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ART001619891
oai_dc
๋ฏธ๋””์–ด ์ƒํƒœ๊ณ„์—์„œ ํ…Œํฌ๋†€๋กœ์ง€๊ฐ€ ๋ฐ”๋ผ๋Š” ๊ฒƒ์€ ๋ฌด์—‡์ธ๊ฐ€? (๊ฒฝํ—˜๋””์ž์ธ ๊ด€์ ์—์„œ์˜ ๊ณ ์ฐฐ)
What is the message of technology in the aspect of Media Ecology? (consideration based on UXD)
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์„ฑ์ง„(ํƒฑ๊ทธ๋žจ๋””์ž์ธ์—ฐ๊ตฌ์†Œ)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋ฏธ๋””์–ด ์ƒํƒœ๊ณ„(Media Ecology)์—์„œ ํ…Œํฌ๋†€๋กœ์ง€์˜ ์˜๋ฏธ ๋ฐ ์ง„ํ™”๊ณผ์ •์„ ์‚ดํŽด๋ณด๊ณ , ๋ฏธ๋””์–ด์™€ ํ…Œํฌ๋†€๋กœ์ง€์˜ ๊ฒฐํ•ฉ์œผ๋กœ ์ธํ•œ ์ƒˆ๋กœ์šด ์‚ฌ์šฉ์ž ๊ฒฝํ—˜ ์‚ฌ๋ก€๋ฅผ ๊ด€์ฐฐํ•จ์œผ๋กœ์จ ๋ฏธ๋””์–ด ์ƒํƒœ๊ณ„ ์•ˆ์—์„œ ํ…Œํฌ๋†€๋กœ์ง€๊ฐ€ ์ฃผ๋Š” ๋ฉ”์‹œ์ง€๋Š” ๋ฌด์—‡์ธ์ง€ ์˜ˆ์ธกํ•ด ๋ณด๊ณ ์ž ํ•œ๋‹ค. ์ด์ œ ๋ฏธ๋””์–ด๋Š” ๋‹จ์ˆœํžˆ ํ˜•์‹์ ์ธ ๋งค์ฒด๋กœ์„œ์˜ ์กด์žฌ๊ฐ€ ์•„๋‹ˆ๋ผ ์ธ๊ฐ„์˜ ์ง€๊ฐ, ๊ฐ๊ฐ, ๊ฐ€์น˜ํŒ๋‹จ์— ์˜ํ–ฅ์„ ๋ผ์น˜๋ฉฐ ์ธ๊ฐ„์˜ ์‚ถ๊ณผ ์ƒํ˜ธ ๊ต๋ฅ˜ํ•˜๋Š” ํ™˜๊ฒฝ์œผ๋กœ์จ ์กด์žฌํ•˜๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋ฏธ๋””์–ด ์ƒํƒœ๊ณ„๋Š” ์ž์—ฐ ์ƒํƒœ๊ณ„์™€ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ์ƒ๋ฌผํ•™์  ์ƒํƒœ๊ณ„์˜ ์—ฐ์†์„ฑ์„ ๊ฐ€์ง€๋ฉฐ, ๋ฏธ๋””์–ด์™€ ์‚ฌํšŒ, ๊ธฐ์ˆ ๊ฐ„์˜ ์ƒํ˜ธ์ž‘์šฉ๊ณผ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์œผ๋กœ ๊ตฌ์„ฑ๋˜์–ด ์žˆ๋‹ค. ์ฆ‰, ์ƒˆ๋กœ์šด ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001619897
oai_dc
์œ ๊ธฐ์  ๊ฒฝ๋กœ๋กœ์„œ์˜ ๋„์‹œ; ์„œ์šธ ์ง€ํ•˜์ฒ  ๋…ธ์„ ๋„๋ฅผ ํ™œ์šฉํ•œ ์˜์ƒ์„ค์น˜
The City as Organic Pathways; The Media Installation based on Seoul Subway Lines
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์„ฑํ™˜(๊ฒฝ์„ฑ๋Œ€ํ•™๊ต)" ]
์˜์ƒ์„ค์น˜์ž‘์—…์ธ <ํŽผ์ณ์ง„ ๋„์‹œ, ๋– ๋‹ค๋‹ˆ๋Š” ๊ธฐํ˜ธ๋“ค>์€ โ€˜์œ ๊ธฐ์ฒด๋กœ์„œ์˜ ๋„์‹œโ€™์ „์— ์ถœํ’ˆ๋œ ์ž‘ํ’ˆ์œผ๋กœ์จ, ์ด์ „์˜ ์ž‘ํ’ˆ์ธ <๊ธธ๋™๋งตํ•‘>์„ ์žฌ์ž‘์—…ํ•˜์—ฌ ๋งŒ๋“ค์–ด์ง„ ๊ฒƒ์ด๋‹ค. ์žฌ์ž‘์—…์˜ ๊ด€์ ์€ ํฌ๊ฒŒ ๋‘ ๊ฐ€์ง€๋กœ ๊ตฌ๋ถ„๋˜๋Š”๋ฐ, ์ฒซ์งธ๋Š” ๋„์‹œ์  ์‚ถ์˜ ํ’๊ฒฝ์ด๋ž€ ์ธก๋ฉด์—์„œ ์ง€ํ•˜์ฒ ์˜ ๋…ธ์„ ๋„๋ฅผ ์‚ดํŽด๋ณด๋Š” ๊ฒƒ์ด๊ณ , ๋‘˜์งธ๋Š” ๊ฐ„ํŒ์ƒํ˜ธ๋ช…์ด ๊ฐ–๋Š” ๋‚ด๋ฉด๊ณ ๋ฐฑ์ ์„ฑ๊ฒฉ์„ ์ฐพ์•„๋‚ด๋Š” ๊ฒƒ์ด๋‹ค. ์ด๋กœ๋ถ€ํ„ฐ ์ง€ํ•˜์ฒ  ๋…ธ์„ ๋„์™€ ๊ฐ„ํŒ๋ช…์€ ์ƒ์ง•์  ์ฐจ์›์—์„œ ์œ ๊ธฐ์ ์œผ๋กœ ์—ฐ๊ฒฐ๋  ์ˆ˜ ์žˆ์Œ์„ ํ™•์‹ ํ•˜๊ฒŒ ๋œ๋‹ค. ์ด์ œ ์ƒ์ง•์  ์˜๋ฏธ์ƒ์„ฑ์œผ๋กœ์„œ์˜ ์ง€ํ•˜์ฒ  ๋…ธ์„ , ์ฆ‰ ๊ฒฝ๋กœ๊ฐ€ ๊ตฌ์ฒด์ ์œผ๋กœ ์–ด๋– ํ•œ ๋ชจ์Šต์„ ๋“œ๋Ÿฌ๋‚ด๋Š”์ง€ ์‹ค๋ก€๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์‚ดํŽด๋ณด๊ฒŒ ๋œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ทธ ๊ฒฐ๊ณผ, ๊ฒฝ๋กœ๋Š” ์‚ด...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001619895
oai_dc
๊ณต์—ฐ์˜ˆ์ˆ  ๋ฌด๋Œ€์˜์ƒ๋””์ž์ธ์˜ ๊ธฐ๋Šฅ์  ์œ ํ˜• ๋ถ„์„
Analysis of the Functions and Portention of Visual Media Design for Stage Settings in the Performing Arts
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํ•ด์œค(๋™์„œ๋Œ€ํ•™๊ต)" ]
๊ณต์—ฐ์˜ˆ์ˆ ์—์„œ ์‚ฌ์šฉ๋˜์–ด์กŒ๋˜ ๊ธฐ์กด์˜ ๋ฌด๋Œ€์žฅ์น˜๋Š” ์‹œ๊ฐ„์ , ๊ณต๊ฐ„์  ํ‘œํ˜„์˜ ํ•œ๊ณ„๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ์ด๋ฅผ ํ•ด๊ฒฐํ•˜๊ธฐ์œ„ํ•˜์—ฌ ๊ณต์—ฐ์˜ˆ์ˆ ์—์„œ๋„ ์˜์ƒ๋งค์ฒด๋ฅผ ๋ฌด๋Œ€์žฅ์น˜์˜ ๋„๊ตฌ๋กœ์จ ์ ๊ทน์ ์œผ๋กœ ํ™œ์šฉํ•˜๊ณ  ์žˆ๋‹ค. ๊ณต์—ฐ์˜ˆ์ˆ ์—์„œ ์˜์ƒ๋งค์ฒด์˜ ํ™œ์šฉ์€ ๋งค์šฐ ๋‹ค์–‘ํ•œ ํ˜•ํƒœ๋กœ ๋ฐœ์ „๋˜๊ณ  ์žˆ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ๋ฌด๋Œ€์˜์ƒ ๋””์ž์ธ์˜ ๊ธฐ๋Šฅ์  ์œ ํ˜• ๋ถ„์„์„ ํ†ตํ•˜์—ฌ ๊ณต์—ฐ์˜ˆ์ˆ ์—์„œ ํ™œ์šฉ๋˜์–ด์ง€๊ณ  ์žˆ๋Š” ๋ฌด๋Œ€์˜์ƒ ๋””์ž์ธ์˜ ๊ธฐ๋Šฅ์  ์ž ์žฌ์„ฑ์„ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š”๋ฌด๋Œ€์˜์ƒ์„ ํ™œ์šฉํ•œ ๊ตญ๋‚ด ๋ฌด์šฉ ๊ณต์—ฐ์„ ์ค‘์‹ฌ์œผ๋กœ ์‚ฌ๋ก€๋“ค์„ ๋ถ„์„ํ•˜๊ณ ์žํ•œ๋‹ค. 2000๋…„๋Œ€๋ถ€ํ„ฐ ๋ฌด์šฉ ๊ณต์—ฐ์—์„œ๋„๋ฌด๋Œ€์˜์ƒ์„ ํ™œ์šฉํ•˜๊ธฐ ์‹œ์ž‘ํ•˜์˜€๋‹ค. ๋ฌด๋Œ€ ๋ฐฐ๊ฒฝ์„ ์˜์ƒ ๋งค์ฒด๋กœ ๋Œ€์ฒดํ•˜๊ธฐ๋„ ํ•˜๊ณ  ๋ฌด์šฉ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001619933
oai_dc
ํ•œ๊ตญ์˜ ๋„์‹œ ๊ฐœ๋ฐœ๊ณผ ๋„์‹œ๊ณต๊ฐ„์— ๋Œ€ํ•œ ๋ฏธ๋””์–ด ์•„ํŠธ ์ž‘๊ฐ€๋“ค์˜ ์‹œ์„ 
Media arists' view on urban development and urban spaces
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์œ ์˜์•„(์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€)" ]
์ด ๊ธ€์€ ์˜ฌํ•ด ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€์—์„œ 4์›” 26์ผ์— ๊ฐœ๋ง‰ํ•˜์˜€๋˜ ใ€Šํ•œ๊ตญยทํ˜ธ์ฃผ ์ˆ˜๊ต50์ฃผ๋…„ ๊ธฐ๋…๊ต๋ฅ˜์ „: ํ˜ธ์ฃผ_๋””์ง€ํ„ธ ๋„์‹œ์ดˆ์ƒใ€‹ๅฑ•์— ๋Œ€ํ•œ ํ•œ๊ตญ์ž‘๊ฐ€๋“ค์˜ ์‘๋‹ต์œผ๋กœ ํ˜ธ์ฃผ ๊ณจ๋“œ์ฝ”์ŠคํŠธ ์‹œํ‹ฐ๊ฐค๋Ÿฌ๋ฆฌ์—์„œ ์—ด๋ฆฐ ใ€Šํ•œ๊ตญยทํ˜ธ์ฃผ ์ˆ˜๊ต50์ฃผ๋…„ ๊ธฐ๋…๊ต๋ฅ˜์ „: ํ•œ๊ตญ_๋„์‹œ ๋‹ค์‹œ ์ƒ์ƒํ•˜๊ธฐใ€‹ๅฑ•์˜ ๋„์‹œ ๊ฐœ๋ฐœ๊ณผ ๋„์‹œ ๊ณต๊ฐ„์— ๋Œ€ํ•œ ์šฐ๋ฆฌ๋‚˜๋ผ ๋ฏธ๋””์–ด ์•„ํŠธ ์ž‘๊ฐ€๋“ค์˜ ์‹œ์„ ์„ ๊ณ ์ฐฐํ•ด๋ณด๋Š” ์—ฐ๊ตฌ์ด๋‹ค. ํŠนํžˆ ์„œ์šธ์˜ ๊ทผ๋Œ€์ ์ธ ๊ณต๊ฐ„๋“ค๊ณผ ๊ฑด๋ฌผ๋“ค์ด ๋„์‹œ๊ฐœ๋ฐœ์„ ํ†ตํ•ด ๋ณ€๋ชจ๋˜๊ณ  ์žˆ๋Š” ํ˜„์‹ค์— ์ฃผ๋ชฉํ•˜๊ณ  ๊ทธ ์ˆœ๊ฐ„์„ ์–ด๋–ป๊ฒŒ ์ž‘๊ฐ€๋“ค์ด ํฌ์ฐฉํ–ˆ๋Š”์ง€์— ์ฃผ๋ชฉํ•˜์˜€๋‹ค. ๊ทธ๋ฆฌ๊ณ  ํ˜„์žฌ์˜ ๋„์‹œ๊ณต๊ฐ„์—์„œ ๋А๋ผ๋Š” ๋ถ€์กฐ๋ฆฌํ•จ์ด๋‚˜ ์–ด๋ ค์›€์—์„œ ๋ฒ—์–ด๋‚˜๋ ค๋Š” ์ž‘๊ฐ€๋“ค์˜ ์ƒ์ƒ์ด ๋„์‹œ๊ณต๊ฐ„์„...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001619926
oai_dc
์ž์•„์„ฑ์ฐฐ์‹ ๊ทน์ ์ด์ž…์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ์˜ํ™”โ€˜๋ƒ‰์ •๊ณผ ์—ด์ •์‚ฌ์ดโ€™๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
A Study of Self-reflection Dramatic Empathy - Focusing on the Film โ€˜Between Calm and Passionโ€™
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฐ๋ฏธ์†Œ((์žฌ)๊ฒฝ๋‚จํ…Œํฌ๋…ธํŒŒํฌ); ๊น€๋™ํ˜„(๋™์„œ๋Œ€ํ•™๊ต)" ]
๋ณธ๊ณ ๋Š” ์˜ํ™”์  ์‹œ๊ฐ„๋ฐฐ์—ด์„ ๋ฐ”ํƒ•์œผ๋กœ ์˜ํ™”์ธ๋ฌผ๊ณผ ๊ด€๊ฐ์ด ์ด๋ฃจ๋Š” ๊ทน์ ์ด์ž…๊ณผ ์ž์•„์„ฑ์ฐฐ์˜ ๊ฐœ๋…ํŒŒ์•…์„ ํ†ตํ•ด๊ด€๊ฐ์˜ ์ž์•„์„ฑ์ฐฐ์ด ์˜ํ™”๊ฐ์ƒ์„ ํ†ตํ•ด์„œ ์–ด๋–ป๊ฒŒ ์ด๋ฃจ์–ด์ง€๋Š”์ง€์— ๋Œ€ํ•ด ์ฃผ๋ชฉํ•œ๋‹ค. ๋˜ํ•œ, ๊ฐ์ •์„ ํ†ตํ•œ ๊ทน์ ์ด์ž…์€ ๊ฐ์ƒ์ž๊ฐ€ ํƒ€์ธ์— ๋Œ€ํ•ด ๋™์ผ์‹œ๋ฅผ ๋А๋ผ๋Š” ์ƒํ™ฉ์ด๋ฉฐ ์ด๊ฒƒ์€ ๊ฐ์ƒ์ž ์Šค์Šค๋กœ์˜ ์ž์•„์„ฑ์ฐฐ๊ณผ๋„ ๊ด€๋ จ์ง€์–ด์ง„๋‹ค. ๋ณธ๊ณ ์—์„œ ์Šคํฌ๋ฆฐ ์ƒ์˜์‹œ๊ฐ„์„ ํ†ตํ•œ ๊ด€๊ฐ์˜ ํšŒ๊ท€๊ฐ€ ์˜ํ™” ์† ์ธ๋ฌผ๊ณผ์˜ ๊ทน์  ์†Œํ†ต์„ ํ†ตํ•ด ์–ด๋–ค ์‹์œผ๋กœ ๋ฐœํ˜„๋˜๋Š”์ง€๋ฅผ ์•Œ๋ฉฐ, ์˜์ƒ์˜ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ ์† ๋ฐ˜๋ณต์—์„œ ๋“œ๋Ÿฌ๋‚˜๋Š” ์ฐจ์ด์™€ ์•”์‹œ๋ฅผ ํ†ตํ•ด ๋‚˜ํƒ€๋‚˜๋Š” ๋Œ€์•ˆ์„ ํ† ๋Œ€๋กœ ๊ฐ์ƒ์ž๋Š” ์ง€์†์ ์ธ ๋‚ด๋ฉด์„ธ๊ณ„์˜ ๊ณ ์ฐฐ์ด ๊ฐ€๋Šฅํ•จ์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค. ์™œ๋ƒํ•˜๋ฉด, ๋‹ˆ์ฒด์˜ '์˜์›...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001677329
oai_dc
๋””์ง€ํ„ธ๋ฏธ๋””์–ด ์†์„ฑ ๊ฒฐํ•ฉ์— ์˜ํ•œ ๊ด‘๊ณ ๋งค์ฒด ์—ฐ๊ตฌ: ๋ฏธ๋””์–ด๋ณด๋“œ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
A Study on Advertisement Media by Combination of Attributes of Digital Media: focused on Media Board
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์•ˆํฌ์ง„(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต); ์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋””์ง€ํ„ธ๋ฏธ๋””์–ด๊ฐ€ ๋ฐœ์ „ํ•จ์— ๋”ฐ๋ผ ๋Š์ž„์—†์ด ๋‹ค์–‘ํ•ด์ง€๊ณ  ์žˆ๋Š” ๋””์ง€ํ„ธ๋ฏธ๋””์–ด์˜ ์†์„ฑ ๊ฒฐํ•ฉ์— ๋Œ€ํ•ด ์ฃผ๋ชฉํ•˜์—ฌ ์—ฐ๊ตฌ๋ฅผ ์ง„ํ–‰ํ•˜์˜€๋‹ค. ๋””์ง€ํ„ธ๋ฏธ๋””์–ด๋Š” ํ˜„๋Œ€์— ์ด๋ฅด๋Ÿฌ ๋น„์•ฝ์ ์ธ ๋ฐœ์ „์„ ํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ์ฝ˜ํ…์ธ ๋ฅผ ์ˆ˜์šฉํ•˜๋Š” ๋ฒ”์œ„ ๋˜ํ•œ ํƒ„๋ ฅ์ ์œผ๋กœ ์ฆ๋Œ€๋˜๊ณ  ์žˆ๋‹ค. ๋ฏธ๋””์–ด ์ฝ˜ํ…์ธ ์˜ ์ด๋Ÿฌํ•œ ์ฆ๋Œ€๋Š” ์ƒˆ๋กœ์šด ๊ด‘๊ณ ๋งค์ฒด๊ฐ€ ์ฆ๊ฐ€๋˜๊ณ  ์žˆ๋‹ค๋Š” ์‚ฌ์‹ค์„ ๋Œ€๋ณ€ํ•˜๋Š” ๊ฒƒ์ด๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค. ๊ฐ ๋งค์ฒด๋“ค์€ ๊ทธ ํ™œ์šฉ์„ฑ์— ๋Œ€ํ•œ ๋‹ค์–‘ํ•œ ์†์„ฑ์„ ์ง€๋‹ˆ๊ฒŒ ๋˜๋ฉฐ, ๊ทธ์†์„ฑ๋“ค์ด ๋‹ค์‹œ ๊ฒฐํ•ฉํ•˜์—ฌ ์ƒˆ๋กœ์šด ๋””์ง€ํ„ธ๋ฏธ๋””์–ด๋ฅผ ํƒ„์ƒ์‹œํ‚ค๊ฒŒ ๋œ๋‹ค. ์ด๋ ‡๊ฒŒ ํƒ„์ƒํ•œ ๋งค์ฒด๋“ค์€ ๋˜ ๋‹ค๋ฅธ ์†์„ฑ๋“ค์˜ ๊ฒฐํ•ฉ์œผ๋กœ ๊ณ„์†ํ•ด์„œ ์žฌํƒ„์ƒ์„ ๋Š์ž„์—†์ด ๋˜ํ’€์ด ํ•˜๋ฉฐ ๊ทธ ์˜์—ญ์„ ๋„“ํ˜€๊ฐ€๊ณ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677344
oai_dc
A Study on Conceptual Artworks that Features Art of Nothingness
A Study on Conceptual Artworks that Features Art of Nothingness
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋‚จ์ƒ์—„(์ผ๋ž€๋Œ€ํ•™๊ต, ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์Šค ์Šค์ฟจ ์กฐ๊ต์ˆ˜)" ]
In 1913, Marcel Duchamp questioned, โ€œCan one make works which are not works of โ€˜artโ€™?โ€ Ever since this line played as the central theme in the so-called โ€˜new art,โ€™ there have been ongoing questions about unconventional and nontraditional artworks. Conceptual art, which depends solely on the concept โ€“ not the artwork it...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677337
oai_dc
๋””์ง€ํ„ธ๋ฏธ๋””์–ด๋ฅผ ํ™œ์šฉํ•œ ๋ฏธ์ˆ ๊ต์œกํ”„๋กœ๊ทธ๋žจ -๋””์ง€ํ„ธ ์ž‘ํ’ˆ๋ถ„์„์„ ์ค‘์‹ฌ์œผ๋กœ-
A Study on the Art Education Program by using Digital Media -Focusing on the analysis of digital works-
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ƒ์€(๊ตญ๋ฏผ๋Œ€ํ•™๊ต, ์˜ˆ์ˆ ๋Œ€ํ•™ ๋ฏธ์ˆ ํ•™๊ณผ ๊ฒธ์ž„๊ต์ˆ˜)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋””์ง€ํ„ธ๋ฏธ๋””์–ด๋ฅผ ํ™œ์šฉํ•œ ๋ฏธ์ˆ ๊ต์œก์— ๋Œ€ํ•œ ๋‹ค์–‘ํ•œ ์‹ค์Šต ๋ฐฉ๋ฒ•์„ ๋ชจ์ƒ‰ํ•ด ๋ณด๊ณ ์ž ํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ๊ถ๊ทน์ ์ธ ๋ชฉ์ ์„ ์œ„ํ•˜์—ฌ ๊ตญ๋‚ด, ์™ธ์—์„œ ์ด๋ฆ„์„ ์•Œ๋ฆฌ๊ณ  ์žˆ๋Š” ๋””์ง€ํ„ธ๋ฏธ๋””์–ด ์ž‘๊ฐ€๋“ค๋„ ๊ฐ„๋‹จํžˆ ์†Œ๊ฐœํ•˜๊ณ  ๋ฏธ์ˆ ๊ต์œกํ˜„์žฅ์—์„œ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด๋ฅผ ํ™œ์šฉํ•œ ์‹ค๊ธฐ ์‹ค์Šต์˜ ๋ช‡ ๊ฐ€์ง€์˜ ์‹ค๋ก€๋“ค์„ ์ •๋ฆฌํ•ด ๋ณด๊ณ ์ž ํ•œ๋‹ค. ์•ค๋””์›Œํ™€์˜ ํŒํ™”๋ฐฉ์‹์„ ์ด์šฉํ•œ ์žํ™”์ƒ ๊ทธ๋ฆฌ๊ธฐ๋Š” ๋ณต์‚ฌ๊ธฐ๋‚˜ ์ถœ๋ ฅ์„ ์ด์šฉํ•œ ๋˜ ๋‹ค๋ฅธ ํ‘œํ˜„์˜์—ญ์„ ๊ฒฝํ—˜ํ•  ์ˆ˜ ์žˆ์–ด๋ฉฐ, ํ™”๋ฉด ์•ˆ์—์„œ ์ƒ๋Œ€์  ํฌ๊ธฐ๋ฅผ ์™œ๊ณก, ๋ณ€ํ™”์‹œ์ผœ ๋‚ฏ์„  ์ด๋ฏธ์ง€๋ฅผ ๋งŒ๋“ค๊ธฐ๋Š” ํ•™์ƒ๋“ค์—๊ฒŒ ์‚ฌ๊ณ ์˜ ์ „ํ™˜์„ ์œ ๋„ํ•˜๊ณ , ๋””์ง€ํ„ธ๋ฏธ๋””์–ด๋ฅผ ํ™œ์šฉํ•œ ํ”Œ๋ฆฝ๋ถ๊ณผ ์• ๋‹ˆ๋ฉ”์ด์…˜ ๋งŒ๋“ค๊ธฐ๋Š” ์›€์ง์ด๋Š” ๊ทธ๋ฆผ์— ๋Œ€ํ•œ ์ดํ•ด์˜ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677359
oai_dc
ํ˜„์‹ค์˜ ์žฌ๊ตฌ์„ฑ : ๊ธฐ์ˆ ์— ์˜ํ•ด ๋ณ€ํ™”๋œ ๊ฐ€์น˜ - ์˜ํ™” โ€˜Prometheusโ€™๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
A Study on the Reconstruction of presence - based on the movie โ€˜Prometheusโ€™ by Ridley Scott
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ˜œ์šฑ(์ฒญ๊ฐ•๋ฌธํ™”์‚ฐ์—…๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์ธ๊ฐ„์˜ ์—ญ์‚ฌ ์ƒ ๋ฐœ์ „ ํ•ด ์˜จ ๋””์ง€ํ„ธ ๊ธฐ์ˆ ์˜ ๋ฐœ์ „์ƒ์„ ๊ทผ๊ฑฐ๋กœ ํ•˜์—ฌ ์˜ํ™”์— ์‚ฌ์šฉ๋˜๋Š” ํ…Œํฌ๋†€๋กœ์ง€๋กœ ์ธํ•ด ์šฐ๋ฆฌ๊ฐ€ ์‚ด๊ณ  ์žˆ๋Š” ํ˜„์‹ค์ด ์–ด๋–ป๊ฒŒ ์žฌ๊ตฌ์„ฑ๋˜์—ˆ์œผ๋ฉฐ ๊ทธ๊ฒƒ์ด ์ฃผ๋Š” ํ•จ์ถ•์ ์ธ ๋ฉ”์‹œ์ง€๋Š” ๋ฌด์—‡์ธ์ง€๋ฅผ ์ •๋ฆฌํ•ด๋ณด๊ณ ์ž ํ•œ๋‹ค. ์žฌํ˜„์„ ๋„˜์–ด ๋ฌดํ•œํ•œ ์ฐฝ์กฐ์™€ ์ƒ์„ฑ์ด ๊ฐ€๋Šฅํ•œ ๊ธฐ์ˆ ์˜ ๋ฐœ์ „์€ ์ธ๊ฐ„์˜ ๊ฐ๊ฐ์„ ํ™•์žฅ์‹œ์ผœ ์ด‰๊ฐ์ ์ด๋ฉฐ ๊ณต๊ฐ๊ฐ์ ์ธ ์ง€๊ฐ์ฒด๊ณ„์— ์ต์ˆ™ํ•œ ํ™˜๊ฒฝ์„ ์ œ๊ณตํ•˜๊ณ  ์žˆ์œผ๋‚˜ ๋™์‹œ์— ์ธ๊ฐ„์˜ ๊ฐ๊ฐ์„ ์ƒ์‹ค์‹œ์ผœ ์‹ค์ œ๊ฐ€ ๋ถ€์žฌํ•œ ์‹ค์žฌ๊ฐ์„ ์ฐพ๊ฒŒ ํ•œ๋‹ค. ์˜ํ™”๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ๋ฐœ์ „๋˜์–ด ์˜จ ๊ธฐ์ˆ ์€ ๋น„๊ฐ€์‹œ์  ๊ณต๊ฐ„์„ ํ™•์žฅ์‹œ์ผœ ์ธ๊ฐ„์ด ์‹œ๊ฐ์˜์—ญ์„ ํ™•๋Œ€์‹œ์ผฐ์œผ๋ฉฐ, ์ธ๊ฐ„์˜ ์š•๋ง๊ณผ ์˜ค๋žœ ์—ด๋ง์„ ๊ฐ€์‹œํ™”์‹œํ‚ค๋Š” ๋ฐ ์„ฑ๊ณตํ–ˆ๋‹ค. ๋ฐ˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677348
oai_dc
์ดˆํ˜„์‹ค์ฃผ์˜ ์กฐํ˜•์–ธ์–ด์˜ ๋‹ค์ธต์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on the Multilayeredness of Visual Languages in Surrealism
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์„ฑํ™˜(๊ฒฝ์„ฑ๋Œ€ํ•™๊ต)" ]
์ดˆํ˜„์‹ค์ฃผ์˜์˜ ์กฐํ˜•์–ธ์–ด๋Š” ๊ธฐํ˜ธํ•™์ , ์ •์‹ ๋ถ„์„ํ•™์ , ๊ทธ๋ฆฌ๊ณ  ์ด๋ฏธ์ง€์ ์ธ ์ธก๋ฉด์—์„œ ๋‹ค์ธต์ ์ธ ์„ฑ๊ฒฉ์„ ๋ ๊ณ  ์žˆ๋‹ค. ์ฒซ์งธ๋กœ, ๊ธฐํ˜ธํ•™์ ์ธ ๋‹ค์ธต์„ฑ์€ ๋ฅด๋„ค ๋งˆ๊ทธ๋ฆฌํŠธ์˜ ์กฐํ˜•์–ธ์–ด์—์„œ ๋ถ„๋ช…ํžˆ ๋‚˜ํƒ€๋‚œ๋‹ค. ๊ทธ๋Š” ๊ทธ๋ฆผ ์†์˜ ๊ทธ๋ฆผ์ด๋ผ๋Š” ์„ค์ •์„ ํ†ตํ•ด ์ผ์ข…์˜ ๋™์–ด๋ฐ˜๋ณต์„ ๋ฐœ์ƒ์‹œํ‚จ๋‹ค. ๋‘˜์งธ, ์–ธ์–ด์  ํŠน์„ฑ์„ ๊ฐ–๊ณ  ์žˆ๋Š” ์กฐํ˜•์–ธ์–ด๋Š” ๊ฒฐ๊ตญ ๋ฌด์˜์‹์„ ์–ธ์–ด์ ์œผ๋กœ ๊ตฌ์กฐํ™”ํ•˜๋ คํ•œ ์ •์‹ ๋ถ„์„ํ•™๊ณผ ๊นŠ์€ ์—ฐ๊ด€์„ ๊ฐ€์งˆ ์ˆ˜ ๋ฐ–์— ์—†๋‹ค. ๋Œ€ํ‘œ์ ์œผ๋กœ ์ดˆํ˜„์‹ค์ฃผ์˜์˜ ๋ฐํŽ˜์ด์ฆˆ๋ง์€ ํ”„๋กœ์ดํŠธ์˜ ์ „์น˜๊ฐœ๋…๊ณผ ์—ฐ๊ฒฐ๋œ๋‹ค. ์กฐํ˜•์–ธ์–ด๊ฐ€ ์–ธ์–ด์ ์œผ๋กœ ๊ธฐํ˜ธํ™”๋˜๊ณ  ๋ฌด์˜์‹์  ๊ตฌ์กฐ๋ฅผ ํš๋“ํ•˜์˜€๋‹ค๋ฉด, ์ด์ œ ๊ทธ๊ฒƒ์€ ์ด๋ฏธ์ง€ ์†์œผ๋กœ ์ผ์ฒดํ™”๋˜์–ด ๋ฌดํ•œ ์ฆ์‹์˜ ๋ฐฉํ–ฅ์œผ๋กœ ํ™•์‚ฐ๋œ๋‹ค...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677362
oai_dc
์ธ์ง€๊ณผํ•™์— ๊ธฐ๋ฐ˜์„ ๋‘” ์‹œ๊ฐ์˜ˆ์ˆ  ๋ถ„์„์‚ฌ๋ก€ ๋ฐ ๋ฏธ๋ž˜๊ณผ์ œ ์—ฐ๊ตฌ
A Study on Analyses of Visual Arts based on Cognitive Science and Future Issues
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ •ํ•œ(์„œ์šธ์—ฌ์ž๋Œ€ํ•™๊ต)" ]
21์„ธ๊ธฐ โ€˜๋งˆ์Œ์˜ ๊ณผํ•™โ€™ ์‹œ๋Œ€์˜ ๋„๋ž˜์™€ ํ•จ๊ป˜ โ€˜๋งˆ์Œโ€™์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๊ฐ€ ์ฃผ๋ชฉ์„ ๋ฐ›๊ณ  ์žˆ๋‹ค. ์ธ์ง€๊ณผํ•™์„ ์ค‘์‹ฌ์œผ๋กœ ์—ฌ๋Ÿฌ ํ•™๋ฌธ ๋ถ„์•ผ๊ฐ€ ์œตํ•ฉํ•˜์—ฌ ๋งˆ์Œ์˜ ์‹ค์ฒด๋ฅผ ๋ฐํžˆ๊ณ ์ž ๋…ธ๋ ฅํ•˜๊ณ  ์žˆ๋‹ค. ์˜ˆ์ˆ ์„ ์ธ์ง€ ๊ณผํ•™์  ์ž…์žฅ์—์„œ ์žฌํ•ด์„ํ•˜๋ ค๋Š” ์‹œ๋„๋Š” 1950๋…„๋Œ€ ์†Œ์œ„ โ€˜์ธ์ง€ํ˜๋ช…โ€™ ์ด๋ž˜ ์ธ์ง€๊ณผํ•™ ๋ถ„์•ผ์—์„œ ์ตœ๊ทผ๊นŒ์ง€ ์ง€์†์ ์œผ๋กœ ์ด๋ฃจ์–ด์ง€๊ณ  ์žˆ์ง€๋งŒ,์•„์ง๊นŒ์ง€ ๊ทธ ์„ฑ๊ณผ๋Š” ๋งค์šฐ ์ œํ•œ์ ์ธ ์ƒํ™ฉ์ด๋‹ค. ์˜ˆ์ˆ ์ž‘ํ’ˆ์„ ์ฐฝ์ž‘ํ•˜๊ฑฐ๋‚˜ ๋˜๋Š” ๊ฐ์ƒํ•˜๋Š” ์ธ๊ฐ„์˜ ์ธ์ง€๊ณผ์ •์„๋ถ„์„ํ•˜๋Š”๋ฐ ์žˆ์–ด, ์ธ์ง€๊ณผํ•™ ๋‚ด์—์„œ ์ฃผ๋ชฉ๋ฐ›๊ณ  ์žˆ๋Š” ์‹ ๊ฒฝ๊ณผํ•™์  ์—ฐ๊ตฌ๋ฐฉ๋ฒ•์„ ์ ์šฉํ•ด๋ณด๋Š” ์‹œ๋„๋“ค์ด ์ตœ๊ทผ ์ด๋ฃจ์–ด์ง€๊ณ  ์žˆ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ์ธ์ง€๊ณผํ•™์˜ ํƒœ๋™๊ณผ ๋ฐœ์ „ ๊ณผ์ • ๋ฐ ์˜ˆ์ˆ ๊ณผ์˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677351
oai_dc
์˜ํ™” ์Šคํƒ€ ์‹ ์„ฑ์ผ์˜ ์บ๋ฆญํ„ฐ ๋ถ„์„ ์—ฐ๊ตฌ
Korean Movie Star Shin Sung-ilโ€˜s Character Analysis
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ง€์—ฐ(๋ถ€๊ฒฝ๋Œ€ํ•™๊ต); ๋‚จ์ธ์šฉ(๋ถ€๊ฒฝ๋Œ€ํ•™๊ต ์‹ ๋ฌธ๋ฐฉ์†กํ•™๊ณผ ๊ต์ˆ˜)" ]
ํ•œ๊ตญ์˜ ์˜ํ™” ์Šคํƒ€๋Š” ํ—๋ฆฌ์šฐ๋“œ์˜ ์˜ํ™” ์Šคํƒ€์™€ ์–ด๋–ค ์œ ์‚ฌ์ ๊ณผ ์ฐจ์ด์ ์„ ๊ฐ–๊ณ  ์žˆ๋Š”๊ฐ€? ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ํ•œ๊ตญ์˜์˜ํ™” ์Šคํƒ€ ์‹ ์„ฑ์ผ์˜ ์˜ํ™”์™€ ๊ทธ๊ฐ€ ์ฃผ์—ฐํ•œ ์บ๋ฆญํ„ฐ๋ฅผ ๋ถ„์„ํ•ด ๋ด„์œผ๋กœ์จ ํ•œ๊ตญ ์˜ํ™” ์Šคํƒ€์˜ ์›ํ˜•์„ ํƒ์ƒ‰ํ•ด ๋ณด์•˜๋‹ค. ์‹ ์„ฑ์ผ์€ ํ•œ๊ตญ ์˜ํ™”๊ณ„์—์„œ ๋ณด๊ธฐ ๋“œ๋ฌผ๊ฒŒ ํ—๋ฆฌ์šฐ๋“œ ์Šคํƒ€์˜ ํŠน์ง•์„ ๊ฐ–๊ณ  ์žˆ๋Š” ์ตœ๊ณ  ์ธ๊ธฐ ๋ฐฐ์šฐ์˜€๋‹ค. ์‹ ์„ฑ์ผ์˜ ์ „์„ฑ๊ธฐ์˜€๋˜ 1960๋…„๋Œ€์™€ 1970๋…„๋Œ€๋Š” ๊ฒฝ์ œ๋ฐœ์ „์„ ํ†ตํ•œ ๊ทผ๋Œ€ํ™”๊ฐ€ ์ •๋ถ€ ์ฃผ๋„๋กœ ์ด๋ฃจ์–ด์ง€๋˜ ์‹œ๊ธฐ์˜€๋‹ค. ์‹ ์„ฑ์ผ์ด ์ฃผ์—ฐํ•œ ์˜ํ™” โ€˜๋งจ๋ฐœ์˜ ์ฒญ์ถ˜โ€™๊ณผ โ€˜๋ณ„๋“ค์˜ ๊ณ ํ–ฅโ€™์„ ์ค‘์‹ฌ์œผ๋กœ ์‹ ์„ฑ์ผ์˜ ์บ๋ฆญํ„ฐ๋ฅผ ๋ถ„์„ํ•ด ๋ณธ ๊ฒฐ๊ณผ, ์‹ ์„ฑ์ผ์€ ๋‚จ์„ฑ๋ฏธ๋ฅผ ๊ฐ•์กฐํ•˜๋˜ ๋‹ค๋ฅธ ๋‚จ์„ฑ ๋ฐฐ์šฐ๋“ค๊ณผ๋Š” ์ฐจ๋ณ„ํ™”๋˜๋Š” โ€˜์‹œ์Šค...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677334
oai_dc
๋””์ง€ํ„ธ ๋งค๊ฑฐ์ง„ ๊ด‘๊ณ ์˜ ์ •๋ณด์ œ์‹œ๊ตฌ์กฐ ์œ ํ˜• ๋ถ„์„ - iPad ๊ธฐ๋ฐ˜์˜ ์–ดํ”Œ๋ฆฌ์ผ€์ด์…˜ ์ค‘, ๊ตญ๋‚ด ๋งค๊ฑฐ์ง„์„ ์ค‘์‹ฌ์œผ๋กœ -
