๋“œ ์„œ๋น„์Šค ๋””์ž์ธ์„ ์ค‘์‹ฌ์œผ๋กœ
Wearable Storytelling Using Cinematic Persona Methodology - Focused on Inbody Band Service Design
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊ฐ•์ง€์˜(๋‹จ๊ตญ๋Œ€ํ•™๊ต)" ]
์Šค๋งˆํŠธํฐ ์‹œ์žฅ์˜ ํฌํ™”๋กœ ์ธํ•ด IT ๋ถ„์•ผ์˜ ์ƒˆ๋กœ์šด ์„ฑ์žฅ ๋™๋ ฅ์œผ๋กœ ์›จ์–ด๋Ÿฌ๋ธ” ๋””๋ฐ”์ด์Šค๊ฐ€ ๊ธฐ๋Œ€๋ฅผ ๋ชจ์œผ๊ณ  ์žˆ๋‹ค. ํŠนํžˆ ์Šค๋งˆํŠธ ๋ฐด๋“œ๋Š” ์›จ์–ด๋Ÿฌ๋ธ” ์‹œ์žฅ ์ค‘ ๊ฐ€์žฅ ์ฃผ๋ชฉ ๋ฐ›์œผ๋ฉฐ ์„ฑ์žฅํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋Š” ๊ณ ๋ นํ™” ์‚ฌํšŒ๋กœ ๊ฑด๊ฐ•ํ•œ ์‚ถ์— ๊ด€์‹ฌ์ด ๋†’์•„์ง„ ์‚ฌ์šฉ์ž๋“ค ๋•Œ๋ฌธ์ด๋‹ค. ์Šค๋งˆํŠธ ๋ฐด๋“œ๋Š” ํ—ฌ์Šค์ผ€์–ด์™€ ํ”ผํŠธ๋‹ˆ์Šค๋ฅผ ์ฃผ๋ชฉ์ ์œผ๋กœ ํ•˜๋Š” ์†๋ชฉ ์ฐฉ์šฉํ˜• ์›จ์–ด๋Ÿฌ๋ธ” ๋””๋ฐ”์ด์Šค์ด๋ฉฐ ํ˜„์žฌ ๋‹ค์–‘ํ•œ ์ œํ’ˆ๋“ค์ด ์ถœ์‹œ๋˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ด๋Ÿฌํ•œ ์Šค๋งˆํŠธ ๋ฐด๋“œ๋“ค์„ ์œ„ํ•œ ๋””๋ฐ”์ด์Šค๋‚˜ ๊ธฐ์ˆ ๊ฐœ๋ฐœ ๋ณด๋‹ค ๋จผ์ € ์„ ํ–‰๋˜์–ด์•ผ ํ•  ์—ฐ๊ตฌ๋Š” ๋ฐ”๋กœ ์‚ฌ์šฉ์ž์˜ ๋‹ˆ์ฆˆ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ์ด๋‹ค. ๊ฐ€์žฅ ๊ฐœ์ธ์ ์ธ ๋””๋ฐ”์ด์Šค ์ค‘ ํ•˜๋‚˜์ธ ์Šค๋งˆํŠธ ๋ฐด๋“œ์˜ ์‚ฌ์šฉ์ž๋“ค์ด ์ด๋ฅผ ํ†ตํ•ด ์–ด๋– ํ•œ ์„œ๋น„์Šค...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.03.093
kci_detailed_000302.xml
ART002125531
oai_dc
์‹ ์ฒด์  ์‚ฌ์œ , ์ง€๊ฐํ•˜๋Š” ์ด๋ฏธ์ง€ - ์‹ ์ฒด๋ฅผ ํ†ตํ•ด ์œกํ™”๋œ ๋””์ง€ํ„ธ ์‹œ๊ณต๊ฐ„ ๋ถ„์„
Thinking With Body, Perceived Image Analysis of The Digital Space - Time Embodied Through The Body
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์†Œ์˜(๋Œ€๊ตฌ๋Œ€ํ•™๊ต)" ]
๋น„๊ฒฐ์ • ์ƒํƒœ์˜ ์ •๋ณด๋ฅผ ํ”„๋ ˆ์ด๋ฐํ•˜๋Š” ๊ทผ์›์œผ๋กœ์„œ ์‹ ์ฒด๋Š” ์ง€๊ฐ์˜ ์กฐ๊ฑด์ด๋‹ค. ๋งค์ˆœ๊ฐ„ ์šฐ๋ฆฌ์˜ ์‹ ์ฒด๋Š” ๋ฉ€ํ‹ฐํ”„๋ ˆ์ž„์œผ๋กœ ์ž‘๋™ํ•˜๋ฉฐ, ๋ถˆํ™•์ •์  ์ง€ํ‰์— ์œค๊ณฝ์„ ๋“œ๋ฆฌ์šฐ๋Š” ์‹ ์ฒด์˜ ์ž ์žฌ๋ ฅ์œผ๋กœ ์ธํ•ด ๋ชธ์€ ์ •๋ณด์˜ ์ฒ˜๋ฆฌ์ž๋กœ์„œ ์ค‘์š”์„ฑ์ด ๋ถ€๊ฐ๋œ๋‹ค. ๋ชธ-์ฃผ์ฒด๋Š” ํ˜ผ์ข…์  ์ง€๊ฐ๋ฐฉ์‹์„ ํ†ตํ•ด ์ด๋ฏธ์ง€๋ฅผ ์ง€๊ฐํ•˜๋Š”๋ฐ, ์ด๋•Œ ์‹œ๊ฐ์€ ์‹œ๊ฐ์„ฑ๋ฟ ์•„๋‹ˆ๋ผ ์ด‰๊ฐ์„ฑ์„ ๋™๋ฐ˜ํ•˜๋Š” ํ™•์žฅ๋œ ์†์„ฑ์œผ๋กœ ๋ณ€ํ™˜๋˜๋ฉฐ, ์ด๋ฅผ ํ†ตํ•ด ์ด๋ฏธ์ง€๋Š” ์‹ ์ฒด์ ์œผ๋กœ ์ฒดํ˜„๋œ๋‹ค. ์ด‰๊ฐ์  ์ˆ˜์šฉ๋ฐฉ์‹์˜ ๊ทผ๊ฑฐ๋กœ์จ ๋ฉ”๋ฅผ๋กœ-ํํ‹ฐ์˜ โ€˜์‚ดโ€™, ๋””๋””์— ์•™์ง€์™ธ์˜ โ€˜ํ”ผ๋ถ€์ž์•„โ€™, ๋ ˆ์ด์ฝ”ํ”„์™€ ์กด์Šจ์˜ โ€˜์‹ ์ฒดํ™”๋œ ์ธ์ง€โ€™ ์ด๋ก ๋“ค์„ ๊ฒ€ํ† ํ•œ๋‹ค. ์ด๋ฅผ ํ† ๋Œ€๋กœ ์‹œ์„ ์˜ ์ด๋™์— ๋”ฐ๋ฅธ ์ค‘์ฒฉ๋œ ์ด๋ฏธ์ง€๋ฅผ ๊ตฌ์ถ•...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.03.041
kci_detailed_000302.xml
ART002125540
oai_dc
๋‰ด ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ๋กœ์„œ ๋…ผ ํœด๋จผ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ์‚ฌ์ง„๊ณผ ์˜ํ™” ๋งค์ฒด๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
A Study on Non - human Documentary as New Documentary - Based on Photography and Film
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์€ํ•˜(์ˆญ์‹ค๋Œ€ํ•™๊ต); ์œค์ค€์„ฑ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์ตœ๊ทผ ํ—ฌ๋ฆฌ ์บ , ์•ก์…˜ ์บ  ๋“ฑ์˜ ์ถœํ˜„์€ ์ธ๊ฐ„์˜ ์‹œ๊ฐ๊ณผ๋Š” ๋ถ„๋ฆฌ๋œ, ๊ธฐ๊ณ„๋งŒ์ด ํ•  ์ˆ˜ ์žˆ๋Š” ๋…์ž์ ์ธ ์‹œ๊ฐ์„ ๋งŒ๋“ค์–ด๋ƒˆ๋‹ค. ํ—ฌ๋ฆฌ ์บ ์€ ํ•˜๋Š˜ ์œ„๋ฅผ ๋‚ ์•„๋‹ค๋‹ˆ๋ฉฐ ์ธ๊ฐ„์ด ๋ณผ ์ˆ˜ ์—†๋Š” ์„ธ์ƒ์„ ๋ฐ”๋ผ๋ณธ๋‹ค. ์•ก์…˜ ์บ ์€ ์ดฌ์˜์ด ์–ด๋ ค์šด ํ™˜๊ฒฝ์—์„œ ์ดฌ์˜ํ•  ์ˆ˜ ์žˆ์–ด ์ธ๊ฐ„์ด ๋А๋‚„ ์ˆ˜ ์žˆ๋Š” ์ง€๊ฐ ์˜์—ญ์„ ํ™•์žฅ์‹œํ‚จ๋‹ค. ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ์—์„œ ๋…ผ ํœด๋จผ ์นด๋ฉ”๋ผ๋Š” ์ ‘๊ทผํ•˜๊ธฐ ์–ด๋ ค์šด ๋Œ€์ƒ์„ ์ดฌ์˜ํ•  ๋•Œ๋‚˜ ์‚ฌ๊ณ  ์‹œ ์œ ์šฉํ•˜๊ฒŒ ์“ฐ์ด๊ณ  ์žˆ๋‹ค. ์ด๊ฒƒ์€ ์žˆ๋Š” ๊ทธ๋Œ€๋กœ๋ฅผ ๋‹ค๋ฃจ๋Š” ๊ฐ๊ด€์ ์ธ ์‚ฌ๊ฑด ์ค‘์‹ฌ์˜ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ ํŠน์„ฑ์— ์ ํ•ฉํ•˜๋‹ค. ์ตœ๊ทผ์—๋Š” ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ ์˜์—ญ์— ๊ณ  ํ”„๋กœ ์นด๋ฉ”๋ผ ๋“ฑ ์นด๋ฉ”๋ผ ๊ธฐ๊ธฐ๋ฅผ ์–ด๋””๋“ ์ง€ ์‰ฝ๊ฒŒ ๋ถ€์ฐฉ์‹œ์ผœ ๋‚ฏ์„ค๊ณ  ๊ธฐ์ดํ•œ ๋А๋‚Œ์˜ ์ด๋ฏธ์ง€๋“ค์„...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.03.079
kci_detailed_000302.xml
ART002125545
oai_dc
ํฌ์ŠคํŠธ ๋””์ง€ํ„ธ ๋งค์ฒด ์˜ˆ์ˆ ๊ณผ 2000๋…„๋Œ€ ํ•œ๊ตญ ๋””์ง€ํ„ธ ๋น„๋””์˜ค์•„ํŠธ ์—ฐ๊ตฌ
A Study on POST-digital Media Art And Korean Digital Video Art in the 2000s
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์—ฐํ˜ธ(์ค‘์•™๋Œ€ํ•™๊ต ์ผ๋ฐ˜๋Œ€ํ•™์› ๋ฌธํ™”์—ฐ๊ตฌํ•™๊ณผ)" ]
2000๋…„๋Œ€ ํ•œ๊ตญ ๋””์ง€ํ„ธ ๋น„๋””์˜ค์•„ํŠธ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๋Š” ํ•œ๊ตญ ํ˜„๋Œ€๋ฏธ์ˆ ์‚ฌ๋‚˜ ์˜์ƒ์˜ˆ์ˆ ์‚ฌ์—์„œ๋„ ์ค‘์š”ํ•œ ๊ณผ์ œ๊ฐ€ ์•„๋‹ ์ˆ˜ ์—†๋‹ค. โ€˜ํฌ์ŠคํŠธ ๋””์ง€ํ„ธ ๋งค์ฒด ์‹œ๋Œ€โ€™์˜ ์‹œ์ ์—์„œ โ€˜๋””์ง€ํ„ธ ๋งค์ฒด ์˜ˆ์ˆ โ€™์ด ํ‘œ๋ฉดํ™”ํ•˜๊ธฐ ์‹œ์ž‘ํ•œ 2000๋…„๋Œ€๋ฅผ ์‚ดํŽด๋ณด๋Š” ๊ฒƒ์€ โ€˜ํฌ์ŠคํŠธ ๋””์ง€ํ„ธ ๋งค์ฒด ์‹œ๋Œ€โ€™์— ๋„์ถœ๋  ์ˆ˜ ์žˆ๋Š” ํ•œ๊ตญ์˜ ๋‹ค์–‘ํ•œ ๋””์ง€ํ„ธ ์˜ˆ์ˆ  ํ˜•ํƒœ๋ฅผ ๋…ผ์˜ํ•˜๋Š”๋ฐ ์ค‘์š”ํ•œ ๋…ผ์ ๋“ค์„ ์ œ์‹œํ•ด ์ค„ ์ˆ˜ ์žˆ์„ ๊ฒƒ์œผ๋กœ ๋ณด๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ด ๊ธ€์—์„œ๋Š” ํŠนํžˆ 2000๋…„๋Œ€ ๋””์ง€ํ„ธ ๋งค์ฒด ์‹œ๋Œ€์˜ ํ•œ๊ตญ ๋””์ง€ํ„ธ ๋น„๋””์˜ค์•„ํŠธ์— ์ดˆ์ ์„ ๋งž์ถฐ ๋‹น์‹œ์˜ ์˜ˆ์ˆ ์‚ฌ์  ์˜๋ฏธ๋ฅผ ๋ชจ์ƒ‰ํ•ด ๋ณด๋ คํ•œ๋‹ค. 2000๋…„๋Œ€๋ฅผ ํ•œ๊ตญ์  ๋””์ง€ํ„ธ ๋งค์ฒด ์‹œ๋Œ€๋กœ ๊ฐ€์ •ํ•˜๊ณ  ์ด ์‹œ๊ธฐ์— ์ œ์ž‘๋œ ํ•œ...
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null
http://dx.doi.org/10.14728/KCP.2016.14.03.109
kci_detailed_000302.xml
ART002125526
oai_dc
์• ๋‹ˆ๋ฉ”์ด์…˜ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ์— ๋‚˜ํƒ€๋‚œ ์‹œ๊ฐ์  ์Šคํƒ€์ผ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - <Is the Man Who is Tall Happy?: An Animated Conversation with Noam Chomsky>๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
A Study on Visual Styles in Animated Documentary - focusing on <Is the Man Who is Tall Happy?: An Animated Conversation with Noam Chomsky>
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ด์ง„(์ˆœ์ฒœํ–ฅ๋Œ€ํ•™๊ต)" ]
์ตœ๊ทผ ๋“ค์–ด ํ™œ๋ฐœํ•œ ์ œ์ž‘๊ณผ ํ•จ๊ป˜ ํ•™๋ฌธ์  ๊ด€์‹ฌ์„ ๋Œ๊ณ  ์žˆ๋Š” ์• ๋‹ˆ๋ฉ”์ด์…˜ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ๋Š” ์ด์งˆ์ ์ธ ๋‘ ์„ธ๊ณ„๊ฐ€ ๋งŒ๋‚œ ๋“ฏ ์ƒ์†Œํ•˜๊ฒŒ ๋А๊ปด์ง„๋‹ค. ๊ธฐ์กด์˜ ์—ฐ๊ตฌ๋“ค์ด ์• ๋‹ˆ๋ฉ”์ด์…˜์ด ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ๋ฅผ ์œ„ํ•œ ๋„๊ตฌ๋กœ์„œ ์ž๊ฒฉ์ด ์žˆ๋Š”์ง€์˜ ๊ฐ€๋Šฅ์„ฑ์— ์ดˆ์ ์„ ๋งž์ถ”์—ˆ๋‹ค๋ฉด, ๋ณธ ์—ฐ๊ตฌ๋Š” ์‹œ๊ฐ์ ์œผ๋กœ ๋“œ๋Ÿฌ๋‚œ ์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ๋‹ค์–‘ํ•œ ์Šคํƒ€์ผ์ด ์–ด๋–ป๊ฒŒ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ์  ์˜๋ฏธ์™€ ๊ฒฐํ•ฉํ•˜๋Š”์ง€์— ์ฃผ๋ชฉํ•˜๊ณ ์ž ํ•œ๋‹ค. ์• ๋‹ˆ๋ฉ”์ด์…˜ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ๋ผ๋Š” ์ƒˆ๋กœ์šด ์žฅ๋ฅด๋ฅผ ๋Œ€๋ณ€ํ•˜๋ฉฐ ์ฃผ๋ชฉ๋ฐ›๊ณ  ์žˆ๋Š” ๋กœ์šฐ(Roe)์˜ ์—ฐ๊ตฌ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ, ์• ๋‹ˆ๋ฉ”์ด์…˜ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ์˜ ์ •์˜ ๋ฐ ๋ถ„๋ฅ˜๋ฅผ ๊ฐœ๊ด„ํ•˜๊ณ , ์‚ฌ๋ก€ ์—ฐ๊ตฌ๋กœ ๊ณต๋“œ๋ฆฌ(Gondry)์˜ 2013๋…„ ์˜ํ™”์ธ <Is the Man Who i...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/10.14728/KCP.2016.14.03.005
kci_detailed_000302.xml
ART002125535
oai_dc
Transnational Desires and Codes of Neo-Noir: - A Comparative Analysis of John Dahlโ€™s <Red Rock West (1993)> and Kim Jee-woonโ€™s <A Bittersweet Life (2005)>
Transnational Desires and Codes of Neo-Noir: - A Comparative Analysis of John Dahlโ€™s <Red Rock West (1993)> and Kim Jee-woonโ€™s <A Bittersweet Life (2005)>
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "Unger Michael Anthony(์„œ๊ฐ•๋Œ€ํ•™๊ต)" ]
Film critics continually debate whether film noir is a genre, a mode of filmmaking, or a theoretical discourse. The rapid spread of this international film practice throughout global cinema, beginning in the 1950s and its continuing popularity to this day in the form of neo-noir, reveal the transnational nature of its ...
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null
http://dx.doi.org/10.14728/KCP.2016.14.03.055
kci_detailed_000302.xml
ART001838644
oai_dc
IMC(ํ†ตํ•ฉ ๋งˆ์ผ€ํŒ… ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜)์˜ ์„ฑ๊ณต์  ์ „๋žต์š”์†Œ๋กœ์„œ์˜ ์บ ํŽ˜์ธ ํŠน์„ฑ์—ฐ๊ตฌ : SKํ…”๋ ˆ์ฝค โ€œ๋ˆ ์–ดํƒโ€ ์บ ํŽ˜์ธ์„ ์ค‘์‹ฌ์œผ๋กœ
A Study on successful social media campaign as one of creative strategies of IMC : based on the case of "๋ˆ attack" by SK telecom
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ˜œ์šฑ(ํ™์ต๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์†Œ์…œ ๋ฏธ๋””์–ด ์‚ฌํšŒ์—์„œ ์š”๊ตฌ๋˜๋Š” ๊ธฐ์—…๊ณผ ๊ณ ๊ฐ ๊ฐ„์˜ ๋ณ€ํ™”๋œ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๋ฐฉ์‹์— ์ฃผ๋ชฉํ•˜์—ฌ ์ตœ๊ทผ๊ทธ ์—ญํ• ๊ณผ ์š”๊ตฌ๊ฐ€ ๊ธ‰์ฆํ•˜๊ณ  ์žˆ๋Š” IMC์˜ ํฌ๋ฆฌ์—์ดํ‹ฐ๋ธŒ ์ „๋žต ์š”์†Œ ์ค‘ ํ•˜๋‚˜์ธ ์บ ํŽ˜์ธ์˜ ํŠน์„ฑ๊ณผ ๋ณ€ํ™”๋œ ์—ญํ• ์„ ํƒ์ƒ‰ํ•˜๋Š” ๋ฐ ๊ถ๊ทน์ ์ธ ๋ชฉ์ ์„ ๋‘”๋‹ค. ์ด๋ฅผ ์œ„ํ•ด 2013๋…„ ์ƒ๋ฐ˜๊ธฐ ๊ฐ€์žฅ ์„ฑ๊ณต์ ์ธ IMC ํ™œ๋™์„ ๋ณด์—ฌ ์ค€ SKํ…”๋ ˆ์ฝค์˜ โ€œ๋ˆโ€ ํ”„๋กœ๋ชจ์…˜๊ณผ ์—ฐ๊ณ„๋˜์–ด ์ง„ํ–‰๋˜์—ˆ๋˜ โ€œ๋ˆโ€ ์บ ํŽ˜์ธ, ์ฆ‰ โ€œ๋ˆ ์–ดํƒ / โ€œ๋ˆ ํ•™๊ต๋Œ€ํ•ญ์ „โ€์˜ ์‹ค๋ก€๋ฅผ ํƒ์ƒ‰์ ์œผ๋กœ ๊ณ ์ฐฐํ•˜์˜€์œผ๋ฉฐ, ์ด๋ฅผ ํ†ตํ•ด ๋ณ€ํ™”๋œ ์ƒํ™œ์–‘์‹๊ณผ ์‚ฌ๊ณ ๋ฐฉ์‹์„ ์ง€๋‹Œ ํ˜„์žฌ ์†Œ์…œ ๋ฏธ๋””์–ด ์‚ฌํšŒ์—์„œ ์š”๊ตฌ๋˜๋Š” ์บ ํŽ˜์ธ์˜ ์ „๋žต์  ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ์š”์†Œ๋ฅผ ๋„์ถœํ•˜์˜€๋‹ค. ๋‹จ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001838649
oai_dc
์•ฑ ์•„์ด์ฝ˜์˜ ์ธ์ง€ ํ–ฅ์ƒ์„ ์œ„ํ•œ ์—ฐ๊ตฌ
A Study on the Improvement of cognitive of the App Icon
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์˜์ฃผ(์ฒญ์šด๋Œ€ํ•™๊ต); ์ž„์šฉ์„ญ(์ฒญ์ฃผ๋Œ€)" ]
