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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
08_09_seg_0013_track_15 | 12 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0013_track_15.wav | null | 63.002 | 65 | 1.998 | true | false | It's the sunrise | Chorus | combined | 63.002 | 65 | false | false | null | 29 | 16 | 3 | 0 | 0 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0014_track_02 | 13 | 08_09 | 2 | Kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0014_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_02_kick.mid | 65 | 69.001 | 4.001 | true | true | It's your landscape, it's too narrow | Chorus | combined | 65 | 69.001 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_midi | 08_09_2 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0014_track_03 | 13 | 08_09 | 3 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0014_track_03.wav | null | 65 | 69.001 | 4.001 | true | false | It's your landscape, it's too narrow | Chorus | combined | 65 | 69.001 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 08_09_3 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0014_track_05 | 13 | 08_09 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_06_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0014_track_05.wav | null | 65 | 69.001 | 4.001 | true | false | It's your landscape, it's too narrow | Chorus | combined | 65 | 69.001 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 08_09_5 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0014_track_06 | 13 | 08_09 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0014_track_06.wav | null | 65 | 69.001 | 4.001 | true | false | It's your landscape, it's too narrow | Chorus | combined | 65 | 69.001 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 08_09_6 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0014_track_10 | 13 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0014_track_10.wav | null | 65 | 69.001 | 4.001 | true | false | It's your landscape, it's too narrow | Chorus | combined | 65 | 69.001 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0014_track_13 | 13 | 08_09 | 13 | Arp with Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_17_arp_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0014_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_16_arp_guitar.mid | 65 | 69.001 | 4.001 | false | true | It's your landscape, it's too narrow | Chorus | combined | 65 | 69.001 | false | false | null | 31 | 36 | 6 | 0 | 0 | midi_only | 08_09_13 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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08_09_seg_0014_track_15 | 13 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0014_track_15.wav | null | 65 | 69.001 | 4.001 | true | false | It's your landscape, it's too narrow | Chorus | combined | 65 | 69.001 | false | false | null | 31 | 36 | 6 | 0 | 0 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0015_track_06 | 14 | 08_09 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0015_track_06.wav | null | 69.001 | 83.021 | 14.02 | true | false | Those bristles skewed way too anamorphic | Interlude | combined | 69.001 | 84.001 | true | End aligned to Chorus boundary at 83.021s | false | null | 33 | 40 | 6 | 0 | -0.98 | audio_only | 08_09_6 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0015_track_10 | 14 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0015_track_10.wav | null | 69.001 | 83.021 | 14.02 | true | false | Those bristles skewed way too anamorphic | Interlude | combined | 69.001 | 84.001 | true | End aligned to Chorus boundary at 83.021s | false | null | 33 | 40 | 6 | 0 | -0.98 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0015_track_11 | 14 | 08_09 | 11 | Harpsichord | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_13_harpsicord.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0015_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_12_harpsicord.mid | 69.001 | 83.021 | 14.02 | false | true | Those bristles skewed way too anamorphic | Interlude | combined | 69.001 | 84.001 | true | End aligned to Chorus boundary at 83.021s | false | null | 33 | 40 | 6 | 0 | -0.98 | midi_only | 08_09_11 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0015_track_14 | 14 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0015_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 69.001 | 83.021 | 14.02 | true | true | Those bristles skewed way too anamorphic | Interlude | combined | 69.001 | 84.001 | true | End aligned to Chorus boundary at 83.021s | false | null | 33 | 40 | 6 | 0 | -0.98 | audio_midi | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0015_track_15 | 14 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0015_track_15.wav | null | 69.001 | 83.021 | 14.02 | true | false | Those bristles skewed way too anamorphic | Interlude | combined | 69.001 | 84.001 | true | End aligned to Chorus boundary at 83.021s | false | null | 33 | 40 | 6 | 0 | -0.98 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0016_track_03 | 15 | 08_09 | 3 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0016_track_03.wav | null | 83.021 | 86 | 2.979 | true | false | It's your fantasies | Chorus | combined | 84.001 | 86 | true | Start aligned to Chorus boundary at 83.021s | false | null | 35 | 19 | 3 | -0.98 | 0 | audio_only | 08_09_3 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0016_track_05 | 15 | 08_09 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_06_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0016_track_05.wav | null | 83.021 | 86 | 2.979 | true | false | It's your fantasies | Chorus | combined | 84.001 | 86 | true | Start aligned to Chorus boundary at 83.021s | false | null | 35 | 19 | 3 | -0.98 | 0 | audio_only | 08_09_5 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0016_track_06 | 15 | 08_09 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0016_track_06.wav | null | 83.021 | 86 | 2.979 | true | false | It's your fantasies | Chorus | combined | 84.001 | 86 | true | Start aligned to Chorus boundary at 83.021s | false | null | 35 | 19 | 3 | -0.98 | 0 | audio_only | 08_09_6 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0016_track_10 | 15 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0016_track_10.wav | null | 83.021 | 86 | 2.979 | true | false | It's your fantasies | Chorus | combined | 84.001 | 86 | true | Start aligned to Chorus boundary at 83.021s | false | null | 35 | 19 | 3 | -0.98 | 0 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0016_track_12 | 15 | 08_09 | 12 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_15_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0016_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_14_pad.mid | 83.021 | 86 | 2.979 | false | true | It's your fantasies | Chorus | combined | 84.001 | 86 | true | Start aligned to Chorus boundary at 83.021s | false | null | 35 | 19 | 3 | -0.98 | 0 | midi_only | 08_09_12 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0016_track_13 | 15 | 08_09 | 13 | Arp with Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_17_arp_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0016_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_16_arp_guitar.mid | 83.021 | 86 | 2.979 | false | true | It's your fantasies | Chorus | combined | 84.001 | 86 | true | Start aligned to Chorus boundary at 83.021s | false | null | 35 | 19 | 3 | -0.98 | 0 | midi_only | 08_09_13 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
08_09_seg_0016_track_14 | 15 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0016_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 83.021 | 86 | 2.979 | false | true | It's your fantasies | Chorus | combined | 84.001 | 86 | true | Start aligned to Chorus boundary at 83.021s | false | null | 35 | 19 | 3 | -0.98 | 0 | midi_only | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0017_track_05 | 16 | 08_09 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_06_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0017_track_05.wav | null | 86 | 88.005 | 2.005 | true | false | It's your symphonies | Chorus | combined | 86 | 88.005 | false | false | null | 37 | 20 | 3 | 0 | 0 | audio_only | 08_09_5 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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08_09_seg_0017_track_06 | 16 | 08_09 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0017_track_06.wav | null | 86 | 88.005 | 2.005 | true | false | It's your symphonies | Chorus | combined | 86 | 88.005 | false | false | null | 37 | 20 | 3 | 0 | 0 | audio_only | 08_09_6 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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08_09_seg_0017_track_10 | 16 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0017_track_10.wav | null | 86 | 88.005 | 2.005 | true | false | It's your symphonies | Chorus | combined | 86 | 88.005 | false | false | null | 37 | 20 | 3 | 0 | 0 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0018_track_13 | 17 | 08_09 | 13 | Arp with Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_17_arp_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0018_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_16_arp_guitar.mid | 88.005 | 93.02 | 5.015 | false | true | It's the luster you lack on your plateau | Chorus | combined | 88.005 | 93.02 | false | false | null | 39 | 40 | 8 | 0 | 0 | midi_only | 08_09_13 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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08_09_seg_0018_track_14 | 17 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0018_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 88.005 | 93.02 | 5.015 | false | true | It's the luster you lack on your plateau | Chorus | combined | 88.005 | 93.02 | false | false | null | 39 | 40 | 8 | 0 | 0 | midi_only | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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08_09_seg_0018_track_15 | 17 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0018_track_15.wav | null | 88.005 | 93.02 | 5.015 | true | false | It's the luster you lack on your plateau | Chorus | combined | 88.005 | 93.02 | false | false | null | 39 | 40 | 8 | 0 | 0 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0019_track_03 | 18 | 08_09 | 3 | Snare | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0019_track_03.wav | null | 93.02 | 96.02 | 3 | true | false | Can't say you didn't try though | Chorus | combined | 93.02 | 96.02 | false | false | null | 41 | 31 | 6 | 0 | 0 | audio_only | 08_09_3 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0019_track_10 | 18 | 08_09 | 10 | Synth chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_11_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0019_track_10.wav | null | 93.02 | 96.02 | 3 | true | false | Can't say you didn't try though | Chorus | combined | 93.02 | 96.02 | false | false | null | 41 | 31 | 6 | 0 | 0 | audio_only | 08_09_10 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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08_09_seg_0019_track_12 | 18 | 08_09 | 12 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_15_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0019_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_14_pad.mid | 93.02 | 96.02 | 3 | false | true | Can't say you didn't try though | Chorus | combined | 93.02 | 96.02 | false | false | null | 41 | 31 | 6 | 0 | 0 | midi_only | 08_09_12 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0019_track_13 | 18 | 08_09 | 13 | Arp with Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_17_arp_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0019_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_16_arp_guitar.mid | 93.02 | 96.02 | 3 | false | true | Can't say you didn't try though | Chorus | combined | 93.02 | 96.02 | false | false | null | 41 | 31 | 6 | 0 | 0 | midi_only | 08_09_13 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0019_track_14 | 18 | 08_09 | 14 | Synth Melody | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_178_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0019_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_melody.mid | 93.02 | 96.02 | 3 | true | true | Can't say you didn't try though | Chorus | combined | 93.02 | 96.02 | false | false | null | 41 | 31 | 6 | 0 | 0 | audio_midi | 08_09_14 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_09_seg_0019_track_15 | 18 | 08_09 | 15 | Main vocals | null | RainbowPlayer.KATHERINE | /Volumes/LucidNonsense/White/staged_raw_material/08_09/08_09_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_09/08_09_seg_0019_track_15.wav | null | 93.02 | 96.02 | 3 | true | false | Can't say you didn't try though | Chorus | combined | 93.02 | 96.02 | false | false | null | 41 | 31 | 6 | 0 | 0 | audio_only | 08_09_15 | 126 | 4 | 4 | F | major | Violet | Present | Person | Known | null | Recoup DeVille | 2025-09-08T00:00:00 | [02:05.017] | true | true | It's you coming It's you breathing It's the way you choked your feelings Oh deep down, those unweighed crowns Tied to your side by threads unwound It's you stating It's you negating It's the way you brace for falling No further fend for your palisading I've seen you wet and I've seen you float Can't keep yourself from wading out It's the full ride It's the sunrise It's your landscape, it's too narrow Those bristles skewed way too anamorphic It's your fantasies It's your symphonies It's the luster you lack on your plateau Can't say you didn't try though | Jessica Pratt, discogs_id: 2084222, His Name is Alive, discogs_id: 61796, Halsey, discogs_id: 4298621 | bittersweet, energetic, melancholic, contradictory | electronic, roots rock, indie rock, classic rock, pop | 08_09.lrc | The first song written for the album which aimed to combine red, blue, and indigo albums to one song with a pop vocalist. | {
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} | Intro : The song kicks right with a mysterious vocal improve - we hear drum machines and real drums playing off each other, [00:00.000]-[00:07.015] | Chorus : The chorus pairs a twelve-string guitar with a harpsichord - giving a 60s feel to the song, [00:07.016]-[00:15.005] | Verse : Back to the verses, the song is a bit more traditional, with a few more chords and a bit of a more mellow sound, [00:15.006]-[00:30.011] | Chorus : Another round of feel-good sounds conflicting with meditation on creative limitations, [00:30.012]-[00:38.002] | Bridge : A bridge section gets a bit more saddening, with a few more chords and a bit of a more mellow sound, [00:38.003]-[00:45.017] | Verse : The verses return for a brief reprise, we hear the contradicting electro and roots rock intersecting, [00:45.018]-[01:00.023] | Chorus : The chorus returns, bringing back the upbeat feel-good sounds counterpointed with meditation on creative failings, [01:00.024]-[01:16.004] | Interlude : In this instrumental interlude the drumming and combo twelve-string / harpsichord pairing raise up the energy, [01:16.005]-[01:23.020] | Chorus : But now the chorus is back and the pop sound we heard before is definitely more of a downer., [01:23.021]-[01:39.001] | Interlude : A final instrumental interlude brings back the upbeat energy of the earlier sections, [01:39.002]-[01:46.016] | Outro : The song closes out with a synth and guitar lines intersecting, [01:46.017]-[02:05.017] | null | |
