segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
02_09_seg_0018_track_15 | 17 | 02_09 | 15 | Vocals 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_09/02_09_25_vocals3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_09/02_09_seg_0018_track_15.wav | null | 135.053 | 135.054 | 0.001 | true | false | until I disappear | null | combined | 133.13 | 136.13 | true | Start aligned to Chorus 3 boundary at 135.053s | End aligned to Outro boundary at 135.054s | false | null | 39 | 17 | 3 | 1.923 | -1.076 | audio_only | 02_09_15 | 142 | 4 | 4 | E | major | Red | Past | Thing | Known | null | A Dark Years History | 2019-01-11T00:00:00 | [02:42.073] | true | true | At your earliest convenience I'll accept your banishment Sitting in the dark, waiting hoping you'll appear Sitting in the dark, waiting above the atmosphere Sitting in the dark, waiting for years and years and years Sitting in the dark, waiting until it's very clear Sitting in the dark, waiting for two light years Sitting in the dark, waiting until you volunteer Sitting in the dark, waiting until I disappear Sitting in the dark, waiting until I disappear | Television Personalities, discogs_id: 83074, UILab, discogs_id: 93183, Manfred Mann's Earth Band, discogs_id: 170358 | Playful, Dreamy, Cozy, Retro | Psychedelic Rock, Rock, Post-Rock | 02_09.lrc | The book that the song was based on was a Christian novel one of my dad's students wrote. He was a bit embarrassed of the dedication to the teacher who taught him how to write given the novel's subpar prose. | {
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} | Intro : Echoing keys reminiscent of Manfred Mann's cover of "Blinded by the Light" start the song., [00:00.000]-[00:20.070] | Chorus as Intro : A chewy synth with background vocals add a more 90s feel to the song., [00:20.071]-[00:33.200] | Verse 1 : The song structure is odd, this passage seems to set the song rather than move it along., [00:33.201]-[00:47.080] | Chorus 1 : This begins a pattern of scrunched overlapping vocal parts, [00:47.081]-[01:07.151] | Interlude 1 : A weird Droid type synth can be heard here., [01:07.152]-[01:14.091] | Verse as Jams : The previous verse is here sans-vocals, [01:14.092]-[01:27.221] | Chorus 2 : Back to the overlapping vocal parts, [01:27.222]-[01:48.041] | Interlude 2 : Another odd break with synths and drums., [01:48.042]-[02:01.172] | Chorus 3 : Back to the overlapping vocal parts, [02:01.173]-[02:15.053] | Outro : The background vocals reach to a 70s style falsetto as the song fades., [02:15.054]-[02:42.073] | null |
02_10_seg_0001_track_01 | 0 | 02_10 | 1 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_02_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0001_track_01.wav | null | 0 | 30 | 30 | true | false | Intro to Tempography | structure | 0 | 30 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_1 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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"track_duration": 190.225,
"track_id": "02_10",
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0001_track_05 | 0 | 02_10 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_07_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0001_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_06_drum_machine.mid | 0 | 30 | 30 | false | true | Intro to Tempography | structure | 0 | 30 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | midi_only | 02_10_5 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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"boundary_fluidity_score": 1,
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"discrepancy_intensity": 0,
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"track_duration": 190.225,
"track_id": "02_10",
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0001_track_06 | 0 | 02_10 | 6 | Free Run | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_08_free_run.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0001_track_06.wav | null | 0 | 30 | 30 | true | false | Intro to Tempography | structure | 0 | 30 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_6 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
"album_sequence": 2,
"avg_word_length": 5.36,
"boundary_fluidity_score": 1,
"concept_length": 158,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
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"rebracketing_intensity": 8,
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"track_duration": 190.225,
"track_id": "02_10",
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0001_track_13 | 0 | 02_10 | 13 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_19_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0001_track_13.wav | null | 0 | 30 | 30 | true | false | Intro to Tempography | structure | 0 | 30 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_13 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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"boundary_fluidity_score": 1,
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"discrepancy_intensity": 0,
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"memory_discrepancy_severity": 0,
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"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 8,
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"track_duration": 190.225,
"track_id": "02_10",
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0001_track_14 | 0 | 02_10 | 14 | Mantis | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_20_mantis.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0001_track_14.wav | null | 0 | 30 | 30 | true | false | Intro to Tempography | structure | 0 | 30 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_14 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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"boundary_fluidity_score": 1,
"concept_length": 158,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
