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02_12_seg_0008_track_07 | 7 | 02_12 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_12/02_12_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_12/02_12_seg_0008_track_07.wav | null | 196 | 226 | 30 | true | false | Moving through Time | structure | 196 | 226 | false | true | 8/9 | null | 0 | 1 | 0 | 0 | audio_only | 02_12_7 | 98 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | Time Moving in Light | 2019-01-11T00:00:00 | [04:09.197] | false | false | null | Terry Riley, discogs_id: 32198, Tangerine Dream, discogs_id: 10343, Amp, discogs_id: 4090 | Calm, Slow Motion, Other-worldly, Surreal, Dreamy | Ambient, New Age, Electronic, New Classical, Experimental | null | The book wasn't hidden very well here - Time Moving in Light was a book about Experimental Film that was assigned in school and that really changed my perspective on the world. | {
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02_12_seg_0009_track_01 | 8 | 02_12 | 1 | Chantress Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_12/02_12_03_chantress.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_12/02_12_seg_0009_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_12/02_12_02_chantress.mid | 224 | 249.197 | 25.197 | true | true | Moving through Time | structure | 224 | 249.197 | false | true | 9/9 | null | 0 | 1 | 0 | 0 | audio_midi | 02_12_1 | 98 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | Time Moving in Light | 2019-01-11T00:00:00 | [04:09.197] | false | false | null | Terry Riley, discogs_id: 32198, Tangerine Dream, discogs_id: 10343, Amp, discogs_id: 4090 | Calm, Slow Motion, Other-worldly, Surreal, Dreamy | Ambient, New Age, Electronic, New Classical, Experimental | null | The book wasn't hidden very well here - Time Moving in Light was a book about Experimental Film that was assigned in school and that really changed my perspective on the world. | {
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02_12_seg_0009_track_04 | 8 | 02_12 | 4 | Jupiter Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_12/02_12_08_jupiter_mello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_12/02_12_seg_0009_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_12/02_12_06_synclavier.mid | 224 | 249.197 | 25.197 | true | true | Moving through Time | structure | 224 | 249.197 | false | true | 9/9 | null | 0 | 1 | 0 | 0 | audio_midi | 02_12_4 | 98 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | Time Moving in Light | 2019-01-11T00:00:00 | [04:09.197] | false | false | null | Terry Riley, discogs_id: 32198, Tangerine Dream, discogs_id: 10343, Amp, discogs_id: 4090 | Calm, Slow Motion, Other-worldly, Surreal, Dreamy | Ambient, New Age, Electronic, New Classical, Experimental | null | The book wasn't hidden very well here - Time Moving in Light was a book about Experimental Film that was assigned in school and that really changed my perspective on the world. | {
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} | Moving through Time : An ambient soundscape that evokes the sensation of time flowing and shifting, with gentle melodies and evolving textures., [00:00.000]-[04:09.197] | 02_12_06_synclavier.mid | ||
02_12_seg_0009_track_07 | 8 | 02_12 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_12/02_12_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_12/02_12_seg_0009_track_07.wav | null | 224 | 249.197 | 25.197 | true | false | Moving through Time | structure | 224 | 249.197 | false | true | 9/9 | null | 0 | 1 | 0 | 0 | audio_only | 02_12_7 | 98 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | Time Moving in Light | 2019-01-11T00:00:00 | [04:09.197] | false | false | null | Terry Riley, discogs_id: 32198, Tangerine Dream, discogs_id: 10343, Amp, discogs_id: 4090 | Calm, Slow Motion, Other-worldly, Surreal, Dreamy | Ambient, New Age, Electronic, New Classical, Experimental | null | The book wasn't hidden very well here - Time Moving in Light was a book about Experimental Film that was assigned in school and that really changed my perspective on the world. | {