An Analysis about Types of Information Proposed Structure of Advertising in Digital Magazine - Focused on Domestic Magazine among Application based on iPad -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†์ธ์ˆ˜(์˜์‚ฐ๋Œ€ํ•™๊ต); ๊น€ํ•œ์ค€(์˜์‚ฐ๋Œ€ํ•™๊ต)" ]
์˜ค๋Š˜๋‚ ์˜ IT๊ธฐ์ˆ ์€ ๋ชจ๋ฐ”์ผ ๊ธฐ๊ธฐ ๊ฐ™์€ ๋‹ค์–‘ํ•œ ์Šค๋งˆํŠธ ๊ธฐ๊ธฐ๋“ค์„ ์ƒ์‚ฐํ•  ์ˆ˜ ์žˆ๋„๋ก ํ•˜์—ฌ ์‚ฌ๋žŒ๋“ค์˜ ์ƒํ™œ์— ๋งŽ์€ ๋ณ€ํ™”๋ฅผ ๊ฐ€์ ธ๋‹ค์ฃผ์—ˆ๋‹ค. ํƒœ๋ธ”๋ฆฟ PC๋Š” ์ปดํ“จํ„ฐ๋กœ์จ์˜ ๋ณธ๋ž˜ ๊ธฐ๋Šฅ ์ด์™ธ์—๋„, ํœด๋Œ€์™€ ์‚ฌ์šฉ์ด ํŽธ๋ฆฌํ•˜๋‹ค๋Š” ์žฅ์ ์„ ์ด์šฉํ•˜์—ฌ, ๊ธฐ์กด์˜ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๋งค์ฒด๋“ค์„ ๋Œ€์‹ ํ•˜๋ฉด์„œ ๊ทธ ํ™œ์šฉ ์˜์—ญ์„ ๋„“ํ˜€๊ฐ€๊ณ  ์žˆ๋‹ค. e-publishing ๊ธฐ์ˆ ์„ ํ™œ์šฉํ•œ ๋””์ง€ํ„ธ ๋งค๊ฑฐ์ง„์€ ๊ณผ๊ฑฐ์— ์ข…์ด์ฑ…์˜ ์ข…๋ง์„ ๊ณ ํ–ˆ๋˜ e-book์˜ ๊ตฌ๋™ ๋ฐฉ๋ฒ•์„ ํ•œ ๋‹จ๊ณ„ ๋” ๋ฐœ์ „์‹œ์ผœ์„œ, ๊ธ€์˜ ๋‚ด์šฉ ์ด์™ธ์—๋„ ๋‹ค์–‘ํ•œ ์ •๋ณด๋ฅผ ๋…์ž์—๊ฒŒ ์ œ๊ณตํ•  ์ˆ˜ ์žˆ๋„๋ก ๋งŒ๋“ค์–ด์กŒ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ๋””์ง€ํ„ธ ๋งค๊ฑฐ์ง„์— ๊ฒŒ์žฌ๋˜๋Š” ๊ด‘๊ณ ๋งค์ฒด์˜ ์œ ํ˜•๊ณผ ๊ทธ ๊ด‘๊ณ  ์ •๋ณด๋ฅผ ์ œ์‹œ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677328
oai_dc
์‚ฌ์šด๋“œ ์•„ํŠธ ๊ด€์ ์—์„œ ๋ณด๋Š” ๋ฐฑ๋‚จ์ค€์˜ ์ž‘ํ’ˆ์„ธ๊ณ„ - 1947๋…„ โˆผ 1964๋…„์˜ ์ž‘ํ’ˆ ์ค‘์‹ฌ์œผ๋กœ
A Study on the Baik Nam June's works from the viewpoint of Soundart - Focused on works through 1947 โˆผ 1964
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •์ง„์•„(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ๋ฐฑ๋‚จ์ค€์ด ์„ธ๊ณ„์  ๋น„๋””์˜ค์•„ํ‹ฐ์ŠคํŠธ๋กœ์„œ ๋ณด๋‹ค ์Œ์•…๊ฐ€๋กœ์„œ์˜ ๋ฉด๋ชจ์—์„œ ๋ฐœ๊ฒฌํ•˜๋Š” ์‚ฌ์šด๋“œ์•„ํ‹ฐ์ŠคํŠธ๋กœ์„œ์˜ ์„ ๊ตฌ์ž์  ์—ญํ• ์— ๋Œ€ํ•˜์—ฌ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ์‚ฌ์šด๋“œ์•„ํŠธ์˜ ์ถœํ˜„์€ 1910๋…„๊ฒฝ ๋ฌด์กฐ์Œ์•…์—์„œ๋ถ€ํ„ฐ ๋น„๋กฏ๋˜์—ˆ๋‹ค๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ์Œ์•…์ด ์†Œ์Œ์„ ์ˆ˜์šฉํ•˜๋ฉด์„œ ์†Œ๋ฆฌ์— ๋Œ€ํ•œ ์˜์—ญ์„ ๋„“ํžˆ๊ณ  ์Œ์•…์˜ ๊ฒฝ๊ณ„๋ฅผ ํ•ด์ฒด ์‹œ์ผœ๋‚˜๊ฐ”๋‹ค. ๋˜ํ•œ ๋ฏธ์ˆ ์Ÿ๋ฅด๋Š” ๋ฏธ๋””์–ด์•„ํŠธ์—์„œ ๋‹ค์–‘ํ•œ ์ ‘๋ชฉ๊ณผ ์‹คํ—˜์„ ํ•ด๋‚˜๊ฐ€๋ฉด์„œ ์‚ฌ์šด๋“œ์˜ ์˜์—ญ์„ ํ™•์žฅํ•˜๋ฉฐ ์Œ์•…๊ณผ์˜ ์žฅ๋ฅด๋ฅผ ํ—ˆ๋ฌผ์–ด๊ฐ€๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฐ ๊ณผ์ • ์†์—์„œ ์‚ฌ์šด๋“œ์•„ํŠธ๋ผ๋Š” ์ƒˆ๋กœ์šด ์žฅ๋ฅด์˜์—ญ์ด ์ž๋ฆฌ ์žก์•„ ๋‚˜๊ฐ€๊ณ  ์žˆ์œผ๋ฉฐ ์ด๋Š” ๋ฐ”๋กœ ๋ฐฑ๋‚จ์ค€์˜ ์ดˆ๊ธฐ ์Œ์•…์  ํ™œ๋™์— ๋‚˜ํƒ€๋‚˜๋Š” ํ˜•ํƒœ์—์„œ ๊ทธ ๊ฐœ๋…์  ๊ธฐ์ดˆ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677355
oai_dc
์Šคํƒ  ๋ธŒ๋ž˜ํ‚ค์ง€์˜ ํ™ˆ ๋ฌด๋น„ ๋ฏธํ•™ -์ดˆ๊ธฐ ์„œ์ • ์˜ํ™”๋ฅผ ์ค‘์‹ฌ์œผ๋กœ-
Aesthetics in Domestic Film by Stan Brakhage -Focusing on Lyrical Film in His Early Years-
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์„œ์˜์ฃผ(๊ฒฝํฌ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ๋ฏธ๊ตญ ์•„๋ฐฉ๊ฐ€๋ฅด๋“œ ์˜ํ™” ์ž‘๊ฐ€์ด์ž ์ด๋ก ๊ฐ€์ธ ์Šคํƒ  ๋ธŒ๋ž˜ํ‚ค์ง€(Stan Brakhage)๊ฐ€ 1950๋…„๋Œ€ ํ›„๋ฐ˜๋ถ€ํ„ฐ 1960๋…„๋Œ€์— ์ œ์ž‘ํ•œ ํ™ˆ ๋ฌด๋น„(Domestic Film)์˜ ๋ฏธํ•™์„ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ๋ธŒ๋ž˜ํ‚ค์ง€๋Š” ๊ด€์Šต์ ์ธ ์˜ํ™” ๋งŒ๋“ค๊ธฐ์— ์ €ํ•ญํ•˜๋ฉฐ, ์ผ์ƒ์„ ๋‹ค๋ฃฌ ๊ฐœ์ธ์ ์ด๋ฉฐ ์„œ์ •์ ์ธ ํ™ˆ ๋ฌด๋น„์˜ ์˜์—ญ์„ ์˜ˆ์ˆ ์ ์œผ๋กœ ๋ฐœ์ „์‹œํ‚จ ์„ ๊ตฌ์ž์  ์ธ๋ฌผ์ด๋‹ค. ๊ทธ๋Š” ๋…ํŠนํ•œ ์นด๋ฉ”๋ผ ์›€์ง์ž„, ๋‹ค์–‘ํ•œ ํ•„๋ฆ„๊ณผ ๋ Œ์ฆˆ์˜ ์‚ฌ์šฉ, ํ•„๋ฆ„ ์œ„์— ์ฑ„์ƒ‰์„ ํ•˜๊ฑฐ๋‚˜ ์Šคํฌ๋ž˜์น˜, ์•ฝํ’ˆ์ฒ˜๋ฆฌ์™€ ์ฝœ๋ผ์ฃผ๋“ฑ ๋‹ค์ฑ„๋กœ์šด ๊ธฐ๋ฒ•์„ ์‚ฌ์šฉํ•˜๋ฉฐ ๊ธ‰์ง„์ ์œผ๋กœ ๋งค์ฒด๋ฅผ ์‹คํ—˜ํ•˜์˜€๋‹ค. ๋ธŒ๋ž˜ํ‚ค์ง€์˜ ์ด๋Ÿฌํ•œ ๋„์ „์€ ์ƒˆ๋กœ์šด ์‹œ๊ฐ์  ๊ฒฝํ—˜์„ ํ™•์žฅ์‹œ์ผฐ์œผ๋ฉฐ, ์ดํ›„ ๋งŽ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677340
oai_dc
๋น„๋””์˜ค์•„ํŠธ ํ˜•์„ฑ๊ณผ์ •์—์„œ ๊ณ ์ฐฐํ•ด๋ณธ '์ธ๊ฐ„ํ™”๋œ ์˜ˆ์ˆ '์˜ ์ธํ„ฐํŽ˜์ด์Šค ์—ฐ๊ตฌ
A study of Interface in the 'humanized Art' focusing on the fomation of Video Art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ฏธ๊ต(๊ตญ๋ฏผ๋Œ€ํ•™๊ต); ๊น€ํฌ์˜(๊ตญ๋ฏผ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ๋ฐฑ๋‚จ์ค€์ด ์–ธ๊ธ‰ํ•œ โ€˜์ธ๊ฐ„ํ™”๋œ ์˜ˆ์ˆ โ€™์„ ์ค‘์‹ฌ์œผ๋กœ, ๋น„๋””์˜ค์•„ํŠธ ํ˜•์„ฑ๊ณผ์ • ์ค‘ ํŠนํžˆ ํ์‡„ํšŒ๋กœ ์นด๋ฉ”๋ผ์„ค์น˜ ์ธํ„ฐํŽ˜์ด์Šค์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ์ƒํ˜ธ์ž‘์šฉ์„ฑ์— ๋Œ€ํ•ด ์—ฐ๊ตฌํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ผ๋ฐ˜์ ์œผ๋กœ ๊ธฐ๊ณ„์™€ ๋Œ€๋น„๋˜๋Š” โ€˜์ธ๊ฐ„โ€™์ด๋ผ๋Š” ์„ฑํ–ฅ์ด ์–ด๋–ป๊ฒŒ ์—ฐ๊ด€ ๋  ์ˆ˜ ์žˆ๋Š”์ง€์— ๋Œ€ํ•ด ๊ทธ ๊ธฐ์›์„ ๋…ธ๋ฒ„ํŠธ ์œ„๋„ˆ์˜ ์‚ฌ์ด๋ฒ„๋„คํ‹ฑ์Šค์™€ ๋งˆ์ƒฌ ๋งฅ๋ฃจํ•œ์˜๋งค์ฒด์™€ ์ง€๊ฐ์— ๋Œ€ํ•œ ๊ด€์ ์—์„œ๋ถ€ํ„ฐ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋ณธ๊ฒฉ์ ์œผ๋กœ ๋น„๋””์˜ค์•„ํŠธ์˜ ์ธํ„ฐํŽ˜์ด์Šค๋ฅผ ๊ณ ์ฐฐํ•˜๊ณ , ๊ตฌ์ฒด์ ์ธ ์ž‘ํ’ˆ๋“ค์„ ๊ฒฝํ—˜ํ•˜๋Š” ๊ด€๋žŒ์ž์˜ ์‹ฌ๋ฆฌ์ ์ธ ๋ฐ˜์‘์— ๋Œ€ํ•œ ๋ถ„์„์„ ์‹œ๋„ํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด๋น„๋””์˜ค์•„ํŠธ์—์„œ ๋ฐœ๊ฒฌ๋˜๋Š” โ€˜์ธ๊ฐ„ํ™”๋œ ์˜ˆ์ˆ โ€™์ด ์˜ค๋Š˜๋‚  ๋””์ง€ํ„ธ ๊ธฐ์ˆ  ๊ธฐ๋ฐ˜์˜ ๋‰ด๋ฏธ๋””์–ด...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677324
oai_dc
A study on representing Buddhist philosophic ideas and architectural aesthetics using animated documentary- focused on my artwork โ€˜One mindโ€™
A study on representing Buddhist philosophic ideas and architectural aesthetics using animated documentary- focused on my artwork โ€˜One mindโ€™
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํ˜„์„(๋Ÿฌํ”„๋ฒ„๋Ÿฌ๋Œ€ํ•™๊ต, ์• ๋‹ˆ๋ฉ”์ด์…˜ ์•„์นด๋ฐ๋ฏธ ๋ฆฌ์„œ์น˜ ๊ทธ๋ฃน)" ]
My animated documentary film, โ€˜One mindโ€™, was exhibited in London by the Korea Artists Association UK in 2011, and at the opening exhibition of the EU-Korea Conference on Science & Technology 2010 in Austria. These exhibitions of my film elicited positive responses from European audiences. This is because my artwork co...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001678321
oai_dc
๋Œ€์ฒดํ˜„์‹ค๊ฒŒ์ž„ ๋ถ„์„์„ ํ†ตํ•œ ์‚ฌํšŒ์  ์˜ˆ์ˆ ๋กœ์„œ์˜ ๋Œ€์ฒดํ˜„์‹ค์•„ํŠธ ์—ฐ๊ตฌ
A Study on Alternate Reality Art as Social Art through Alternate Reality Game Analysis
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ ์„œ์›(์—ฐ์„ธ๋Œ€ํ•™๊ต ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜๋Œ€ํ•™์›, ์˜์ƒํ•™ ๋ถ„์•ผ ๋ฏธ๋””์–ด์•„ํŠธ ์ „๊ณต); ์ดํ˜„์ง„(์—ฐ์„ธ๋Œ€ํ•™๊ต)" ]
๋Œ€์ฒดํ˜„์‹ค๊ฒŒ์ž„โ€™์€ ์ตœ๊ทผ ์†Œ๊ฐœ๋˜๋Š” ์‹คํ—˜์  ํ˜•์‹์˜ ๊ฒŒ์ž„์œผ๋กœ ์‚ฌํšŒ๋ฅผ ๋ณ€ํ™”์‹œํ‚ค๊ธฐ ์œ„ํ•œ ๋ชฉ์ ๊ณผ ๊ณต๊ณต์˜ ์„ ์„ ์ถ”๊ตฌํ•œ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ์ด๋Ÿฌํ•œ ๋ชฉ์ ๊ณผ ์ง€ํ–ฅ์ ์„ ๊ฐ€์ง€๋Š” ์˜ˆ์ˆ ์„ โ€˜๋Œ€์ฒดํ˜„์‹ค์•„ํŠธโ€™๊ณ  ๋ช…๋ช…ํ•ด๋ณด๊ณ  ์ด ์ƒˆ๋กœ์šด ๊ฐœ๋…์„์‚ฌํšŒ์  ์˜ˆ์ˆ  ํ˜•์‹์œผ๋กœ ์ ‘๊ทผํ•ด์„œ ์ •๋ฆฌํ•œ๋‹ค. ๋จผ์ € ์˜ˆ์ˆ ์ž‘์—…์˜ ์‚ฌํšŒ์ฐธ์—ฌ์™€ ์˜ˆ์ˆ ์˜ ์‚ฌํšŒ์  ๊ธฐ๋Šฅ ์‚ฌ์ด์—์„œ ๋‹ค์–‘ํ•œ ์‚ฌํšŒ์ฐธ์—ฌ์˜ˆ์ˆ ์˜ ์—ญ์‚ฌ๋ฅผ ์‚ดํŽด๋ณด๊ณ , ๋˜ํ•œ ์˜ˆ์ˆ ์ด ๋‹ค์–‘ํ•œ ์‚ฌํšŒ์  ๊ด€๊ณ„์— ๋Œ€ํ•˜์—ฌ ์ ‘๊ทผํ•˜๊ณ  ์žˆ๋‹ค๋Š” ํ˜„๋Œ€์˜ˆ์ˆ  ๋น„ํ‰๊ฐ€ ๋‹ˆ๊ผด๋ผ ๋ถ€๋ฆฌ์˜ค์˜ ๊ด€๊ณ„๋ฏธํ•™์  ํŠน์ง•๊ณผ ํ•œ๊ณ„๋ฅผ ์‚ดํŽด๋ณธ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ด ํ•œ๊ณ„์˜ ๊ทน๋ณต ๋ฐฉ๋ฒ•์œผ๋กœ ๋Œ€์ฒดํ˜„์‹ค์˜ˆ์ˆ (Alternate Reality Art)์˜ ๊ฐœ๋…๊ณผ ๋ชฉ์ ์„ ์ œ์‹œํ•˜๊ธฐ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001678316
oai_dc
๋™์ž‘๊ธฐ๋ฐ˜ ๊ฒŒ์ž„์˜ ๊ฒŒ์ด๋ฏธํ”ผ์ผ€์ด์…˜ ๋ฐฉ๋ฒ•๋ก  ๊ณ ์ฐฐ
A Study on the Gamification Methodology of the Motion-based Games
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์šฐํƒ(์„œ์šธ๋Œ€ํ•™๊ต ์œตํ•ฉ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™์›); ํ˜„์šฐ์ฐฝ(์„œ์šธ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์˜ ์ „๋ฐ˜๋ถ€์—์„œ๋Š” ๊ณผ๊ฑฐ์— ๋น„ํ•ด ์˜ค๋Š˜๋‚ ์˜ ๊ฒŒ์ž„์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” ์—ญ๋™์ ์ธ ๋ณ€ํ™”๋ฅผ ๋‘๊ฐ€์ง€ ์ธก๋ฉด์—์„œ ์‚ดํŽด๋ณด์•˜๋‹ค. ํ•˜๋‚˜๋Š” ๊ณผ๊ฑฐ ํ˜„์‹ค์„ธ๊ณ„๊ณผ ๋ถ„๋ฆฌ๋˜์—ˆ๋˜ ๊ฒŒ์ž„์ด ์ง€๊ธˆ์€ ๋ง‰๊ฐ•ํ•œ ์˜ํ–ฅ๋ ฅ์„ ํ–‰์‚ฌํ•  ์ˆ˜ ์žˆ๋Š” ๋ฏธ๋””์–ด๋กœ์„œ์˜ ์ง€์œ„๋ฅผ ๊ฐ€์ง€๊ฒŒ ๋˜์—ˆ๋‹ค๋Š” ์ ์ด๋ฉฐ, ๋˜ ๋‹ค๋ฅธ ํ•˜๋‚˜๋Š” ํ‰๋ฉด์ ใ†์ง€์—ฝ์ ์ธ ์›€์ง๋งŒ์œผ๋กœ ์ด๋ฃจ์–ด์ง€๋˜ ๊ฒŒ์ž„ ์กฐ์ž‘์˜ ์ธํ„ฐํŽ˜์ด์Šค๊ฐ€ ๊ณผํ•™๊ธฐ์ˆ ์˜ ๋ฐœ์ „์— ํž˜์ž…์–ด ๋ชธ ์ „์ฒด๋ฅผ ํ™œ์šฉํ•˜๋Š” ์ž…์ฒด์ ์ธ ์ฒด๊ฐํ˜• ์ธํ„ฐํŽ˜์ด์Šค๋กœ ๋ณ€ํ™”ํ•˜๊ณ ์žˆ๋‹ค๋Š” ์ ์ด๋‹ค. ์ด๋“ค ์ƒˆ๋กœ์šด ๋‘ ์†์„ฑ์„ ๊ฒฐํ•ฉํ•œ ๋™์ž‘ ๊ธฐ๋ฐ˜์˜ ๊ฒŒ์ด๋ฏธํ”ผ์ผ€์ด์…˜์€ ๊ฒŒ์ž„์˜ ์žฌ๋ฏธ์™€ ๊ธฐ๋Šฅ์ ์ธ ๋ชฉ์ ์˜ ๋‹ฌ์„ฑ์ด๋ผ๋Š” ์–‘์ชฝ ์ธก๋ฉด์—์„œ ๊ธฐ์กด์˜ ๊ฒŒ์ž„๋“ค๋ณด๋‹ค ํ›จ์”ฌ ํšจ๊ณผ์ ์ธ ์—ญํ• ์„ ํ•  ๊ฒƒ์œผ๋กœ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677292
oai_dc
์˜ํ™”์„œ์ˆ ์— ์˜ํ•œ ์˜ํ™”์  ๊ณต๊ฐ„์˜์—ญ์— ๊ด€ํ•œ ์—ฐ๊ตฌ - F.์กฐ์ŠคํŠธ์™€ L.์ฟจ๋ ˆ์‡ผํ”„์˜ ์ด๋ก ์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study on the Cinematic Terrain by Cinema Narrative - Focused on the theory of F.Jost and L.Kuleshov -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†์ธ์ˆ˜(์˜์‚ฐ๋Œ€ํ•™๊ต)" ]
์˜ํ™”๋Š” ๋‹ค์–‘ํ•œ ์ƒํ™ฉ๊ณผ ์ด์•ผ๊ธฐ๋ฅผ ๋‹ด๊ณ  ์ด๋ฅผ ๊ด€๊ฐ์—๊ฒŒ ๋ณด์—ฌ์ฃผ๊ธฐ ์œ„ํ•˜์—ฌ, ์ด์•ผ๊ธฐ์™€ ์ด์•ผ๊ธฐ ํ•˜๋Š” ๋ฐฉ๋ฒ• ๊ทธ๋ฆฌ๊ณ ํ™”๋ฉด์„ ๊ตฌ์„ฑํ•œ๋‹ค. ์˜ํ™”์„œ์ˆ ์€ ๊ตฌ๋‘์„œ์ˆ ๊ณผ ๋‹ฌ๋ฆฌ ์ฆ‰์‹œ์ ์ด์ง€ ์•Š๊ธฐ ๋•Œ๋ฌธ์— ์ด์•ผ๊ธฐ ํ•˜๋Š” ์‹œ๊ฐ„๊ณผ ์ด์•ผ๊ธฐ์˜ ์‹œ๊ฐ„์— ๋Œ€ํ•œ ๋ฌธ์ œ๊ฐ€ ๋Œ€๋‘๋œ๋‹ค. ์ด์— ๊ด€ํ•œ ์ง€๊ธˆ๊นŒ์ง€์˜ ์ด๋ก ์„ ์‚ดํŽด๋ณด๋ฉด, ์˜ํ™”์˜ ์„œ์ˆ ์  ์‹œ๊ฐ„์„ฑ์€ ์‹œ๊ฐ„๊ณผ ์ง€์†, ๋นˆ๋„ ๋“ฑ์œผ๋กœ ์ •๋ฆฌ๋์œผ๋ฉฐ, ๋™์‹œ์  ํ–‰์œ„๋ฅผ ํ•œ ํ™”๋ฉด ์•ˆ์— ๋‹ด๋Š” ์—ฐ๊ตฌ, ๊ทธ๋ฆฌ๊ณ  ๋ชฝํƒ€์ฃผ ๊ธฐ๋ฒ•์„ ํ†ตํ•œ ์ฐฝ์กฐ์ ๊ณต๊ฐ„์— ๋Œ€ํ•œ ๊ฒƒ๋“ค์ด ์—ฐ๊ตฌ๋˜์—ˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์ด๋Ÿฌํ•œ ์ด๋ก ๋“ค์„ ๋ฐ”ํƒ•์œผ๋กœ ํ˜„๋Œ€ ์˜ํ™”์—์„œ ์ด ์ด๋ก ๋“ค์ด ์–ด๋–ป๊ฒŒ์ ์šฉ๋˜๊ณ  ์žˆ๊ณ , ๋˜ ์ฐจ์ด์ ์ด ๋ฌด์—‡์ธ์ง€์— ๋Œ€ํ•˜์—ฌ, 2003๋…„ ๋ฐ•์ฐฌ์šฑ ๊ฐ๋…...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001678328
oai_dc
์• ๋‹ˆ๋ฉ”์ดํ‹ฐ๋“œ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ์—์„œ ์žฌํ˜„๋œ ํฌ์ŠคํŠธ๋ชจ๋”๋‹ˆ์ฆ˜์  ํŠน์„ฑ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A study of the postmodern characteristics of an animated documentary film
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํ˜„์„(๋Ÿฌํ”„๋ฒ„๋Ÿฌ๋Œ€ํ•™๊ต, ์• ๋‹ˆ๋ฉ”์ด์…˜ ์•„์นด๋ฐ๋ฏธ ๋ฆฌ์„œ์น˜ ๊ทธ๋ฃน)" ]
๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์˜ ์ง„๋ณด์™€ ํ•จ๊ป˜ ํฌ์ŠคํŠธ๋ชจ๋”๋‹ˆ์ฆ˜์˜ ๋ฌธํ™”์  ํŠน์„ฑ์˜ ์˜ํ–ฅ์œผ๋กœ ์ธํ•ด ์˜ˆ์ˆ ์„ฑ๊ณผ ๋Œ€์ค‘์„ฑ์„ ๋ฐ”ํƒ•์œผ๋กœ ํ•œ ์ƒˆ๋กœ์šด ์˜์ƒ๋ฌธํ™”๊ฐ€ ์‹œ๋„๋˜๊ณ  ์žˆ๋‹ค. ์ด๋Š” ํ˜•์‹์ฃผ์˜์™€ ์žฅ๋ฅด์˜ ๋šœ๋ ทํ•œ ์ •์ฒด์„ฑ์„ ์ถ”๊ตฌํ•˜๋Š” ์ „ํ†ต์ ์ธ ๋ฏธํ•™๊ณผ ๋‹ค๋ฅธ ๊ฐœ๋…์œผ๋กœ์จ ์žฅ๋ฅด๊ฐ„ ํ˜ผํ•ฉ๊ณผ ๋‹ค์–‘ํ•œ ๋ฏธ๋””์–ด๋ฅผ ์ด์šฉํ•œ ์‹คํ—˜์ ์ธ ์ž‘ํ’ˆ ์ œ์ž‘์ด ์ด๋ฃจ์–ด์ง€๊ณ  ์žˆ๋‹ค. ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ์˜ ํ˜ผ์ข…์–‘์‹ ์ค‘ ํ•˜๋‚˜์ธ ์• ๋‹ˆ๋ฉ”์ดํ‹ฐ๋“œ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ(Animated documentary)๋Š” ํ—ˆ๊ตฌ์  ํ‘œํ˜„์š”์†Œ์ธ ์• ๋‹ˆ๋ฉ”์ด์…˜๊ณผ ์‹ค์ œ ์‚ฌ์‹ค์„ ๋‹ค๋ฃจ๋Š” ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ ํ˜•์‹์„ ํ˜ผํ•ฉํ•œ ์žฅ๋ฅด์ด๋‹ค. ๊ธฐ์กด์˜ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์˜ํ™”์™€ ์ผ๋ฐ˜ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ ์žฅ๋ฅด์™€๋Š” ๋‹ค๋ฅด์ง€๋งŒ, ๊ทธ ํŠน์„ฑ์— ์žˆ์–ด์„œ ๋‘ ๊ฐ€์ง€ ์žฅ๋ฅด์˜ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001678332
oai_dc
์• ๋‹ˆ๋ฉ”์ด์…˜์บ๋ฆญํ„ฐ์˜๋™์ž‘์Šคํƒ€์ผ์—ฐ๊ตฌ (3D์• ๋‹ˆ๋ฉ”์ด์…˜์„์ค‘์‹ฌ์œผ๋กœ)
A Study on the Motion Style of 3D Character in 3D Animation Film
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†ก๋ฏธ์ˆ™(๋Œ€๋ฆผ๋Œ€ํ•™๊ต)" ]
์• ๋‹ˆ๋ฉ”์ด์…˜์— ์žˆ์–ด ์บ๋ฆญํ„ฐ์˜ ๋™์ž‘์€ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ๋ฅผ ์ด๋„๋Š” ์ค‘์š”ํ•œ ์š”์†Œ์ด๋ฉฐ, ์• ๋‹ˆ๋ฉ”์ดํ„ฐ์— ์˜ํ•ด ์ฃผ์–ด์ง„ ํž˜๊ณผ ๊ฐ์„ฑ ๊ทธ๋ฆฌ๊ณ  ์ด์„ฑ์— ์˜ํ•ด ๋‹ค์–‘ํ•˜๊ฒŒ ํ‘œํ˜„๋œ๋‹ค. ์ด๋Š” ๊ธฐ๋Šฅ์  ๋™์ž‘๊ณผ ํ‘œํ˜„์  ๋™์ž‘์œผ๋กœ ๋‚˜๋ˆ„์–ด์ง€๋ฉฐ ๋‚ด์ ์ธ๋™์ธ์— ์˜ํ•ด ์—ฌ๋Ÿฌ ๊ฐ€์ง€ ์™ธ์žฌ์ ์ธ ์›€์ง์ž„์œผ๋กœ ๋‚˜ํƒ€๋‚œ๋‹ค. ์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ๋‹ค์–‘ํ•œ ์›€์ง์ž„์˜ ํ‘œํ˜„์€ ๊ทธ ์บ๋ฆญํ„ฐ๋“ค์˜ ์—ฐ๊ธฐ๋ ฅ๊ณผ ์ง๊ฒฐ๋œ ๋™์ž‘์˜ ์ •์ฒด์„ฑ์„ ํŒŒ์•…ํ•  ํ•„์š”๊ฐ€ ์žˆ๋Š”๋ฐ, ์ด๊ฒƒ์€ ์• ๋‹ˆ๋ฉ”์ดํ„ฐ๋‚˜ ๊ฐ๋…์ด ๊ฐ€์ง€๊ณ  ์žˆ๋Š”์ฃผ๋ณ€์„ธ๊ณ„์— ๋Œ€ํ•œ ์ธ์‹๊ณผ ํƒœ๋„, ๊ทธ๋ฆฌ๊ณ  ๊ทธ ์บ๋ฆญํ„ฐ๋ฅผ ๋ฌ˜์‚ฌํ•˜๊ธฐ์œ„ํ•œ ๋ฐฉ์‹์œผ๋กœ์„œ ๊ทธ ์บ๋ฆญํ„ฐ๊ฐ€ ๊ฐ€์ง€๋Š” ๊ฐ€์น˜๊ด€๊ณผ ์„ฑํ–ฅ, ์‹ ์ฒด์ƒํƒœ, ๊ทธ๋ฆฌ๊ณ  ์ƒํ™ฉ์  ๋ฌธ๋งฅ์— ๋Œ€ํ•œ ์ดํ•ด์— ๋”ฐ๋ผ ๋‹ค๋ฅด๊ฒŒ ๋ฌ˜์‚ฌํ•  ์ˆ˜ ์žˆ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001678344
oai_dc
์—…ํƒœ๋ณ„ ์บ๋ฆญํ„ฐ ์‚ฌ์ธ(SIGN)์˜ ํšจ๊ณผ ๋ถ„์„ ์—ฐ๊ตฌ
An analysis and study on the effect of character sign by business type
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ ์žฌ์šฑ(๋ฐฑ์„๋Œ€ํ•™๊ต); ํ™ฉ์ง„์›(ํŒฌํƒ€๋ธŒ๋ฆฌ๋“œ ๋ณธ๋ถ€์žฅ)" ]
ํ˜„๋Œ€ ์‚ฌํšŒ๋Š” ๋งž์ถคํ˜• ๋””์ž์ธ์„ ์ถ”๊ตฌํ•˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฌํ•œ ๋ถ„์œ„๊ธฐ ์†์—์„œ ๊ฐ์„ฑ, ์‹ฌ๋ฆฌ, ๋ฏธ์  ์†์„ฑ์€ ๋”์šฑ๋” ๋ฐœ์ „ํ•˜์˜€๋‹ค. ๊ณผ๊ฑฐ์˜ ๋‹จ์ˆœํ•œ ์ƒํ˜ธ๋งŒ์„ ์ „๋‹ฌํ•˜๋Š” ์‚ฌ์ธ(SIGN)์‹œ์Šคํ…œ์—์„œ ๋ฒ—์–ด๋‚˜, ์ด๋Ÿฐ ์†์„ฑ์„ ๋ฐ˜์˜ํ•˜์—ฌ ๋‹ค์–‘ํ•œ ๊ฐ์„ฑ ์ „๋‹ฌ ๋งค์ฒด๋กœ ๋ณ€๋ชจํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ์ตœ๊ทผ์—๋Š” ์‚ฌ์ธ์‹œ์Šคํ…œ์—์„œ ์ด๋ฏธ ์•Œ๋ ค์ง„ ์บ๋ฆญํ„ฐ๋ฅผ ๋‹ต์Šตํ•˜์—ฌ ๋‹จ์ˆœํžˆ ์žฅ์‹์ ์ธ ์šฉ๋„๋กœ๋งŒ ์‚ฌ์šฉํ•˜๋Š” ์ˆ˜์ค€์ด ์•„๋‹Œ ์ƒˆ๋กœ์šด ํ˜•ํƒœ์˜ ์บ๋ฆญํ„ฐ ์‚ฌ์ธ์ด ์ ์ฐจ์ ์œผ๋กœ ๋Š˜์–ด๋‚˜๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ์บ๋ฆญํ„ฐ ์‚ฌ์ธ์€ ์ •๋ณด์ „๋‹ฌ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ์—…์ฒด์˜ ํŠน์ง•์„ ํšจ๊ณผ์ ์œผ๋กœ ์ „๋‹ฌํ•˜๋Š” ์—ญํ• ์„ ํ•˜๊ณ  ์žˆ๋‹ค. ๋‹ค์‹œ ๋งํ•ด์„œ, ์บ๋ฆญํ„ฐ๋ฅผ ์‚ฌ์šฉํ•œ ์‚ฌ์ธ์€ ์ธ๊ฐ„์˜ ๋ณธ์„ฑ์„ ์ž๊ทน ์‹œํ‚ค๋Š” ๋งค์šฐ ์ค‘์š”ํ•œ ์š”...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677302
oai_dc
A Study on Video Remix Creation Using Social Media - Based on the Film Life in a Day Utilizing YouTube Clips -
A Study on Video Remix Creation Using Social Media - Based on the Film Life in a Day Utilizing YouTube Clips -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "Jie Chen(์—ฐ์„ธ๋Œ€ํ•™๊ต ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๋Œ€ํ•™์› ์„์‚ฌ๊ณผ์ •); ์ดํ˜„์ง„(์—ฐ์„ธ๋Œ€ํ•™๊ต)" ]
The ways of producing film and video art keep changing. Along with the flourishing development of Internet,nowadays filmmakers have more opportunities and various choices to create artworks. This article researches on the recent video artworks which use YouTube video clips as source materials. Using YouTube provides se...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677290
oai_dc
๋กฑ ํ…Œ์ดํฌ, ์˜ํ™”ํ”„๋ ˆ์ž„ ์•ˆ์˜ ์„ธ ๊ฐ€์ง€ ์‹œ๊ฐ„ : ์•Œํฐ์†Œ ์ฟ ์•„๋ก ์˜ โ€˜์ดํˆฌ๋งˆ๋งˆโ€™๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
Long-Take, The Three Classesโ€™Time of an Inside Frame : Emphasizing Alfonso Cuaronโ€™s a Production of Art โ€˜And Your Mother Tooโ€™.