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"memory_discrepancy_severity": 0,
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"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 8,
"rebracketing_type": "spatial",
"sentence_count": 1,
"temporal_complexity_score": 0.4,
"track_duration": 190.225,
"track_id": "02_10",
"track_position": 10,
"uncertainty_level": 1,
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0002_track_01 | 1 | 02_10 | 1 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_02_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0002_track_01.wav | null | 28 | 33.109 | 5.109 | true | false | Intro to Tempography | structure | 28 | 33.109 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_1 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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"avg_word_length": 5.36,
"boundary_fluidity_score": 1,
"concept_length": 158,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
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"memory_discrepancy_severity": 0,
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"track_duration": 190.225,
"track_id": "02_10",
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0002_track_05 | 1 | 02_10 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_07_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0002_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_06_drum_machine.mid | 28 | 33.109 | 5.109 | true | true | Intro to Tempography | structure | 28 | 33.109 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_5 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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"boundary_fluidity_score": 1,
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"discrepancy_intensity": 0,
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0002_track_06 | 1 | 02_10 | 6 | Free Run | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_08_free_run.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0002_track_06.wav | null | 28 | 33.109 | 5.109 | true | false | Intro to Tempography | structure | 28 | 33.109 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_6 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0002_track_13 | 1 | 02_10 | 13 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_19_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0002_track_13.wav | null | 28 | 33.109 | 5.109 | true | false | Intro to Tempography | structure | 28 | 33.109 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_13 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0002_track_14 | 1 | 02_10 | 14 | Mantis | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_20_mantis.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0002_track_14.wav | null | 28 | 33.109 | 5.109 | true | false | Intro to Tempography | structure | 28 | 33.109 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_14 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0003_track_01 | 2 | 02_10 | 1 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_02_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0003_track_01.wav | null | 33.11 | 63.11 | 30 | true | false | Developing Fluid | structure | 33.11 | 63.11 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_1 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0003_track_05 | 2 | 02_10 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_07_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0003_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_06_drum_machine.mid | 33.11 | 63.11 | 30 | true | true | Developing Fluid | structure | 33.11 | 63.11 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_5 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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"boundary_fluidity_score": 1,
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0003_track_06 | 2 | 02_10 | 6 | Free Run | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_08_free_run.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0003_track_06.wav | null | 33.11 | 63.11 | 30 | true | false | Developing Fluid | structure | 33.11 | 63.11 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_6 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0003_track_07 | 2 | 02_10 | 7 | Modular | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_10_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0003_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_09_modular.mid | 33.11 | 63.11 | 30 | true | true | Developing Fluid | structure | 33.11 | 63.11 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_7 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0003_track_10 | 2 | 02_10 | 10 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0003_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_15_synth_bass.mid | 33.11 | 63.11 | 30 | true | true | Developing Fluid | structure | 33.11 | 63.11 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_10 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0004_track_01 | 3 | 02_10 | 1 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_02_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0004_track_01.wav | null | 61.11 | 91.11 | 30 | true | false | Developing Fluid | structure | 61.11 | 91.11 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_1 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0004_track_05 | 3 | 02_10 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_07_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0004_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_06_drum_machine.mid | 61.11 | 91.11 | 30 | true | true | Developing Fluid | structure | 61.11 | 91.11 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_5 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0004_track_06 | 3 | 02_10 | 6 | Free Run | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_08_free_run.