segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
08_09_seg_0002_track_10 | 1 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0002_track_10.wav | null | 9.019 | 11.016 | 1.997 | true | false | It's you breathing | Chorus | combined | 9.019 | 11.016 | false | false | null | 7 | 18 | 3 | 0 | 0 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0002_track_11 | 1 | 08_09 | 11 | Harpsichord | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_13_harpsicord.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0002_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_12_harpsicord.mid | 9.019 | 11.016 | 1.997 | false | true | It's you breathing | Chorus | combined | 9.019 | 11.016 | false | false | null | 7 | 18 | 3 | 0 | 0 | midi_only | 08_09_11 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0002_track_12 | 1 | 08_09 | 12 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_15_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0002_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_14_pad.mid | 9.019 | 11.016 | 1.997 | false | true | It's you breathing | Chorus | combined | 9.019 | 11.016 | false | false | null | 7 | 18 | 3 | 0 | 0 | midi_only | 08_09_12 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0002_track_14 | 1 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0002_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 9.019 | 11.016 | 1.997 | true | true | It's you breathing | Chorus | combined | 9.019 | 11.016 | false | false | null | 7 | 18 | 3 | 0 | 0 | audio_midi | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0002_track_15 | 1 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0002_track_15.wav | null | 9.019 | 11.016 | 1.997 | true | false | It's you breathing | Chorus | combined | 9.019 | 11.016 | false | false | null | 7 | 18 | 3 | 0 | 0 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0003_track_02 | 2 | 08_09 | 2 | Kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0003_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_02_kick.mid | 11.016 | 15.005 | 3.989 | true | true | It's the way you choked your feelings | Chorus | combined | 11.016 | 15.005 | true | End aligned to Chorus boundary at 15.005s | false | null | 9 | 37 | 7 | 0 | 0 | audio_midi | 08_09_2 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0003_track_03 | 2 | 08_09 | 3 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0003_track_03.wav | null | 11.016 | 15.005 | 3.989 | true | false | It's the way you choked your feelings | Chorus | combined | 11.016 | 15.005 | true | End aligned to Chorus boundary at 15.005s | false | null | 9 | 37 | 7 | 0 | 0 | audio_only | 08_09_3 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0003_track_05 | 2 | 08_09 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_06_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0003_track_05.wav | null | 11.016 | 15.005 | 3.989 | true | false | It's the way you choked your feelings | Chorus | combined | 11.016 | 15.005 | true | End aligned to Chorus boundary at 15.005s | false | null | 9 | 37 | 7 | 0 | 0 | audio_only | 08_09_5 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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08_09_seg_0003_track_06 | 2 | 08_09 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0003_track_06.wav | null | 11.016 | 15.005 | 3.989 | true | false | It's the way you choked your feelings | Chorus | combined | 11.016 | 15.005 | true | End aligned to Chorus boundary at 15.005s | false | null | 9 | 37 | 7 | 0 | 0 | audio_only | 08_09_6 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0003_track_10 | 2 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0003_track_10.wav | null | 11.016 | 15.005 | 3.989 | true | false | It's the way you choked your feelings | Chorus | combined | 11.016 | 15.005 | true | End aligned to Chorus boundary at 15.005s | false | null | 9 | 37 | 7 | 0 | 0 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0003_track_15 | 2 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0003_track_15.wav | null | 11.016 | 15.005 | 3.989 | true | false | It's the way you choked your feelings | Chorus | combined | 11.016 | 15.005 | true | End aligned to Chorus boundary at 15.005s | false | null | 9 | 37 | 7 | 0 | 0 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0004_track_03 | 3 | 08_09 | 3 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0004_track_03.wav | null | 15.005 | 23.005 | 8 | true | false | Oh deep down, those unweighed crowns | Verse | combined | 15.005 | 23.005 | true | Start aligned to Chorus boundary at 15.005s | false | null | 11 | 36 | 6 | 0 | 0 | audio_only | 08_09_3 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0004_track_14 | 3 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0004_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 15.005 | 23.005 | 8 | false | true | Oh deep down, those unweighed crowns | Verse | combined | 15.005 | 23.005 | true | Start aligned to Chorus boundary at 15.005s | false | null | 11 | 36 | 6 | 0 | 0 | midi_only | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0004_track_15 | 3 