segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
02_03_seg_0019_track_02 | 18 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 165.122 | 174.025 | 8.903 | true | true | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null | |
02_03_seg_0019_track_03 | 18 | 02_03 | 3 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_06_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_03.wav | null | 165.122 | 174.025 | 8.903 | true | false | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_only | 02_03_3 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null | |
02_03_seg_0019_track_06 | 18 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 165.122 | 174.025 | 8.903 | true | true | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null | |
02_03_seg_0019_track_09 | 18 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_09.wav | null | 165.122 | 174.025 | 8.903 | true | false | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null | |
02_03_seg_0019_track_12 | 18 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_12.wav | null | 165.122 | 174.025 | 8.903 | true | false | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null | |
02_03_seg_0019_track_14 | 18 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_14.wav | null | 165.122 | 174.025 | 8.903 | true | false | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null | |
02_03_seg_0019_track_15 | 18 | 02_03 | 15 | Double Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_21_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_15.wav | null | 165.122 | 174.025 | 8.903 | true | false | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_only | 02_03_15 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null | |
02_03_seg_0019_track_17 | 18 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0019_track_17.wav | null | 165.122 | 174.025 | 8.903 | true | false | Again. Again aligned to fall | Verse 2 | combined | 165.122 | 174.025 | false | false | null | 39 | 28 | 5 | 0 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null | |
02_03_seg_0020_track_01 | 19 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 174.025 | 182.035 | 8.01 | true | true | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0020_track_02 | 19 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 174.025 | 182.035 | 8.01 | true | true | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0020_track_03 | 19 | 02_03 | 3 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_06_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_03.wav | null | 174.025 | 182.035 | 8.01 | true | false | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_only | 02_03_3 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0020_track_06 | 19 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 174.025 | 182.035 | 8.01 | true | true | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0020_track_09 | 19 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_09.wav | null | 174.025 | 182.035 | 8.01 | true | false | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0020_track_12 | 19 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_12.wav | null | 174.025 | 182.035 | 8.01 | true | false | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0020_track_14 | 19 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_14.wav | null | 174.025 | 182.035 | 8.01 | true | false | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0020_track_15 | 19 | 02_03 | 15 | Double Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_21_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_15.wav | null | 174.025 | 182.035 | 8.01 | true | false | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_only | 02_03_15 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0020_track_17 | 19 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0020_track_17.wav | null | 174.025 | 182.035 | 8.01 | true | false | This is the way the hero grows small | Verse 2 | combined | 174.025 | 182.123 | true | End aligned to Chorus 2 boundary at 182.035s | false | null | 41 | 36 | 8 | 0 | -0.088 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0021_track_01 | 20 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 182.035 | 191.021 | 8.986 | true | true | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0021_track_02 | 20 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 182.035 | 191.021 | 8.986 | true | true | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0021_track_04 | 20 | 02_03 | 4 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_08_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_07_dx7.mid | 182.035 | 191.021 | 8.986 | true | true | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_midi | 02_03_4 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0021_track_05 | 20 | 02_03 | 5 | Melody Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_09_melody_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_05.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_5 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0021_track_06 | 20 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 182.035 | 191.021 | 8.986 | true | true | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0021_track_08 | 20 | 02_03 | 8 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_13_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_08.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_8 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0021_track_09 | 20 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_09.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0021_track_12 | 20 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_12.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0021_track_14 | 20 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_14.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0021_track_15 | 20 | 02_03 | 15 | Double Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_21_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_15.