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0004_track_06.wav | null | 61.11 | 91.11 | 30 | true | false | Developing Fluid | structure | 61.11 | 91.11 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_6 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0004_track_07 | 3 | 02_10 | 7 | Modular | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_10_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0004_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_09_modular.mid | 61.11 | 91.11 | 30 | true | true | Developing Fluid | structure | 61.11 | 91.11 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_7 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0004_track_09 | 3 | 02_10 | 9 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_14_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0004_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_13_farfisa.mid | 61.11 | 91.11 | 30 | true | true | Developing Fluid | structure | 61.11 | 91.11 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_9 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0004_track_10 | 3 | 02_10 | 10 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0004_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_15_synth_bass.mid | 61.11 | 91.11 | 30 | true | true | Developing Fluid | structure | 61.11 | 91.11 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_10 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0004_track_12 | 3 | 02_10 | 12 | Rhythm Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_18_rhythm_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0004_track_12.wav | null | 61.11 | 91.11 | 30 | true | false | Developing Fluid | structure | 61.11 | 91.11 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_12 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0005_track_01 | 4 | 02_10 | 1 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_02_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0005_track_01.wav | null | 89.11 | 108.046 | 18.936 | true | false | Developing Fluid | structure | 89.11 | 108.046 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_1 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0005_track_02 | 4 | 02_10 | 2 | All Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_03_all_drum_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0005_track_02.wav | null | 89.11 | 108.046 | 18.936 | true | false | Developing Fluid | structure | 89.11 | 108.046 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_2 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0005_track_05 | 4 | 02_10 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_07_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0005_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_06_drum_machine.mid | 89.11 | 108.046 | 18.936 | true | true | Developing Fluid | structure | 89.11 | 108.046 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_5 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0005_track_06 | 4 | 02_10 | 6 | Free Run | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_08_free_run.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0005_track_06.wav | null | 89.11 | 108.046 | 18.936 | true | false | Developing Fluid | structure | 89.11 | 108.046 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_6 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0005_track_07 | 4 | 02_10 | 7 | Modular | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_10_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0005_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_09_modular.mid | 89.11 | 108.046 | 18.936 | true | true | Developing Fluid | structure | 89.11 | 108.046 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_7 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0005_track_08 | 4 | 02_10 | 8 | Buchala | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_12_buchala.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0005_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_11_buchala.mid | 89.11 | 108.046 | 18.936 | true | true | Developing Fluid | structure | 89.11 | 108.046 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_8 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0005_track_09 | 4 | 02_10 | 9 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_14_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0005_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_13_farfisa.mid | 89.11 | 108.046 | 18.936 | true | true | Developing Fluid | structure | 89.11 | 108.046 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_9 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0005_track_10 | 4 | 02_10 | 10 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0005_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_15_synth_bass.mid | 89.11 | 108.046 | 18.936 | true | true | Developing Fluid | structure | 89.11 | 108.046 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_10 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0005_track_12 | 4 | 02_10 | 12 | Rhythm Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_18_rhythm_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0005_track_12.wav | null | 89.11 | 108.046 | 18.936 | true | false | Developing Fluid | structure | 89.11 | 108.046 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_12 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0006_track_01 | 5 | 02_10 | 1 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_02_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0006_track_01.wav | null | 108.047 | 138.047 | 30 | true | false | Light Metering | structure | 108.047 | 138.047 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_1 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0006_track_02 | 5 | 02_10 | 2 | All Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_03_all_drum_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0006_track_02.wav | null | 108.047 | 138.047 | 30 | true | false | Light Metering | structure | 108.047 | 138.047 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_2 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0006_track_03 | 5 | 02_10 | 3 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0006_track_03.wav | null | 108.047 | 138.047 | 30 | true | false | Light Metering | structure | 108.047 | 138.047 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_3 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0006_track_05 | 5 | 02_10 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_07_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0006_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_06_drum_machine.mid | 108.047 | 138.047 | 30 | true | true | Light Metering | structure | 108.047 | 138.047 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_5 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0006_track_06 | 5 | 02_10 | 6 | Free Run | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_08_free_run.