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋™ํ˜„(๋™์„œ๋Œ€ํ•™๊ต)" ]
์˜ํ™”๋Š” ์‹œ๊ฐ„์ด๋™์˜ ์˜ˆ์ˆ ์ด๋‹ค. ์ด๊ฒƒ์„ ์ฆ๋ช…ํ•˜๋“ฏ ๋งŽ์€ ์˜ํ™” ์ด๋ก ๊ฐ€๋“ค์ด ์˜ํ™”์  ์‹œ๊ฐ„์„ ์„ธ๋ถ„ํ™”ํ–ˆ๋‹ค. ํ‚ค์Šค ์ฝ”ํ—จ(Keith Cohen)์€ ์ถ”์ƒ์  ์‹œ๊ฐ„, ์‹ฌ๋ฆฌ์  ์‹œ๊ฐ„, ์ฒดํ—˜์  ์‹œ๊ฐ„์œผ๋กœ, ๋ž–ํ”„ ์Šคํ‹ฐ๋ธ์Šจ๊ณผ ์žฅ R. ๋ฐ๋ธŒ๋ฆญ์Šค๋Š” ๋ฌผ๋ฆฌ์ ์‹œ๊ฐ„, ๊ทน์  ์‹œ๊ฐ„, ์‹ฌ๋ฆฌ์  ์‹œ๊ฐ„์œผ๋กœ ์ด๋ก ํ™” ํ–ˆ๋‹ค. ๋ณธ๊ณ ๋Š” ์˜ํ™”์  ์‹œ๊ฐ„์„ ํ”„๋ ˆ์ž„ ์•ˆ์˜ ์‹œ๊ฐ„๊ณผ ํ”„๋ ˆ์ž„ ๋ฐ–์˜์‹œ๊ฐ„์œผ๋กœ ๊ทœ์ •ํ•˜๊ณ , ์•Œํฐ์†Œ ์ฟ ์•„๋ก (Alfonso Cuaron)์˜ ์ดํˆฌ๋งˆ๋งˆ(And Your Mother Too)๋ผ๋Š” ์˜ํ™”์˜ ์ž‘ํ’ˆ๋ถ„์„์„ ํ†ตํ•ด, ์˜ํ™”ํ”„๋ ˆ์ž„ ์•ˆ์—์„œ ํ‘œํ˜„๋˜๋Š” ๊ทน์ ๊ณผ๊ฑฐ, ๊ทน์ ํ˜„์žฌ, ๊ทน์ ๋ฏธ๋ž˜๋ผ๋Š” ์„ธ ๊ฐ€์ง€ ์‹œ๊ฐ„์˜ ๋ถ„๋ฅ˜๊ฐ€ ๊ฐ€๋Šฅํ•จ์„์•Œ์•˜๋‹ค. ๊ทธ๋Š” ๊ทน์ ๊ณผ๊ฑฐ๋ฅผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001678336
oai_dc
์ปดํ“จํ„ฐ ๊ฒŒ์ž„์˜ ๊ณต๊ฐ„์„ฑ ์—ฐ๊ตฌ
A Study on Spatiality of Computer Game
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์ง€๋ฒ”(์ž‘๊ฐ€, ๊ฒŒ์ž„ ๊ฐœ๋ฐœ์ž)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์ปดํ“จํ„ฐ ๊ฒŒ์ž„์˜ ๊ณต๊ฐ„์„ฑ์˜ ์˜๋ฏธ๋ฅผ ๋ถ„์„ํ•˜๋Š” ๋ฐ ๊ทธ ๋ชฉ์ ์ด ์žˆ๋‹ค. ๊ฒŒ์ž„์˜ ๊ณต๊ฐ„์€ ๋‹จ์ˆœํ•œ ๊ธฐํ•˜ํ•™์ ๊ณต๊ฐ„์•„ ์•„๋‹Œ ์‚ฌ๊ฑด๊ณผ ์˜๋ฏธ๊ฐ€ ๋ฐœ์ƒํ•˜๊ณ  ๊ต์„ญ๊ณผ ์‚ฌ๊ท์ด ์ผ์–ด๋‚˜๋Š” ์—ฐ์†์  ๋ณ€์ด์ฒด๋กœ์„œ์˜ ๊ณต๊ฐ„์ด๋‹ค. ์ด ๊ณต๊ฐ„์€์ง„์„ ๋ฏธ๋ผ๋Š” ์ „ํ†ต์  ๊ฐ€์น˜ ๋ถ„๋ฅ˜ ๋ฐฉ์‹์— ๋”ฐ๋ผ ๋ฏธํ•™์ , ์กด์žฌ๋ก ์ , ์ •์น˜์  ์˜๋ฏธ์˜ ์„ธ ์ธต์œ„์—์„œ ์‚ดํŽด๋ณผ ์ˆ˜ ์žˆ๋Š”๋ฐ ์ด๋“ค์€ ๋ณ€์ฆ๋ฒ•์  ๊ด€๊ณ„ ์†์—์„œ ํ˜„์‹ค ์„ธ๊ณ„์— ์‹ค์งˆ์ ์ธ ์˜ํ–ฅ์„ ํ–‰์‚ฌํ•œ๋‹ค. ๊ฒŒ์ž„ ๊ณต๊ฐ„์€ ์ธํ„ฐํŽ˜์ด์Šค๋ฅผ ๋งค๊ฐœ๋กœ ํ•œ ๊ฒŒ์ด๋จธ์™€ ์กด์žฌ์ž๋“ค์˜ ์ƒํ˜ธ์ž‘์šฉ์˜ ๊ณต๊ฐ„์ด๋ฉฐ ์ƒํ˜ธ์ž‘์šฉ์˜ ๋‹ค์ธต์œ„์  ๋ฐœ์ƒ ์†์—์„œ ๊ธฐ์กด ์˜ˆ์ˆ ๊ณผ์˜ ์ฐจ์ด๊ฐ€๋‚˜ํƒ€๋‚œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ด๋Ÿฌํ•œ ์ƒํ˜ธ์ž‘์šฉ์„ฑ์€ ๋‹จ์ง€ ์†Œํ†ต์„ ์œ„ํ•œ ๊ฒƒ์ด ์•„๋‹Œ ์„ธ๊ณ„์— ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001677295
oai_dc
์ƒ๋ฌผํ•™์  ๊ฐœ๋…์— ์˜ํ•œ ์ธ๊ณต์ƒ๋ช…์ฒด์˜ ๊ตฌํ˜„
Implement of Artificial Life by Biological Concepts
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์–‘์˜ˆ์€(์„œ๊ฐ•๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์ธ๊ณต์ ์ธ ๋ฐœ์ƒ์„ ํ†ตํ•ด 3์ฐจ์› ๊ฐ€์ƒ๊ณต๊ฐ„ ์•ˆ์—์„œ ํ™˜๊ฒฝ๊ณผ ์ƒํ˜ธ ์†Œํ†ตํ•˜๋Š” ์ธ๊ณต์ƒ๋ช…(artificial life)์„ ์ œ์•ˆํ•œ๋‹ค. ์‹ค์ œ ์ƒ๋ช…์ฒด๋ฅผ ๊ตฌ์„ฑํ•˜๋Š” ๊ธฐ๋ณธ ์š”์†Œ๋Š” โ€˜์„ธํฌโ€™๋กœ์„œ, ๋ณธ ์‹œ์Šคํ…œ์—์„œ ๊ฐœ์ฒด๋“ค์€ ์ด๋Ÿฌํ•œ ํ•˜๋‚˜์˜ ์„ธํฌ์—์„œ๋ถ€ํ„ฐ ๋ฐœ์ƒ์„ ์‹œ์ž‘ํ•˜๋ฉฐ, ๋ฐœ์ƒ์— ํ•„์š”ํ•œ ์ตœ์†Œํ•œ์˜ ์œ ์ „ ์ •๋ณด๋งŒ์„ ์„ค๊ณ„ํ•œ๋‹ค. ์„ธํฌ๋Š” ๋ถ„์—ดํ•˜๊ณ  ์ž๋ผ๋ฉฐ ๋‹ค๋ฅธ ์„ธํฌ์™€ ์—ฐ๊ฒฐ๋˜์–ด ํ•˜๋‚˜์˜ ์™„์ „ํ•œ ๊ฐœ์ฒด๊ฐ€ ๋œ๋‹ค. ๋ฐœ์ƒ ๋ฉ”์ปค๋‹ˆ์ฆ˜์€ ๊ฐ ์„ธํฌ์˜ ์œ ์ „์ฒด์— ์˜ํ•ด ์ •์˜๋œ๋‹ค. ์œ ์ „์ฒด์•ˆ์—์„œ ์œ ์ „์ž์˜ ๋ฐœํ˜„์€ ์„ธํฌ ์•ˆ์˜ ๋‹ค์–‘ํ•œ ์š”์†Œ๋“ค์˜ ์ƒํ˜ธ์ž‘์šฉ์— ์˜ํ•ด ๋ฌด์ž‘์œ„๋กœ ๊ฒฐ์ •๋œ๋‹ค. ๋”ฐ๋ผ์„œ ์šฐ๋ฆฌ๋Š”์‹œ๋ฎฌ๋ ˆ์ด์…˜ ๋œ ์ธ๊ณต์ƒ๋ช…์˜ ์˜ˆ์ธก๋ถˆ๊ฐ€๋Šฅ์„ฑ(unpred...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
http://dx.doi.org/
kci_detailed_000303.xml
ART001619857
oai_dc
ํƒ€์ดํฌ๊ทธ๋ž˜ํ”ผ ํ•ด์„์˜ ์˜์ƒ์  ๊ตฌ์กฐ
Kinetic structure of Typography Interpretation
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ณ‘์กฐ(ํ™์ต๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ํƒ€์ดํฌ๊ทธ๋ž˜ํ”ผ๋กœ ํ…์ŠคํŠธ๊ฐ€ ๋ณด๋‹ค ์ž…์ฒด์ , ๊ตฌ์ฒด์ ์ด๊ฒŒ ๋˜๋ฉฐ, ํ…์ŠคํŠธ ํ•ด์„์€ ์˜์ƒ๊ณผ ๊ฐ™์ด ์ง„ํ–‰๋œ๋‹ค๊ณ  ์ฃผ์žฅํ•œ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ํ•„์ž์˜ ์„์‚ฌํ•™์œ„ ๋…ผ๋ฌธ์„ ๋ฐ”ํƒ•์œผ๋กœ ํ•˜๊ณ , ๋ณด์™„ํ•˜๊ณ  ์žˆ๋‹ค. ์—ฐ๊ตฌ ๊ตฌ์กฐ์™€ ๋‚ด์šฉ์€ ๋‹ค์Œ๊ณผ ๊ฐ™๋‹ค. 1์žฅ์—์„œ๋Š” ํ…์ŠคํŠธ์˜ ํŠน์„ฑ์„ ์‚ดํŽด๋ณด๊ณ , ์‹œ๊ฐ„ ์œ„์—์„œ ์ง„ํ–‰๋˜๋Š” ํ…์ŠคํŠธ ํ•ด์„์˜ ์ด๋ก ์  ๋ชจ๋ธ์— ๋Œ€ํ•ด๋…ผ์˜ํ•œ ๋‹ค์Œ, ์ „์‹  ๊ฐ๊ฐ์ด ๋™์›๋˜๋Š” ํ…์ŠคํŠธ ํ•ด์„์˜ ๋‹ค์ฐจ์›์  ๊ตฌ์กฐ์— ๋Œ€ํ•ด ๋…ผ๊ตฌํ•˜์˜€๋‹ค. 2์žฅ์—์„œ๋Š” ๋จผ์ € ์ธ์‹์„ ํ†ตํ•ด ํƒ€์ดํฌ๊ทธ๋ž˜ํ”ผ ๊ณต๊ฐ„์ด ์ž…์ฒด ๊ณต๊ฐ„์œผ๋กœ ํ™•์žฅ๋จ๊ณผ ํƒ€์ดํฌ๊ทธ๋ž˜ํ”ผ ํ–‰์œ„๊ฐ€ ํ…์ŠคํŠธ ๊ตฌ์กฐ๋ฅผ ํŒŒ์•…ํ•˜๊ณ  ํ•ด์ฒดํ•˜๊ณ  ์žฌ๊ตฌ์ถ•ํ•˜๋Š” ํ–‰์œ„์ž„์„ ์‚ดํŽด๋ณด์•˜๋‹ค. ๊ทธ๋ฆฌ๊ณ  ํ…์ŠคํŠธ์— ๋Œ€ํ•œ ํƒ€์ดํฌ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001619874
oai_dc
ํŽธ์ง‘์–‘์‹์˜ ํ•ด์„์  ํ™•์žฅ์— ๊ด€ํ•œ ๊ณ ์ฐฐ -๊ต์ฐจํŽธ์ง‘๊ณผ ํ‰ํ–‰ํŽธ์ง‘์˜ ์„ธ๋ถ„ํ™”๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
Discussion about the analytic expansion of editing style
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •์Šน์šฑ(์„œ๊ฐ•๋Œ€ํ•™๊ต)" ]
ํŽธ์ง‘์— ์žˆ์–ด์„œ ์‹œยท๊ณต๊ฐ„์˜ ์ƒ๋žต๊ณผ ์ƒˆ๋กœ์šด ์œ„์น˜๋กœ์˜ ์ด๋™์€ ํ•„์ˆ˜์ ์ผ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ํ•ต์‹ฌ์ ์ธ ํ–‰์œ„์ด๋‹ค. ํŽธ์ง‘์˜ ์žฌ๊ตฌ์„ฑ์„ ํ†ตํ•˜์—ฌ ์˜ํ™”๋Š” ์˜ํ™” ์•ˆ์—์„œ ์‘์ถ•๋˜๊ณ  ๋‹ค์–‘ํ•œ ์‹œ๊ฐ„๊ณผ ๊ณต๊ฐ„์˜ ์˜๋ฏธ๋ฅผ ์ƒ์‚ฐํ•œ๋‹ค. ์‹œ๊ฐ„๊ณผ ๊ณต๊ฐ„์˜์žฌ๊ตฌ์„ฑ์œผ๋กœ ๊ฐ€์žฅ ๋Œ€ํ‘œ์ ์ธ ๊ธฐ๋ฒ•์ด ๋ฐ”๋กœ โ€˜๊ต์ฐจํŽธ์ง‘โ€™๊ณผ โ€˜ํ‰ํ–‰ํŽธ์ง‘โ€™์ด๋‹ค. ๊ทธ๋Ÿผ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ  ์˜ํ™”์—ฐ๊ตฌ์—์„œ ์ผ๋ฐ˜์ ์œผ๋กœ ๊ต์ฐจํŽธ์ง‘๊ณผ ํ‰ํ–‰ํŽธ์ง‘์€ ๋™์ผํ•œ ์˜๋ฏธ๋กœ ์‚ฌ์šฉ๋˜๊ณ  ์žˆ์œผ๋ฉฐ ์ด๋Š” ๋‹จํŽธ์  ํ•ด์„์„ ์ œ๊ณตํ•˜์—ฌ ๊ธฐ๋ฒ•์˜ ํ˜ผ๋ž€์„ ์•ผ๊ธฐํ•œ๋‹ค. ์ด์— ํ˜„๋Œ€ ์˜ํ™”์˜์ƒ์˜ ๋‹ค์–‘์„ฑ์— ๋น„์ถ”์–ด ๊ตฌ์กฐ์˜ ๋ฏธํ•™์„ ๊นŠ์ด ์žˆ๊ฒŒ ๋ฐ”๋ผ๋ณด๊ธฐ ์œ„ํ•œ ๊ณ ์ฐฐ์„ ํ•„์š”๋กœ ํ•œ๋‹ค๊ณ  ํŒ๋‹จ๋œ๋‹ค. ๊ทธ๋Ÿฐ ์ด์œ ๋กœ ๋ณธ๊ณ ๋Š” ์žฌํ˜„๊ณผ ํ•ด์„์˜ ์ฐจ์›์—์„œ ๊ต์ฐจ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001619862
oai_dc
์ดˆ์ฐฝ๊ธฐ ์ผ๋ณธ ๋‹จํŽธ ์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ํŠน์ง• ์—ฐ๊ตฌ
A study on features of the early Japanese short-animations
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์ค‘๋ฝ(์ค‘์•™๋Œ€ํ•™๊ต)" ]
์ผ๋ณธ ์ดˆ์ฐฝ๊ธฐ ์• ๋‹ˆ๋ฉ”์ด์…˜์€ 1939๋…„ ์˜ํ™”๋ฒ•์ด ๋ฐœํ‘œ๋˜๊ธฐ ์ด์ „์—๋Š” ์ˆœํšŒ์ƒ์˜, ํ•™๊ต ๋‚ด ์ƒ์˜ ๋“ฑ์˜ ๋‹ค์–‘ํ•œ ์ƒ์˜ํ˜•ํƒœ๋ฅผ ํ†ตํ•ด ์ผ๋ณธ์ธ์€ ๋ฌผ๋ก ์ด๊ณ  ์‹๋ฏผ์ง€ ์›์ฃผ๋ฏผ๋“ค์— ๋Œ€ํ•œ ๊ณ„๋ชฝ์ ์ธ ๋„๊ตฌ๋กœ ์‚ฌ์šฉ๋˜๋Š” ๊ฒฝํ–ฅ์ด ๋งŽ๋‹ค. ํŠนํžˆ ์ผ๋ณธ ๊ตญ๋‚ด์˜ ๊ฒฝ์šฐ์—๋Š” ์œค๋ฆฌ์ ์ด๊ณ  ๋„๋•์ , ์‹ ์ฒด์ ์œผ๋กœ ๊ฑด๊ฐ•ํ•œ ๊ทผ๋Œ€์  ์ธ๊ฐ„์„ ๋งŒ๋“ค๋ ค๋Š” ๊ต์œก์  ๊ธฐ๋Šฅ์ด ๋‘๋“œ๋Ÿฌ์ง„๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์˜›๋‚ ์ด์•ผ๊ธฐ๋ฅผ ๋น„๋กฏํ•œ ์ผ๋ณธ ์ „ํ†ต์˜ ์†Œ์žฌ๋ฅผ ๋‹ค๋ฃธ์œผ๋กœ์จ ์ผ๋ณธ ๋ฏผ์กฑ์˜ ๊ฒฐ์†๋ ฅ์„ ๊ฐ•ํ™”ํ•จ๊ณผ ๋™์‹œ์— ์„œ์–‘ ์—ด๊ฐ•์— ๋Œ€ํ•œ ์šฐ์›”๊ฐ์„ ์ผ๋ณธ ๊ตญ๋ฏผ์—๊ฒŒ ์ธ์‹์‹œ์ผœ์ฃผ๊ณ  ์žˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ์ „์„ธ๊ฐ€ ๊ฒฉ๋ ฌํ•ด์ง€๊ณ  ์ „์˜๊ณ ์–‘์˜ ์ •์ฑ…์œผ๋กœ ์‚ฌ์šฉ๋œ ์˜ํ™”๋ฒ• ๋ฐœํ‘œ ์ดํ›„์˜ ๊ฒฝ์šฐ์—๋Š” ์• ๋‹ˆ๋ฉ”์ด์…˜์„ ํ†ตํ•ด ๊ตญ๊ฐ€ ์ •...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001619855
oai_dc
ํ˜„๋Œ€ ์‚ฌ๊ทน(ๅฒๅЇ)์—์„œ ์•…์—ญ ํ˜•์ƒํ™”์˜ ํŠน์ง•
A Study of Visualization of the Antagonist on the modern history drama
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์•ˆ์ƒํ˜(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต); ๊ฐ•๋ณด์Šน(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
์‚ฌ๊ทน์€ ์—ญ์‚ฌ์  ์‚ฌ์‹ค๊ณผ ์‚ฌํšŒ, ์ธ๋ฌผ์„ ๊ธฐ๋ฐ˜์œผ๋กœ ๋งŒ๋“ค์–ด์ง„๋‹ค. ๋”ฐ๋ผ์„œ ์ฃผ์ธ๊ณต๊ณผ ๋Œ€๋ฆฝํ•˜๋Š” ์•…์—ญ๋“ค์€ ๊ตฌ์ฒด์ ์ด๊ณ ๋ฏธ๋ฌ˜ํ•œ ์—ญํ•™๊ด€๊ณ„ ์†์—์„œ ์ฃผ์ธ๊ณต๊ณผ ์ƒํ˜ธ์ž‘์šฉ์„ ํ•ด์•ผ ํ•œ๋‹ค. ์ฃผ์ธ๊ณต์„ ๋ถ€๊ฐ์‹œํ‚ค๊ธฐ๊ณ  ์—ญ์‚ฌ์  ํ˜„์‹ค์˜ ๋ณต์žกํ•จ์„ํ‘œํ˜„ํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ์ ๋Œ€์ž๋ฅผ ๋น„์ค‘ ์žˆ๊ฒŒ ์„ค์ •ํ•ด์•ผํ•œ๋‹ค. ๋•Œ๋ฌธ์— ํ˜„๋Œ€์˜ ์‚ฌ๊ทน์—์„œ๋Š” ์•ž์„œ ์‚ดํŽด๋ณธ ๋ฐ”์™€ ๊ฐ™์ด์ ๋Œ€์ž์˜ ์ •์ฒด์„ฑ์„ ์•…์œผ๋กœ๋งŒ ์„ค์ •ํ•˜์ง€ ์•Š๋Š”๋‹ค. ํ˜„๋Œ€ ์‚ฌ๊ทน์—์„œ ์ ๋Œ€์ž๋Š” ์ธ๊ฐ„๋ฏธ ์žˆ๊ณ  ๋งค๋ ฅ ๋„˜์น˜๋Š” ์ธ๋ฌผ๋กœ์„ค์ •๋˜๊ณ , ๊ฑฐ๊ธฐ์— ์•…์ธ์˜ ์š”์†Œ๋ฅผ ๋ง๋ถ™์—ฌ ๋‚˜๊ฐ์œผ๋กœ์จ ๊ทน์  ํšจ๊ณผ๋ฅผ ๋งŒ๋“ค์–ด ๋‚ด๊ณ  ์žˆ๋‹ค. ์‚ฌํšŒ๊ฐ€ ๋ณต์žกํ•˜๊ณ  ๋‹ค์–‘ํ•ด์งˆ์ˆ˜๋ก ๋‹จ์ˆœ ์„ ์•… ๋Œ€๋ฆฝ๊ตฌ๋„์˜ ํ‹€ ์†์—์„œ ๋ถ€์—ฌ๋œ ์ ๋Œ€์ž์˜ ์œ„์ƒ์ด๋‚˜ ์„ฑ๊ฒฉ์œผ๋กœ๋Š”...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001619869
oai_dc
์›น๋””์ž์ธ์˜ ์Šคํƒ€์ผ์— ๋”ฐ๋ฅธ ์‚ฌ์šฉ์ž ์‹ฌ์ƒ์œ ๋ฐœ ์—ฐ๊ตฌ
A Study on the User Induction of Imagery by Style of Web Design
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ ์žฌ์šฑ((์ฃผ)์‹ ๋””์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์ฆˆ ); ๊น€์„ฑํ•„(๋””์ž์ธ์ŠคํŠœ๋””์˜ค ํŒ์Šค์ผ๋ฃจ๋ฏธ๋‚˜)" ]
IT ์‚ฐ์—…์˜ ๋ฐœ์ „์œผ๋กœ ์ธํ•ด โ€˜์›นโ€™ ์ด๋ผ๋Š” ๋งค์ฒด๋Š” ์šฐ๋ฆฌ์˜ ์ผ์ƒ์ƒํ™œ์— ๋งŽ์€ ์˜ํ–ฅ์„ ๋ฏธ์น˜๊ณ  ์žˆ๋‹ค. ์›น ์‚ฌ์ดํŠธ์—์„œ์˜ ์Šคํƒ€์ผ์€ ์‚ฌ์šฉ์ž๋“ค์ด ์‚ฌ์ดํŠธ๋ฅผ ๋ฐฉ๋ฌธํ•˜์˜€์„ ๋•Œ ๊ฐ€์žฅ ๋จผ์ € ๋А๋ผ๋Š” ์‹œ๊ฐ์  ์Šคํƒ€์ผ์ด๋‹ค. ๋ณด๋‹ค ํšจ๊ณผ์ ์ธ ์›น์‚ฌ์ดํŠธ์˜ ๊ตฌ์ถ•์€ ์›น ์Šคํƒ€์ผ์˜ ๊ตฌํ˜„์ด ์‚ฌ์šฉ์ž๋“ค์—๊ฒŒ ์žˆ์–ด ์ค‘์š”ํ•œ ๋””์ž์ธ ์š”์†Œ๊ฐ€ ๋˜์–ด์•ผ ํ•˜๋ฉฐ ์›น ๋””์ž์ธ์˜์Šคํƒ€์ผ๋กœ ์ธํ•ด ๊ทธ๋ฆผ์ด๋‚˜ ์˜์ƒ๊ณผ ๊ฐ™์€ ์ •๋ณด์˜ ์‹œ๊ฐํ™”๊ฐ€ ๊ฐ€์†๋˜์–ด ์ธ๊ฐ„์˜ ์ •๋ณด์ฒ˜๋ฆฌ ๊ธฐ๋Šฅ์ด ์‚ฌ์šฉ์ž๋“ค์˜ ์˜์‚ฌ๊ฒฐ์ •์— ์žˆ์–ด ์ž‘์šฉ์„ ์ฆ๋Œ€์‹œ์ผœ์•ผ ํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ๋ฐฐ๊ฒฝ์„ ๋ฐ”ํƒ•์œผ๋กœ ๋ณธ ์—ฐ๊ตฌ๋Š” ์ด์ƒ์ ์ธ ์›น ๋””์ž์ธ์˜ ์Šคํƒ€์ผ์„์ฐพ๊ธฐ ์œ„ํ•˜์—ฌ ์ธํ„ฐ๋„ท ์ƒ์˜ ์—ฌ๋Ÿฌ ์‚ฌ๋ก€๋“ค๊ณผ ์—ฐ๊ตฌ๋ฌธํ—Œ์„ ํ†ตํ•œ ๋‹ค์–‘ํ•œ ๋ฐฉ๋ฒ•์„ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001619853
oai_dc
ํ™˜๊ฒฝ์œผ๋กœ์„œ์˜ ๋ฏธ๋””์–ด ์ƒํƒœํ•™ ์‚ฌ์ƒ : ๊ณต๊ฐ„์˜ ๋ณ€ํ™”์—์„œ ๋‘๋‡Œ๊ตฌ์กฐ์˜ ๋ณ€ํ™”๊นŒ์ง€
A study on Media Ecology as a new environment
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ˜œ์šฑ(์ฒญ๊ฐ•๋ฌธํ™”์‚ฐ์—…๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋””์ง€ํ„ธ๊ธฐ์ˆ ์˜ ๋ฐœ๋‹ฌ์— ์˜๊ฑฐํ•œ ๋ฏธ๋””์–ด ํ™˜๊ฒฝ์˜ ๋ณ€ํ™”์™€ ๊ทธ๋กœ ์ธํ•ด ๋งŒ๋“ค์–ด์ง€๊ณ  ๋ณ€ํ™”ํ•ด๊ฐ€๋Š” ์‚ฌํšŒ๋ฌธํ™”์  ํŠน์„ฑ์— ์ฃผ๋ชฉํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ๋””์ง€ํ„ธ ๊ธฐ์ˆ ์— ์˜ํ•ด ์•ผ๊ธฐ๋˜๋Š” ๋ณ€ํ™”์˜ ์–‘์ƒ์„ ๋ฏธ๋””์–ด ์ƒํƒœํ•™์ด๋ผ๋Š”์‚ฌ์ƒ์œผ๋กœ ์ •๋ฆฌํ•ด ์˜จ ๋ฏธ๋””์–ด ์ƒํƒœํ•™์ž๋“ค์˜ ์ด๋ก ๊ณผ ์‚ฌ์ƒ์„ ์žฌ์ •๋ฆฌํ•˜๊ณ , ์ด๋ฅผ ๊ธฐ๋ฐ˜์œผ๋กœ ํ•˜์—ฌ ํ˜„์žฌ ์šฐ๋ฆฌ ์‚ฌํšŒ์˜ ๋ฌธํ™”, ๊ต์œก ๊ทธ๋ฆฌ๊ณ  ์˜ˆ์ˆ  ๋ฐ ์ธ๊ฐ„์˜ ์˜์‹๊ณผ ํ–‰๋™์„ ์ง€๋ฐฐํ•˜๋Š” ๊ธฐ์ˆ ์„ ์–ด๋–ป๊ฒŒ ์ •์˜ํ•˜๊ณ  ํ™œ์šฉํ•ด์•ผํ•˜๋Š”์ง€๋ฅผ๊ณ ์ฐฐํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ธ๊ฐ„์˜ ์„ ํƒ๊ณผ ์˜์ง€๋กœ ์ธํ•ด ์•ผ๊ธฐ๋œ ๊ณผํ•™๊ณผ ๊ธฐ์ˆ ์˜ ๋ฐœ์ „์€ ์ธ๊ฐ„์˜ ์ƒํ™œ์„ ๋ฐœ์ „์‹œ์ผœ์˜จ ๋™์‹œ์— ์ธ๊ฐ„์˜ ๋‘๋‡Œ๊ตฌ์กฐ๋ฅผ ๋Š์ž„์—†์ด ๋ณ€ํ™”์‹œ์ผœ์™”๋‹ค. ์ธํ„ฐ๋„ท ๊ธฐ์ˆ ์˜ ๋ฐœ๋‹ฌ๊ณผ ์‹œ๊ณต๊ฐ„...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001619878
oai_dc
์ œํ’ˆ๊ด‘๊ณ ์—์„œ ์žฅ์• ์ธ ๋ชจ๋ธ์— ๋Œ€ํ•œ ์žฅ์• ์ธ ์†Œ๋น„์ž ํƒœ๋„ - ์‚ฌ์ „์ง€์‹์„ ์ค‘์‹ฌ์œผ๋กœ
Disabled Consumer Attitudes of Disabled Model from Product Advertisement - Focused on Prior Knowledge
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํŽธ์„ํ™˜(๊ตญ๋ฆฝํ•œ๊ตญ์žฌํ™œ๋ณต์ง€๋Œ€ํ•™)" ]
๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ์žฅ์• ์ธ ์†Œ๋น„์ž๊ฐ€ ์ œํ’ˆ์— ๋Œ€ํ•œ ์‚ฌ์ „ ์ง€์‹์ด ๋†’์€ ์ƒํƒœ์—์„œ ์žฅ์• ์ธ ๋ชจ๋ธ์ด ๋“ฑ์žฅํ•˜๋Š” ๊ด‘๊ณ ๋ฅผ์ ‘ํ•˜๊ฒŒ ๋˜๋ฉด ๊ด‘๊ณ ์— ๋Œ€ํ•œ ํƒœ๋„๋ฅผ ์–ด๋–ป๊ฒŒ ํ˜•์„ฑํ•˜๋Š”๊ฐ€๋ฅผ ์•Œ์•„๋ณด๊ณ ์ž ํ•˜์˜€๋‹ค. ๋˜ํ•œ ์žฅ์• ์ธ ์ธ๊ตฌ๊ฐ€ ์ง€์†์ ์œผ๋กœ ์ฆ๊ฐ€์ถ”์„ธ์— ์žˆ๋Š” ์ƒํ™ฉ์— ์žฅ์• ์ธ ์†Œ๋น„์ž์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๊ฐ€ ๋ฏธ์ง„ํ•œ ์‹œ์ ์—์„œ ๋ณธ ์—ฐ๊ตฌ๋Š” ์žฅ์• ์ธ ์†Œ๋น„์ž์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด ๊ตญ๊ฐ€๋‚˜ ๊ธฐ์—… ๋“ฑ์—์„œ ์žฅ์• ์ธ ์†Œ๋น„์ž๋ฅผ ๋Œ€์ƒ์œผ๋กœ ํ•˜๋Š” ๋งˆ์ผ€ํŒ… ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ํ™œ๋™์— ๋„์›€์„์ฃผ๊ณ ์ž ํ•˜์˜€๋‹ค. ์—ฐ๊ตฌ๊ฒฐ๊ณผ ์žฅ์• ์ธ ์†Œ๋น„์ž๊ฐ€ ์žฅ์• ์ธ ๋ชจ๋ธ์ด ์ œํ’ˆ๊ด‘๊ณ ์— ๋“ฑ์žฅํ–ˆ์„ ๋•Œ ๋ฌด์กฐ๊ฑด ์ ์œผ๋กœ ๋ถ€์ •์ ์ธ ๋ฐ˜์‘์„ ๋ณด์ด๋Š”๊ฒƒ์ด ์•„๋‹ˆ๋ผ ์†Œ๋น„์ž์˜ ์ œํ’ˆ์— ๋Œ€ํ•œ ์‚ฌ์ „์ง€์‹์ด ๋†’์€ ์ œํ’ˆ๊ด‘๊ณ ์—์„œ๋Š”...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001619859
oai_dc
Animated Documentary ์žฅ๋ฅด์˜ ํŠน์„ฑ์— ๋Œ€ํ•œ ํƒ๊ตฌ - 4๊ฐ€์ง€ ์œ ํ˜•์„ ์ค‘์‹ฌ์œผ๋กœ
Study on the 'Animated Documentary' genre by focusing on four categories
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํ˜„์„(๋Ÿฌํ”„๋ฒ„๋Ÿฌ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ์ƒˆ๋กœ์šด ์˜์ƒ์žฅ๋ฅด๋กœ ์ฃผ๋ชฉ ๋ฐ›๊ณ  ์žˆ๋Š” Animated documentary (์• ๋‹ˆ๋ฉ”์ดํ‹ฐ๋“œ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ)์˜ ํŠน์„ฑ์— ๋Œ€ํ•ด ๊ณ ์ฐฐํ•˜์˜€๋‹ค. ๊ทธ ๋™์•ˆ ์œ ๋Ÿฝ์—์„œ ๋งŽ์€ ๋‹จํŽธ ์ž‘ํ’ˆ์ด ์ œ์ž‘๋˜์—ˆ์œผ๋ฉฐ, ์ตœ๊ทผ ์ œ์ž‘๋œ โ€˜Ryanโ€™ (2004)๊ณผโ€˜The Moon and the Sun: An imagined Conversationโ€™ (2006)์€ ์˜ค์Šค์นด ์˜ํ™”์ œ์—์„œ ์ตœ์šฐ์ˆ˜ ๋‹จํŽธ ์˜ํ™”์ƒ ์ˆ˜์ƒํ•˜์˜€์œผ๋ฉฐ, Ari Folman์˜ โ€˜Waltz with Bashir' (2008)๋Š” ๊น๋А ์˜ํ™”์ œ ๊ณต์‹๊ฒฝ์Ÿ๋ถ€๋ถ„์— ์„ ์ •๋˜๋Š” ๋“ฑ ๋งŽ์€ ์˜ํ™”์ œ์—์„œ ์ž‘ํ’ˆ์„ฑ์„ ์ธ์ •๋ฐ›์œผ๋ฉฐ ๋Œ€์ค‘๋“ค์—๊ฒŒ ๊ฐ€๊นŒ์ด ๋‹ค๊ฐ€์„œ๊ณ  ์žˆ๋‹ค. ๋˜ํ•œ ์œ ๋Ÿฝ์˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001568632
oai_dc
์˜์ƒ๊ธฐ์ดˆ๊ต์œก์— ์žˆ์–ด์„œ ์ฐฝ์˜์  ์‹œ๊ฐํ›ˆ๋ จ์ค‘์‹ฌ์˜ ์˜์ƒํ‘œํ˜„๊ณผ ๋ฐœ์ƒ์— ๊ด€ํ•œ ํ•™์Šต๋ฐฉ๋ฒ•
Learning Design based on Creative Thinking and Visual Exercises in the Basic Education of Film and Video
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์›๊ฒฝ์•„(๋‘์›๊ณต๊ณผ๋Œ€ํ•™)" ]