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_15 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0021_track_16 | 20 | 02_03 | 16 | Deep Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_22_deep_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_16.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_16 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0021_track_17 | 20 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0021_track_17.wav | null | 182.035 | 191.021 | 8.986 | true | false | I know it's late, Kate, but you can't hesitate. | Chorus 2 | combined | 182.123 | 191.021 | true | Start aligned to Chorus 2 boundary at 182.035s | false | null | 43 | 47 | 9 | -0.088 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0022_track_01 | 21 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 191.021 | 199.071 | 8.05 | true | true | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0022_track_02 | 21 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 191.021 | 199.071 | 8.05 | true | true | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0022_track_04 | 21 | 02_03 | 4 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_08_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_07_dx7.mid | 191.021 | 199.071 | 8.05 | true | true | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_midi | 02_03_4 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0022_track_05 | 21 | 02_03 | 5 | Melody Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_09_melody_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_05.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_5 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0022_track_06 | 21 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 191.021 | 199.071 | 8.05 | true | true | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0022_track_07 | 21 | 02_03 | 7 | Hi-hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_12_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_07.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_7 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0022_track_08 | 21 | 02_03 | 8 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_13_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_08.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_8 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0022_track_09 | 21 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_09.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0022_track_12 | 21 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_12.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0022_track_14 | 21 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_14.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0022_track_16 | 21 | 02_03 | 16 | Deep Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_22_deep_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_16.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_16 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0022_track_17 | 21 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0022_track_17.wav | null | 191.021 | 199.071 | 8.05 | true | false | You can't go where they stray, you have to wait for yesterday. | Chorus 2 | combined | 191.021 | 199.071 | true | End aligned to Chorus 2 boundary at 199.071s | false | null | 45 | 62 | 12 | 0 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_01 | 22 | 02_03 | 1 | Warbly Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_03_warble.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_02_warble.mid | 199.071 | 202.071 | 3 | true | true | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_midi | 02_03_1 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_02 | 22 | 02_03 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_05_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_04_synth_bass.mid | 199.071 | 202.071 | 3 | true | true | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_midi | 02_03_2 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_04 | 22 | 02_03 | 4 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_08_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_07_dx7.mid | 199.071 | 202.071 | 3 | true | true | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_midi | 02_03_4 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_05 | 22 | 02_03 | 5 | Melody Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_09_melody_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_05.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_5 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_06 | 22 | 02_03 | 6 | Faux Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_11_faux_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_10_faux_drums.mid | 199.071 | 202.071 | 3 | true | true | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_midi | 02_03_6 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_07 | 22 | 02_03 | 7 | Hi-hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_12_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_07.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_7 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_08 | 22 | 02_03 | 8 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_13_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_08.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_8 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_09 | 22 | 02_03 | 9 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_14_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_09.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_9 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_12 | 22 | 02_03 | 12 | All Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_17_all_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_12.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_12 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_13 | 22 | 02_03 | 13 | Buchala Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_19_buchala.