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0006_track_06.wav | null | 108.047 | 138.047 | 30 | true | false | Light Metering | structure | 108.047 | 138.047 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_6 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0006_track_07 | 5 | 02_10 | 7 | Modular | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_10_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0006_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_09_modular.mid | 108.047 | 138.047 | 30 | true | true | Light Metering | structure | 108.047 | 138.047 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_7 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0006_track_08 | 5 | 02_10 | 8 | Buchala | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_12_buchala.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0006_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_11_buchala.mid | 108.047 | 138.047 | 30 | true | true | Light Metering | structure | 108.047 | 138.047 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_8 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0006_track_09 | 5 | 02_10 | 9 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_14_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0006_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_13_farfisa.mid | 108.047 | 138.047 | 30 | true | true | Light Metering | structure | 108.047 | 138.047 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_9 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0006_track_10 | 5 | 02_10 | 10 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0006_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_15_synth_bass.mid | 108.047 | 138.047 | 30 | true | true | Light Metering | structure | 108.047 | 138.047 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_10 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0006_track_12 | 5 | 02_10 | 12 | Rhythm Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_18_rhythm_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0006_track_12.wav | null | 108.047 | 138.047 | 30 | true | false | Light Metering | structure | 108.047 | 138.047 | false | true | 1/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_12 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0007_track_01 | 6 | 02_10 | 1 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_02_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0007_track_01.wav | null | 136.047 | 166.047 | 30 | true | false | Light Metering | structure | 136.047 | 166.047 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_1 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0007_track_05 | 6 | 02_10 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_07_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0007_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_06_drum_machine.mid | 136.047 | 166.047 | 30 | true | true | Light Metering | structure | 136.047 | 166.047 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_5 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0007_track_06 | 6 | 02_10 | 6 | Free Run | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_08_free_run.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0007_track_06.wav | null | 136.047 | 166.047 | 30 | true | false | Light Metering | structure | 136.047 | 166.047 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_6 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0007_track_07 | 6 | 02_10 | 7 | Modular | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_10_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0007_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_09_modular.mid | 136.047 | 166.047 | 30 | true | true | Light Metering | structure | 136.047 | 166.047 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_7 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0007_track_08 | 6 | 02_10 | 8 | Buchala | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_12_buchala.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0007_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_11_buchala.mid | 136.047 | 166.047 | 30 | true | false | Light Metering | structure | 136.047 | 166.047 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_8 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0007_track_09 | 6 | 02_10 | 9 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_14_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0007_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_13_farfisa.mid | 136.047 | 166.047 | 30 | true | true | Light Metering | structure | 136.047 | 166.047 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_9 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0007_track_10 | 6 | 02_10 | 10 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0007_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_15_synth_bass.mid | 136.047 | 166.047 | 30 | true | true | Light Metering | structure | 136.047 | 166.047 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_10 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0007_track_12 | 6 | 02_10 | 12 | Rhythm Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_18_rhythm_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0007_track_12.wav | null | 136.047 | 166.047 | 30 | true | false | Light Metering | structure | 136.047 | 166.047 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_12 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0007_track_13 | 6 | 02_10 | 13 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_19_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0007_track_13.wav | null | 136.047 | 166.047 | 30 | true | false | Light Metering | structure | 136.047 | 166.047 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_13 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0007_track_14 | 6 | 02_10 | 14 | Mantis | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_20_mantis.