๋ณธ ์—ฐ๊ตฌ์˜ ๋ชฉ์ ์€ ์˜์ƒ ๊ต์œก ๊ณผ์ •์—์„œ ์ฐฝ์˜์ ์ธ ์˜์ƒ ํ‘œํ˜„์„ ์œ„ํ•œ ๊ต์œก์˜ ํ•„์š”์„ฑ์„ ์ธ์‹ํ•˜๊ณ  ์˜์ƒ๊ต์œก ํ˜„์žฅ์—์„œ ํ™œ์šฉํ•  ์ˆ˜ ์žˆ๋Š” ํ•™์Šต๋ฐฉ๋ฒ•์„ ์—ฐ๊ตฌํ•˜๋Š” ๋ฐ ์žˆ๋‹ค. ์˜์ƒ์˜ ๋‹ค์–‘ํ•œ ์‹œ๊ฐ์ , ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ์  ์†”๋ฃจ์…˜์„ ์ฐฝ์กฐํ•˜๋Š” ๋Šฅ๋ ฅ์€ ์ฐฝ์˜์ ์ธ ์‹œ๊ฐ ํ‘œํ˜„๋Šฅ๋ ฅ์—์„œ๋ถ€ํ„ฐ ์‹œ์ž‘๋œ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด ์˜์ƒํ‘œํ˜„ ๋Šฅ๋ ฅ์„ ํ–ฅ์ƒ์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š” โ€˜์ฐฝ์˜์  ์‹œ๊ฐ ํ›ˆ๋ จ ์ค‘์‹ฌ์˜ ํ•™์Šต๋ฐฉ๋ฒ•โ€™์„ ๊ฐœ๋ฐœํ•˜๊ณ  ์˜์ƒ ๊ธฐ์ดˆ ํ•™์Šต๊ณผ์ •์œผ๋กœ ์ œ์‹œํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ฐฝ์˜์  ์‹œ๊ฐํ›ˆ๋ จ์ค‘์‹ฌ์˜ ํ•™์Šต์€ ๋‹ค์–‘ํ•œ ์ ‘๊ทผ๋ฐฉ์‹์˜ ์‹œ๊ฐํ›ˆ๋ จ๋ฒ•์„ ํ•™์Šต๊ณผ์ •์œผ๋กœ ๊ฐœ๋ฐœํ•œ ๊ฒƒ์œผ๋กœ ์˜์ƒ๊ด€๋ จ ์ „๊ณต ๋Œ€ํ•™์ƒ์„ ๋Œ€์ƒ์œผ๋กœ ํ•˜๋Š” ์˜์ƒ ๊ธฐ์ดˆ ๊ต์œก๊ณผ์ •์— ํ™œ์šฉํ•˜๊ณ ์ž ์„ค๊ณ„๋˜์—ˆ๋‹ค. โ€˜์ฐฝ์˜์  ์‹œ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568640
oai_dc
๋ชจ๋ฐ”์ผ์ง„ ์ž๋™์ฐจ ๊ด‘๊ณ ์—์„œ ์†Œ๊ตฌ์œ ํ˜•์— ๋”ฐ๋ฅธ ์†Œ๋น„์ž ๊ด€์—ฌ๋„์— ๊ด€ํ•œ ๋ถ„์„ -๊ณ ๊ธ‰์Šน์šฉ์ฐจ ๊ด‘๊ณ  ์ค‘์‹ฌ์œผ๋กœ-
An Analysis of the preference for ad appealing type according to consumer's life style in advertisement - centered on deluxe cars advertisement -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•ํ™”์ง„(ํ™์ต๋Œ€ํ•™๊ต); ์‹ ์žฌ์šฑ((์ฃผ)์‹ ๋””์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์ฆˆ)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์ฒด์–ด๋งจ, ์—์ฟ ์Šค, ์˜คํ”ผ๋Ÿฌ์Šค, SM7์˜ ๊ณ ๊ธ‰ ์Šน์šฉ์ฐจ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์†Œ๋น„์ž ๋ผ์ดํ”„์Šคํƒ€์ผ์— ๋”ฐ๋ผ ๊ด‘๊ณ ์˜ ์†Œ๊ตฌ์œ ํ˜•์„ ๋‚˜๋ˆ„์–ด ๊ณ ๊ธ‰ ์Šน์šฉ์ฐจ์— ๋Œ€ํ•œ ๊ด‘๊ณ ์˜ ํ‘œํ˜„์ „๋žต์„ ์•Œ์•„๋ณด๋Š”๋ฐ ๊ทธ ๋ชฉ์ ์ด ์žˆ๋‹ค. ์†Œ๋น„์ž ๋ผ์ดํ”„์Šคํƒ€์ผ์— ๋”ฐ๋ผ ๊ด‘๊ณ ์˜ ์†Œ๊ตฌ์œ ํ˜•์„ ๋‚˜์šฐ์–ด ๊ทธ์— ๋”ฐ๋ฅธ ์„ ํ˜ธ๋„๋ฅผ ๋ถ„์„ํ•˜์˜€์œผ๋ฉฐ, ๊ณ ๊ธ‰ ์Šน์šฉ์ฐจ์— ๋Œ€ํ•œ ๊ด‘๊ณ ์˜ ํ‘œํ˜„์ „๋žต์„ ์•Œ์•„๋ณด๊ณ ์ž ํ•˜์˜€๋‹ค. ์ด์— ๋ณธ ๋…ผ๋ฌธ์€ FCB๋ชจ๋ธ ์ด๋ก ์— ๊ทผ๊ฑฐํ•˜์—ฌ 4๊ฐœ์˜ ๊ณ ๊ธ‰ ์Šน์šฉ์ฐจ์— ๋”ฐ๋ผ ์†Œ๋น„์ž์˜ ๊ด‘๊ณ  ์†Œ๊ตฌ์œ ํ˜• ์„ ํ˜ธ๋„์™€ ๊ธฐ์—… ํƒ€๊ฒŸ์˜ ์ƒ๊ด€๊ด€๊ณ„์— ๋Œ€ํ•ด ์•Œ์•„๋ณด์•˜๋‹ค. ์ด๋Ÿฌํ•œ ๊ณผ์ •์—์„œ 4๊ฐœ์˜ ๊ณ ๊ธ‰์Šน์šฉ์ฐจ ์‹œ์žฅ ์„ธ๋ถ„ํ™”๋ฅผ ๋ถ„์„ํ•ด๋ด„์œผ๋กœ์จ ์ด๋“ค ๊ด‘๊ณ ๊ฐ€ ๊ณ ๊ธ‰ ์Šน์šฉ์ฐจ์ผ ๊ฒฝ์šฐ ์ด...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568528
oai_dc
์œ ์•„์šฉ ์• ๋‹ˆ๋ฉ”์ด์…˜์—์„œ์˜ ์บ๋ฆญํ„ฐ ๋””์ž์ธ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ
A Study on the Animation Character Design for Toddler
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋‚˜์ •์กฐ(์œ ํ•œ๋Œ€ํ•™๊ต)" ]
๊ธฐ์กด ๊ตญ๋‚ด์˜ ์œ ์•„์šฉ ์• ๋‹ˆ๋ฉ”์ด์…˜์€ ๋ฏธ๊ตญ์˜ ๋””์ฆˆ๋‹ˆ์‚ฌ ํ˜น์€ ์ผ๋ณธ์˜ ์• ๋‹ˆ๋ฉ”์ด์…˜ ํšŒ์‚ฌ๋“ค์ด ์ˆ˜์ถœํ•œ ๊ฒƒ๋“ค์ด ๋Œ€๋ถ€๋ถ„์ด์—ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ 2000๋…„๋Œ€์— ๋“ค์–ด์„œ๋ฉด์„œ๋ถ€ํ„ฐ ๊ตญ๋‚ด ์• ๋‹ˆ๋ฉ”์ด์…˜์— ๋Œ€ํ•œ ์‹ฌ๋„ ์žˆ๋Š” ์—ฐ๊ตฌ์™€ ๋ถ„์„์œผ๋กœ ๊ตญ๋‚ด์—์„œ ์ œ์ž‘ํ•œ ์• ๋‹ˆ๋ฉ”์ด์…˜๋“ค์ด ์ž๋ฆฌ๋ฅผ ์žก๊ณ  ์žˆ๋‹ค. ๋นˆ์•ฝํ•œ ์Šคํ† ๋ฆฌ ๊ตฌ์„ฑ๊ณผ ๋ป”ํ•œ ์ „๊ฐœ๊ฐ€ ์•„๋‹Œ ์งœ์ž„์ƒˆ ์žˆ๋Š” ๊ตฌ์„ฑ๊ณผ ํƒ„ํƒ„ํ•œ ์Šคํ† ๋ฆฌ๋Š” ๊ตญ๋‚ด ์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ๋ธŒ๋žœ๋“œ ๊ฐ€์น˜๋ฅผ ๋†’์ด๊ณ  ์žˆ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ์ง€์†์ ์ธ ์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ๋ฐœ์ „์„ ์œ„ํ•˜์—ฌ ์œ ์•„์šฉ ์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ์บ๋ฆญํ„ฐ ๋””์ž์ธ์„ ๋ถ„์„ํ•˜์˜€๋‹ค. ์œ ์•„์šฉ ์• ๋‹ˆ๋ฉ”์ด์…˜์€ ๋‹ค๋ฅธ ์• ๋‹ˆ๋ฉ”์ด์…˜๋“ค๊ณผ๋Š” ๋‹ฌ๋ฆฌ ์ผ์ •ํ•œ ํƒ€๊นƒ์ด ์ •ํ•ด์ ธ ์žˆ๋‹ค. ๋”ฐ๋ผ์„œ ์œ ์•„์˜ ํŠน์„ฑ์— ๋Œ€ํ•œ ๋ถ„์„์€ ์œ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568546
oai_dc
์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด์•„ํŠธ์™€ ์ปดํ“จํ„ฐ ๊ฒŒ์ž„์˜ ์ƒํ˜ธ์ž‘์šฉ์„ฑ ๋น„๊ต ์—ฐ๊ตฌ
Comparative Study of Interactivity between Interactive Media Art and Computer Game
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์ง€๋ฒ”((์ฃผ)์— ๊ฒŒ์ž„ )" ]
์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด ์•„ํŠธ์™€ ์ปดํ“จํ„ฐ ๊ฒŒ์ž„์€ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด๋ฅผ ํ†ตํ•ด ๊ตฌํ˜„ํ•œ ์ƒํ˜ธ์ž‘์šฉ์„ฑ์„ ๋ฐ”ํƒ•์œผ๋กœ ๋ฐœ์ „ํ•ด์™”๋‹ค. ์ƒํ˜ธ์ž‘์šฉ์„ฑ์€ ๊ด€๊ฐ/ํ”Œ๋ ˆ์ด์–ด๊ฐ€ ์ž‘ํ’ˆ์„ ๋ณ€ํ™”์‹œํ‚ค๊ณ  ์™„์„ฑํ•˜๋Š” ์—ญํ• ์„ ๊ฐ€๋Šฅํ•˜๊ฒŒ ํ•จ์œผ๋กœ์จ ๋ณด๋‹ค ์ ๊ทน์ ์ธ๋ฌธํ™”๊ฒฝํ—˜์„ ์ œ๊ณตํ•œ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด ์•„ํŠธ๋Š” ์ฃผ๋กœ ๋ฌผ๋ฆฌ์  ์ธํ„ฐํŽ˜์ด์Šค์— ๋Œ€ํ•œ ๋‹ค์–‘ํ•œ ์‹คํ—˜๋“ค์„ ์ง„ํ–‰ํ•ด์™”๊ณ  ์ปดํ“จํ„ฐ ๊ฒŒ์ž„์€ ๋ณต์žกํ•œ ์•Œ๊ณ ๋ฆฌ์ฆ˜์„ ํ†ตํ•ด ๋ชฐ์ž…๊ฐ ๋†’์€ ๋†€์ด ๊ณต๊ฐ„์„ ๊ตฌํ˜„ํ•˜๋ ค๊ณ  ํ•˜์˜€๋‹ค. ์กด๋“€์ด์˜ ์˜ˆ์ˆ ๋ก ์— ๋”ฐ๋ฅด๋ฉด ์ตœ๊ณ ์˜ ๊ฒฝํ—˜์ด๋ž€ ์ธ๊ฐ„๊ณผ ํ™˜๊ฒฝ์˜ ์™„๋ฒฝํ•œ ์ƒํ˜ธ์นจํˆฌ์— ์˜ํ•ด ๋ฐœ์ƒํ•˜๋Š” ๊ฒƒ์œผ๋กœ, ๋ณด๋‹ค์™„์ „ํ•œ ์ƒํ˜ธ์ž‘์šฉ์„ ๊ตฌํ˜„ํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ์–‘์ž๊ฐ€ ๋ฐœ์ „์‹œ์ผœ ์˜จ ์ƒํ˜ธ์ž‘์šฉ์˜ ๋‹ค์–‘ํ•œ ๋ฐฉ๋ฒ•๋“ค๊ณผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568525
oai_dc
๋ฏธ๋””์–ด ์•„ํŠธ ์† ๋„์‹œ์ฃผ์˜ : ํ˜ธ์ฃผ์˜ ๋„์‹œ์ฃผ์˜
Urbanism envisaged into Media Art: Australian Urbanism
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์œ ์˜์•„(์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€)" ]
์ด ๊ธ€์€ ์ตœ๊ทผ์— ์ฃผ๋ชฉ๋ฐ›๊ณ  ์žˆ๋Š” ๋„์‹œ์ฃผ์˜๊ฐ€ ํ˜ธ์ฃผ๊ฑด์ถ•๊ฐ€ํ˜‘ํšŒ๊ฐ€ ์ค‘์‹ฌ์ด ๋˜์–ด ์ œ์ž‘๋œ ์ž…์ฒด 3์ฐจ์› ์˜์ƒ์ธ <์ง€๊ธˆ ๊ทธ๋ฆฌ๊ณ  ์–ธ์ œ ํ˜ธ์ฃผ์˜ ๋„์‹œ์ฃผ์˜(NOW and WHEN Australian Urbanism)>(2010)์—์„œ ์–ด๋–ป๊ฒŒ ๊ทธ๋ ค๋Š”์ง€ ๊ณ ์ฐฐํ•˜๋Š” ๊ธ€์ด๋‹ค. ์ด๊ฒƒ์„ ๊ณ ์ฐฐํ•˜๊ธฐ ์œ„ํ•ด ๋„์‹œ, ๋„์‹œ์˜, ๋„์‹œํ™”, ๋„์‹œ์ฃผ์˜๋ผ๋Š” ์šฉ์–ด์˜ ์˜๋ฏธ๋ฅผ ์šฐ์„  ํŒŒ์•…ํ•˜์˜€์œผ๋ฉฐ๊ทธ๊ฒƒ์„ ๋ฐ”ํƒ•์œผ๋กœ ํ•˜์—ฌ ์–ด๋ฒ„๋‹ˆ์ฆ˜์ด๋ผ๋Š” ์™ธ๋ž˜์–ด๋กœ๋„ ๋ถˆ๋ ค์ง€๋Š” ๋„์‹œ์ฃผ์˜๊ฐ€ ์–ด๋–ป๊ฒŒ <์ง€๊ธˆ ๊ทธ๋ฆฌ๊ณ  ์–ธ์ œ>์—์„œ์‹œ๊ฐํ™”๋˜์—ˆ๋Š”์ง€๋ฅผ ์‚ดํŽด๋ณด์•˜๋‹ค. ๋„์‹œ์ฃผ์˜๋Š” ์–ด๋ฒ„๋‹ˆ์ฆ˜์œผ๋กœ ๋ถˆ๋ฆฌ๋Š” ์šฉ์–ด๋กœ ๋„์‹œ์„ค๊ณ„๋ถ€ํ„ฐ ๋„์‹œ๋ฌธํ™”์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ์ธ๊ฐ„์ด ๋ชจ์—ฌ ์‚ฌํšŒ๋ฅผ ์ด๋ฃจ๊ณ  ์ •์น˜, ๊ฒฝ์ œ, ์‚ฌ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568555
oai_dc
์˜์ƒ์ด๋ฏธ์ง€์— ์žˆ์–ด์„œ ์ฃผ์ฒด๊ตฌ์„ฑ๊ณผ ์˜๋ฏธ์— ๊ด€ํ•œ ์—ฐ๊ตฌ- ์‚ผ์„ฑ ๊ธฐ์—…๊ด‘๊ณ  TV-CF๋ฅผ ์ค‘์‹ฌ์œผ๋กœ -
A Study on the Constitution of Subject and the Meaning in the Visual Image- focus on Samsung TV-CF -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†์ธ์ˆ˜(์˜์‚ฐ๋Œ€ํ•™๊ต); ๊น€์ˆ˜๋ จ(๊ฒฝ์ฃผ๋Œ€ํ•™๊ต)" ]
ํ˜„๋Œ€์‚ฌํšŒ์—์„œ ์‚ฌ๋žŒ๋“ค์€ ๊ด‘๊ณ ์˜ ํ™์ˆ˜ ์†์—์„œ ์‚ด๊ณ  ์žˆ์œผ๋ฉฐ, ๊ธฐ์—…์€ ๊ด‘๊ณ ๋ฅผ ํ†ตํ•˜์—ฌ ์†Œ๋น„์ž์™€์˜ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์„ ๋„๋ชจํ•œ๋‹ค. ๊ธฐ์—…์€ ์žฅ๋‹จ๊ธฐ ๋ชฉํ‘œ๋ฅผ ๊ฐ€์ง€๊ณ  ๊ด‘๊ณ ์— ๋ฉ”์‹œ์ง€๋ฅผ ๋‹ด์•„ ์†Œ๋น„์ž๋ฅผ ์„ค๋“ํ•˜๋ ค ํ•œ๋‹ค. ์ด๋•Œ ๊ธฐ์—…(์ด๋ฏธ์ง€)๊ด‘๊ณ ๋Š” ์†Œ๋น„์ž๊ฐ€ ๊ธฐ์—…์— ๋Œ€ํ•ด ํ˜ธ๊ฐ์„ ๊ฐ–๋„๋ก ํ•˜๊ณ , ์žฅ๊ธฐ์ ์ธ ์„ ํ˜ธ๋„ ์œ ์ง€๋ฅผ ํ•˜์—ฌ ์ด์œค ์ถ”๊ตฌ๋ฅผ ํ•œ๋‹ค. ๊ทธ๋ ‡๋‹ค๋ฉด ์ด๋Ÿฌํ•œ ๊ธฐ์—…๊ด‘๊ณ ์— ๋‹ด๊ธด ๋ฉ”์‹œ์ง€/์ด๋ฐ์˜ฌ๋กœ๊ธฐ๋Š” ๋ฌด์—‡์ด๊ณ , ์–ด๋–ป๊ฒŒ ์†Œ๋น„์ž๋ฅผ ์„ค๋“ํ•˜๊ณ  ์žˆ๋Š”๊ฐ€? ๋ณธ์—ฐ๊ตฌ๋Š” ์†Œ๋น„์ž๊ฐ€ ์˜์ƒ๋ฏธ๋ฏธ์ง€์— ๋‚˜ํƒ€๋‚œ ์ธ๋ฌผ๊ณผ ์ฃผ์ฒด๊ตฌ์„ฑ์„ ํ•˜๋Š” ๊ณผ์ •์„ ์ถ”์ ํ•˜์—ฌ, ๊ด‘๊ณ  ์†์—์„œ ๊ธฐ์—…๊ณผ ์†Œ๋น„์ž๊ฐ€ ์–ด๋– ํ•œ ๊ด€๊ณ„๊ฐ€ ๋˜๋ฉฐ, ์‚ฌํšŒ์ ์œผ๋กœ ์–ด๋– ํ•œ ์˜๋ฏธ๋ฅผ ๊ฐ–๊ฒŒ ๋˜๋Š”์ง€๋ฅผ ์•Œ์•„...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568541
oai_dc
์ž๋™ ์ƒ์„ฑ ์ง„ํ™” ์ปฌ๋Ÿฌ ํ•„๋“œ: ์ง„ํ™”์ƒ์„ฑ์˜ˆ์ˆ ์˜ ์ฐฝ์กฐ์  ์ž ์žฌ์„ฑ ์—ฐ๊ตฌ
Self- Generated Evolving Color-Field: Studying on Creative Potential in The Evolutionary Generative Art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ดํ˜œ๋ฆฌ(์„œ๊ฐ•๋Œ€ํ•™๊ต); ์ •๋ฌธ์—ด(์„œ๊ฐ•๋Œ€ํ•™๊ต)" ]
์ด ๋…ผ๋ฌธ์€ ์ง„ํ™”์ƒ์„ฑ ๊ฐœ๋…์„ ์ด์šฉํ•˜์—ฌ ์ž๋™์ ์œผ๋กœ ์ถ”์ƒ์ ์ธ ์ด๋ฏธ์ง€๋ฅผ ์ƒ์„ฑํ•˜๋Š” ์ž๋™์ƒ์„ฑ ์ง„ํ™”์ปฌ๋Ÿฌํ•„๋“œ์—๋Œ€ํ•œ ์ž‘์—… ์—ฐ๊ตฌ์ด๋‹ค. ์ž๋™์ƒ์„ฑ ์ง„ํ™”์ปฌ๋Ÿฌํ•„๋“œ(Self-Generated Evolving Color-Field (SGECF))๋Š” ์œ ์ „์ž ์•Œ๊ณ ๋ฆฌ์ฆ˜(Genetic Algorithm), ์žฌ๊ท€ ํ”„๋กœ๊ทธ๋ž˜๋ฐ(Recursive Programming), ์„ธํฌ๊ธฐ๊ณ„(Cellular Automata)๋ฅผ ์ด์šฉ, ์˜ˆ์ธก๋ถˆ๊ฐ€๋Šฅํ•œ ์ด๋ฏธ์ง€๋ฅผ ์ž๋™ ์ƒ์„ฑํ•˜์—ฌ ์–ธ์ œ๋‚˜ ๋‹จ ํ•˜๋‚˜๋ฟ์ธ ์ƒˆ๋กœ์šด ์ด๋ฏธ์ง€๋ฅผ ๊ฐ์ƒํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•œ๋‹ค. ์ด ์‹คํ—˜์€์ถ”์ƒ ์ด๋ฏธ์ง€์™€ ์ปฌ๋Ÿฌ์˜ ์‹œ๊ฐํ™”๋ฅผ ์—ฐ๊ตฌํ–ˆ๋˜ ์ถ”์ƒํ‘œํ˜„์ฃผ์˜(Abstract Expression...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568522
oai_dc
์‹œ๊ฐ ์ด๋ฏธ์ง€์™€ ํ…์ŠคํŠธ ์˜์ƒ์— ์žˆ์–ด์„œ์˜ โ€˜์ฝ๊ธฐ-๋ณด๊ธฐโ€™์˜ ์ „ํ™˜์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on the Continuing Shiftness of Animated Images and Texts
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์„ฑํ™˜(๊ฒฝ์„ฑ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€, ๋ณธ์ธ์˜ ๋‘ ์˜์ƒ์ž‘ํ’ˆ์˜ ๋ถ„์„์„ ํ†ตํ•ด ์‹œ๊ฐ ์ด๋ฏธ์ง€์™€ ํ…์ŠคํŠธ๊ฐ€ ๋‚ด์žฌํ•˜๊ณ ์žˆ๋Š” ์˜์‹๊ณผ ๋ฌด์˜์‹๊ฐ„์˜์ด๋™์„ ๋ฐํ˜€๋ณด๊ณ ์ž ํ•˜๋Š” ๋ฐ ๊ทธ ๋ชฉ์ ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ์ž‘ํ’ˆ์€ ๊ฐ๊ฐ ์ง€๋„์ด๋ฏธ์ง€์™€ ์ •์ˆ˜๊ธฐ์˜ ์„ค๋ช…์„œ๋ฅผ ์†Œ์žฌ๋กœํ•˜๋Š”๋ฐ, ๊ทธ๊ฒƒ๋“ค์˜ ๋‚ด์šฉ์„ ํŒŒ์•…ํ•˜๋Š” ๊ณผ์ •์— ์žˆ์–ด โ€˜์ฝ๊ธฐ์™€ ๋ณด๊ธฐ์˜ ์—ฐ์†์ ์ธ ์ „ํ™˜โ€™์„ ์ฒดํ—˜ํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค. ์ง€๋„์ด๋ฏธ์ง€ ์• ๋‹ˆ๋งค์ด์…˜์ธ <in-world>๋Š” ์ด๋ฏธ์ง€์˜ ๋ณด๋Š” ๊ฒƒ์—์„œ ์ฝ๋Š” ๊ฒƒ์œผ๋กœ ์ ์ง„์ ์œผ๋กœ ๋ณ€ํ™”๋˜๊ณ , ํ…์ŠคํŠธ ์˜์ƒ์ธ <Gildong as My Text>์—์„œ๋Š” ๋น ๋ฅธ ์ˆœ๊ฐ„์ „ํ™˜์œผ๋กœ ์ฝ๊ธฐ์™€ ๋ณด๊ธฐ๊ฐ€ ํ•˜๋‚˜๋กœ ์œตํ•ฉ๋˜์—ˆ๋‹ค. โ€˜์ฝ๊ธฐ์™€ ๋ณด๊ธฐ์˜ ์ „ํ™˜โ€™์€ ๊ฒฐ๊ตญ ์šฐ๋ฆฌ ์˜์‹๊ณผ ๋ฌด์˜์‹์˜ ์ƒํ˜ธ์ž‘์šฉ์ด๋ผ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568627
oai_dc
3D๋””์ง€ํ„ธ์• ๋‹ˆ๋ฉ”์ด์…˜์—์„œ ๊ฐ์„ฑ์  ์‹œ๊ฐ์–ธ์–ด์˜ ํ‘œํ˜„์— ๊ด€ํ•œ ๊ณ ์ฐฐ
A Study on the Expression of Emotional Visual Language in 3D Animation Film
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†ก๋ฏธ์ˆ™(๋Œ€๋ฆผ๋Œ€ํ•™๊ต)" ]
์ดˆ๊ธฐ ๋””์ง€ํ„ธ ํŠน์ˆ˜์˜์ƒ ๊ธฐ์ˆ ์˜ ๋ฐœ์ „์€ ์˜ํ™”์‚ฐ์—…์˜ ์‚ฌ์‹ค์ฃผ์˜๋ฅผ ๋„์™€์ฃผ๋Š” ๊ธฐ์ˆ ์˜ ํ˜์‹ ์œผ๋กœ ๋ฐ›์•„๋“ค์—ฌ์กŒ๋‹ค. ํ•ญ๊ณต ์‚ฐ์—…์—์„œ ๋” ๊ฐ€๋ฒผ์šด ํ•ฉ๊ธˆ๊ธฐ์ˆ ์˜ ์—ผ์›๊ณผ ๋”๋ถˆ์–ด ๊ฑฐ๋‘” ๊ธฐ์ˆ ๋ ฅ์˜ ๋ฐœ์ „๊ณผ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ์˜ํ™”์—์„œ ๋” ์‚ฌ์‹ค์ ์ธ ์žฌํ˜„์˜ ๋ฐฉ๋ฒ•์€ ์—†์„๊นŒ ๋ผ๋Š” ๊ธฐ๋Œ€์™€ ์š•๊ตฌ๋Š” ์ฒจ๋‹จ ์ปดํ“จํ„ฐ๊ทธ๋ž˜ํ”ฝ๊ธฐ์ˆ  ๋ฐœ๋‹ฌ์˜ ๊ฒฌ์ธ์ฐจ ์—ญํ• ์„ ํ•ด์™”๋‹ค. ์ด์—๋”ฐ๋ผ Full 3D ์• ๋‹ˆ๋ฉ”์ด์…˜์ด๋‚˜ C.G๋กœ ์ œ์ž‘๋œ ๊ฐ€์ƒ์˜ ์บ๋ฆญํ„ฐ์™€ ํ•จ๊ป˜ ๋“ฑ์žฅํ•˜๋Š” ํ•ฉ์„ฑ์˜ํ™”์˜ ์ œ์ž‘์ด ํ™œ๋ฐœํ•˜๊ฒŒ ์ด๋ฃจ์–ด์ง€๊ณ  ์žˆ์œผ๋ฉฐ ์ „์ฒด์˜ํ™”์‚ฐ์—…์—์„œ ์ฐจ์ง€ํ•˜๋Š” ๋น„์ค‘์ด ์ ์ฐจ ๋†’์•„์ง€๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๊ทน์‚ฌ์‹ค์ฃผ์˜ ๋””์ง€ํ„ธ์• ๋‹ˆ๋ฉ”์ด์…˜์˜ ๊ธฐ์ˆ ์  ํ•œ๊ณ„์™€ ์ดˆ๊ธฐ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์˜ํ™”์— ๋‚˜ํƒ€๋‚œ ์บ๋ฆญํ„ฐ์˜ ์–ด์ƒ‰ํ•จ๊ณผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568501
oai_dc
ํ•˜์ดํผ๋ฆฌ์–ผ๋ฆฌํ‹ฐ ์˜ํ™”์˜ ์‹œ๊ฐ์  ์œ ํฌ์— ๋Œ€ํ•œ ๋‹ด๋ก ์˜ ์žฌ๊ตฌ์„ฑ-CGI(Computer Generated Imagery) ๊ธฐ๋ฐ˜ ์˜ํ™”๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
Reconstruction of the discourse on the visual play of Hyper-reality film
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •์Šน์šฑ(์„œ๊ฐ•๋Œ€ํ•™๊ต)" ]
์˜ค๋Š˜๋‚  ์˜ํ™”๊ธฐ์ˆ ์˜ ๋น„์•ฝ์ ์ธ ๋ฐœ๋‹ฌ์€ ์‹œ๊ฐ๋ฌธํ™”์˜ ์ˆ˜์šฉํ˜•ํƒœ์— ๋ง‰๋Œ€ํ•œ ์˜ํ–ฅ์„ ๋ฏธ์ณค๋‹ค. ์˜ํ™”์˜ ๋ณธ์งˆ์€ ์ง€๊ฐ์„ํ†ตํ•œ ํ™˜์˜์— ์žˆ์œผ๋ฉฐ ํ˜„์‹ค์˜ ์žฌํ˜„์„ ํ†ตํ•ด์„œ ์ฐฉ์‹œ์™€ ํ™˜์ƒ์˜ ์„ธ๊ณ„๋กœ ๊ด€๊ฐ์„ ์ด๋„๋Š” ๋ฐ์— ์žˆ๋‹ค. ์š•๋ง์˜ ์‹œ๊ฐ์  ์žฌํ˜„์€ ์˜ํ™”๊ธฐ์ˆ ์„ ๊ธฐ๋ฐ˜์œผ๋กœ ์ƒ์ƒํ•˜๋Š” ๊ทธ ์ด์ƒ์˜ ํ™˜์˜์„ ์ƒ์‚ฐํ•˜๊ณ  ์žˆ์œผ๋ฉฐ ๋ฌผ๋ฆฌ์  ์ ‘๊ทผ ๋ฐฉ์‹์˜ ๋ณ€ํ™”๋ฅผ๊ฐ€์ง€๊ณ  ์™”๋‹ค. ๊ฒฐ๊ณผ์ ์œผ๋กœ ๊ด€๊ฐ์€ ์Šคํฌ๋ฆฐ์— ์žฌํ˜„๋˜๋Š” ํ•˜์ดํผ๋ฆฌ์–ผ๋ฆฌํ‹ฐ์—์„œ ํ˜„์‹ค๊ณผ ๊ฐ€์ƒ์˜ ๊ฒฝ๊ณ„๋ฅผ ์ฐพ์ง€ ๋ชปํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ๋ฒค์•ผ๋ฏผ์€ ๊ธฐ์ˆ  ๋ณต์ œ๋กœ ์ธํ•œ ์˜ˆ์ˆ ์˜ โ€˜์•„์šฐ๋ผ ์ƒ์‹คโ€™์—์„œ ์‚ฌํšŒ์  ๊ธฐ๋Šฅ์— ๋Œ€ํ•œ ๊ฐ€๋Šฅ์„ฑ์„ ๋ณด์•˜์ง€๋งŒ๊ทธ ์ด์ƒ์˜ ์˜ˆ์ˆ ๊ณผ์ œ๋ฅผ ์ˆ˜ํ–‰ํ•˜์ง€ ๋ชปํ•˜๊ณ  ์žˆ๋‹ค๊ณ  ํ•˜์˜€๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์™„๋ฒฝํ•œ ์‹œ๋ฎฌ๋ผํฌ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568478
oai_dc
๋‚ด๋Ÿฌํ‹ฐ๋ธŒ๋ฅผ ์œ„ํ•œ Leitmotif์˜ ์‚ฌ์šฉ๊ณผ ๋ณ€์šฉ
A Study on the use of leitmotif for narrative and its variation
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐํ˜„์ผ(๋‚จ์„œ์šธ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋ฐ”๊ทธ๋„ˆ์˜ ๋Œ€ํ‘œ์ ์ธ ๊ธฐ๋ฒ•์œผ๋กœ ์•Œ๋ ค์ง„ ๋ผ์ดํŠธ๋ชจํ‹ฐ๋ธŒ๊ฐ€ ์„œ์‚ฌ๊ตฌ์กฐ์—์„œ ์–ด๋–ป๊ฒŒ ์‚ฌ์šฉ๋˜๊ณ  ๋˜ํ•œ ๋ณ€์šฉ๋˜๋Š”๊ฐ€๋ฅผ ๊ณ ์ฐฐํ•œ๋‹ค. ๊ณ ๋Œ€๊ทธ๋ฆฌ์Šค์—์„œ๋ถ€ํ„ฐ ๊ณ ์ „์ฃผ์˜ ์˜คํŽ˜๋ผ๋ฅผ ๊ฑฐ์ณ ํ˜„๋Œ€์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ๋ผ์ดํŠธ๋ชจํ‹ฐ๋ธŒ๋Š” ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ๋ฅผ ํšจ๊ณผ์ ์ด๊ณ  ํšจ์œจ์ ์œผ๋กœ ์ „๋‹ฌํ•  ์ˆ˜ ์žˆ๋Š” ๊ธฐ๋ฒ•์œผ๋กœ ์ž๋ฆฌ ์žก์•˜๋‹ค. ํ•œํŽธ, ๋ผ์ดํŠธ๋ชจํ‹ฐ๋ธŒ๊ฐ€ ๊ฐ€์ง„ ์—ฐ์†์ ์ธ ์†์„ฑ ๋•Œ๋ฌธ์— ์˜ˆ์ˆ  ๊ทธ ์ž์ฒด์˜ ๊ฐœ๋ณ„์„ฑ๊ณผ ์ž์œจ์„ฑ์ด ์†์ƒ๋œ๋‹ค๋Š” ๋…ผ์ง€์˜ ๋น„ํŒ์ด ๋Š์ž„์—†์ด ์ œ๊ธฐ๋˜์–ด์™”๋‹ค. ์•„๋„๋ฅด๋…ธ์˜ ๋ฌธํ™”์‚ฐ์—… ๋น„ํŒ๊ณผ ํ•จ๊ป˜ ๋Œ€์•ˆ์œผ๋กœ ์ œ์‹œ๋œ ํ‘œํ˜„์ฃผ์˜ ๊ธฐ๋ฒ•์€ ์˜ˆ์ˆ ์  ์˜๋ฏธ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ , ์ƒ์—…์ ์œผ๋กœ๋Š” ์‹คํŒจํ•˜๊ณ  ๋Œ€์ค‘๋“ค๋กœ๋ถ€ํ„ฐ ๋ฒ„๋ฆผ๋ฐ›๊ฒŒ ๋œ๋‹ค. ๊ฒฐ๊ตญ ๋‹ค์‹œ ๋‚ญ๋งŒ์ฃผ์˜์  ๊ธฐ๋ฒ•์„ ์ฐจ์šฉํ•˜๊ฒŒ ๋˜...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568489
oai_dc
์Šค๋งˆํŠธํฐ ์‚ฌ์šฉ์ž ์ธํ„ฐํŽ˜์ด์Šค ๋””์ž์ธ์—์„œ ์‹œ๊ฐ์  ์ด‰๊ฐ์˜ ํšจ๊ณผ ์—ฐ๊ตฌ
A Study on the effect of visual tactility in user interface design of Smart Phone.