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03_01_seg_0001_track_02 | 0 | 03_01 | 2 | NSynth (Magenta) Bed | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0001_track_02.wav | null | 28.085 | 30.175 | 2.09 | true | false | What it seems | Verse 1 | combined | 28.085 | 30.175 | true | Start aligned to Overture 2 boundary at 28.085s | false | null | 5 | 13 | 3 | 0 | 0 | audio_only | 03_01_2 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0001_track_03 | 0 | 03_01 | 3 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0001_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid | 28.085 | 30.175 | 2.09 | true | true | What it seems | Verse 1 | combined | 28.085 | 30.175 | true | Start aligned to Overture 2 boundary at 28.085s | false | null | 5 | 13 | 3 | 0 | 0 | audio_midi | 03_01_3 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0001_track_04 | 0 | 03_01 | 4 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0001_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid | 28.085 | 30.175 | 2.09 | true | true | What it seems | Verse 1 | combined | 28.085 | 30.175 | true | Start aligned to Overture 2 boundary at 28.085s | false | null | 5 | 13 | 3 | 0 | 0 | audio_midi | 03_01_4 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0001_track_12 | 0 | 03_01 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0001_track_12.wav | null | 28.085 | 30.175 | 2.09 | true | false | What it seems | Verse 1 | combined | 28.085 | 30.175 | true | Start aligned to Overture 2 boundary at 28.085s | false | null | 5 | 13 | 3 | 0 | 0 | audio_only | 03_01_12 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0001_track_13 | 0 | 03_01 | 13 | Doubled Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0001_track_13.wav | null | 28.085 | 30.175 | 2.09 | true | false | What it seems | Verse 1 | combined | 28.085 | 30.175 | true | Start aligned to Overture 2 boundary at 28.085s | false | null | 5 | 13 | 3 | 0 | 0 | audio_only | 03_01_13 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0001_track_14 | 0 | 03_01 | 14 | Harmony Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0001_track_14.wav | null | 28.085 | 30.175 | 2.09 | true | false | What it seems | Verse 1 | combined | 28.085 | 30.175 | true | Start aligned to Overture 2 boundary at 28.085s | false | null | 5 | 13 | 3 | 0 | 0 | audio_only | 03_01_14 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0002_track_02 | 1 | 03_01 | 2 | NSynth (Magenta) Bed | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0002_track_02.wav | null | 30.175 | 34.003 | 3.828 | true | false | may not be where | Verse 1 | combined | 30.175 | 34.003 | false | false | null | 7 | 16 | 4 | 0 | 0 | audio_only | 03_01_2 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0002_track_04 | 1 | 03_01 | 4 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0002_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid | 30.175 | 34.003 | 3.828 | true | true | may not be where | Verse 1 | combined | 30.175 | 34.003 | false | false | null | 7 | 16 | 4 | 0 | 0 | audio_midi | 03_01_4 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0002_track_06 | 1 | 03_01 | 6 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_09_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0002_track_06.wav | null | 30.175 | 34.003 | 3.828 | true | false | may not be where | Verse 1 | combined | 30.175 | 34.003 | false | false | null | 7 | 16 | 4 | 0 | 0 | audio_only | 03_01_6 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0002_track_09 | 1 | 03_01 | 9 | CMI Synth | shared_keyboard | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0002_track_09.wav | null | 30.175 | 34.003 | 3.828 | true | false | may not be where | Verse 1 | combined | 30.175 | 34.003 | false | false | null | 7 | 16 | 4 | 0 | 0 | audio_only | 03_01_9 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0002_track_12 | 1 | 03_01 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0002_track_12.wav | null | 30.175 | 34.003 | 3.828 | true | false | may not be where | Verse 1 | combined | 30.175 | 34.003 | false | false | null | 7 | 16 | 4 | 0 | 0 | audio_only | 03_01_12 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0002_track_13 | 1 | 03_01 | 13 | Doubled Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0002_track_13.wav | null | 30.175 | 34.003 | 3.828 | true | false | may not be where | Verse 1 | combined | 30.175 | 34.003 | false | false | null | 7 | 16 | 4 | 0 | 0 | audio_only | 03_01_13 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0002_track_14 | 1 | 03_01 | 14 | Harmony Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0002_track_14.wav | null | 30.175 | 34.003 | 3.828 | true | false | may not be where | Verse 1 | combined | 30.175 | 34.003 | false | false | null | 7 | 16 | 4 | 0 | 0 | audio_only | 03_01_14 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0003_track_02 | 2 | 03_01 | 2 | NSynth (Magenta) Bed | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0003_track_02.wav | null | 34.003 | 39.171 | 5.168 | true | false | a hidden beam falls on | Verse 1 | combined | 34.003 | 37.371 | true | End aligned to Verse 1 boundary at 39.171s | false | null | 9 | 22 | 5 | 0 | 1.8 | audio_only | 03_01_2 