segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
02_02_seg_0008_track_02 | 7 | 02_02 | 2 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_05_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_02/02_02_seg_0008_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_04_wurlitzer.mid | 102.213 | 116.087 | 13.874 | true | true | Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. | Chorus 2 | combined | 102.213 | 116.087 | true | Start aligned to Bridge Jamz boundary at 102.213s | false | null | 17 | 102 | 20 | 0 | 0 | audio_midi | 02_02_2 | 140 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | Underrepresented Harmonics | 2019-01-11T00:00:00 | [03:34.071] | true | true | It's not too loud, it's merely deafening, the way the straight and narrow fall and send the past trembling The frogs, the lobsters they do venerate they will burn too, no more ash heap for them to renovate Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. The barricades are open, sand lies under stone. When you forge the world anew, you're next in line to dethrone. There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Foo Fighters, discogs_id: 198282, Swervedriver, discogs_id: 159997, Steely Dan, discogs_id: 160906 | liberating, exciting, dreamy, floating, cruising, joyous, skeptical | Alternative Rock, Noise Pop, Post-Rock, Rock | 02_02.lrc | This song was based on a book about Black music the avant-garde - but it pivots to address the, at the time, successful steps BLM was making. Oh well here we are in 2025. | {
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
02_02_seg_0008_track_03 | 7 | 02_02 | 3 | Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_02/02_02_seg_0008_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_08_cello.mid | 102.213 | 116.087 | 13.874 | true | true | Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. | Chorus 2 | combined | 102.213 | 116.087 | true | Start aligned to Bridge Jamz boundary at 102.213s | false | null | 17 | 102 | 20 | 0 | 0 | audio_midi | 02_02_3 | 140 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | Underrepresented Harmonics | 2019-01-11T00:00:00 | [03:34.071] | true | true | It's not too loud, it's merely deafening, the way the straight and narrow fall and send the past trembling The frogs, the lobsters they do venerate they will burn too, no more ash heap for them to renovate Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. The barricades are open, sand lies under stone. When you forge the world anew, you're next in line to dethrone. There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Foo Fighters, discogs_id: 198282, Swervedriver, discogs_id: 159997, Steely Dan, discogs_id: 160906 | liberating, exciting, dreamy, floating, cruising, joyous, skeptical | Alternative Rock, Noise Pop, Post-Rock, Rock | 02_02.lrc | This song was based on a book about Black music the avant-garde - but it pivots to address the, at the time, successful steps BLM was making. Oh well here we are in 2025. | {
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
02_02_seg_0008_track_04 | 7 | 02_02 | 4 | MkII Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_11_mkii_strings.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_02/02_02_seg_0008_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_10_mkii_strings.mid | 102.213 | 116.087 | 13.874 | true | true | Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. | Chorus 2 | combined | 102.213 | 116.087 | true | Start aligned to Bridge Jamz boundary at 102.213s | false | null | 17 | 102 | 20 | 0 | 0 | audio_midi | 02_02_4 | 140 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | Underrepresented Harmonics | 2019-01-11T00:00:00 | [03:34.071] | true | true | It's not too loud, it's merely deafening, the way the straight and narrow fall and send the past trembling The frogs, the lobsters they do venerate they will burn too, no more ash heap for them to renovate Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. The barricades are open, sand lies under stone. When you forge the world anew, you're next in line to dethrone. There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Foo Fighters, discogs_id: 198282, Swervedriver, discogs_id: 159997, Steely Dan, discogs_id: 160906 | liberating, exciting, dreamy, floating, cruising, joyous, skeptical | Alternative Rock, Noise Pop, Post-Rock, Rock | 02_02.lrc | This song was based on a book about Black music the avant-garde - but it pivots to address the, at the time, successful steps BLM was making. Oh well here we are in 2025. | {
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
02_02_seg_0008_track_06 | 7 | 02_02 | 6 | Rhythm Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_13_rhythm_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_02/02_02_seg_0008_track_06.wav | null | 102.213 | 116.087 | 13.874 | true | false | Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. | Chorus 2 | combined | 102.213 | 116.087 | true | Start aligned to Bridge Jamz boundary at 102.213s | false | null | 17 | 102 | 20 | 0 | 0 | audio_only | 02_02_6 | 140 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | Underrepresented Harmonics | 2019-01-11T00:00:00 | [03:34.071] | true | true | It's not too loud, it's merely deafening, the way the straight and narrow fall and send the past trembling The frogs, the lobsters they do venerate they will burn too, no more ash heap for them to renovate Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. The barricades are open, sand lies under stone. When you forge the world anew, you're next in line to dethrone. There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Foo Fighters, discogs_id: 198282, Swervedriver, discogs_id: 159997, Steely Dan, discogs_id: 160906 | liberating, exciting, dreamy, floating, cruising, joyous, skeptical | Alternative Rock, Noise Pop, Post-Rock, Rock | 02_02.lrc | This song was based on a book about Black music the avant-garde - but it pivots to address the, at the time, successful steps BLM was making. Oh well here we are in 2025. | {