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0007_track_14.wav | null | 136.047 | 166.047 | 30 | true | false | Light Metering | structure | 136.047 | 166.047 | false | true | 2/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_14 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0008_track_05 | 7 | 02_10 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_07_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0008_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_06_drum_machine.mid | 164.047 | 167.051 | 3.004 | true | true | Light Metering | structure | 164.047 | 167.051 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_5 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0008_track_06 | 7 | 02_10 | 6 | Free Run | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_08_free_run.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0008_track_06.wav | null | 164.047 | 167.051 | 3.004 | true | false | Light Metering | structure | 164.047 | 167.051 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_6 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0008_track_07 | 7 | 02_10 | 7 | Modular | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_10_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0008_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_09_modular.mid | 164.047 | 167.051 | 3.004 | true | true | Light Metering | structure | 164.047 | 167.051 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_7 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0008_track_08 | 7 | 02_10 | 8 | Buchala | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_12_buchala.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0008_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_11_buchala.mid | 164.047 | 167.051 | 3.004 | true | false | Light Metering | structure | 164.047 | 167.051 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_8 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0008_track_09 | 7 | 02_10 | 9 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_14_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0008_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_13_farfisa.mid | 164.047 | 167.051 | 3.004 | true | true | Light Metering | structure | 164.047 | 167.051 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_9 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0008_track_10 | 7 | 02_10 | 10 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0008_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_15_synth_bass.mid | 164.047 | 167.051 | 3.004 | true | true | Light Metering | structure | 164.047 | 167.051 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_10 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0008_track_12 | 7 | 02_10 | 12 | Rhythm Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_18_rhythm_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0008_track_12.wav | null | 164.047 | 167.051 | 3.004 | true | false | Light Metering | structure | 164.047 | 167.051 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_12 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0008_track_13 | 7 | 02_10 | 13 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_19_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0008_track_13.wav | null | 164.047 | 167.051 | 3.004 | true | false | Light Metering | structure | 164.047 | 167.051 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_13 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0008_track_14 | 7 | 02_10 | 14 | Mantis | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_20_mantis.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0008_track_14.wav | null | 164.047 | 167.051 | 3.004 | true | false | Light Metering | structure | 164.047 | 167.051 | false | true | 3/3 | null | 0 | 1 | 0 | 0 | audio_only | 02_10_14 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0009_track_05 | 8 | 02_10 | 5 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_07_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0009_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_06_drum_machine.mid | 167.052 | 190.225 | 23.173 | false | true | F-Stop | structure | 167.052 | 190.225 | false | false | null | null | 0 | 1 | 0 | 0 | midi_only | 02_10_5 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0009_track_06 | 8 | 02_10 | 6 | Free Run | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_08_free_run.