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0003_track_03 | 2 | 03_01 | 3 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0003_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid | 34.003 | 39.171 | 5.168 | true | true | a hidden beam falls on | Verse 1 | combined | 34.003 | 37.371 | true | End aligned to Verse 1 boundary at 39.171s | false | null | 9 | 22 | 5 | 0 | 1.8 | audio_midi | 03_01_3 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0003_track_04 | 2 | 03_01 | 4 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0003_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid | 34.003 | 39.171 | 5.168 | true | true | a hidden beam falls on | Verse 1 | combined | 34.003 | 37.371 | true | End aligned to Verse 1 boundary at 39.171s | false | null | 9 | 22 | 5 | 0 | 1.8 | audio_midi | 03_01_4 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0003_track_06 | 2 | 03_01 | 6 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_09_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0003_track_06.wav | null | 34.003 | 39.171 | 5.168 | true | false | a hidden beam falls on | Verse 1 | combined | 34.003 | 37.371 | true | End aligned to Verse 1 boundary at 39.171s | false | null | 9 | 22 | 5 | 0 | 1.8 | audio_only | 03_01_6 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0003_track_09 | 2 | 03_01 | 9 | CMI Synth | shared_keyboard | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0003_track_09.wav | null | 34.003 | 39.171 | 5.168 | true | false | a hidden beam falls on | Verse 1 | combined | 34.003 | 37.371 | true | End aligned to Verse 1 boundary at 39.171s | false | null | 9 | 22 | 5 | 0 | 1.8 | audio_only | 03_01_9 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0003_track_12 | 2 | 03_01 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0003_track_12.wav | null | 34.003 | 39.171 | 5.168 | true | false | a hidden beam falls on | Verse 1 | combined | 34.003 | 37.371 | true | End aligned to Verse 1 boundary at 39.171s | false | null | 9 | 22 | 5 | 0 | 1.8 | audio_only | 03_01_12 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0003_track_13 | 2 | 03_01 | 13 | Doubled Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0003_track_13.wav | null | 34.003 | 39.171 | 5.168 | true | false | a hidden beam falls on | Verse 1 | combined | 34.003 | 37.371 | true | End aligned to Verse 1 boundary at 39.171s | false | null | 9 | 22 | 5 | 0 | 1.8 | audio_only | 03_01_13 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0003_track_14 | 2 | 03_01 | 14 | Harmony Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0003_track_14.wav | null | 34.003 | 39.171 | 5.168 | true | false | a hidden beam falls on | Verse 1 | combined | 34.003 | 37.371 | true | End aligned to Verse 1 boundary at 39.171s | false | null | 9 | 22 | 5 | 0 | 1.8 | audio_only | 03_01_14 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0005_track_02 | 4 | 03_01 | 2 | NSynth (Magenta) Bed | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0005_track_02.wav | null | 39.171 | 42.064 | 2.893 | true | false | Scrape the waves | Verse 2 | combined | 39.171 | 42.064 | true | Start aligned to Verse 1 boundary at 39.171s | false | null | 13 | 16 | 3 | 0 | 0 | audio_only | 03_01_2 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0005_track_03 | 4 | 03_01 | 3 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0005_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid | 39.171 | 42.064 | 2.893 | true | true | Scrape the waves | Verse 2 | combined | 39.171 | 42.064 | true | Start aligned to Verse 1 boundary at 39.171s | false | null | 13 | 16 | 3 | 0 | 0 | audio_midi | 03_01_3 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0005_track_04 | 4 | 03_01 | 4 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0005_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid | 39.171 | 42.064 | 2.893 | true | true | Scrape the waves | Verse 2 | combined | 39.171 | 42.064 | true | Start aligned to Verse 1 boundary at 39.171s | false | null | 13 | 16 | 3 | 0 | 0 | audio_midi | 03_01_4 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0005_track_06 | 4 | 03_01 | 6 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_09_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0005_track_06.wav | null | 39.171 | 42.064 | 2.893 | true | false | Scrape the waves | Verse 2 | combined | 39.171 | 42.064 | true | Start aligned to Verse 1 boundary at 39.171s | false | null | 13 | 16 | 3 | 0 | 0 | audio_only | 03_01_6 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0005_track_09 | 4 | 03_01 | 9 | CMI Synth | shared_keyboard | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0005_track_09.wav | null | 39.171 | 