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
02_02_seg_0008_track_07 | 7 | 02_02 | 7 | Baritone | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_14_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_02/02_02_seg_0008_track_07.wav | null | 102.213 | 116.087 | 13.874 | true | false | Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. | Chorus 2 | combined | 102.213 | 116.087 | true | Start aligned to Bridge Jamz boundary at 102.213s | false | null | 17 | 102 | 20 | 0 | 0 | audio_only | 02_02_7 | 140 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | Underrepresented Harmonics | 2019-01-11T00:00:00 | [03:34.071] | true | true | It's not too loud, it's merely deafening, the way the straight and narrow fall and send the past trembling The frogs, the lobsters they do venerate they will burn too, no more ash heap for them to renovate Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. The barricades are open, sand lies under stone. When you forge the world anew, you're next in line to dethrone. There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Foo Fighters, discogs_id: 198282, Swervedriver, discogs_id: 159997, Steely Dan, discogs_id: 160906 | liberating, exciting, dreamy, floating, cruising, joyous, skeptical | Alternative Rock, Noise Pop, Post-Rock, Rock | 02_02.lrc | This song was based on a book about Black music the avant-garde - but it pivots to address the, at the time, successful steps BLM was making. Oh well here we are in 2025. | {
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
02_02_seg_0008_track_08 | 7 | 02_02 | 8 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_02/02_02_seg_0008_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_15_synth_bass.mid | 102.213 | 116.087 | 13.874 | true | true | Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. | Chorus 2 | combined | 102.213 | 116.087 | true | Start aligned to Bridge Jamz boundary at 102.213s | false | null | 17 | 102 | 20 | 0 | 0 | audio_midi | 02_02_8 | 140 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | Underrepresented Harmonics | 2019-01-11T00:00:00 | [03:34.071] | true | true | It's not too loud, it's merely deafening, the way the straight and narrow fall and send the past trembling The frogs, the lobsters they do venerate they will burn too, no more ash heap for them to renovate Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. The barricades are open, sand lies under stone. When you forge the world anew, you're next in line to dethrone. There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Foo Fighters, discogs_id: 198282, Swervedriver, discogs_id: 159997, Steely Dan, discogs_id: 160906 | liberating, exciting, dreamy, floating, cruising, joyous, skeptical | Alternative Rock, Noise Pop, Post-Rock, Rock | 02_02.lrc | This song was based on a book about Black music the avant-garde - but it pivots to address the, at the time, successful steps BLM was making. Oh well here we are in 2025. | {
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
02_02_seg_0008_track_09 | 7 | 02_02 | 9 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_19_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_02/02_02_seg_0008_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_18_drums.mid | 102.213 | 116.087 | 13.874 | true | true | Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. | Chorus 2 | combined | 102.213 | 116.087 | true | Start aligned to Bridge Jamz boundary at 102.213s | false | null | 17 | 102 | 20 | 0 | 0 | audio_midi | 02_02_9 | 140 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | Underrepresented Harmonics | 2019-01-11T00:00:00 | [03:34.071] | true | true | It's not too loud, it's merely deafening, the way the straight and narrow fall and send the past trembling The frogs, the lobsters they do venerate they will burn too, no more ash heap for them to renovate Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. The barricades are open, sand lies under stone. When you forge the world anew, you're next in line to dethrone. There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Foo Fighters, discogs_id: 198282, Swervedriver, discogs_id: 159997, Steely Dan, discogs_id: 160906 | liberating, exciting, dreamy, floating, cruising, joyous, skeptical | Alternative Rock, Noise Pop, Post-Rock, Rock | 02_02.lrc | This song was based on a book about Black music the avant-garde - but it pivots to address the, at the time, successful steps BLM was making. Oh well here we are in 2025. | {
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