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0009_track_06.wav | null | 167.052 | 190.225 | 23.173 | true | false | F-Stop | structure | 167.052 | 190.225 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 02_10_6 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0009_track_07 | 8 | 02_10 | 7 | Modular | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_10_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0009_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_09_modular.mid | 167.052 | 190.225 | 23.173 | false | true | F-Stop | structure | 167.052 | 190.225 | false | false | null | null | 0 | 1 | 0 | 0 | midi_only | 02_10_7 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0009_track_10 | 8 | 02_10 | 10 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_16_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0009_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_15_synth_bass.mid | 167.052 | 190.225 | 23.173 | true | true | F-Stop | structure | 167.052 | 190.225 | false | false | null | null | 0 | 1 | 0 | 0 | audio_midi | 02_10_10 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0009_track_13 | 8 | 02_10 | 13 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_19_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0009_track_13.wav | null | 167.052 | 190.225 | 23.173 | true | false | F-Stop | structure | 167.052 | 190.225 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 02_10_13 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_10_seg_0009_track_14 | 8 | 02_10 | 14 | Mantis | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_10/02_10_20_mantis.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_10/02_10_seg_0009_track_14.wav | null | 167.052 | 190.225 | 23.173 | true | false | F-Stop | structure | 167.052 | 190.225 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 02_10_14 | 122 | 4 | 4 | G | minor | Red | Past | Thing | Known | null | Getting Started in Tempography | 2019-01-11T00:00:00 | [03:10.225] | false | false | null | Niton, discogs_id: 3548044, Visible Cloaks, discogs_id: 4398429, Tangerine Dream, discogs_id: 10343 | Hypnotic, Meditative, Slow Motion, Other-worldly, Transcendent | Ambient, Electronic, New Age, Art Rock, Experimental | null | A strange notion that still photography could capture a fourth and fifth dimension, and that this strange technology was available to the world, 'for dummies' | {
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} | Intro to Tempography : Burbling modular synths slush in with a very slow drum beat, [00:00.000]-[00:33.109] | Developing Fluid : Drums, guitars, and bass join into to a fluid, rhythmic sound., [00:33.110]-[01:48.046] | Light Metering : A oddly timed Moog Grandmother blends in giving the music a transcendent vibe., [01:48.047]-[02:47.051] | F-Stop : We return to the burbling ooze from which we came., [02:47.052]-[03:10.225] | null | ||
02_11_seg_0001_track_01 | 0 | 02_11 | 1 | Mandika Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_03_mandika.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0001_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_02_mandika.mid | 32 | 48.124 | 16.124 | true | true | Bill and I took in the late show to hear my voice come out of you. | Verse 1 | combined | 33 | 48.124 | true | Start aligned to Intro boundary at 32.000s | false | null | 5 | 66 | 16 | -1 | 0 | audio_midi | 02_11_1 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null |
02_11_seg_0001_track_03 | 0 | 02_11 | 3 | CMI Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_07_CMI_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0001_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_06_CMI_bass.mid | 32 | 48.124 | 16.124 | true | true | Bill and I took in the late show to hear my voice come out of you. | Verse 1 | combined | 33 | 48.124 | true | Start aligned to Intro boundary at 32.000s | false | null | 5 | 66 | 16 | -1 | 0 | audio_midi | 02_11_3 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null |
02_11_seg_0001_track_04 | 0 | 02_11 | 4 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_08_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0001_track_04.wav | null | 32 | 48.124 | 16.124 | true | false | Bill and I took in the late show to hear my voice come out of you. | Verse 1 | combined | 33 | 48.124 | true | Start aligned to Intro boundary at 32.000s | false | null | 5 | 66 | 16 | -1 | 0 | audio_only | 02_11_4 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null |
02_11_seg_0001_track_06 | 0 | 02_11 | 6 | Echo Harp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_11_echo_harp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0001_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_10_echo_harp.mid | 32 | 48.124 | 16.124 | false | true | Bill and I took in the late show to hear my voice come out of you. | Verse 1 | combined | 33 | 48.124 | true | Start aligned to Intro boundary at 32.000s | false | null | 5 | 66 | 16 | -1 | 0 | midi_only | 02_11_6 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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02_11_seg_0001_track_07 | 0 | 02_11 | 7 | String Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_12_string_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0001_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_12_string_synth.mid | 32 | 48.124 | 16.124 | false | true | Bill and I took in the late show to hear my voice come out of you. | Verse 1 | combined | 33 | 48.124 | true | Start aligned to Intro boundary at 32.000s | false | null | 5 | 66 | 16 | -1 | 0 | midi_only | 02_11_7 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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02_11_seg_0001_track_09 | 0 | 02_11 | 9 | Motor Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_17_motor_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0001_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_16_motor_synth.mid | 32 | 48.124 | 16.124 | true | true | Bill and I took in the late show to hear my voice come out of you. | Verse 1 | combined | 33 | 48.124 | true | Start aligned to Intro boundary at 32.000s | false | null | 5 | 66 | 16 | -1 | 0 | audio_midi | 02_11_9 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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02_11_seg_0001_track_10 | 0 | 02_11 | 10 | Mini | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_19_mini.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0001_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_18_mini.mid | 32 | 48.124 | 16.124 | false | true | Bill and I took in the late show to hear my voice come out of you. | Verse 1 | combined | 33 | 48.124 | true | Start aligned to Intro boundary at 32.000s | false | null | 5 | 66 | 16 | -1 | 0 | midi_only | 02_11_10 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null |