42.064 | 2.893 | true | false | Scrape the waves | Verse 2 | combined | 39.171 | 42.064 | true | Start aligned to Verse 1 boundary at 39.171s | false | null | 13 | 16 | 3 | 0 | 0 | audio_only | 03_01_9 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0005_track_12 | 4 | 03_01 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0005_track_12.wav | null | 39.171 | 42.064 | 2.893 | true | false | Scrape the waves | Verse 2 | combined | 39.171 | 42.064 | true | Start aligned to Verse 1 boundary at 39.171s | false | null | 13 | 16 | 3 | 0 | 0 | audio_only | 03_01_12 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0005_track_13 | 4 | 03_01 | 13 | Doubled Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0005_track_13.wav | null | 39.171 | 42.064 | 2.893 | true | false | Scrape the waves | Verse 2 | combined | 39.171 | 42.064 | true | Start aligned to Verse 1 boundary at 39.171s | false | null | 13 | 16 | 3 | 0 | 0 | audio_only | 03_01_13 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0005_track_14 | 4 | 03_01 | 14 | Harmony Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0005_track_14.wav | null | 39.171 | 42.064 | 2.893 | true | false | Scrape the waves | Verse 2 | combined | 39.171 | 42.064 | true | Start aligned to Verse 1 boundary at 39.171s | false | null | 13 | 16 | 3 | 0 | 0 | audio_only | 03_01_14 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0006_track_02 | 5 | 03_01 | 2 | NSynth (Magenta) Bed | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0006_track_02.wav | null | 42.064 | 45.086 | 3.022 | true | false | and shoot the flare | Verse 2 | combined | 42.064 | 45.086 | false | false | null | 15 | 19 | 4 | 0 | 0 | audio_only | 03_01_2 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0006_track_03 | 5 | 03_01 | 3 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0006_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid | 42.064 | 45.086 | 3.022 | true | true | and shoot the flare | Verse 2 | combined | 42.064 | 45.086 | false | false | null | 15 | 19 | 4 | 0 | 0 | audio_midi | 03_01_3 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0006_track_04 | 5 | 03_01 | 4 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0006_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid | 42.064 | 45.086 | 3.022 | true | true | and shoot the flare | Verse 2 | combined | 42.064 | 45.086 | false | false | null | 15 | 19 | 4 | 0 | 0 | audio_midi | 03_01_4 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0006_track_06 | 5 | 03_01 | 6 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_09_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0006_track_06.wav | null | 42.064 | 45.086 | 3.022 | true | false | and shoot the flare | Verse 2 | combined | 42.064 | 45.086 | false | false | null | 15 | 19 | 4 | 0 | 0 | audio_only | 03_01_6 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0006_track_09 | 5 | 03_01 | 9 | CMI Synth | shared_keyboard | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0006_track_09.wav | null | 42.064 | 45.086 | 3.022 | true | false | and shoot the flare | Verse 2 | combined | 42.064 | 45.086 | false | false | null | 15 | 19 | 4 | 0 | 0 | audio_only | 03_01_9 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0006_track_12 | 5 | 03_01 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0006_track_12.wav | null | 42.064 | 45.086 | 3.022 | true | false | and shoot the flare | Verse 2 | combined | 42.064 | 45.086 | false | false | null | 15 | 19 | 4 | 0 | 0 | audio_only | 03_01_12 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0006_track_13 | 5 | 03_01 | 13 | Doubled Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0006_track_13.wav | null | 42.064 | 45.086 | 3.022 | true | false | and shoot the flare | Verse 2 | combined | 42.064 | 45.086 | false | false | null | 15 | 19 | 4 | 0 | 0 | audio_only | 03_01_13 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0006_track_14 | 5 | 03_01 | 14 | Harmony Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0006_track_14.wav | null | 42.064 | 45.086 | 3.022 | true | false | and shoot the flare | Verse 2 | combined | 42.064 | 45.086 | false | false | null | 15 | 19 | 4 | 0 | 0 | audio_only | 03_01_14 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0007_track_02 | 6 | 03_01 | 2 | NSynth (Magenta) Bed | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0007_track_02.wav | null | 45.086 | 47.177 | 2.091 | true | false | Moonlight bathes | Verse 2 | combined | 45.086 | 47.177 | false | false | null | 17 | 16 | 2 | 0 | 0 | audio_only | 03_01_2 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0007_track_03 | 6 | 03_01 | 3 