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0004_track_15.wav | null | 15.005 | 23.005 | 8 | true | false | Oh deep down, those unweighed crowns | Verse | combined | 15.005 | 23.005 | true | Start aligned to Chorus boundary at 15.005s | false | null | 11 | 36 | 6 | 0 | 0 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0005_track_10 | 4 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0005_track_10.wav | null | 23.005 | 30.012 | 7.007 | true | false | Tied to your side by threads unwound | Verse | combined | 23.005 | 30.017 | true | End aligned to Chorus boundary at 30.012s | false | null | 13 | 36 | 7 | 0 | -0.005 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0005_track_12 | 4 | 08_09 | 12 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_15_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0005_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_14_pad.mid | 23.005 | 30.012 | 7.007 | false | true | Tied to your side by threads unwound | Verse | combined | 23.005 | 30.017 | true | End aligned to Chorus boundary at 30.012s | false | null | 13 | 36 | 7 | 0 | -0.005 | midi_only | 08_09_12 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0005_track_14 | 4 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0005_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 23.005 | 30.012 | 7.007 | false | true | Tied to your side by threads unwound | Verse | combined | 23.005 | 30.017 | true | End aligned to Chorus boundary at 30.012s | false | null | 13 | 36 | 7 | 0 | -0.005 | midi_only | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0005_track_15 | 4 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0005_track_15.wav | null | 23.005 | 30.012 | 7.007 | true | false | Tied to your side by threads unwound | Verse | combined | 23.005 | 30.017 | true | End aligned to Chorus boundary at 30.012s | false | null | 13 | 36 | 7 | 0 | -0.005 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0006_track_03 | 5 | 08_09 | 3 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0006_track_03.wav | null | 30.012 | 32.013 | 2.001 | true | false | It's you stating | Chorus | combined | 30.017 | 32.013 | true | Start aligned to Chorus boundary at 30.012s | false | null | 15 | 16 | 3 | -0.005 | 0 | audio_only | 08_09_3 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0006_track_05 | 5 | 08_09 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_06_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0006_track_05.wav | null | 30.012 | 32.013 | 2.001 | true | false | It's you stating | Chorus | combined | 30.017 | 32.013 | true | Start aligned to Chorus boundary at 30.012s | false | null | 15 | 16 | 3 | -0.005 | 0 | audio_only | 08_09_5 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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08_09_seg_0006_track_06 | 5 | 08_09 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0006_track_06.wav | null | 30.012 | 32.013 | 2.001 | true | false | It's you stating | Chorus | combined | 30.017 | 32.013 | true | Start aligned to Chorus boundary at 30.012s | false | null | 15 | 16 | 3 | -0.005 | 0 | audio_only | 08_09_6 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0006_track_10 | 5 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0006_track_10.wav | null | 30.012 | 32.013 | 2.001 | true | false | It's you stating | Chorus | combined | 30.017 | 32.013 | true | Start aligned to Chorus boundary at 30.012s | false | null | 15 | 16 | 3 | -0.005 | 0 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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08_09_seg_0007_track_03 | 6 | 08_09 | 3 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0007_track_03.wav | null | 32.013 | 34.013 | 2 | true | false | It's you negating | Chorus | combined | 32.013 | 34.013 | false | false | null | 17 | 17 | 3 | 0 | 0 | audio_only | 08_09_3 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0007_track_13 | 6 | 08_09 | 13 | Arp with Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_17_arp_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0007_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_16_arp_guitar.mid | 32.013 | 34.013 | 2 | false | true | It's you negating | Chorus | combined | 32.013 | 34.013 | false | false | null | 17 | 17 | 3 | 0 | 0 | midi_only | 08_09_13 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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08_09_seg_0007_track_14 | 6 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0007_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 32.013 | 34.013 | 2 | false | true | It's you negating | Chorus | combined | 32.013 | 34.013 | false | false | null | 17 | 17 | 3 | 0 | 0 | midi_only | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0007_track_15 | 6 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0007_track_15.wav | null | 32.013 | 34.013 | 2 | true | false | It's you negating | Chorus | combined | 32.013 | 34.013 | false | false | null | 17 | 17 | 3 | 0 | 0 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0008_track_06 | 7 | 08_09 