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ œ๋ฏธํ˜œ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต); ์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๊ณผ๊ฑฐ ์ธ์‡„์ˆ ์˜ ๋ฐœ๋‹ฌ๋กœ ๋“ฑ์žฅํ•œ ๋ฌธ์ž์‹œ๋Œ€์—์„œ ํ˜„์žฌ๋Š” ์ด๋ฏธ์ง€์‹œ๋Œ€๋กœ ํŒจ๋Ÿฌ๋‹ค์ž„์ด ๋ณ€ํ™”ํ•˜๋Š”๋ฐ, ์ด๊ฒƒ์€ ์ธ๊ฐ„์˜์ง€๊ฐ๋ฐฉ์‹ ๋˜ํ•œ ๋ณ€ํ™”์‹œํ‚ค๊ณ  ์žˆ๋‹ค. ๋“ค๋ขฐ์ฆˆ, ๋ฒค์•ผ๋ฏผ, ๋งฅ๋ฃจํ•œ์€ ๊ณผ๊ฑฐ ์ด์ง‘ํŠธ ๋ฏธ์ˆ ์—์„œ๋Š” ์กด์žฌํ–ˆ์ง€๋งŒ ๋ฅด๋„ค์ƒ์Šค๋ฅผ ๊ฑฐ์น˜๋ฉฐ ์žƒ์–ด๋ฒ„๋ ธ๋˜ ์‹œ๊ฐ์  ์ด‰๊ฐ์ด ์ƒˆ๋กœ์šด ๋งค์ฒด์— ์ ํ•ฉํ•œ ๋ฐฉ์‹์ด๋ฉฐ, ์‹œ๊ฐ์  ์ด‰๊ฐ์˜ ํšŒ๋ณต์„ ์ œ์•ˆํ•˜์˜€๋‹ค. ์ตœ๊ทผ ์ƒˆ๋กœ์šด ๋งค์ฒด๋กœ ๋Œ€์ค‘ํ™” ๋œ ์Šค๋งˆํŠธํฐ์€ ๋ชจ๋ฐ”์ผํฐ์— ์ปดํ“จํ„ฐ์˜ ๊ธฐ๋Šฅ์„ ํก์ˆ˜ํ•œ ๊ฒƒ์œผ๋กœ ๋ชจ๋ฐ”์ผํฐ์˜ ๋ฌผ๋ฆฌ์ ํ•œ๊ณ„๋ฅผ ๋›ฐ์–ด๋„˜์—ˆ๋‹ค. ๋”ฐ๋ผ์„œ ์Šค๋งˆํŠธํฐ์˜ ์‚ฌ์šฉ์ž ์ธํ„ฐํŽ˜์ด์Šค์—๋Š” ๋ณด๋‹ค ํ’๋ถ€ํ•œ ๋””์ž์ธ์š”์†Œ์˜ ์‚ฌ์šฉ์ด ๊ฐ€๋Šฅํ•ด์ ธ, ์—ฌ๊ธฐ์— ์‹œ๊ฐ์  ์ด‰๊ฐ์„ ์ ์šฉํ•œ๋‹ค๋ฉด, ์‚ฌ์šฉ์ž์—๊ฒŒ ํ’๋ถ€ํ•œ ๊ฐ์„ฑ์„ ์ „๋‹ฌํ•  ์ˆ˜ ์žˆ๊ณ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568483
oai_dc
๋ชจ๋ฐ”์ผ ์˜์ƒํ†ตํ™” ์„œ๋น„์Šค์˜ ์ง€์†์  ์ด์šฉ์˜๋„์— ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š” ์š”์ธ์— ๊ด€ํ•œ ์—ฐ๊ตฌ
Determinants of Continuance Use Intention towards Mobile Video Calling
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ•œ๋ฏผํ˜•(์šฉ์ธ๋Œ€ํ•™๊ต)" ]
๋ช‡ ๋…„ ์ „ ํ•ด์™ธ ์ด๋™ํ†ต์‹ ์‚ฌ๋“ค์ด ์Šค๋งˆํŠธํฐ์„ ๊ธฐ๋ฐ˜์œผ๋กœ ํ•˜๋Š” ๋ชจ๋ฐ”์ผ ์ธํ„ฐ๋„ท์„ ์œก์„ฑํ•˜๊ณ  ์žˆ์„ ๋‹น์‹œ ๊ตญ๋‚ด ์ด๋™ํ†ต์‹ ์‚ฌ๋“ค์€ โ€˜๋ณด๋Š” ์ „ํ™”โ€™๊ฐ€ 3G ์ด๋™ํ†ต์‹ ์˜ ํ•ต์‹ฌ์ด๋ผ๋Š” ๋…ผ๋ฆฌ๋กœ ๋งˆ์ผ€ํŒ…์„ ํŽผ์น˜๊ธฐ ์‹œ์ž‘ํ•˜์˜€๋‹ค. ํ•˜์ง€๋งŒ ๋ชจ๋ฐ”์ผ์˜์ƒํ†ตํ™” ์„œ๋น„์Šค์˜ ์‹ค์ ์€ ํ˜„์žฌ๊นŒ์ง€๋„ ๋งค์šฐ ์ €์กฐํ•œ ์‹ค์ •์ด๋ฉฐ ์–ด๋–ค ์š”์ธ๋“ค์ด 3G ํœด๋Œ€์ „ํ™” ์ด์šฉ์ž๋กœ ํ•˜์—ฌ๊ธˆ ๋ชจ๋ฐ”์ผ ์˜์ƒํ†ตํ™” ์„œ๋น„์Šค๋ฅผ ์ง€์†์ ์œผ๋กœ ์ด์šฉํ•˜๊ฒŒ ํ•  ์˜๋„๋ฅผ ๊ฐ€์ง€๊ฒŒ ํ•˜๋Š”์ง€ ์‹ค์ฆ์ ์œผ๋กœ ๊ฒ€์ฆํ•ด ๋ณผ ํ•„์š”๊ฐ€ ์žˆ๋‹ค๊ณ  ํŒ๋‹จํ•˜์˜€๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•˜์—ฌ ๊ธฐ์กด์˜ ์—…๋ฌด์šฉ ์ •๋ณด๊ธฐ์ˆ ์˜ ์ˆ˜์šฉ์˜๋„์— ๊ฐ€์žฅ ํฐ ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š”๋ณ€์ธ์œผ๋กœ ์•Œ๋ ค์ ธ ์™”๋˜ ์ง€๊ฐ๋œ ์œ ์šฉ์„ฑ๊ณผ ์ง€๊ฐ๋œ ์ด์šฉ ์šฉ์ด์„ฑ ๊ฐ€์šด๋ฐ ์ง€๊ฐ๋œ ์œ ์šฉ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568369
oai_dc
์‚ฌ์ด๊ณต๊ฐ„โ€•๋นŒ ๋น„์˜ฌ๋ผ์˜ ์ž‘์—…์—์„œ ๊ฐ„๊ฒฉ์œผ๋กœ์„œ์˜ ๋น„๋””์˜ค์ด๋ฏธ์ง€
Space between: the video image as interval in Bill Viola
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํ™๊ธฐ(ํŒŒ๋ฆฌ 8๋Œ€ํ•™)" ]
๋นŒ ๋น„์˜ฌ๋ผ์—๊ฒŒ ๋น„๋””์˜ค์ด๋ฏธ์ง€๋Š” ์‚ฌ์ด๊ณต๊ฐ„์œผ๋กœ์„œ ๊ทœ์ •๋œ๋‹ค. ์ด ๋ช…์ œ์˜ ํ•จ์˜๋ฅผ ๋ฐํžˆ๊ธฐ ์œ„ํ•ด ์šฐ๋ฆฌ๋Š” ๋ช…์ œ๋ฅผ๊ตฌ์„ฑํ•˜๋Š” ๋‘ ์š”์†Œ, ์ฆ‰ โ€˜๋น„๋””์˜ค์ด๋ฏธ์ง€โ€™์™€ โ€˜์‚ฌ์ด๊ณต๊ฐ„โ€™์˜ ์˜๋ฏธ์™€ ์ƒํ˜ธ๊ด€๊ณ„๋ฅผ ๋ฐํ˜€์•ผ ํ•œ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ์šฐ๋ฆฌ๋Š” ๋ฐ”๋ฅด๋ถ€๋ฅดํฌ์˜ ์‚ฌ์œ ๋ฅผ ์šฐํšŒํ•œ๋‹ค. ์™œ๋ƒํ•˜๋ฉด ๋ฐ”๋ฅด๋ถ€๋ฅดํฌ์˜ ๊ฐ„๊ฒฉ ๊ฐœ๋…๋„ ๋ฌธ์ž ๊ทธ๋Œ€๋กœ ๋ฒˆ์—ญํ•˜๋ฉด ๋น„์˜ฌ๋ผ์˜ ๊ฐœ๋…๊ณผ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ์‚ฌ์ด๊ณต๊ฐ„์ด๋ผ๋Š” ๋œป์ด๊ธฐ ๋•Œ๋ฌธ์ด๊ณ , ๊ทธ์—๊ฒŒ๋„ ์ด๋ฏธ์ง€ ๊ฐœ๋…๊ณผ ๊ฐ„๊ฒฉ ๊ฐœ๋… ์‚ฌ์ด์˜ ๊ด€๊ณ„๊ฐ€ ๋งค์šฐ ์ค‘์š”ํ•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋ฐ”๋ฅด๋ถ€๋ฅดํฌ์˜ ๊ฐ„๊ฒฉ ๊ฐœ๋…์€ ํฌ๊ฒŒ ๋„ค ๊ฐ€์ง€๋กœ ๋ถ„ํ™”๋œ๋‹ค. ์‹ฌ๋ฆฌ์  ๊ฐ„๊ฒฉ, ์‹œ๊ฐ„์  ๊ฐ„๊ฒฉ, ์ข…๊ต์ ๊ฐ„๊ฒฉ, ์ƒํ˜ธํ•™์ œ์  ๊ฐ„๊ฒฉ์ด ๊ทธ๊ฒƒ์ด๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋ฐ”๋ฅด๋ถ€๋ฅดํฌ์˜ ์ด๋ก  ๋‚ด์—์„œ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568511
oai_dc
์˜์ƒ์˜ˆ์ˆ ์˜ transformation(๋ณ€ํ™˜, ๋ณ€ํ˜•)์— ๊ด€ํ•œ ์กฐํ˜•์  ์˜๋ฏธ
A study on the meaning of plasticity of transformation in media art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊ฐ•ํƒœ์„ฑ(๊ณ ๋ ค๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์˜์ƒ์˜ˆ์ˆ ์˜ ๋ณ€ํ™˜๊ณผ ๋ณ€ํ˜•(transformation)์˜ ์กฐํ˜•์ ์ธ ์˜๋ฏธ๋ฅผ ์ „ํ†ต์ ์ธ ์‹œ๋Œ€์—์„œ๋ถ€ํ„ฐ ํ˜„์žฌ ๋ฏธ๋””์–ด์˜ˆ์ˆ ์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ์—ฌ๋Ÿฌ ์ž‘ํ’ˆ์—์„œ ๋‚˜ํƒ€๋‚˜๋Š” โ€˜์„œ์‚ฌ์„ฑโ€™๊ณผ โ€˜์กฐํ˜•์„ฑโ€™์„ ์—ฐ๊ตฌํ•˜๋Š”๋ฐ ๋ชฉ์ ์„ ๋‘”๋‹ค. ์ด ์—ฐ๊ตฌ๋ฅผ ์œ„ํ•˜์—ฌ, ์„œ์‚ฌํ•™(narratology)์˜ ์กฐํ˜•์ ์ธ ์ ์šฉ์„ ํ†ตํ•˜์—ฌ ์ด์•ผ๊ธฐ์™€ ์กฐํ˜•์‚ฌ์ด์˜ ์—ฐ๊ด€ ๊ด€๊ณ„๋ฅผ ์ดํ•ดํ•˜๊ณ ์ž ํ•˜์˜€๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ "๋ชจ์„ธ์˜ ์†Œ๋ช…โ€œ(Church of Santa Sabina) ์ž‘ํ’ˆ๊ณผ AES+F, Joรฃo Martinho Moura, Philip Beesley ์™€Frederik de Wilde ๋“ฑ์„ ๋…ผ์˜ํ•˜๋ฉฐ ๋‹ค์–‘ํ•œ ์„œ์‚ฌ์ ์ธ ๋ฌธ์ œ๋“ค์„ ์—ฐ๊ตฌํ•œ๋‹ค. ์—ฌ๋Ÿฌ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568469
oai_dc
SNS์—์„œ์˜ ๊ธ€์“ฐ๊ธฐ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ์–‘์ƒ ๋ณ€ํ™”์— ๋”ฐ๋ฅธ ๋ถ„์ ˆ, ์†Œ์™ธ๋œ ๋‘๋‡Œ๊ตฌ์กฐ
A Study on the alienated and segmented brain structure under the current way of SNS communication
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ˜œ์šฑ(์ฒญ๊ฐ•๋ฌธํ™”์‚ฐ์—…๋Œ€ํ•™๊ต)" ]
๊ฐ€์†ํ™”๋˜๋Š” ๋””์ง€ํ„ธ๊ธฐ์ˆ ์˜ ๋ฐœ์ „์ด ์šฐ๋ฆฌ ์ƒํ™œ์˜ ๋‹ค์–‘ํ•œ ๋ณ€ํ™”๋ฅผ ์•ผ๊ธฐํ•˜๊ณ  ์žˆ๋Š” ๊ฐ€์šด๋ฐ, ๋ณธ ์—ฐ๊ตฌ๋Š” ํŠนํžˆํŽธ์žฌ์„ฑ๊ณผ ํŽธ๋ฆฌ์„ฑ์ด ๋งค๊ฐœ๋œ ์ƒˆ๋กœ์šด ์–‘์‹์˜ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์œผ๋กœ์„œ SNS ๊ธฐ๋ฐ˜์˜ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์— ๋Œ€ํ•œ ํ˜„์ƒํ•™์  ๊ณ ์ฐฐ, ์ฆ‰ ๊ธ€์“ฐ๊ธฐ ์–‘์‹์˜ ๋ณ€ํ™”์–‘์ƒ์„ ๊ณ ์ฐฐํ•จ๊ณผ ๋™์‹œ์— ์ด๋ฅผ ๊ฐ€๋Šฅํ•˜๊ฒŒ ํ•˜๋Š” ๊ฐ„๊ณผํ•  ์ˆ˜ ์—†๋Š” ์š”์ธ์œผ๋กœ ์ธ๊ฐ„์˜ ๋‘๋‡Œ๊ตฌ์กฐ ๋ณ€ํ™”์— ์ดˆ์ ์„ ๋งž์ถ”๊ณ ์žํ•œ๋‹ค. ๊ตฌ์ˆ ๋ฌธํ™”์—์„œ ๋ฌธ์ž๋ฌธํ™”๋กœ์˜ ์ดํ–‰์„ ์™„๊ฒฐํ•˜๋Š”๊ธ€์“ฐ๊ธฐ ์–‘์‹์˜ ๋„๋ž˜๋Š” ๋ฌด์—‡๋ณด๋‹ค ์ธ๊ฐ„์˜ ์‚ฌ๊ณ ๋ฅผ ๊ฐœ๋…์ ์ด๊ณ  ์ถ”์ƒ์ ์œผ๋กœ ๋ณ€ํ™”์‹œ์ผฐ๋Š”๋ฐ ์ด ๊ณผ์ •์—์„œ ์ฃผ๋ชฉํ•˜์ง€ ์•Š์„ ์ˆ˜ ์—†๋Š” ์š”์ธ์ด ์ธ๊ฐ„์˜ ๋‡Œ ๊ตฌ์กฐ์˜ ๊ทผ๋ณธ์ ์ธ ๋ณ€ํ™”์ด๋‹ค. ๋ถ„์ ˆ, ์ฆ‰์‹œ์„ฑ, ๋ฌดํ˜•์‹ ๋“ฑ์˜ ํ‚ค์›Œ๋“œ๋กœ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568494
oai_dc
๋‰ด๋ฏธ๋””์–ด ์•„ํŠธ์˜ ๋Œ€์•ˆ์œผ๋กœ์„œ์˜ ํฌ์ŠคํŠธ๋ฏธ๋””์–ด ๋‹ด๋ก  ์—ฐ๊ตฌ
A Research on the Post-Media Discourse as an Alternative Solutions for the New Media Art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํ˜„์ฃผ(ํ•œ๋…๋ฏธ๋””์–ด๋Œ€ํ•™์›๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” 90๋…„๋Œ€ ํ›„๋ฐ˜ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์™€ ์ธํ„ฐ๋„ท์˜ ๋ฐœ์ „์ด ๊ฐ€์ง€๊ณ ์˜จ ๋””์ง€ํ„ธ๋ฏธ๋””์–ด์˜ ํ˜๋ช…๊ณผ ๋‰ด๋ฏธ๋””์–ด์•„ํŠธ์˜ ์„ฑ์žฅ ์ดํ›„ ๋„๋ž˜ํ•œ ์˜ค๋Š˜๋‚ ์˜ ํฌ์ŠคํŠธ๋ฏธ๋””์–ด ํ˜„์ƒ์— ๋Œ€ํ•œ ์˜๊ฒฌ๊ณผ ๋‹ด๋ก ์„ ์†Œ๊ฐœ ํ•˜๊ณ , ๋‰ด๋ฏธ๋””์–ด ์•„ํŠธ๊ฐ€ ํ˜„์žฌ ๋Œ€๋ฉดํ•˜๋Š” ๋ฏธ์ˆ  ์‹œ์žฅ์—์„œ์˜ ์ž๋ฆฌ๋งค๊น€์— ๋Œ€ํ•œ ์œ„๊ธฐ์„ฑ๊ณผ ๋Œ€์•ˆ์  ์‹œ๊ฐ์„ ์ œ์‹œํ•˜๊ณ ์ž ํ•œ๋‹ค. ํ”ผํ„ฐ๋ฐ”์ด๋ฒจ, ๋ ˆ๋ธŒ๋งˆ๋…ธ๋น„์น˜, ๋กœ์ ˆ๋ฆฐ๋“œ ํฌ๋ผ์šฐ์Šค๋“ฑ์ด ํฌ์ŠคํŠธ๋ฏธ๋””์—„ ๋˜๋Š” ํฌ์ŠคํŠธ๋ฏธ๋””์–ด๋กœ ํ‘œํ˜„ํ•œ ๋ฏธ๋””์–ด์— ๋Œ€ํ•œ ์ƒˆ๋กœ์šด ์‹œ๊ฐ๊ณผ ๊ฒฌํ•ด์— ๋Œ€ํ•œ ๋ถ„์„์œผ๋กœ๋ถ€ํ„ฐ, ํฌ์ŠคํŠธ๋ฏธ๋””์–ด์— ๋Œ€ํ•œ ์ •์˜์™€ ์กฐ๊ฑด๋“ค์„ ์งš์–ด๋ณด๊ณ , ๋‰ด๋ฏธ๋””์–ด ์•„ํŠธ์˜ ๋ฐœ์ƒ๊ณผ์„ฑ์žฅ ๊ทธ๋ฆฌ๊ณ  ์œ„๊ธฐ ๊ณผ์ •์—์„œ ํฌ์ŠคํŠธ๋ฏธ๋””์–ด ๋‹ด๋ก ์ด ๊ฐ€์ง€๋Š” ์‹œ์‚ฌ์ ๊ณผ ๋Œ€์•ˆ์  ๊ฒฌํ•ด๋ฅผ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001568466
oai_dc
์œ ๋น„์ฟผํ„ฐ์Šค ํ™˜๊ฒฝ์—์„œ์˜ ์ด๋ฏธ์ง€์™€ '์—ด๋ฆฐ ์ฐฝ์กฐ์„ฑ'์— ๋Œ€ํ•œ ์—ฐ๊ตฌ
A study on the Image and 'Open Creativity' in Ubiquitous Environment
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์›๊ณค(๋‹จ๊ตญ๋Œ€ํ•™๊ต)" ]
์ด ์—ฐ๊ตฌ๋Š” ์œ ๋น„์ฟผํ„ฐ์Šคํ™˜๊ฒฝ์—์„œ ๋””์ง€ํ„ธ ์ด๋ฏธ์ง€์— ์˜ํ•œ ์ฐฝ์ž‘์˜ '์—ด๋ฆฐ ์‹œ์Šคํ…œ'์˜ ์–‘์ƒ์„ ๊ทœ๋ช…ํ•˜๊ณ ์ž ํ•˜๋Š” ๊ฒƒ์ด๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ์‚ฌ์ง„(19C), ์˜ํ™”์™€ ๊ฐ™์€ ๊ธฐ๊ณ„์˜์ƒ์˜ ๋“ฑ์žฅ, ๊ทธ๋ฆฌ๊ณ  ๊ทธ ๋‹จํŽธ์„ ์กฐ๋ฆฝํ•˜๋Š” ๋ธŒ๋ฆฌ๊ผด๋ผ์ฃผ์—์„œ์™€ ๊ฐ™์€ ์•ผ์ƒ์  ์‚ฌ๊ณ ์˜ ์‹ ๊ฒฝํ–ฅ์ด ํ˜„๋Œ€์˜ˆ์ˆ ์— ํ™œ๋ ฅ์„ ๋ถˆ์–ด๋„ฃ์–ด ์™”๋˜ ์‚ฌ์‹ค์„ ์‚ดํŽด๋ณด๊ณ , ์•„์šธ๋Ÿฌ ํ˜„๋Œ€์˜ ์ •๋ณดํ™˜๊ฒฝ์—์„œ์˜ ์ƒˆ๋กœ์šด ๊ฒฝํ–ฅ๋“ค, ์˜คํ”ˆ์†Œ์Šค์šด๋™, ํฌ๋ฆฌ์—์ดํ‹ฐ๋ธŒ ์ปค๋จผ์ฆˆ์™€ ๊ฐ™์€ ์ง€์‹์˜ ๊ณต์œ ํ˜„์ƒ, ๋ชจ๋ฐ”์ผ์•„ํŠธ์™€ ๋ถˆํŠน์ •๋‹ค์ˆ˜๊ฐ€ ์ฐธ๊ฐ€ํ•œ ๊ณต๊ณตํ”„๋กœ์ ํŠธ ๋“ฑ์—์„œ '์—ด๋ฆฐ ์ฐฝ์กฐ์„ฑ'์˜ ์–‘์ƒ๋“ค์„ ์‚ดํŽด๋ณด์•˜๋‹ค. ๋ ˆ๋น„=์ŠคํŠธ๋กœ์Šค์— ์˜ํ•˜๋ฉด ๋ธŒ๋ฆฌ๊ผด๋ผ์ฃผ๋Š” ์ฒœ์žฌ์  ์žฌ๋Šฅ์— ์˜ํ•œ ์ฐฝ์ž‘์ธ '์—”์ง€๋‹ˆ์–ด๋ง'์˜ ์‚ฌ๊ณ ๋ฐฉ์‹๊ณผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519945
oai_dc
์ฐธ๊ณ ์ง€๋„์™€ ์‚ฌ๊ฐํ‹€์˜ ์กฐ์‘์— ๊ด€ํ•œ ์—ฐ๊ตฌ; ๋ณธ์ธ์˜ ์ž‘ํ’ˆ โ€˜ํฉ์–ด์ง€๋Š” ์‚ฌ๊ฐํ˜•๋“คโ€™์„ ์ค‘์‹ฌ์œผ๋กœ
A Study on Correspondence between Infographic Maps and Rectangle Frames; based on My Work 'Scattered Rectangles'
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์„ฑํ™˜(์šฉ์ธ๋Œ€ํ•™๊ต)" ]
์‹ ๋ฌธ์— ๋“ฑ์žฅํ•˜๋Š” ์ฐธ๊ณ ์ง€๋„๋ฅผ ์Šคํฌ๋žฉํ•˜๋Š” ๊ณผ์ •์—์„œ ์ด๋ฏธ์ง€์˜ ๋น„์›๋ณธ์  ์„ฑ๊ฒฉ๊ณผ ํ•จ๊ป˜ ๋‚ด ์ž‘์—…์˜ ์ฃผ์š” ํ˜•์‹์˜ ํ•˜๋‚˜์ธ ๊ฐ„ํŒ์— ๋Œ€ํ•œ ๊ณต๊ฐ„์  ์˜๋ฏธ๋ฅผ ๋˜์ƒˆ๊ธฐ๊ฒŒ ๋˜์—ˆ๋‹ค. ์ฐธ๊ณ ์ง€๋„๋Š” ์ผ์ข…์˜ ๊ธฐํ˜ธ์„ธ๊ณ„์ด๋ฉฐ ๊ทธ ์„ธ๊ณ„๋กœ๋ถ€ํ„ฐ ์šฐ๋ฆฌ๋Š” ์ŠคํŽ™ํƒ€ํด๊ณผ ์€์œ ์  ์ƒ์ƒ์„ ๋‹น์—ฐํžˆ ๋ฐ›์•„๋“ค์ธ๋‹ค. ์ฐธ๊ณ ์ง€๋„์˜ ๋˜ ๋‹ค๋ฅธ ํŠน์ง•์ธ ์‚ฌ๊ฐํ‹€์€ ์œ ํ˜•, ๋ฌดํ˜•์˜ ์ด๋ฏธ์ง€๋ฅผ ์กด์žฌํ•˜๊ฒŒ ํ•˜๋Š” ๊ณต๊ฐ„์  ์žฅ์˜ ์—ญํ• ์„ ํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ํŠน์ง•๋“ค์€ ๋‚˜์˜ ์ž‘์—… <ํฉ์–ด์ง€๋Š” ์‚ฌ๊ฐํ˜•๋“ค>์„ ํ†ตํ•ด ๊ตฌ์ฒด์ ์œผ๋กœ ๋“œ๋Ÿฌ๋‚˜๊ฒŒ ๋œ๋‹ค. ์›๋ณธ์—†๋Š” ์ด๋ฏธ์ง€์™€ ์‚ฌ๊ฐํ‹€๋กœ์„œ์˜ ์ฐธ๊ณ ์ง€๋„๋Š” ํ˜„์ƒ์  ์ฐจ์›์— ๊ทธ์น˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ํŒจ๋Ÿฌ๋‹ค์ž„์˜ ๋ณ€ํ™”๋ฅผ ์ถ”์ง„ํ•˜๋Š” ๊ณต๊ฐ„์  ์ „ํšŒ๋ฅผ ์ผ์œผํ‚ฌ ์ˆ˜ ์žˆ๋‹ค๊ณ  ๋ณด๋ฉฐ, ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519939
oai_dc
๋ฐฑ๋‚จ์ค€์ด ์ถ”๊ตฌํ•œ ์ž์œ ๋กœ์šด ํ—ค๋ฅด๋ฉ”์Šค์  ์‹œ๊ฐ„ : ๋งค์ฒด์— ์˜ํ•œ ๋ถ„์—ด์ฆ์  ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜
Nam June Paik pursued free Hermetik Time : Communication on schizophrenia by media
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ฏธ๊ต(๊ตญ๋ฏผ๋Œ€ํ•™๊ต); ๊น€๊ฒฝ๋ฏธ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
๋ถ„๋ช… ์˜ค๋Š˜๋‚  ๋‰ด๋ฏธ๋””์–ด ์•„ํŠธ๋ฅผ ์ ‘ํ•˜๋Š” ์ž‘๊ฐ€์™€ ๊ด€๊ฐ์€ ์ด๊ฒƒ๊ณผ๋Š” ๋‹ค๋ฅธ ์ž…์žฅ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ๋‹จ์ˆœํžˆ ๋‰ด๋ฏธ๋””์–ด์•„ํŠธ์—์„œ ์ž‘๊ฐ€์™€ ์ž‘ํ’ˆ, ์ž‘ํ’ˆ๊ณผ ๊ด€๊ฐ, ๊ด€๊ฐ๊ณผ ์ž‘๊ฐ€์˜ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์˜ ์œ ๋ฌด๋ฅผ ๋…ผํ•˜์ž๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋‹ค. ์ž‘ํ’ˆ์˜ ์‚ฌ์šฉ์ž(user)๋กœ์„œ ๊ด€๊ฐ๊ณผ ์ž‘๊ฐ€๋Š” ๋‰ด๋ฏธ๋””์–ด ์ž‘ํ’ˆ์ƒ์—์„œ ๋ˆ„๊ตฌ์™€ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์„ ์ด๋ฃจ๊ณ  ์žˆ๋Š” ๊ฒƒ์ผ๊นŒ. ์˜ค๋Š˜๋‚  ๋‰ด๋ฏธ๋””์–ด์•„ํŠธ์—์„œ ๊ธฐ์กด์˜ ์ž‘๊ฐ€(Author)์™€ ๋…์ž(reader)์˜ ๊ด€๊ณ„์—์„œ ์ž‘๊ฐ€์™€ ๋…์ž๋Š” ์–ด๋–ป๊ฒŒ ๋™๋“ฑํ•˜๊ณ  ๋Šฅ๋™์ ์ธ ์œ ์ €(user)์˜ ์ž…์žฅ์„ ์ทจํ•˜๊ฒŒ ๋˜์—ˆ๋Š”๊ฐ€. ๋ณธ ์—ฐ๊ตฌ๋Š” ๋‰ด๋ฏธ๋””์–ด์˜ ์ดˆ์‹ฌ์œผ๋กœ ๋Œ์•„๊ฐ€ ์ž‘๊ฐ€์™€ ๊ด€๊ฐ์˜ ์ž…์žฅ๋ณ€ํ™”์™€ ๊ทธ ์ด์œ ๋ฅผ ์‚ดํŽด๋ณด๊ธฐ ์œ„ํ•ด ์˜ค๋Š˜๋‚  ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519943
oai_dc
๋ฐฑ๋‚จ์ค€์˜ ๋…ธ๋งˆ๋“œ(Nomad)์  ์†์„ฑ๊ณผ ์ธํ„ฐ๋„ท ์•„ํŠธ(Internet Art)
Nam June Paikโ€˜s Nomad properties and Internet Art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •์ง€์˜(๊ตญ๋ฏผ๋Œ€ํ•™๊ต); ๊น€๊ฒฝ๋ฏธ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
์„ธ๊ณ„ํ™” ์‹œ๋Œ€๊ฐ€ ์—ด๋ฆฌ๋ฉด์„œ ์˜ค๋Š˜๋‚  ๋ฏธ์ˆ ๊ฐ€๋“ค์—๊ฒŒ๋Š” ๋” ์ด์ƒ ๊ตญ์ ์ด ํŠน๋ณ„ํ•œ ์˜๋ฏธ๋ฅผ ๊ฐ€์ง€์ง€ ๋ชปํ•œ๋‹ค. ํ•˜์ง€๋งŒ ๋ชจ๊ตญ๊ณผ ์ด์ฃผํ•œ ๊ตญ๊ฐ€ ์‚ฌ์ด์—์„œ ๊ฐˆ๋“ฑํ•˜๋Š” ์ž‘๊ฐ€๋“ค์„ ์—ฐ๊ตฌํ•˜๋Š” ๋ฐ ์žˆ์–ด ์ •์ฒด์„ฑ์€ ์—ฌ์ „ํžˆ ์ค‘์š”ํ•œ ํ™”๋‘์ด๋‹ค. ์ด์ฃผ๋Š” ๋‹จ์ˆœํžˆ ๋ฌผ๋ฆฌ์  ์ด๋™์„ ๋„˜์–ด์„  ๋ฌธํ™”์  ์ •์ฒด์„ฑ์„ ๋ณ€ํ™˜์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š” ๊ณ„๊ธฐ๊ฐ€ ๋•Œ๋ฌธ์ด๋‹ค. ์ด๋Š” ๋ฐฑ๋‚จ์ค€์—๊ฒŒ๋„ ์ ์šฉ๋˜๋Š”๋ฐ, ๊ทธ๋Š” ํ•œ๊ตญ ํƒœ์ƒ์ด์ง€๋งŒ ์ผ๋ณธ์—์„œ ๋ฏธํ•™๊ณผ ๋ฏธ์ˆ ์‚ฌ๋ฅผ ์ „๊ณตํ•˜๊ณ  ๋…์ผ์—์„œ ํ˜„๋Œ€์Œ์•…์„ ์ „๊ณตํ•œ ๋’ค ์ฃผ๋กœ ์œ ๋Ÿฝ๊ณผ ๋ฏธ๊ตญ์„ ๋ฌด๋Œ€๋กœ ํ™œ๋™ํ–ˆ๋‹ค. ์ด์™€ ๊ฐ™์€ ๋ฐฐ๊ฒฝ์œผ๋กœ ์ธํ•ด ๋ฐฑ๋‚จ์ค€์˜ ์ •์ฒด์„ฑ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ๋Š” ๋งŽ์ด ์ง„ํ–‰๋˜๊ณ  ์žˆ์œผ๋ฉฐ, ๋ฐฑ๋‚จ์ค€์˜ ์ •์ฒด์„ฑ์„ ๋…ผ์˜ ํ•  ๋•Œ, ๋…ธ๋งˆ๋“œ์™€ ๋””์•„์Šคํฌ๋ผ์˜ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519946
oai_dc
<ํ•œ๋ฐ˜๋„์˜ ๊ณต๋ฃก>(2008๋…„) ์ œ์ž‘๊ธฐ
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "ํ•œ์ƒํ˜ธ(EBS)" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519940
oai_dc
์‹œ๊ฐ์  ์ด‰๊ฐ์„ ํ™œ์šฉํ•œ ํ„ฐ์น˜ํ˜• ์Šค๋งˆํŠธํฐ์˜ ์ธํ„ฐํŽ˜์ด์Šค ๋””์ž์ธ ์„ ํ˜ธ ์—ฐ๊ตฌ
A Study on the consumer's preference of user interface design applied visual tactility in tactile smart phone.
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ œ๋ฏธํ˜œ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™); ์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๋ชจ๋ฐ”์ผ ํฐ์€ ํ˜„๋Œ€์ธ๋“ค์—๊ฒŒ ์žˆ์–ด์„œ ๋—„๋ ˆ์•ผ ๋—„ ์ˆ˜ ์—†๋Š” ์กด์žฌ์ด๋‹ค. ์ตœ๊ทผ์—๋Š” ์ „ํ™”์™€ MMS ์ „์†ก๋งŒ ๊ฐ€๋Šฅํ•œ ๋ชจ๋ฐ”์ผ ํฐ์—์„œ ๋ฒ—์–ด๋‚˜ ์ธํ„ฐ๋„ท๊ณผ ์ •๋ณด๊ฒ€์ƒ‰๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์–ดํ”Œ๋ฆฌ์ผ€์ด์…˜์„ ์ž์œ ์ž์žฌ๋กœ ์„ค์น˜ํ•  ์ˆ˜ ์žˆ๋Š” ์Šค๋งˆํŠธํฐ์ด ๋ณดํŽธํ™” ๋˜์—ˆ๋‹ค. ๋งŽ์€ ๊ธฐ๋Šฅ์„ ๊ฐ€์ง„ ์Šค๋งˆํŠธํฐ์˜ ์›ํ™œํ•œ ์‚ฌ์šฉ์„ ์œ„ํ•ด์„œ๋Š” ํšจ๊ณผ์ ์ธ ์ธํ„ฐํŽ˜์ด์Šค ๋””์ž์ธ์ด ํ•„์ˆ˜์ ์ธ๋ฐ, ์ด ์ธํ„ฐํŽ˜์ด์Šค ๋””์ž์ธ์€ ์‚ฌ์šฉ์ž์™€ ๊ธฐ๊ธฐ๊ฐ„์˜ ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์„ ์›ํ™œํ•˜๊ฒŒ ๋„์™€์ค€๋‹ค. ์ด ์ธํ„ฐํŽ˜์ด์Šค ๋””์ž์ธ์— ๋”ฐ๋ผ ๊ธฐ๊ธฐ์— ๋Œ€ํ•œ ์‚ฌ์šฉ์ž์˜ ๋งŒ์กฑ๋„๊ฐ€ ๋‹ฌ๋ผ์งˆ ์ˆ˜๋„ ์žˆ๋‹ค. ์Šค๋งˆํŠธํฐ ์‚ฌ์šฉ์ž์—๊ฒŒ ์ธํ„ฐํŽ˜์ด์Šค ๋””์ž์ธ์€ ์ •๋ณด์˜ ํ๋ฆ„์„ ํšจ๊ณผ์ ์œผ๋กœ ์„ค๊ณ„ํ•˜๋Š” ๊ฒƒ๋ฟ๋งŒ ์•„์ด์ฝ˜๊ณผ ๋ฐ”ํƒ•์˜ ์กฐํ™”๋ฅผ ํ†ตํ•ด...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001519938
oai_dc
๋ฌธํ™”์œ ์‚ฐ ๋””์ง€ํ„ธ๋ณต์›์— ์žˆ์–ด์„œ์˜ ์˜์ƒ์Œ์•… ์ œ์ž‘์— ๋Œ€ํ•œ ๊ณ ์ฐฐ; 2010 ์„ธ๊ณ„๋Œ€๋ฐฑ์ œ์ „ ์˜์ƒ์Œ์•… ์ œ์ž‘๊ณผ์ •์„ ์ค‘์‹ฌ์œผ๋กœ
A Study on the production of film scores in digital restoration of cultural heritage; based on film scoring production for 2010 Great Baekje World Festival
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐํ˜„์ผ(๋‚จ์„œ์šธ๋Œ€ํ•™๊ต)" ]
๋ฌธํ™”์œ ์‚ฐ์„ ๋””์ง€ํ„ธ๋กœ ๋ณต์›ํ•˜๋Š” ๊ฒƒ์€ ์˜๊ตฌ์ ์ธ ์ €์žฅ์ด๋ผ๋Š” ์—ญ์‚ฌ์ ์ธ ์˜๋ฏธ์™€ ๋”๋ถˆ์–ด ๋งŽ์€ ์‚ฌ๋žŒ์ด ์ฆ๊ธธ ์ˆ˜ ์žˆ๋‹ค๋Š” ์ฝ˜ํ…์ธ ์ ์ธ ์ธก๋ฉด์ด ์žˆ๋‹ค. ๋””์ง€ํ„ธ ๋ฌธํ™”์œ ์‚ฐ ๋ณต์›์ž‘์—…์—์„œ๋Š” ๊ณ ๊ณ ํ•™, ์˜์ƒ, ์Œ์•… ๋“ฑ ๋‹ค์–‘ํ•œ ๋ถ„์•ผ์˜ ์ „๋ฌธ๊ฐ€๋“ค์ด ํ˜‘์—…์„ ํ†ตํ•˜์—ฌ ์ตœ์ข… ์ž‘ํ’ˆ์„ ๋งŒ๋“ค์–ด๋‚ธ๋‹ค. ์—ฌ๊ธฐ์„œ๋Š” 2010 ์„ธ๊ณ„๋Œ€๋ฐฑ์ œ์ „์—์„œ์˜ ์˜์ƒ์Œ์•… ์ œ์ž‘๊ณผ์ •์˜ ์‚ฌ๋ก€๋ฅผ ํ†ตํ•˜์—ฌ ์—ญ์‚ฌ์ , ๊ณผํ•™์  ์ •ํ™•์„ฑ์„ ์ง€๋‹Œ ์Œ์•…ํŠธ๋ž™์˜ ์ œ์ž‘์„ ๋…ผ์˜ํ•˜์—ฌ ๋ณธ๋‹ค. ๋˜ํ•œ ์š”์ฆˆ์Œ์˜ ์ถ”์„ธ์ธ Digital Audio Workstation์„ ํ™œ์šฉํ•˜์—ฌ ๋ฏผ์†์Œ์•…์„ ์žฌ๊ตฌ์„ฑํ•˜๋Š” ๋ฐฉ๋ฒ•์— ๋Œ€ํ•ด์„œ๋„ ๋‹ค๋ค„๋ณธ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001519941
oai_dc
ํ•œ๋Œ€ ํ™”์ƒ์„์˜ ์กฐํ˜•์  ํ‘œํ˜„ ์—ฐ๊ตฌ - ํ˜„๋Œ€ ๋””์ž์ธ์—์„œ์˜ ํ™œ์šฉ์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study on the Formative Expression of the Pictorial Carved Stone in Han Dynasty - Focused on the Use of Contemporary Design -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋‹ด์ด๋‚˜(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™ ); ์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
์ตœ๊ทผ ๋ช‡ ๋…„ ๋™์•ˆ์— ์ค‘๊ตญํ•™์ž๋“ค์€ ํ•œ๋Œ€ ํ™”์ƒ์„์˜ ์˜ˆ์ˆ ํ˜•์‹๊ณผ ํŠน์ง•์— ๋Œ€ํ•˜์—ฌ ๋งŽ์€ ๊ด€์‹ฌ์„ ๊ฐ–๊ณ  ์žˆ์œผ๋ฉฐ, ์–ด๋А ์ •๋„ ์—ฐ๊ตฌ์˜ ์„ฑ๊ณผ๋ฅผ ์–ป์€๋ฐ” ์žˆ๋‹ค. ํ•˜์ง€๋งŒ ํ•œ๋Œ€ ํ™”์ƒ์„์˜ ์˜ˆ์ˆ ํ˜•์‹๊ณผ ๊ตฌ์„ฑํ™”๋ฉด์—์„œ์˜ ์กฐํ˜•์  ์–ธ์–ด์— ๋Œ€ํ•œ ๊ตฌ์ฒด์ ์ธ ์—ฐ๊ตฌ๋Š” ์•„์ง ๋ฏธํกํ•œ ์‹ค์ •์ด๋‹ค. ๋”ฐ๋ผ์„œ ๋ณธ ๋…ผ๋ฌธ์€ ํ•œ๋Œ€ ํ™”์ƒ์„ ์กฐํ˜• ์–ธ์–ด์˜ ํ˜•์„ฑ๊ณผ ๋ฐœ์ „ ๊ทธ๋ฆฌ๊ณ  ๊ทธ ์กฐํ˜•์  ํŠน์ง•์— ๋Œ€ํ•œ ๋ถ„์„์„ ํ† ๋Œ€๋กœ ํ•œ๋Œ€ ํ™”์ƒ์„ ์กฐํ˜• ์–ธ์–ด์˜ ํ˜„๋Œ€์  ๋””์ž์ธ์œผ๋กœ์˜ ํ™œ์šฉ ๋ฒ”์œ„๋ฅผ ํ™•์žฅ์‹œํ‚ด์œผ๋กœ์„œ 21์„ธ๊ธฐ์  ์ƒˆ๋กœ์šด ๋””์ž์ธ ๋ฐฉํ–ฅ์„ ๋ชจ์ƒ‰ํ•˜์—ฌ ๋ณด๋Š” ๊ฒƒ์— ๊ทธ ์—ฐ๊ตฌ์˜ ๋ชฉ์ ์„ ๋‘๊ณ  ์žˆ๋‹ค. ํ•œ๋Œ€ ํ™”์ƒ์„ ์˜ˆ์ˆ ์˜ ์กฐํ˜•์  ๋ถ„์„์„ ํ† ๋Œ€๋กœ ํ•œ๋Œ€ ํ™”์ƒ์„์˜ ์กฐํ˜•์–ธ์–ด๋ฅผ ์ข€ ๋” ๊นŠ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001519944
oai_dc
๋น…๊ฒŒ์ž„ 'Size Game'์ œ์ž‘์„ ํ†ตํ•œ ๋ฐ˜๋ณตํ˜• ๋””์ž์ธ ํ”„๋กœ์„ธ์Šค์— ๋Œ€ํ•œ ์—ฐ๊ตฌ
Study for Iterative Design Process, Making Big Game, 'Size Game'
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์•ˆ๊ธฐ์ง„(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต); ์‹ ์ง€์„ญ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต); ์ด์ค€ํฌ(๊ฒฝํฌ๋Œ€ํ•™๊ต)" ]
๊ฒŒ์ž„์„ ๊ธฐํšํ•˜๊ณ  ์ œ์ž‘ํ•จ์— ์žˆ์–ด ์ค‘์š”ํ•œ ์š”์†Œ ์ค‘ ํ•˜๋‚˜๋กœ์„œ ํ”„๋กœํ†  ํƒ€์ž…๊ณผ ํ…Œ์ŠคํŠธ ํ”Œ๋ ˆ์ด๋ฅผ ํฌํ•จํ•˜๋Š” ๋ฐ˜๋ณต์  ๋””์ž์ธ ํ”„๋กœ์„ธ์Šค๋ฅผ ์‚ฌ์šฉํ•˜๋Š” ๊ฒฝ์šฐ๋Š” ๋งŽ์ด ์žˆ๋‹ค. ํ…Œ์ŠคํŠธ ํ”Œ๋ ˆ์ด๋ฅผ ํ†ตํ•ด ์ œ์ž‘์ž๊ฐ€ ์ž์‹ ์˜ ๊ฒŒ์ž„์— ๋Œ€ํ•ด ๊ธฐ๋ณธ ๊ธฐํš์„ ๊ตฌ์ฒด์ ์œผ๋กœ ๊ตฌ์ถ•ํ•˜๊ณ , ๊ทธ๊ฒƒ์ด ์–ด๋– ํ•œ ์žฌ๋ฏธ ์š”์†Œ๋กœ์„œ ์ž‘์šฉํ•˜๋Š” ์ง€๋ฅผ ์•Œ์•„๋ณด๋Š”๋ฐ ์ค‘์š”ํ•œ ์š”์†Œ๋กœ์„œ ์‚ฌ์šฉ๋˜์–ด ์™”๋‹ค. ์ด๋Š” ๊ฒŒ์ž„ ์ œ์ž‘ ์ค‘๊ฐ„์ดํ›„์— ๋ฐœ์ƒํ•˜๋Š” ๋””๋ฒ„๊น…, ์ˆ˜์ • ๋น„์šฉ์˜ ์ ˆ๊ฐํ•˜๋Š” ๋“ฑ ๋งŽ์€ ์—ญํ• ์„ ํ•ด์˜ค๊ณ  ์žˆ๋‹ค. ๋น…๊ฒŒ์ž„์€ ์•„์ง ๋” ๋‹ค์–‘ํ•˜๊ณ  ์ƒˆ๋กœ์šด ์†Œ์žฌ์™€ ์žฌ๋ฏธ์š”์†Œ๋ฅผ ๋ฐœ๊ฒฌํ•˜๊ธฐ ์œ„ํ•œ ์ง„ํ™”๋ฅผ ๋ฐ˜๋ณตํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ๊ทธ๋Ÿฌํ•œ ์ง„ํ–‰ ๊ณผ์ •์—์„œ ๊ธฐ์กด ๊ฒŒ์ž„์—์„œ ์‚ฌ์šฉ๋˜์–ด์˜จ ๋ฐ˜๋ณต์  ๋””์ž์ธ ํ”„๋กœ์„ธ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001519942
oai_dc
Chris Marker์˜ ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ ์˜ํ™” Sunless(Sans Soleil)์—์„œ ๋“œ๋Ÿฌ๋‚œ document์— ๊ด€ํ•œ ์˜ˆ์ˆ ์  ํ•ด์„
The Interpretation on Suless's perception of the Art of Document.