08_10_seg_0001_track_02 | 0 | 08_10 | 2 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_02_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_10/08_10_seg_0001_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_02_dm.mid | 19 | 28.012 | 9.012 | true | true | Run and hide my loves, deep underground | Verse | combined | 19 | 28.012 | false | false | null | 5 | 39 | 7 | 0 | 0 | audio_midi | 08_10_2 | 101 | 4 | 4 | C | major | Violet | Present | Person | Known | null | Warren | 2025-09-08T00:00:00 | [03:24.008] | true | true | Run and hide my loves, deep underground Look at them pour their gasoline, it's enough to drown I am lost in my own home All the traps I sprung, now unwound Look to the safety we thought we found Blood covers the burrows, it's all around I have lost those perished thoughts Beacons backward been bashed to nought In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren | James Blake, discogs_id: 1500084, Perfume Genius, discogs_id: 1741195 | creepy, ghostly, digital, synthetic | pop, electronic, synthwave | 08_10.lrc | This is another song on Vanity Pressing about withdrawing into ones self and shutting out the outside world - giving a strange meaning to self-obession. | {
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} | Verse : The breathy, intimate vocal are laid over some experimental-tinged beats and electronics, [00:00.000]-[00:38.000] | Alt Verse : The alternate verse is a bit brighter and melodic, [00:38.001]-[00:57.000] | Verse : Back to the desolate, lonely verse, [00:57.001]-[01:25.013] | Vocal Interlude : A special shift up bridging the gap between the two verses, [01:25.014]-[01:44.013] | Alt Verse : The alternate verse returns with a bit more energy, [01:44.014]-[02:03.014] | Chorus : The chorus is kicked off by an array of echoing almost inhuman vocals stretching across synth work, [02:03.015]-[02:41.022] | Jams : As the echoing vocals proceed a melodic synth line plays the song out, [02:41.023]-[03:24.008] | null | |
08_10_seg_0001_track_03 | 0 | 08_10 | 3 | Guitar with many Pedals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_03_guitar_fx.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_10/08_10_seg_0001_track_03.wav | null | 19 | 28.012 | 9.012 | true | false | Run and hide my loves, deep underground | Verse | combined | 19 | 28.012 | false | false | null | 5 | 39 | 7 | 0 | 0 | audio_only | 08_10_3 | 101 | 4 | 4 | C | major | Violet | Present | Person | Known | null | Warren | 2025-09-08T00:00:00 | [03:24.008] | true | true | Run and hide my loves, deep underground Look at them pour their gasoline, it's enough to drown I am lost in my own home All the traps I sprung, now unwound Look to the safety we thought we found Blood covers the burrows, it's all around I have lost those perished thoughts Beacons backward been bashed to nought In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren | James Blake, discogs_id: 1500084, Perfume Genius, discogs_id: 1741195 | creepy, ghostly, digital, synthetic | pop, electronic, synthwave | 08_10.lrc | This is another song on Vanity Pressing about withdrawing into ones self and shutting out the outside world - giving a strange meaning to self-obession. | {
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08_10_seg_0002_track_07 | 1 | 08_10 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_05_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_10/08_10_seg_0002_track_07.wav | null | 28.012 | 38 | 9.988 | true | false | Look at them pour their gasoline, it's enough to drown | Verse | combined | 28.012 | 38 | true | End aligned to Verse boundary at 38.000s | false | null | 7 | 54 | 10 | 0 | 0 | audio_only | 08_10_7 | 101 | 4 | 4 | C | major | Violet | Present | Person | Known | null | Warren | 2025-09-08T00:00:00 | [03:24.008] | true | true | Run and hide my loves, deep underground Look at them pour their gasoline, it's enough to drown I am lost in my own home All the traps I sprung, now unwound Look to the safety we thought we found Blood covers the burrows, it's all around I have lost those perished thoughts Beacons backward been bashed to nought In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren | James Blake, discogs_id: 1500084, Perfume Genius, discogs_id: 1741195 | creepy, ghostly, digital, synthetic | pop, electronic, synthwave | 08_10.lrc | This is another song on Vanity Pressing about withdrawing into ones self and shutting out the outside world - giving a strange meaning to self-obession. | {
