segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
02_03_seg_0019_track_02 | 18 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 165.122 | 174.025 | 8.903 | true | true | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0019_track_03 | 18 | 02_03 | 3 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_06_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_03.wav | null | 165.122 | 174.025 | 8.903 | true | false | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_only | 02_03_3 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0019_track_06 | 18 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 165.122 | 174.025 | 8.903 | true | true | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0019_track_09 | 18 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_09.wav | null | 165.122 | 174.025 | 8.903 | true | false | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0019_track_12 | 18 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_12.wav | null | 165.122 | 174.025 | 8.903 | true | false | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0019_track_14 | 18 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_14.wav | null | 165.122 | 174.025 | 8.903 | true | false | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0019_track_15 | 18 | 02_03 | 15 | Double Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_21_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_15.wav | null | 165.122 | 174.025 | 8.903 | true | false | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_only | 02_03_15 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0019_track_17 | 18 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_17.wav | null | 165.122 | 174.025 | 8.903 | true | false | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null | |
02_03_seg_0020_track_01 | 19 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 174.025 | 182.035 | 8.01 | true | true | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0020_track_02 | 19 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 174.025 | 182.035 | 8.01 | true | true | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0020_track_03 | 19 | 02_03 | 3 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_06_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_03.wav | null | 174.025 | 182.035 | 8.01 | true | false | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_only | 02_03_3 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0020_track_06 | 19 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 174.025 | 182.035 | 8.01 | true | true | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0020_track_09 | 19 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_09.wav | null | 174.025 | 182.035 | 8.01 | true | false | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0020_track_12 | 19 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_12.wav | null | 174.025 | 182.035 | 8.01 | true | false | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0020_track_14 | 19 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_14.wav | null | 174.025 | 182.035 | 8.01 | true | false | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0020_track_15 | 19 | 02_03 | 15 | Double Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_21_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_15.wav | null | 174.025 | 182.035 | 8.01 | true | false | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_only | 02_03_15 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0020_track_17 | 19 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_17.wav | null | 174.025 | 182.035 | 8.01 | true | false | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0021_track_01 | 20 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 182.035 | 191.021 | 8.986 | true | true | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0021_track_02 | 20 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 182.035 | 191.021 | 8.986 | true | true | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0021_track_04 | 20 | 02_03 | 4 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_08_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_07_dx7.mid | 182.035 | 191.021 | 8.986 | true | true | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_midi | 02_03_4 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0021_track_05 | 20 | 02_03 | 5 | Melody Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_09_melody_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_05.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_5 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0021_track_06 | 20 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 182.035 | 191.021 | 8.986 | true | true | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0021_track_08 | 20 | 02_03 | 8 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_13_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_08.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_8 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0021_track_09 | 20 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_09.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0021_track_12 | 20 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_12.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0021_track_14 | 20 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_14.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0021_track_15 | 20 | 02_03 | 15 | Double Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_21_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_15.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_15 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0021_track_16 | 20 | 02_03 | 16 | Deep Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_22_deep_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_16.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_16 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0021_track_17 | 20 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_17.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0022_track_01 | 21 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 191.021 | 199.071 | 8.05 | true | true | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0022_track_02 | 21 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 191.021 | 199.071 | 8.05 | true | true | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0022_track_04 | 21 | 02_03 | 4 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_08_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_07_dx7.mid | 191.021 | 199.071 | 8.05 | true | true | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_midi | 02_03_4 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0022_track_05 | 21 | 02_03 | 5 | Melody Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_09_melody_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_05.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_5 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0022_track_06 | 21 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 191.021 | 199.071 | 8.05 | true | true | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0022_track_07 | 21 | 02_03 | 7 | Hi-hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_12_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_07.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_7 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0022_track_08 | 21 | 02_03 | 8 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_13_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_08.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_8 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0022_track_09 | 21 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_09.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0022_track_12 | 21 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_12.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0022_track_14 | 21 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_14.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0022_track_16 | 21 | 02_03 | 16 | Deep Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_22_deep_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_16.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_16 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0022_track_17 | 21 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_17.