02_11_seg_0001_track_11 | 0 | 02_11 | 11 | Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_20_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0001_track_11.wav | null | 32 | 48.124 | 16.124 | true | false | Bill and I took in the late show to hear my voice come out of you. | Verse 1 | combined | 33 | 48.124 | true | Start aligned to Intro boundary at 32.000s | false | null | 5 | 66 | 16 | -1 | 0 | audio_only | 02_11_11 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null |
02_11_seg_0001_track_12 | 0 | 02_11 | 12 | Vocals 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_21_vocal2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0001_track_12.wav | null | 32 | 48.124 | 16.124 | true | false | Bill and I took in the late show to hear my voice come out of you. | Verse 1 | combined | 33 | 48.124 | true | Start aligned to Intro boundary at 32.000s | false | null | 5 | 66 | 16 | -1 | 0 | audio_only | 02_11_12 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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02_11_seg_0002_track_01 | 1 | 02_11 | 1 | Mandika Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_03_mandika.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0002_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_02_mandika.mid | 48.124 | 56.186 | 8.062 | true | true | Outside the theater there's a fault line. | Verse 1 | combined | 48.124 | 56.186 | false | false | null | 7 | 41 | 7 | 0 | 0 | audio_midi | 02_11_1 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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02_11_seg_0002_track_03 | 1 | 02_11 | 3 | CMI Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_07_CMI_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0002_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_06_CMI_bass.mid | 48.124 | 56.186 | 8.062 | true | true | Outside the theater there's a fault line. | Verse 1 | combined | 48.124 | 56.186 | false | false | null | 7 | 41 | 7 | 0 | 0 | audio_midi | 02_11_3 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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02_11_seg_0002_track_04 | 1 | 02_11 | 4 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_08_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0002_track_04.wav | null | 48.124 | 56.186 | 8.062 | true | false | Outside the theater there's a fault line. | Verse 1 | combined | 48.124 | 56.186 | false | false | null | 7 | 41 | 7 | 0 | 0 | audio_only | 02_11_4 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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02_11_seg_0002_track_07 | 1 | 02_11 | 7 | String Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_12_string_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0002_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_12_string_synth.mid | 48.124 | 56.186 | 8.062 | false | true | Outside the theater there's a fault line. | Verse 1 | combined | 48.124 | 56.186 | false | false | null | 7 | 41 | 7 | 0 | 0 | midi_only | 02_11_7 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null | |
02_11_seg_0002_track_08 | 1 | 02_11 | 8 | Air Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_15_air_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0002_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_14_air_synth.mid | 48.124 | 56.186 | 8.062 | true | true | Outside the theater there's a fault line. | Verse 1 | combined | 48.124 | 56.186 | false | false | null | 7 | 41 | 7 | 0 | 0 | audio_midi | 02_11_8 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null | |
02_11_seg_0002_track_09 | 1 | 02_11 | 9 | Motor Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_17_motor_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0002_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_16_motor_synth.mid | 48.124 | 56.186 | 8.062 | true | true | Outside the theater there's a fault line. | Verse 1 | combined | 48.124 | 56.186 | false | false | null | 7 | 41 | 7 | 0 | 0 | audio_midi | 02_11_9 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null | |
02_11_seg_0002_track_10 | 1 | 02_11 | 10 | Mini | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_19_mini.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0002_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_18_mini.mid | 48.124 | 56.186 | 8.062 | true | true | Outside the theater there's a fault line. | Verse 1 | combined | 48.124 | 56.186 | false | false | null | 7 | 41 | 7 | 0 | 0 | audio_midi | 02_11_10 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null | |
02_11_seg_0002_track_11 | 1 | 02_11 | 11 | Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_20_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0002_track_11.wav | null | 48.124 | 56.186 | 8.062 | true | false | Outside the theater there's a fault line. | Verse 1 | combined | 48.124 | 56.186 | false | false | null | 7 | 41 | 7 | 0 | 0 | audio_only | 02_11_11 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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02_11_seg_0002_track_12 | 1 | 02_11 | 12 | Vocals 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_21_vocal2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0002_track_12.wav | null | 48.124 | 56.186 | 8.062 | true | false | Outside the theater there's a fault line. | Verse 1 | combined | 48.124 | 56.186 | false | false | null | 7 | 41 | 7 | 0 | 0 | audio_only | 02_11_12 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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02_11_seg_0003_track_01 | 2 | 02_11 | 1 | Mandika Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_03_mandika.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0003_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_02_mandika.mid | 56.186 | 64.186 | 8 | true | true | We could sink before our song is through. | Verse 1 | combined | 56.186 | 64.186 | false | false | null | 9 | 41 | 8 | 0 | 0 | audio_midi | 02_11_1 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null | |