02_02_seg_0008_track_11 | 7 | 02_02 | 11 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_21_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_02/02_02_seg_0008_track_11.wav | null | 102.213 | 116.087 | 13.874 | true | false | Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. | Chorus 2 | combined | 102.213 | 116.087 | true | Start aligned to Bridge Jamz boundary at 102.213s | false | null | 17 | 102 | 20 | 0 | 0 | audio_only | 02_02_11 | 140 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | Underrepresented Harmonics | 2019-01-11T00:00:00 | [03:34.071] | true | true | It's not too loud, it's merely deafening, the way the straight and narrow fall and send the past trembling The frogs, the lobsters they do venerate they will burn too, no more ash heap for them to renovate Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. The barricades are open, sand lies under stone. When you forge the world anew, you're next in line to dethrone. There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Foo Fighters, discogs_id: 198282, Swervedriver, discogs_id: 159997, Steely Dan, discogs_id: 160906 | liberating, exciting, dreamy, floating, cruising, joyous, skeptical | Alternative Rock, Noise Pop, Post-Rock, Rock | 02_02.lrc | This song was based on a book about Black music the avant-garde - but it pivots to address the, at the time, successful steps BLM was making. Oh well here we are in 2025. | {
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
02_02_seg_0009_track_06 | 8 | 02_02 | 6 | Rhythm Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_13_rhythm_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_02/02_02_seg_0009_track_06.wav | null | 116.087 | 130.072 | 13.985 | true | false | Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. | Chorus 2 | combined | 116.087 | 131.007 | true | End aligned to Verse 2 boundary at 130.072s | false | null | 19 | 102 | 20 | 0 | -0.935 | audio_only | 02_02_6 | 140 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | Underrepresented Harmonics | 2019-01-11T00:00:00 | [03:34.071] | true | true | It's not too loud, it's merely deafening, the way the straight and narrow fall and send the past trembling The frogs, the lobsters they do venerate they will burn too, no more ash heap for them to renovate Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. The barricades are open, sand lies under stone. When you forge the world anew, you're next in line to dethrone. There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Foo Fighters, discogs_id: 198282, Swervedriver, discogs_id: 159997, Steely Dan, discogs_id: 160906 | liberating, exciting, dreamy, floating, cruising, joyous, skeptical | Alternative Rock, Noise Pop, Post-Rock, Rock | 02_02.lrc | This song was based on a book about Black music the avant-garde - but it pivots to address the, at the time, successful steps BLM was making. Oh well here we are in 2025. | {
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null |
02_02_seg_0011_track_01 | 10 | 02_02 | 1 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_03_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_02/02_02_seg_0011_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_02_arp.mid | 144.052 | 147.052 | 3 | true | true | There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Verse 2 | combined | 144.052 | 147.052 | false | false | null | 23 | 112 | 22 | 0 | 0 | audio_midi | 02_02_1 | 140 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | Underrepresented Harmonics | 2019-01-11T00:00:00 | [03:34.071] | true | true | It's not too loud, it's merely deafening, the way the straight and narrow fall and send the past trembling The frogs, the lobsters they do venerate they will burn too, no more ash heap for them to renovate Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. The barricades are open, sand lies under stone. When you forge the world anew, you're next in line to dethrone. There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Foo Fighters, discogs_id: 198282, Swervedriver, discogs_id: 159997, Steely Dan, discogs_id: 160906 | liberating, exciting, dreamy, floating, cruising, joyous, skeptical | Alternative Rock, Noise Pop, Post-Rock, Rock | 02_02.lrc | This song was based on a book about Black music the avant-garde - but it pivots to address the, at the time, successful steps BLM was making. Oh well here we are in 2025. | {
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null | |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null | |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null | |
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null | |
02_02_seg_0011_track_11 | 10 | 02_02 | 11 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_02/02_02_21_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_02/02_02_seg_0011_track_11.wav | null | 144.052 | 147.052 | 3 | true | false | There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Verse 2 | combined | 144.052 | 147.052 | false | false | null | 23 | 112 | 22 | 0 | 0 | audio_only | 02_02_11 | 140 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | Underrepresented Harmonics | 2019-01-11T00:00:00 | [03:34.071] | true | true | It's not too loud, it's merely deafening, the way the straight and narrow fall and send the past trembling The frogs, the lobsters they do venerate they will burn too, no more ash heap for them to renovate Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. Tall, white columns topple down most every day. I'd like nothing more than to just get out of the way. The barricades are open, sand lies under stone. When you forge the world anew, you're next in line to dethrone. There's poison in the cradles, jet fighters in the lake. So go now and tear up fables, just don't take the bait. | Foo Fighters, discogs_id: 198282, Swervedriver, discogs_id: 159997, Steely Dan, discogs_id: 160906 | liberating, exciting, dreamy, floating, cruising, joyous, skeptical | Alternative Rock, Noise Pop, Post-Rock, Rock | 02_02.lrc | This song was based on a book about Black music the avant-garde - but it pivots to address the, at the time, successful steps BLM was making. Oh well here we are in 2025. | {