์Šค๋งˆํŠธํฐ์˜ ๋Œ€์ค‘ํ™”๋Š” ํ†ต์‹  ์‚ฐ์—…์ด ์Œ์„ฑ ํ†ตํ™”์—์„œ ์–ดํ”Œ๋ฆฌ์ผ€์ด์…˜ ์‚ฐ์—…์œผ๋กœ์˜ ์ „ํ™˜์„ ์˜๋ฏธํ•œ๋‹ค๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ์Šค๋งˆํŠธํฐ์— ์žˆ์–ด App์€ ์Šค๋งˆํŠธํฐ์„ ์‰ฝ๊ฒŒ ์‚ฌ์šฉํ•  ์ˆ˜ ์žˆ๋„๋ก ๋„์™€์ฃผ๋Š” ์—ญํ• ์„ ํ•˜๋ฉฐ ์‚ฌ์šฉ์ž์—๊ฒŒ ์›ํ•˜๋Š”์ •๋ณด๋ฅผ ํšจ๊ณผ์ ์œผ๋กœ ์ œ๊ณตํ•˜๊ณ  ํšจ์œจ์„ฑ์„ ์ฆ๋Œ€ํ•˜๊ธฐ ์œ„ํ•ด ์•„์ด์ฝ˜์˜ ํ˜•ํƒœ๋กœ ์Šค๋งˆํŠธํฐ์— ์ œ๊ณต๋˜๊ณ  ์žˆ๋‹ค. App ์•„์ด์ฝ˜์€ ์Šค๋งˆํŠธํฐ์— ์žˆ์–ด ๋‹จ์ˆœํ•œ ๊ธฐ๋Šฅ์˜ ์ˆ˜ํ–‰๋ณด๋‹ค๋Š” ์‚ฌ์šฉ์ž์˜ ๋‹ˆ์ฆˆ๋ฅผ ์ถฉ์กฑํ•˜๊ณ  ์• ํ”Œ๋ฆฌ์ผ€์ด์…˜์˜ ์ •์ฒด์„ฑ์„ํ‘œํ˜„ํ•˜๋Š” ์ค‘์š”ํ•œ ๋„๊ตฌ์ด๋ฉฐ ์‚ฌ์šฉ์ž ์ธํ„ฐํŽ˜์ด์Šค์˜ ์ฃผ์š” ๊ตฌ์„ฑ ์š”์†Œ์ด๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ์Šค๋งˆํŠธํฐ App ์•„์ด์ฝ˜์˜ ํŠน์„ฑ๊ณผ ์‹œ๊ฐ ๊ธฐ์–ต์— ๋Œ€ํ•ด ์•Œ์•„๋ณด์•˜์œผ๋ฉฐ App ์•„์ด์ฝ˜์„ ํ…์ŠคํŠธ ์กฐํ•ฉํ˜•๊ณผ ์‹ฌ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001838651
oai_dc
์ธ๋ฌผ ๋™์„ ๊ณผ ๋™์  ์นด๋ฉ”๋ผ์˜ ์‹œ๊ฐ„ ์žฅ๋ฉดํ™” - ์˜ํ™” โ€˜์–ดํ†ค๋จผํŠธโ€™๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Charactersโ€™ Movement Lines and The Temporal Mise-en-scene of Dynamic Camera - Focusing on the Film, โ€˜Atonementโ€™ -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋™ํ˜„(๋™์„œ๋Œ€ํ•™๊ต)" ]
์˜ํ™”์— ๋“ฑ์žฅํ•˜๋Š” ๊ทนํ™”๋œ ์ธ๋ฌผ์€ ๋™์„ ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ์ด์— ์˜ํ™”๋Š” ๋จผ์ € ์ธ๋ฌผ์˜ ์ด๋™ ๊ฒฝ๋กœ๋ฅผ ์„ค์ •ํ•œ ๋‹ค์Œ, ๊ทธ๊ฒƒ์— ์˜ํ•ด ์†Œ์š”๋˜๋Š” ์‹œ๊ฐ„์„ ์ ์ ˆํžˆ ์••์ถ•ํ•˜์—ฌ ์ •์ œ๋œ ์ƒํƒœ๋กœ ๊ด€๊ฐ์—๊ฒŒ ๋‹ค์‹œ ์ œ์‹œํ•œ๋‹ค. ์กฐ ๋ผ์ดํŠธ ๊ฐ๋…์˜ ์˜ํ™” <์–ดํ†ค๋จผํŠธ>๋Š” ์ด๋Ÿฐ ์˜ˆ๋ฅผ ์ž˜ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๋‹ค. ํŠนํžˆ ์ˆ˜ํ‰, ์ „์ง„์ด๋™์— ์˜ํ•œ ๋™์  ์นด๋ฉ”๋ผ๋ฅผ ์ธ๋ฌผ ๋™์„ ์˜ ์ผ์ •์‹œ๊ฐ„์œผ๋กœ๋Œ€์น˜ํ•˜์—ฌ ๋ณด์—ฌ์ค€๋‹ค. ๊ตฌ์ฒด์ ์œผ๋กœ, ์ธ๋ฌผ๊ณผ ์นด๋ฉ”๋ผ๋Š” ์„œ๋กœ ๊ฐ€๊นŒ์›Œ์ง€๊ณ  ๋ฉ€์–ด์ง€๋ฉด์„œ ๋™์„ , ๋™์  ์นด๋ฉ”๋ผ์˜ ์œ ํ˜•, ํ™”๋ฉด์‚ฌ์ด์ฆˆ์˜ ๋ณ€ํ™”๋ฅผ ์ผ์œผํ‚จ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ธ๋ฌผ์ด ์Šค์Šค๋กœ ํ™”๋ฉด ์•ˆ์œผ๋กœ ๋“ค์–ด์˜ค๊ณ  ๋•Œ๋กœ๋Š” ํ™”๋ฉด ๋ฐ–์œผ๋กœ ์‚ฌ๋ผ์ง€๋ฉด์„œ ๋˜๋Š”์นด๋ฉ”๋ผ ์Šค์Šค๋กœ ์ธ๋ฌผ์„ ๋‚˜ํƒ€๋‚˜๊ฒŒ ํ•˜๊ณ , ์‚ฌ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001838647
oai_dc
์ „์ž๋ฌธํ•™๊ณผ ๊ฐ๊ฐ์˜ ๊ณต๋™์ฒด์˜ ๊ตฌ์„ฑ
Electronic Literature and the Formation of Community of Sense
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ฌ๋ณด์„ (๊ฒฝํฌ์‚ฌ์ด๋ฒ„๋Œ€ํ•™๊ต)" ]
๊ธฐ์กด์˜ ์ „์ž๋ฌธํ•™ ๋…ผ์˜๋Š” ๊ธฐ์ˆ ์ , ๋ฏธ์  ํ˜์‹ ์„ฑ์ด๋ผ๋Š” ๊ด€์ ์—์„œ ์ด๋ฃจ์–ด์ ธ์™”๋‹ค. ์ด๋•Œ ์ „์ž๋ฌธํ•™์€ ํ•˜์ดํผํ…์ŠคํŠธ์˜ ๊ฒฝ์šฐ์ฒ˜๋Ÿผ ์ธํ„ฐ๋„ท ์•„ํŠธ์˜ ํ•˜์œ„๋ฒ”์ฃผ๋กœ์„œ ์ธํ„ฐ๋„ท ์•„ํŠธ์˜ ๋ถ€์ƒ๊ณผ ํ‡ด์กฐ์™€ ์šด๋ช…์„ ํ•จ๊ป˜ ํ•˜๋Š” ๊ฒƒ์œผ๋กœ ์—ฌ๊ฒจ์กŒ๋‹ค. ๋˜ํ•œ ์ „์ž๋ฌธํ•™์ด ๋˜์‚ด์•„๋‚˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ๋‹ค์–‘ํ•œ ์˜ˆ์ˆ ์  ์‹คํ—˜๊ณผ ์‹ ๊ธฐ์ˆ ์„ ์œตํ•ฉ์‹œ์ผœ์•ผ ํ•œ๋‹ค๋Š” ๊ด€์ ์ด์šฐ์„ธํ–ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ „์ž๋ฌธํ•™์˜ ์—ญ์‚ฌ๋Š” ๊ณต๋™์ฒด๋ผ๋Š” ๊ด€์ ์—์„œ ์ƒˆ๋กญ๊ฒŒ ์“ฐ์ผ ์ˆ˜ ์žˆ๋‹ค. ์ด๋•Œ ๊ณต๋™์ฒด๋ž€ ์•„๋ฆฌ์Šคํ† ํ…”๋ ˆ์Šค์˜ ์‹œํ•™, ๋ฐ”๊ทธ๋„ˆ์˜ ์ด์ฒด์˜ˆ์ˆ , ๋ฅด ์ฝ”๋ฅด๋ท”์ง€์—์˜ โ€˜์ „์ž์‹œโ€™๊ฐ€ ์˜๋„ํ•œ ์ง‘ํ•ฉ์ ์ด๊ณ  ์งˆ์„œ์ •์—ฐํ•œ ๊ณต๋™์ฒด๋ฅผ๋œปํ•˜์ง€ ์•Š๋Š”๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ๋ž‘์‹œ์—๋ฅด๊ฐ€ ์ด์•ผ๊ธฐํ•œ ๊ฐ๊ฐ์˜ ๊ณต๋™์ฒด ๊ฐœ๋…, ์ฆ‰ ๋ฏผ์ฃผ์ฃผ์˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001838653
oai_dc
์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด๋ฅผ ํ™œ์šฉํ•œ ์ด๋ฒคํŠธ ์•„์ด๋ดํ‹ฐํ‹ฐ(E.I)์˜ ๋ธŒ๋žœ๋“œ ์ธ์ง€ ํšจ๊ณผ ์—ฐ๊ตฌ - ์›น ๋ฏธ๋””์–ด์™€ ํ”„๋กœ์ ์…˜ ํŒŒ์‚ฌ๋“œ ๊ธฐ๋ฐ˜ ์‚ฌ๋ก€ ๋น„๊ต๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study on Brand Awareness Effect of Event Identity based on the Interactive Media -Based on comparison of cases of Web Media and Projection Facade-
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์ˆ˜๋ฏผ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต); ์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ํ•œ ์ƒˆ๋กœ์šด ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ํ™œ๋™์œผ๋กœ์„œ์˜ ์•„์ด๋ดํ‹ฐํ‹ฐ ์‹œ์Šคํ…œ์— ๊ด€ํ•œ ์—ฐ๊ตฌ์ด๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ์•„์ด๋ดํ‹ฐํ‹ฐ๋ฅผ ์†Œ๋น„์ž์˜ ์ ๊ทน์ ์ธ ํ–‰๋™์„ ์œ ๋„ํ•˜๋Š” ์ฐจ๋ณ„ํ™”๋œ ์ฒดํ—˜๋งˆ์ผ€ํŒ…์˜ ์ผํ™˜์œผ๋กœ ๊ฐ„์ฃผํ•˜๊ณ  ์ฒดํ—˜ ๋งˆ์ผ€ํŒ…์˜ ๊ฒฝํ—˜ ์š”์†Œ๊ฐ€ ๋ธŒ๋žœ๋“œ ์ธ์ง€๋„์— ์–ด๋– ํ•œ ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š”์ง€ ๊ทธ ๊ฐ€๋Šฅ์„ฑ์— ๋Œ€ํ•˜์—ฌ ๊ณ ์ฐฐํ•˜์˜€๋‹ค. ํŠนํžˆ ์งง์€ ๊ธฐ๊ฐ„ ๋™์•ˆ ์†Œ๋น„์ž์—๊ฒŒ ์ธ์ง€๋˜์–ด์•ผํ•˜๋Š” ์ด๋ฒคํŠธ ์•„์ด๋ดํ‹ฐํ‹ฐ(EventIdentity)๋ฅผ ์ค‘์ ์ ์œผ๋กœ ๊ทธ ์‚ฌ๋ก€๋“ค์— ๋Œ€ํ•˜์—ฌ ์‚ดํŽด๋ณด์•˜๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ์ฒซ์งธ๋กœ, ์ฒดํ—˜ ๋งˆ์ผ€ํŒ… ์ฒ™๋„ ๋„ค ๊ฐ€์ง€๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ํ•œ ๋ธŒ๋žœ๋“œ ์ธ์ง€๋„์— ๋Œ€ํ•œ ์ฒดํ—˜ ๋งˆ์ผ€ํŒ…์˜ ์˜ํ–ฅ๋ ฅ์— ๋Œ€ํ•œ ์„ธ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001838655
oai_dc
๋ธŒ๋žœ๋”ฉ ๋งฅ๋ฝ์—์„œ ๋ณธ ํ”Œ๋ฃจ์ด๋“œ ์•„์ด๋ดํ‹ฐํ‹ฐ ์‚ฌ๋ก€ ์—ฐ๊ตฌ
A Case Study of Fluid Identity in the Context of Branding
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ™ฉ์ธ๊ฒฝ(ํ™์ต๋Œ€ํ•™๊ต)" ]
๋น ๋ฅธ ์†๋„๋กœ ๋ณ€ํ™”ํ•˜๊ณ  ์žˆ๋Š” ํ˜„๋Œ€ ํ™˜๊ฒฝ ์†์—์„œ IT๊ธฐ์ˆ ์— ํž˜์ž…์€ ๋ฏธ๋””์–ด์˜ ๋ฐœ๋‹ฌ์€ ์•„์ด๋ดํ‹ฐํ‹ฐ ๋ถ„์•ผ์—๋„ ํ˜์‹ ์ ์ด๋ฉด์„œ๋„ ์œ ์—ฐํ•˜๊ฒŒ ๋Œ€์ฒ˜ํ•  ๊ฒƒ์„ ์š”๊ตฌํ•˜๊ณ  ์žˆ๋‹ค. ๋ธŒ๋žœ๋“œ๊ฐ€ ํ™”๋‘๋กœ ๋– ์˜ค๋ฅด๊ณ  ์žˆ๋Š” ์ด ์‹œ์ ์— ์žˆ์–ด ์ „์ฒด์ ์ธ ํ†ต์ผ์„ฑ์„ ๊ธฐ๋ณธ์œผ๋กœ ํ•˜๋˜ ๋ฉˆ์ถ”์ง€ ์•Š๊ณ  ํ•ญ์ƒ ์›€์ง์ด๋Š” ์œ ์—ฐ์„ฑ์„ ํŠน์ง•์œผ๋กœ ํ•˜๋Š” ํ”Œ๋ฃจ์ด๋“œ ์•„์ด๋ดํ‹ฐํ‹ฐ(Fluid Identity)๋ฅผ ์„ ํ–‰์—ฐ๊ตฌ ๋ฐ ์ œ์ž‘๋˜์–ด์ง„ ์‚ฌ๋ก€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์žฌ์กฐ๋ช…ํ•˜์˜€๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ๋งˆ์ผ€ํŒ… ์šฉ์–ด์ธ ๋ธŒ๋žœ๋”ฉ์˜ ๊ฐœ๋…๋ถ€ํ„ฐ ์ •๋ฆฌํ•˜์˜€๊ณ , ๋ธŒ๋žœ๋”ฉ์—์„œ์˜ ๋ธŒ๋žœ๋“œ ์•„์ด๋ดํ‹ฐํ‹ฐ์˜ ์ค‘์š”์„ฑ๊ณผ ํ”Œ๋ฃจ์ด๋“œ ์•„์ด๋ดํ‹ฐํ‹ฐ์™€์˜ ์ƒ๊ด€์„ฑ์„์‚ดํŽด๋ณด์•˜๋‹ค. ๋ธŒ๋žœ๋“œ๋ž€ ๋‹น์‹ ์ด ๋งํ•˜๋Š” ๊ทธ ๋ฌด์—‡์ด ์•„๋‹Œ ๊ทธ๋“ค์ด ๋งํ•˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001838669
oai_dc
ํ•œ๊ตญ ์˜ํ™”์—์„œ ๋‚˜ํƒ€๋‚œ ๋‚จ์„ฑ ์บ๋ฆญํ„ฐ์Šคํ† ๋ฆฌํ…”๋ง๊ณผ ์—ฌ์„ฑ ์บ๋ฆญํ„ฐ์Šคํ† ๋ฆฌํ…”๋ง์˜ ๋น„๊ต ์—ฐ๊ตฌ- ์˜ํ™” <์นœ๊ตฌ>์™€ <์จ๋‹ˆ>๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Comparative Study of Male Characterstorytelling and Female Characterstorytelling on Korea movies - Focus on <Friend & Sunny> -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ•œ์†”(๊ตญ๋ฏผ๋Œ€ํ•™๊ต); ์ „์Šน๊ทœ(๊ตญ๋ฏผ๋Œ€ํ•™๊ต)" ]
์ตœ๊ทผ ํ•œ๊ตญ ์˜ํ™”์˜ ์ƒˆ๋กœ์šด ์ค‘ํฅ๊ธฐ๋ฅผ ๋งž์œผ๋ฉด์„œ ๋‹ค์–‘ํ•œ ์žฅ๋ฅด์™€ ์Šคํ† ๋ฆฌ์˜ ์˜ํ™”๋“ค์ด ๊ธฐํš, ์ œ์ž‘๋˜๊ณ  ์žˆ๋‹ค. ๋˜์ƒˆ๋กœ์šด ์บ๋ฆญํ„ฐ์— ์˜ํ•ด ๋‹ค์–‘ํ•œ ์Šคํ† ๋ฆฌํ…”๋ง์ด ๊ฐœ๋ฐœ๋˜๊ณ  ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์บ๋ฆญํ„ฐ์Šคํ† ๋ฆฌํ…”๋ง์„ ์ด๋ก ์  ๋ฐฐ๊ฒฝ์œผ๋กœ ํ•˜์—ฌ ๋‚จ์„ฑ๊ณผ ์—ฌ์„ฑ ์บ๋ฆญํ„ฐ ์ค‘์‹ฌ์˜ ์Šคํ† ๋ฆฌํ…”๋ง ๊ตฌ์„ฑ์š”์†Œ๋ฅผ ๋น„๊ตํ•จ์œผ๋กœ์จ ์˜ํ™”์˜ ํšจ์œจ์ ์ธ ์Šคํ† ๋ฆฌํ…”๋ง์˜๊ตฌ์กฐ๋ฅผ ๋ถ„์„ํ•˜๋Š” ๊ฒƒ์„ ๋ชฉ์ ์œผ๋กœ ํ•œ๋‹ค. ๊ทธ ์—ฐ๊ตฌ๋ฐฉ๋ฒ•์œผ๋กœ ํ•œ๊ตญ ์˜ํ™” ์ค‘์—์„œ๋„ ํฅํ–‰๊ณผ ํ‰๋‹จ์˜ ํ˜ธํ‰์„ ๋ฐ›์€<์นœ๊ตฌ>์™€ <์จ๋‹ˆ> ๋‘ ์˜ํ™”์˜ ๋น„๊ต๋ฅผ ํ†ตํ•ด ๋‚จ์„ฑ๊ณผ ์—ฌ์„ฑ์˜ ์บ๋ฆญํ„ฐ ์Šคํ† ๋ฆฌํ…”๋ง์˜ ๊ตฌ์กฐ๋ฅผ ํŒŒ์•…ํ•˜๋ ค ํ•œ๋‹ค. ๋‘์˜ํ™”๋Š” ์ฃผ์ธ๊ณต๋“ค์˜ ์‹œ๋Œ€์  ๋ฐฐ๊ฒฝ๊ณผ ์นœ๊ตฌ๋“ค ์‚ฌ์ด์˜ ์šฐ์ •์„ ๋‹ด์€ ์Šคํ† ๋ฆฌ๊ฐ€ ์˜ํ™”์˜ ํฐ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001838643
oai_dc
ํ™•์žฅํ˜• ํŠธ๋žœ์Šค๋ฏธ๋””์–ด ์Šคํ† ๋ฆฌํ…”๋ง ๊ธฐ๋ฐ˜ ์ƒํƒœ๊ณ„ ๋ชจ๋ธ
Storytelling Ecosystem Model Based on Expanded-Type Transmedia Storytelling
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ค€ํฌ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
๋ชจ๋“  ์ฝ˜ํ…์ธ ์˜ ๊ทผ์›์ด ๋˜๋Š” ์ด์•ผ๊ธฐ์˜ ๋ถ€์กฑ์€ ๋ฏธ๋””์–ด ๊ธฐ์ˆ ์˜ ๋ฐœ์ „๊ณผ ์ƒˆ๋กœ์šด ๋ฏธ๋””์–ด์˜ ๋“ฑ์žฅ์œผ๋กœ ์‹œ๊ธ‰ํ•œ ๋ฌธ์ œ๋กœ ๋Œ€๋‘๋˜๊ณ  ์žˆ๋‹ค. ์ด์•ผ๊ธฐ๋ฅผ ๋งŒ๋“œ๋Š” ๊ณต์ •์€ ์ธ๋ฌธ์  ์†Œ์–‘๊ณผ ๋ฌธํ™”์  ์ดํ•ด๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ์˜ค๋žœ ๊ต์œก๊ณผ ์ „๋ฌธ์ ์ง€์‹ ๊ทธ๋ฆฌ๊ณ  ๊ฐœ๊ฐœ์ธ์˜ ์ฐฝ์˜์„ฑ๊ณผ ์žฌ๋Šฅ์„ ํ•„์š”๋กœ ํ•˜๋ฉฐ ๋งŽ์€ ์‚ฌ์ „ ์ค€๋น„๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์ ์ž–์€ ๊ธฐ๊ฐ„์„ ์†Œ์š”ํ•˜์—ฌ๋งŒ๋“ค์–ด์ง€์ง€๋งŒ ๊ทธ ๋ชจ๋“  ์ค€๋น„์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ  ๊ฒฐ๊ณผ๋ฌผ์˜ ์„ฑํŒจ๋Š” ์–ธ์ œ๋‚˜ ๋ถˆ๋ถ„๋ช…ํ•˜๋‹ค. ์ด๋Ÿฌํ•œ ์ด์•ผ๊ธฐ ๋งŒ๋“ค๊ธฐ์˜์–ด๋ ค์›€์€ ์ฝ˜ํ…์ธ ์‚ฐ์—… ๋ฐœ์ „์˜ ๊ฐ€์žฅ ํฐ ๊ฑธ๋ฆผ๋Œ์ด๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ํŠธ๋žœ์Šค๋ฏธ๋””์–ด ์Šคํ† ๋ฆฌํ…”๋ง๊ณผ ํ˜‘๋ ฅ ๊ธฐ๋ฐ˜์˜์ƒํƒœ๊ณ„๋ฅผ ํ‚ค์›Œ๋“œ๋กœ ์žก์•„ ์‚ฌ๋ก€์™€ ๊ณ ์ฐฐ์„ ์ค‘์‹ฌ์œผ๋กœ โ€˜ํŠธ๋žœ์Šค๋ฏธ๋””์–ด ์Šคํ† ๋ฆฌํ…”๋ง ์ƒํƒœ๊ณ„โ€™๋ผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001838677
oai_dc
๋””์ž์ธ ๋ฐฉ๋ฒ•๋ก ์œผ๋กœ์„œ์˜ ์ผ์ƒ ๊ฒฝํ—˜์— ๊ทผ๊ฑฐํ•œ ์œ ๊ธฐ์  ์Šคํ† ๋ฆฌํ…”๋ง
A Study on organic storytelling based on everyday experiences as a design methodology
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์žฅ์ˆœ๊ทœ(ํ™์ต๋Œ€ํ•™๊ต); ์ •ํ˜œ์šฑ(ํ™์ต๋Œ€ํ•™๊ต)" ]
์ด ์—ฐ๊ตฌ์˜ ๊ถ๊ทน์ ์ธ ๋ชฉ์ ์€ ํ‰๋ฒ”ํ•œ ์ผ์ƒ ๊ฒฝํ—˜์„ ํ† ๋Œ€๋กœ ๊ตฌ์„ฑ๋œ ์ผ๋ จ์˜ ์Šคํ† ๋ฆฌํ…”๋ง ๊ธฐ๋ฒ•์„ ๋””์ž์ธ ๋ฐฉ๋ฒ•๋ก ์œผ๋กœ ์ œ์•ˆํ•จ์œผ๋กœ์จ ๋ณด๋‹ค ๋†’์€ ๊ณต๊ฐ๋Œ€๋ฅผ ๊ตฌ์ถ•ํ•˜๋ฉฐ ์ˆ˜์šฉ์ž ์Šค์Šค๋กœ ๋ฆฌํ…”๋ง์„ ํ†ตํ•ด ๊ณต๊ฐ์˜ ํญ์ด ๋„“์–ด์งˆ ์ˆ˜ ์žˆ์Œ์„ ๊ถŒ์œ„๋ฅผ ์ธ์ •๋ฐ›์€ ๊ตญ์ œ ๊ณต๋ชจ์ „ ์ˆ˜์ƒ์ž‘๋“ค์˜ ํƒ์ƒ‰์  ๊ณ ์ฐฐ์„ ํ†ตํ•ด ๋ถ„์„ํ•˜๊ณ ์ž ํ•จ์ด๋‹ค. ๊ฒฝํ—˜์„ ํ† ๋Œ€๋กœ ๊ตฌํ˜„๋˜๋Š” ์œ ๊ธฐ์ ์ธ ์Šคํ† ๋ฆฌํ…”๋ง์ด ์ตœ์ข… ๋””์ž์ธ์œผ๋กœ ๊ตฌํ˜„๋˜๋Š” ์ด ๋ฐฉ๋ฒ•๋ก ์€ ์šฐ๋ฆฌ ์ฃผ๋ณ€์— ๋งŒ์—ฐํ•œ ๊ฒฝํ—˜์ด ์˜คํžˆ๋ ค์ค‘๋…์„ฑ์„ ๊ฐ€์งˆ ๋ฟ ์•„๋‹ˆ๋ผ ๋œป๋ฐ–์˜ ์žฌ๋ฏธ๋ฅผ ๋ฐœ๊ฒฌํ•˜๊ฒŒ ํ•จ์œผ๋กœ์จ ๊ณต๊ฐ๊ณผ ๋ชฐ์ž…์˜ ์ •๋„๋ฅผ ๋†’์ผ ์ˆ˜ ์žˆ๋‹ค๋Š” ํ•ต์‹ฌ๊ฐœ๋…์„ ์ง€๋‹Œ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001838682
oai_dc
์˜จ/์˜คํ”„๋ผ์ธ ์—ฐ๊ณ„ ์ฝ˜ํ…์ธ ์— ์˜ํ•œ ์ฒดํ—˜ํ˜• ๋„คํŠธ์›Œํฌ ๊ณต๊ฐ„ ๋””์ž์ธ ์—ฐ๊ตฌ โ€“ ๊ด‘์žฅ์‹œ์žฅ ๋„คํŠธ์›Œํฌ ๊ณต๊ฐ„ ๊ฐœ๋ฐœ ์ œ์•ˆ์„ ํ†ตํ•˜์—ฌ -