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_18_buchala.mid | 199.071 | 202.071 | 3 | true | true | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_midi | 02_03_13 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_14 | 22 | 02_03 | 14 | Main Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_20_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_14.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_14 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_15 | 22 | 02_03 | 15 | Double Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_21_dbl_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_15.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_15 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_03_seg_0023_track_17 | 22 | 02_03 | 17 | BG Vox | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_03/02_03_23_bg_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_03/02_03_seg_0023_track_17.wav | null | 199.071 | 202.071 | 3 | true | false | Decoherence! | Decohere 2 | combined | 199.071 | 202.071 | true | Start aligned to Chorus 2 boundary at 199.071s | false | null | 47 | 12 | 1 | 0 | 0 | audio_only | 02_03_17 | 112 | 4 | 4 | F | minor | Red | Past | Thing | Known | null | She Waits For Yesterday | 2019-01-11T00:00:00 | [03:32.221] | true | true | Goodbye, good luck my darling, don't forget your secret mission. Don't panic when the process is starting, prepare yourself for superposition. Now, settle down your sensor membrane. I think you know this venture's insane and the pleasure stream won't broadcast for long. See, time won't let you center-maintain Dispensin... | Gary Numan, discogs_id: 12588, Brian Eno, discogs_id: 634, Devo, discogs_id: 12834 | Kitschy, Retro, Pulpy, Quirky, Sci Fi, Adventurous, Weird | Synthpop, Rock, No Wave, Noise Pop | 02_03.lrc | Based on the Phillip K. Dick books that line my shelves, this song also plays with the Ray-Gun synth, 70s rock I love so much. I was given some very negative feedback on the mix but I think it was from some young kid who dreams of being a rock "professional". | {
"album_sequence": 2,
"avg_word_length": 4.098039215686274,
"boundary_fluidity_score": 0,
"concept_length": 259,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Intro : Warbly, cheesy synths kick off this sci-fi-y song., [00:00.000]-[00:08.142] | Verse 1 : Gabe's ragged vocals enter, setting the stage., [00:08.143]-[00:25.176] | Alterverse : This go a bit mellow and minor here as the song progresses., [00:25.177]-[00:57.213] | Bridge 1 : The bridge gets a bit more laid back an... | null |
02_04_seg_0001_track_01 | 0 | 02_04 | 1 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_03_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0001_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_02_organ.mid | 0 | 6.045 | 6.045 | true | true | She's okay with the way she looks. | Verse 1 | combined | 0.14 | 6.045 | true | Start aligned to Verse 1 boundary at 0.000s | false | null | 5 | 34 | 7 | -0.14 | 0 | audio_midi | 02_04_1 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null |
02_04_seg_0001_track_02 | 0 | 02_04 | 2 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_05_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0001_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_04_wurlitzer.mid | 0 | 6.045 | 6.045 | true | true | She's okay with the way she looks. | Verse 1 | combined | 0.14 | 6.045 | true | Start aligned to Verse 1 boundary at 0.000s | false | null | 5 | 34 | 7 | -0.14 | 0 | audio_midi | 02_04_2 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null |
02_04_seg_0001_track_11 | 0 | 02_04 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0001_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid | 0 | 6.045 | 6.045 | true | true | She's okay with the way she looks. | Verse 1 | combined | 0.14 | 6.045 | true | Start aligned to Verse 1 boundary at 0.000s | false | null | 5 | 34 | 7 | -0.14 | 0 | audio_midi | 02_04_11 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null |
02_04_seg_0001_track_12 | 0 | 02_04 | 12 | Bongo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_17_bongo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0001_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_18_bongo.mid | 0 | 6.045 | 6.045 | true | false | She's okay with the way she looks. | Verse 1 | combined | 0.14 | 6.045 | true | Start aligned to Verse 1 boundary at 0.000s | false | null | 5 | 34 | 7 | -0.14 | 0 | audio_only | 02_04_12 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null |
02_04_seg_0001_track_13 | 0 | 02_04 | 13 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_20_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0001_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_19_drums.mid | 0 | 6.045 | 6.045 | true | true | She's okay with the way she looks. | Verse 1 | combined | 0.14 | 6.045 | true | Start aligned to Verse 1 boundary at 0.000s | false | null | 5 | 34 | 7 | -0.14 | 0 | audio_midi | 02_04_13 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null |
02_04_seg_0001_track_15 | 0 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0001_track_15.wav | null | 0 | 6.045 | 6.045 | true | false | She's okay with the way she looks. | Verse 1 | combined | 0.14 | 6.045 | true | Start aligned to Verse 1 boundary at 0.000s | false | null | 5 | 34 | 7 | -0.14 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null |