02_11_seg_0003_track_03 | 2 | 02_11 | 3 | CMI Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_07_CMI_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0003_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_06_CMI_bass.mid | 56.186 | 64.186 | 8 | true | true | We could sink before our song is through. | Verse 1 | combined | 56.186 | 64.186 | false | false | null | 9 | 41 | 8 | 0 | 0 | audio_midi | 02_11_3 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null | |
02_11_seg_0003_track_04 | 2 | 02_11 | 4 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_08_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0003_track_04.wav | null | 56.186 | 64.186 | 8 | true | false | We could sink before our song is through. | Verse 1 | combined | 56.186 | 64.186 | false | false | null | 9 | 41 | 8 | 0 | 0 | audio_only | 02_11_4 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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02_11_seg_0003_track_06 | 2 | 02_11 | 6 | Echo Harp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_11_echo_harp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0003_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_10_echo_harp.mid | 56.186 | 64.186 | 8 | false | true | We could sink before our song is through. | Verse 1 | combined | 56.186 | 64.186 | false | false | null | 9 | 41 | 8 | 0 | 0 | midi_only | 02_11_6 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null | |
02_11_seg_0003_track_07 | 2 | 02_11 | 7 | String Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_12_string_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0003_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_12_string_synth.mid | 56.186 | 64.186 | 8 | false | true | We could sink before our song is through. | Verse 1 | combined | 56.186 | 64.186 | false | false | null | 9 | 41 | 8 | 0 | 0 | midi_only | 02_11_7 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null | |
02_11_seg_0003_track_08 | 2 | 02_11 | 8 | Air Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_15_air_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0003_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_14_air_synth.mid | 56.186 | 64.186 | 8 | false | true | We could sink before our song is through. | Verse 1 | combined | 56.186 | 64.186 | false | false | null | 9 | 41 | 8 | 0 | 0 | midi_only | 02_11_8 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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02_11_seg_0003_track_09 | 2 | 02_11 | 9 | Motor Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_17_motor_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0003_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_16_motor_synth.mid | 56.186 | 64.186 | 8 | true | true | We could sink before our song is through. | Verse 1 | combined | 56.186 | 64.186 | false | false | null | 9 | 41 | 8 | 0 | 0 | audio_midi | 02_11_9 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null | |
02_11_seg_0003_track_11 | 2 | 02_11 | 11 | Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_20_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0003_track_11.wav | null | 56.186 | 64.186 | 8 | true | false | We could sink before our song is through. | Verse 1 | combined | 56.186 | 64.186 | false | false | null | 9 | 41 | 8 | 0 | 0 | audio_only | 02_11_11 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null | |
02_11_seg_0004_track_03 | 3 | 02_11 | 3 | CMI Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_07_CMI_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0004_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_06_CMI_bass.mid | 64.186 | 72.186 | 8 | true | true | Tomorrow I'm singing at a christening. | Verse 1 | combined | 64.186 | 72.186 | false | false | null | 11 | 38 | 6 | 0 | 0 | audio_midi | 02_11_3 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null | |
02_11_seg_0004_track_04 | 3 | 02_11 | 4 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_11/02_11_08_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_11/02_11_seg_0004_track_04.wav | null | 64.186 | 72.186 | 8 | true | false | Tomorrow I'm singing at a christening. | Verse 1 | combined | 64.186 | 72.186 | false | false | null | 11 | 38 | 6 | 0 | 0 | audio_only | 02_11_4 | 120 | 4 | 4 | D | minor | Red | Past | Thing | Known | null | Eye on Ghost Singers | 2019-01-11T00:00:00 | [03:30.171] | true | true | Bill and I took in the late show to hear my voice come out of you. Outside the theater there's a fault line. We could sink before our song is through. Tomorrow I'm singing at a christening. You know there's no dancers in the pew. You never came to lunch last Monday. That setting's still sitting there unused. Here's Sid ringing about a dubbing. Needed me for Mitzi, I said he was confused. Everyone knows I only work for you now, 'till there's no more voice to be removed | Pink Floyd, discogs_id: 45467, Radiohead, discogs_id: 3840, Kraftwerk, discogs_id: 4654 | Nostalgic, Haunting, Cerebral, Foreboding | Rock, Electronic, Alternative Rock, New Wave, Psychedelic Rock | 02_11.lrc | The idea of replacing vocals in a film and having the singer and actress be real-life friends gave me Persona-type chills. I never read the real ghost singer book though, shame. | {
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} | Intro : Giant ringing modular percussion starts the song like a 1950s doorbell in slow motion., [00:00.000]-[00:32.000] | Verse 1 : As the vocals begin, the background is decorating with long synth sounds like flying buttresses., [00:32.000]-[01:20.000] | Interlude 1 : A slow, psychedelic passage unravels meditatively, [01:20.000]-[01:52.000] | Verse 2 : Back to the vocals, reprising the melody and lyrical themes, [01:52.000]-[02:40.000] | Outro : An LFO-modulated guitar plays a melody line before the song fades out., [02:40.000]-[03:30.171] | null |
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