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0008_track_06.wav | null | 34.013 | 38.003 | 3.99 | true | false | It's the way you brace for falling | Chorus | combined | 34.013 | 38.008 | true | End aligned to Bridge boundary at 38.003s | false | null | 19 | 34 | 7 | 0 | -0.005 | audio_only | 08_09_6 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0008_track_10 | 7 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0008_track_10.wav | null | 34.013 | 38.003 | 3.99 | true | false | It's the way you brace for falling | Chorus | combined | 34.013 | 38.008 | true | End aligned to Bridge boundary at 38.003s | false | null | 19 | 34 | 7 | 0 | -0.005 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0008_track_11 | 7 | 08_09 | 11 | Harpsichord | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_13_harpsicord.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0008_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_12_harpsicord.mid | 34.013 | 38.003 | 3.99 | false | true | It's the way you brace for falling | Chorus | combined | 34.013 | 38.008 | true | End aligned to Bridge boundary at 38.003s | false | null | 19 | 34 | 7 | 0 | -0.005 | midi_only | 08_09_11 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0008_track_14 | 7 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0008_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 34.013 | 38.003 | 3.99 | true | true | It's the way you brace for falling | Chorus | combined | 34.013 | 38.008 | true | End aligned to Bridge boundary at 38.003s | false | null | 19 | 34 | 7 | 0 | -0.005 | audio_midi | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0008_track_15 | 7 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0008_track_15.wav | null | 34.013 | 38.003 | 3.99 | true | false | It's the way you brace for falling | Chorus | combined | 34.013 | 38.008 | true | End aligned to Bridge boundary at 38.003s | false | null | 19 | 34 | 7 | 0 | -0.005 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0009_track_02 | 8 | 08_09 | 2 | Kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0009_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_02_kick.mid | 38.003 | 45.018 | 7.015 | true | true | No further fend for your palisading | Bridge | combined | 38.008 | 46.001 | true | Start aligned to Bridge boundary at 38.003s | End aligned to Verse boundary at 45.018s | false | null | 21 | 35 | 6 | -0.005 | -0.983 | audio_midi | 08_09_2 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0009_track_03 | 8 | 08_09 | 3 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0009_track_03.wav | null | 38.003 | 45.018 | 7.015 | true | false | No further fend for your palisading | Bridge | combined | 38.008 | 46.001 | true | Start aligned to Bridge boundary at 38.003s | End aligned to Verse boundary at 45.018s | false | null | 21 | 35 | 6 | -0.005 | -0.983 | audio_only | 08_09_3 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0009_track_05 | 8 | 08_09 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_06_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0009_track_05.wav | null | 38.003 | 45.018 | 7.015 | true | false | No further fend for your palisading | Bridge | combined | 38.008 | 46.001 | true | Start aligned to Bridge boundary at 38.003s | End aligned to Verse boundary at 45.018s | false | null | 21 | 35 | 6 | -0.005 | -0.983 | audio_only | 08_09_5 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0009_track_06 | 8 | 08_09 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0009_track_06.wav | null | 38.003 | 45.018 | 7.015 | true | false | No further fend for your palisading | Bridge | combined | 38.008 | 46.001 | true | Start aligned to Bridge boundary at 38.003s | End aligned to Verse boundary at 45.018s | false | null | 21 | 35 | 6 | -0.005 | -0.983 | audio_only | 08_09_6 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0009_track_10 | 8 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0009_track_10.wav | null | 38.003 | 45.018 | 7.015 | true | false | No further fend for your palisading | Bridge | combined | 38.008 | 46.001 | true | Start aligned to Bridge boundary at 38.003s | End aligned to Verse boundary at 45.018s | false | null | 21 | 35 | 6 | -0.005 | -0.983 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0009_track_12 | 8 | 08_09 | 12 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_15_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0009_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_14_pad.mid | 38.003 | 45.018 | 7.015 | false | true | No further fend for your palisading | Bridge | combined | 38.008 | 46.001 | true | Start aligned to Bridge boundary at 38.003s | End aligned to Verse boundary at 45.018s | false | null | 21 | 35 | 6 | -0.005 | -0.983 | midi_only | 08_09_12 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0009_track_13 | 8 | 08_09 | 13 | Arp with Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_17_arp_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0009_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_16_arp_guitar.mid | 38.003 | 45.018 | 7.015 | false | true | No further fend for your palisading | Bridge | combined | 38.008 | 46.001 | true | Start aligned to Bridge boundary at 38.003s | End aligned to Verse boundary at 45.018s | false | null | 21 | 35 | 6 | -0.005 | -0.983 | midi_only | 08_09_13 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0009_track_14 | 8 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0009_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 38.003 | 45.018 | 7.015 | false | true | No further fend for your palisading | Bridge | combined | 38.008 | 46.001 | true | Start aligned to Bridge boundary at 38.003s | End aligned to Verse boundary at 45.018s | false | null | 21 | 35 | 6 | -0.005 | -0.983 | midi_only | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0009_track_15 | 8 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0009_track_15.wav | null | 38.003 | 45.018 | 7.015 | true | false | No further fend for your palisading | Bridge | combined | 38.008 | 46.001 | true | Start aligned to Bridge boundary at 38.003s | End aligned to Verse boundary at 45.018s | false | null | 21 | 35 | 6 | -0.005 | -0.983 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0010_track_05 | 9 | 08_09 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_06_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0010_track_05.wav | null | 45.018 | 53.017 | 7.999 | true | false | I've seen you wet and I've seen you float | Verse | combined | 46.001 | 53.017 | true | Start aligned to Verse boundary at 45.018s | false | null | 23 | 41 | 9 | -0.983 | 0 | audio_only | 08_09_5 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0010_track_06 | 9 | 08_09 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0010_track_06.wav | null | 45.018 | 53.017 | 7.999 | true | false | I've seen you wet and I've seen you float | Verse | combined | 46.001 | 53.017 | true | Start aligned to Verse boundary at 45.018s | false | null | 23 | 41 | 9 | -0.983 | 0 | audio_only | 08_09_6 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0010_track_10 | 9 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0010_track_10.wav | null | 45.018 | 53.017 | 7.999 | true | false | I've seen you wet and I've seen you float | Verse | combined | 46.001 | 53.017 | true | Start aligned to Verse boundary at 45.018s | false | null | 23 | 41 | 9 | -0.983 | 0 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0011_track_02 | 10 | 08_09 | 2 | Kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0011_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_02_kick.mid | 53.017 | 60.024 | 7.007 | true | true | Can't keep yourself from wading out | Verse | combined | 53.017 | 61.001 | true | End aligned to Chorus boundary at 60.024s | false | null | 25 | 35 | 6 | 0 | -0.977 | audio_midi | 08_09_2 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0011_track_03 | 10 | 08_09 | 3 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0011_track_03.wav | null | 53.017 | 60.024 | 7.007 | true | false | Can't keep yourself from wading out | Verse | combined | 53.017 | 61.001 | true | End aligned to Chorus boundary at 60.024s | false | null | 25 | 35 | 6 | 0 | -0.977 | audio_only | 08_09_3 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0011_track_05 | 10 | 08_09 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_06_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0011_track_05.wav | null | 53.017 | 60.024 | 7.007 | true | false | Can't keep yourself from wading out | Verse | combined | 53.017 | 61.001 | true | End aligned to Chorus boundary at 60.024s | false | null | 25 | 35 | 6 | 0 | -0.977 | audio_only | 08_09_5 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0011_track_10 | 10 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0011_track_10.wav | null | 53.017 | 60.024 | 7.007 | true | false | Can't keep yourself from wading out | Verse | combined | 53.017 | 61.001 | true | End aligned to Chorus boundary at 60.024s | false | null | 25 | 35 | 6 | 0 | -0.977 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0011_track_12 | 10 | 08_09 | 12 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_15_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0011_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_14_pad.mid | 53.017 | 60.024 | 7.007 | false | true | Can't keep yourself from wading out | Verse | combined | 53.017 | 61.001 | true | End aligned to Chorus boundary at 60.024s | false | null | 25 | 35 | 6 | 0 | -0.977 | midi_only | 08_09_12 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0011_track_14 | 10 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0011_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 53.017 | 60.024 | 7.007 | false | true | Can't keep yourself from wading out | Verse | combined | 53.017 | 61.001 | true | End aligned to Chorus boundary at 60.024s | false | null | 25 | 35 | 6 | 0 | -0.977 | midi_only | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0011_track_15 | 10 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0011_track_15.wav | null | 53.017 | 60.024 | 7.007 | true | false | Can't keep yourself from wading out | Verse | combined | 53.017 | 61.001 | true | End aligned to Chorus