02_04_seg_0002_track_01 | 1 | 02_04 | 1 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_03_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0002_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_02_organ.mid | 6.045 | 12.14 | 6.095 | true | true | She's disappointed by the second hook. | Verse 1 | combined | 6.045 | 12.14 | false | false | null | 7 | 38 | 6 | 0 | 0 | audio_midi | 02_04_1 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0002_track_02 | 1 | 02_04 | 2 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_05_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0002_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_04_wurlitzer.mid | 6.045 | 12.14 | 6.095 | true | true | She's disappointed by the second hook. | Verse 1 | combined | 6.045 | 12.14 | false | false | null | 7 | 38 | 6 | 0 | 0 | audio_midi | 02_04_2 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0002_track_11 | 1 | 02_04 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0002_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid | 6.045 | 12.14 | 6.095 | true | true | She's disappointed by the second hook. | Verse 1 | combined | 6.045 | 12.14 | false | false | null | 7 | 38 | 6 | 0 | 0 | audio_midi | 02_04_11 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0002_track_12 | 1 | 02_04 | 12 | Bongo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_17_bongo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0002_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_18_bongo.mid | 6.045 | 12.14 | 6.095 | true | false | She's disappointed by the second hook. | Verse 1 | combined | 6.045 | 12.14 | false | false | null | 7 | 38 | 6 | 0 | 0 | audio_only | 02_04_12 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0002_track_13 | 1 | 02_04 | 13 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_20_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0002_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_19_drums.mid | 6.045 | 12.14 | 6.095 | true | true | She's disappointed by the second hook. | Verse 1 | combined | 6.045 | 12.14 | false | false | null | 7 | 38 | 6 | 0 | 0 | audio_midi | 02_04_13 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0002_track_15 | 1 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0002_track_15.wav | null | 6.045 | 12.14 | 6.095 | true | false | She's disappointed by the second hook. | Verse 1 | combined | 6.045 | 12.14 | false | false | null | 7 | 38 | 6 | 0 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0003_track_01 | 2 | 02_04 | 1 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_03_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0003_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_02_organ.mid | 12.14 | 24.14 | 12 | true | true | What she wrote, it's okay, but it's never going to make a careful listener's day. | Verse 1 | combined | 12.14 | 24.14 | false | false | null | 9 | 81 | 15 | 0 | 0 | audio_midi | 02_04_1 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0003_track_02 | 2 | 02_04 | 2 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_05_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0003_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_04_wurlitzer.mid | 12.14 | 24.14 | 12 | true | true | What she wrote, it's okay, but it's never going to make a careful listener's day. | Verse 1 | combined | 12.14 | 24.14 | false | false | null | 9 | 81 | 15 | 0 | 0 | audio_midi | 02_04_2 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0003_track_09 | 2 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0003_track_09.wav | null | 12.14 | 24.14 | 12 | true | false | What she wrote, it's okay, but it's never going to make a careful listener's day. | Verse 1 | combined | 12.14 | 24.14 | false | false | null | 9 | 81 | 15 | 0 | 0 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0003_track_11 | 2 | 02_04 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0003_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid | 12.14 | 24.14 | 12 | true | true | What she wrote, it's okay, but it's never going to make a careful listener's day. | Verse 1 | combined | 12.14 | 24.14 | false | false | null | 9 | 81 | 15 | 0 | 0 | audio_midi | 02_04_11 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0003_track_12 | 2 | 02_04 | 12 | Bongo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_17_bongo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0003_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_18_bongo.mid | 12.14 | 24.14 | 12 | true | false | What she wrote, it's okay, but it's never going to make a careful listener's day. | Verse 1 | combined | 12.14 | 24.14 | false | false | null | 9 | 81 | 15 | 0 | 0 | audio_only | 02_04_12 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0003_track_13 | 2 | 02_04 | 13 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_20_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0003_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_19_drums.mid | 12.14 | 24.14 | 12 | true | true | What she wrote, it's okay, but it's never going to make a careful listener's day. | Verse 1 | combined | 12.14 | 24.14 | false | false | null | 9 | 81 | 15 | 0 | 0 | audio_midi | 02_04_13 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0003_track_15 | 2 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0003_track_15.wav | null | 12.14 | 24.14 | 12 | true | false | What she wrote, it's okay, but it's never going to make a careful listener's day. | Verse 1 | combined | 12.14 | 24.14 | false | false | null | 9 | 81 | 15 | 0 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0003_track_16 | 2 | 02_04 | 16 | Vocal 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_24_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0003_track_16.wav | null | 12.14 | 24.14 | 12 | true | false | What she wrote, it's okay, but it's never going to make a careful listener's day. | Verse 1 | combined | 12.14 | 24.14 | false | false | null | 9 | 81 | 15 | 0 | 0 | audio_only | 02_04_16 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0004_track_01 | 3 | 02_04 | 1 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_03_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0004_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_02_organ.mid | 24.14 | 30.093 | 5.953 | true | true | She's okay with the way it feels. | Verse 1 | combined | 24.14 | 30.093 | false | false | null | 11 | 33 | 7 | 0 | 0 | audio_midi | 02_04_1 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0004_track_02 | 3 | 02_04 | 2 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_05_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0004_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_04_wurlitzer.mid | 24.14 | 30.093 | 5.953 | true | true | She's okay with the way it feels. | Verse 1 | combined | 24.14 | 30.093 | false | false | null | 11 | 33 | 7 | 0 | 0 | audio_midi | 02_04_2 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0004_track_09 | 3 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0004_track_09.wav | null | 24.14 | 30.093 | 5.953 | true | false | She's okay with the way it feels. | Verse 1 | combined | 24.14 | 30.093 | false | false | null | 11 | 33 | 7 | 0 | 0 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0004_track_11 | 3 | 02_04 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0004_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid | 24.14 | 30.093 | 5.953 | true | true | She's okay with the way it feels. | Verse 1 | combined | 24.14 | 30.093 | false | false | null | 11 | 33 | 7 | 0 | 0 | audio_midi | 02_04_11 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0004_track_12 | 3 | 02_04 | 12 | Bongo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_17_bongo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0004_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_18_bongo.mid | 24.14 | 30.093 | 5.953 | true | false | She's okay with the way it feels. | Verse 1 | combined | 24.14 | 30.093 | false | false | null | 11 | 33 | 7 | 0 | 0 | audio_only | 02_04_12 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0004_track_13 | 3 | 02_04 | 13 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_20_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0004_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_19_drums.mid | 24.14 | 30.093 | 5.953 | true | true | She's okay with the way it feels. | Verse 1 | combined | 24.14 | 30.093 | false | false | null | 11 | 33 | 7 | 0 | 0 | audio_midi | 02_04_13 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0004_track_15 | 3 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0004_track_15.wav | null | 24.14 | 30.093 | 5.953 | true | false | She's okay with the way it feels. | Verse 1 | combined | 24.14 | 30.093 | false | false | null | 11 | 33 | 7 | 0 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0005_track_01 | 4 | 02_04 | 1 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_03_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0005_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_02_organ.mid | 30.093 | 36.14 | 6.047 | true | true | She's not surprised when he makes her kneel. | Verse 1 | combined | 30.093 | 36.14 | false | false | null | 13 | 44 | 8 | 0 | 0 | audio_midi | 02_04_1 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0005_track_02 | 4 | 02_04 | 2 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_05_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0005_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_04_wurlitzer.mid | 30.093 | 36.14 | 6.047 | true | true | She's not surprised when he makes her kneel. | Verse 1 | combined | 30.093 | 36.14 | false | false | null | 13 | 44 | 8 | 0 | 0 | audio_midi | 02_04_2 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0005_track_09 | 4 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0005_track_09.wav | null | 30.093 | 36.14 | 6.047 | true | false | She's not surprised when he makes her kneel. | Verse 1 | combined | 30.093 | 36.14 | false | false | null | 13 | 44 | 8 | 0 | 0 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0005_track_11 | 4 | 02_04 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0005_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid | 30.093 | 36.14 | 6.047 | true | true | She's not surprised when he makes her kneel. | Verse 1 | combined | 30.093 | 36.14 | false | false | null | 13 | 44 | 8 | 0 | 0 | audio_midi | 02_04_11 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0005_track_12 | 4 | 02_04 | 12 | Bongo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_17_bongo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0005_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_18_bongo.mid | 30.093 | 36.14 | 6.047 | true | false | She's not surprised when he makes her kneel. | Verse 1 | combined | 30.093 | 36.14 | false | false | null | 13 | 44 | 8 | 0 | 0 | audio_only | 02_04_12 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0005_track_13 | 4 | 02_04 | 13 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_20_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0005_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_19_drums.mid | 30.093 | 36.14 | 6.047 | true | true | She's not surprised when he makes her kneel. | Verse 1 | combined | 30.093 | 36.14 | false | false | null | 13 | 44 | 8 | 0 | 0 | audio_midi | 02_04_13 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0005_track_15 | 4 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0005_track_15.wav | null | 30.093 | 36.14 | 6.047 | true | false | She's not surprised when he makes her kneel. | Verse 1 | combined | 30.093 | 36.14 | false | false | null | 13 | 44 | 8 | 0 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0006_track_01 | 5 | 02_04 | 1 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_03_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0006_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_02_organ.mid | 36.14 | 51.14 | 15 | true | true | Left alone a while, now to remember why she even liked his little, turgid smile | Verse 1 | combined | 36.14 | 51.14 | false | false | null | 15 | 79 | 15 | 0 | 0 | audio_midi | 02_04_1 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0006_track_02 | 5 | 02_04 | 2 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_05_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0006_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_04_wurlitzer.mid | 36.14 | 51.14 | 15 | true | true | Left alone a while, now to remember why she even liked his little, turgid smile | Verse 1 | combined | 36.14 | 51.14 | false | false | null | 15 | 79 | 15 | 0 | 0 | audio_midi | 02_04_2 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0006_track_03 | 5 | 02_04 | 3 | MkII Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_07_mkii.