A Study on Experiential Network Space Design by On/off Line Coordinated Contents โ€“ Through the Development proposal KWANGJANGMARKET Network Space -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์„ํ˜ธ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต); ํ™์„๊ธฐ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์˜จ/์˜คํ”„๋ผ์ธ ์—ฐ๊ณ„ ์ฝ˜ํ…์ธ ๋ฅผ ์˜คํ”„๋ผ์ธ์—์„œ ์ฒดํ—˜ํ•  ์ˆ˜ ์žˆ๋„๋ก ๊ณต๊ฐ„์„ ๋””์ž์ธํ•˜์—ฌ, ์‚ฌ์šฉ์ž๋“ค์˜ ์ฐธ์—ฌ๋ฅผ ์œ ๋„ํ•  ์ˆ˜ ์žˆ๋Š” ํ™˜๊ฒฝ์„ ์กฐ์„ฑํ•˜๊ณ  ์†Œํ†ต์˜ ๋ถ€์žฌ๋ฅผ ํ•ด์†Œํ•˜๋Š” ๊ฒƒ์„ ๋ชฉ์ ์œผ๋กœ ์‚ผ๋Š”๋‹ค. ์ตœ๊ทผ ๋„คํŠธ์›Œํฌ ํ™˜๊ฒฝ์€ ์‚ฌํšŒํ˜„์ƒ ๋ณ€ํ™”์™€ ํ•จ๊ป˜ ์‚ฌ์šฉ์ž์˜ ์—ญํ•  ๋ณ€ํ™”๋ฅผ ์ด‰๊ตฌํ•˜์˜€๊ณ  ๊ทธ ๊ฒฐ๊ณผ, ์‚ฌ์šฉ์ž์˜ ๊ฒฝํ—˜ ๊ฐ€์น˜๊ฐ€ ์ฝ˜ํ…์ธ ์˜์ค‘์š” ์š”์†Œ๋กœ ๊ฑฐ๋“ญ๋‚˜๊ณ  ์žˆ๋‹ค. ํ•˜์ง€๋งŒ ์ด๋Ÿฌํ•œ ์‹œ๋ฅ˜์— ๋”ฐ๋ฅด์ง€ ๋ชปํ•œ ์ „ํ†ต์‹œ์žฅ๊ณผ ๊ฐ™์€ ๊ณณ๋“ค์€ ์‚ฌํšŒ์  ์†Œํ†ต ๋ถ€์žฌ๋ฅผ ํ˜ธ์†Œํ•˜๋ฉฐ ๊ณ ๋ฆฝโ€ค์นจ์ฒด๋˜์–ด ๊ฐ€๊ณ  ์žˆ๋‹ค. ๊ทธ๋ ‡๊ธฐ์— IT๊ธฐ์ˆ ์„ ํ™œ์šฉํ•˜์—ฌ ์ •๋ณด๋ฅผ ๊ณต์œ ํ•˜๊ณ  ์ƒ์„ฑํ•˜๋Š” ์ฒดํ—˜ํ˜•๋„คํŠธ์›Œํฌ ๊ณต๊ฐ„์„ ๋””์ž์ธํ•˜์—ฌ ์‹œ์žฅ๊ณผ ๊ฐ™์€ ์—ด์•…ํ•œ ITํ™˜๊ฒฝ์˜ ๊ณต๊ฐ„์—์„œ๋„ ์ž์œ ๋กญ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001838679
oai_dc
๋ฏธ๋””์–ด์™€ ์‹ ์ฒดํ‘œํ˜„์„ ์œตํ•ฉํ•œ ์ž‘ํ’ˆ ์—ฐ๊ตฌ - ๋ณธ์ธ ์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study on the Intermedia Art of Video and Performance - Focusied on Self-Produced Works -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†์šฐ๊ฒฝ(๋ฌด์‚ฌ์‹œ๋…ธ๋ฏธ์ˆ ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ 2012๋…„๊ณผ 2013๋…„ ๋‘ ์ฐจ๋ก€ ๋ฐœํ‘œํ•œ ์ž‘ํ’ˆ โ€œ์‹œ๋‚˜์œ„-์‹œ๊ฐ„์ด ๋‚˜๋ฅผ ์œ„๋กœํ•œ๋‹คโ€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ๊ตฌ์„ฑํ•˜์˜€๋‹ค. ์˜์ƒ๊ณผ ๋Œ„์Šคํผํฌ๋จผ์Šค๋ฅผ ์œตํ•ฉํ•œ ์ด ์ž‘ํ’ˆ์˜ ์ œ์ž‘ ๊ณผ์ •์„ ๊ณต๊ฐœํ•˜๊ณ  ํ–ฅํ›„ ๋ฏธ๋””์–ดํผํฌ๋จผ์Šค์˜ ๊ฐ€๋Šฅ์„ฑ์„ ์ œ์‹œํ•ด๋ณด๋ คํ•œ๋‹ค. ์ž‘ํ’ˆ์ œ์ž‘์˜ ์ทจ์ง€๋Š” ๋ฏธ๋””์–ด๊ฐ€ ๊ฐ€์ง€๊ณ  ์žˆ๋Š” ์‹œ๊ณต๊ฐ„์˜ ๊ฐœ๋…์„ ์‹œ๊ฐํ™”ํ•˜๊ณ  ์ƒˆ๋กœ์šด ๊ณต๊ฐ„์„ ์ฐฝ์ถœํ•˜๋Š”๊ฒƒ์ด๋‹ค. ๊ทธ๋Ÿฌ๊ธฐ ์œ„ํ•ด ๊ณต๊ฐ„, ์‹ ์ฒด, ์‹œ๊ฐ๊ณผ์˜ ๊ด€๊ณ„๋ฅผ ์—ฐ๊ตฌํ•˜๊ณ , ์˜์ƒ, ์‚ฌ์šด๋“œ, ํผํฌ๋จผ์Šค๋ฅผ ํฌํ•จํ•œ ๋ฏธ๋””์–ด๋ฅผ ์ง‘ํ•ฉ์ ์œผ๋กœ ์‚ฌ์šฉํ•˜์˜€๋‹ค. ํŠนํžˆ ๋ฌด์šฉ๋ถ„์•ผ์—์„œ๋Š” ํ•œ๊ตญ์˜ ์ „ํ†ต์ถค์‚ฌ์œ„ ๋ฐ ํƒˆ์ถค์‚ฌ์œ„์„ ๊ธฐ๋ณธ์œผ๋กœ ํ•˜์—ฌ, ๊ทธ๊ฒƒ์ด ์˜์ƒ๋ฏธ๋””์–ด์™€ ์–ด๋–ป๊ฒŒ ์กฐํ™”๋ฅผ ์ด๋ฃฐ ์ˆ˜ ์žˆ์„์ง€์— ๋Œ€ํ•œ ์‹คํ—˜์„ ๋ฐ˜๋ณตํ•˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001838673
oai_dc
์ง€๋„์˜ ์ ‘๊ธฐ์™€ ํŽผ์น˜๊ธฐ๋ฅผ ํ†ตํ•œ ๋งค์ฒด์˜ ์ „์ด์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on Shifting Media by Folding and Unfolding Maps; Based on the work of 'Folding Maps/Unfolding Cities'
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์„ฑํ™˜(๊ฒฝ์„ฑ๋Œ€ํ•™๊ต)" ]
'ํŽผ์ณ์ง„ ์ง€๋„/์ ‘ํ˜€์ง„ ๋„์‹œโ€˜์ „์— ๋‚˜ํƒ€๋‚œ ์ž‘ํ’ˆ๋“ค์€ ์˜ค๋ธŒ์ œ ์„ค์น˜์—์„œ ์˜์ƒ ํผํฌ๋จผ์Šค, ๋””์ง€ํ„ธ ํ”„๋ฆฐํŠธ ๋“ฑ ๋‹ค์–‘ํ•œ๋งค์ฒด๊ฐ€ ๋“ฑ์žฅํ•˜์—ฌ ์ด๋ฃจ์–ด์กŒ๋‹ค. ํฌ์ผ“๋งต์ด๋ผ๋Š” ์ง€๋„์ด๋ฏธ์ง€๋กœ๋ถ€ํ„ฐ ์ถœ๋ฐœํ•œ ์ž‘์—…์€ ๊ฐ๊ธฐ ๋‹ค๋ฅธ ๋งค์ฒด์ž„์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ  ์ƒํ˜ธ ์œ ๊ธฐ์ ์ธ ๊ด€๊ณ„๋ฅผ ํ˜•์„ฑํ•œ๋‹ค. ๊ทธ๊ฒƒ์€ ๊ด€๊ฐ์œผ๋กœ ํ•˜์—ฌ๊ธˆ ์—ฐ์†์ ์ธ ๋งค๊ฐœ์„  ์ƒ์—์„œ ์ž‘ํ’ˆ์„ ๊ฐ์ƒํ•˜๋„๋ก ์š”๊ตฌํ•œ๋‹ค. ๋จผ์ € ์ž…์ฒด์ ์ธ ์˜ค๋ธŒ์ œ๋Š” ๊ฐœ๋…์ ์ธ ์ธก๋ฉด์—์„œ ๊ตฌ์กฐ์˜ ์ถฉ๋Œ, ๋™์‹œ์  ์ƒํƒœ, ๊ทธ๋ฆฌ๊ณ  ์„ , ๋ฉด, ์ƒ‰์˜์กฐํ•ฉ์œผ๋กœ ํŒŒ์•…๋˜์–ด ์ง„๋‹ค. ๊ทธ๊ฒƒ์€ ๋„์‹œํ™”์˜ ์–‘ํƒœ ์†์—์„œ ์ง‘์ค‘๊ณผ ๋ถ„์‚ฐ์ด ๋™์‹œ์— ๋ฒŒ์–ด์ง€๋ฉฐ ์˜์‹์˜ ์ธต์œ„๋ฅผ ์กฐํ•ฉํ•ด ๋‚˜๊ฐ€๋Š” ๊ฒƒ์ด๋‹ค. ์˜ค๋ธŒ์ œ๋ฅผ ํ™œ์šฉํ•œ ์˜์ƒ ํผํฌ๋จผ์Šค์—์„œ๋Š” ์ž์•„์˜ ๋‚ด๋ฉด...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001838681
oai_dc
๋ฏธ๋””์–ด 2.0์„ ๊ธฐ๋ฐ˜์œผ๋กœ ํ•œ ์˜คํ”ˆ ๋ฏธ๋””์–ด ์œ ํ˜•์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on the types of Open Media Based on Media 2.0
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ ์€๊ฒฝ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต); ์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋ฏธ๋””์–ด 2.0 ์‹œ๋Œ€์˜ ๋ฏธ๋””์–ด๊ฐ€ ์ง€๋‹Œ ๊ฐœ๋ฐฉ, ๊ณต์œ , ์ฐธ์—ฌ์˜ ์†์„ฑ์„ ํ†ตํ•ด ์ง„๋ณด๋œ ๋””์ง€ํ„ธ ํ…Œํฌ๋†€๋กœ์ง€์‹œ๋Œ€์— ๋ณธ๊ฒฉ์ ์œผ๋กœ ํ™œ์šฉ๋˜๊ณ  ์žˆ๋Š” ์˜คํ”ˆ ๋ฏธ๋””์–ด์˜ ๊ฐœ๋…์  ์ดํ•ด์™€ ๊ทธ ์œ ํ˜•์„ ๋ถ„๋ฅ˜ํ•˜๋Š”๋ฐ ๊ทธ ์—ฐ๊ตฌ์˜ ๋ชฉ์ ์„์ง€๋‹Œ๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ํ˜„์žฌ ์˜คํ”ˆ ๋ฏธ๋””์–ด๋กœ ๋ถ„๋ฅ˜๋˜๋Š” ๊ตญ๋‚ด์˜ ์—ฌ๋Ÿฌ ์‚ฌ๋ก€๋“ค์„ ์‚ดํŽด๋ด„์œผ๋กœ์จ ์˜คํ”ˆ ๋ฏธ๋””์–ด์˜์œ ํ˜•์— ๋Œ€ํ•˜์—ฌ ์ข€ ๋” ๋ฉด๋ฐ€ํžˆ ๊ณ ์ฐฐํ•˜์—ฌ ๋ณด๊ณ ์ž ํ•œ๋‹ค. ๋ฏธ๋””์–ด 2.0์€ ๋ฏธ๋””์–ด ํ…Œํฌ๋†€๋กœ์ง€์˜ ๋ฐœ๋‹ฌ๋กœ ์ธํ•ด ๊ธฐ์กด์˜ ๋ฏธ๋””์–ด 1.0์˜ ํ˜•ํƒœ์— ๊ฐœ๋ฐฉ๊ณผ ๊ณต์œ , ์ฐธ์—ฌ์˜ ๊ฐœ๋…์„ ๋”ํ•˜์—ฌ ์ง„ํ™”๋œ ๋ฏธ๋””์–ด์˜ ํ˜•ํƒœ๋ฅผ ์ผ์ปซ๋Š”๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ๋ฏธ๋””์–ด 2.0์ด ์ง€๋‹Œ ๊ฐœ๋ฐฉ, ๊ณต์œ , ์ฐธ์—ฌ์˜ ์†์„ฑ์„ ๊ทผ๊ฐ„์œผ๋กœ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001838675
oai_dc
๋…๋ฆฝ์˜ํ™” <์ž  ๋ชป ๋“œ๋Š” ๋ฐค> ์˜ํ™”์—ฐ์ถœ ์—ฐ๊ตฌ - ์—ฐ๊ธฐ์—ฐ์ถœ์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study on film directing of an independent film <Sleepless Night> - focused on acting direction -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์žฅ๊ฑด์žฌ(์šฉ์ธ๋Œ€ํ•™๊ต)" ]
๋…๋ฆฝ์˜ํ™” <์ž  ๋ชป ๋“œ๋Š” ๋ฐค>์€ ์ „์ฃผ๊ตญ์ œ์˜ํ™”์ œ, ๋‚ญํŠธ๊ตญ์ œ์˜ํ™”์ œ, ์—๋“ ๋ฒ„๋Ÿฌ๊ตญ์ œ์˜ํ™”์ œ ๋“ฑ์—์„œ ์ˆ˜์ƒํ–ˆ๊ณ  20์—ฌ๊ฐœ๊ตญ์˜ ๊ตญ์ œ์˜ํ™”์ œ์— ์ดˆ์ฒญ๋œ ์ž‘ํ’ˆ์ด๋‹ค. ๋˜ํ•œ ๊ด€๊ฐ๊ณผ ๋น„ํ‰๊ฐ€๋“ค๋กœ๋ถ€ํ„ฐ ๊ฐ๋… ์ž์‹ ์˜ ์‚ถ์„ ๊ณผ์žฅ ์—†์ด ์‚ฌ์‹ค์ ์œผ๋กœ ๋‹ด์•„๋ƒˆ์œผ๋ฉฐ ๋ฐฐ์šฐ๋“ค์˜ ์ž์—ฐ์Šค๋Ÿฌ์šด ์—ฐ๊ธฐ๊ฐ€ ๋‹๋ณด์ธ๋‹ค๋Š” ํ‰๊ฐ€๋ฅผ ๋ฐ›์•˜๋‹ค. ๊ฐ๋…์€ ๋ฐฐ์šฐ์™€ ์ฐฝ์กฐ์ ์œผ๋กœ ์ž‘์—…ํ•  ์ˆ˜ ์žˆ๋Š” ํ™˜๊ฒฝ์„ ๋งŒ๋“ค๊ธฐ ์œ„ํ•œ ์ œ์ž‘์‹œ์Šคํ…œ์„ ๊ณ ๋ฏผํ–ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์„ ํƒํ•œ ๊ฒƒ์ด ์†Œ๊ทœ๋ชจ ์Šคํƒœํ”„๋ฅผ ๊พธ๋ฆฌ๊ณ  ํ•œ์ •๋œ ๊ณต๊ฐ„์„ ํ™œ์šฉํ•˜๋Š” ๊ฒƒ์ด์—ˆ๋‹ค. ๋˜ํ•œ ์˜ํ™”์˜ ๋ฆฌ์–ผ๋ฆฌํ‹ฐ๋ฅผ ์œ„ํ•ด ๋ฐฐ์šฐ๋“ค๊ณผ ์˜ค๋žœ ์‹œ๊ฐ„ ํ† ๋ก ์„ ํ•˜๋ฉฐ ๋Œ€๋ณธ์„์™„์„ฑํ•ด๋‚˜๊ฐ”์œผ๋ฉฐ ๋ฐฐ์šฐ๋“ค์—๊ฒŒ ๊ทธ ์ž์‹ ๊ณผ ๊ทน์ค‘์˜ ์บ๋ฆญํ„ฐ๋ฅผ ์˜ค๊ฐ€๋ฉด์„œ ์—ฐ๊ธฐํ•˜๋„๋ก ํ–ˆ๋‹ค...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001838680
oai_dc
์˜์ƒ์— ๋Œ€ํ•œ ๋‹ดํ™”์˜ ๋น„์ธ๊ณผ์  ๊ฐœ์ž…์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ๋ณธ์ธ์˜ ๋น„๋””์˜ค ์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study on the Non-causal Intervention of Narration in Moving Image โ€“ Based on My Video Work -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํƒœ์ง„(๊ตญ๋ฏผ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์—ฐ๊ตฌ์ž์˜ ์˜์ƒ ์ž‘์—… โ€œ์–ด๋–ค ์ง€๊ธˆ(2012)โ€๊ณผ โ€œ๊นŠ์€ ์Šฌํ””(2013)โ€์—์„œ ์‹œ๋„๋œ ์˜์ƒ์— ๋Œ€ํ•œ ๋‹ดํ™”์˜ ๋น„์ธ๊ณผ์  ๊ฐœ์ž…์— ๋Œ€ํ•˜์—ฌ ๋…ผํ•ด ๋ณด๊ณ ์ž ์ด๋ฃจ์–ด์กŒ๋‹ค. ์˜์ƒ์€ ๋ฉ”ํŠธ๋กœํด๋ฆฌํƒ„ ๋ฐ•๋ฌผ๊ด€๊ณผ ์ฐฝ๊ฒฝ๊ถ์„ ๋ฐฐ๊ฒฝ์œผ๋กœ ํ•˜๋ฉฐ, ๊ทธ๊ณ ์œ ํ•œ ์žฅ์†Œ์  ํŠน์„ฑ ์œ„๋กœ ํ•˜๋‚˜์˜ ์ด์•ผ๊ธฐ๊ฐ€ ์ž๋ง‰์„ ํ†ตํ•ด ๋น„์ธ๊ณผ์ ์œผ๋กœ ๊ฐœ์ž…ํ•ด ์žˆ๋Š” ํ˜•์‹์„ ๋ค๋‹ค. ์‹œ์ ์„๋ฐํžˆ์ง€ ์•Š์€ ์ฑ„ ์ง„์ˆ ๋˜๋Š” ์ด์•ผ๊ธฐ๋Š” ๋น„ํ˜„์‹ค์ ์ธ ๊ฐ€์šด๋ฐ, ํ™”๋ฉด ์† ์—ญ์‚ฌ์  ๊ณต๊ฐ„์„ ์žฌ์˜ํ† ํ™”ํ•œ๋‹ค. ํ™”๋ฉด์˜ ์•ˆ๊ณผ๋ฐ–์˜ ๊ด€๊ณ„๋กœ๋ถ€ํ„ฐ ์ถœ๋ฐœํ•˜์—ฌ ๊ทธ ๊ด€๊ณ„๋“ค์ด ๊ธฐ๋ณธ์ ์œผ๋กœ ๊ฐœ๋ฐฉ์„ฑ์„ ๊ฐ–๊ณ  ์žˆ์Œ์„ ํ™•์ธํ•˜๊ณ , ๋‹ซํžŒ ์ง‘ํ•ฉ์„ ๋„˜์–ด ์ „์ฒด๋กœ ํ™•์žฅ๋˜์–ด ๊ฐ€๋Š” ์ถ”์ƒํ™” ์ž‘์šฉ์˜ ํ‹€๋กœ ์˜์ƒ์˜ ๋ฌธ์ œ๋ฅผ ๋ถ„...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001838671
oai_dc
์›ํ˜•์ด๋ฏธ์ง€๋กœ์„œ์˜ ์‹ ํ™”์  ๊ธฐํ˜ธ - ๋ถ€์ (็ฌฆ็ฑ)์˜ ๊ทธ๋ฆผ๋ฌธ์ž๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Mythological Signs as Archetype Image - focused on the pictorial symbols of the talisman -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๊ณ ๋Œ€๋กœ ๊ฑฐ์Šฌ๋Ÿฌ ์˜ฌ๋ผ๊ฐ€ ๋ณด๋ฉด ์„ธ๊ณ„ ๊ณณ๊ณณ์—์„œ ๋™์ผํ•˜๊ฑฐ๋‚˜ ์œ ์‚ฌํ•œ ํ˜•ํƒœ์˜ ์ƒ์ง•์˜ ํ”์ ๋“ค์ด ์‚ฌ์šฉ๋˜์—ˆ์Œ์„ ๋ฐœ๊ฒฌํ•  ์ˆ˜ ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ์‚ฌ์‹ค์€ ์šฐ๋ฆฌ ์ธ๊ฐ„๋“ค์ด ์–ด๋–ค ๊ณตํ†ต์˜ ํ˜•ํƒœ๊ฐ์ •์„ ์ž์‹ ๋“ค ์†์— ์ง€๋‹ˆ๊ณ  ์žˆ์Œ์„ ๋ฐ˜์˜ํ•˜์—ฌ์ค€๋‹ค. ๋ถ€์ ์˜ ๊ธฐํ•˜ํ•™์  ์ถ”์ƒ์˜ ๊ทธ๋ž˜ํ”ฝ๋“ค์—๋Š” ์ธ๊ฐ„์˜ ๋ฌด์˜์‹์— ๊ณตํ†ต์ ์œผ๋กœ ์กด์žฌํ•˜๋Š” ๋ณดํŽธ์  ์‹ฌ์„ฑ์„ ๋‚˜ํƒ€๋‚ด๋Š” ์›ํ˜•์˜ ์ด๋ฏธ์ง€๋“ค์ด ๋‹ค์ˆ˜ ํฌํ•จ๋˜์–ด ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋ถ€์ ์˜ ์›ํ˜•์ด๋ฏธ์ง€๋“ค์€ ์˜ค๋žœ ์„ธ์›”์ด ์ง€๋‚œ ์˜ค๋Š˜๋‚ ๊นŒ์ง€๋„ ์ธ๋ฅ˜๊ฐ€ ๊ณต์œ ํ•˜๋Š” ์ƒ์ง•์  ์˜๋ฏธ๋“ค์„ ๋ฐœ์‚ฐํ•˜๊ณ  ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ๋ถ€์  ์†์— ๋“ฑ์žฅํ•˜๊ณ  ์žˆ๋Š” ์›ํ˜•์  ํ˜•์ƒ์˜ ๊ทธ๋ž˜ํ”ฝ ๊ธฐํ˜ธ๋“ค์„ (1) ์ƒ๋ช…์˜ ์›์ฒœ์œผ๋กœ์„œ์˜ ์›ํ˜• ์ด๋ฏธ์ง€, (2) ์ค‘์‹ฌ์˜ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001838672
oai_dc
๋ฐ€๋ ˆ๋‹ˆ์—„ ์ข€๋น„์˜ํ™”์™€ ์‚ฌ์ด๋ฒ„ ๊ณต๊ฐ„์˜ ํญ๋ ฅ์„ฑ ๋น„๊ต ์—ฐ๊ตฌ
A Comparative Study on the Violent Tendency of Cyberspace and Millennial Zombie Cinema
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ฏผ์˜ค(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต); ์ด์ค€ํฌ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋ฐ€๋ ˆ๋‹ˆ์—„ ์ข€๋น„์˜ํ™”์˜ ์ „ ์„ธ๊ณ„์  ์ธ๊ธฐ ํ˜„์ƒ์„ ๊ณ ์ฐฐํ•˜๊ณ  ์ด๋“ค ์˜ํ™”์˜ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ์  ํŠน์„ฑ๊ณผ ์˜ํ™” ์†์บ๋ฆญํ„ฐ๋“ค์˜ ํ–‰๋™ ์œ ํ˜•์„ ๋ถ„์„ํ•ด๋ด„์œผ๋กœ์„œ, ์ด๋“ค์ด ๋‹น๋Œ€์˜ ์‚ฌํšŒํ˜„์‹ค ์™ธ์—๋„ ์›น 2.0์œผ๋กœ ๋Œ€ํ‘œ๋˜๋Š” ์‚ฌ์ด๋ฒ„ ๊ณต๊ฐ„ ์† ๋””์ง€ํ„ธ ๋„ค์ดํ‹ฐ๋ธŒ(Digital natives)์˜ ๋งˆ๋…€์‚ฌ๋ƒฅ๊ณผ ๋„คํ‹ฐ์ฆŒ ์ˆ˜์‚ฌ๋Œ€๋กœ ๋Œ€ํ‘œ๋˜๋Š” ํญ๋ ฅ์  ์Šต์„ฑ์„ ์–ด๋–ป๊ฒŒ ๋ฐ˜์˜ํ•˜๊ณ  ์žˆ๋Š”์ง€ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ๋ฐ€๋ ˆ๋‹ˆ์—„ ์ข€๋น„์˜ํ™”๋Š” ๋ฏธ๊ตญ์˜ 911ํ…Œ๋Ÿฌ ์ดํ›„ ๋“ฑ์žฅํ•˜๊ธฐ ์‹œ์ž‘ํ•œ ์ผ๋ จ์˜ ์ข€๋น„์˜ํ™”๋“ค์„ ์ง€์นญํ•˜๋Š” ๋ง๋กœ, ์กฐ์ง€ ๋กœ๋ฉ”๋กœ(George Romero)๊ฐ๋…์— ์˜ํ•ด ์™„์„ฑ๋œ ํ˜„๋Œ€์  ์˜๋ฏธ์˜ ์ข€๋น„์˜ํ™”์˜ ์ „ํ†ต์„๊ณ„์Šนํ•˜๋ฉด์„œ๋„ 21์„ธ๊ธฐ์— ๋“ค์–ด์™€ ์ƒˆ๋กœ์ด ์กฐ์„ฑ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001780297
oai_dc
์˜ํ™”์ด๋ฏธ์ง€, ์‹œ๊ฐ์  ์€์œ ์˜ ๊ฒฝํ—˜๋ชจ์ฒด - ์˜ํ™” โ€˜ํ”ผ์—ํƒ€โ€™๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Cinematic Images, Empirical Matrix of Visual Metaphors - With Focus on โ€˜Pietaโ€™ -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋™ํ˜„(๋™์„œ๋Œ€ํ•™๊ต)" ]