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฑ์—ฐ์•„()" ]
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001536388
oai_dc
๋Ÿฌ์‹œ์•„ ๊ตฌ์„ฑ์ฃผ์˜์˜ ๊ด€์ ์—์„œ ๋ฐ”๋ผ๋ณธ ๋‰ด๋ฏธ๋””์–ด ์•„ํŠธ: ์˜ˆ์ˆ ์˜ ํ™•์žฅ์œผ๋กœ์„œ์˜ ๋‰ด๋ฏธ๋””์–ด ์•„ํŠธ
New Media Art from the view point of Russian Constructivism : new media art as the expansion of art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์œ ์˜์•„(์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€)" ]
์ด ๊ธ€์€ ๋Ÿฌ์‹œ์•„ ๊ตฌ์„ฑ์ฃผ์˜์˜ ๊ด€์ ์—์„œ ๋‰ด๋ฏธ๋””์–ด ์•„ํŠธ ์ž‘ํ’ˆ๋“ค์„ ํ•ด์„ํ•˜๋ ค๋Š” ์‹œ๋„๋กœ ํŠนํžˆ ๋Ÿฌ์‹œ์•„ ๊ตฌ์„ฑ์ฃผ์˜์˜ ์กฐํ˜•์›์น™์ธ ํŒํˆฌ๋ผ(Faktura), ํ…ํ† ๋‹ˆ์นด(Tektonika), ์ปจ์ŠคํŠธ๋Ÿญ์น˜์•„(Konstructysia)๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ๋ฏธ๋””์–ด ์•„ํŠธ์— ๊ตฌ์„ฑ์ฃผ์˜๊ฐ€ ์–ด๋–ป๊ฒŒ ์˜ํ–ฅ์„ ๋ผ์น˜๊ณ  ์žˆ๋Š”์ง€์— ์ค‘์‹ฌ์„ ๋‘์—ˆ๋‹ค. ํŠนํžˆ ๋ฌผ์งˆ์„ ๋‹ค๋ฃจ๋Š” ๋ฐฉ์‹์ธ ํŒํˆฌ๋ผ๋ฅผ ํ†ตํ•ด ๊ตฌ์„ฑ์ฃผ์˜ ์ด์ „๊นŒ์ง€ ์ž‘ํ’ˆ์˜ ๋ถ€์ฐจ์ ์ธ ๊ฒƒ์œผ๋กœ ์‚ฌ์šฉ๋˜์—ˆ๋˜ ๋ฌผ์งˆ๋“ค์ด ์–ด๋–ป๊ฒŒ ์ž‘ํ’ˆ์˜ ์ฃผ์ œ์ด์ž ์ž‘ํ’ˆ์„ ์ด๋ฃจ๋Š” ์š”์†Œ๋กœ ์กด์žฌํ•˜๋Š”์ง€๋ฅผ ๊ณ ์ฐฐํ•˜์˜€๋‹ค. ๊ทธ ๊ฒฐ๊ณผ ๊ตฌ์„ฑ์ฃผ์˜์ž๋“ค์ด ๊ทธ๋“ค์˜ ์กฐํ˜•์›์น™์„ ์ค‘์‹ฌ์œผ๋กœ ๊ธฐ์กด์˜ ์ „ํ†ต์ ์ธ ์˜ˆ์ˆ ๊ด€๋…์—์„œ ๋ฒ—์–ด๋‚˜๊ณ ์žํ–ˆ๋“ฏ์ด ๋‰ด๋ฏธ๋””์–ด ์•„ํŠธ ์ž‘๊ฐ€...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001536381
oai_dc
์ฆ๊ฐ•ํ˜„์‹ค๊ณผ ์•„๋ฐ”ํƒ€๊ณต๊ฐ„
Augmented Reality and Avatar Space
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ •ํ•œ(์„œ์šธ์—ฌ์ž๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋‰ด๋ฏธ๋””์–ด๋กœ ์ธํ•ด ์ƒˆ๋กœ์šด ์‹œ-๊ณต๊ฐ„ ๊ฐœ๋…์ด ๋“ฑ์žฅํ•˜๊ฒŒ ๋˜์—ˆ์œผ๋ฉฐ, ํŠนํžˆ, ์ฆ๊ฐ•ํ˜„์‹ค์ด๋ผ๋Š” ์ƒˆ๋กœ์šด ์‹œ-๊ณต๊ฐ„ ๊ฐœ๋…์œผ๋กœ ๋ถ€ํ„ฐ ์œ ์ถ”ํ•ด ๋ณผ ์ˆ˜ ์žˆ๋Š” โ€˜์•„๋ฐ”ํƒ€ ๊ณต๊ฐ„โ€™์— ๋Œ€ํ•œ ๊ฐ€๋Šฅ์„ฑ์„ ๊ฒ€ํ† ํ•ด ๋ณผ ๊ฒƒ์ด๋‹ค. ์ฆ๊ฐ• ํ˜„์‹ค์ด๋ž€ ํ˜„์‹ค๊ณผ ๊ฐ€์ƒ ๊ณต๊ฐ„์ด ๊ณต์กดํ•˜๋ฉฐ ์ƒํ˜ธ ๋ณด์™„ํ•˜๋Š” ์ƒˆ๋กœ์šด ๊ฐœ๋…์˜ ์‹œ-๊ณต๊ฐ„ ํ˜„์‹ค์ด๋‹ค. ์•„๋ฐ”ํƒ€ ๊ณต๊ฐ„์ด๋ž€ ๋‰ด๋ฏธ๋””์–ด์— ์˜ํ•œ ์ฃผ์ฒด์™€ ๊ณต๊ฐ„์ด ์ƒํ˜ธ ๋ณด์™„ํ•˜๋ฉฐ ๊ณต์กดํ•˜๋Š” ์ƒˆ๋กœ์šด ๊ฐœ๋…์˜ ๊ณต๊ฐ„์ด๋‹ค. ๋จผ์ €, ๋‰ด๋ฏธ๋””์–ด์™€ ์ฃผ์ฒด์˜ ๊ด€๊ณ„์— ๋Œ€ํ•ด ์‚ดํŽด๋ณด๊ณ  ๋น„๋งค๊ฐœ์˜ ์š•๋ง์„ ๋ฏธ๋””์–ด๋ฅผ ํ†ตํ•ด ๊ตฌํ˜„ํ•ด ๊ฐ€๊ณ  ์žˆ๋Š” ๋ณ€ํ™”ํ•˜๋Š” ์ฃผ์ฒด์— ๋Œ€ํ•ด ์ƒ๊ฐํ•ด ๋ณผ ๊ฒƒ์ด๋‹ค. ๋™์‹œ์— ์ฆ๊ฐ• ํ˜„์‹ค์„ ์ค‘์‹ฌ์œผ๋กœ ๋‰ด๋ฏธ๋””์–ด ๊ณต๊ฐ„์˜ ํ˜„์žฌ ์—ฐ๊ตฌ ์„ฑ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001536385
oai_dc
์ปฌ๋Ÿฌ๋ฅผ ํ†ตํ•œ ์‚ฌ๋ฌผ์˜ ์ธ์‹๊ณผ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ ํ˜•์‹ ์—ฐ๊ตฌ
A Study on the Recognition of Objects by Color and Narrative Style
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํ˜œ๋ž€(ํ™์ต๋Œ€ํ•™๊ต)" ]
์ด ์—ฐ๊ตฌ์—์„œ๋Š” ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด์˜ ์‚ฌ์šฉ์ด ๊ด€๊ฐ๋“ค์—๊ฒŒ ํŠน์ •ํ•œ ๋ฐฉ์‹์œผ๋กœ ์„œ์‚ฌ์˜ ๋ฐœ๊ฒฌ์„ ์œ ๋„ํ•˜๋Š” ํ˜•์‹์  ์‹คํ—˜๋“ค์„ ๊ณ ์ฐฐํ•ด ๋ณด๊ณ ์ž ํ•œ๋‹ค. ํŠนํžˆ ์กฐํ˜•์š”์†Œ๋กœ ์ž‘์šฉํ•˜๋Š” ์ƒ‰์ด๋ผ๋Š” ์š”์†Œ๋ฅผ ๋ถ„๋ฆฌ์‹œ์ผœ ์ด๊ฒƒ์ด ์กฐํ˜•์˜ˆ์ˆ ๊ณผ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์˜์—ญ์—์„œ ์ „ํ†ต์ ์œผ๋กœ ์ž‘์šฉํ•ด ์˜จ ๋ฐฉ์‹๊ณผ ๋””์ง€ํ„ธ๋ฏธ๋””์–ด๋ฅผ ํ†ตํ•ด ํ˜•์ƒ๊ฐ„์˜ ๊ตฌ๋ณ„๊ณผ ์ธ์‹์„ ์œ„ํ•œ ๊ณ ์œ ํ•œ ์ •๋ณด๋กœ ๋‹ค๋ฃจ์–ด์ง€๋Š” ๋ฐฉ์‹๋“ค์„ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค. ์ด๋ฏธ์ง€ ํŒŒํŽธ๋“ค ๊ฐ„์˜ ๊ฒฐํ•ฉ์— ์˜ํ•œ ์—ฐ์ƒ๊ณผ ์ƒ์ง•์„ ํ†ตํ•ด, ๊ทธ๋ฆฌ๊ณ  ์‹œ๊ฐ„์„ฑ์ด ์ฒจ๊ฐ€๋˜์–ด ์—ฐ์†๋œ ์ด๋ฏธ์ง€ ๊ฐ„์— ๊ด€๊ณ„๊ฐ€ ๋งŒ๋“ค์–ด์ง€๋Š” ์˜์ƒ๋งค์ฒด๋ฅผ ํ†ตํ•ด, ๋งˆ์ง€๋ง‰์œผ๋กœ ๊ด€๊ฐ๊ณผ์˜ ์ƒํ˜ธ์ž‘์šฉ์— ์˜ํ•ด ์ด์•ผ๊ธฐ๊ฐ€ ๋ฐœ์ƒ๋˜๋Š” ํ˜•์‹์  ํŠน์„ฑ๋“ค์„ ๊ณ ์ฐฐํ•ด ๋ณธ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001536383
oai_dc
ํผํฌ๋จผ์Šค์™€ ๊ทธ ๋ฐฐ๊ฒฝ ์Šคํฌ๋ฆฐ ์† ๋‹คํ๋ฉ˜ํ„ฐ๋ฆฌ์˜ ์ƒํ˜ธ ๊ด€๋ จ์„ฑ ์—ฐ๊ตฌ -โ€˜์ดํƒœ์›์˜ ์‚ฌ๋‚˜์ดโ€™๋ฅผ ์ค‘์‹ฌ์œผ๋กœ-
A Study on the Relationship between the Performance and the Documentary Film Screened on the Background of the Stage - Focused on 'A Superhuman from Itaewon'-
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํƒœ์ง„(๊ตญ๋ฏผ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ํ•œ๊ตญ์ด๋ผ๋Š” ํŠน์ˆ˜ํ•œ ํ™˜๊ฒฝ ์•ˆ์—์„œ ํ† ์ฐฉ์  ๊ธฐํ˜ธ๋กœ ์ž‘์šฉํ•˜๋Š” โ€˜์ดํƒœ์› ์˜ค๋ฐ”๋กœํฌโ€™๋ผ๋Š” ์ „์‹œ์˜ ๋ช…์ œ์— ๊ด€ํ•œ ๊ณ ์ฐฐ๋กœ๋ถ€ํ„ฐ ์‹œ์ž‘ํ•˜์—ฌ โ€˜์ดํƒœ์›์˜ ์‚ฌ๋‚˜์ดโ€™๋ผ๋Š” ์ž‘ํ’ˆ ์†์— ๋“œ๋Ÿฌ๋‚œ ๊ตฌ์ฒด์ ์ธ ๊ฐ๊ฐ์  ๋‹จ์„œ๋“ค์˜ ๊ด€๊ณ„๋ฅผ ์‚ดํŽด๋ณด๊ธฐ ์œ„ํ•œ ์—ฐ๊ตฌ์˜ ๊ฒฐ๊ณผ์ด๋‹ค. ์ •์˜๋‚ด๋ฆด ์ˆ˜ ์—†๋Š” ์–‘ํƒœ์˜ ์ƒํƒœ์— ๋จธ๋ฌด๋ฅด๋ฉด์„œ ๋ณ€์šฉ์„ ๊ฑฐ๋“ญํ•˜๋Š” ํผํฌ๋จผ์Šค ์† ์บ๋ฆญํ„ฐ๋“ค์˜ ์ดํ–‰์— ๊ด€ํ•ด ๋ถ„์„ํ•œ๋‹ค. ์ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์กด์žฌ์ž์˜ ๊ทผ๊ฑฐ๊ฐ€ ๋ถ€์žฌํ•œ ์ƒํƒœ์—์„œ ๋ฌด์˜์‹ ์•ˆ์—์„œ ์ผ์–ด๋‚˜๋Š” ๋Œ€ํƒ€์ž์— ๋Œ€ํ•œ ์ฐธ์กฐ ๊ณผ์ •์— ์ ‘๊ทผ ํ•  ์ˆ˜ ์žˆ๋‹ค. ์ด๋Š” ๋˜ํ•œ ํ˜„์‹ค์— ๊ธฐ์ดˆํ•œ ์ฐธ์กฐ์˜ ์ง€์ ๋“ค์ด ๋ฌด์˜์‹์˜ ์ž‘์šฉ์— ํž˜์ž…์–ด ์–ด๋–ป๊ฒŒ ํƒˆ์˜ํ† ํ™” ํ•˜๋Š”์ง€ ๊ทธ ํ๋ฆ„์„ ์ถ”์ ํ•ด ๋ณผ ์ˆ˜ ์žˆ๋Š” ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001536386
oai_dc
Atmospheric ์š”์†Œ๋กœ์„œ์˜ ์Œ์•…์ด ์ธ๊ฐ„์˜ ํ–‰๋™์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ
A Study on the effects of music as atmospheric element on the human behavior
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์กฐํ˜„์ผ(๋‚จ์„œ์šธ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ํŠน์ • ๊ณต๊ฐ„ ๋‚ด์— ๊ฐœ์ธ์˜ ํ–‰๋™์— ๋Œ€ํ•ด ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š” atmospheric ์š”์†Œ๋กœ์„œ์˜ ์Œ์•…์˜ ๊ธฐ๋Šฅ์„ ์‚ดํŽด๋ณธ๋‹ค. ์ƒ์—… ๊ณต๊ฐ„ ๋‚ด, ์™ธ๋ถ€์˜ ๋‹ค์–‘ํ•œ ๊ฑด์ถ•์  ์š”์†Œ, ๋ ˆ์ด์•„์›ƒ์„ ํฌํ•จํ•œ ๋””์ž์ธ์  ์š”์†Œ์™€ ๋”๋ถˆ์–ด ์Œ์•… ๋˜ํ•œ ๊ณต๊ฐ„ ๋‚ด์˜ ์ž๊ทน ์ˆ˜์šฉ์ž์˜ ํ–‰๋™์— ์˜ํ–ฅ์„ ๋ฏธ์น˜๊ฒŒ ๋œ๋‹ค. ์Œ์•…์˜ ์—ฌ๋Ÿฌ ๊ธฐ๋Šฅ ์ค‘, ์ธ๊ฐ„์˜ ํ™˜๊ฒฝ์‹ฌ๋ฆฌ์— ์˜ํ–ฅ์„ ๋ฏธ์น˜๋Š” ์ž๊ทน์œผ๋กœ์„œ์˜ ๊ธฐ๋Šฅ์— ๋Œ€ํ•ด ์ฃผ๋ชฉํ•˜๊ฒŒ ๋œ๋‹ค. ์—ฌ๊ธฐ์„œ๋Š” ์Œ์•…์˜ ํ…œํฌ, ์Œ๋Ÿ‰ ๋“ฑ์ด ๊ณ ๊ฐ์˜ ๊ตฌ๋งค ํ–‰๋™์— ์–ด๋–ค ์˜ํ–ฅ์„ ๋ฏธ์น˜๊ฒŒ ๋˜๋Š”์ง€๋ฅผ ์„ ํ–‰์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด ๊ณ ์ฐฐํ•˜๊ณ  ๊ทธ ํ•œ๊ณ„์ ์— ๋Œ€ํ•ด์„œ ๋…ผํ•ด๋ณด๋„๋ก ํ•œ๋‹ค. ๋˜ํ•œ ์Œ์•…์˜ ํŠน์„ฑ์ด ์‹ค์ œ ์‹œ๊ฐ„๊ณผ ์ฒด๊ฐ๋˜๋Š” ์‹œ๊ฐ„ ๊ฐ„์˜ ์ฐจ์ด์— ์–ด๋–ค...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001536387
oai_dc
1990๋…„๋Œ€ ํ•œ๊ตญ ๋ฏธ๋””์–ด์•„ํŠธ์— ๊ด€ํ•œ ๊ณ ์ฐฐ - ๋Œ€ํ˜•๊ธฐํš์ „์„ ์ค‘์‹ฌ์œผ๋กœ -
A Study on the Media art of Korea in the 90's - Focus on Major Exhibitions -
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฏผํฌ์ •(๋…๋ฆฝํ๋ ˆ์ดํ„ฐ)" ]
90๋…„๋Œ€๋Š” ํ•œ๊ตญ๋ฏธ๋””์–ด์•„ํŠธ๊ฐ€ ์—ญ๋™์ ์œผ๋กœ ์„ฑ์žฅํ•œ ์‹œ๊ธฐ์ด๋‹ค. ๋ฌด์—‡๋ณด๋‹ค๋„ ๋ฏธ๋””์–ด์•„ํŠธ์˜ ์„ฑ์žฅ์€ ๋ฏธ์ˆ ๊ณ„๋ฟ ์•„๋‹ˆ๋ผ ์ผ๋ฐ˜ ๋Œ€์ค‘๋“ค์—๊ฒŒ๋„ ๋งŽ์€ ๊ด€์‹ฌ์„ ์ด๋Œ๋ฉฐ ํ˜„๋Œ€๋ฏธ์ˆ ์— ๋Œ€ํ•œ ์ดํ•ด๋ฅผ ๋†’์ด๋Š” ๊ณ„๊ธฐ๋ฅผ ๋งŒ๋“ค์—ˆ๋‹ค. ์ด๋Ÿฌํ•œ ๋ณ€ํ™”๊ฐ€ ๊ฐ€๋Šฅํ•  ์ˆ˜ ์žˆ์—ˆ๋˜ ๋ฐฐ๊ฒฝ์—๋Š” ์šฐ์„ , ์™ธ๋ถ€์ ์œผ๋กœ ์„ธ๊ณ„ํ™”, ์ •๋ณดํ™”๋ผ๋Š” ์‹œ๋Œ€์  ํ๋ฆ„ ์†์—์„œ ์ •๋ถ€๊ฐ€ โ€˜๊ณผํ•™๊ณผ ์˜ˆ์ˆ ์˜ ๊ฒฐํ•ฉโ€™์ด๋ผ๋Š” ์ด๋ฆ„์œผ๋กœ ๋ฏธ๋””์–ด์•„ํŠธ๋ฅผ ํ›„์›ํ•œ ์˜ํ–ฅ์ด ์ปธ๋‹ค. 90๋…„๋Œ€ ์ดˆ๋ฐ˜๋ถ€ํ„ฐ ์ •๋ถ€์‚ฐํ•˜๊ธฐ๊ด€ ๋ฐ ๊ณต๊ณต๋ฏธ์ˆ ๊ด€, ์ง€์ž์ฒด๊ฐ€ ๊ธฐํšํ•˜๋Š” ๋Œ€ํ˜• ๋ฏธ๋””์–ด์•„ํŠธ ์ „์‹œ๊ฐ€ ์†์† ์ด์–ด์กŒ๋‹ค. 80๋…„๋Œ€ ์ดˆ๋ฐ˜๊นŒ์ง€๋„ ์‹คํ—˜๋ฏธ์ˆ ์ด๋ผ๋Š” ์ด๋ฆ„์œผ๋กœ ๋ญ‰๋šฑ๊ทธ๋ ค์ง€๋˜ ํ•œ๊ตญ์˜ ๋ฏธ๋””์–ด์•„ํŠธ๋Š” 99๋…„๋ถ€ํ„ฐ ๋ฌธ์˜ˆ์—ฐ๊ฐ์— ๋‹น๋‹นํžˆ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000303.xml
ART001536382
oai_dc
๋””์ง€ํ„ธ์‹œ๋Œ€์˜ ์•„๋ฐ”ํƒ€ ๊ทธ ์ƒˆ๋กœ์šด ๋ฐฉํ–ฅ (๋ Œํ‹ฐํ˜๋Ÿฌ๋ฅผ ํ†ตํ•ด์„œ ๋ณธ ์™œ์ƒํšจ๊ณผ-๋ณธ์ธ์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ-)
The new direction of the digital age avatar (Anamorphosis Seen with lenticular -Focusing in the my work-)
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •๊ตฌ์€(๋Œ€๊ตฌํ•œ์˜๋Œ€ํ•™๊ต)" ]
20์„ธ๊ธฐ์—์„œ๋Š” ๊ธ‰๊ฒฉํ•˜๊ฒŒ ๋ฐœ๋‹ฌํ•˜๋Š” ๊ณผํ•™์˜ ๊ฒฐ์ •์ฒด์ธ ์ปดํ“จํ„ฐ๊ฐ€ ๋‚˜ํƒ€๋‚ฌ๋Š”๋ฐ, ์ด๊ฒƒ์€ ๋””์ง€ํ„ธ ์„ธ๊ณ„๋ผ๋Š” ์ƒˆ๋กœ์šด ์žฅ์„ ๋งŒ๋“ค๋ฉฐ ์‚ฌ์ง„, ์˜ํ™”, ๋น„๋””์˜ค์•„ํŠธ ๋“ฑ ๋‹ค์–‘ํ•œ ์˜ˆ์ˆ ์˜ ์žฅ๋ฅด์—์„œ ์‹ ๊ฐœ๋…์„ ์ฐฝ์ถœํ•˜๊ณ  ์žˆ๋‹ค. ์•„๋ฐ”ํƒ€๋Š” ๋””์ง€ํ„ธ์ด ๊ฐ€์ง„ ์†์„ฑ์„ ๋Œ€๋ณ€ํ•˜๋Š” ๋Œ€ํ‘œ์ ์ธ ์˜ˆ๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ์•„๋ฐ”ํƒ€์˜ ์˜๋ฏธ๋ฅผ ํ˜„๋Œ€์  ์ž…์žฅ์—์„œ ์žฌํ•ด์„ํ•˜๊ณ  โ€˜๋ณต์ œโ€™๋ฅผ ์„ค๋ช…ํ•˜๋Š”๋ฐ ์ธ์šฉํ•˜์—ฌ ๋ณด์•˜๋‹ค. ๋˜ํ•œ ๋‹ค์ค‘์‹œ์ ์˜ ์˜๋ฏธ๋ฅผ ๋ Œํ‹ฐํ˜๋Ÿฌ๋ผ๋Š” ๋งค์ฒด์˜ ํŠน์„ฑ์„ ํ†ตํ•˜์—ฌ ์‚ดํŽด๋ณด๊ณ , ๋ณต์ œ์˜๋ฏธ๋ฅผ ์ƒˆ๋กญ๊ฒŒ ํ‘œํ˜„ํ•˜๋Š” ํˆด๋กœ ์‚ผ์•˜๋‹ค. ๊ทธ ์ ์—์„œ ๋ณธ์ธ์€ ์„ธ์ข…๋ฌธํ™”ํšŒ๊ด€์—์„œ ์ „์‹œ๋œ ์ž‘์—…๋‚ด์šฉ ์ค‘ ๋ Œํ‹ฐํ˜๋Ÿฌ๋ฅผ ์ด์šฉํ•œ ์™œ์ƒํšจ๊ณผ์™€ ์‹œ์ , ๋ณต์ œ๊ฐ€ ๊ฐ€์ง„ ์˜๋ฏธ๋ฅผ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001536384
oai_dc
์˜์ƒ์ž‘ํ’ˆ์— ๋‚˜ํƒ€๋‚œ ์‹œ๊ฐ„์„ฑ๊ณผ ์กด์žฌ์— ๋Œ€ํ•œ ์—ฐ๊ตฌ -๋ณธ์ธ์˜ ์ž‘ํ’ˆ์„ ์ค‘์‹ฌ์œผ๋กœ
A Study on Time and Being in Video Art -Based on My Own Works
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฑ์ฃผ๋ฏธ(์„œ์šธ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ์˜ ๋ชฉ์ ์€ ๋ณธ์ธ์˜ ์˜์ƒ์ž‘ํ’ˆ์— ๋“œ๋Ÿฌ๋‚˜๋Š” ์‹œ๊ฐ„์„ฑ๊ณผ ์กด์žฌ์˜ ๋ฌธ์ œ๋ฅผ ์‚ดํŽด๋ณด๋Š” ๋ฐ์— ์žˆ๋‹ค. ๋จผ์ € ๊ฐ ์ž‘ํ’ˆ์˜ ์ œ์ž‘๋ฐฉ๋ฒ•๊ณผ ํ‘œํ˜„ํ˜•์‹์„ ๊ฐœ๊ด„์ ์œผ๋กœ ์š”์•ฝํ•˜๊ณ  ๊ทธ ์•ˆ์— ๋‚˜ํƒ€๋‚˜๋Š” ์‹œ๊ฐ„์„ฑ๊ณผ ์กด์žฌ์— ๋Œ€ํ•œ ์ž‘๊ฐ€์˜ ์ฒ ํ•™์  ๊ด€์ ์„ ์‚ดํŽด๋ณธ๋‹ค. ์ด๋Š” ๋‹ค์Œ์˜ ์„ธ ์ฃผ์ œ๋กœ ์š”์•ฝ๋œ๋‹ค. ๊ณผ๊ฑฐ์™€ ๋ฏธ๋ž˜์˜ ์ ‘์„ ์œผ๋กœ์„œ์˜ ํ˜„์žฌ์™€ โ€˜๋‚˜โ€™, ๋‹ค์ค‘์  ํ˜„์žฌ์™€ ๋™์‹œ์— ์กด์žฌํ•˜๋Š” ์—ฌ๋Ÿฌ ๋ช…์˜ โ€˜๋‚˜โ€™, โ€˜๊ณต๊ฐ„์˜ ๊ธฐ์–ต ์†์—์„œ ํ˜„์žฌ๋กœ ๋˜์‚ด์•„๋‚˜๋Š” ๊ณผ๊ฑฐ์˜ โ€™๋‚˜โ€˜. ์‹œ๊ฐ„์— ๋Œ€ํ•œ ์ž‘๊ฐ€์˜ ๊ด€์ ์€ ๋‚ด์žฌ์  ์‹œ๊ฐ„๊ด€๊ณผ ์™ธ์žฌ์  ์‹œ๊ฐ„๊ด€์„ ๋ชจ๋‘ ํฌํ•จํ•˜๋ฉฐ ์ž‘๊ฐ€์˜ ์ƒ์ƒ๋ ฅ์ด ๋”ํ•ด์ ธ ๋‹ค๋ถ„ํžˆ ์ฃผ๊ด€์ ์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋‹ค์†Œ ๋ชจ์ˆœ๋˜๊ณ  ์ฃผ๊ด€์ ์ธ ๋ณธ์ธ์˜ ์ ‘๊ทผ๋ฒ•์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519936
oai_dc
์ปดํ“จํ„ฐ ๊ฒŒ์ž„์˜ ๋งค์ฒด ํŠน์ˆ˜์„ฑ
Media Specificity of Computer Game
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ตœ์ง€๋ฒ”((์ฃผ)์— ๊ฒŒ์ž„ )" ]
์ปดํ“จํ„ฐ ๊ฒŒ์ž„์€ ๊ธฐ์กด์˜ ๋†€์ด์— ๋‹ค์–‘ํ•œ ์˜ˆ์ˆ ์  ์š”์†Œ๋ฅผ ํ˜ผํ•ฉํ•œ๋‹ค. ์ปดํ“จํ„ฐ์˜ ์ฒ˜๋ฆฌ๋Šฅ๋ ฅ์˜ ๋ฐœ๋‹ฌ๊ณผ ํ•จ๊ป˜ ์ปดํ“จํ„ฐ ๊ฒŒ์ž„์€ ์Œ์•…, ํšŒํ™”, ๋ฌธํ•™, ์˜ํ™” ๋“ฑ์ด ๊ตฌ์ถ•ํ•ด ๋†“์€ ๋‹ค์–‘ํ•œ ์˜ˆ์ˆ ์  ํ˜•์‹๋“ค์„ ์ฐจ์šฉํ•˜๋ฉด์„œ ์ƒˆ๋กœ์šด ์ฐจ์›์˜ ๋†€์ด ๊ณต๊ฐ„์„ ๋งŒ๋“ค์–ด๋‚ธ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ปดํ“จํ„ฐ ๊ฒŒ์ž„์— ๋Œ€ํ•œ ์ธ๋ฌธํ•™์  ์—ฐ๊ตฌ๋Š” ์—ฌ์ „ํžˆ ์‹œ์ž‘๋‹จ๊ณ„์— ๋จธ๋ฌผ๋Ÿฌ ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ์ด์— ๋Œ€ํ•œ ๊นŠ์ด ์žˆ๋Š” ์ ‘๊ทผ์ด ์ด๋ฃจ์–ด์ง€์ง€ ์•Š๊ณ  ์žˆ๋‹ค. ์„œ์‚ฌ๋ก ์ž๋“ค์€ 90๋…„๋Œ€ ์ดํ›„ ๋ณดํŽธํ™”๋œ ๊ฒŒ์ž„ ์žฅ๋ฅด๋กœ ์ž๋ฆฌ ์žก์€ ๋กคํ”Œ๋ ˆ์ž‰ ํ˜น์€ ์–ด๋“œ๋ฒค์ฒ˜ ๊ฒŒ์ž„์„ ๊ทผ๊ฑฐ๋กœ ์ปดํ“จํ„ฐ ๊ฒŒ์ž„์˜ ๋ณธ์งˆ์„ ์„œ์‚ฌ์˜ ์—ฐ์žฅ์„ ์ƒ์—์„œ ํ•ด์„ํ•˜๊ณ ์ž ํ•˜์˜€๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ปดํ“จํ„ฐ ๊ฒŒ์ž„์€ ๋ฌด์—‡๋ณด๋‹ค ๋†€์ด์— ๊ด€ํ•œ ๊ฒƒ์ด๋ฉฐ, ๊ฐ€์ƒ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519934
oai_dc
๋””์ง€ํ„ธ ๋งค์Šค๋ฏธ๋””์–ด์™€ ํšŒํ™”
Digitalized Mass Media and Painting
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐฐ์ถ˜๊ฒฝ(์ธ์ œ๋Œ€ํ•™๊ต)" ]
ํšŒํ™”๋Š” ์ฃฝ์—ˆ๋‹ค๋Š” ๋’ค์ƒน์˜ ์„ ์–ธ ์ดํ›„, ํšŒํ™”์—์„œ ์ƒˆ๋กœ์šด ๋ณด๋Š” ๋ฐฉ์‹์„ ์ œ์•ˆํ•˜๋Š” ์ผ์€ ๋ถˆ๊ฐ€๋Šฅํ•˜๊ฒŒ ์—ฌ๊ฒจ์กŒ๋‹ค. ํ•˜์ง€๋งŒ, ๊ฒŒ๋ฅดํ•˜๋ฅดํŠธ ๋ฆฌํžˆํ„ฐ๋Š” ํšŒํ™”์˜ ๊ฐœ๋…์„ ๋ ˆ๋””๋ฉ”์ด๋“œ๋กœ ํ™•์žฅํ•˜์—ฌ, ๋ฏธ๋””์–ด ์‚ฌํšŒ์—์„œ์˜ ๋ฆฌ์–ผ๋ฆฌํ‹ฐ์— ๋Œ€ํ•œ ํšŒํ™”์  ๋น„ํ‰์„ ์‹œ๋„ํ•œ ๊ฒƒ์œผ๋กœ ํ‰๊ฐ€๋œ๋‹ค. ๋ฆฌํžˆํ„ฐ๋Š” ์ƒ๋ฐ˜๋œ ์„ฑ๊ฒฉ์˜ ์ž‘ํ’ˆ์„ ๊ฐ™์€ ์‹œ๊ธฐ์— ์ œ์ž‘ํ•˜๋ฉด์„œ, ๋ณ€์ฆ๋ฒ•์ ์ธ ํšŒํ™”์  ์‹คํ—˜์„ ์‹œ๋„ํ–ˆ์œผ๋ฉฐ, ๋‹ค์–‘ํ•˜๊ณ  ํ’๋ถ€ํ•œ ์ž‘ํ’ˆ์„ ์ƒ์‚ฐํ–ˆ๊ธฐ ๋•Œ๋ฌธ์—, ํ•˜๋‚˜๋กœ ์ •์˜ํ•˜๊ธฐ ์–ด๋ ต๋‹ค. ๊ทธ์ค‘ ์นผ๋ผ ์ฐจํŠธ ์ž‘ํ’ˆ์€ ๋‹น์‹œ์˜ ํŒ ์•„ํŠธ์™€์˜ ๊ด€๊ณ„ ์†์—์„œ ํ•ด์„๋˜๊ฑฐ๋‚˜, ํ˜น์€ ๋‹น์‹œ์˜ ํšŒ์ƒ‰ํšŒํ™”์™€์˜ ๋ณ€์ฆ๋ฒ•์ ์ธ ๋Œ€๋น„๋กœ ๋น„ํ‰์ ์œผ๋กœ ํ•ด์„๋œ๋‹ค. ์ด ๋…ผ๋ฌธ์—์„œ๋Š” ๋ฆฌํžˆํ„ฐ์˜ ์Šค์Šน์ด์—ˆ๋˜ ์นผ ์˜คํ† ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519935
oai_dc
ํŠน์„ฑ๋ชจ๋ธ์„ ํ†ตํ•œ ๊ฒŒ์ž„ ์‹œ์Šคํ…œ์˜ ์—ญํ•™์— ๊ด€ํ•œ ๊ณ ์ฐฐ
A Study on the Dynamics of Game Systems through Characteristics Model
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ค€ํฌ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
๊ฒŒ์ž„์ด ๊ฐ€์ง„ ๋‹ซํžŒ ์‹œ์Šคํ…œ์ด๋ผ๋Š” ํŠน์„ฑ๊ณผ ๊ทธ ๊ตฌ์กฐ๋Š” ๊ฒŒ์ž„์˜ ๋ณธ์งˆ์„ ์ดํ•ดํ•˜๋Š” ๋ฐ ์žˆ์–ด ํ•ต์‹ฌ์ด๋‹ค. ๊ฒŒ์ž„์€ ์ˆ˜๋งŽ์€ ์š”์†Œ๊ฐ€ ๋ณต์žกํ•˜๊ฒŒ ์–ฝํ˜€์žˆ๊ณ  ๊ฐ๊ฐ์˜ ์š”์†Œ๋Š” ํ”Œ๋ ˆ์ด์–ด์™€์˜ ์ธํ„ฐ๋ ‰์…˜์„ ํ†ตํ•ด ๊ฒŒ์ž„์˜ ์—ญํ•™์„ ๊ตฌ์„ฑํ•œ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ์ด๋Ÿฌํ•œ ๊ฒŒ์ž„์˜ ์š”์†Œ์™€ ์ด๋“ค์ด ๊ตฌ์„ฑํ•˜๋Š” ๊ตฌ์กฐ, ๊ทธ๋ฆฌ๊ณ  ๊ทธ ์—ญํ•™์ด ๋‚˜ํƒ€๋‚ด๋Š” ๊ฒŒ์ž„์˜ ํŠน์„ฑ์„ โ€˜3๋‹จ๊ณ„ ํŠน์„ฑ๋ชจ๋ธโ€™์„ ํ†ตํ•ด ์‹œ๊ฐํ™”ํ•˜์˜€๋‹ค. 3๋‹จ๊ณ„ ํŠน์„ฑ๋ชจ๋ธ์€ ๊ฒŒ์ž„์„ ํ˜•์‹์ , ๋“œ๋ผ๋งˆ์  ์š”์†Œ๋“ค์˜ ๊ทธ๋ฃน์œผ๋กœ ์ด๋ถ„ํ™”ํ•ด์„œ ๊ทธ ๊ทธ๋ฃน์„ ์ด๋ฃจ๋Š” ์„ธ๋ถ€์š”์†Œ๋“ค๋กœ ๋ณด๊ณ , ๊ฐ๊ฐ์˜ ์š”์†Œ๊ฐ€ ์–ด๋–ป๊ฒŒ ์ž‘์šฉํ•˜๋Š” ๊ฐ€๋ฅผ ๋‚˜๋ˆ„์–ด ํ‘œํ˜„ํ•˜์—ฌ ๊ฒŒ์ž„์˜ ํŠน์„ฑ์ด ์–ด๋–ป๊ฒŒ ์‹œ๊ฐ์ ์œผ๋กœ ํ˜•์ƒํ™”๋˜๋Š” ์ง€ ์‚ดํŽด๋ณด์•˜๋‹ค. ๋…ผ๋ฌธ์˜ ์ดˆ๋ฐ˜๋ถ€...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519933