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08_10_seg_0004_track_03 | 3 | 08_10 | 3 | Guitar with many Pedals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_03_guitar_fx.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_10/08_10_seg_0004_track_03.wav | null | 47.013 | 66.02 | 19.007 | true | false | All the traps I sprung, now unwound | Alt Verse | combined | 47.013 | 66.02 | false | false | null | 11 | 35 | 7 | 0 | 0 | audio_only | 08_10_3 | 101 | 4 | 4 | C | major | Violet | Present | Person | Known | null | Warren | 2025-09-08T00:00:00 | [03:24.008] | true | true | Run and hide my loves, deep underground Look at them pour their gasoline, it's enough to drown I am lost in my own home All the traps I sprung, now unwound Look to the safety we thought we found Blood covers the burrows, it's all around I have lost those perished thoughts Beacons backward been bashed to nought In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren | James Blake, discogs_id: 1500084, Perfume Genius, discogs_id: 1741195 | creepy, ghostly, digital, synthetic | pop, electronic, synthwave | 08_10.lrc | This is another song on Vanity Pressing about withdrawing into ones self and shutting out the outside world - giving a strange meaning to self-obession. | {
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08_10_seg_0005_track_07 | 4 | 08_10 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_05_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_10/08_10_seg_0005_track_07.wav | null | 66.02 | 76.008 | 9.988 | true | false | Look to the safety we thought we found | Verse | combined | 66.02 | 76.008 | false | false | null | 13 | 38 | 8 | 0 | 0 | audio_only | 08_10_7 | 101 | 4 | 4 | C | major | Violet | Present | Person | Known | null | Warren | 2025-09-08T00:00:00 | [03:24.008] | true | true | Run and hide my loves, deep underground Look at them pour their gasoline, it's enough to drown I am lost in my own home All the traps I sprung, now unwound Look to the safety we thought we found Blood covers the burrows, it's all around I have lost those perished thoughts Beacons backward been bashed to nought In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren | James Blake, discogs_id: 1500084, Perfume Genius, discogs_id: 1741195 | creepy, ghostly, digital, synthetic | pop, electronic, synthwave | 08_10.lrc | This is another song on Vanity Pressing about withdrawing into ones self and shutting out the outside world - giving a strange meaning to self-obession. | {
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08_10_seg_0005_track_08 | 4 | 08_10 | 8 | Chords | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_08_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_10/08_10_seg_0005_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_05_chords.mid | 66.02 | 76.008 | 9.988 | true | true | Look to the safety we thought we found | Verse | combined | 66.02 | 76.008 | false | false | null | 13 | 38 | 8 | 0 | 0 | audio_midi | 08_10_8 | 101 | 4 | 4 | C | major | Violet | Present | Person | Known | null | Warren | 2025-09-08T00:00:00 | [03:24.008] | true | true | Run and hide my loves, deep underground Look at them pour their gasoline, it's enough to drown I am lost in my own home All the traps I sprung, now unwound Look to the safety we thought we found Blood covers the burrows, it's all around I have lost those perished thoughts Beacons backward been bashed to nought In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren | James Blake, discogs_id: 1500084, Perfume Genius, discogs_id: 1741195 | creepy, ghostly, digital, synthetic | pop, electronic, synthwave | 08_10.lrc | This is another song on Vanity Pressing about withdrawing into ones self and shutting out the outside world - giving a strange meaning to self-obession. | {
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08_10_seg_0005_track_12 | 4 | 08_10 | 12 | Vocals main | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_11_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_10/08_10_seg_0005_track_12.wav | null | 66.02 | 76.008 | 9.988 | true | false | Look to the safety we thought we found | Verse | combined | 66.02 | 76.008 | false | false | null | 13 | 38 | 8 | 0 | 0 | audio_only | 08_10_12 | 101 | 4 | 4 | C | major | Violet | Present | Person | Known | null | Warren | 2025-09-08T00:00:00 | [03:24.008] | true | true | Run and hide my loves, deep underground Look at them pour their gasoline, it's enough to drown I am lost in my own home All the traps I sprung, now unwound Look to the safety we thought we found Blood covers the burrows, it's all around I have lost those perished thoughts Beacons backward been bashed to nought In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren | James Blake, discogs_id: 1500084, Perfume Genius, discogs_id: 1741195 | creepy, ghostly, digital, synthetic | pop, electronic, synthwave | 08_10.lrc | This is another song on Vanity Pressing about withdrawing into ones self and shutting out the outside world - giving a strange meaning to self-obession. | {