์˜ํ™”์ด๋ฏธ์ง€๋Š” ๊ฐœ๋…์  ์€์œ ์˜ ๋‚˜ํƒ€๋‚˜๋Š” ์™ธ์ ์˜๋ฏธ์™€ ์ˆจ๊ฒจ์ง€๋Š” ๋‚ด์ ์˜๋ฏธ๋กœ ๋‚ด์šฉ์˜ ์–‘๋ฉด์„ ์ฑ„์šฐ๋ฉฐ, ํ˜•์ƒํ™”๋Š” ์‹œ๊ฐ์  ์€์œ ์— ์˜ํ•ด ์ง„ํ–‰๋œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์˜๋ฏธํ•ด์„์„ ์œ„ํ•œ ์ธ์ง€๊ณผ์ •์€ ๊ด€์Šต์  ์€์œ ๋ฅผ ๊ฐ€์ง„ ๋Œ€์ƒ(์ดํ•ด์˜ ์ˆ˜๋‹จ๊ณผ ๊ทธ์— ๋”ฐ๋ฅธ ๋Œ€์ƒ)์—์„œ ์‰ฝ๊ฒŒ ๋– ์˜ค๋ฅด๋Š” ๊ทผ์›์˜์—ญ์˜ ์ดํ•ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์‹œ๊ฐ์  ์€์œ ์˜ ๊ฐ์ •์†Œํ†ต๊ธฐ์ œ์ธ ๋ณ‘์น˜(๋‚˜๋ž€ํžˆ ๋†“์Œ), ํ†ตํ•ฉ(์„œ๋กœ ์„ž์–ด ํ•˜๋‚˜๋กœ ๋งŒ๋“ฌ), ๋Œ€์ฒด(๋‹ค๋ฅธ ๊ฒƒ์œผ๋กœ ๋ฐ”๊ฟˆ)๋กœ ์™ธ์ ์˜๋ฏธ๋ฅผ ์ถ”์ถœํ•˜๊ณ  ์ด๋ฅผ ํ†ตํ•ด ์ˆจ๊ฒจ์ง€๋Š” ๋ชฉํ‘œ์˜์—ญ์˜ ๋‚ด์ ์˜๋ฏธ์— ๋Œ€ํ•œ ๊ฐ์ •๋ฐ˜์‘์ด ๊ฐ€๋Šฅํ•ด์ง„๋‹ค. ํ•˜์ง€๋งŒ ์˜ํ™” ์•ˆ์—์„œ ๋‹จ์ผ์ด๋ฏธ์ง€๋กœ ์กด์žฌ์™€ ํ•ด์„์˜ ๊ฐ€๋Šฅ์„ฑ์ด ํฌ๋ฐ•ํ•œ ๊ทน์˜ํ™”์˜ ์ด๋ฏธ์ง€๋Š” ์—ฐ๊ฒฐ๋˜๋Š” ์‡ผํŠธ์— ์˜ํ•ด ํ‘œํ˜„ ๊ทธ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001780294
oai_dc
์˜ํ™”์Œ์•…์—์„œ ๋”๋ธ”ํŠธ๋ž˜ํ‚น ๊ธฐ๋ฒ•์˜ ํšจ๊ณผ
The Effects of Double-Tracking in Film Scoring
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐํ˜„์ผ(์ˆญ์˜์—ฌ์ž๋Œ€ํ•™๊ต, ์˜์ƒ์ปจํ…์ธ ์ „๊ณต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์˜ํ™”์Œ์•…์˜ ์ œ์ž‘๊ณผ์ •์—์„œ ํ™œ์šฉํ•  ์ˆ˜ ์žˆ๋Š” ๋”๋ธ”ํŠธ๋ž˜ํ‚น ๊ธฐ๋ฒ•์— ๋Œ€ํ•ด ๊ทธ ์œ ํ˜•์„ ์ œ์‹œํ•˜๊ณ  ๊ฐ ์œ ํ˜•์˜ ํšจ๊ณผ๋ฅผ ์‹ค์ œ ์˜ํ™”์—์„œ์˜ ์‚ฌ๋ก€๋ฅผ ํ†ตํ•ด์„œ ๊ณ ์ฐฐํ•ด๋ณธ๋‹ค. ๋”๋ธ”ํŠธ๋ž˜ํ‚น ๊ธฐ๋ฒ•์€ ๋‘ ๊ฐœ ๋˜๋Š” ๊ทธ ์ด์ƒ์˜ ๋…๋ฆฝ๋œ ์Œ์•… ๊ฐœ์ฒด๋“ค์„ ๋™์‹œ์— ์žฌ์ƒํ•˜์—ฌ ๊ทธ ์‚ฌ์ด์˜ ๋ฏธ๋ฌ˜ํ•œ ๊ด€๊ณ„์˜ ๋ณ€ํ™”๋ฅผ ํ†ตํ•ด ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ๋ฅผ ์ œ์ž‘์ž์˜ ์˜๋„๋Œ€๋กœ ๋Œ์–ด๊ฐˆ ์ˆ˜ ์žˆ๋Š” ์ƒˆ๋กœ์šด ๋ฐฉ๋ฒ•์ด๋‹ค. ์—ฌ๊ธฐ์—์„œ๋Š” ๊ตญ๋‚ด ์˜ํ™”์ œ์ž‘ํ™˜๊ฒฝ์—์„œ๋„ ์‹œ๋„๋˜๊ณ  ์žˆ์œผ๋‚˜ ์•„์ง ์ด๋ก ์ ์œผ๋กœ ์ •๋ฆฝ๋˜์ง€ ์•Š์€ ์ด ๊ธฐ๋ฒ•์— ๋Œ€ํ•ด ๋ถ„์„ํ•ด๋ณด๋ฉฐ ํ–ฅํ›„ ํŠธ๋ฆฌํ”ŒํŠธ๋ž˜ํ‚น ๋“ฑ ๋ณด๋‹ค ๋ฐœ์ „๋œ ๊ธฐ๋ฒ•์— ๋Œ€ํ•ด์„œ๋„ ์ƒˆ๋กœ์šด ๋…ผ์˜๋ฅผ ๊ธฐ๋Œ€ํ•ด๋ณผ ์ˆ˜ ์žˆ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001780299
oai_dc
์ปดํ“จํ„ฐ ๊ทธ๋ž˜ํ”ฝ์Šค์™€ ์ง๊ด€ ๊ทธ๋ฆฌ๊ณ  ๊ด€๋…
Computer Graphics, Intuition and Idea
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊ตฌ์ƒ๊ถŒ(GOODesign)" ]
์ปดํ“จํ„ฐ ๊ทธ๋ž˜ํ”ฝ์Šค๊ฐ€ ๊ฐœ์ธ์šฉ ์ปดํ“จํ„ฐ์—์„œ ๋„๋ฆฌ ์‚ฌ์šฉ๋œ ์ง€ ์˜ค๋ž˜๋˜์—ˆ์œผ๋ฉด์„œ๋„ ๊ทธ ํ™œ์šฉ๋„๊ฐ€ ๋†’์ง€ ์•Š๋‹ค. ๊ทธ ๋ฌธ์ œ์ ์€ ์ปดํ“จํ„ฐ ๊ทธ๋ž˜ํ”ฝ์Šค ์ž์ฒด์˜ ๋ฌธ์ œ์™€ ๊ต์œก์˜ ๋ฌธ์ œ ๋‘ ๊ฐ€์ง€๋กœ ์š”์•ฝํ•  ์ˆ˜๊ฐ€ ์žˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด ๋ฌธ์ œ๋Š” ์ปดํ“จํ„ฐ ๊ทธ๋ž˜ํ”ฝ์Šค์˜ ํ™œ์šฉ๋„๋ฅผ ์ผ์ƒ์  ๊ฒฝํ—˜ ์œ„์ฃผ์˜ ์ง๊ด€์œผ๋กœ ํ‰๊ฐ€ํ•œ๋ฐ์„œ ๊ทธ ์ด์œ ๋ฅผ ์ฐพ์„ ์ˆ˜ ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ์˜ ๋ชฉ์ ์€ ์ง๊ด€์˜ ๊ณ ์ฐฐ์„ ํ†ตํ•ด์„œ ์ปดํ“จํ„ฐ ๊ทธ๋ž˜ํ”ฝ์Šค ํ™œ์šฉ์„ฑ ์ €ํ•˜์˜ ๋ฌธ์ œ์— ๊ด€ํ•œ ์‹œ์‚ฌ์ ์„ ์ฐพ๊ณ ์žํ•˜๋Š”๋ฐ ์žˆ๋‹ค. ์ง๊ด€์— ๊ด€ํ•œ ์—ฐ๊ตฌ๋Š” ๊ณผํ•™, ์ˆ˜ํ•™ ๋“ฑ์˜ ๊ด€๋…์ ์ธ ๋Œ€์ƒ์„ ๋‹ค๋ฃจ๋ฉด์„œ๋„ ์—„๊ฒฉํ•œ ๋…ผ๋ฆฌ๋ฅผ ์ง€๋‹Œ ๋ถ„์•ผ์—์„œ ํ™œ๋ฐœํžˆ ์ง„ํ–‰๋˜์—ˆ๋‹ค. ๋”ฐ๋ผ์„œ ์ด ๋ถ„์•ผ๋“ค์˜ ์ง๊ด€์— ๊ด€ํ•œ ์—ฐ๊ตฌ์™€ ์ง๊ด€๊ต์œก๋ฒ•์— ๋Œ€ํ•˜์—ฌ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001780301
oai_dc
ํ”„๋ ˆ์ž„ ๊ตฌ์ถ•์˜ ๋ฏธํ•™ - ์ดํ†  ๋‹ค์นด์‹œ์˜ ์ž‘ํ’ˆ <Spacy>์„ ์ค‘์‹ฌ์œผ๋กœ -
Aesthetics of Frame Construction - Focusing on the Ito Takashi's "Spacy" -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ณ€์žฌ๊ทœ(๊ฒฝ์šด๋Œ€ํ•™๊ต)" ]
์ดํ†  ๋‹ค์นด์‹œ์˜ ๋Œ€ํ‘œ์ž‘ํ’ˆ <์ŠคํŽ˜์ด์‹œ Spacy> (1981)์€ ์ˆœ์ˆ˜ํ•˜๊ฒŒ ๊ณต๊ฐ„์šด๋™๋งŒ์œผ๋กœ ๊ตฌ์„ฑ๋œ ๋งค์šฐ ์‹œ๊ฐ์ ์ธ ์ž‘ํ’ˆ์ด๋‹ค. <Spacy>์˜ ํ”„๋ ˆ์ž„์€ ํšŒํ™”๋‚˜ ์‚ฌ์ง„์˜ ๊ตฌ์„ฑ์„ ๋‹ฎ์•„์žˆ๋‹ค. ๋น„๋ก ์˜ํ™”๋Š” ์ผ์ ์›๊ทผ๋ฒ•์„ ๋ Œ์ฆˆ ์•ˆ์œผ๋กœ ๊ณ„์Šนํ•˜์˜€์ง€๋งŒ, <Spacy>๋Š” ๊ทธ๊ฒƒ์ด ๊ฐ€์ง„ ๋‹จ์ ˆ๋œ ํ”„๋ ˆ์ž„๊ณต๊ฐ„์˜ ํ•œ๊ณ„์„ฑ์„ ๊ทน๋ณตํ•˜๊ณ , ์—ด๋ ค์ ธ ์žˆ๊ณ  ์ง€์†์ ์œผ๋กœ ํ™•์žฅ๋  ์ˆ˜ ์žˆ๋Š” ๊ณต๊ฐ„์˜ ๊ฐ€๋Šฅ์„ฑ์„ ๋ณด์—ฌ์ค€๋‹ค. ๊ทธ๊ฒƒ์€ ์‚ฌ์ง„์ด๋‚˜ ํšŒํ™”์  ํ”„๋ ˆ์ž„์€ ๊ณต๊ฐ„์„ ๋‚ด๋ถ€๋กœ ์ง‘์ค‘์‹œํ‚ค๋Š” ๋ฐ ๋น„ํ•ด, ๋ฌผ๋ฆฌ์  ์šด๋™์ด ์ฒจ๊ฐ€๋œ ํ”„๋ ˆ์ž„์˜ ๊ตฌ์กฐ์ฒด๋Š” ์—ด๋ ค์žˆ๋Š” ๊ณต๊ฐ„์œผ๋กœ ์šฐ๋ฆฌ์˜ ์˜์‹์„ ํ™•์žฅ์‹œ์ผœ ์ฃผ๋Š” ๊ฒƒ์ด๋‹ค.์ดํ† ๋Š” ์‹ค๊ณต๊ฐ„์˜ ๊ธฐ์–ต์„ ์ˆ˜๊ณต์  ์ดฌ์˜ ๋ฉ”์ปค๋‹ˆ์ฆ˜์— ์˜ํ•ด ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001780295
oai_dc
๋™์–‘์˜ ์ˆ˜(ๆ•ธ) ๊ฐœ๋…์œผ๋กœ ๋ฐ”๋ผ๋ณธ ์‹ ํ™”์˜ ๊ธฐํ˜ธ - ๋ถ€์ (็ฌฆ็ฑ)์˜ ๊ทธ๋ฆผ๋ฌธ์ž๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Mythological Signs based on the Eastern Numerical Concepts - focused on the pictorial symbols of the talisman -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๋ถ€์ ์˜ ์กฐํ˜•์–ธ์–ด๋Š” ํ‰๋ฒ”ํ•œ ์ธ๊ฐ„์˜ ๋Šฅ๋ ฅ์„ ๋„˜์–ด์„œ ๋ณด์ด์ง€ ์•Š๋Š” ์‹ ๋น„์˜ ์„ธ๊ณ„์™€์˜ ์†Œํ†ต์„ ์‹œ๊ฐ์ ์œผ๋กœ ์žฌํ˜„ํ•œ ๊ฒƒ์ด๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ๋™์–‘์˜ ์‚ฌ์ƒ๊ณผ ์ฒ ํ•™์„ ํ‘œ์ƒํ•˜๋Š” ๋…ํŠนํ•œ ์กฐํ˜•์–ธ์–ด์ธ ๋ถ€์ ์˜ ๊ทธ๋ž˜ํ”ฝ์ด ์ง€๋‹Œ ์กฐํ˜•์˜ˆ์ˆ ์  ํŠน์„ฑ๊ณผ ๊ฐ€์น˜๋ฅผ ๋…ผ๊ตฌํ•˜๋Š” ์ž‘์—…์˜ ์ผํ™˜์œผ๋กœ ์ง„ํ–‰๋œ ๊ฒƒ์ด๋‹ค. ํŠนํžˆ ๋™์–‘์˜ ์ˆ˜(ๆ•ธ) ๊ฐœ๋…์„ ๊ทผ๊ฐ„์œผ๋กœ ํ•˜๋Š” ๋ถ€์ ์˜ ๊ทธ๋ž˜ํ”ฝ๋“ค์„ ๋ฉด๋ฐ€ํ•˜๊ฒŒ ๋ถ„๋ฅ˜, ๋ถ„์„ํ•˜๋Š” ๊ฒƒ์— ๊ทธ ์ดˆ์ ์„ ๋งž์ถ˜ ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ๋‹ค์–‘ํ•œ ์™ธํ˜•์  ํŠน์ง•๋“ค์— ์˜ํ•ด ํ˜•์„ฑ๋˜๋Š” ์˜๋ฏธ๋“ค์— ๋Œ€ํ•˜์—ฌ ์‚ดํŽด๋ณด์•˜๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ์ƒ์ง•์  ์ด๋ฏธ์ง€๋“ค์˜ ํ’์„ฑํ•จ์„ ๊ฐ„์งํ•˜๊ณ  ์žˆ๋Š” ๋ณตํ•ฉ๊ธฐํ˜ธ์ฒด ๋ถ€์ ์„ ์ƒˆ๋กญ๊ฒŒ ์กฐ๋ช…ํ•˜์—ฌ ํ˜„๋Œ€์ ์ธ ์กฐํ˜•์–ธ์–ด๋กœ์„œ์˜ ์ƒˆ๋กœ์šด ์‹œ๊ณ„(่ฆ–็•Œ)๋ฅผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001780296
oai_dc
'์ƒ์„ฑ'์˜ ๊ฐœ๋…์œผ๋กœ ๋ฐ”๋ผ๋ณธ ๋ชจ๋ฐ”์ผ ์ฑ„ํŒ… ์–ธ์–ด์˜ ๋ฌธํ™”์  ์†์„ฑ
A study on cultural implications of mobile chatting language based on the concept of 'becoming' by Gilles Deleuze
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ˜œ์šฑ(ํ™์ต๋Œ€ํ•™๊ต)" ]
์ด ์—ฐ๊ตฌ๋Š” ๋ชจ๋ฐ”์ผ ํ…Œํฌ๋†€๋กœ์ง€์˜ ํŠน์„ฑ๊ณผ ํ˜„๋Œ€์ธ์˜ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ์†์„ฑ์ด ๊ฒฐํ•ฉ๋˜์–ด ์šฐ๋ฆฌ๋‚˜๋ผ ์‚ฌํšŒ์˜ ์ƒˆ๋กœ์šด ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๋ฌธํ™” ํ˜„์ƒ์œผ๋กœ ์ž๋ฆฌ ์žก์€ ๋ชจ๋ฐ”์ผ ์ฑ„ํŒ… ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์˜ ์–ธ์–ด ํ™œ์šฉ์„ ์ธ๋ฅ˜ ์—ญ์‚ฌ์—์„œ ๋‚˜ํƒ€๋‚œ ๋‹ค์–‘ํ•œ ์ด์ฆ˜ ํ˜น์€ ์šด๋™์ •์‹ ๊ณผ ๊ฒฐ๋ถ€์‹œ์ผœ๋ด„์œผ๋กœ์จ ์ด๋Ÿฌํ•œ ์‚ฌํšŒ๋ฌธํ™” ํ˜„์ƒ์— ๋Œ€ํ•œ ํ•จ์˜๋ฅผ ์ด๋Œ์–ด๋‚ด๋Š” ๊ฒƒ์ด๋‹ค. ์ด์— ๋Œ€ํ•œ ๊ตฌ์ฒด์ ์ธ ๋ถ„์„์œผ๋กœ๋Š”, ๋‚ฏ์„ค๊ฒŒ ํ•˜๊ธฐ(defamiliarization), ํ˜ผ์„ฑ๋ชจ๋ฐฉ(pastiche) ๊ทธ๋ฆฌ๊ณ  ์ฃผ์ฒด์  ๋‹จํŽธํ™”(fragmentation) ๋“ฑ์œผ๋กœ ๊ตฌ๋ถ„ํ•˜์—ฌ ๊ทธ ์‹ค๋ก€๋“ค์„ ๋ถ„์„ํ–ˆ์œผ๋ฉฐ, ์ด๋Š” ๊ณตํ†ต์ ์œผ๋กœ ์ „ํ†ต์ ์ธ ์‚ฌ์œ ๋ฐฉ์‹๊ณผ๋Š” ๋‹ฌ๋ฆฌ ์—ญ๋™์ ์ธ ์ฐฝ์กฐ๋ฅผ ์ƒ์ •ํ•˜๋Š” ํž˜๋“ค์˜ ์ง‘ํ•ฉ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001780303
oai_dc
Irregulation possibleโ€“or desirableโ€“in online media? The Comparative Analysis of New Media and Internet Regulations
Irregulation possibleโ€“or desirableโ€“in online media? The Comparative Analysis of New Media and Internet Regulations
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๊ฐ•์ง„(์šฉ์ธ๋Œ€ํ•™๊ต)" ]
This study will first critically look at the current trends of the global media that affects the transformation of global public spaces through the results of studying new media. In order to understand and provide comparative analysis of the ongoing theories on the Internet media, it is required to address both sides o...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001780302
oai_dc
๊ด€๊ฐ ์ฐธ์—ฌํ˜• ํผํฌ๋จผ์Šค์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ์ฐธ์—ฌ์ž์˜ ์ˆ˜ํ–‰์„ฑ ์—ฐ๊ตฌ
A Study on Participant's Performativity in Participatory Performance Arts
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์ข…์›(์—ฐ์„ธ๋Œ€ํ•™๊ต ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜๋Œ€ํ•™๊ถŒ); ์ดํ˜„์ง„(์—ฐ์„ธ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๊ด€๊ฐ ์ฐธ์—ฌํ˜• ํผํฌ๋จผ์Šค์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ๊ด€๊ฐ์˜ ํ–‰์œ„๋ฅผ ์ˆ˜ํ–‰์„ฑ์˜ ๊ฐœ๋…์„ ํ†ตํ•ด ์‚ดํŽด๋ณธ๋‹ค. ๊ด€๊ฐ ์ฐธ์—ฌํ˜• ํผํฌ๋จผ์Šค์—์„œ ๊ด€๊ฐ์€ ํ–‰์œ„์  ๊ฐœ์ž…์„ ํ†ตํ•ด ์ฐธ์—ฌ์ž๋กœ์„œ์˜ ์—ญํ• ํ•˜๋Š” ๋™์‹œ์— ์ž‘ํ’ˆ์˜ ํ–‰์œ„์ž๋กœ ๋ณ€ํ˜•๋œ๋‹ค. ์ฆ‰ ๊ด€๊ฐ๊ณผ ํ–‰์œ„์ž์˜ ์—ญํ• ์„ ์˜ค๊ฐ€๋ฉฐ ์ž‘ํ’ˆ์˜ ์š”๊ตฌ์— ์ ๊ทน์œผ๋กœ ์‘๋‹ตํ•œ๋‹ค. ์ฐธ์—ฌ์ž๊ฐ€ ๊ด€๊ฐ๊ณผ ํ–‰์œ„์ž์˜ ์—ญํ• ์„ ์ˆ˜ํ–‰ํ•˜๋ฉฐ ์ž‘ํ’ˆ์— ๊ฐœ์ž…๋˜๋Š” ๊ฒƒ์€ ์ž‘ํ’ˆ์— ๋Œ€ํ•œ ์ดํ•ด์™€ ๊ฐ์ƒ์˜ ๊ณผ์ •์ด๋ผ๊ณ  ํ•  ์ˆ˜ ์žˆ๋Š”๋ฐ ์ด ์ˆ˜ํ–‰์  ๊ณผ์ •์œผ๋กœ๋ถ€ํ„ฐ ์˜ค๋Š” ์‚ฌ๊ฑด์„ฑ์€ ์ž‘ํ’ˆ์˜ ์ƒˆ๋กœ์šด ์˜๋ฏธ์˜ ์ฐฝ์ถœ๊ณผ ๋ณ€ํ˜•์˜ ๊ฐ€๋Šฅ์„ฑ์„ ๊ฐ€์ ธ์˜จ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ์ด๋ฅผ ์œ„ํ•ด ๋งˆ๋ฆฌ๋‚˜ ์•„๋ธŒ๋ผ๋ชจ๋น„์น˜์˜ <์˜ˆ์ˆ ๊ฐ€๋Š” ํ˜„์กดํ•œ๋‹ค(Artist is Present)> ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001780298
oai_dc
์˜ํ™” ์† ์ธํ˜• โ€“ ์ •๋…์˜ ์ด๋ฏธ์ง€๊ธฐํ˜ธ - ํŒŒ์Šค๋นˆ๋”, <๋ธ”๋ž™ ์Šค์™„>, <ํ•˜๋…€>๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Puppet in film - image symbol of passions - Fassbinder, <Black Swan>, <The Housemaid> -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฐ์ƒ์ค€(์„ฑ์‹ ์—ฌ์ž๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์˜ํ™”์˜ ๋ฏธ์žฅ์„ผ์— ์†Œํ’ˆ์œผ๋กœ ๋“ฑ์žฅํ•˜๋Š” ์ธํ˜•์„ ๊ธฐํ˜ธํ•™์ ์œผ๋กœ ๋ถ„์„ํ•˜์˜€๋Š”๋ฐ, ํŠนํžˆ ์ธํ˜•์ด ์™„๊ตฌ ๋ฐ ์žฅ์‹์œผ๋กœ์„œ์˜ 1์ฐจ์ ์ธ ๊ธฐ๋Šฅ์„ ๋„˜์–ด์„œ์„œ ๋“ฑ์žฅ์ธ๋ฌผ์˜ ์‹ฌ๋ฆฌ์™€ ๋‚ด๋ฉด์„ธ๊ณ„๋ฅผ ์‹œ๊ฐํ™”ํ•˜๋Š” ์ด๋ฏธ์ง€๊ธฐํ˜ธ๋กœ์„œ ๊ธฐ๋Šฅํ•˜๋Š” ์‚ฌ๋ก€๋ฅผ ์‚ดํŽด๋ณด์•˜๋‹ค. ์˜ํ™” ์†์˜ ์ธํ˜•์€ ํ˜„์‹ค๊ณผ ๋น„ํ˜„์‹ค์˜ ๊ด€๊ณ„๋ฅผ ์ƒ๊ธฐ์‹œํ‚ค๋Š” ํ˜•์ƒ์„ ํ†ตํ•ด์„œ ๋ฏธ์žฅ์„ผ์˜ ๊ทธ ์–ด๋А ์†Œํ’ˆ์ด๋‚˜ ์žฅ์‹ํ’ˆ๋ณด๋‹ค ๋” ํšจ๊ณผ์ ์œผ๋กœ ์ด๋ฏธ์ง€์˜ ๊ฐ€๋…์„ฑ์„ ์ œ์‹œํ•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ธํ˜•์˜ ์ด๋ฏธ์ง€๋Š” ํŠนํžˆ ์„œ์‚ฌ์  ๋งฅ๋ฝ ์†์—์„œ ์บ๋ฆญํ„ฐ์˜ ๋‚ด๋ฉด, ์ฆ‰ ์š•๋ง๊ณผ ์†Œ์œ ์š• ๊ทธ๋ฆฌ๊ณ  ์ •๋ณต๊ณผ ์ง€๋ฐฐ์š•์„ ํ˜•์ƒํ™”ํ•˜๊ณ , ๋•Œ์— ๋”ฐ๋ผ์„œ๋Š” ํŒŒํŽธํ™”๋œ ์ธ๊ฐ„๊ด€๊ณ„์— ๊ฒฐ์—ฌ๋œ ๊ฐœ๊ฐœ์ธ์˜ ์กด์žฌ๋ก ์  ์ง€์œ„์™€ ์ •์ฒด์„ฑ์˜ ์ƒ์‹ค์„ ์‹œ๊ฐ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001780300