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0007_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid | 45.086 | 47.177 | 2.091 | true | true | Moonlight bathes | Verse 2 | combined | 45.086 | 47.177 | false | false | null | 17 | 16 | 2 | 0 | 0 | audio_midi | 03_01_3 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0007_track_04 | 6 | 03_01 | 4 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0007_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid | 45.086 | 47.177 | 2.091 | true | true | Moonlight bathes | Verse 2 | combined | 45.086 | 47.177 | false | false | null | 17 | 16 | 2 | 0 | 0 | audio_midi | 03_01_4 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0007_track_06 | 6 | 03_01 | 6 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_09_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0007_track_06.wav | null | 45.086 | 47.177 | 2.091 | true | false | Moonlight bathes | Verse 2 | combined | 45.086 | 47.177 | false | false | null | 17 | 16 | 2 | 0 | 0 | audio_only | 03_01_6 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0007_track_09 | 6 | 03_01 | 9 | CMI Synth | shared_keyboard | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0007_track_09.wav | null | 45.086 | 47.177 | 2.091 | true | false | Moonlight bathes | Verse 2 | combined | 45.086 | 47.177 | false | false | null | 17 | 16 | 2 | 0 | 0 | audio_only | 03_01_9 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0007_track_12 | 6 | 03_01 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0007_track_12.wav | null | 45.086 | 47.177 | 2.091 | true | false | Moonlight bathes | Verse 2 | combined | 45.086 | 47.177 | false | false | null | 17 | 16 | 2 | 0 | 0 | audio_only | 03_01_12 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0007_track_13 | 6 | 03_01 | 13 | Doubled Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0007_track_13.wav | null | 45.086 | 47.177 | 2.091 | true | false | Moonlight bathes | Verse 2 | combined | 45.086 | 47.177 | false | false | null | 17 | 16 | 2 | 0 | 0 | audio_only | 03_01_13 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0007_track_14 | 6 | 03_01 | 14 | Harmony Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0007_track_14.wav | null | 45.086 | 47.177 | 2.091 | true | false | Moonlight bathes | Verse 2 | combined | 45.086 | 47.177 | false | false | null | 17 | 16 | 2 | 0 | 0 | audio_only | 03_01_14 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0008_track_02 | 7 | 03_01 | 2 | NSynth (Magenta) Bed | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0008_track_02.wav | null | 47.177 | 50.195 | 3.018 | true | false | what wasn't there | Verse 2 | combined | 47.177 | 50.195 | false | false | null | 19 | 17 | 3 | 0 | 0 | audio_only | 03_01_2 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0008_track_03 | 7 | 03_01 | 3 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0008_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid | 47.177 | 50.195 | 3.018 | true | true | what wasn't there | Verse 2 | combined | 47.177 | 50.195 | false | false | null | 19 | 17 | 3 | 0 | 0 | audio_midi | 03_01_3 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0008_track_04 | 7 | 03_01 | 4 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0008_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid | 47.177 | 50.195 | 3.018 | true | true | what wasn't there | Verse 2 | combined | 47.177 | 50.195 | false | false | null | 19 | 17 | 3 | 0 | 0 | audio_midi | 03_01_4 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0008_track_06 | 7 | 03_01 | 6 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_09_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0008_track_06.wav | null | 47.177 | 50.195 | 3.018 | true | false | what wasn't there | Verse 2 | combined | 47.177 | 50.195 | false | false | null | 19 | 17 | 3 | 0 | 0 | audio_only | 03_01_6 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0008_track_09 | 7 | 03_01 | 9 | CMI Synth | shared_keyboard | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0008_track_09.wav | null | 47.177 | 50.195 | 3.018 | true | false | what wasn't there | Verse 2 | combined | 47.177 | 50.195 | false | false | null | 19 | 17 | 3 | 0 | 0 | audio_only | 03_01_9 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0008_track_12 | 7 | 03_01 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0008_track_12.wav | null | 47.177 | 50.195 | 3.018 | true | false | what wasn't there | Verse 2 | combined | 47.177 | 50.195 | false | false | null | 19 | 17 | 3 | 0 | 0 | audio_only | 03_01_12 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0008_track_13 | 7 | 03_01 | 13 | Doubled Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0008_track_13.wav | null | 47.177 | 50.195 | 3.018 | true | false | what wasn't there | Verse 2 | combined | 47.177 | 50.195 | false | false | null | 19 | 17 | 3 | 0 | 0 | audio_only | 03_01_13 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0008_track_14 | 7 | 03_01 | 14 | Harmony Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0008_track_14.wav | null | 47.177 | 50.195 | 3.018 | true | false | what wasn't there | Verse 2 | combined | 47.177 | 50.195 | false | false | null | 19 | 17 | 3 | 0 | 0 | audio_only | 03_01_14 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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03_01_seg_0009_track_02 | 8 | 03_01 | 2 | NSynth (Magenta) Bed | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0009_track_02.wav | null | 50.195 | 53.213 | 3.018 | true | false | It wasn't there | Verse 2 | combined | 50.195 | 53.213 | true | End aligned to Verse 2 boundary at 53.213s | false | null | 21 | 15 | 3 | 0 | 0 | audio_only | 03_01_2 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0009_track_03 | 8 | 03_01 | 3 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0009_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid | 50.195 | 53.213 | 3.018 | true | true | It wasn't there | Verse 2 | combined | 50.195 | 53.213 | true | End aligned to Verse 2 boundary at 53.213s | false | null | 21 | 15 | 3 | 0 | 0 | audio_midi | 03_01_3 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0009_track_04 | 8 | 03_01 | 4 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0009_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid | 50.195 | 53.213 | 3.018 | true | true | It wasn't there | Verse 2 | combined | 50.195 | 53.213 | true | End aligned to Verse 2 boundary at 53.213s | false | null | 21 | 15 | 3 | 0 | 0 | audio_midi | 03_01_4 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0009_track_06 | 8 | 03_01 | 6 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_09_acoustic_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0009_track_06.wav | null | 50.195 | 53.213 | 3.018 | true | false | It wasn't there | Verse 2 | combined | 50.195 | 53.213 | true | End aligned to Verse 2 boundary at 53.213s | false | null | 21 | 15 | 3 | 0 | 0 | audio_only | 03_01_6 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0009_track_09 | 8 | 03_01 | 9 | CMI Synth | shared_keyboard | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0009_track_09.wav | null | 50.195 | 53.213 | 3.018 | true | false | It wasn't there | Verse 2 | combined | 50.195 | 53.213 | true | End aligned to Verse 2 boundary at 53.213s | false | null | 21 | 15 | 3 | 0 | 0 | audio_only | 03_01_9 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0009_track_12 | 8 | 03_01 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0009_track_12.wav | null | 50.195 | 53.213 | 3.018 | true | false | It wasn't there | Verse 2 | combined | 50.195 | 53.213 | true | End aligned to Verse 2 boundary at 53.213s | false | null | 21 | 15 | 3 | 0 | 0 | audio_only | 03_01_12 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0009_track_13 | 8 | 03_01 | 13 | Doubled Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0009_track_13.wav | null | 50.195 | 53.213 | 3.018 | true | false | It wasn't there | Verse 2 | combined | 50.195 | 53.213 | true | End aligned to Verse 2 boundary at 53.213s | false | null | 21 | 15 | 3 | 0 | 0 | audio_only | 03_01_13 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0009_track_14 | 8 | 03_01 | 14 | Harmony Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0009_track_14.wav | null | 50.195 | 53.213 | 3.018 | true | false | It wasn't there | Verse 2 | combined | 50.195 | 53.213 | true | End aligned to Verse 2 boundary at 53.213s | false | null | 21 | 15 | 3 | 0 | 0 | audio_only | 03_01_14 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0010_track_02 | 9 | 03_01 | 2 | NSynth (Magenta) Bed | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0010_track_02.wav | null | 53.213 | 56.064 | 2.851 | true | false | We knew then | Chorus 1 | combined | 53.213 | 56.064 | true | Start aligned to Verse 2 boundary at 53.213s | false | null | 23 | 12 | 3 | 0 | 0 | audio_only | 03_01_2 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0010_track_03 | 9 | 03_01 | 3 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0010_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid | 53.213 | 56.064 | 2.851 | true | true | We knew then | Chorus 1 | combined | 53.213 | 56.064 | true | Start aligned to Verse 2 boundary at 53.213s | false | null | 23 | 12 | 3 | 0 | 0 | audio_midi | 03_01_3 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0010_track_04 | 9 | 03_01 | 4 