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08_10_seg_0005_track_13 | 4 | 08_10 | 13 | Vocals harmonies | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_12_vox_harmonies.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_10/08_10_seg_0005_track_13.wav | null | 66.02 | 76.008 | 9.988 | true | false | Look to the safety we thought we found | Verse | combined | 66.02 | 76.008 | false | false | null | 13 | 38 | 8 | 0 | 0 | audio_only | 08_10_13 | 101 | 4 | 4 | C | major | Violet | Present | Person | Known | null | Warren | 2025-09-08T00:00:00 | [03:24.008] | true | true | Run and hide my loves, deep underground Look at them pour their gasoline, it's enough to drown I am lost in my own home All the traps I sprung, now unwound Look to the safety we thought we found Blood covers the burrows, it's all around I have lost those perished thoughts Beacons backward been bashed to nought In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren | James Blake, discogs_id: 1500084, Perfume Genius, discogs_id: 1741195 | creepy, ghostly, digital, synthetic | pop, electronic, synthwave | 08_10.lrc | This is another song on Vanity Pressing about withdrawing into ones self and shutting out the outside world - giving a strange meaning to self-obession. | {
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08_10_seg_0005_track_14 | 4 | 08_10 | 14 | Vocals doubles | null | RainbowPlayer.ALOY | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_13_vox_dbl.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_10/08_10_seg_0005_track_14.wav | null | 66.02 | 76.008 | 9.988 | true | false | Look to the safety we thought we found | Verse | combined | 66.02 | 76.008 | false | false | null | 13 | 38 | 8 | 0 | 0 | audio_only | 08_10_14 | 101 | 4 | 4 | C | major | Violet | Present | Person | Known | null | Warren | 2025-09-08T00:00:00 | [03:24.008] | true | true | Run and hide my loves, deep underground Look at them pour their gasoline, it's enough to drown I am lost in my own home All the traps I sprung, now unwound Look to the safety we thought we found Blood covers the burrows, it's all around I have lost those perished thoughts Beacons backward been bashed to nought In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren | James Blake, discogs_id: 1500084, Perfume Genius, discogs_id: 1741195 | creepy, ghostly, digital, synthetic | pop, electronic, synthwave | 08_10.lrc | This is another song on Vanity Pressing about withdrawing into ones self and shutting out the outside world - giving a strange meaning to self-obession. | {
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} | Verse : The breathy, intimate vocal are laid over some experimental-tinged beats and electronics, [00:00.000]-[00:38.000] | Alt Verse : The alternate verse is a bit brighter and melodic, [00:38.001]-[00:57.000] | Verse : Back to the desolate, lonely verse, [00:57.001]-[01:25.013] | Vocal Interlude : A special shift up bridging the gap between the two verses, [01:25.014]-[01:44.013] | Alt Verse : The alternate verse returns with a bit more energy, [01:44.014]-[02:03.014] | Chorus : The chorus is kicked off by an array of echoing almost inhuman vocals stretching across synth work, [02:03.015]-[02:41.022] | Jams : As the echoing vocals proceed a melodic synth line plays the song out, [02:41.023]-[03:24.008] | null | |
08_10_seg_0006_track_02 | 5 | 08_10 | 2 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_02_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/08_10/08_10_seg_0006_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/08_10/08_10_02_dm.mid | 76.008 | 104.013 | 28.005 | true | true | Blood covers the burrows, it's all around | Vocal Interlude | combined | 76.008 | 104.013 | true | End aligned to Vocal Interlude boundary at 104.013s | false | null | 15 | 41 | 7 | 0 | 0 | audio_midi | 08_10_2 | 101 | 4 | 4 | C | major | Violet | Present | Person | Known | null | Warren | 2025-09-08T00:00:00 | [03:24.008] | true | true | Run and hide my loves, deep underground Look at them pour their gasoline, it's enough to drown I am lost in my own home All the traps I sprung, now unwound Look to the safety we thought we found Blood covers the burrows, it's all around I have lost those perished thoughts Beacons backward been bashed to nought In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren In my own warren | James Blake, discogs_id: 1500084, Perfume Genius, discogs_id: 1741195 | creepy, ghostly, digital, synthetic | pop, electronic, synthwave | 08_10.lrc | This is another song on Vanity Pressing about withdrawing into ones self and shutting out the outside world - giving a strange meaning to self-obession. | {
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} | Verse : The breathy, intimate vocal are laid over some experimental-tinged beats and electronics, [00:00.000]-[00:38.000] | Alt Verse : The alternate verse is a bit brighter and melodic, [00:38.001]-[00:57.000] | Verse : Back to the desolate, lonely verse, [00:57.001]-[01:25.013] | Vocal Interlude : A special shift up bridging the gap between the two verses, [01:25.014]-[01:44.013] | Alt Verse : The alternate verse returns with a bit more energy, [01:44.014]-[02:03.014] | Chorus : The chorus is kicked off by an array of echoing almost inhuman vocals stretching across synth work, [02:03.015]-[02:41.022] | Jams : As the echoing vocals proceed a melodic synth line plays the song out, [02:41.023]-[03:24.008] | null |
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