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0006_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_06_mkii.mid | 36.14 | 51.14 | 15 | false | true | Left alone a while, now to remember why she even liked his little, turgid smile | Verse 1 | combined | 36.14 | 51.14 | false | false | null | 15 | 79 | 15 | 0 | 0 | midi_only | 02_04_3 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0006_track_09 | 5 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0006_track_09.wav | null | 36.14 | 51.14 | 15 | true | false | Left alone a while, now to remember why she even liked his little, turgid smile | Verse 1 | combined | 36.14 | 51.14 | false | false | null | 15 | 79 | 15 | 0 | 0 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0006_track_11 | 5 | 02_04 | 11 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0006_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_15_synth_bass.mid | 36.14 | 51.14 | 15 | true | true | Left alone a while, now to remember why she even liked his little, turgid smile | Verse 1 | combined | 36.14 | 51.14 | false | false | null | 15 | 79 | 15 | 0 | 0 | audio_midi | 02_04_11 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0006_track_12 | 5 | 02_04 | 12 | Bongo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_17_bongo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0006_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_18_bongo.mid | 36.14 | 51.14 | 15 | true | true | Left alone a while, now to remember why she even liked his little, turgid smile | Verse 1 | combined | 36.14 | 51.14 | false | false | null | 15 | 79 | 15 | 0 | 0 | audio_midi | 02_04_12 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0006_track_13 | 5 | 02_04 | 13 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_20_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0006_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_19_drums.mid | 36.14 | 51.14 | 15 | true | true | Left alone a while, now to remember why she even liked his little, turgid smile | Verse 1 | combined | 36.14 | 51.14 | false | false | null | 15 | 79 | 15 | 0 | 0 | audio_midi | 02_04_13 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0006_track_15 | 5 | 02_04 | 15 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_23_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0006_track_15.wav | null | 36.14 | 51.14 | 15 | true | false | Left alone a while, now to remember why she even liked his little, turgid smile | Verse 1 | combined | 36.14 | 51.14 | false | false | null | 15 | 79 | 15 | 0 | 0 | audio_only | 02_04_15 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0007_track_01 | 6 | 02_04 | 1 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_03_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_02_organ.mid | 51.14 | 57.14 | 6 | true | true | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_midi | 02_04_1 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0007_track_03 | 6 | 02_04 | 3 | MkII Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_07_mkii.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_06_mkii.mid | 51.14 | 57.14 | 6 | true | true | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_midi | 02_04_3 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0007_track_09 | 6 | 02_04 | 9 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_13_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_09.wav | null | 51.14 | 57.14 | 6 | true | false | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_only | 02_04_9 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null | |
02_04_seg_0007_track_10 | 6 | 02_04 | 10 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_04/02_04_14_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_04/02_04_seg_0007_track_10.wav | null | 51.14 | 57.14 | 6 | true | false | See her looking with her eyes closed. | Chorus 1 | combined | 51.14 | 57.14 | false | false | null | 17 | 37 | 7 | 0 | 0 | audio_only | 02_04_10 | 80 | 4 | 4 | C | major | Red | Past | Thing | Known | null | The Imagined Lives of Shirley Kudirka | 2019-01-11T00:00:00 | [03:12.225] | true | true | She's okay with the way she looks. She's disappointed by the second hook. What she wrote, it's okay, but it's never going to make a careful listener's day. She's okay with the way it feels. She's not surprised when he makes her kneel. Left alone a while, now to remember why she even liked his little, turgid smile See h... | The Afghan Whigs, discogs_id: 89572, The Smithereens, discogs_id: 377441, The Church, discogs_id: 258153 | Slinky, Nostalgic, Wistful, Sad, Romantic, Soulful | Rock, Blue-eyed Soul, Alternative Rock | 02_04.lrc | This one is a bit of a mystery in terms where it came from - but I imagined being a young woman, with talent and rich inner life being overlooked by her dull boyfriend. The "to underhood" became what the Vanity Press cover was supposed to be but the signature moved to back as streaming services don't allow additional t... | {
"album_sequence": 2,
"avg_word_length": 4.416666666666667,
"boundary_fluidity_score": 0,
"concept_length": 324,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"questi... | Verse 1 : The song jumps right into song describing a less-than-ideal boyfriend and her life., [00:00.000]-[00:48.000] | Chorus 1 : We switch a bit into Shirley's head space. She's the only one who knows that 'the movie was better than the book'., [00:48.001]-[01:12.000] | Bridge 1 : A woeful pair of saxophones are add... | null |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.