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} | Intro : A filtered submix of synths and guitars starts giving a strobing, futuristic vibe to the song. The drums kick in with driving beat., [00:00.000]-[00:27.105] | Verse 1 : The vocals enter with a laid back, dreamy feel., [00:27.106]-[00:54.213] | Chorus 1 : During the chorus the vocals echo through dub-like sends, ricocheting the synths., [00:54.214]-[01:22.071] | Bridge Jamz : A flurry of arps and drums give a space-cruising sound., [01:22.072]-[01:42.213] | Chorus 2 : The vocals return with more intensity and the synths swell up., [01:42.214]-[02:10.071] | Verse 2 : The vocals return this time with more urgency., [02:10.072]-[02:37.176] | Chorus Jamz : There's a guitar line turned up in the mix the struts its stuff, [02:37.177]-[03:03.105] | Outro : All instruments plunge into the mad rush before the song fades., [03:03.106]-[03:34.071] | null | |
02_03_seg_0001_track_01 | 0 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0001_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 8.143 | 17.167 | 9.024 | true | true | Goodbye, good luck my darling, don't forget your secret mission. | Verse 1 | combined | 9.03 | 17.167 | true | Start aligned to Verse 1 boundary at 8.143s | false | null | 5 | 64 | 10 | -0.887 | 0 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0001_track_02 | 0 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0001_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 8.143 | 17.167 | 9.024 | true | true | Goodbye, good luck my darling, don't forget your secret mission. | Verse 1 | combined | 9.03 | 17.167 | true | Start aligned to Verse 1 boundary at 8.143s | false | null | 5 | 64 | 10 | -0.887 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0001_track_06 | 0 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0001_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 8.143 | 17.167 | 9.024 | true | true | Goodbye, good luck my darling, don't forget your secret mission. | Verse 1 | combined | 9.03 | 17.167 | true | Start aligned to Verse 1 boundary at 8.143s | false | null | 5 | 64 | 10 | -0.887 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0001_track_09 | 0 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0001_track_09.wav | null | 8.143 | 17.167 | 9.024 | true | false | Goodbye, good luck my darling, don't forget your secret mission. | Verse 1 | combined | 9.03 | 17.167 | true | Start aligned to Verse 1 boundary at 8.143s | false | null | 5 | 64 | 10 | -0.887 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0001_track_12 | 0 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0001_track_12.wav | null | 8.143 | 17.167 | 9.024 | true | false | Goodbye, good luck my darling, don't forget your secret mission. | Verse 1 | combined | 9.03 | 17.167 | true | Start aligned to Verse 1 boundary at 8.143s | false | null | 5 | 64 | 10 | -0.887 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0001_track_14 | 0 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0001_track_14.wav | null | 8.143 | 17.167 | 9.024 | true | false | Goodbye, good luck my darling, don't forget your secret mission. | Verse 1 | combined | 9.03 | 17.167 | true | Start aligned to Verse 1 boundary at 8.143s | false | null | 5 | 64 | 10 | -0.887 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0001_track_16 | 0 | 02_03 | 16 | Deep Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_22_deep_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0001_track_16.wav | null | 8.143 | 17.167 | 9.024 | true | false | Goodbye, good luck my darling, don't forget your secret mission. | Verse 1 | combined | 9.03 | 17.167 | true | Start aligned to Verse 1 boundary at 8.143s | false | null | 5 | 64 | 10 | -0.887 | 0 | audio_only | 02_03_16 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0001_track_17 | 0 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0001_track_17.wav | null | 8.143 | 17.167 | 9.024 | true | false | Goodbye, good luck my darling, don't forget your secret mission. | Verse 1 | combined | 9.03 | 17.167 | true | Start aligned to Verse 1 boundary at 8.143s | false | null | 5 | 64 | 10 | -0.887 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0002_track_01 | 1 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0002_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 17.167 | 25.177 | 8.01 | true | true | Don't panic when the process is starting, prepare yourself for superposition. | Verse 1 | combined | 17.167 | 26.062 | true | End aligned to Alterverse boundary at 25.177s | false | null | 7 | 77 | 11 | 0 | -0.885 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0002_track_02 | 1 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0002_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 17.167 | 25.177 | 8.01 | true | true | Don't panic when the process is starting, prepare yourself for superposition. | Verse 1 | combined | 17.167 | 26.062 | true | End aligned to Alterverse boundary at 25.177s | false | null | 7 | 77 | 11 | 0 | -0.885 