oai_dc
์‹ ๊ธฐ๋Šฅ์ฃผ์˜์  ๊ด€์ ์œผ๋กœ ๋ณธ ๊ณต์ต๊ด‘๊ณ ์˜ ๋Œ€์ค‘์ธ์‹ ์—ฐ๊ตฌ -์Šค์›จ๋ด๊ณผ ํ•œ๊ตญ์˜ ํ•™๊ตํญ๋ ฅ ๊ด‘๊ณ ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ-
Study on the mass perception of PSAs from a Neo functionalist Perspective - Focused on the PSAs for bullying in South Korea and Sweden -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ฏผ์ฒ (๊ฐ•์›๋Œ€ํ•™๊ต); ์œ ์Šนํ˜ธ(๊ฐ•์›๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ์˜ ๋ชฉ์ ์€ ํฌ๊ฒŒ ๋‘ ๊ฐ€์ง€์ด๋‹ค. ์ฒซ์งธ๋กœ๋Š” ์ œํ”„๋ฆฌ ์•Œ๋ ‰์‚ฐ๋”(Jeffrey C. Alexander)๊ฐ€ ์ œ์‹œํ•˜๋Š” ๋ฌธํ™”์‚ฌํšŒํ•™์  ๊ด€์ ์œผ๋กœ ํ•œ ์‚ฌ๊ฑด์˜ ๋„๋•์  ๋ณดํŽธ์„ฑ์ด ๋ฌธํ™”์  ์ž์œจ์„ฑ ์œ„์—์„œ ์–ด๋–ป๊ฒŒ ๊ตฌ์„ฑ์ด ๋˜๋ฉฐ, ์ด๊ฒƒ์ด ๋ฌธํ™”์  ์™ธ์ƒ์œผ๋กœ ์žฌํ˜„๋˜๋Š” ๊ณผ์ •์„ ์˜์ƒ ๋ฏธ๋””์–ด์— ์ ์šฉํ•˜์—ฌ ์‚ดํŽด๋ณด๋Š” ๊ฒƒ์ด๋‹ค. ๋‘ ๋ฒˆ์งธ๋Š” ์˜์ƒ๋ฏธ๋””์–ด์—์„œ์˜ ๋ฌธํ™”์  ์™ธ์ƒ์˜ ์žฌํ˜„์„ ์„œ์‚ฌ์ ์œผ๋กœ ๋ถ„์„ํ•˜๋Š” ๊ฒƒ์ธ๋ฐ, ์ด๋ฅผ ์œ„ํ•ด ์ฒญ์†Œ๋…„์˜ ํ•™๊ตํญ๋ ฅ์ด ๊ฐ€์žฅ ์ ์€ ์Šค์›จ๋ด์˜ ๊ณต์ต๊ด‘๊ณ ๋ฅผ ๋™์ผ ์ฃผ์ œ์˜ ํ•œ๊ตญ ๊ณต์ต๊ด‘๊ณ ์™€ ๋น„๊ตํ•ด๋ด„์œผ๋กœ์จ, ๋ฌธํ™”์  ์™ธ์ƒ์ด ์˜์ƒ ๋ฏธ๋””์–ด์—์„œ ๊ตฌ์ฒด์ ์œผ๋กœ ์–ด๋–ป๊ฒŒ ์žฌํ˜„๋˜์–ด ๋„๋•์  ๋ณดํŽธ์„ฑ์„ ํ™•๋ณดํ•˜๋Š”์ง€ ์‚ดํŽด๋ณด๋Š” ๊ฒƒ์ด๋‹ค. ๊ทธ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001780293
oai_dc
์œ ์•„ ๋Œ€์ƒ ๋””์ง€๋กœ๊ทธ ์˜ค๋ธŒ์ ํŠธ๋ฅผ ํ™œ์šฉํ•œ ํ™œ๋™์  ๋†€์ด ์‹œ์Šคํ…œ ์—ฐ๊ตฌ
A Study on Active Play System using Digilog Object for Children
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์—„์ง€(์„œ์šธ๋Œ€ํ•™๊ต, ์œตํ•ฉ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™์›); ์šฐํƒ((์žฌ)์ฐจ์„ธ๋Œ€์œตํ•ฉ๊ธฐ์ˆ ์—ฐ๊ตฌ์›)" ]
๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ์Šค๋งˆํŠธ ๋ฏธ๋””์–ด์— ๋…ธ์ถœ๋œ ์œ ์•„๋ฅผ ์œ„ํ•œ ๋””์ง€๋กœ๊ทธ ๊ธฐ๋ฐ˜์˜ ๋†€์ด ์‹œ์Šคํ…œ์„ ์ œ์•ˆํ•˜์˜€๋‹ค. ์œ ์•„์˜ ์Šค๋งˆํŠธํฐ ์ด์šฉ ํ–‰ํƒœ๋ฅผ ๋ถ„์„ํ•˜๊ณ  ์ค‘๋… ๋ฌธ์ œ ์š”์†Œ๋ฅผ ๋„์ถœํ•œ ๋’ค, ๋†€์ด ์น˜๋ฃŒ, ํž๋ง ์ฝ˜ํ…์ธ , ๋””์ง€๋กœ๊ทธ์˜ ์—ฐ๊ตฌ ์‚ฌ๋ก€๋ฅผ ๋ถ„์„ํ•˜์—ฌ ๋งค์ฒด์— ๋”ฐ๋ฅธ ์žฅ, ๋‹จ์ ๊ณผ ํŠน์„ฑ์„ ์•„๋‚ ๋กœ๊ทธ์™€ ๋””์ง€ํ„ธ ์ธก๋ฉด์œผ๋กœ ๋‚˜๋ˆ„์–ด ๋ถ„๋ฅ˜ํ•˜์˜€๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์œ ์•„์˜ ์Šค๋งˆํŠธํฐ ์ค‘๋… ๋ฐฉ์ง€๋ฅผ ์œ„ํ•œ ๋†€์ด ์‹œ์Šคํ…œ ๋ชจํ˜•์„ ๊ตฌ์ถ•ํ•จ์œผ๋กœ์จ ์•ž์—์„œ ์‚ดํŽด๋ณธ ์•„๋‚ ๋กœ๊ทธ์™€ ๋””์ง€ํ„ธ์˜ ์š”์†Œ๋“ค์ด ์ ์šฉ๋œ ๋””์ง€๋กœ๊ทธ์  ๊ด€์ ์˜ ์ƒˆ๋กœ์šด ๋†€์ด ์‹œ์Šคํ…œ์„ ์ œ์•ˆํ•˜์˜€๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001780313
oai_dc
Cultural Imperialism - How useful is the concept of cultural imperialism in understanding contemporary global flows of communication? -
Cultural Imperialism - How useful is the concept of cultural imperialism in understanding contemporary global flows of communication? -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๊ฐ•์ง„(์šฉ์ธ๋Œ€ํ•™๊ต); ์ •ํ˜œ์šฑ(ํ™์ต๋Œ€ํ•™๊ต)" ]
This study will objectively examine both discursive and pragmatic aspects of cultural imperialism in the context of globalization. First, commercially driven American media industries within market-oriented media policies and itsโ€™ influence on current media policies of other nations such as Europe and Asian societies n...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001780306
oai_dc
์• ๋‹ˆ๋ฉ”์ด์…˜์„ ๋ฆฌ๋ฉ”์ดํฌํ•œ ์˜ํ™”์˜ ์žฅ๋ฉด์—ฐ์ถœ๊ณผ ์บ๋ฆญํ„ฐ ํ‘œํ˜„๋ฐฉ์‹์— ๊ด€ํ•œ ์—ฐ๊ตฌ - โ€˜101๋งˆ๋ฆฌ ๋‹ฌ๋งˆ์‹œ์•ˆโ€™ ์‚ฌ๋ก€ ์ค‘์‹ฌ์œผ๋กœ -
A Study on Scene Direction and Character Expression in Remake Film from Animation - Focused on Case of โ€˜101 Dalmatiansโ€™ -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํ•˜๋‚˜(๊ฒฝํฌ๋Œ€ํ•™๊ต ์˜ˆ์ˆ ๋””์ž์ธ๋Œ€ํ•™); ๊น€ํ˜œ๊ฒฝ(๊ฒฝํฌ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” 1961๋…„์— ์ œ์ž‘๋œ ๋””์ฆˆ๋‹ˆ ์• ๋‹ˆ๋ฉ”์ด์…˜ <101๋งˆ๋ฆฌ ๋‹ฌ๋งˆ์‹œ์•ˆ>๊ณผ 1996๋…„์— ์˜ํ™”๋กœ ๋ฆฌ๋ฉ”์ดํฌ๋œ <101๋งˆ๋ฆฌ ๋‹ฌ๋งˆ์‹œ์•ˆ>์˜ ์žฅ๋ฉด๊ตฌ๋„์™€ ์บ๋ฆญํ„ฐ ํ‘œํ˜„๋ฐฉ์‹์„ ๋น„๊ต๋ถ„์„ํ•ด ๋ณด๊ณ ์ž ํ•˜์˜€๋‹ค. ๋™์ผํ•œ ์žฅ๋ฉด์—์„œ์˜ ์• ๋‹ˆ๋ฉ”์ด์…˜๊ณผ ์˜ํ™”์˜ ์—ฐ์ถœ์ด ์–ด๋–ค ์ฐจ์ด๋ฅผ ๋ณด์ด๊ณ  ์žˆ์œผ๋ฉฐ, ์‚ฌ๋žŒ ์บ๋ฆญํ„ฐ์™€ ๋™๋ฌผ ์บ๋ฆญํ„ฐ์˜ ํ‘œํ˜„์— ์–ด๋–ค ์ฐจ์ด๊ฐ€ ์žˆ๋Š”์ง€๋ฅผ ๋ถ„์„ํ•˜์˜€๋‹ค. ์• ๋‹ˆ๋ฉ”์ด์…˜๊ณผ ๋™์ผํ•œ ์žฅ๋ฉด์˜ ์˜ํ™” ์—ฐ์ถœ ์žฅ๋ฉด์—์„œ๋Š” ์ต์ˆ™ํ•จ์ด ๋А๊ปด์กŒ์ง€๋งŒ, ์˜ํ™”์—์„œ๋Š” ์Šคํ† ๋ฆฌ์— ์ข€ ๋” ๋น„์ค‘์„ ๋‘๊ณ  ์ „๊ฐœํ•˜๋Š” ๊ฒฝํ–ฅ์ด ์žˆ์—ˆ๊ณ , ๋“ฑ์žฅ์ธ๋ฌผ์ด ์ฆ๊ฐ€๋˜์–ด ์Šคํ† ๋ฆฌ๊ฐ€ ์ถ”๊ฐ€๋˜๋Š” ๊ฒฝํ–ฅ์ด ์žˆ์—ˆ๋‹ค. ๋˜ํ•œ ์˜ํ™”์—์„œ๋Š” ์• ๋‹ˆ๋ฉ”์ด์…˜์— ๋น„ํ•ด ์ธ๋ฌผ ์บ๋ฆญํ„ฐ๊ฐ„์˜ ๊ฐˆ๋“ฑ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001780308
oai_dc
์ด๋ก ๊ณผ ์ฐฝ์ž‘์„ ํ†ตํ•œ ์ด๋ฏธ์ง€๋ก  ๊ณ ์ฐฐ
A Study on the Image by Theoretical and Practical Approaches
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์„ฑํ™˜(๊ฒฝ์„ฑ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์ฐฝ์ž‘์ด ์ข…๋ฃŒ๋œ ์‹œ์ ์œผ๋กœ๋ถ€ํ„ฐ ์™„์„ฑ๋œ ๊ฒฐ๊ณผ๋กœ์„œ์˜ ์ด๋ฏธ์ง€๋ฅผ ๋ฐ˜์„ฑํ•˜๋Š” ๊ฒƒ์—์„œ ์ถœ๋ฐœํ•œ๋‹ค. ์‹œ๊ฐ์  ํ‘œ์ถœ๋กœ์„œ์˜ ์˜์ƒ์ž‘์—…์€ ์ด๋ฏธ์ง€๋ผ๋Š” ๊ธฐ๋ณธ ๋‹จ์œ„์˜ ์กฐ๊ฐ์„ ์žฌ๋ฃŒ๋กœ ํ•˜์—ฌ ๋˜ ๋‹ค๋ฅธ ์ด๋ฏธ์ง€๋ฅผ ์™„์„ฑํ•˜๋Š” ๋†€์ด์™€ ๊ฐ™๋‹ค. ์ด๋ฏธ์ง€๋กœ๋ถ€ํ„ฐ ์‹œ์ž‘ํ•ด์„œ ์ด๋ฏธ์ง€๋กœ ๋„๋‹ฌํ•˜๋Š” ๊ฒƒ์€ ์–ด์ฐŒ๋ณด๋ฉด ๋™์–ด๋ฐ˜๋ณต์  ํ–‰์œ„์ผ ์ˆ˜ ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ์ด๋ก ์  ์ ‘๊ทผ์œผ๋กœ์„œ ๋กค๋ž‘ ๋ฐ”๋ฅดํŠธ์™€ W.J.T. ๋ฏธ์ฒผ์˜ ์—ฐ๊ตฌ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์ด๋ฏธ์ง€์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๋ฅผ ์‚ดํŽด๋ณธ๋‹ค. ์ด๋ฏธ์ง€๊ฐ€ ๊ฐ€์ง„ ๊ตฌ์กฐ์  ํŠน์„ฑ๊ณผ ์˜์‹์  ํŠน์„ฑ์€ ๊ฐ๊ฐ โ€˜์™ธ์—ฐ๊ณผ ๋‚ดํฌ๋ฅผ ํ†ตํ•œ ์—ฐ์‡„์ž‘์šฉโ€™๊ณผ โ€˜ํ‘œ์ƒ๊ณผ ์ •์‹ ์ž‘์šฉ์„ ํ†ตํ•œ ํ‘œ๋ฉดํ™”โ€™๋กœ ํŠน์ง•์ง€์›Œ์ง„๋‹ค. ๋‘˜์งธ๋กœ ์ฐฝ์ž‘์  ์ ‘๊ทผ์œผ๋กœ์„œ ์ž‘ํ’ˆ<Foldi...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001780311
oai_dc
๊ด€๊ฐ ์ฐธ์—ฌํ˜• ํผํฌ๋จผ์Šค ์˜์ƒ๊ธฐ๋ก๋ฌผ๊ณผ 1960-70๋…„๋Œ€ ๋น„๋””์˜ค ๋ฐ ํผํฌ๋จผ์Šค์•„ํŠธ์™€์˜ ๊ด€๊ณ„์„ฑ ์—ฐ๊ตฌ
A Study on the Participatory Performance Videos and Their Relationship with 1960-70sโ€™ Video & Performance Arts
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •์ƒˆํ•ด(์—ฐ์„ธ๋Œ€ํ•™๊ต ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜๋Œ€ํ•™์›); ์ดํ˜„์ง„(์—ฐ์„ธ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์ฐธ์—ฌ ์˜ˆ์ˆ ์ด๋ผ๋Š” ์ด๋ฆ„ํ•˜์— ํ–‰ํ•ด์ง€๋Š” ์—ฌ๋Ÿฌ ํ˜•ํƒœ์˜ ์ž‘ํ’ˆ๋“ค ์ค‘ ๊ด€๊ฐ ์ฐธ์—ฌํ˜• ํผํฌ๋จผ์Šค์™€ ๊ทธ๊ฒƒ์˜ ์˜์ƒ๊ธฐ๋ก๋ฌผ์„ ๋น„๋””์˜ค ๋งค์ฒด์˜ ํ™œ์šฉ์— ์ฃผ๋ชฉํ•˜์—ฌ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ๋ณธ ์—ฐ๊ตฌ๋Š” ๊ด€๊ฐ ์ฐธ์—ฌํ˜• ํผํฌ๋จผ์Šค์˜ ๊ธฐ์›์„ 1960-70๋…„๋Œ€ ๋น„๋””์˜ค์•„ํŠธ ๋ฐ ํผํฌ๋จผ์Šค์•„ํŠธ์—์„œ ์ฐพ์•„๋ณด๋ฉฐ ์ด๋“ค์ด ์–ด๋–ป๊ฒŒ ๋น„๋””์˜ค๋ฅผ ์‚ฌ์šฉํ•˜๊ณ  ์žˆ๋Š”์ง€ ์ ๊ฒ€ํ•œ๋‹ค. ์ด๋Š” ์˜ค๋Š˜๋‚ ์˜ ๊ด€๊ฐ ์ฐธ์—ฌํ˜• ํผํฌ๋จผ์Šค ์˜์ƒ๊ธฐ๋ก๋ฌผ์„ ๋ฏธ์ˆ ์‚ฌ์ ์ด๋ฉฐ ๋ฏธํ•™์  ๋งฅ๋ฝ์—์„œ ์—ฐ๊ฒฐ์‹œ์ผœ ๋ฐ”๋ผ๋ณด๊ณ ์ž ํ•˜๋Š” ๊ฒƒ์ด๋‹ค. 1960-70๋…„๋Œ€ ๋น„๋””์˜ค์•„ํŠธ ๋ฐ ํผํฌ๋จผ์Šค์•„ํŠธ์˜ ์˜์ƒ๊ธฐ๋ก๋ฌผ์—์„œ ์˜ค๋Š˜๋‚ ์˜ ๊ด€๊ฐ ์ฐธ์—ฌํ˜• ํผํฌ๋จผ์Šค ์˜์ƒ๊ธฐ๋ก๋ฌผ์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ๋น„๋””์˜ค์˜ ํ™œ์šฉ์— ๋”ฐ๋ฅธ ์ ‘๊ทผ์€ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001780314
oai_dc
New Media and Political Power Conflicts
New Media and Political Power Conflicts
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๊ฐ•์ง„(์šฉ์ธ๋Œ€ํ•™๊ต)" ]
This study will analyze the influence of the new media technology on the transformations of socio-cultural and political perspectives in the Digital Age. New media technologies have led people to involve in social and political issues. And it is clear to confirm that the new media of communication has established activ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001780310
oai_dc
์™œ๊ณก๋œ ๋น„์ฃผ์–ผ ์ปจํ…ํŠธ์™€ ์ด์šฉ์ž ์„ ํ˜ธ๋„์˜ ์ƒ๊ด€๊ด€๊ณ„์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ํŽœ์…˜ ์‚ฌ์ดํŠธ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study on the Relationship of the Skewed visual content and User preferences
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์žฌํ˜ธ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต NID์œตํ•ฉ๋Œ€ํ•™์› ๋””์ง€ํ„ธ์ปจํ…์ธ ํ•™๊ณผ); ํ™์„๊ธฐ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต NID์œตํ•ฉ๊ธฐ์ˆ ๋Œ€ํ•™์›)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ํŽœ์…˜ ์‚ฌ์ดํŠธ ๋“ฑ์—์„œ ๋นˆ๋ฒˆํ•˜๊ฒŒ ๋ฐœ์ƒํ•˜๋Š” ๋น„์ฃผ์–ผ ์ปจํ…ํŠธ์˜ ๋ณ€ํ˜•์ด ์ด์šฉ์ž์˜ ์„ ํ˜ธ๋„์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ์„ ๋ถ„์„ํ•˜์—ฌ ์ด์šฉ์ž์˜ ๊ตฌ๋งค์š•์„ ์ถฉ์กฑ์‹œํ‚ค๊ธฐ ์œ„ํ•œ ์™œ๊ณก๋œ ๋น„์ฃผ์–ผ ์ปจํ…ํŠธ๊ฐ€ e-business์˜ ์„ฑํŒจ์— ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ•˜๋Š” ์ด์šฉ์ž ์„ ํ˜ธ๋„์— ์–ด๋– ํ•œ ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š”์ง€ ์•Œ์•„๋ณด๊ณ ์ž ํ•œ๋‹ค. ์ด์šฉ์ž๋“ค์€ ์—ฌํ–‰์„ ๋– ๋‚˜๊ธฐ ์ „ ์ˆ™์†Œ๋ฅผ ๊ฒฐ์ •ํ•˜๊ฒŒ ๋˜๋Š”๋ฐ ๊ทธ ์ˆ™์†Œ๋ฅผ ๊ฒฐ์ •ํ•จ์— ์žˆ์–ด ๊ฒฐ์ •์ ์ธ ์˜ํ–ฅ์„ ๋ผ์น˜๋Š” ๊ฒƒ์ด ํ•ด๋‹น ์ˆ™์†Œ์˜ ์‚ฌ์ง„ ์ •๋ณด๋กœ์จ ๋Œ€๋ถ€๋ถ„์˜ ํŽœ์…˜ ์‚ฌ์ดํŠธ์˜ ๊ฒฝ์šฐ ๋‚ด๋ถ€์˜ ๋ชจ์Šต์„ ์นด๋ฉ”๋ผ ํ™”๊ฐ์˜ ๋ณ€ํ™”๋ฅผ ํ†ตํ•ด ์ƒ๋Œ€์ ์œผ๋กœ ๋„“์–ด ๋ณด์ด๊ฒŒ ํ•˜๋Š” ํšจ๊ณผ๋ฅผ ์—ฐ์ถœํ•˜๊ฑฐ๋‚˜ ๋‹ค์–‘ํ•œ ์ธํ…Œ๋ฆฌ์–ด ์†Œํ’ˆ์„ ํ†ตํ•ด ์ˆ™์†Œ์˜ ์ƒํƒœ๋ฅผ ์ตœ์ƒ์œผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001780304
oai_dc
ํ™˜๊ฒฝ์บ ํŽ˜์ธ์„ ์œ„ํ•œ ์˜์ƒ์ฝ˜ํ…์ธ  ์ œ์ž‘์—ฐ๊ตฌ -2013 ์ƒํƒœ๊ตํ†ต ํŽ˜์Šคํ‹ฐ๋ฐœ์„ ์ค‘์‹ฌ์œผ๋กœ-
A study on Video content production for environmental campaign -Focus on the ecological transportation Festival 2013-