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_01 | 22 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 199.071 | 202.071 | 3 | true | true | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_02 | 22 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 199.071 | 202.071 | 3 | true | true | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_04 | 22 | 02_03 | 4 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_08_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_07_dx7.mid | 199.071 | 202.071 | 3 | true | true | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_midi | 02_03_4 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_05 | 22 | 02_03 | 5 | Melody Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_09_melody_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_05.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_5 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_06 | 22 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 199.071 | 202.071 | 3 | true | true | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_07 | 22 | 02_03 | 7 | Hi-hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_12_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_07.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_7 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_08 | 22 | 02_03 | 8 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_13_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_08.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_8 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_09 | 22 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_09.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_12 | 22 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_12.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_13 | 22 | 02_03 | 13 | Buchala Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_19_buchala.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_18_buchala.mid | 199.071 | 202.071 | 3 | true | true | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_midi | 02_03_13 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_14 | 22 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_14.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_15 | 22 | 02_03 | 15 | Double Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_21_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_15.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_15 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_03_seg_0023_track_17 | 22 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_17.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensing lives like St. Germain The future is present, now it's your rite to wrong. Again. Again this time Again. Again aligned to fall This is the way the arrow stalls Again. Again this time Again. Again aligned to fall This is the way the sleeper recalls I know it's late, Kate, but you can't hesitate You can't go where they stray, you have to wait for yesterday. Decoherence! Again. Again this time Again. Again aligned to fall This is the way the hero grows small I know it's late, Kate, but you can't hesitate. You can't go where they stray, you have to wait for yesterday. Decoherence! | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
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} | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back and melodic., [00:57.214]-[01:45.000] | Chorus 1 : The chorus comes in with a mechanical, blunt pace and the vocals reach high tenor range, [01:45.001]-[02:02.034] | Decohere 1 : The word "docoherence" passes through a chopping filter with scrambles it., [02:02.035]-[02:10.176] | Interlude : A small synth-heavy interlude bridges the two main sections of the song., [02:10.177]-[02:36.105] | Verse 2 : Back to the laid back vocals., [02:36.106]-[03:02.034] | Chorus 2 : The chorus returns with more intensity., [03:02.035]-[03:19.071] | Decohere 2 : The song ends with another passage of "docoherence" filtered and scrambled., [03:19.072]-[03:32.221] | null |
02_04_seg_0001_track_01 | 0 | 02_04 | 1 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_03_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0001_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_02_organ.mid | 0 | 6.045 | 6.045 | true | true | She's okay with the way she looks. | Verse 1 | combined | 0.14 | 6.045 | true | Start aligned to Verse 1 boundary at 0.000s | false | null | 5 | 34 | 7 | -0.14 | 0 | audio_midi | 02_04_1 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0001_track_02 | 0 | 02_04 | 2 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_05_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0001_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_04_wurlitzer.mid | 0 | 6.045 | 6.045 | true | true | She's okay with the way she looks. | Verse 1 | combined | 0.14 | 6.045 | true | Start aligned to Verse 1 boundary at 0.000s | false | null | 5 | 34 | 7 | -0.14 | 0 | audio_midi | 02_04_2 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
02_04_seg_0001_track_11 | 0 | 02_04 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0001_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid | 0 | 6.045 | 6.045 | true | true | She's okay with the way she looks. | Verse 1 | combined | 0.14 | 6.045 | true | Start aligned to Verse 1 boundary at 0.000s | false | null | 5 | 34 | 7 | -0.14 | 0 | audio_midi | 02_04_11 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0003_track_01 | 2 | 02_04 | 1 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_03_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0003_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_02_organ.mid | 12.14 | 24.14 | 12 | true | true | What she wrote, it's okay, but it's never going to make a careful listener's day. | Verse 1 | combined | 12.14 | 24.14 | false | false | null | 9 | 81 | 15 | 0 | 0 | audio_midi | 02_04_1 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0003_track_12 | 2 | 02_04 | 12 | Bongo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_17_bongo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0003_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_18_bongo.mid | 12.14 | 24.14 | 12 | true | false | What she wrote, it's okay, but it's never going to make a careful listener's day. | Verse 1 | combined | 12.14 | 24.14 | false | false | null | 9 | 81 | 15 | 0 | 0 | audio_only | 02_04_12 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0006_track_15 | 5 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0006_track_15.wav | null | 36.14 | 51.14 | 15 | true | false | Left alone a while, now to remember why she even liked his little, turgid smile | Verse 1 | combined | 36.14 | 51.14 | false | false | null | 15 | 79 | 15 | 0 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0007_track_01 | 6 | 02_04 | 1 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_03_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_02_organ.mid | 51.14 | 57.14 | 6 | true | true | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_midi | 02_04_1 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0007_track_03 | 6 | 02_04 | 3 | MkII Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_07_mkii.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_06_mkii.mid | 51.14 | 57.14 | 6 | true | true | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_midi | 02_04_3 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0007_track_09 | 6 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_09.wav | null | 51.14 | 57.14 | 6 | true | false | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null | |
02_04_seg_0007_track_10 | 6 | 02_04 | 10 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_14_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_10.wav | null | 51.14 | 57.14 | 6 | true | false | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_only | 02_04_10 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, It's worse than it looks See her looking with her eyes closed. See her looking like nobody knows that the movie was better than the book, Maybe it's something we all mistook. She's okay with the way sounds Purple vinyl spinning round and round Autographed, “To under hood” not sure she ever really understood. | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional text. | {
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} | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are added to the mix., [01:12.001]-[01:24.000] | Chorus 2 : The chorus returns with more intensity, as Shirley dreams of a better life., [01:24.001]-[02:08.101] | Verse 2 : Shirley cleans up and carries on, [02:08.102]-[02:12.000] | Bridge 2 : The saxophones return, lamenting Shirley's plight., [02:12.001]-[02:36.000] | Break : An odd stop and start, [02:36.001]-[02:42.000] | Outro Chorus Jamz : Then into a flurry of escalating guitars, saxes and synths., [02:42.001]-[03:12.225] | null |
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