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0002_track_06 | 1 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0002_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 17.167 | 25.177 | 8.01 | true | true | Don't panic when the process is starting, prepare yourself for superposition. | Verse 1 | combined | 17.167 | 26.062 | true | End aligned to Alterverse boundary at 25.177s | false | null | 7 | 77 | 11 | 0 | -0.885 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0002_track_09 | 1 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0002_track_09.wav | null | 17.167 | 25.177 | 8.01 | true | false | Don't panic when the process is starting, prepare yourself for superposition. | Verse 1 | combined | 17.167 | 26.062 | true | End aligned to Alterverse boundary at 25.177s | false | null | 7 | 77 | 11 | 0 | -0.885 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0002_track_12 | 1 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0002_track_12.wav | null | 17.167 | 25.177 | 8.01 | true | false | Don't panic when the process is starting, prepare yourself for superposition. | Verse 1 | combined | 17.167 | 26.062 | true | End aligned to Alterverse boundary at 25.177s | false | null | 7 | 77 | 11 | 0 | -0.885 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0002_track_14 | 1 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0002_track_14.wav | null | 17.167 | 25.177 | 8.01 | true | false | Don't panic when the process is starting, prepare yourself for superposition. | Verse 1 | combined | 17.167 | 26.062 | true | End aligned to Alterverse boundary at 25.177s | false | null | 7 | 77 | 11 | 0 | -0.885 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0002_track_17 | 1 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0002_track_17.wav | null | 17.167 | 25.177 | 8.01 | true | false | Don't panic when the process is starting, prepare yourself for superposition. | Verse 1 | combined | 17.167 | 26.062 | true | End aligned to Alterverse boundary at 25.177s | false | null | 7 | 77 | 11 | 0 | -0.885 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0003_track_01 | 2 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0003_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 25.177 | 30 | 4.823 | true | true | Now, settle down your sensor membrane. | Alterverse | combined | 26.062 | 30 | true | Start aligned to Alterverse boundary at 25.177s | false | null | 9 | 38 | 6 | -0.885 | 0 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0003_track_02 | 2 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0003_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 25.177 | 30 | 4.823 | true | true | Now, settle down your sensor membrane. | Alterverse | combined | 26.062 | 30 | true | Start aligned to Alterverse boundary at 25.177s | false | null | 9 | 38 | 6 | -0.885 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0003_track_05 | 2 | 02_03 | 5 | Melody Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_09_melody_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0003_track_05.wav | null | 25.177 | 30 | 4.823 | true | false | Now, settle down your sensor membrane. | Alterverse | combined | 26.062 | 30 | true | Start aligned to Alterverse boundary at 25.177s | false | null | 9 | 38 | 6 | -0.885 | 0 | audio_only | 02_03_5 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0003_track_06 | 2 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0003_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 25.177 | 30 | 4.823 | true | true | Now, settle down your sensor membrane. | Alterverse | combined | 26.062 | 30 | true | Start aligned to Alterverse boundary at 25.177s | false | null | 9 | 38 | 6 | -0.885 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0003_track_09 | 2 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0003_track_09.wav | null | 25.177 | 30 | 4.823 | true | false | Now, settle down your sensor membrane. | Alterverse | combined | 26.062 | 30 | true | Start aligned to Alterverse boundary at 25.177s | false | null | 9 | 38 | 6 | -0.885 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0003_track_12 | 2 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0003_track_12.wav | null | 25.177 | 30 | 4.823 | true | false | Now, settle down your sensor membrane. | Alterverse | combined | 26.062 | 30 | true | Start aligned to Alterverse boundary at 25.177s | false | null | 9 | 38 | 6 | -0.885 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0003_track_14 | 2 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0003_track_14.wav | null | 25.177 | 30 | 4.823 | true | false | Now, settle down your sensor membrane. | Alterverse | combined | 26.062 | 30 | true | Start aligned to Alterverse boundary at 25.177s | false | null | 9 | 38 | 6 | -0.885 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0003_track_15 | 2 | 02_03 | 15 | Double Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_21_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0003_track_15.wav | null | 25.177 | 30 | 4.823 | true | false | Now, settle down your sensor membrane. | Alterverse | combined | 26.062 | 30 | true | Start aligned to Alterverse boundary at 25.177s | false | null | 9 | 38 | 6 | -0.885 | 0 | audio_only | 02_03_15 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0003_track_17 | 2 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0003_track_17.wav | null | 25.177 | 30 | 4.823 | true | false | Now, settle down your