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์•ˆํฌ์ง„(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต, ์ผ๋ฐ˜๋Œ€ํ•™์› ์‹œ๊ฐ๋””์ž์ธ ์„์‚ฌ๊ณผ์ •); ์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์ˆ˜์›์‹œ์™€ ์ดํด๋ ˆ์ด(ICLEI), UNHABITAT์ด ํ˜‘์•ฝ์„ ๋งบ๊ณ  ํ–‰๊ถ๋™์— ์ƒํƒœ๊ตํ†ต ๋„์‹œ๋ฅผ ์‹คํ˜„์‹œํ‚ค๋Š” ์บ ํŽ˜์ธ์„ ์œ„ํ•œ ์˜์ƒ์ฝ˜ํ…์ธ ๋ฅผ ์—ฐ๊ตฌ, ์ œ์ž‘ํ•˜๋Š” ๊ฒƒ์— ๊ทธ ๋ชฉ์ ์„ ๋‘๊ณ  ์žˆ๋‹ค. ์ „ ์„ธ๊ณ„์ ์ธ ์‚ฐ์—…ํ™” ์ดํ›„ 20์„ธ๊ธฐ ๋ง๊ฒฝ๋ถ€ํ„ฐ ๋Œ€๋‘๋˜์—ˆ๋˜ ํ™˜๊ฒฝ๋ฌธ์ œ๋Š” ์„ ์ง„๊ตญ์„ ์ค‘์‹ฌ์œผ๋กœ ํ™˜๊ฒฝ๋ณด์ „์— ์ดˆ์ ์„ ๋งž์ถ”์–ด ๋Œ€๋Œ€์ ์ธ ๊ด€์‹ฌ์„ ๋ณด์—ฌ์™”๋‹ค. ๊ตญ๋‚ด์—์„œ๋„ 1990๋…„๋Œ€ ์ค‘๋ฐ˜๋ถ€ํ„ฐ ์ˆ˜๋„๊ถŒ์„ ์ค‘์‹ฌ์œผ๋กœ ์ƒํƒœ๋„์‹œ์˜ ๊ตฌ์ถ•์„ ์ค‘์‹ฌ์œผ๋กœ ์ง€๊ธˆ๊นŒ์ง€ ํ™œ๋ฐœํ•œ ํ™˜๊ฒฝ์šด๋™์บ ํŽ˜์ธ์„ ์ „๊ฐœํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ํ™˜๊ฒฝ์บ ํŽ˜์ธ์˜ ์ผํ™˜์œผ๋กœ โ€˜์ƒํƒœ๊ตํ†ต ํŽ˜์Šคํ‹ฐ๋ฐœ 2013 ์ˆ˜์›โ€™์ด ์ˆ˜์›์‹œ ํ–‰๊ถ๋™์—์„œ ๊ฐœ์ตœ๋œ๋‹ค. ์ˆ˜์›์‹œ๋Š” ์ดํด๋ ˆ์ด์™€ UNHABITAT...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001780309
oai_dc
์‚ฌ๋žŒ ๊ฐ„์˜ ๊ด€๊ณ„๋ฅผ ์—ฎ๋Š” ๋‰ด๋ฏธ๋””์–ด ์•„ํŠธ
New Media Art weaving relations between people
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์œ ์˜์•„(์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€)" ]
์ด ๋…ผ๋ฌธ์€ ์ •๋ณดํ†ต์‹  ์„œ๋น„์Šค์˜ ๋ฐœ๋‹ฌ์— ๋”ฐ๋ผ ์ด์ œ๋Š” ์†Œ์…œ๋„คํŠธ์›Œํ‚น์„œ๋น„์Šค(SNS)๊ฐ€ ์ผ์ƒ ์ƒํ™œ์˜ ํ•˜๋‚˜๋กœ ์ž๋ฆฌ์žก๊ณ  ์‚ฌ๋žŒ๋“ค์˜ ์‚ถ์— ์ฃผ์š”ํ•œ ์œ„์น˜๋ฅผ ์ ํ•˜๊ณ  ์žˆ๋Š” ์ƒํ™ฉ์— ์ฃผ๋ชฉํ•˜์—ฌ, SNS๊ฐ€ ์–ด๋–ป๊ฒŒ ๋‰ด๋ฏธ๋””์–ด ์•„ํŠธ ์ž‘ํ’ˆ์— ์–ด๋–ป๊ฒŒ ์˜ํ–ฅ์„ ์ฃผ๊ณ  ์žˆ๋Š”์ง€ ๊ณ ์ฐฐํ•˜์˜€๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ง€๊ธˆ์˜ ๋””์ง€ํ„ธ ์‹œ๋Œ€๋ฅผ ๋ฐ˜์˜ํ•˜๋Š” ์˜ˆ์ˆ ๋กœ์„œ ๋‰ด๋ฏธ๋””์–ด์•„ํŠธ์˜ ํŠน์ง•์€ ์–ด๋– ํ•œ์ง€, ๊ทธ๊ฒƒ์€ ๊ณผ๊ฑฐ ๋„ท์•„ํŠธ์™€ ๊ฐ™์€ ๋ฏธ๋””์–ด ์•„ํŠธ์™€๋Š” ์–ด๋– ํ•œ ์—ฐ๊ด€์„ฑ์ด ์žˆ๋Š”์ง€ ์‚ดํŽด๋ณด์•˜๋‹ค. SNS๋ฅผ ์ด์šฉํ•˜๋Š” ์‚ฌ์šฉ์ž๋“ค์˜ ์ •๋ณด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ๊ทธ๋“ค์˜ ๊ฐœ์ธ์ ์ธ ์ด์•ผ๊ธฐ๋“ค์„ ์—ฎ์–ด๋‚ด๊ณ  ๊ทธ๋“ค์„ ์—ฐ๊ฒฐํ•ด์ฃผ๋Š” ๋ฏธ๋””์–ด ์•„ํŠธ ์ž‘ํ’ˆ์€ ์ดˆ๊ธฐ ๋„ท์•„ํŠธ์™€ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ๊ฐ์„ฑ์ ์ธ ์ ‘๊ทผ์„ ๋ณด์—ฌ์ค€๋‹ค. ๋˜ํ•œ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001780312
oai_dc
๋ฆฌ์–ผ ์˜ˆ๋Šฅํ”„๋กœ๊ทธ๋žจ ์ถœ์—ฐ์ž๋“ค์˜ ์ธ์ƒํ•™์  ์ด๋ฏธ์ง€์™€ ์บ๋ฆญํ„ฐ ์ด๋ฏธ์ง€์˜ ์ƒ๊ด€์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ๋ฌดํ•œ๋„์ „, 1๋ฐ•2์ผ, ๋Ÿฌ๋‹๋งจ, ๋‚จ์ž์˜ ์ž๊ฒฉ์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study on Correlation between Physiognomical Image and Character Image in Real Variety Show Cast Members - Focusing on the 'Infinite Challenge', 'One Day Two Nights', 'Running Man', 'Man's Qualification' -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ™์—ฐ์ˆ˜(๋™๋ฐฉ๋Œ€ํ•™์›๋Œ€ํ•™๊ต ๋ฏธ๋ž˜์˜ˆ์ธก๊ฒฝ์˜ํ•™๊ณผ)" ]
๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ๋ฆฌ์–ผ๋ฆฌํ‹ฐ ํŠน์„ฑ์ƒ ์ถœ์—ฐ์ž๋“ค์˜ ์™ธ๋ชจ, ์„ฑ๊ฒฉ, ํ–‰๋™ ๋“ฑ์ด ๊ทธ๋Œ€๋กœ ์บ๋ฆญํ„ฐ๋กœ ๊ตฌ์ถ•๋  ์ˆ˜ ์žˆ๋Š” ๋ฆฌ์–ผ ์˜ˆ๋Šฅํ”„๋กœ๊ทธ๋žจ์„ ๋Œ€์ƒ์œผ๋กœ ์ถœ์—ฐ์ž๋“ค์˜ ์ด๋ฏธ์ง€๋ฅผ ๋ถ„์„ํ•˜์˜€๋‹ค. ๋ฆฌ์–ผ ์˜ˆ๋Šฅํ”„๋กœ๊ทธ๋žจ ์ถœ์—ฐ์ž๋“ค์˜ โ€˜์ž์—ฐ์ธ์œผ๋กœ์„œ์˜ ์ธ์ƒํ•™์  ์ด๋ฏธ์ง€โ€™์™€ โ€˜์บ๋ฆญํ„ฐ ์ด๋ฏธ์ง€โ€™๋ฅผ ์ธ์ƒํ•™์—์„œ ์ œ์‹œํ•˜๋Š” ์œ ํ˜•๋ณ„ ๋ถ„๋ฅ˜๋ฅผ ์ ์šฉํ•˜์—ฌ ๊ทธ ์ƒ๊ด€์„ฑ์„ ๋น„๊ตโ€ค๋ถ„์„ํ•˜์˜€๋‹ค. ์ด๋ฏธ ์• ๋‹ˆ๋ฉ”์ด์…˜, ์—ฐ๊ทน, ์˜ํ™” ๋“ฑ ๋‹ค์–‘ํ•œ ๋ถ„์•ผ์—์„œ ์ธ์ƒํ•™์„ ํ™œ์šฉํ•˜๊ณ  ์žˆ๋Š”๋ฐ, ์ด๋ฅผ ํ™•์žฅํ•˜์—ฌ ๋ฆฌ์–ผ ์˜ˆ๋Šฅํ”„๋กœ๊ทธ๋žจ ์ถœ์—ฐ์ž๋“ค์˜ ์ด๋ฏธ์ง€ ๋ถ„์„์— ์ธ์ƒํ•™์  ์š”์†Œ๋ฅผ ํ™œ์šฉํ•˜์˜€๋‹ค๋Š”๋ฐ ๊ทธ ์˜์˜๊ฐ€ ์žˆ๋‹ค. ๋ฆฌ์–ผ ์˜ˆ๋Šฅํ”„๋กœ๊ทธ๋žจ์—์„œ ์ถœ์—ฐ์ž๋“ค์˜ ์บ๋ฆญํ„ฐ ์ด๋ฏธ์ง€๋Š” ์™ธํ˜•์ ์œผ๋กœ ๋ณด์ด๋Š” ์ธ์ƒํ•™์ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001780305
oai_dc
์• ๋‹ˆ๋ฉ”์ด์…˜ <๋“œ๋ž˜๊ณค ๊ธธ๋“ค์ด๊ธฐ>์— ๋‚ด์žฌ๋œ ๋™์„œ์–‘์˜ ์ž์—ฐ๊ด€๊ณผ ํ•จ์˜
The Eastern and Western Views of Nature Inherent in <How to Train Your Dragon>
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ƒ์ฒ (๋™๋•์—ฌ์ž๋Œ€ํ•™๊ต)" ]
21์„ธ๊ธฐ์˜ ์ฃผ๋œ ํ™”๋‘ ์ค‘ ํ•˜๋‚˜๋Š” ๋ฐ”๋กœ ์ธ๊ฐ„๊ณผ ํ™˜๊ฒฝ์œผ๋กœ, ์ด๋Š” ๋ฌผ์งˆ๋ฌธ๋ช…์˜ ๋ฐœ์ „์— ๋”ฐ๋ฅธ ์ƒํƒœ๊ณ„์˜ ํŒŒ๊ดด์™€ ํ™˜๊ฒฝ์˜ ๋ฌธ์ œ๊ฐ€ ์ธ๋ฅ˜ ์ž์ฒด์˜ ์ƒ์กด์„ ์œ„ํ˜‘ํ•  ๋งŒํผ ์ ˆ๋ฐ•ํ•œ ์ƒํ™ฉ์— ์ด๋ฅด๋ €๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ด๋Ÿฌํ•œ ํ˜„์‹ค์—์„œ ๊ทธ๋™์•ˆ ์„œ๊ตฌ์˜ ๋ฌผ์งˆ๋ฌธ๋ช…์„ ๊ฒฌ์ธํ•ด ์™”๋˜ ์„œ๊ตฌ์  ์ž์—ฐ๊ด€์— ๋Œ€ํ•œ ๋น„ํŒ๊ณผ ๋ฐ˜์„ฑ์€ ๋™์–‘์  ์ž์—ฐ๊ด€์ด ํ˜„์žฌ์˜ ์งˆ๊ณก์„ ํƒ€ํŒŒํ•  ์ˆ˜ ์žˆ๋Š” ์œ ๋ ฅํ•œ ๋Œ€์•ˆ์œผ๋กœ ์ œ์‹œ๋˜๊ฒŒ ๋˜์—ˆ๋‹ค. ์˜ํ™” <์•„๋ฐ”ํƒ€>์™€ <๋“œ๋ž˜๊ณค ๊ธธ๋“ค์ด๊ธฐ> ๋“ฑ์ด ๋ชจ๋‘ ๋™์–‘์  ์‚ฌ์œ ๋ฅผ ๊ธฐ์กฐ๋กœ ํ•œ ์ž‘ํ’ˆ๋“ค์ด๋‹ค. ๊ทธ์ค‘ <๋“œ๋ž˜๊ณค ๊ธธ๋“ค์ด๊ธฐ>๋Š” ๋“œ๋ž˜๊ณค์ด๋ผ๋Š” ๊ฐ๋ณ„ํ•œ ์ƒ์ง•์„ฑ์„ ์ง€๋‹Œ ๋™๋ฌผ์„ ์บ๋ฆญํ„ฐ๋กœ ์ธ๊ฐ„๊ณผ ์ž์—ฐ๊ณผ์˜ ๊ด€๊ณ„์— ์žˆ์–ด ๊ทธ๊ฐ„ ๊ฐ„๊ณผํ•˜์˜€๊ฑฐ๋‚˜ ์˜ค์ธํ•˜์˜€๋˜ ๋‚ด...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000302.xml
ART001780307
oai_dc
๋ฏธ๋””์–ด์•„ํŠธ ์ด๋ฏธ์ง€์˜ ํ•ด์„ โ€“ ๋ฐ”๋ฅดํŠธ์˜ ์ œ3์˜ ์˜๋ฏธ๋กœ๋ถ€ํ„ฐ -
Image interpretation of media art โ€“ Focusing on R. Barthesโ€™s the third meaning -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์„ฑํ˜ธ(ํ™์ต๋Œ€ํ•™๊ต ๋Œ€ํ•™์›)" ]
์ด ๋…ผ๋ฌธ์€ ๋ฐ”๋ฅดํŠธ(Roland Barthes)์˜ ํ›„๊ธฐ ์‚ฌ์ƒ์—์„œ ๋“œ๋Ÿฌ๋‚ฌ๋˜ ์ œ3์˜ ์˜๋ฏธ(Le troisiรจme sens)๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ํ•œ ์ด๋ฏธ์ง€์— ๋Œ€ํ•œ ์ฃผ๊ด€์ฃผ์˜์  ํ•ด์„(Interprรฉtation subjective)์ด๋ผ๋Š” ๊ด€์ ์„ ํ†ตํ•ด์„œ ๋ฏธ๋””์–ด์•„ํŠธ์— ๋“œ๋Ÿฌ๋‚˜๋Š” ์‹œ๊ฐ„์„ฑ๊ณผ ์›€์ง์ž„์˜ ์ด๋ฏธ์ง€๋“ค์— ๋Œ€ํ•œ ํ•ด์„์˜ ๋ฐฉํ–ฅ์„ ๊ฒ€ํ† ํ•œ๋‹ค. ๊ทธ๊ฒƒ์€ ์˜ˆ์ธกํ•  ์ˆ˜ ์—†๋Š” ์‹œ๊ฐ„์˜ ๊ณผ์ • ์†์— ํˆฌ์—ฌ๋˜๋Š” ๋ฏธ๋””์–ด์•„ํŠธ ์ด๋ฏธ์ง€์— ๋Œ€ํ•œ ์ˆ˜์šฉ์ž์˜ ์ฃผ๊ด€์  ํ•ด์„๊ณผ ๋”๋ถˆ์–ด ํ›„์†์ ์œผ๋กœ ์ž‘๋™๋˜๋Š” ํ•ด์„์˜ ์ง€ํ‰์ด ์–ด๋–ป๊ฒŒ ์ „๊ฐœ๋  ์ˆ˜ ์žˆ๋Š”๊ฐ€๋ฅผ ๋”ฐ์ ธ ๋ฌป๋Š” ์ž‘์—…์ด ๋œ๋‹ค. ์•„์šธ๋Ÿฌ ๊ทธ๊ฒƒ์€ ์ด๋ฏธ์ง€๋ฅผ ์ด๋ฏธ์ง€ ์ž์ฒด๋กœ ๋ณด๊ณ  ์–ธ์–ด๋กœ ๋ฒˆ์•ˆํ•˜์ง€ ์•Š์œผ๋ ค๊ณ  ํ•˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001732536
oai_dc
๋””์ง€ํ„ธ ์ด๋ฏธ์ง€์˜ ์œ„์ƒํ•™์  ์žฌํ˜„์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ๋ณธ์ธ์˜ ์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ -
The Study on the Topological representation of Digital Images - based on My Digital Prints -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์„ฑํ™˜(๊ฒฝ์„ฑ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ 2012๋…„ ํฌ์Šค์ฝ”๋ฏธ์ˆ ๊ด€์—์„œ์˜ ๊ฐœ์ธ์ „ ์ถœํ’ˆ์ž‘ ์ค‘ ๋””์ง€ํ„ธ ํ”„๋ฆฐํŠธ ์ž‘์—…์„ ์ค‘์‹ฌ์œผ๋กœ ํ•˜์—ฌ ๊ตฌ์„ฑ๋˜์—ˆ๋‹ค. ์Šค์บ๋‹ํ•œ ์ด๋ฏธ์ง€๋Š” ๋ฌผ์„ฑ๊ณผ ์ •๋ณด์  ์†์„ฑ์„ ๋™์‹œ์— ํ‘œ์ถœํ•  ์ˆ˜ ์žˆ๋‹ค. ํŠนํžˆ ๊ตฌ๊ธด ์ข…์ด๋ฅผ ๋””์ง€ํ„ธ์ด๋ฏธ์ง€๋กœ์ „ํ™˜ํ•˜์˜€์„ ๋•Œ ๊ตฌ๊ฒจ์ง„ ํ˜•ํƒœ๋Š” ์ข…์ด์˜ ๋ฌผ์งˆ์  ์†์„ฑ๊ณผ ์‚ฐ๋งฅ์˜ ๋ชจ์Šต์„ ์—ฐ์ƒ์‹œํ‚จ๋‹ค. ์—ฐ์ƒ๊ณผ ์œ ์‚ฌ์„ฑ์˜ ์ž‘์šฉ์„ํ†ตํ•ด ์‚ฐ๋งฅ์€ ์ง€ํ˜•๋„์˜ ์ด๋ฏธ์ง€์™€ ์—ฐ๊ฒฐ๋˜๋ฉฐ ์ •๋ณด์ฒด๊ณ„๋กœ ์ด๋ฃจ์–ด์ง„ ๋””์ง€ํ„ธ ๋งต๊ณผ ๊ฐ™์ด ๊ฐ๊ฐ์˜ ๊ธฐ์ค€์ ๋“ค์ด ์„œ๋กœ์—ฐ๊ฒฐ๋˜์–ด์žˆ๋Š” ๊ตฌ์กฐ๋ฅผ ๋ค๋‹ค. ๊ตฌ์ฒด์ ์ธ ์ž‘ํ’ˆ์ฐฝ์ž‘์˜ ๋‹จ๊ณ„์—์„œ๋Š” ๋‹ค๊ฐํ˜•์˜ ๋‚˜๋ฌด ์˜ค๋ธŒ์ œ ํŒ์„ ์Šค์บ”ํ•œ ์ด๋ฏธ์ง€๋ฅผ๋ฐ˜๋ณต์ ์œผ๋กœ ๊ฒน์นจ์œผ๋กœ์จ ๋งŒ๋“ค์–ด์ง€๋Š” ์ƒˆ๋กœ์šด ๊ณต๊ฐ„์— ๋Œ€ํ•ด ๋ถ„์„ํ•œ๋‹ค. ์˜ค๋ธŒ์ œ ํŒ ์ด๋ฏธ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001732513
oai_dc
๊ฒฐํ•, ๊ฐˆ๋“ฑ, ๋”œ๋ ˆ๋งˆ, ๋ณ€ํ™”์˜ ์บ๋ฆญํ„ฐ ์ค‘์‹ฌ ์Šคํ† ๋ฆฌํ…”๋ง
A study on Characterstorytelling focused on 'Lackness, Conflict, Dilemma, Change' of Protagonist
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ „์Šน๊ทœ(๊ตญ๋ฏผ๋Œ€ํ•™๊ต)" ]
ํšจ๊ณผ์ ์ธ ์˜์ƒ๋ฌผ์„ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด์„œ๋Š” ํšจ๊ณผ์ ์ธ ์บ๋ฆญํ„ฐ๊ฐ€ ๊ฐœ๋ฐœ๋˜์–ด์•ผํ•œ๋‹ค. ๊ทธ๋ ‡๋‹ค๋ฉด ํšจ๊ณผ์ ์ธ ์บ๋ฆญํ„ฐ๋Š” ์–ด๋””์„œ ์˜ค๋Š”๊ฐ€. ์บ๋ฆญํ„ฐ๋ฅผ ํฌ๊ฒŒ ๊ธฐ์—… ๋งˆ์ผ€ํŒ…์„ ์œ„ํ•œ ์กฐํ˜•๊ธฐ๋ฐ˜ ์บ๋ฆญํ„ฐ์™€ ์—”ํ„ฐํ…Œ์ธ๋จผํŠธ๋ฅผ ์œ„ํ•œ ์Šคํ† ๋ฆฌ ๊ธฐ๋ฐ˜์บ๋ฆญํ„ฐ๋กœ ๋‚˜๋ˆ„์–ด ๋ณผ ๋•Œ ๊ฐˆ์ˆ˜๋ก ์Šคํ† ๋ฆฌ ๊ธฐ๋ฐ˜ ์บ๋ฆญํ„ฐ์˜ ๋Œ€์ค‘์  ์ธ๊ธฐ๊ฐ€ ๊ฐˆ์ˆ˜๋ก ๋†’์•„์ง€๋Š” ๊ฒƒ์œผ๋กœ ๋ณด์ธ๋‹ค. ์ด๋Š” ํšจ๊ณผ์ ์ธ ์บ๋ฆญํ„ฐ๋ฅผ ๋งŒ๋“ค์–ด๋‚ด๊ธฐ ์œ„ํ•ด์„œ๋Š” ๊ทธ ์บ๋ฆญํ„ฐ๊ฐ€ ์ž˜ ์‚ด์•„์žˆ๋Š” ์Šคํ† ๋ฆฌ๊ฐ€ ์ž˜ ๋งŒ๋“ค์–ด์ ธ์•ผํ•œ๋‹ค๋Š” ๊ฒƒ์„์˜๋ฏธํ•œ๋‹ค. ์Šคํ† ๋ฆฌ๋Š” ์บ๋ฆญํ„ฐ์™€ ์‚ฌ๊ฑด๊ณผ ๋ฐฐ๊ฒฝ์œผ๋กœ ์ด๋ฃจ์–ด์ง„๋‹ค. ์‚ฌ๊ฑด์€ ์ฃผ์ธ๊ณต๊ณผ ์ ๋Œ€์—ญ ๊ฐ„์˜ ๊ฐˆ๋“ฑ์„ ์ค‘์‹ฌ์œผ๋กœ ํ•œ ๋ฐœ๋‹จ,์ „๊ฐœ, ์œ„๊ธฐ, ์ ˆ์ • , ๋Œ€๋‹จ์›์œผ๋กœ ์ด๋ฃจ์–ด์ง„๋‹ค. ๊ฒฐ๊ตญ ํšจ๊ณผ์ ์ธ ์บ๋ฆญํ„ฐ๋ฅผ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000302.xml
ART001732522
oai_dc
๋ฏธ๋””์–ด์•„ํŠธ์—์„œ ๋งค๊ฐœ๋˜๋Š” ์‹ ์ฒด ์ด๋ฏธ์ง€ - ํฌ์ŠคํŠธํœด๋จธ๋‹ˆ์ฆ˜์„ ์ค‘์‹ฌ์œผ๋กœ -
The Mediation of the Body Image in the Media Art - through Posthumanism -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํ˜„์ฃผ(ํ•œ๋…๋ฏธ๋””์–ด๋Œ€ํ•™์›๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๊ณ ๋Š” 60๋…„๋Œ€ ์ดํ›„ ๋น„๋””์˜ค ์•„ํŠธ์—์„œ ๋ถ€ํ„ฐ ์ถœ๋ฐœํ•ด์„œ ํ˜„๋Œ€๊นŒ์ง€, ์‹ ์ฒด ์ด๋ฏธ์ง€์˜ ๋ฏธ๋””์–ดํ™”๋ฅผ ํ†ตํ•ด ์ •์ฒด์„ฑ๊ณผ ์‚ฌํšŒ๋ฌธํ™”์  ๋‹ด๋ก ๋“ค์„ ํ‘œ์ถœํ•ด ์™”๋˜ ๋ฏธ๋””์–ด ์•„ํŠธ๋ฅผ ์—ฐ๊ตฌ ๋ฒ”์œ„๋กœ ํ•œ๋‹ค. ์†Œ๋ฉธ์„ฑ๊ณผ ๊ฐ€์ƒ์„ฑ, ํ–‰์œ„ ์ค‘์‹ฌ์„ฑ์„๋„๊ณ  ์žˆ๋Š” ๋ฏธ๋””์–ด ์•„ํŠธ ์ž‘ํ’ˆ์„ ์˜ˆ๋กœ ๋“ค์–ด ์ดˆ๊ธฐ ๋ฏธ๋””์–ด ์•„ํŠธ๊ฐ€ ๋งค๊ฐœํ•˜๋Š” ์‹ ์ฒด์™€ ์ธ๊ฐ„์„ฑ์— ๋Œ€ํ•œ ์ด์Šˆ๋“ค์„๋Œ์•„๋ณด๊ณ , ๋‚˜์•„๊ฐ€ ๊ธฐ์ˆ  ๋ฐ ๊ณผํ•™์˜ ์˜ํ–ฅ์œผ๋กœ ๋ฐœ์ „๋œ ํฌ์ŠคํŠธํœด๋จธ๋‹ˆ์ฆ˜์ด๋ผ๋Š” ์ƒˆ๋กœ์šด ์ฃผ์ฒด๋ชจ๋ธ๊ณผ ์ธ๊ฐ„์„ฑ์— ๋Œ€ํ•œ ๋‹ด๋ก ์ด ํ˜•์„ฑ๋˜๋Š” ๊ณผ์ •์„ ์†Œ๊ฐœํ•œ๋‹ค. ํฌ์ŠคํŠธํœด๋จธ๋‹ˆ์ฆ˜์— ๋Œ€ํ•œ ์ž…์žฅ๊ณผ ๋ฐ˜์‘๋“ค์€ ์—ฌ๋Ÿฌ ๊ฐ€์ง€๋กœ ํ•ด์„๋˜๋ฉฐ ํ˜ผ์žฌ๋˜๊ณ  ์žˆ์ง€๋งŒ ๋ฏธ๋””์–ด ์•„ํŠธ์—์„œ ๋‹ค๋ฃจ์–ด์ง€๋Š” ์‹ ์ฒด์˜ ์ด๋ฏธ์ง€๋Š” ์ „ํ†ต์ ์ธ ์ƒ๋ฌผํ•™์  ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001732531
oai_dc
์• ๋‹ˆ๋ฉ”์ด์…˜ <The Simpsons>์˜ ์ž‘ํ’ˆ ๋ถ„์„ ์—ฐ๊ตฌ - ๋กค๋ž‘๋ฐ”๋ฅดํŠธ์˜ ๊ธฐํ˜ธํ•™์„ ์ค‘์‹ฌ์œผ๋กœ -