oai_dc
์ดฌ์˜์˜ ์ˆœ๊ฐ„๊ณผ ์ „์†ก๋œ ํ™”๋ฉด, ๊ทธ ์‚ฌ์ด์˜ ์•Œ๋ ค์ง€์ง€ ์•Š์€ ์˜์—ญ
The Moment of Documentation and the Transmitted Footage, Unknown Territories between them
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํƒœ์ง„(๊ตญ๋ฏผ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ํด ์„ธ๋จผ(Semon, Paul)๊ณผ ์•ˆ๋“œ๋ ˆ์•„ ์žฝ(Zapp, Andrea)์˜ โ€˜A Body of Water(1999)โ€™๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์›๊ฒฉํ˜„์ „์ด ์ด๋ฃจ์–ด์ง€๋Š” ๊ตฌ์กฐ ์•ˆ์—์„œ ์–ด๋–ป๊ฒŒ ๋น„๊ฐ€์‹œ์  ์˜์—ญ์ด ํ˜•์„ฑ๋˜๋Š”์ง€๋ฅผ ์‚ดํŽด๋ณด๊ธฐ ์œ„ํ•œ ๊ฒƒ์ด๋‹ค. ์„ค์น˜๊ฐ€ ์ด๋ฃจ์–ด์ง€๋Š” ๊ณต๊ฐ„ ์•ˆ์—์„œ์˜ ์ฒดํ—˜์€ ๊ณต๊ฐ„์„ ๋„˜๋‚˜๋“œ๋Š” ์›๊ฒฉ ์ „์†ก๋˜๋Š” ์ด๋ฏธ์ง€๋“ค๋กœ ์ธํ•ด ์›๊ฒฉ์˜ ๊ณต๊ฐ„ ์† ์กด์žฌ๋“ค๊ณผ์˜ ์ƒํ˜ธ์ž‘์šฉ์— ์ด๋ฅด๊ฒŒ ๋˜๋ฉฐ, ์—ญ์‚ฌ์  ๊ธฐ๋ก๋ฌผ์ธ ๊ณผ๊ฑฐ์˜ ์ด๋ฏธ์ง€๋กœ ์ธํ•ด ๊ฐ๊ธฐ ๋‹ค๋ฅธ ์‹œ๊ฐ„๋Œ€๊ฐ€ ๊ณต์กดํ•˜๋Š” ๋“ฏํ•œ ํ™•์žฅ๋œ ์ฒดํ—˜์— ์ด๋ฅด๊ฒŒ ๋œ๋‹ค. ์ž‘์—…์„ ๊ฐ์ƒํ•˜๋Š” ์ „ ๊ณผ์ •์€ ์ฐธ์—ฌ์™€ ์ƒํ˜ธ์ž‘์šฉ์„ ํ†ตํ•ด ์‹œ๊ณต๊ฐ„์˜ ์žฌ์ •์˜์— ์ด๋ฅด๊ฒŒ ๋˜๋Š” ๊ณผ์ •์„ ๋ฐŸ๋Š”๋‹ค. ์ด๋Ÿฌํ•œ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519931
oai_dc
3D์• ๋‹ˆ๋ฉ”์ด์…˜ ์˜ํ™”์—์„œ ์ƒ‰์ฑ„๋ถ„์„์— ๊ด€ํ•œ ๊ณ ์ฐฐ
A Study on the Color Analysis in 3D-Animation Film
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์†ก๋ฏธ์ˆ™(๊ฒฝํฌ๋Œ€ํ•™๊ต)" ]
ํ•œ๊ตญ ์• ๋‹ˆ๋ฉ”์ด์…˜ ์ž‘ํ’ˆ๋“ค์— ๋‚˜ํƒ€๋‚œ ์ƒ‰ ํ‘œํ˜„์€ ํ†ต์ผ๋˜๊ณ  ์ผ๊ด€๋œ ์ƒ‰์ฑ„๊ณ„ํš๊ณผ๋Š” ๊ฑฐ๋ฆฌ๊ฐ€ ์žˆ๋Š” ์ƒ์ถฉ์ ์ด๋ฉฐ ๊ฐœ๋ณ„์ ์ธ ์ž‘ํ’ˆ๋“ค์ด ์ฃผ๋ฅผ ์ด๋ฃฌ๋‹ค. ์ด๋Š” ์• ๋‹ˆ๋ฉ”์ด์…˜์ด ์ฃผ๋ชฉ๋ฐ›์ง€ ๋ชปํ•˜๋Š” ์ค‘์š”ํ•œ ์š”์†Œ ์ค‘์˜ ํ•˜๋‚˜์ด๋ฉฐ ์ž‘ํ’ˆ์˜ ์™„์„ฑ๋„๋ฅผ ๋–จ์–ด๋œจ๋ฆฌ๋Š” ์›์ธ์ด ๋˜๊ธฐ๋„ ํ•œ๋‹ค. ์ƒ‰์€ ๋ฌผ์ฒด๋ฅผ ํ‘œํ˜„ํ•˜๋Š” ๋‹จ์ˆœํ•œ ๊ธฐ๋Šฅ์— ๋จธ๋ฌด๋ฅด์ง€ ์•Š์œผ๋ฉฐ ๊ทธ ์ƒ‰์„ ์‘์‹œํ•˜๋Š” ์‚ฌ๋žŒ์˜ ์ •์„œ๋ฅผ ์กฐ์ ˆํ•˜๋Š” ํž˜์„ ์ง€๋‹ˆ๊ณ  ์žˆ๋‹ค. ์ƒ‰์ฑ„ ์—ฐ๊ตฌ์ž์ธ ์˜๊ตญ์˜ ํ•˜์›Œ๋“œ ์„ ์€ โ€œ์ƒ‰์—๋Š” ํž˜์ด ์žˆ๋‹คโ€๋ผ๊ณ  ๋งํ•˜๋“ฏ์ด ์ƒ‰์€ ์‚ฌ๋žŒ์„ ํฅ๋ถ„์‹œํ‚ค๊ฑฐ๋‚˜ ํ‰์˜จํ•˜๊ฒŒ ๋งŒ๋“œ๋Š” ํž˜์„ ๊ฐ€์ง€๊ณ  ์žˆ๋Š”๋ฐ, ์ด๋Ÿฌํ•œ ๊ธฐ๋Šฅ์˜ ์ ํ™•ํ•œ ์‚ฌ์šฉ์€ ์• ๋‹ˆ๋ฉ”์ด์…˜์„ ๊ด€๋žŒํ•˜๋Š” ๊ด€๊ฐ์˜ ์ •์„œ์  ํ๋ฆ„์„ ๊ฐ๋…์ด ์กฐ์ ˆํ•  ์ˆ˜ ์žˆ๋Š”...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519925
oai_dc
๋””์ง€ํ„ธ ๊ณต๊ณต์˜ˆ์ˆ ๊ณผ ๋„์‹œ๊ณต๊ฐ„๊ตฌ์กฐ
Digital Public Art and the Urban Spatial Structure
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๋ฏผ์ง€(๊ฒฝ๋ถ๋Œ€ํ•™๊ต ); ์ด์ •์€(๊ฒฝ๋ถ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ๋””์ง€ํ„ธ ๊ณต๊ณต์˜ˆ์ˆ ๊ณผ ๋„์‹œ๊ณต๊ฐ„๊ตฌ์กฐ์™€์˜ ๊ด€๊ณ„๋ฅผ ๊ทœ๋ช…ํ•˜๊ธฐ ์œ„ํ•œ ์ด๋ก ์  ํ‹€์„ ์ œ์‹œํ•˜๊ณ ์ž ํ•œ๋‹ค. ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ์•„ํŠธ์™€ ๊ณต๊ณต์˜ˆ์ˆ ์€ ์ตœ๊ทผ ์ƒˆ๋กœ์šด ์žฅ๋ฅด๋กœ์„œ ๋Œ€๋‘๋˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋””์ง€ํ„ธ ๊ณต๊ณต์˜ˆ์ˆ ๊ณผ ๋„์‹œ๊ณต๊ฐ„๊ตฌ์กฐ์˜ ์ƒํ˜ธ ๊ด€๊ณ„๋Š” ํ•™๊ณ„์—์„œ ์ƒ๋Œ€์ ์œผ๋กœ ์ ์€ ๊ด€์‹ฌ์„ ๋ฐ›๊ณ  ์žˆ๋‹ค. ๋””์ง€ํ„ธ ๊ณต๊ณต์˜ˆ์ˆ ์— ๋Œ€ํ•œ ๋ถ„๋ช…ํ•œ ์ดํ•ด๋Š” ๋„์‹œ๊ณต๊ฐ„์— ๊ด€ํ•œ ๋ถ„์„์„ ์š”๊ตฌํ•œ๋‹ค. ๊ทธ ์ด์œ ๋Š” ๋””์ง€ํ„ธ ๊ณต๊ณต์˜ˆ์ˆ ์€ ์„ธ๊ณ„ํ™”์™€ ๊ฒฐ๋ถ€๋˜์–ด ๋‚˜ํƒ€๋‚˜๋Š” ํ˜„์ƒ์ด๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์„ธ๊ณ„ํ™” ์‹œ๋Œ€์— ๋„์‹œ๋Š” ์„ธ๊ณ„์  ๊ฒฝ์Ÿ ์‹œ์Šคํ…œ์˜ ์ฃผ์š” ๊ณต๊ฐ„ ๋‹จ์œ„๊ฐ€ ๋˜์—ˆ๋‹ค. ๋””์ง€ํ„ธ ๊ณต๊ณต์˜ˆ์ˆ ์€ ์ด๋Ÿฌํ•œ ๊ณผ์ • ์†์—์„œ '๋„์‹œ ๋ธŒ๋žœ๋”ฉ'์ด๋ผ๋Š” ๊ฒฝ์ œ์  ๊ฐ€์น˜ ์‹คํ˜„์˜ ํ•ด๊ฒฐ์ฑ…์œผ๋กœ ๋Œ€๋‘...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519929
oai_dc
๋ฏธ๋””์–ด ์•„ํŠธ์—์„œ ์˜ˆ์ˆ ๊ณผ ๊ณผํ•™์˜ ํ˜ผ์„ฑ(Hybridization)๊ณผ ์œตํ™”(Syncretism)์˜ ํ˜„์ƒ ์—ฐ๊ตฌ
A Study on Hybridization and Syncretism in Media Art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํ˜„์ฃผ(ํ•œ๋…๋ฏธ๋””์–ด๋Œ€ํ•™์›๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๊ณ ๋Š” 21์„ธ๊ธฐ ์ปจ๋ฒ„์ „์Šค(Convergence)์˜ ์‹œ๋Œ€์—์„œ ์ž์ฃผ ์–ธ๊ธ‰๋˜๋Š” ํ˜ผ์„ฑ(Hybridization)๊ณผ ์œตํ™”(Syncretism)์˜ ํ˜„์ƒ์„ ๋ฏธ๋””์–ด ์•„ํŠธ์˜ ๊ณผ๊ฑฐ์™€ ํ˜„์žฌ์—์„œ ์กฐ๋ช…ํ•œ๋‹ค. ์—๋“œ์›Œ๋“œ ์œŒ์Šจ, ๋กœ์ด ์• ์Šค์ฝง๋“ฑ์˜ ํ†ต์„ญ์ด๋ก ๊ณผ ์œตํ™”์ด๋ก ์„ ์†Œ๊ฐœํ•˜๋ฉฐ ๊ณผํ•™๊ณผ ์˜ˆ์ˆ ์˜ ํ˜ผ์„ฑ์ , ์œตํ™”์  ๊ด€๊ณ„์„ฑ์„ ์ดˆ๊ธฐ ๋ฏธ๋””์–ด ์•„ํŠธ์˜ ๋ฐœํ˜„ ๊ณผ์ •๊ณผ ํ˜„๋Œ€ ๋ฏธ๋””์–ด ์•„ํŠธ ํ”„๋กœ์ ํŠธ๋“ค์„ ์˜ˆ๋กœ ์‚ดํŽด ๋ณด์•˜๋‹ค. ํ”Œ๋Ÿญ์„œ์Šค, ์ด์—์ดํ‹ฐ(E.A.T), ์ฐฐ์Šค์ˆ˜๋ฆฌ, ๋ฐฑ๋‚จ์ค€ ๋“ฑ์˜ ์ž‘์—… ๊ณผ์ •์„ ํ†ตํ•ด ์ดˆ๊ธฐ ๋ฏธ๋””์–ด ์•„ํŠธ์˜ ๋ฐœํ˜„์—์„œ ์˜ˆ์ˆ ๊ณผ ๊ณผํ•™์˜ ํ˜ผ์„ฑ์ด ๋ช‡ ๊ฐ€์ง€ ๋‹ค๋ฅธ ์ข…๋ฅ˜์˜ ํ˜‘์—…์—์„œ ์ผ์–ด๋‚˜๊ณ  ์žˆ์Œ์„ ๋ฐœ๊ฒฌํ–ˆ๊ณ , ํ˜„๋Œ€ ๋ฏธ๋””์–ด ์•„ํŠธ์—...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519932
oai_dc
๋””์ง€ํ„ธ ํ™˜๊ฒฝ์˜ ์ƒˆ๋กœ์šด ์‹œ๊ณต๊ฐ„์˜ ํ˜„์ƒํ•™
The new phenomenology of time and space in digital environment
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ˜œ์šฑ(์ฒญ๊ฐ•๋ฌธํ™”์‚ฐ์—…๋Œ€ํ•™๊ต)" ]
์ธ๊ฐ„์˜ ํ˜„์žฌ ๋ชจ์Šต์„ ์™„์„ฑํ•˜๋Š” ์ €๋ณ€์—๋Š” ์‚ฌ๊ณ ๋ฐฉ์‹์ด๋ผ๋Š” ๋ฌด์˜์‹์˜ ํ๋ฆ„์ด ์กด์žฌํ•˜๋ฉฐ, ์ด๋Š” ๊ฐ€์‹œ์ ์ธ ๊ฒƒ์€ ๋ฌผ๋ก ์ด๋ฉฐ ๋น„๊ฐ€์‹œ์ ์ธ ๋‚ด๋ฉด์˜ ์ •์ฒด์„ฑ์„ ์™„์„ฑํ•˜๋Š” ๋ฐ”ํƒ•์œผ๋กœ ์ž‘์šฉํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ์š”์†Œ ์ค‘ ์ธ๊ฐ„์ด ์˜์‹ํ•˜๋Š” ์‹œ๊ฐ„๊ณผ ๊ณต๊ฐ„์˜ ์ ˆ๋Œ€์„ฑ์ด 19์„ธ๊ธฐ ์ดํ›„ ํฌ๊ฒŒ ๋ณ€ํ™”ํ•˜๊ฒŒ ๋˜๋ฉด์„œ, ์ธ๊ฐ„ ์ƒํ™œ์˜ ํ˜„์ƒํ•™์ ์ธ ์‚ฌํšŒ, ๋ฌธํ™”์ƒ์„ ๋ฐ”๊พธ์–ด ๋†“์•˜๋‹ค. ๋‹ค๋ฆ„ ์•„๋‹Œ ์ƒ๋Œ€์ ์ธ ์‹œ๊ณต๊ฐ„์˜ ์ธ์ •์ด๋ฉฐ, ์ด๋Š” ์‹œ๊ฐ„๊ณผ ๊ณต๊ฐ„์ด ๋™์‹œ์ ์œผ๋กœ ์ ˆ๋Œ€์ ์ธ ์œ„์น˜์— ๋†“์—ฌ์žˆ์Œ์— ๋Œ€ํ•œ ์ƒˆ๋กœ์šด ์ž๊ฐ์ธ ๊ฒƒ์ด๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ 20์„ธ๊ธฐ ์ดํ›„ ๋””์ง€ํ„ธ ํ…Œํฌ๋†€๋กœ์ง€์˜ ๋ฐœ์ „์€ ์ด์ „๊นŒ์ง€์˜ ์‹œ๊ณต๊ฐ„์— ๋Œ€ํ•œ ์ธ์‹์„ ํฌ๊ฒŒ ๋’คํ”๋“ค์—ˆ์œผ๋ฉฐ, ๊ทธ๋กœ ์ธํ•œ ์‚ฌํšŒ ๋ฌธํ™”์˜ ํ˜„์ƒํ•™์ ์ธ ์–‘...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519899
oai_dc
์ฒญ๊ฐ๊ณผ ์‹œ๊ฐ์˜ ์ƒํ˜ธ์ž‘์šฉ์„ ํ†ตํ•œ ํ‘œํ˜„ ๋ฐฉ๋ฒ• ๋ฐ ํ™œ์šฉ์„ฑ ์—ฐ๊ตฌ
A study on interaction of sound and visual : Expression methods and Applicability
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฅ˜์žฌํ•˜(๊ฒฝ๋ถ๋Œ€ํ•™๊ต); ์„œํ˜„๊ทœ(๊ฒฝ๋ถ๋Œ€ํ•™๊ต)" ]
์ตœ๊ทผ ์‹œโ€ค๊ณต๊ฐ„์˜ ๋Œ€ํ‘œ์ ์ธ ๊ฐ๊ฐ๊ธฐ๊ด€์ธ ์‹œ๊ฐ๊ณผ ์ฒญ๊ฐ์˜ ๊ณต๊ฐ๊ฐ์  ๊ฐ์„ฑ์˜ ๋ฏธ๋””์–ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์‚ฌ์šด๋“œ์˜ ํ˜ผํ•ฉ์„ ํ†ตํ•œ ์‚ฌ์šด๋“œ ๊ทธ๋ž˜ํ”ฝ ์•„ํŠธ, ํ˜น์€ ์‚ฌ์šด๋“œ ๋ฏธ๋””์–ด ์•„ํŠธ๋ผ๋Š” ๊ฐœ๋…์ด ์ƒ๊ฒจ๋‚˜๊ธฐ ์‹œ์ž‘ํ–ˆ์œผ๋ฉฐ, ์Œ์•… ๋ฐ ์ปดํ“จํ„ฐ ๊ทธ๋ž˜ํ”ฝ, ํ”„๋กœ๊ทธ๋ž˜๋ฐ ๋“ฑ์˜ ๊ด€๋ จ ๋ถ„์•ผ์—์„œ ๋งŽ์€ ์—ฐ๊ตฌ๋ฅผ ํ†ตํ•ด ์ƒํ˜ธ๋ณด์™„์ ์ธ ๊ด€๊ณ„์™€ ํ•จ๊ป˜ ๋ถ„์•ผ ๊ฐ„์˜ ์ด๋ฏธ์ง€ ์ฆํญ์œผ๋กœ ๋ฐœ์ „ํ•˜๊ณ  ์žˆ๋‹ค. ์ •์ ์ธ ์˜ˆ์ˆ ํ˜•์‹ ์†์—์„œ ์‹œ๊ฐ„๊ณผ ๊ณต๊ฐ„์ด ๊ด€๊ฐ์˜ ์ •์‹ ์  ์ง€๊ฐ์— ์˜ํ•ด ์–ป์–ด์ง€๋Š” ๋ฐ˜๋ฉด, ์†Œ๋ฆฌ์™€ ๊ด€๋ จ๋œ ์ด๋ฏธ์ง€์—์„œ์˜ ์‹œ๊ฐ„๊ณผ ๊ณต๊ฐ„์€ ์ž‘ํ’ˆ ์ž์ฒด๊ฐ€ ๊ฐ€์ง€๊ณ  ์žˆ๋Š” ์ง€์† ์‹œ๊ฐ„์˜ ๊ด€์ ์—์„œ ํ•ด์„๋  ์ˆ˜ ์žˆ๋‹ค. ๋””์ง€ํ„ธ ๋งค์ฒด๊ฐ€ ๊ฐ€์ง€๋Š” ์ž ์žฌ๋ ฅ์€ ๋ฌด์—‡๋ณด๋‹ค ๋‹ค์–‘ํ•œ ๋งค์ฒด๊ฐ€ ํŽธ์žฌ๋œ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519900
oai_dc
์• ๋‹ˆ๋ฉ”์ด์…˜ ๋ฐ”์ผ€๋ชจ๋…ธ๊ฐ€ํƒ€๋ฆฌ์˜ ์•Œ๋ ˆ๊ณ ๋ฆฌ์  ์–‘์ƒ - ๋ฌธ์ž์˜ ์ฐจ์šฉ์„ ์ค‘์‹ฌ์œผ๋กœ
The Allegorical Aspect of Animation Bakemonokatari - Focused on Appropriation of the Letter
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ง€์ธ(๊ตญ๋ฏผ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” '๋ฐ”์ผ€๋ชจ๋…ธ๊ฐ€ํƒ€๋ฆฌ'๋ผ๋Š” ์ผ๋ณธ ์• ๋‹ˆ๋ฉ”์ด์…˜์— ๋‚˜ํƒ€๋‚˜๋Š” ๋ฌธ์ž์˜ ์ฐจ์šฉ์— ์ฃผ๋ชฉํ•˜๊ณ  ์ด๋ฅผ ๋ถ„์„ํ•จ์œผ๋กœ์จ ์ž‘ํ’ˆ์— ๋“œ๋Ÿฌ๋‚˜๋Š” ์•Œ๋ ˆ๊ณ ๋ฆฌ์  ์„ฑ๊ฒฉ์„ ๊ทœ๋ช…ํ•˜๋Š” ๊ฒƒ์„ ๋ชฉ์ ์œผ๋กœ ์‚ผ๊ณ  ์žˆ๋‹ค. ์ž‘ํ’ˆ์— ์žˆ์–ด์„œ์˜ ์•Œ๋ ˆ๊ณ ๋ฆฌ์  ์„ฑ๊ฒฉ ๋ฐ ๋‹ด๋ก  ์•ˆ์—์„œ ์ฝํ˜€์ง€๋Š” ํ…์ŠคํŠธ๋กœ์„œ์˜ ํŠน์„ฑ์€ ํฌ์ŠคํŠธ๋ชจ๋˜ ์ž‘ํ’ˆ์„ ๋…ผํ•˜๋Š” ๋ฐ์— ์žˆ์–ด์„œ ์ฃผ์š”ํ•œ ๊ฐœ๋…์œผ๋กœ ์‚ฌ์šฉ๋˜์–ด์ ธ ์™”๋‹ค. ์ด ๊ธ€์˜ ๋Œ€์ƒ์ด ๋˜๋Š” ๋ฐ”์ผ€๋ชจ๋…ธ๊ฐ€ํƒ€๋ฆฌ๋Š” ํ™”๋ฉด ๊ตฌ์„ฑ์— ์žˆ์–ด์„œ ๋ฌธ์ž๋ฅผ ์ฐจ์šฉํ•˜๊ณ  ์‹œ๊ฐ์  ์ด๋ฏธ์ง€๋กœ์˜ ์ œ์‹œํ•˜๋ฉฐ, ๊ทธ ํ•ด์„์˜ ๊ฐ€๋Šฅ์„ฑ์„ ๋‹ค์–‘ํ•˜๊ฒŒ ์—ด์–ด ๋†“์Œ์œผ๋กœ์จ ์ƒˆ๋กœ์šด ๋‹ด๋ก ์„ ์–‘์‚ฐํ•  ์ˆ˜ ์žˆ๋Š” ์žฅ์„ ๋งˆ๋ จํ•œ๋‹ค๋Š” ์ ์—์„œ ๊ทธ์™€ ๋™์ผํ•œ ํŠน์„ฑ์„ ๋ณด์—ฌ์ฃผ๊ณ  ์žˆ๋‹ค. ์• ๋‹ˆ๋ฉ”์ด์…˜์€ ์žฅ๋ฅด...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519895
oai_dc
๋ฏธ๋””์–ด ์•„ํŠธ์—์„œ ๋‚˜ํƒ€๋‚œ ๋””์ง€ํ„ธ ๋ธŒ๋Ÿฌ์‹œ์˜ ํŠน์„ฑ๊ณผ ๊ตฌํ˜„
Characteristics and Realization of Digital Brush in Media Art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๊ทœ๋™(๋ฏธ๋””์–ด ์•„ํŠธ ํŒฉํ† ๋ฆฌ)" ]
๊ธฐ์ˆ ๊ณผ ์˜ˆ์ˆ ์˜ ๊ฒฐํ•ฉ์œผ๋กœ ๊ฐ๊ด‘ ๋ฐ›๊ณ  ์žˆ๋Š” ๋””์ง€ํ„ธ ์•„ํŠธ ๋˜๋Š” ๋ฏธ๋””์–ด์•„ํŠธ ๋ถ„์•ผ์˜ ํ•ต์‹ฌ์ ์ธ ๋ฏธํ•™์  ๊ธฐ์ˆ ์  ์š”์†Œ๋ฅผ ๋ถ„์„ํ•˜๊ณ  ์ด๋ฅผ ๋””์ง€ํ„ธ ๋ธŒ๋Ÿฌ์‹œ ์  ๊ด€์ ์—์„œ ๊ฒ€ํ† ํ•œ๋‹ค. ์ „ํ†ต์  ๋ธŒ๋Ÿฌ์‹œ์™€ ๋””์ง€ํ„ธ ๋ธŒ๋Ÿฌ์‹œ์˜ ์ฐจ์ด์ ์„ ๊ฒ€ํ† ํ•˜๊ณ  ๋””์ง€ํ„ธ ๋ธŒ๋Ÿฌ์‹œ๊ฐ€ ๊ฐ–๋Š” ๋‰ด๋ฏธ๋””์–ด์  ์š”์†Œ๋ฅผ ํŒŒ์•…ํ•˜๋ฉฐ ์ตœ๊ทผ์˜ ๋ฏธ๋””์–ด ์•„ํŠธ ์ž‘ํ’ˆ์— ์ ์šฉ๋˜์–ด ๊ตฌํ˜„๋œ ์˜ˆ๋ฅผ ์ฐพ๋Š”๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519903
oai_dc
North Korean Spies Crossing The Border to The Other Side
North Korean Spies Crossing The Border to The Other Side
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "Neupaurerova, Jana(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต); ์ด์ค€ํฌ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
This case study attempts to show how has the way the North Korean spies have been portrayed in the South Korean cinema changed over the last decade and how was that change facilitated in the context of border crossing. The characters in films Swiri (์‰ฌ๋ฆฌ, Kang Je-kyu 1999), Spy Lee Cheol Jin (๊ฐ„์ฒฉ ๋ฆฌ์ฒ ์ง„ , Jang Jin 1999), Dou...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519902
oai_dc
์ง‘๋‹จ์ฐฝ์ž‘ํ˜• ์Šคํ† ๋ฆฌํ…”๋ง์—์„œ ๊ณต๋™์ง‘ํ•„ ๋ฐฉ์‹์˜ ์œ ํ˜•๋ถ„๋ฅ˜
Classification of Collaborate Writing in the Group Creating Storytelling
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์„œ์ˆœ์žฌ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต); ๋ณ€ํ˜(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์ง‘๋‹จ์ฐฝ์ž‘ํ˜• ์Šคํ† ๋ฆฌํ…”๋ง์—์„œ ํŠนํžˆ ๊ณต๋™์ง‘ํ•„ ๋ฐฉ์‹์— ๋Œ€ํ•œ ์ž‘ํ’ˆ์„ฑ ๋ฐ ํ†ต์ผ์„ฑ์˜ ์ผ๋ฐ˜์ ์ธ ๋ฌธ์ œ์ œ๊ธฐ๋ฅผ ํ•˜๊ธฐ ์ด์ „์— ๊ณต๋™์ง‘ํ•„ ๋ฐฉ์‹์— ๋Œ€ํ•œ ์œ ํ˜•ํ™” ์—ฐ๊ตฌ๊ฐ€ ํ•„์š”ํ•˜๋‹ค๊ณ  ๋ณด๊ณ , ์˜ํ™”๋‚˜ ๋“œ๋ผ๋งˆ์˜ ์ œ์ž‘์—์„œ ์‚ฌ์šฉ๋˜๋Š” ์ง‘๋‹จ์ฐฝ์ž‘ ๋ฐฉ์‹์€ ๋ฌผ๋ก , ๋Œ€ํ•™๊ณผ ์ธํ„ฐ๋„ท ๋“ฑ์ง€์—์„œ ์ž์ƒ์ ์œผ๋กœ ํ˜•์„ฑ๋˜๋Š” ์ง‘๋‹จ์ฐฝ์ž‘ ๋ฐฉ์‹์„ ๋ถ„์„ํ•˜์—ฌ ์œ ํ˜•๋ณ„๋กœ ๋ถ„๋ฅ˜ํ•˜๊ณ  ์ฐฝ์ž‘์ด ์ด๋ค„์ง€๋Š” ๋ฐฉ์‹์„ ๋ชจ๋ธํ™”ํ•œ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ์ง‘๋‹จ์ฐฝ์ž‘์˜ ์กฐ์ง ์–‘์ƒ์ด ๋Œ€์ค‘์˜ ์ผ๋ฐ˜์ ์ธ ์ธ์‹๋ณด๋‹ค ๋งค์šฐ ๋‹ค์–‘ํ•œ ํ˜•ํƒœ๋กœ ๋‚˜ํƒ€๋‚˜๊ณ  ์žˆ๋‹ค๋Š” ๊ฒƒ๊ณผ, ์ง‘๋‹จ์ฐฝ์ž‘ ํ˜•ํƒœ๋Š” ์ด๋ฏธ ๊ฐ ๋ถ„์•ผ์—์„œ ํ•„์š”์— ์˜ํ•ด ์ž์ƒ์ ์œผ๋กœ ์ƒ์„ฑ๋˜๊ณ  ์žˆ๋‹ค๋Š” ์‚ฌ์‹ค์„ ์•Œ ์ˆ˜ ์žˆ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000303.xml
ART001519896
oai_dc
์˜ํ™” ์† ๋ณด์ด์Šค ์˜ค๋ฒ„ ์‚ฌ์šฉ์— ๋‚˜ํƒ€๋‚œ ์บ๋ฆญํ„ฐ์˜ ์†Œ์™ธ
Alienation of Character through Voice-over in Film
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด๋ฏผ์ •(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต); ์ด์ค€ํฌ(์„ฑ๊ท ๊ด€๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ์˜ํ™” โ€˜์˜ค๊ฐ๋„, His Concernโ€™ ํŽธ์— ๋‚˜ํƒ€๋‚œ ์บ๋ฆญํ„ฐ๊ฐ€ ์‚ฌํšŒํ•™์  ์ธ๊ฐ„์œผ๋กœ์จ ๊ฐ์ถ”๊ณ  ์žˆ๋Š” ๋‚ด์  ์ž์•„์™€ ์™ธ์  ์ž์•„์˜ ์ถฉ๋Œ๊ณผ ์บ๋ฆญํ„ฐ์˜ ์ž์•„์™€ ์ƒ๋Œ€ ์บ๋ฆญํ„ฐ์˜ ์ž์•„๊ฐ€ ๋ณด์ด์Šค์˜ค๋ฒ„์˜ ์‚ฌ์šฉ์„ ํ†ตํ•ด ์–ด๋–ป๊ฒŒ ๋‚˜ํƒ€๋‚˜๋Š”์ง€ ๊ณ ์ฐฐํ•˜๊ณ ์ž ํ•œ๋‹ค. โ€˜์˜ค๊ฐ๋„, His Concernโ€™์€ ๊ธฐ์กด์˜ ๊ณ ์ „์  ๋ณด์ด์Šค์˜ค๋ฒ„์™€ ๋‹ค๋ฅด๊ฒŒ ์ ๊ทน์ ์œผ๋กœ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ์— ์ฐธ์—ฌํ•˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋Ÿผ์œผ๋กœ์จ ์˜ํ™”์— ๋“ฑ์žฅํ•˜๋Š” ์บ๋ฆญํ„ฐ๋“ค์˜ ๋‚ด๋ฉด ์‹ฌ๋ฆฌ๊ฐ€ ์—ฌ์ง€์—†์ด ๊ด€๊ฐ์—๊ฒŒ ์ „ํ•ด์ง„๋‹ค. ์ด๋Ÿฌํ•œ ์ ๊ทน์ ์ธ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ์˜ ์ง„ํ–‰์—์„œ ์บ๋ฆญํ„ฐ์˜ ๋‚ด์  ์ž์•„์™€ ์‚ฌํšŒํ•™์  ์ธ๊ฐ„์œผ๋กœ์จ์˜ ์™ธ์ ์ž์•„๊ฐ€ ์ถฉ๋Œํ•˜๊ณ  ์บ๋ฆญํ„ฐ์˜ ์ž์•„์™€ ์ƒ๋Œ€ ์บ๋ฆญํ„ฐ์ธ ํƒ€์ž์™€ ๋ถ„์—ด๋กœ ์ธํ•ด ์บ๋ฆญ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000304.xml
ART001519898
oai_dc
์ธ๊ณต์ƒ๋ช… ์˜ˆ์ˆ ์—์„œ ๋ณ€ํ˜•์˜ ํ•จ์˜
Imlication of Meta-Morphosis in Artificial Life Art
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์˜ค์ค€ํ˜ธ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
์ธ๊ณต์ƒ๋ช… ์˜ˆ์ˆ ์€ ์ƒ๋ช…์— ๊ด€ํ•œ ์ƒ๋ฌผํ•™์  ์ด๋ก ๋“ค์„ ์—ฐ์‚ฐํ•˜์—ฌ ์กด์žฌํ•  ๋ฒ•ํ•œ ์ƒ๋ช…์˜ ํ˜•์‹๋“ค์„ ํƒ๊ตฌํ•œ๋‹ค. ์ƒ๋ช…์„ ๋ฌผ์งˆ์ด ์•„๋‹Œ ๋ฌผ์งˆ์„ ์กฐ์งํ™”ํ•˜๋Š” ํŠน์„ฑ์ด๋ผ๊ณ  ๋ณด๋Š” ์ธ๊ณต์ƒ๋ช…์€ ์ƒ๋ช…์— ๊ด€ํ•œ ๊ธฐ์กด์˜ ๊ฐœ๋…์„ ๋ณ€ํ™”์‹œํ‚ค๋ฉฐ ์ƒˆ๋กœ์šด ํ˜•์‹์„ ์ฐฝ์กฐํ•˜๋Š” ๊ฐ€๋Šฅ์„ฑ๋“ค์„ ์ œ์‹œํ•˜์˜€๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ณ€ํ˜•์ด๋ผ๋Š” ๊ด€์ ์—์„œ ๋ณด๋ฉด ์ธ๊ณต์ƒ๋ช… ์˜ˆ์ˆ ์€ ์˜ˆ์ˆ ์‚ฌ ํ˜น์€ ๋ฌธํ™”์‚ฌ์˜ ์—ฐ์†์„ฑ ์ƒ์— ์กด์žฌํ•˜๋ฉฐ ํ˜„๋Œ€์˜ ๋ณ€ํ˜•์˜ ๊ฐœ๋…์„ ๋“œ๋Ÿฌ๋‚ธ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ๋ณ€ํ˜•์˜ ๋ฌธํ™”์‚ฌ์  ๊ฐœ๋…์„ ํ†ตํ•ด์„œ ์ธ๊ณต์ƒ๋ช… ์˜ˆ์ˆ ์ด ํ•จ์˜ํ•˜๋Š” ๋ฐ”๊ฐ€ ๋ฌด์—‡์ธ์ง€ ๋ถ„์„ํ•˜๊ณ ์ž ํ•œ๋‹ค.