sensor membrane. | Alterverse | combined | 26.062 | 30 | true | Start aligned to Alterverse boundary at 25.177s | false | null | 9 | 38 | 6 | -0.885 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0004_track_01 | 3 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0004_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 30 | 42.044 | 12.044 | true | true | I think you know this venture's insane and the pleasure stream won't broadcast for long. | Alterverse | combined | 30 | 42.044 | false | false | null | 11 | 88 | 15 | 0 | 0 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0004_track_02 | 3 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0004_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 30 | 42.044 | 12.044 | true | true | I think you know this venture's insane and the pleasure stream won't broadcast for long. | Alterverse | combined | 30 | 42.044 | false | false | null | 11 | 88 | 15 | 0 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0004_track_05 | 3 | 02_03 | 5 | Melody Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_09_melody_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0004_track_05.wav | null | 30 | 42.044 | 12.044 | true | false | I think you know this venture's insane and the pleasure stream won't broadcast for long. | Alterverse | combined | 30 | 42.044 | false | false | null | 11 | 88 | 15 | 0 | 0 | audio_only | 02_03_5 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0004_track_06 | 3 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0004_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 30 | 42.044 | 12.044 | true | true | I think you know this venture's insane and the pleasure stream won't broadcast for long. | Alterverse | combined | 30 | 42.044 | false | false | null | 11 | 88 | 15 | 0 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0004_track_09 | 3 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0004_track_09.wav | null | 30 | 42.044 | 12.044 | true | false | I think you know this venture's insane and the pleasure stream won't broadcast for long. | Alterverse | combined | 30 | 42.044 | false | false | null | 11 | 88 | 15 | 0 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0004_track_12 | 3 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0004_track_12.wav | null | 30 | 42.044 | 12.044 | true | false | I think you know this venture's insane and the pleasure stream won't broadcast for long. | Alterverse | combined | 30 | 42.044 | false | false | null | 11 | 88 | 15 | 0 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0004_track_14 | 3 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0004_track_14.wav | null | 30 | 42.044 | 12.044 | true | false | I think you know this venture's insane and the pleasure stream won't broadcast for long. | Alterverse | combined | 30 | 42.044 | false | false | null | 11 | 88 | 15 | 0 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0004_track_15 | 3 | 02_03 | 15 | Double Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_21_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0004_track_15.wav | null | 30 | 42.044 | 12.044 | true | false | I think you know this venture's insane and the pleasure stream won't broadcast for long. | Alterverse | combined | 30 | 42.044 | false | false | null | 11 | 88 | 15 | 0 | 0 | audio_only | 02_03_15 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0004_track_17 | 3 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0004_track_17.wav | null | 30 | 42.044 | 12.044 | true | false | I think you know this venture's insane and the pleasure stream won't broadcast for long. | Alterverse | combined | 30 | 42.044 | false | false | null | 11 | 88 | 15 | 0 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0005_track_01 | 4 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0005_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 42.044 | 47.11 | 5.066 | true | true | See, time won't let you center-maintain | Alterverse | combined | 42.044 | 47.11 | false | false | null | 13 | 39 | 6 | 0 | 0 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0005_track_02 | 4 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0005_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 42.044 | 47.11 | 5.066 | true | true | See, time won't let you center-maintain | Alterverse | combined | 42.044 | 47.11 | false | false | null | 13 | 39 | 6 | 0 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0005_track_05 | 4 | 02_03 | 5 | Melody Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_09_melody_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0005_track_05.wav | null | 42.044 | 47.11 | 5.066 | true | false | See, time won't let you center-maintain | Alterverse | combined | 42.044 | 47.11 | false | false | null | 13 | 39 | 6 | 0 | 0 | audio_only | 02_03_5 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0005_track_06 | 4 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0005_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 42.044 | 47.11 | 5.066 | true | true | See, time won't let you center-maintain | Alterverse | combined | 42.044 | 47.11 | false | false | null | 13 | 39 | 6 | 0 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0005_track_09 | 4 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0005_track_09.wav | null | 42.044 | 47.11 | 5.066 | true | false | See, time won't let you center-maintain | Alterverse | combined | 42.044 | 47.11 | false | false | null | 13 | 39 | 6 | 0 