Analysis on the Animation <The Simpsons> - based on Semiology of Roland Barthes -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์Šน๋ฝ(๋‚จ์„œ์šธ๋Œ€ํ•™๊ต); ๊ตฌ๋ณด๋ฆ„(๋‚จ์„œ์šธ๋Œ€ํ•™๊ต, ์ผ๋ฐ˜๋Œ€ํ•™์› ์• ๋‹ˆ๋ฉ”์ด์…˜์ „๊ณต)" ]
๋ณธ ๋…ผ๋ฌธ์—๋Š” ์ฒด๊ณ„์ ์ด๊ณ  ๊ณผํ•™์ ์ธ ๋ฐฉ์‹์— ๋”ฐ๋ผ ๋ฌธํ™”ํ˜„์ƒ์— ์ ‘๊ทผํ•œ ๋กค๋ž‘๋ฐ”๋ฅดํŠธ์˜ ์‹ ํ™”์  ๊ธฐํ˜ธํ•™์„ ํ† ๋Œ€๋กœํ•˜์—ฌ, ์ „ ์„ธ๊ณ„์ ์œผ๋กœ ํฅํ–‰์— ์„ฑ๊ณตํ•œ ๋ฏธ๊ตญ์˜ ์• ๋‹ˆ๋ฉ”์ด์…˜ โ‰ชThe Simpsonsโ‰ซ๊ณผ ์†Œํ†ตํ•˜๊ณ ์ž ํ•œ๋‹ค. ๋จผ์ € ๊ธฐํ˜ธํ•™์„ ๋ฐœ์ „์‹œํ‚จ ์†Œ์‰ฌ๋ฅด์— ๋Œ€ํ•˜์—ฌ ์‚ดํŽด๋ณธ ํ›„ ์—ฐ๊ตฌ ๋ฐฉ๋ฒ•์œผ๋กœ ์ฑ„ํƒํ•œ ๋ฐ”๋ฅดํŠธ์˜ ์‹ ํ™”๋ก ์  ๊ธฐํ˜ธํ•™์˜ ๊ฐœ๋…์„ ์•Œ์•„๋ณธ๋‹ค. ๋˜ํ•œ ์ด์— ๋”ฐ๋ผ โ‰ชThe Simpsonsโ‰ซ์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ๋™์–‘์— ๋Œ€ํ•œ ์—ํ”ผ์†Œ๋“œ๋ฅผ ์ฑ„ํƒํ•จ์œผ๋กœ์จ, ๋™์–‘์˜์‚ฌํšŒ์  ๋ฌธํ™”์„ฑ๊ณผ ๋ฌธ์ œ์„ฑ์ด ๋‹ค๋ฅธ ๋ฌธํ™”๊ถŒ์—์„œ ์–ด๋– ํ•œ ํ˜•ํƒœ๋กœ์จ ๋น„์ถฐ์ง€๋Š”์ง€ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ๋ณธ ์—ฐ๊ตฌ ๋ถ„์„๊ฒฐ๊ณผ์— ๋”ฐ๋ผ โ‰ชThe simpsonsโ‰ซ์˜ ์ผ๋ถ€ ์—ํ”ผ์†Œ๋“œ ์ค‘ ์บ๋ฆญ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001732538
oai_dc
์˜ํ™”์Œ์•…์—์„œ ์ด๋ฏธ์ง€์™€ ์Œ์•…์‚ฌ์ด์˜ ๋ถ€์กฐํ™” ๊ธฐ๋ฒ•์— ๋Œ€ํ•œ ์—ฐ๊ตฌ
A Study on Dissonance between Image and Music in Film Scores
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐํ˜„์ผ(์„œ์šธ์ข…ํ•ฉ์˜ˆ์ˆ ํ•™๊ต,๋ฎค์งํ”„๋กœ๋•์…˜๊ณผ )" ]
๋ณธ ๋…ผ๋ฌธ์€ ์˜ํ™”์Œ์•…์—์„œ ์‚ฌ์šฉ๋˜๋Š” ์Œ์•…๊ณผ ์‚ฌ์šด๋“œ ์ค‘ ์ด๋ฏธ์ง€์™€์˜ ๋ถ€์กฐํ™”๋ฅผ ์ด๋ฃจ๋Š” ๊ฒฝ์šฐ๋ฅผ ์ฒด๊ณ„ํ™”์‹œํ‚ค๊ณ  ๊ทธํšจ๊ณผ์— ๋Œ€ํ•ด ๋ถ„์„ํ•˜๋Š” ๋ฐ์— ๊ทธ ๋ชฉ์ ์ด ์žˆ๋‹ค. ์Œ์•…์€ ์ด๋ฏธ์ง€์™€ ๋งฅ๋ฝ, ํ…œํฌ, ๋ถ„์œ„๊ธฐ, ํŽธ์„ฑ์ด๋ผ๋Š” ์š”์†Œ์— ์žˆ์–ด์„œ ๋ถ€์กฐํ™”๋ฅผ ์ด๋ฃจ๊ฒŒ ๋œ๋‹ค. ๊ด€๊ฐ๋“ค์€ ์ด๋ฏธ์ง€์™€ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ๋ฅผ ํ†ตํ•ด ๊ธฐ๋Œ€ํ•œ ์Œ์•…์ ์ธ ํ‘œํ˜„์ด ์•„๋‹Œ ๋ถ€์กฐํ™”๋œ ์Œ์•…์„ ์ฒญ์ทจํ•จ์œผ๋กœ์จ ์ƒˆ๋กœ์šด ์ฐฝ์กฐ์ ์ธ ํšจ๊ณผ๋ฅผ ์–ป๊ฒŒ ๋œ๋‹ค. ๋ถ€์กฐํ™”๋œ ์Œ์•…์€ ๋ณต์„ ๊ณผ ์•”์‹œ, ์‹œ์ ์˜ ์ด๋™, ๋‹ค๊ฐํ™”๋œ ๊ฐ์ •์˜ ํ‘œํ˜„์ด๋ผ๋Š” ๋ถ€์‚ฐ๋ฌผ์„ ๋‚ณ๊ฒŒ ๋œ๋‹ค. ์ด๋Ÿฌํ•œ ๊ณผ์ •์„ ์ฒด๊ณ„ํ™”์‹œํ‚ค๋Š” ๊ฒƒ์€ ์˜ํ™”์Œ์•…์˜ ์ œ์ž‘๊ณผ์ •์—์žˆ์–ด์„œ ๊ฐ๋…๊ณผ ์Œ์•…๊ฐ๋… ์‚ฌ์ด์— ์›ํ• ํ•œ ์†Œํ†ต๊ณผ ์ „๋‹ฌ์„ ์šฉ์ดํ•˜๊ฒŒ ํ•ด์ฃผ๋Š” ๋ฐ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001732527
oai_dc
์˜จ/์˜คํ”„๋ผ์ธ ์—ฐ๊ณ„ ์ฝ˜ํ…์ธ ๋ฅผ ์œ„ํ•œ ์ง€๋„ ์ธํ„ฐํŽ˜์ด์Šค์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ๊ด‘์žฅ์‹œ์žฅ ์›น์˜ ๊ฐœ๋ฐœ ์‚ฌ๋ก€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study on Map Interface for On/off Line Coordinated Contents - Focused on 'KWANG JANG MARKET' website development -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ ์ •์‹(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต NID์œตํ•ฉ๊ธฐ์ˆ ๋Œ€ํ•™์› ๋””์ง€ํ„ธ์ฝ˜ํ…์ธ ๋””์ž์ธํ•™๊ณผ); ํ™์„๊ธฐ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์ง€๋„ ์ธํ„ฐํŽ˜์ด์Šค๋กœ ๊ตฌํ˜„ ๋œ ์›น์„ ํ†ตํ•œ ์˜จ/์˜คํ”„๋ผ์ธ ์—ฐ๊ณ„ ์ฝ˜ํ…์ธ ์˜ ์‹ ๋ขฐ๋„๋ฅผ ๋†’์ด๊ณ  ์ด๋ฅผ ๊ด‘์žฅ์‹œ์žฅ(์ „ํ†ต์‹œ์žฅ) ์›น์‚ฌ์ดํŠธ์— ์ ์šฉํ•˜์—ฌ ์ƒ์ธ๋“ค๊ณผ ์‚ฌ์šฉ์ž์˜ ์ฐธ์—ฌ๋ฅผ ์œ ๋„ํ•˜๋ ค๋Š”๋ฐ ๋ชฉ์ ์ด ์žˆ๋‹ค. ์œ ๋น„์ฟผํ„ฐ์Šค ํ™˜๊ฒฝ์œผ๋กœ ์‚ฌ๋žŒ๋“ค์€ ์˜จ๋ผ์ธ์—์„œ ์†Œํ†ตํ•˜๊ณ  ์žˆ์ง€๋งŒ ์ „ํ†ต์‹œ์žฅ์€ ์ด๋Ÿฌํ•œ IT ํ™˜๊ฒฝ์œผ๋กœ์˜ ์ฐธ์—ฌ๊ฐ€ ์ž˜ ์ด๋ฃจ์–ด์ง€์ง€ ์•Š๊ณ  ์žˆ๋‹ค. ์˜จ๋ผ์ธ์€ ๊ฐ€์ƒ๊ณต๊ฐ„์œผ๋กœ ์ •๋ณด์˜ ์‹ ๋ขฐ๋„๊ฐ€ ๋†’์ง€๋งŒ์€ ์•Š๋‹ค. ๊ทธ๋ž˜์„œ ์˜จ๋ผ์ธ์—์„œ ์˜คํ”„๋ผ์ธ์˜ ์‹ค์ œ๋กœ์กด์žฌํ•˜๋Š” ์žฅ์†Œ์ž„์„ ํ‘œํ˜„ํ•˜์—ฌ ์˜จ๋ผ์ธ ์ •๋ณด์˜ ์‹ ๋ขฐ๋ฅผ ๋†’์ธ๋‹ค. ๊ด‘์žฅ์‹œ์žฅ์˜ ์˜จ/์˜คํ”„๋ผ์ธ ์—ฐ๊ณ„ ์ฝ˜ํ…์ธ ๋กœ์„œ ์ง€๋„์ธํ„ฐํŽ˜์ด์Šค๋กœ ๊ตฌํ˜„ ๋œ ์›น ์‚ฌ์ดํŠธ์˜ ์‹ค์ œ ๊ตฌํ˜„ ์‚ฌ๋ก€๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์˜คํ”„๋ผ์ธ์„ ๊ฐ•...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001732540
oai_dc
๋„์‹œ ๊ด‘์žฅ์œผ๋กœ ํ™•์žฅ๋œ ๋ฏธ๋””์–ด์•„ํŠธ - ๋ฏธ๋””์–ด ์ƒํƒœํ•™๊ด€์ ์—์„œ ๋ฐ”๋ผ๋ณธ ํ™˜๊ฒฝ์œผ๋กœ์„œ์˜ ๋ฏธ๋””์–ด์•„ํŠธ -
A Study on new possibility of Media Arts as an environment - through a perspective on the Media Ecology -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ˜œ์šฑ(์ฒญ๊ฐ•๋ฌธํ™”์‚ฐ์—…๋Œ€ํ•™๊ต)" ]
๊ธฐ์ˆ ๊ณผ ์˜ˆ์ˆ ์ด ์œ ๊ธฐ์ฒด์ ์œผ๋กœ ๊ณต์กดํ•  ๋•Œ ๊ธฐ์ˆ ์€ ์šฐ๋ฆฌ๊ฐ€ ์‚ด์•„๊ฐ€๋Š” ์ƒํƒœํ•™์  ํ™˜๊ฒฝ์œผ๋กœ ์ธ์ง€๋˜๋ฉฐ ์ด๊ฒƒ์„ ๋ฏธ๋””์–ด์ƒํƒœํ•™์˜ ๊ด€์ ์—์„œ ๋ณผ ๋•Œ ๊ธฐ์ˆ ๊ณผ ์˜ˆ์ˆ ์˜ ๋ฐœ์ „๋ฐฉํ–ฅ์ด์ž ์กด์žฌ์ด์œ ๊ฐ€ ๋œ๋‹ค. ์ด์— ๋ณธ ์—ฐ๊ตฌ๋Š” ์ผ๋ จ์˜ ๋ฐœ์ „๊ณผ์ •์„ ๊ฑฐ์น˜๋ฉฐ ๋ฐœ์ „์„ ๊ฑฐ๋“ญํ•ด ์˜จ ๋ฏธ๋””์–ด์•„ํŠธ๊ฐ€ ๋„์‹œ์˜ ํ™•์žฅ๋œ ๊ณต๊ฐ„ ์ค‘ ํ•˜๋‚˜์ธ ๋ฏธ๋””์–ดํŒŒ์‚ฌ๋“œ์˜ ์ฝ˜ํ…์ธ ๋กœ ์‚ฌ์šฉ๋  ๋•Œ ์ธ๊ฐ„์˜ ์‚ถ ์†์˜ ์ƒํƒœํ•™์  ํ™˜๊ฒฝ์œผ๋กœ ์ธ์ง€๋˜์–ด ์ธ๊ฐ„์˜ ์‚ถ๊ณผ ๊ท ํ˜•์„ ์ด๋ฃฐ ์ˆ˜ ์žˆ๋Š”์ง€์— ๋Œ€ํ•œ ๊ฐ€๋Šฅ์„ฑ์„ ๊ณ ์ฐฐํ•˜๊ณ ์ž ํ•œ๋‹ค. ๊ธฐ ๋“œ๋ณด๋ฅด(Guy Debord)๋Š” ์ธ๊ฐ„์˜ ์š•๊ตฌ์™€ ์‚ถ์˜ ๊ฐ€์น˜์™€๋Š” ๊ด€๊ณ„์—†์ด ๊ท ์ผํ™”๋œ ์ž๋ณธ์ฃผ์˜์˜ ์›๋ฆฌ์— ์˜ํ•ด ์กฐ์งํ™” ๋œ ๋„์‹œ์˜ ๊ตฌ์กฐ๋ฅผ ๋„์‹œ์˜ ์ŠคํŽ™ํƒ€ํด๋กœ ๋ณด๊ณ  ์ด...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001732533
oai_dc
ํ”ผํ„ฐ ์•„์ด์  ๋งŒ์˜ โ€˜The City of Culture of Galicia' ํ”„๋กœ์ ํŠธ์—์„œ ํ‘œํ˜„๋œ ๋””์ง€ํ„ธ ๋””์ž์ธ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on the digital representation of the design project from Peter Eisenman's 'The City of Culture of Galicia'
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์„œํ˜„์‹(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต ์ผ๋ฐ˜๋Œ€ํ•™์› ๊ฑด์ถ•ํ†ตํ•ฉํ•™๊ณผ); ์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ํ”ผํ„ฐ ์•„์ด์  ๋งŒ์˜ ์ž‘์—…์ธ โ€˜The City of Culture of Galiciaโ€™(๊ฐˆ๋ฆฌ์‹œ์•„ ํ”„๋กœ์ ํŠธ)์˜ ๋””์ง€ํ„ธ ๋””์ž์ธ์˜ํ‘œํ˜„๊ณผ ์ด๋ก ์  ์ ‘๊ทผ๋ฐฉ์‹์— ๋Œ€ํ•˜์—ฌ ์‚ดํŽด๋ณด๋Š” ๊ฒƒ์„ ๊ทธ ๋ชฉ์ ์œผ๋กœ ํ•˜๊ณ  ์žˆ๋‹ค. ์•„์ด์  ๋งŒ์€ ๊ทธ์˜ ๊ฐˆ๋ฆฌ์‹œ์•„ ํ”„๋กœ์ ํŠธ๋ฅผ ํ†ตํ•˜์—ฌ ๊ณผ๊ฑฐ ์ž์‹ ์˜ ์ธ๋ฑ์Šค์ ์ธ ๋””์ž์ธ์ด ์ฝ”๋ฑ์Šค์˜ ์ƒˆ๋กœ์šด ๋””์ž์ธ์œผ๋กœ ๋„˜์–ด๊ฐ€๊ฒŒ ๋˜๊ณ  ๊ทธ ๋ณ€ํ™”์˜ํ•ต์‹ฌ์— ๋ฐ”๋กœ ๋””์ง€ํ„ธ ํ…Œํฌ๋†€๋กœ์ง€์˜ ํ™œ์šฉ์ด ์žˆ๋‹ค๊ณ  ์„ค๋ช…ํ•˜๊ณ  ์žˆ๋‹ค. ์•„์ด์  ๋งŒ์€ ๊ฐˆ๋ฆฌ์‹œ์•„ ํ”„๋กœ์ ํŠธ๋ฅผ ํ†ตํ•˜์—ฌ๋””์ง€ํ„ธ ํ…Œํฌ๋†€๋กœ์ง€๋ฅผ ์ ๊ทน์ ์œผ๋กœ ํ™œ์šฉํ•จ์œผ๋กœ์จ ์ž์‹ ์˜ ์ƒˆ๋กœ์šด ์ž‘์—…์— ํ•œ์ธต ๋” ๊ทธ ์ด๋ก ์  ๊นŠ์ด๋ฅผ ๋”ํ•˜๊ณ ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ๋จผ์ € ๊ฐˆ๋ฆฌ์‹œ์•„ ํ”„๋กœ์ ํŠธ์˜ ๋””์ž์ธ ๋ชจ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001732454
oai_dc
๋ฒ ๋ฅด๊ทธ์†ก ์ด๋ก ์œผ๋กœ ํ•ด์„ํ•˜๋Š” ๋น„์„ ํ˜•์„ฑ๊ณผ ์ƒ์„ฑ ์˜ˆ์ˆ  ์—ฐ๊ตฌ
A Study on Non-linearity and Generative Art based on Henri Bergsonโ€™s Theory
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํ˜œ๋ฆฌ(ํ™์ต๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์•™๋ฆฌ ๋ฒ ๋ฅด๊ทธ์†ก์˜ ์ด๋ก ์„ ๋ฐ”ํƒ•์œผ๋กœ ๋น„์„ ํ˜•์„ฑ๊ณผ ์ƒ์„ฑ์˜ˆ์ˆ  ๊ฐœ๋…์„ ๋น„๊ตํ•˜๋ฉฐ ๋ฒ ๋ฅด๊ทธ์†ก์˜ ์ฐฝ์กฐ์  ์ง„ํ™”์—์„œ ์ฃผ์žฅํ•˜๋Š” ๊ธฐํ•˜ํ•™์  ์œ ๊ธฐ์ฒดํ™”(Geometrical Organization) ๊ฐœ๋…์„ ์ ์šฉํ•œ ์ง„ํ™” ์ถ”์ƒ ์˜ˆ์ˆ ์„ ์—ฐ๊ตฌํ•ด ๋ณธ๋‹ค. ๋ฒ ๋ฅด๊ทธ์†ก์— ์˜ํ•˜๋ฉด ์ง„ํ™”๋Š” ์œ ๊ธฐ์ ์ธ ์กฐ์งํ™”์— ์˜ํ•ด ์ƒ์„ฑ๋˜๋Š” ๊ฒƒ์ด๋‹ค. ์ด๋Ÿฌํ•œ ๋…ผ๋ฆฌ๋Š” ์ปดํ“จํ„ฐ ์•Œ๊ณ ๋ฆฌ์ฆ˜์œผ๋กœ ์ถ”์ƒ ์ด๋ฏธ์ง€๋ฅผ ์ƒ์„ฑํ•˜๋Š” ๋น„์„ ํ˜•์„ฑ ์ƒ์„ฑ ์˜ˆ์ˆ ๊ณผ ๋น„๊ตํ•ด ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋ฐฉ๋ฒ•์€ ๊ธฐ์กด์˜ ๊ทœ์น™์—์„œ์ƒ์„ฑ ๊ฐ€๋Šฅํ•œ ์ด๋ฏธ์ง€์™€ ๋˜ ๋‹ค๋ฅธ ๋ณ€ํ™”๋œ ์ด๋ฏธ์ง€๋ฅผ ์ƒ์„ฑํ•˜๊ธฐ๋„ ํ•˜์—ฌ ๋‹ค์–‘ํ•œ ์ด๋ฏธ์ง€๋ฅผ ๋งŒ๋“ค ์ˆ˜ ์žˆ๊ฒŒ ํ•œ๋‹ค. ๊ธฐํ•˜ํ•™์  ์œ ๊ธฐ์ฒดํ™”๋ฅผ ์ ์šฉํ•œ ๋˜ ๋‹ค๋ฅธ ๋ฐฉ๋ฒ•์€ ์ƒ๋ฌผ์ฒด์˜ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001732486
oai_dc
์ฝ˜ํ…์ธ ์‚ฐ์—…์˜ ์ง€์›์ฒด๊ณ„ ์ •์ฑ… ๋ฐฉํ–ฅ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on the Support Policy for the Content Industry
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์˜ํ˜ธ(์šฉ์ธ๋Œ€ํ•™๊ต ๋ฌธํ™”์˜ˆ์ˆ ๋Œ€ํ•™)" ]
๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ๋ฌธํ™”์ฝ˜ํ…์ธ ์‚ฐ์—…์˜ ์ง€์›์ฒด๊ณ„์™€ ์ œ์กฐ์—…์˜ ์ง€์› ์ฒด๊ณ„๋ฅผ ๋ถ„์„ํ•˜์˜€๋‹ค. ์ฝ˜ํ…์ธ ์‚ฐ์—…์˜ ํŠน์„ฑ์€ ์„ฑ์žฅ์„ฑ์€ ๋†’์ง€๋งŒ ์œ„ํ—˜ ๋ถ€๋‹ด ์—ญ์‹œ ๋†’๊ณ  ์ƒํ’ˆ์˜ ํŠน์„ฑ์ด ๊ฒฝํ—˜์žฌ์ด๋ฏ€๋กœ ์ œ์กฐ์—… ์ƒํ’ˆ๊ณผ๋Š” ๋‹ฌ๋ฆฌ ์œ ์‚ฌํ•œ ์ƒํ’ˆ์„ ๋งŒ๋“ค์—ˆ์„ ๋•Œ ๋‹ค์‹œ ์„ฑ๊ณตํ•  ์ˆ˜ ์žˆ๋Š” ๋ณด์žฅ์ด ์—†๋‹ค. ๋˜ํ•œ ์‚ฐ์—…์ ์ธ ๋ถ€๊ฐ€๊ฐ€์น˜๋Š” ํฐ๋ฐ ๋น„ํ•˜์—ฌ ๋ฌธํ™”์  ํ• ์ธ์œจ(Cultural Discount) ๋•Œ๋ฌธ์— ์™ธ๊ตญ์— ์ˆ˜์ถœ์„ ํ•œ๋‹ค๋Š” ๊ฒƒ์€ ์ƒ๊ฐํ•˜๊ธฐ๋„ ์–ด๋ ค์› ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ํ˜‘์†Œํ•œ ๊ตญ๋‚ด์‹œ์žฅ ๊ทœ๋ชจ๋ฅผ ํƒˆํ”ผํ•˜๊ธฐ ์œ„ํ•˜์—ฌ ์ดˆ๊ธฐ ์ง€์› ๋ฐฉ์‹์€ ํ•ด์™ธ ์ง„์ถœ์„ ๋…๋ คํ•˜๋Š” ์ง€์› ๋ฐฉ์‹์œผ๋กœ ์ง€์›์ด ์ง„ํ–‰๋˜์—ˆ๋‹ค. ๊ทธ ๊ฒฐ๊ณผ์ฝ˜ํ…์ธ  ์ˆ˜์ถœ์€ ๋น ๋ฅด๊ฒŒ ์„ฑ์žฅํ•˜์˜€๋‹ค. ์—ฐ๊ตฌ ๊ฒฐ๊ณผ๋กœ์„œ ์ฝ˜ํ…์ธ ์‚ฐ์—…์˜ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001732797
oai_dc
์›นํˆฐ์— ์žˆ์–ด์„œ ์„œ์‚ฌ๊ตฌ์กฐ์— ๋”ฐ๋ฅธ ๊ณต๊ฐ„ํ™œ์šฉ์— ๋Œ€ํ•œ ๋น„๊ต๋ถ„์„ - ๊ตญ๋‚ด์™ธ ์›นํˆฐ์‚ฌ๋ก€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Types of the structure of the story by Space in Webtoon - A Case Study of domestic and foreign in Webtoon -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ง€์—ฐ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต NID์œตํ•ฉ๊ธฐ์ˆ ๋Œ€ํ•™์›); ์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
์ตœ๊ทผ ์šฐ๋ฆฌ๋‚˜๋ผ ๋งŒํ™” ์‹œ์žฅ์€ ์›นํˆฐ์˜ ์„ฑ์žฅ์„ธ๊ฐ€ ๋งค์šฐ ๋‘๋“œ๋Ÿฌ์ง€๊ฒŒ ๋‚˜ํƒ€๋‚˜๊ณ  ์žˆ๋‹ค. ์ด ๊ฐ€์šด๋ฐ ์Šคํฌ๋กค๋งŒํ™”๋Š” ์›นํˆฐ์˜ ์ฃผ๋ฅ˜ ํ‘œํ˜„ ์–‘์‹์œผ๋กœ ์ž๋ฆฌ ์žก์œผ๋ฉด์„œ ๋…์ž์—๊ฒŒ ์ƒˆ๋กœ์šด ์‹œ๊ฐ์  ์ฒดํ—˜์„ ์„ ์‚ฌํ•˜๊ณ  ์žˆ๋‹ค. ์Šคํฌ๋กค ๋งŒํ™”๋Š”์žฅ๋Œ€ํ•œ ์„ธ๋กœ ์นธ์˜ ์‚ฌ์šฉ๊ณผ ์• ๋‹ˆ๋ฉ”์ด์…˜์ ์ธ ๊ธฐ๋ฒ•์˜ ํ™œ์šฉ, ํ˜์‹ ์ ์ธ ์นธ ๋‚˜๋ˆ„๊ธฐ, ๋งํ’์„ ๊ณผ ๋‚˜๋ ˆ์ด์…˜์˜ ๋‹ค์–‘ํ•œ๋ฐฐ์น˜ ๋“ฑ์œผ๋กœ ๋””์ง€ํ„ธ ๋งŒํ™”๊ฐ€ ๊ฐ€์ง„ โ€˜๋ฌดํ•œ ์บ”๋ฒ„์Šคโ€™์™€ ์›นํŽ˜์ด์ง€์˜ โ€˜์Šคํฌ๋กค๋ฐ”โ€™๋ฅผ ์ถฉ๋ถ„ํžˆ ํ™œ์šฉํ•จ์œผ๋กœ์จ ์ถœํŒ๋งŒํ™”์™€๋Š” ์ „ํ˜€ ๋‹ค๋ฅธ ๋””์ง€ํ„ธ ๋งŒํ™”๋งŒ์˜ ์ƒˆ๋กœ์šด ์–‘์‹์„ ์„ ๋ณด์ด๋ฉฐ ์‹œ๋Œ€๋ฅผ ์ด๋Œ๊ณ  ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ๊ตญ๋‚ด์™ธ ์›นํˆฐ์˜์„œ์‚ฌ๊ตฌ์กฐ์— ๋”ฐ๋ฅธ ๋‹ค์–‘ํ•œ ๊ณต๊ฐ„ ํ™œ์šฉ์— ๊ด€ํ•œ ์‚ฌ๋ก€๋ฅผ ๋‹ค์–‘ํ•œ ๋””์ž์ธ์  ๊ด€์ ์—์„œ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001732481