boundary at 60.024s | false | null | 25 | 35 | 6 | 0 | -0.977 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0012_track_02 | 11 | 08_09 | 2 | Kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0012_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_02_kick.mid | 60.024 | 63.002 | 2.978 | true | true | It's the full ride | Chorus | combined | 61.001 | 63.002 | true | Start aligned to Chorus boundary at 60.024s | false | null | 27 | 18 | 4 | -0.977 | 0 | audio_midi | 08_09_2 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0012_track_03 | 11 | 08_09 | 3 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0012_track_03.wav | null | 60.024 | 63.002 | 2.978 | true | false | It's the full ride | Chorus | combined | 61.001 | 63.002 | true | Start aligned to Chorus boundary at 60.024s | false | null | 27 | 18 | 4 | -0.977 | 0 | audio_only | 08_09_3 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0012_track_10 | 11 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0012_track_10.wav | null | 60.024 | 63.002 | 2.978 | true | false | It's the full ride | Chorus | combined | 61.001 | 63.002 | true | Start aligned to Chorus boundary at 60.024s | false | null | 27 | 18 | 4 | -0.977 | 0 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0012_track_12 | 11 | 08_09 | 12 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_15_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0012_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_14_pad.mid | 60.024 | 63.002 | 2.978 | false | true | It's the full ride | Chorus | combined | 61.001 | 63.002 | true | Start aligned to Chorus boundary at 60.024s | false | null | 27 | 18 | 4 | -0.977 | 0 | midi_only | 08_09_12 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0012_track_13 | 11 | 08_09 | 13 | Arp with Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_17_arp_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0012_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_16_arp_guitar.mid | 60.024 | 63.002 | 2.978 | false | true | It's the full ride | Chorus | combined | 61.001 | 63.002 | true | Start aligned to Chorus boundary at 60.024s | false | null | 27 | 18 | 4 | -0.977 | 0 | midi_only | 08_09_13 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0012_track_14 | 11 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0012_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 60.024 | 63.002 | 2.978 | false | true | It's the full ride | Chorus | combined | 61.001 | 63.002 | true | Start aligned to Chorus boundary at 60.024s | false | null | 27 | 18 | 4 | -0.977 | 0 | midi_only | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0012_track_15 | 11 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0012_track_15.wav | null | 60.024 | 63.002 | 2.978 | true | false | It's the full ride | Chorus | combined | 61.001 | 63.002 | true | Start aligned to Chorus boundary at 60.024s | false | null | 27 | 18 | 4 | -0.977 | 0 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0013_track_03 | 12 | 08_09 | 3 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0013_track_03.wav | null | 63.002 | 65 | 1.998 | true | false | It's the sunrise | Chorus | combined | 63.002 | 65 | false | false | null | 29 | 16 | 3 | 0 | 0 | audio_only | 08_09_3 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0013_track_05 | 12 | 08_09 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_06_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0013_track_05.wav | null | 63.002 | 65 | 1.998 | true | false | It's the sunrise | Chorus | combined | 63.002 | 65 | false | false | null | 29 | 16 | 3 | 0 | 0 | audio_only | 08_09_5 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0013_track_06 | 12 | 08_09 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0013_track_06.wav | null | 63.002 | 65 | 1.998 | true | false | It's the sunrise | Chorus | combined | 63.002 | 65 | false | false | null | 29 | 16 | 3 | 0 | 0 | audio_only | 08_09_6 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0013_track_10 | 12 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0013_track_10.wav | null | 63.002 | 65 | 1.998 | true | false | It's the sunrise | Chorus | combined | 63.002 | 65 | false | false | null | 29 | 16 | 3 | 0 | 0 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0013_track_13 | 12 | 08_09 | 13 | Arp with Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_17_arp_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0013_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_16_arp_guitar.mid | 63.002 | 65 | 1.998 | false | true | It's the sunrise | Chorus | combined | 63.002 | 65 | false | false | null | 29 | 16 | 3 | 0 | 0 | midi_only | 08_09_13 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0013_track_14 | 12 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0013_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 63.002 | 65 | 1.998 | true | true | It's the sunrise | Chorus | combined | 63.002 | 65 | false | false | null | 29 | 16 | 3 | 0 | 0 | audio_midi | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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