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0005_track_12 | 4 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0005_track_12.wav | null | 42.044 | 47.11 | 5.066 | true | false | See, time won't let you center-maintain | Alterverse | combined | 42.044 | 47.11 | false | false | null | 13 | 39 | 6 | 0 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0005_track_14 | 4 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0005_track_14.wav | null | 42.044 | 47.11 | 5.066 | true | false | See, time won't let you center-maintain | Alterverse | combined | 42.044 | 47.11 | false | false | null | 13 | 39 | 6 | 0 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0005_track_15 | 4 | 02_03 | 15 | Double Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_21_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0005_track_15.wav | null | 42.044 | 47.11 | 5.066 | true | false | See, time won't let you center-maintain | Alterverse | combined | 42.044 | 47.11 | false | false | null | 13 | 39 | 6 | 0 | 0 | audio_only | 02_03_15 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0005_track_17 | 4 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0005_track_17.wav | null | 42.044 | 47.11 | 5.066 | true | false | See, time won't let you center-maintain | Alterverse | combined | 42.044 | 47.11 | false | false | null | 13 | 39 | 6 | 0 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0006_track_01 | 5 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0006_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 47.11 | 51.04 | 3.93 | true | true | Dispensing lives like St. Germain | Alterverse | combined | 47.11 | 51.04 | false | false | null | 15 | 33 | 5 | 0 | 0 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0006_track_02 | 5 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0006_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 47.11 | 51.04 | 3.93 | true | true | Dispensing lives like St. Germain | Alterverse | combined | 47.11 | 51.04 | false | false | null | 15 | 33 | 5 | 0 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0006_track_05 | 5 | 02_03 | 5 | Melody Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_09_melody_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0006_track_05.wav | null | 47.11 | 51.04 | 3.93 | true | false | Dispensing lives like St. Germain | Alterverse | combined | 47.11 | 51.04 | false | false | null | 15 | 33 | 5 | 0 | 0 | audio_only | 02_03_5 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0006_track_06 | 5 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0006_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 47.11 | 51.04 | 3.93 | true | true | Dispensing lives like St. Germain | Alterverse | combined | 47.11 | 51.04 | false | false | null | 15 | 33 | 5 | 0 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0006_track_09 | 5 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0006_track_09.wav | null | 47.11 | 51.04 | 3.93 | true | false | Dispensing lives like St. Germain | Alterverse | combined | 47.11 | 51.04 | false | false | null | 15 | 33 | 5 | 0 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0006_track_12 | 5 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0006_track_12.wav | null | 47.11 | 51.04 | 3.93 | true | false | Dispensing lives like St. Germain | Alterverse | combined | 47.11 | 51.04 | false | false | null | 15 | 33 | 5 | 0 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0006_track_14 | 5 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0006_track_14.wav | null | 47.11 | 51.04 | 3.93 | true | false | Dispensing lives like St. Germain | Alterverse | combined | 47.11 | 51.04 | false | false | null | 15 | 33 | 5 | 0 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0006_track_17 | 5 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0006_track_17.wav | null | 47.11 | 51.04 | 3.93 | true | false | Dispensing lives like St. Germain | Alterverse | combined | 47.11 | 51.04 | false | false | null | 15 | 33 | 5 | 0 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0007_track_01 | 6 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0007_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 51.04 | 57.214 | 6.174 | true | true | The future is present, now it's your rite to wrong. | Alterverse | combined | 51.04 | 58.136 | true | End aligned to Bridge 1 boundary at 57.214s | false | null | 17 | 51 | 10 | 0 | -0.922 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0007_track_02 | 6 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0007_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 51.04 | 57.214 | 6.174 | true | true | The future is present, now it's your rite to wrong. | Alterverse | combined | 51.04 | 58.136 | true | End aligned to Bridge 1 boundary at 57.214s | false | null | 17 | 51 | 10 | 0 | -0.922 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0007_track_05 | 6 | 02_03 | 5 | Melody Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_09_melody_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0007_track_05.wav | null | 51.04 | 57.214 | 6.174 | true | false | The future is present, now it's your rite to wrong. | Alterverse | combined | 51.04 | 58.136 | true | End aligned to Bridge 1 boundary at 57.214s | false | null | 17 | 51 | 10 | 0 | -0.922 | audio_only | 02_03_5 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0007_track_06 | 6 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0007_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 