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000304.xml
ART001519901
oai_dc
์˜ํ™”์˜ '์ด์•ผ๊ธฐํ•˜๊ธฐ'๋กœ์„œ์˜ ํ˜•์‹์ฒด๊ณ„์™€ '์‹œ๊ฐ์–ธ์–ด'๋กœ์„œ์˜ ํ‘œํ˜„์–‘์‹์— ๊ด€ํ•œ ๊ณ ์ฐฐ
A Study on the Narrative Style and Film Aesthetics
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํ˜œ๋ž€(์„œ๊ฐ•๋Œ€ํ•™๊ต)" ]
์˜ํ™”๋ฅผ ๋ณผ ๋•Œ ๋Œ€๋‹ค์ˆ˜์˜ ๊ด€๊ฐ๋“ค์€ ์ผ๋ฐ˜์ ์œผ๋กœ ๋‹จ์ผํ•œ ์Šคํ† ๋ฆฌ๋ฅผ ๊ธฐ๋Œ€ํ•œ๋‹ค. ์ด ๊ธ€์—์„œ๋Š” ๋ณด๋‹ค ์ง์ ‘์ ์œผ๋กœ ์‹œ๊ฐ„์„ฑ์„ ๋‹ค๋ฃจ๋Š” ์˜ํ™”๊ฐ€ ์ „ํ†ต์ ์ธ ์„œ์‚ฌํ˜•์‹์—์„œ ๋ฒ—์–ด๋‚˜, ์ง€์†์ ์ธ ํ˜•์‹์˜ ์‹คํ—˜์„ ํ†ตํ•ด ์Šคํ† ๋ฆฌํ…”๋ง์˜ ๊ธฐ๋ฒ•์— ์˜ํ–ฅ์„ ์ค€ ๋ถ€๋ถ„๋“ค์„ ์‚ดํŽด๋ณด๊ณ ์ž ํ•˜์˜€๋‹ค. ์˜ํ™”์˜ ๊ธฐ์ˆ ์ ์ธ ์žฅ์น˜๋“ค์„ ํ™œ์šฉํ•˜์—ฌ ํ˜„์‹ค ์„ธ๊ณ„์˜ ์‹œ๊ณต๊ฐ„์„ ์••์ถ•ํ•˜๊ฑฐ๋‚˜ ์žฌ๊ตฌ์„ฑํ•˜๋ฉด์„œ ๋‹ค์–‘ํ•œ ๊ธฐ๋ฒ•๋“ค์ด ํ™œ์šฉ๋œ ์‚ฌ๋ก€๋“ค์„ ์ฐพ์•„๋ณด๊ณ , ์ตœ๊ทผ์˜ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด๊ฐ€ ๋ณด์—ฌ์ฃผ๋Š” ๋‹ค์–‘ํ•œ ์–‘์ƒ๋“ค์— ์˜ํ™”๊ฐ€ ๋ผ์นœ ์˜ํ–ฅ์„ ๊ณ ์ฐฐํ•ด๋ณด๊ณ ์ž ํ•˜์˜€๋‹ค. ์˜ํ™”๋ฅผ ํ˜•์‹์  ๊ตฌ์กฐ๋ฌผ๋กœ์จ ์ดํ•ดํ•˜๊ณ , ์ด๋ฅผ ์„œ์‚ฌ / ๋น„์„œ์‚ฌ ํ˜•์‹, ๊ทธ๋ฆฌ๊ณ  ์ „์ฒด์  ํ˜•์‹ ๋‚ด์—์„œ ๊ธฐ๋Šฅํ•˜๋Š” ๊ตฌ์ฒด์  ๊ธฐ๋ฒ•๋“ค์— ๋Œ€ํ•œ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000304.xml
ART001519919
oai_dc
ํ•œ๊ตญ ์ „ํ†ตํšŒํ™” ์ด๋ฏธ์ง€๋ฅผ ์ด์šฉํ•œ ๋ชจ์…˜๊ทธ๋ž˜ํ”ฝ์Šค ์ œ์ž‘์— ๊ด€ํ•œ ์—ฐ๊ตฌ - ใ€Œ๋‹จ์–‘ํŒ”๊ฒฝ๋„ใ€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ-
A Study on Motion Graphics based on the images of Korean Traditional Paintings. -Focused on ใ€Œ"the eight famous spots in DanYang"ใ€-
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์˜ค์˜์žฌ(์„œ์šธ์‚ฐ์—…๋Œ€ํ•™๊ต); ๊ฐ•์ธ๊ฒฝ(์„œ์šธ์‚ฐ์—…๋Œ€ํ•™๊ต)" ]
In this study I try to analyze the result when formative characteristics of Korean traditional painting images are combined with modern expressing method represented as Motion Graphics. Also, when Korean traditional painting images are used as design elements of motion graphics, I propose the possibilities of Motion Gr...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000304.xml
ART001519911
oai_dc
AV Brush์˜ ์‹œ์ฒญ๊ฐํ‘œํ˜„์— ์˜ํ•œ ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด ์•„ํŠธ ์—ฐ๊ตฌ
A Study on the Inteactive Media Art by AV Brush's AV Expressions
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๊ฒฝ๋ฏธ(๋‰ด๋ฏธ๋””์–ด๋žฉ )" ]
๋ณธ ๋…ผ๋ฌธ์€ AV Brush๋ผ๋Š” ์‹œ์ฒญ๊ฐ์˜ ํ‘œํ˜„์„ ๊ธฐ์ดˆ๋กœ ํ•œ ๋“œ๋กœ์ž‰ ํˆด์ด์ž ์•…๊ธฐ์˜ ์œตํ•ฉ ์žฅ์น˜๋ฅผ ์ด์šฉํ•œ ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด ์•„ํŠธ์— ๊ด€ํ•œ ์—ฐ๊ตฌ์ด๋‹ค. AV Brush๋กœ ํ‘œํ˜„๋˜๋Š” ์ธํ„ฐ๋ž™ํ‹ฐ๋ธŒ ๋ฏธ๋””์–ด ์•„ํŠธ๋Š” ์‹œ๊ฐ์Œ์•…์˜ ์—ญ์‚ฌ์—์„œ ์—ฐ์›์„ ์ฐพ์„ ์ˆ˜ ์žˆ๋‹ค. ์‹œ๊ฐ์Œ์•…์˜ ์ •์˜์— ์˜ํ•˜๋ฉด ์‹œ๊ฐ์  ์ƒ์ƒ์„ ์Œ์•…์  ๊ตฌ์กฐ๋กœ ํ‘œํ˜„ํ•˜๋Š” ์˜ˆ์ˆ ์ด ์‹œ๊ฐ์Œ์•…์ด๋‹ค. ๋˜ํ•œ ์†Œ๋ฆฌ๋‚˜ ์Œ์•…์„ ์‹œ๊ฐ์ ์œผ๋กœ ์žฌํ˜„ํ•˜๋Š” ๋ฐฉ๋ฒ•์ด๋‚˜ ์žฅ์น˜๋ฅผ ์ง€์นญํ•˜๊ธฐ๋„ ํ•œ๋‹ค. ์‹œ๊ฐ์Œ์•…์„ ๋„“๊ฒŒ ๋ณด๋ฉด ์Œ์•…์„ ํšŒํ™”๋กœ ํ•ด์„ํ•˜๋Š” ๊ฒƒ๋„ ํฌํ•จ๋  ์ˆ˜ ์žˆ๋‹ค. ์‹œ๊ฐ์Œ์•…์€ ๋‹ค์–‘ํ•œ ์ •์˜ ์†์—์„œ ์ง€์†๋˜์–ด ์™”๊ณ  ํ™•์žฅ๋˜์–ด ์™”์œผ๋ฉฐ ์ธํ„ฐ๋ฏธ๋””์–ด(intermedia)์˜ ํ˜•์‹์œผ๋กœ ์ •์˜๋˜์–ด์งˆ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000304.xml
ART001519916
oai_dc
์˜์ƒ์ด๋ฏธ์ง€์™€ ์˜ค๋ธŒ์ œ์˜ ๊ฒฐํ•ฉ์— ๊ด€ํ•œ ์—ฐ๊ตฌ; ๋ณธ์ธ์˜ ์ž‘ํ’ˆ โ€˜๊ธธ๋™๋งตํ•‘โ€™์„ ์ค‘์‹ฌ์œผ๋กœ
A Study on Integrating Moving Images and Objects; Based on My Project 'Gil-dong Mapping'
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๋ฐ•์„ฑํ™˜(์šฉ์ธ๋Œ€ํ•™๊ต)" ]
๋‚˜๋Š” ์ง€๋„ ์†์˜ ์„ธ๊ณ„๊ฐ€ ์ง€๋„ ๋ฐ–์˜ ํ˜„์‹ค๋กœ ๋น ์ ธ๋‚˜์˜ด์„ ์ž์ฃผ ์ƒ์ƒํ•œ๋‹ค. ์ด๋Ÿฌํ•œ ์ƒ์ƒ์€ ์„ธ๊ณ„์™€ ๋‚˜์— ๋Œ€ํ•œ ์ธ์‹์˜ ํ‹€์„ ๊นจ๋ณด๊ณ ์ž ํ•˜๋Š” ์‹œ๋„์ด๋‹ค. ์ง€๋„ ์†์˜ ์„ธ๊ณ„์˜ ํ˜„์‹คํ™”๋Š” ์˜ค๋ธŒ์ œ์™€ ์˜์ƒ์ด๋ฏธ์ง€์˜ ๊ฒฐํ•ฉ์œผ๋กœ ๊ตฌ์ฒดํ™” ๋œ๋‹ค. ๋‚ด๊ฐ€ ์˜ค๋ธŒ์ œ์™€ ์˜์ƒ์ด๋ฏธ์ง€์˜ ๊ฒฐํ•ฉ์— ์ฃผ๋ชฉํ•œ ์ด์œ ๋Š” ์ง€๋„๋ผ๋Š” ๊ฒƒ์ด ๋ฌผ์งˆ์  ์˜ค๋ธŒ์ œ์™€ ์›€์ง์ด๋Š” ์ด๋ฏธ์ง€์˜ ์• ๋งคํ•œ ๋ญ‰์ณ์ง์œผ๋กœ ์ง๊ด€ํ™”๋˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ด๋Ÿฌํ•œ ์ง๊ด€์€ ์„ธ ๊ฐ€์ง€ ์ธก๋ฉด์—์„œ์˜ ๋ฌธ์ œ์ œ๊ธฐ๋กœ ์š”์•ฝ๋œ๋‹ค. 2009๋…„์˜ ์ „์‹œ์ž‘ํ’ˆ โ€˜๊ธธ๋™๋งตํ•‘โ€™์€ ์˜ค๋ธŒ์ œ์™€ ์˜์ƒ์ด๋ฏธ์ง€๊ฐ€ ํ…์ŠคํŠธ๋ฅผ ํ†ตํ•ด ๊ฒฐํ•ฉ๋˜๊ณ  ๊ทธ ๊ฒฐํ•ฉ์ด ์‹œ๊ฐ์ , ๊ฐœ๋…์  ์ธก๋ฉด์—์„œ์˜ ๋งค์ฒดํ†ตํ•ฉ์„ ์ง€ํ–ฅํ•จ์„ ๋ณด์—ฌ์ค€๋‹ค. ๊ฒฐ๊ตญ ์˜ค๋ธŒ์ œ์™€ ์˜์ƒ์ด๋ฏธ์ง€...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000304.xml
ART001519909
oai_dc
์ธ์ฒด ๋ณ€์ข… ๊ฝƒ์˜ 3D CGI์ œ์ž‘์„ ์œ„ํ•œ ์„ ํ–‰ ์—ฐ๊ตฌ
Preceding Researches for Human Body Hybrid Flower 3D CGI Production
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์‹ ์ผ์šฉ(ํ™์ต๋Œ€ํ•™๊ต)" ]
๋ฏธ์ˆ ์‚ฌ์ ์ธ ๊ด€์ ์—์„œ, ๊ฝƒ์„ ์†Œ์žฌ๋กœ ํ•œ ์กฐํ˜•์ž‘ํ’ˆ์€ ๋‹ค์–‘ํ•œ ์–‘์‹์œผ๋กœ ์‹œ๋Œ€๋ฅผ ๊ฐ€๋กœ์งˆ๋Ÿฌ ์ฐฝ์ž‘ ๋˜์–ด์™”๋‹ค. ํ•˜์ง€๋งŒ ๊ฝƒ์ด๋ผ๋Š” ๊ณตํ†ต๋œ ์†Œ์žฌ๋งŒ์ด ๊ทธ ์ˆ˜๋งŽ์€ ์ž‘ํ’ˆ๋“ค์„ ํ•˜๋‚˜์˜ ๋ถ„๋ฅ˜๋กœ ๋ฌถ์–ด ๋†“์„ ์ˆ˜ ์žˆ์„ ๋ฟ์ด์ง€, ๊ฐ๊ธฐ ๋‹ค๋ฅธ ์˜๋„์™€ ์˜๋ฏธ์˜ ๋‚ดํฌ๋กœ ๊ฐ™์€ ๋ถ€๋ฅ˜์˜ ์ž‘์—…์ด๋ผ ๋ณด๊ธฐ ์–ด๋ ค์šด ๊ฐœ์„ฑ ์žˆ๋Š” ์ž‘ํ’ˆ๋“ค์ด ์ฐฝ์ž‘๋˜์–ด ๋ฌธํ™”์‚ฌ์ ์ธ ํ…์ŠคํŠธ๋กœ ์šฐ๋ฆฌ์—๊ฒŒ ์ฐฝ์ž‘ ๋‹น๋Œ€์˜ ์‹œ๋Œ€์ •์‹ ์„ ๋Œ€๋ณ€ํ•˜์—ฌ ์™”๋‹ค. ๋Œ€ํ‘œ์ ์ธ ์‚ฌ๋ก€๋กœ 17์„ธ๊ธฐ ์ดˆ ๋„ค๋œ๋ž€๋“œ์˜ ๊ฝƒ ์ •๋ฌผํ™”๋งŒ ๋ณด๋”๋ผ๋„ 16์„ธ๊ธฐ์˜ ์‹๋ฌผํ•™์˜ ๋ฐœ์ „์— ์˜ํ•ด ์ถœ๊ฐ„๋œ ๋‹ค์–‘ํ•œ ์‹๋ฌผ๋„๊ฐ์˜ ์‚ฝํ™”์™€ ๋งŽ์€ ๊ด€๋ จ์„ฑ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋Š” ๊ฒƒ์ด ์ฃผ์ง€์˜ ์‚ฌ์‹ค์ด๋‹ค. ์‹๋ฌผ๋„๊ฐ์˜ ์‚ฝํ™” ์–‘์‹๊ณผ ๋‹น๋Œ€ ๋„ค๋œ๋ž€๋“œ์˜ ์ƒ์—…...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000304.xml
ART001519914
oai_dc
๋””์ž์ธ ์†Œ์Šค๋กœ์จ ํ™œ์šฉํ•˜๊ธฐ ์‰ฌ์šด ๋””์ง€ํ„ธ ์ด๋ฏธ์ง€ ์ฝ˜ํ…์ธ  ๋ชจ๋ธ ์—ฐ๊ตฌ
A Study on Digital Image Contents Models Easy to Use as Design Sources
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์˜ค์˜์žฌ(์„œ์šธ์‚ฐ์—…๋Œ€ํ•™๊ต); ์ •ํฌ์ •(์„œ์šธ์‚ฐ์—…๋Œ€ํ•™๊ต)" ]
๊ณผํ•™๊ธฐ์ˆ ์˜ ๊ธ‰์†ํ•œ ๋ฐœ๋‹ฌ๋กœ ์ธํ•ด ํ˜„๋Œ€ ์‚ฌํšŒ๋Š” ์ปดํ“จํ„ฐ๋ฅผ ํ†ตํ•œ ๋‹ค์–‘ํ•œ ์†Œํ†ต๋“ค์ด ๊ฐ€๋Šฅํ•œ ์ƒˆ๋กœ์šด ๋””์ง€ํ„ธ ์„ธ๊ณ„๋กœ ์ง„ํ™”๋˜์—ˆ๋‹ค. ์ด์ œ ์šฐ๋ฆฌ๋Š” ์ธํ„ฐ๋„ท์„ ํ†ตํ•ด ๋ชจ๋“  ์ข…๋ฅ˜์˜ ๋””์ง€ํ„ธ ์ฝ˜ํ…์ธ ๋“ค์„ ์ˆ˜์ง‘ํ•  ์ˆ˜ ์žˆ๊ฒŒ ๋˜์—ˆ์œผ๋ฉฐ, ์‹ฌ์ง€์–ด ์†Œํ†ต ๊ทธ ์ž์ฒด๋ฅผ ์ฆ๊ธธ ์ˆ˜๋„ ์žˆ๊ฒŒ ๋˜์—ˆ๋‹ค. ํ˜„์žฌ์˜ ๋””์ง€ํ„ธ ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด ํ™˜๊ฒฝ์€ ์šฐ๋ฆฌ์˜ ์ผ์ƒ์— ๋งค์šฐ ํฐ ์˜ํ–ฅ๋ ฅ์„ ๊ฐ€์ง€๊ณ  ์žˆ์œผ๋ฉฐ ๋‹ค์–‘ํ•œ ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด ๋ฌธํ™”๋ฅผ ์ฐฝ์ถœํ•ด ๋‚˜๊ฐ€๊ณ  ์žˆ๊ธฐ์— ๋ฌธํ™”์˜ ์ •๋ณด ์ œ๊ณต์ž์ธ ๋””์ง€ํ„ธ ์ฝ˜ํ…์ธ ์— ๋Œ€ํ•œ ์ค‘์š”์„ฑ์ด ๋‚ ๋กœ ์ปค์ง€๊ณ  ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ํ๋ฆ„์— ๋”ฐ๋ผ ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ๋ณธ์ธ์ด ์ œ์ž‘ํ•˜์—ฌ ์ƒ์—…ํ™” ์‹œํ‚จ ์ด๋ฏธ์ง€ ์ฝ˜ํ…์ธ ๋ฅผ ์˜ˆ์ œ๋กœ ๋ณด๋‹ค ์ ์šฉํ•˜๊ธฐ ์‰ฌ์šด ์ƒ์—…์šฉ ์ด๋ฏธ์ง€ ์ฝ˜ํ…์ธ  ๋ชจ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000304.xml
ART001519921
oai_dc
LED Cube ์กฐํ˜•๋ฌผ์˜ ์ฝ˜ํ…์ธ  ๊ตฌํ˜„์— ๊ด€ํ•œ ์—ฐ๊ตฌ
A Study on Implementing the Contents of LED Cube
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ด์ •์€(๊ฒฝ๋ถ๋Œ€ํ•™๊ต); ์†์„ธํฌ(๊ฒฝ๋ถ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” LED Cube๋ฅผ ์ œ์ž‘ํ•˜๋Š” ๊ณผ์ •์— ๊ด€ํ•œ ๋ฌธ์ œ๋ฅผ ์ด๋ก ๊ณผ ์‹ค์ œ๋กœ ๋‚˜๋ˆ„์–ด ์ ‘๊ทผํ•˜๊ณ ์ž ํ•œ๋‹ค. LED Cube๋Š” ๋‚ด๋ถ€์— ์–ด๋– ํ•œ ์ฝ˜ํ…์ธ ๋„ ๋‹ด์„ ์ˆ˜ ์žˆ๋Š” ๊ฐ€๋Šฅ์„ฑ์„ ๊ฐ–๊ณ  ์žˆ๊ณ  ๊ทธ๊ฒƒ์€ ๋งŽ์€ ์˜ˆ์ˆ ์  ์กฐํ˜•๋ฌผ์˜ ์ž…์ฒดํ˜•์„ ๋‹ด์„ ์ˆ˜ ์žˆ๋Š” ์ž…์ฒด ์บ”๋ฒ„์Šค ์—ญํ• ๋กœ์„œ ๊ฐ€๋Šฅ์„ฑ์„ ๊ฐ–๊ณ  ์žˆ๋‹ค. ๋˜ํ•œ LED ์นฉ์ด ์ ‘ํ•ฉ๋˜๋Š” โ€˜๊ทธ๋ฆฌ๋“œโ€™ ๋ฐฐ์—ด์˜ ์—ญํ•  ๋˜ํ•œ ์˜ˆ์ˆ ์˜ ์—ญ์‚ฌ์—์„œ ๊ตฌ๋„์˜ ์ธก์ •์ด๋‚˜ ๋””์ง€ํ„ธ๋กœ์˜ ๋ฐœ์ „์—์„œ ์—ญ์‹œ ์ธก์ •๊ณผ ๊ตฌ์„ฑ์„ ์œ„ํ•œ ๋„๊ตฌ๋กœ์˜ ์ค‘์š”ํ•œ ์ž‘ํ’ˆ์˜ ์š”์†Œ๊ฐ€ ๋˜์—ˆ๋‹ค. ์ด ์—ฐ๊ตฌ๋Š” ๊ทธ๋Ÿฌํ•œ ์ด๋ก ์ ์ธ ์กฐํ˜•์„ฑ์˜ ์˜์˜๋ฅผ ๋…ผํ•˜๊ณ  ํ›„์— ์‹ค์žฌ ๊ตฌํ˜„์„ ์ œ์‹œ ํ•œ๋‹ค. 512๊ฐœ์˜ ์ž‘์€ LED ์นฉ์ด ์ฒ ์‚ฌ ๊ฒฉ์ž ์œ„์— ๋†“์—ฌ ์–‘๊ทน...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000304.xml
ART001519905
oai_dc
๊ฐœ์ธ์˜ ์‹œ์ง€๊ฐ๊ณผ์ •๊ณผ ๊ธฐ์–ต์˜ ์žฌํ˜„์— ๊ด€ํ•œ ์—ฐ๊ตฌ -โ€˜์ธ์ง€-๊ฒฝ, ์ธ-๋ฌผ-๊ฒฝโ€™ ํ”„๋กœ์ ํŠธ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
Study on Process of Visual Percept and Representation of Memory - โ€˜Perception Drawing System and Port-Scapeโ€™ Project
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€์ •ํ•œ(์„œ์šธ์—ฌ์ž๋Œ€ํ•™๊ต)" ]
๋ณธ์ธ์˜ '์ธ์ง€-๊ฒฝ, ์ธ-๋ฌผ-๊ฒฝ' ์ž‘ํ’ˆ ํ™œ๋™์— ๋Œ€ํ•œ ๋ณธ ๋…ผ์ˆ ์€ ๊ฐœ์ธ์˜ ์‹œ์ง€๊ฐ ๊ณผ์ •๊ณผ ๊ธฐ์–ต์˜ ์žฌ๊ตฌ์„ฑ ๊ณผ์ •์„ ๊ด€์ฐฐํ•˜๊ณ  ์ˆ˜์ง‘๋œ ์‹œ์ง€๊ฐ๊ณผ์ • ๋ฐ์ดํ„ฐ๋ฅผ ์ด์šฉํ•ด ์ง๊ด€์  ์ƒ์ƒ๋ ฅ์— ์˜์กดํ•œ ๊ธฐ์–ต์˜ ์žฌํ˜„์ด ๊ณผ์—ฐ ๊ฐ€๋Šฅํ•œ์ง€ ๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์ด ์œ ์˜๋ฏธํ•œ๊ฐ€ํ•˜๋Š” ๋ฌธ์ œ์— ๋Œ€ํ•œ ํƒ๊ตฌ์ด๋‹ค. ์•ˆ๊ตฌ๋ฅผ ์ง€๋‚˜ ๋ง๋ง‰์— ๋งบํžŒ ํฌ๋ฏธํ•˜๊ณ  ๋ฟŒ์—ฐ ์ƒ์ด ๋งบํžˆ๋Š” ๊ณ„์—ด์  ๊ณผ์ •์—์„œ ๋ชจ๋“  ์‚ฌ๋žŒ๋“ค์€ ๋น„์Šทํ•œ ์‹œ๊ฐ์ •๋ณด๋ฅผ ์–ป๊ฒŒ ๋˜์ง€๋งŒ, ์ด ์ •๋ณด๊ฐ€ ๋‡Œ๋กœ ์ „๋‹ฌ๋˜์–ด ์ฒ˜๋ฆฌ๋˜๋Š” ๋ณ‘๋ ฌ์ ์ด๊ณ  ๋™์‹œ์ ์ธ ๊ณผ์ •์„ ๊ฑฐ์น˜๋ฉด ๊ฐœ์ธ๋งˆ๋‹ค ๊ฐ๊ธฐ ๋‹ค๋ฅธ ์ด๋ฏธ์ง€๋ฅผ ๋งˆ์Œ์†์— ๊ทธ๋ฆฌ๊ฒŒ ๋œ๋‹ค. ๋ˆˆ์ด ๋Œ€์ƒ์„ ์ธ์ง€ํ•˜๊ณ  ๊ทธ ์ด๋ฏธ์ง€๋ฅผ ๋งˆ์Œ์— ๊ทธ๋ฆฌ๋Š” ๊ณผ์ •์€ ์ˆœ๊ฐ„์ , ์ด์ฒด์ , ์œ ๊ธฐ์ ์ด๋ฉฐ ๊ทธ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000304.xml
ART001519906
oai_dc
๋””์ง€ํ„ธ ์ด๋ฏธ์ง€์˜ ํšŒํ™”์  ๋ณ€์šฉ(่ฎŠๅฎน)์— ๋Œ€ํ•œ ์—ฐ๊ตฌ - ์ž‘ํ’ˆ โ€œwild-flowersโ€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
Painterly Transfiguration of Digital Image - Focusing on "Wild-Flowers"
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํ˜ธ์ค€()" ]
๋ณธ ์—ฐ๊ตฌ๋Š” 2009๋…„์— ์ œ์ž‘ํ•œ ์ž‘์—… โ€œwild-flowersโ€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ํ•ด์„œ ์ž‘ํ’ˆ์˜ ์ œ์ž‘ ๊ฒฝ๋กœ๋ฅผ ๋ถ„์„ํ•˜๊ณ  ์ž‘ํ’ˆ์˜ ์˜์˜๋ฅผ ํ•ด์„ํ•˜๋Š”๋ฐ ์žˆ๋‹ค. โ€œwild-flowersโ€๋Š” ํฌ๊ฒŒ ์„ธ๊ฐ€์ง€ ํ˜•์‹์œผ๋กœ ์ œ์ž‘๋˜์—ˆ๋‹ค. ์ฒ˜์Œ์— ํ”„๋กœ์„ธ์‹ฑ์„ ํ™œ์šฉํ•˜์—ฌ ๋””์ง€ํ„ธ ์ด๋ฏธ์ง€๋ฅผ ์ œ์ž‘ํ•˜๊ณ  ๊ทธ๊ฒƒ์„ ๋””์ง€ํ„ธ ์ถœ๋ ฅํ•œ ์ž‘ํ’ˆ์ด ํ•˜๋‚˜์ด๊ณ , ๊ทธ ๋””์ง€ํ„ธ ์ด๋ฏธ์ง€๋ฅผ ์ด์šฉํ•˜์—ฌ ์ธํ„ฐ๋ ‰ํ‹ฐ๋ธŒํ•œ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ํ˜•์‹์˜ ์ž‘ํ’ˆ์ด ์žˆ์œผ๋ฉฐ, ๊ทธ ์ด๋ฏธ์ง€๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ์œ ํ™”๋กœ ์ œ์ž‘ํ•œ ์ž‘ํ’ˆ์ด ์žˆ๋‹ค. ์ž‘ํ’ˆ์€ ๋‚ด์šฉ์ ์œผ๋กœ ์ž์—ฐ์˜ ์ˆœํ™˜์˜ ์›๋ฆฌ์™€ ์ž‘์šฉ, ๋ฐ˜์ž‘์šฉ์˜ ์›๋ฆฌ๋ฅผ ๊ฐ€์ง€๊ณ  ์„ค๋ช…ํ•  ๊ฒƒ์ด๋‹ค. ๊ทธ๋ฆฌ๊ณ  ํ˜•์‹์ ์œผ๋กœ ๋””์ง€ํ„ธ ์ด๋ฏธ์ง€์™€ ์œ ํ™”๋ผ๋Š” ์ „ํ†ต์ ์ธ ๊ทธ๋ฆผ๊ทธ๋ฆฌ๊ธฐ ๋ฐฉ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000304.xml
ART001536375
oai_dc
๋””์ง€ํ„ธ์‚ฌํšŒ์˜ ํ–‰์œ„์ž๊ฐ€ ๊ฐ–๋Š” ์‚ฌํšŒ์  ์‹ค์žฌ๊ฐ
A study on the relationship between agent and social presence
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์ •ํ˜œ์šฑ(์ฒญ๊ฐ•๋ฌธํ™”์‚ฐ์—…๋Œ€ํ•™๊ต)" ]
๋””์ง€ํ„ธ ๋ฏธ๋””์–ด ํ…Œํฌ๋†€๋กœ์ง€์˜ ๋ฐœ์ „์€ ์‚ฌํšŒ ๋‚ด์˜ ๋ฌธํ™” ๊ทธ๋ฆฌ๊ณ  ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜ ๋ฐฉ์‹์„ ํฌ๊ฒŒ ๋ฐ”๊พธ์—ˆ์œผ๋ฉฐ, ์ด๋ฅผ ์ด์šฉํ•˜๋Š” ํ–‰์œ„์ž๋“ค์˜ ์‚ฌ๊ณ ๋ฐฉ์‹ ๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์ด ์™ธ์  ํ˜•ํƒœ๋กœ ๋‚˜ํƒ€๋‚˜๋Š” ์–ธ์–ด ์‚ฌ์šฉ์—๋„ ํฐ ์˜ํ–ฅ์„ ๋ผ์น˜๊ณ  ์žˆ๋‹ค. ํ˜„์‹ค๊ณผ ๊ฐ€์ƒ์ด๋ผ๋Š” ์ด์ค‘์ ์ธ ๊ณต๊ฐ„์„ ๋ช…ํ™•ํ•˜๊ฒŒ ๊ตฌ๋ถ„ํ•˜๋Š” โ€˜์‹ค์žฌ๊ฐโ€™์ด๋ผ๋Š” ์šฉ์–ด๋Š” ํ˜„์žฌ ๋””์ง€ํ„ธ ์‚ฌํšŒ์—์„œ ์ƒ์„ฑ๋˜๋Š” ์ƒˆ๋กœ์šด ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์˜ ํ˜„์ƒํ•™์ ์ธ ๊ณ ์ฐฐ์— ์ค‘์š”ํ•œ ๊ทผ์›์„ ์ œ๊ณตํ•˜๋Š” ๋‹จ์–ด๋ผ๊ณ  ํ•  ์ˆ˜ ์žˆ๋‹ค. ์—ฐ๊ตฌ ๊ฒฐ๊ณผ์— ์˜ํ•˜๋ฉด 3D ์ž…์ฒด์˜์ƒ๊ณผ ์ฆ๊ฐ•ํ˜„์‹ค๊ณผ ๊ฐ™์€ ๊ณ ํ™”์งˆ์„ ๊ธฐ๋ณธ์œผ๋กœ ์„ค์ •๋˜๋Š” ๊ณต๊ฐ„์€ ์ƒ๋Œ€์ ์œผ๋กœ ๋†’์€ ์‹ค์žฌ๊ฐ์„ ํ˜•์„ฑํ•˜์ง€๋งŒ, ๊ฐ์„ฑ์ ์œผ๋กœ ํ‰์˜จํ•จ๊ณผ ์ž์—ฐ์Šค๋Ÿฌ์›€์„ ์ œ๊ณตํ•˜์ง€๋Š” ๋ชปํ•˜๊ธฐ ๋•Œ๋ฌธ...
์˜ˆ์ˆ ์ผ๋ฐ˜
null
kci_detailed_000304.xml
ART001536380
oai_dc
๋„คํŠธ์›Œํฌ๋ฅผ ํ†ตํ•œ ๊ด€๋žŒ์ž์™€ ์˜ค๋ธŒ์ œ์˜ ์ƒํ˜ธ์ž‘์šฉ
An Interaction between Audience and Objet through the Network
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์žฅ์Šน์€(๊ฒฝ๋ถ๋Œ€ํ•™๊ต); ๊น€์ƒ์šฑ(๊ฒฝ๋ถ๋Œ€ํ•™๊ต); ์ด์ •์€(๊ฒฝ๋ถ๋Œ€ํ•™๊ต)" ]
ํ˜„๋Œ€์˜ˆ์ˆ ์—์„œ๋Š” ๋””์ง€ํ„ธ๋งค์ฒด๋ฅผ ์ด์šฉํ•œ ์ƒํ˜ธ์ž‘์šฉ์ด ๋„๋ฆฌ ํ™œ์šฉ๋˜๊ณ  ์žˆ๋‹ค. ํŠนํžˆ ๋„คํŠธ์›Œํฌ ๊ธฐ๋ฐ˜์˜ ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด๋Š” ์‹œ๊ณต๊ฐ„์  ์ œ์•ฝ์„ ๋„˜์–ด ์–‘๋ฐฉํ–ฅ๊ฐ„ ์‹ค์‹œ๊ฐ„ ์†Œํ†ต์„ ๊ฐ€๋Šฅํ•˜๊ฒŒ ํ•œ๋‹ค. ์ด ๋…ผ๋ฌธ์—์„œ๋Š” ๋„คํŠธ์›Œํฌ๋ฅผ ์ด์šฉํ•˜์—ฌ ๊ณต๊ฐ„์—ฐ๊ฒฐ์„ ํ†ตํ•œ ์ƒํ˜ธ์ž‘์šฉ์•„ํŠธ ์ž‘ํ’ˆ์„ ์„ค๋ช…ํ•˜์˜€๋‹ค. ๋„คํŠธ์›Œํฌ๋Š” ์†Œํ†ต์„ ์œ„ํ•œ ํ†ต์‹ ์žฅ์น˜๋กœ ์ด ๋…ผ๋ฌธ์˜ ์ƒํ˜ธ์ž‘์šฉ์  ๊ด€๊ณ„์—์„œ ๊ฐ€์žฅ ์ค‘์š”ํ•œ ์š”์†Œ์ด๋‹ค. ๋„คํŠธ์›Œํฌ ํ†ต์‹ ์„ ํ†ตํ•ด ๋‹ค๋ฅธ ๊ณต๊ฐ„์— ์žˆ๋Š” ๊ด€๋žŒ์ž์™€ ์˜ค๋ธŒ์ œ์™€ ์ƒํ˜ธ์ž‘์šฉํ•  ์ˆ˜ ์žˆ๋‹ค. ๋ฌผ์งˆ์ ์ธ ๊ตฌ์กฐ์˜ ์„ค์น˜๊ฐ€ ์•„๋‹Œ ์ข€ ๋” ํ™•์žฅ๋œ ๊ด€๊ณ„์˜ ํšจ๊ณผ์ ์ด๊ณ  ์˜๋ฏธ ์žˆ๋Š” ์†Œํ†ต๊ณผ ๊ทธ ์—ฐ๊ฒฐ๋ฐฉ์‹์„ ์ฐพ๊ณ ์ž ํ•˜์˜€๋‹ค. ๋„คํŠธ์›Œํฌ ์•„ํŠธ์—์„œ ๊ณต๊ฐ„ ์‚ฌ์ด์˜ ์†Œํ†ต๊ด€๊ณ„์—์„œ ์˜ค๋Š” ์˜ˆ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000304.xml
ART001536374
oai_dc
์Šค๋งˆํŠธํฐ ์•ฑ ์–ดํ”Œ๋ฆฌ์ผ€์ด์…˜ ๊ฐœ๋ฐœ์„ ์œ„ํ•œ ๊ธฐ์กด ๋ฌผ๋ฆฌํ•™์Šต ๊ฒŒ์ž„์— ๊ด€ํ•œ ์‚ฌ๋ก€ ์—ฐ๊ตฌ
A Study on the Physics Game for Development of App Application of SmartPhone
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€๊ฒฝ๋ฏธ(๋‰ด๋ฏธ๋””์–ด๋žฉ ); ์œค์ฃผํ˜„(์„œ์šธ๋Œ€ํ•™๊ต); ์ด์œค์ƒ(์ˆญ์‹ค๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์Šค๋งˆํŠธํฐ ์•ฑ ์–ดํ”Œ๋ฆฌ์ผ€์ด์…˜ ์ œ์ž‘์„ ์œ„ํ•œ ๊ธฐ์กด ๋ฌผ๋ฆฌํ•™์Šต ๊ฒŒ์ž„์˜ ์‚ฌ๋ก€์—ฐ๊ตฌ์ด๋‹ค. ๋ฌผ๋ฆฌํ•™์„ ๋ณดํ†ต ๋– ์˜ฌ๋ฆฌ๋ฉด ๋ณต์žกํ•œ ๊ณ„์‚ฐ์ด๋‚˜ ์ˆ˜์‹์œผ๋กœ ๊ฐ€๋“ํ•œ ์–ด๋ ค์šด ํ•™๋ฌธ์œผ๋กœ ์ƒ๊ฐํ•œ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋ฌผ๋ฆฌ๋ž€ ์šฐ๋ฆฌ ์ฃผ์œ„์—์„œ ์ผ์–ด๋‚˜๋Š” ๋ชจ๋“  ํ˜„์ƒ๋“ค์— ๋Œ€ํ•ด์„œ ํ•ฉ๋ฆฌ์ ์œผ๋กœ ์‰ฝ๊ณ  ๊ฐ„๋‹จํ•˜๊ฒŒ ์ดํ•ดํ•˜๋ ค๋Š” ๋…ธ๋ ฅ์—์„œ ๋‚˜์˜จ ๊ฒƒ์œผ๋กœ, ๊ณ„์‚ฐ๋ณด๋‹ค๋Š” ์ง๊ด€๋ ฅ์ด ์ค‘์‹ฌ์ด ๋œ๋‹ค. ์Šค๋งˆํŠธํฐ์€ ๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด ์ž…์ถœ๋ ฅ์ด ๊ฐ€๋Šฅํ•œ ํ†ต์‹ ๊ธฐ๊ธฐ์ด๋ฉฐ ์Šค๋งˆํŠธํฐ ๋‚ด๋ถ€์—๋Š” ์—ฌ๋Ÿฌ ๊ฐ€์ง€ ๋ฌผ๋ฆฌ๋Ÿ‰ ์„ผ์„œ๊ฐ€ ๋‚ด์žฅ๋˜์–ด ์žˆ๋‹ค. ์ด๋Ÿฌํ•œ ์žฅ์ ์„ ์ด์šฉํ•˜์—ฌ ๋‹ค์†Œ ์–ด๋ ต๋‹ค๊ณ  ๋А๋ผ๋Š” ๋ฌผ๋ฆฌ ๊ฐœ๋…์˜ ์‹œ๊ฐํ™”๋ฅผ ์‰ฝ๊ฒŒ ์‹คํ˜„ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋ณธ ๋…ผ๋ฌธ์€ ํ˜„์žฌ ์Šค๋งˆํŠธํฐ์šฉ์œผ๋กœ ๊ฐœ๋ฐœ๋œ ๋ฌผ๋ฆฌ์  ์š”์†Œ๊ฐ€ ์žˆ๋Š”...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000304.xml
ART001536378
oai_dc
์„ (็ทš)์˜ ๋ฏธ์ˆ , ๊ทธ๋ž˜ํ”ฝ ์•„ํŠธ์˜ ๊ธฐ์›์— ๋Œ€ํ•œ ๊ณ ์ฐฐ - ๊ด€๋…์  ์ถ”์ƒ ๊ธฐํ˜ธ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ
A Study on the Origin of the Art of Lines, Graphic Art - focused on the ideological abstract signs
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "์˜ค์˜์žฌ(์„œ์šธ๊ณผํ•™๊ธฐ์ˆ ๋Œ€ํ•™๊ต)" ]
๋ณธ ๋…ผ๋ฌธ์€ ์‹œ๊ฐ์  ์ปค๋ฎค๋‹ˆ์ผ€์ด์…˜์˜ ์ˆ˜๋‹จ์œผ๋กœ์„œ์˜ ๊ทธ๋ž˜ํ”ฝ ์•„ํŠธ์˜ ๊ธฐ์›์— ๋Œ€ํ•œ ๊ณ ์ฐฐ์— ์žˆ์–ด ๊ตฌ์„๊ธฐ์‹œ๋Œ€ ๊ทธ๋ž˜ํ”ฝ ์ด๋ฏธ์ง€๋“ค ์ค‘ '์„ (็ทš)์  ํ‘œํ˜„์œผ๋กœ ์ด๋ฃจ์–ด์ง„ ๊ด€๋…์  ์ถ”์ƒ ๊ธฐํ˜ธ'๋“ค์— ์ดˆ์ ์„ ๋งž์ถ”์–ด ์‚ดํŽด๋ณธ ๊ฒƒ์ด๋‹ค. ์ด๋“ค์€ ์šฐ๋ฆฌ ์ธ๋ฅ˜ ์ตœ์ดˆ์˜ ์‹œ๊ฐ ๊ธฐํ˜ธ๋“ค๋กœ์จ ํŠน๋ณ„ํ•œ ์˜์‹์„ ์œ„ํ•ด ์‚ฌ์šฉ๋œ ์ดˆ์ž์—ฐ์  ํž˜์„ ์ง€๋‹Œ ์ƒ์ง•์  ์ถ”์ƒ๋“ค์ด๊ฑฐ๋‚˜ ํŠน๋ณ„ํ•œ ์‹ ํ™”์ด์•ผ๊ธฐ๋“ค๊ณผ ๊ด€๋ จํ•œ ์ œ์œ ์  ์„ฑ๊ฒฉ์„ ์ง€๋‹Œ ์ƒ์ง•๊ธฐํ˜ธ๋“ค์ด์—ˆ๋‹ค. ์ฃผ์ˆ ์  ์„ฑ๊ฒฉ์„ ๊ฐ•ํ•˜๊ฒŒ ์ง€๋‹Œ ์ด๋“ค ๊ทธ๋ž˜ํ”ฝ๊ธฐํ˜ธ๋“ค์€ ๊ฐœ์ธ์˜ ์ทจํ–ฅ์ด๋‚˜ ๋ฏธ์  ์ถ”๊ตฌ๋ฅผ ๋ชฉ์ ์œผ๋กœ ํ•œ ๊ฒƒ์ด๋ผ๊ธฐ๋ณด๋‹ค๋Š” ์‚ฌํšŒ ์ „์ฒด์˜ ์ƒ์กด๊ณผ ๊ณต๊ณต์˜ ์ด์ต์„ ๋ชฉ์ ์œผ๋กœ ํ•œ ๊ฒƒ์ด์—ˆ๋‹ค. ์‹œ๊ฐ์ด๋ฏธ์ง€๋“ค๋กœ ๊ฐ€๋“ ์ฐฌ ์‹œ๋Œ€๋ฅผ ์‚ด์•„๊ฐ€๋Š” ์šฐ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000304.xml
ART001536372
oai_dc
SNS์˜ ํ™•์‚ฐ์— ๋”ฐ๋ฅธ ๋„คํŠธ์›Œํฌ์˜ ๋ฏธ๋ž˜์— ๊ด€ํ•œ ์—ฐ๊ตฌ -์•„๋ฐ”ํƒ€๋ฅผ ์ค‘์‹ฌ์œผ๋กœ-
A Study on future network caused by expanding SNS -Focused on avatar-
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊ตฌ์ƒ๊ถŒ(IMAGEDROME, OZ Factory)" ]
๋งŽ์€ ์ฐฝ์ž‘๋ฌผ๊ณผ ๋ฏธ๋ž˜ํ•™์ž๋“ค์ด ์˜ˆ๊ฒฌํ–ˆ๋˜ ๊ฐ€์ƒ๊ณต๊ฐ„๊ณผ ์•„๋ฐ”ํƒ€์— ๊ด€ํ•œ ์ „๋ง๊ณผ ์šฐ๋ ค๋Š” ์‹ค์ œ๋กœ ํญ๋ฐœ์ ์œผ๋กœ ํ™•์žฅํ•˜๋˜ ์‹œ๊ธฐ๊ฐ€ ์žˆ์—ˆ์œผ๋‚˜ ์ง€๊ธˆ์€ ์™„์ „ํžˆ ์žŠํ˜€์ง€๊ณ  ์žˆ๋‹ค. ๊ทธ ์ž๋ฆฌ๋ฅผ ๋Œ€์‹ ํ•œ SNS์˜ ํ™•์‚ฐ์€ ๋งŽ์€ ์‚ฌ๋žŒ๋“ค์ด ๋””์ง€ํ„ธ ๋„คํŠธ์›Œํฌ์— ๋Œ€ํ•ด์„œ ์ดํ•ด๊ฐ€ ๋งค์šฐ ๋ถ€์กฑํ–ˆ์Œ์„ ๋งํ•ด์ค€๋‹ค. ๋„คํŠธ์›Œํฌ๋Š” ๊ณต๊ฐ„์ด ์•„๋‹ˆ๋ฉฐ, ๊ฐ€์ƒ๊ณต๊ฐ„์€ ๋„คํŠธ์›Œํฌ๋ฅผ 3์ฐจ์› ์‹œ๊ฐํ™”ํ•œ ์ธํ„ฐํŽ˜์ด์Šค์— ๋ถˆ๊ณผํ•˜๋‹ค. ๊ฒŒ๋‹ค๊ฐ€ ์ฐฝ์ž‘๋ฌผ์†์˜ ๊ฑฐ๋Œ€ ๊ฐ€์ƒ๊ณต๊ฐ„์€ ๋„คํŠธ์›Œํฌ์˜ ํ†ตํ•ฉ์˜ ๋‚ฎ์€ ๊ฐ€๋Šฅ์„ฑ๊ณผ 3์ฐจ์›์‹œ๊ฐํ™”์— ๋Œ€ํ•œ ๋‹น์œ„์„ฑ ๋ถ€์กฑ์œผ๋กœ ์‹คํ˜„๋˜๊ธฐ๊ฐ€ ์–ด๋ ต๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์‚ฌ๋žŒ๋“ค์€ ๋„คํŠธ์›Œํฌ๋ฅผ ํ•„์š”ํ•˜๋ฉฐ ์›ํ•˜๋Š” ์ •๋ณด๋ฅผ ์œ„ํ•ด์„œ ํƒ์ƒ‰ํ•˜๊ณ ์ž ํ•œ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด์„œ ์œ ์ผ ์‹ ๋ถ„์„ ์ฆ๋ช…ํ•˜๊ณ ...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000304.xml
ART001536377
oai_dc
์›€์ง์ž„์˜ ํ‘œํ˜„์— ๊ด€ํ•œ ์—ฐ๊ตฌ : ๋ฌด๋น™ ์ด๋ชจ์…˜
A Study on the Expression of Moving : Moving Emotion
{ "journal_name": "ํ•œ๊ตญ์˜์ƒํ•™ํšŒ", "publisher": null, "pub_year": null, "pub_month": null, "volume": null, "issue": null }
[ "๊น€ํ˜œ๊ฒฝ(๊ฒฝํฌ๋Œ€ํ•™๊ต)" ]
๋ณธ ์—ฐ๊ตฌ๋Š” ๋ณธ์ธ์ด ๊ทธ๋™์•ˆ ๊ด€์‹ฌ์„ ๊ฐ–๊ณ  ์žˆ๋˜ ์ฃผ์ œ์ธ ์›€์ง์ž„, ํŠนํžˆ ์ •์„œ์ ์ธ ์›€์ง์ž„์— ๊ด€ํ•˜์—ฌ ์ œ์ž‘ํ•ด์™”๋˜ โ€˜๋ฌด๋น™ ์ด๋ชจ์…˜' ์ด๋ผ๋Š” ์ž‘ํ’ˆ์‹œ๋ฆฌ์ฆˆ์— ๊ด€ํ•œ ๊ฒƒ์ด๋‹ค. ๋ณธ ๋…ผ๋ฌธ์—์„œ๋Š” ์›€์ง์ž„์ด ํ‘œํ˜„๋˜์—ˆ๋˜ ์˜ˆ์ˆ ์ž‘ํ’ˆ๋“ค์„ ๊ตฌ์„๊ธฐ์‹œ๋Œ€์˜ ๋™๊ตด๋ฒฝํ™”๋กœ๋ถ€ํ„ฐ ํ˜„๋Œ€์ž‘๊ฐ€์˜ ์ž‘ํ’ˆ์— ์ด๋ฅด๊ธฐ๊นŒ์ง€ ๊ทธ ๋ฐœ์ž์ทจ๋ฅผ ์‚ดํŽด๋ณด์•˜๊ณ , ์šฐ๋ฆฌ์˜ ์ •์„œ๊ฐ€ ํ•œ ์ˆœ๊ฐ„๋„ ์ •์ง€ํ•ด์žˆ์ง€ ์•Š๊ณ  ์›€์ง์ด๊ณ  ์žˆ๋Š” ๋‚ด๋ฉด์„ธ๊ณ„์˜ ์—๋„ˆ์ง€๋ฅผ ํ‘œํ˜„ํ•˜๊ณ ์žํ•œ โ€™๋ฌด๋น™ ์ด๋ชจ์…˜โ€˜ ์‹œ๋ฆฌ์ฆˆ์— ๊ด€ํ•˜์—ฌ ์…œ๋ช…ํ•˜์˜€๋‹ค. ์ด๋Ÿฌํ•œ ์ผ๋ จ์˜ ์ž‘ํ’ˆ๋“ค์„ ํ†ตํ•ด์„œ ๋ณธ์ธ์€ ๋ฏธ๋ฌ˜ํ•œ ์ •์„œ์  ์›€์ง์ž„์„ ํ‘œํ˜„ํ•˜๊ณ ์ž ํ•˜์˜€์œผ๋ฉฐ, ํ–ฅํ›„์—๋„ ๊ทธ๋™์•ˆ ๊ด€์‹ฌ์„ ๊ฐ€์ ธ์™”๋˜ ์ •์„œ, ์‚ฌ๊ณ , ๊ฒฝํ—˜, ๊ธฐ์–ต ๋“ฑ๊ณผ ๊ฐ™์€ ์‹ฌ๋ฆฌ์ ์ธ ์š”...
์˜ˆ์ˆ ์ผ๋ฐ˜
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kci_detailed_000304.xml