oai_dc
๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ์˜ํ™”, โ€˜์•„๋ฆฌ๋ž‘โ€™์— ๋‚˜ํƒ€๋‚œ ์‹œ๊ฐ„์‚ฌ์‹คํ™”์˜ ๋‹คํ์  ํ‘œํ˜„
Documentary-Styled Expressions of Time Realization in Documentary Film "Arirang"
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋™ํ˜„(๋™์„œ๋Œ€ํ•™๊ต)" ]
๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ์˜ํ™”๋Š” ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ์™€ ์˜ํ™”์˜ ๊ฒฝ๊ณ„์— ์„œ ์žˆ๋Š” ๊ทน์  ๊ธฐ๋ก๋ฌผ์ด๋ฉฐ, ๊ทน์ ์‚ฌ์‹คํ™”์™€ ๋‹คํ์ ์‚ฌ์‹คํ™”์˜ํ‘œํ˜„๊ธฐ์ œ๋ฅผ ํ˜ผ์šฉํ•˜์—ฌ ๋งŒ๋“ค์–ด์ง„๋‹ค. ์‚ฌ์‹คํ™”๋Š” ์˜ํ™”๊ฐ€ ๊ฐ€์ง„ ๊ธฐ๋ณธ์  ์š•๊ตฌ์ธ ํ˜„์‹ค-์žฌํ˜„(๊ทน์˜ํ™”)๊ณผ ํ˜„์‹ค-์žฌ์—ฐ(๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ) ์–‘์ชฝ ๋ชจ๋‘๋ฅผ ์ถฉ์กฑ์‹œํ‚ค๊ธฐ ์œ„ํ•ด ๊ทนํ™”๋œ ์„ธ๊ณ„๋ฅผ ์‹ค์ œ ์„ธ๊ณ„๋กœ, ํ˜„์‹ค์˜ ์„ธ๊ณ„๋ฅผ ์ง„์‹ค์„ธ๊ณ„๋กœ ์ด๋Œ์–ด๊ฐ€๋Š” ์ง€ํ‘œ์ด๋‹ค. ๊ทน์ ์‚ฌ์‹คํ™”๋ฅผ ์œ„ํ•ด์„œ๋Š” ์‹œ๊ฐ„์‚ฌ์‹คํ™”, ๊ณต๊ฐ„์‚ฌ์‹คํ™”, ์ธ๋ฌผ์‚ฌ์‹คํ™”๊ฐ€ ๋จผ์ € ์ถฉ์กฑ๋˜์–ด์•ผ ํ•œ๋‹ค. ๊ทธ ์ค‘์—์„œ ์‹œ๊ฐ„์‚ฌ์‹คํ™”๋Š” ์ผ๋ฐ˜์  ์‹œ๊ฐ„์ธ ๊ณผ๊ฑฐ, ํ˜„์žฌ, ๋ฏธ๋ž˜๋ฅผ ์—ฐ์ถœ๋œ ์‹œ๊ฐ„๊ณผ ๊ด€๊ฐ์˜ ์‹œ๊ฐ„์œผ๋กœ ๋ณ€ํ˜•์‹œ์ผœ ๊ด€๊ฐ์„ ์„ค๋“ ํ›„ ๊ทน์ ๋ชฐ์ž… ์‹œํ‚จ๋‹ค. ๋˜ํ•œ ๋‹คํ์ ์‚ฌ์‹คํ™” ์—ญ์‹œ ์ธํ„ฐ๋ทฐ, ๋‚ด๋ ˆ์ด์…˜, ์ž๋ฃŒ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001732462
oai_dc
์ค‘๊ตญ๋ฌธํ™”์›ํ˜•์ด ์žฌ์ฐฝ์กฐ๋œ ํ—๋ฆฌ์šฐ๋“œ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์˜ํ™”์˜ ์žฌํ˜„ ๊ธฐ๋ฒ•์— ๋Œ€ํ•œ ํƒ๊ตฌ - ์• ๋‹ˆ๋ฉ”์ด์…˜ ์˜ํ™” โ€˜์ฟตํ‘ธํŒ๋‹คโ€™๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study on the Production Techniques of the Hollywood Film recreated the Chinese Cultural Archetypes - focused on the Animation Film, โ€˜Kung Fu Pandaโ€™ -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํ˜„์„(๋Ÿฌํ”„๋ฒ„๋Ÿฌ๋Œ€ํ•™๊ต)" ]
ํ•œ๊ตญ์€ ์„ธ๊ณ„ํ™”์™€ ๋‹ค์›ํ™”์˜ ์‹œ๋Œ€๋ฅผ ๋งž์•„ ๊ตญ๊ฐ€์  ์ง€์›๊ณผ ํ•จ๊ป˜ ์ „ํ†ต๋ฌธํ™”์›ํ˜•์„ ์ด์šฉํ•œ ์ฐฝ์ž‘์‚ฌ์—…์— ๋งŽ์€ ํˆฌ์ž์™€ ๋…ธ๋ ฅ์„ ๊ธฐ์šธ์ด๊ณ  ์žˆ๋‹ค. ์ค‘๊ตญ ์ „ํ†ต๋ฌธํ™”์˜ ์œ , ๋ฌดํ˜•์˜ ์›ํ˜•์„ ์†Œ์žฌ๋กœ ํ•œ โ€˜์ฟตํ‘ธํŒ๋‹คโ€™ (2008)๋Š” ๋ฏธ๊ตญ์˜ ๋Œ€ํ‘œ์ ์ธ ์• ๋‹ˆ๋ฉ”์ด์…˜ ํšŒ์‚ฌ์ธ ๋“œ๋ฆผ์›์Šค์— ์˜ํ•ด ์ œ์ž‘๋˜์—ˆ์œผ๋ฉฐ, ์„ธ๊ณ„์ ์ธ ํฅํ–‰๊ณผ ํ•จ๊ป˜ 2008๋…„ ์ดˆ๊ธฐ์ž‘์ด ๋‚˜์˜จ ์ดํ›„ โ€˜์ฟตํ‘ธํŒ๋‹ค 2โ€™ (2011)๊ฐ€ ์ œ์ž‘๋˜์—ˆ์œผ๋ฉฐ, ํ˜„์žฌ โ€˜์ฟตํ‘ธํŒ๋‹ค 3โ€™ ํŽธ์ด ์ค‘๊ตญ๊ณผ ํ•ฉ์ž‘์œผ๋กœ ์ œ์ž‘ ์ค‘์— ์žˆ๋‹ค. ์ด๋Š” ๊ธฐ์กด ์„œ๊ตฌ๋ฌธํ™” ์ค‘์‹ฌ์˜ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์˜ํ™”์—์„œ ์•„์‹œ์•„ ๋ฌธํ™”๊ถŒ์ธ ์ค‘๊ตญ์˜ ์ „ํ†ต๋ฌธํ™”์›ํ˜•์„ ๋‹ค๋ฃฌ ์Šคํ† ๋ฆฌํ…”๋ง์ด ๋™,์„œ์–‘์˜ ๊ฒฝ๊ณ„๋ฅผ ๋„˜์–ด ์„ธ๊ณ„์ ์ธ ๋ฐ˜์‘์„ ์–ป์„ ์ˆ˜ ์žˆ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001732470
oai_dc
๊ฐ์„ฑ ๊ฒฝํ—˜ ๋””์ž์ธ ์ฐจ์›์˜ ์‚ฌ์šฉ์ž ๊ฐ์„ฑ ๋น„๊ต - ๊ฐค๋Ÿญ์‹œํฐ๊ณผ ์•„์ดํฐ์„ ์ค‘์‹ฌ์œผ๋กœ -
The comparison of the userโ€™s emotions by emotional experience design dimension - focused on galaxy phone and iphone -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์˜์ฃผ(์ฒญ์šด๋Œ€ํ•™๊ต)" ]
2009๋…„ KT์˜ ์•„์ดํฐ์˜ ๋„์ž…์œผ๋กœ ๊ตญ๋‚ด ์Šค๋งˆํŠธํฐ ์‹œ์žฅ์€ ๊ฒฝ์Ÿ์ด ์‹ฌํ™”๋˜๊ณ  ์žˆ๋Š” ์ƒํ™ฉ์ด๋‹ค ๊ทธ ์ค‘์—์„œ๋„ ๊ตญ๋‚ดํŒ๋งค์œจ 1, 2์œ„๋ฅผ ๋‹คํˆฌ๊ณ  ์žˆ๋Š” ์•„์ดํฐ๊ณผ ๊ฐค๋Ÿญ์‹œ ํฐ์€ ๊ณผ์—ฐ ์–ด๋–ค ์ ์—์„œ ์‚ฌ์šฉ์ž๋“ค์—๊ฒŒ ๋งค๋ฃŒ๋˜๊ณ  ์žˆ๋Š”๊ฐ€ ํ•˜๋Š” ์˜๋ฌธ์—์„œ ๋ณธ ์—ฐ๊ตฌ๋Š” ์‹œ์ž‘๋˜์—ˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์‚ฌ์šฉ์„ฑ, ์ง€๊ฐ์„ฑ, ์ž๊ทน์„ฑ์˜ ์„ธ ๊ฐ€์ง€ ์ฐจ์›์—์„œ ์•„์ดํฐ 4์™€ ๊ฐค๋Ÿญ์‹œ S2์˜ ์‚ฌ์šฉ ๊ฒฝํ—˜์ด ์—†๋Š” ์Šค๋งˆํŠธํฐ ์‚ฌ์šฉ ๊ฒฝํ—˜์ž๋ฅผ ๋Œ€์ƒ์œผ๋กœ ์‚ฌ์šฉ์ž ๊ฐ์„ฑ ๊ฒฝํ—˜ ์š”์ธ ์ถ”์ถœํ•ด ๋น„๊ตํ•ด ๋ณด์•˜๋‹ค. ์Šค๋งˆํŠธํฐ ์‚ฌ์šฉ์ž ๊ฐ์„ฑ ๊ฒฝํ—˜์— ์˜ํ–ฅ์„ ์ฃผ๋Š” ์š”์ธ์œผ๋กœ๋Š” ์‚ฌ์šฉ์„ฑ, ์ง€๊ฐ์„ฑ, ์ž๊ทน์„ฑ์˜ 3๊ฐœ ์ฐจ์›์—์„œ ์œ ์šฉ์„ฑ, ์šฉ์ด์„ฑ, ๋‹จ์ถ•์„ฑ, ์ง๊ด€์„ฑ, ์ •๋ˆ์„ฑ, ์œ ์‚ฌ์„ฑ, ์‹ฌ๋ฏธ์„ฑ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001732490
oai_dc
์‹œ๊ฐ„, ์‹œ๊ฐ„์ด๋ก  ๊ทธ๋ฆฌ๊ณ  ํ™•์žฅ์‹œ๊ฐ„๊ตฌ์กฐ - ์‹คํ—˜์˜ํ™”์™€ ๋น„๋””์˜ค์•„ํŠธ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
Time, Time theory and Expanded Time Structure - Focused on Experimental Film and Video Art -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์ข…ํ•œ(์„ธ๋ช…๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์‹œ๊ฐ„(Time)๊ณผ ์˜์ƒ์ž‘ํ’ˆ๊ณผ์˜ ๊ด€๊ณ„๋ฅผ ์„ค์ •ํ•˜๊ณ  ์‹œ๊ฐ„์ด๋ก (Time Theory)์˜ ๊ณ ์ฐฐ์„ ํ†ตํ•ด ๋น„๋‚ด๋Ÿฌํ‹ฐ๋ธŒ(Non-Narrative) ์ž‘ํ’ˆ ๊ณ„์—ด์ธ ์‹คํ—˜์˜ํ™”์™€ ๋น„๋””์˜ค์•„ํŠธ์—์„œ ๋ฐœ๊ฒฌ๋˜๋Š” ๋‹ค์–‘ํ•œ ์ธต์œ„์˜ ํ™•์žฅ๋œ ์‹œ๊ฐ„๊ตฌ์กฐ์— ๊ด€ํ•ด ์—ฐ๊ตฌํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ƒ๋ช…์˜ ๊ทผ๊ฐ„์ธ ์‹œ๊ฐ„์ด ์˜ˆ์ˆ ๊ณผ ๋งŒ๋‚œ ์‹œ๊ฐ„์˜ˆ์ˆ (Time Art)์˜ ์˜๋ฏธ ๊ทธ๋ฆฌ๊ณ  ์™„๋ฒฝํ•œ ํ˜„์‹ค์˜ ๋ชจ๋ฐฉ๊ณผ ์žฌํ˜„์€ ํ˜„์‹ค์„ ๋˜ ์–ด๋–ป๊ฒŒ ๋ณ€๋ชจ์‹œ์ผฐ๋Š”์ง€ ์‚ดํŽด๋ณด๊ณ  ์‹œ๊ฐ„์ด๋ผ๋Š” ๋ฏธ์ง€์˜ ํ™”๋‘๋ฅผ ํ’€๊ธฐ์œ„ํ•œ ๊ณ ๋Œ€๋กœ๋ถ€ํ„ฐ์˜ ์‹œ๊ฐ„ ์กฐ๊ฐ๊ฐ€๋“ค ๋Œ€ํ‘œ์ ์œผ๋กœ ๋“ค๋ขฐ์ฆˆ(Gilles Deleuze)์™€ ๋ฒ ๋ฅด๊ทธ์†ก(Henri Bergson)์˜์‹œ๊ฐ„์ด๋ก ์„ ํƒ๊ตฌํ•œ๋‹ค. ๋‚˜์•„๊ฐ€ ๋ฌด๋น™์ด๋ฏธ์ง€(M...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001732476
oai_dc
์—ญ๋™์  ๋ฐ์ดํ„ฐ๋ฒ ์ด์Šค์•„ํŠธ๋กœ์„œ์˜ ์ง‘๋‹จ์  ์ง€๋„์“ฐ๊ธฐ ์—ฐ๊ตฌ
A Study on the Collective Map Writing as a Dynamic Database Art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๋ฏธ์ง€(๋ฏธ๋””์–ด์•„ํ‹ฐ์ŠคํŠธ)" ]
ํ˜„์žฌ์˜ ์ง€๋„๋Š” ์ง€๋„์ œ์ž‘์ˆ ์˜ ๋ฐœ๋‹ฌ๋กœ ์ •ํ™•ํ•œ ์œ„์น˜ ์ •๋ณด๋ฅผ ๋‹ด๊ฒŒ๋œ ๋Œ€์‹ , ์˜ˆ์ „์˜ ์ง€๋„์— ๋‹ด๊ฒจ์žˆ๋˜ ์‚ฌ์ ์ธ ๋ชฉ์†Œ๋ฆฌ์™€ ์—ฌ์ •์˜ ๊ธฐ๋ก๋“ค์€ ์žƒ๊ฒŒ ๋๋‹ค. <Rhizome map(๋‹ค์–‘์ฒด ์ง€๋„)>์€ ์ด ์‚ฌ์ ์ธ ๊ฒฝํ—˜๋“ค์„ ๋‰ด๋ฏธ๋””์–ด ํ…Œํฌ๋†€๋กœ์ง€๋ฅผ ํ†ตํ•ด ๋ถ€ํ™œ์‹œํ‚ค๋ฉฐ ๋‰ด๋ฏธ๋””์–ด ์˜ˆ์ˆ ์˜ ์‚ฌํšŒ์  ์‹ค์ฒœ ๊ฐ€๋Šฅ์„ฑ์„ ์‹คํ—˜ํ•˜๋Š” ์–ดํ”Œ๋ฆฌ์ผ€์ด์…˜์ด๋‹ค. ์ด ์–ดํ”Œ๋ฆฌ์ผ€์ด์…˜ ์‹œ์Šคํ…œ์€ ๊ถŒ์œ„์  ์ฃผ์ฒด๊ฐ€ ์ œ๊ณตํ•˜๋Š” ๊ณ ์ •๋œ ์žฅ์†Œ(places)์— ๋Œ€ํ•œ ์ง€๋„๊ฐ€ ์•„๋‹ˆ๋ผ, ๊ฐœ๊ฐœ์ธ(n๋ช…)์˜ ์‹œ์ฒญ๊ฐ์œผ๋กœ ์‚ฌํšŒ์  ์ด์Šˆ๋ฅผ ํฌํ•จํ•œ ์—ญ๋™์  ๊ณต๊ฐ„(spaces)์„ ๋ฒˆ์—ญํ•˜๊ณ  ์ƒ์„ฑํ•˜๋Š” ์ง‘๋‹จ์  ์ง€๋„์“ฐ๊ธฐ(collective map writing)๊ฐœ๋…์„ ์ œ์‹œํ•œ๋‹ค. ๋ฐ์ดํ„ฐ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001619940
oai_dc
๋””์ž์ธ์‚ฐ์—…์˜ ๋ฏธ๋””์–ด ์ƒํƒœ ๋ณ€ํ™”์™€ ์‹ค๋ฌด ์‚ฌ๋ก€
Media Ecology in the field of Design Industries
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์†Œํ˜„((์ฃผ)ํผ์…‰์…˜); ์ •ํ˜œ์šฑ(์ฒญ๊ฐ•๋ฌธํ™”์‚ฐ์—…๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ํŠน๋ณ„ํžˆ ์ง„ํ™”ํ•˜๊ณ  ๋ฐœ์ „ํ•˜๊ณ  ์žˆ๋Š” ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ์‚ฌํšŒ๋ฅผ ๋˜๋Œ์•„๋ณด๋ฉฐ ๋””์ž์ธ ์‚ฐ์—… ๋ถ€๋ถ„์—์„œ์˜ ์ƒํƒœ๊ณ„์˜ ๋ณ€ํ™” ์–‘์ƒ์„ ์งš์–ด๋ณด๊ณ ์ž ํ•œ๋‹ค. ๋ฏธ๋””์–ด ๊ทธ ์ž์ฒด์˜ ๊ณ ์œ ํ•œ ํŠน์„ฑ์ด๋‚˜ ํž˜์—์„œ ๋น„๋กฏ๋˜๋Š” ์˜ํ–ฅ๋ ฅ์— ์•ž์„œ๋ฏธ๋””์–ด ๊ฐ„์˜ ์œตํ•ฉ ๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์ด ๋งŒ๋“ค์–ด๋‚ด๋Š” ์ œ2, ์ œ 3์œผ๋กœ ํ™•์žฅ๋˜๋Š” ์š”์ธ๋“ค์ด ์–ด๋– ํ•œ ๋ณ€ํ™”์˜ ํ๋ฆ„ ์†์—์„œ ์žฅ๋‹จ์ ์„ ์ฐฝ์ถœํ•˜๊ณ  ์žˆ๋Š”์ง€์— ์ฃผ๋ชฉํ–ˆ๋‹ค. ๋””์ž์ธ ์ƒํƒœ๊ณ„๋Š” ๋ฏธ๋””์–ด์˜ ๋ฐœ๋‹ฌ์— ๋”ฐ๋ฅธ ํ™•์žฅ๊ณผ ์ปจ๋ฒ„์ „์Šค(convergence)๋กœ ์ธํ•ด ์‹œ๊ณต๊ฐ„์˜ ์ œ์•ฝ์„ ๋„˜์–ด์„œ ๊ธ€๋กœ๋ฒŒ ๋„คํŠธ์›Œํฌ๋ฅผ ์ฐฝ์ถœํ•˜๋ฉฐ ์—…๋ฌด์˜ ํšจ์œจ์„ฑ์„ ๋†’์—ฌ๊ฐ€๊ณ  ์žˆ์œผ๋ฉฐ, ๋ฏธ๋””์–ด์˜ ๋ฐœ๋‹ฌ์€ ์ƒ์‚ฐ๊ณผ ์œ ํ†ต์— ์ด๋ฅด๋Š” ์ „ ๊ณผ์ •์„ 1์ธ ์ฒด์ œ๋กœ ๊ฐ€...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001619884
oai_dc
์‹œํ€€์Šค์˜ ์ž ์žฌ์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ -๋ณธ์ธ์˜ ๋น„๋””์˜ค์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ-
A Study on the Potentiality of Sequences -Based on My Video Works-
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํƒœ์ง„(๊ตญ๋ฏผ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์˜์ƒ์˜ ์‹œํ€€์Šค๋ฅผ ์•™๋ฆฌ ๋ฒ ๋ฅด๊ทธ์†ก์˜ ์ง€์†์˜ ๊ฐœ๋…, ๋˜ํ•œ ์งˆ ๋“ค๋ขฐ์ฆˆ์˜ ์ „์ฒด ๊ฐœ๋…๊ณผ ๊ด€๋ จํ•˜์—ฌ ๊ณ ์ฐฐํ•ด ๋ณด๊ณ ์ž ์‹œ์ž‘๋˜์—ˆ๋‹ค. ์ง€์†์„ ์™œ๊ณก ์—†์ด ํŒŒ์•…ํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ์˜์‹์ด ๋„์•ฝ์„ ํ†ตํ•ด ๊ณผ๊ฑฐ ์ผ๋ฐ˜์œผ๋กœ ์œ„์น˜ ์ง€์–ด์ง€๋Š” ๊ณผ์ •์„ ์‹œํ€€์Šค์˜ ์ƒํ™ฉ ์•ˆ์—์„œ ์ดํ•ดํ•ด์•ผ ํ•˜๋Š” ๊ฒƒ์ด ์š”๊ตฌ๋œ๋‹ค. ๋ฌด์—‡๋ณด๋‹ค ์‹œํ€€์Šค๊ฐ€ ์ œ๊ธฐํ•˜๋Š” ๊ฐ•๋ ฅ์˜์ˆœ๊ฐ„ ์ฆ‰, ๋™์  ๋‹จ๋ฉด์ด๋‚˜ ์ธต์œ„๋ผ๊ณ  ์ผ์ปฌ์–ด์ง€๋Š” ์ง€์†์˜ ๊ตฌ์กฐ๊ฐ€ ์„ ๋ช…ํ•˜๊ฒŒ ๊ฐ์ง€๋˜๋Š” ์ˆœ๊ฐ„์„ ๊ณ ์ฐฐํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค. ๋ณธ์ธ๊ณผ ์ˆ˜์ž” ํž๋Ÿฌ ๊ทธ๋ฆฌ๊ณ  ๋ถ€๋ฅด์Šค ๋‚˜์šฐ๋จผ์˜ ๋น„๋””์˜ค ์ž‘ํ’ˆ์—์„œ ์ œ์‹œ๋˜๋Š” ์‹œํ€€์Šค์˜ ์†์„ฑ์€ ๊ณตํ†ต์ ์œผ๋กœ ๋™์‹œ์„ฑ์„ ๋“œ๋Ÿฌ๋‚ด๋ฉฐ ์ธต์œ„๋“ค ๊ฐ„์˜ ๊ณต์กด, ๊ทธ ์•ˆ์—์„œ์˜ ์šด๋™์ด๋ผ ํ•  ์ˆ˜ ์žˆ๋Š” ์ž ์žฌ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001619900
oai_dc
ํ”ผ๋“œ๋ฐฑํšจ๊ณผ๋ฅผ ์ด์šฉํ•œ ์˜์ƒํ‘œํ˜„์˜ ์—ฐ๊ตฌ -๊ฐœ์ธ์ „ โ€˜๋น›์œผ๋กœ๋ถ€ํ„ฐโ€™๋ฅผ ์ค‘์‹ฌ์œผ๋กœ-
A Study of Video Expression through Feedback Effect -Case study: Solo Exhibition, From Light-
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •์šฐ์šฉ(์ˆœ์ฒœ๋Œ€ํ•™๊ต)" ]
๋น›์„ ์ด์šฉํ•œ ์กฐํ˜•์˜ˆ์ˆ ์˜ ์ƒˆ๋กœ์šด ํ‘œํ˜„๋ฐฉ๋ฒ• ์ œ์•ˆ์„ ์œ„ํ•ด ํƒœ์–‘๋น›์„ ์‹ค๋‚ด๊ณต๊ฐ„์— ๋„์ž…ํ•œ ํ”ผ๋“œ๋ฐฑํšจ๊ณผ๋ฅผ ์—ฐ๊ตฌํ•˜์˜€๋‹ค. ๋น›์˜ ์†์„ฑ์„ ์ด์šฉํ•œ ์กฐํ˜•ํ‘œํ˜„์˜ ์‚ฌ๋ก€๋ฅผ ์‚ดํŽด๋ณด๊ณ  ๊ฐœ์ธ์ „์‹œํšŒ โ€˜๋น›์œผ๋กœ๋ถ€ํ„ฐโ€™๋ฅผ ํ†ตํ•ด ๋น›์˜ ํ”ผ๋“œ๋ฐฑ์ž‘์šฉ์— ์˜ํ•œ ๋…์ฐฝ์ ์ธ ์กฐํ˜•ํ‘œํ˜„์„ ๊ตฌ์ฒด์ ์œผ๋กœ ์ œ์‹œํ•˜๊ณ ์ž ํ•˜์˜€๋‹ค. ํ”ผ๋“œ๋ฐฑํšจ๊ณผ์— ์˜ํ•ด ํƒœ์–‘๋น›์„ ๋ฌดํ•œ๋Œ€๋กœ ์ฆํญ์‹œํ‚ค๋Š” ์‹คํ—˜์€ ๋น›์œผ๋กœ ํ˜•ํƒœ, ์ƒ‰๊ฐ, ์›€์ง์ž„์„ ์ž์œ ๋กญ๊ฒŒ ํ‘œํ˜„ํ•  ์ˆ˜ ์žˆ๋Š” ํ†ต์ œ๋ ฅ์„ ๊ฐ–์ถ”๋Š” ๊ฒƒ์— ๋‹ค๋ฆ„ ์•„๋‹ˆ๋‹ค. ๋น›์ด ๋Œ€์ƒ์„ ๋ฐํžˆ๋Š” ์ด์ฐจ์  ์กด์žฌ์—์„œ ์‚ฌ๋ฌผ์„ ๊ตฌ์„ฑํ•˜๋Š” ์ผ์ฐจ์ ์ธ ํ˜•์ƒ ์š”์†Œ๋กœ ๋ณ€ํ™˜์‹œํ‚ค๊ธฐ ์œ„ํ•ด ์–ด๋‘์šด ๋ฒฝ๋ฉด์˜ ๊ตฌ๋ฉ์œผ๋กœ ์ตœ์†Œํ•œ์˜ ํƒœ์–‘๋น›์„ ์œ ์ž…ํ•˜๊ณ  ๋น”ํ”„๋กœ์ ํŠธ์™€ ์บ ์ฝ”๋”์˜ ๊ธฐ๊ณ„์  ์žฅ์น˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
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