51.04 | 57.214 | 6.174 | true | true | The future is present, now it's your rite to wrong. | Alterverse | combined | 51.04 | 58.136 | true | End aligned to Bridge 1 boundary at 57.214s | false | null | 17 | 51 | 10 | 0 | -0.922 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0007_track_09 | 6 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0007_track_09.wav | null | 51.04 | 57.214 | 6.174 | true | false | The future is present, now it's your rite to wrong. | Alterverse | combined | 51.04 | 58.136 | true | End aligned to Bridge 1 boundary at 57.214s | false | null | 17 | 51 | 10 | 0 | -0.922 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0007_track_12 | 6 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0007_track_12.wav | null | 51.04 | 57.214 | 6.174 | true | false | The future is present, now it's your rite to wrong. | Alterverse | combined | 51.04 | 58.136 | true | End aligned to Bridge 1 boundary at 57.214s | false | null | 17 | 51 | 10 | 0 | -0.922 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0007_track_14 | 6 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0007_track_14.wav | null | 51.04 | 57.214 | 6.174 | true | false | The future is present, now it's your rite to wrong. | Alterverse | combined | 51.04 | 58.136 | true | End aligned to Bridge 1 boundary at 57.214s | false | null | 17 | 51 | 10 | 0 | -0.922 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0007_track_15 | 6 | 02_03 | 15 | Double Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_21_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0007_track_15.wav | null | 51.04 | 57.214 | 6.174 | true | false | The future is present, now it's your rite to wrong. | Alterverse | combined | 51.04 | 58.136 | true | End aligned to Bridge 1 boundary at 57.214s | false | null | 17 | 51 | 10 | 0 | -0.922 | audio_only | 02_03_15 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0007_track_17 | 6 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0007_track_17.wav | null | 51.04 | 57.214 | 6.174 | true | false | The future is present, now it's your rite to wrong. | Alterverse | combined | 51.04 | 58.136 | true | End aligned to Bridge 1 boundary at 57.214s | false | null | 17 | 51 | 10 | 0 | -0.922 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0008_track_01 | 7 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0008_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 57.214 | 66.237 | 9.023 | true | true | Again. Again this time | Bridge 1 | combined | 58.136 | 66.237 | true | Start aligned to Bridge 1 boundary at 57.214s | false | null | 19 | 22 | 4 | -0.922 | 0 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0008_track_02 | 7 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0008_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 57.214 | 66.237 | 9.023 | true | true | Again. Again this time | Bridge 1 | combined | 58.136 | 66.237 | true | Start aligned to Bridge 1 boundary at 57.214s | false | null | 19 | 22 | 4 | -0.922 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0008_track_03 | 7 | 02_03 | 3 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_06_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0008_track_03.wav | null | 57.214 | 66.237 | 9.023 | true | false | Again. Again this time | Bridge 1 | combined | 58.136 | 66.237 | true | Start aligned to Bridge 1 boundary at 57.214s | false | null | 19 | 22 | 4 | -0.922 | 0 | audio_only | 02_03_3 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0008_track_06 | 7 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0008_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 57.214 | 66.237 | 9.023 | true | true | Again. Again this time | Bridge 1 | combined | 58.136 | 66.237 | true | Start aligned to Bridge 1 boundary at 57.214s | false | null | 19 | 22 | 4 | -0.922 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0008_track_09 | 7 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0008_track_09.wav | null | 57.214 | 66.237 | 9.023 | true | false | Again. Again this time | Bridge 1 | combined | 58.136 | 66.237 | true | Start aligned to Bridge 1 boundary at 57.214s | false | null | 19 | 22 | 4 | -0.922 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
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"concept_length": 259,
"discrepancy_intensity": 0,
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"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
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"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.9607843137254901,
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"track_duration": 212.221,
"track_id": "02_03",
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"word_count": 51
} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0008_track_12 | 7 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0008_track_12.wav | null | 57.214 | 66.237 | 9.023 | true | false | Again. Again this time | Bridge 1 | combined | 58.136 | 66.237 | true | Start aligned to Bridge 1 boundary at 57.214s | false | null | 19 | 22 | 4 | -0.922 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.9607843137254901,
"rebracketing_type": "causal",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 212.221,
"track_id": "02_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 51
} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
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