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0010_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid | 53.213 | 56.064 | 2.851 | true | true | We knew then | Chorus 1 | combined | 53.213 | 56.064 | true | Start aligned to Verse 2 boundary at 53.213s | false | null | 23 | 12 | 3 | 0 | 0 | audio_midi | 03_01_4 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0010_track_09 | 9 | 03_01 | 9 | CMI Synth | shared_keyboard | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0010_track_09.wav | null | 53.213 | 56.064 | 2.851 | true | false | We knew then | Chorus 1 | combined | 53.213 | 56.064 | true | Start aligned to Verse 2 boundary at 53.213s | false | null | 23 | 12 | 3 | 0 | 0 | audio_only | 03_01_9 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0010_track_12 | 9 | 03_01 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0010_track_12.wav | null | 53.213 | 56.064 | 2.851 | true | false | We knew then | Chorus 1 | combined | 53.213 | 56.064 | true | Start aligned to Verse 2 boundary at 53.213s | false | null | 23 | 12 | 3 | 0 | 0 | audio_only | 03_01_12 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0010_track_13 | 9 | 03_01 | 13 | Doubled Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0010_track_13.wav | null | 53.213 | 56.064 | 2.851 | true | false | We knew then | Chorus 1 | combined | 53.213 | 56.064 | true | Start aligned to Verse 2 boundary at 53.213s | false | null | 23 | 12 | 3 | 0 | 0 | audio_only | 03_01_13 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0010_track_14 | 9 | 03_01 | 14 | Harmony Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0010_track_14.wav | null | 53.213 | 56.064 | 2.851 | true | false | We knew then | Chorus 1 | combined | 53.213 | 56.064 | true | Start aligned to Verse 2 boundary at 53.213s | false | null | 23 | 12 | 3 | 0 | 0 | audio_only | 03_01_14 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
03_01_seg_0011_track_03 | 10 | 03_01 | 3 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0011_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid | 56.064 | 59.051 | 2.987 | true | true | the end was soon | Chorus 1 | combined | 56.064 | 59.051 | false | false | null | 25 | 16 | 4 | 0 | 0 | audio_midi | 03_01_3 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0011_track_04 | 10 | 03_01 | 4 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0011_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid | 56.064 | 59.051 | 2.987 | true | true | the end was soon | Chorus 1 | combined | 56.064 | 59.051 | false | false | null | 25 | 16 | 4 | 0 | 0 | audio_midi | 03_01_4 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0011_track_09 | 10 | 03_01 | 9 | CMI Synth | shared_keyboard | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0011_track_09.wav | null | 56.064 | 59.051 | 2.987 | true | false | the end was soon | Chorus 1 | combined | 56.064 | 59.051 | false | false | null | 25 | 16 | 4 | 0 | 0 | audio_only | 03_01_9 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0011_track_12 | 10 | 03_01 | 12 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0011_track_12.wav | null | 56.064 | 59.051 | 2.987 | true | false | the end was soon | Chorus 1 | combined | 56.064 | 59.051 | false | false | null | 25 | 16 | 4 | 0 | 0 | audio_only | 03_01_12 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0011_track_13 | 10 | 03_01 | 13 | Doubled Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0011_track_13.wav | null | 56.064 | 59.051 | 2.987 | true | false | the end was soon | Chorus 1 | combined | 56.064 | 59.051 | false | false | null | 25 | 16 | 4 | 0 | 0 | audio_only | 03_01_13 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0011_track_14 | 10 | 03_01 | 14 | Harmony Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0011_track_14.wav | null | 56.064 | 59.051 | 2.987 | true | false | the end was soon | Chorus 1 | combined | 56.064 | 59.051 | false | false | null | 25 | 16 | 4 | 0 | 0 | audio_only | 03_01_14 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0012_track_03 | 11 | 03_01 | 3 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0012_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid | 59.051 | 61.243 | 2.192 | true | true | but time don't bend | Chorus 1 | combined | 59.051 | 61.243 | false | false | null | 27 | 19 | 4 | 0 | 0 | audio_midi | 03_01_3 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null | |
03_01_seg_0012_track_04 | 11 | 03_01 | 4 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0012_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid | 59.051 | 61.243 | 2.192 | true | true | but time don't bend | Chorus 1 | combined | 59.051 | 61.243 | false | false | null | 27 | 19 | 4 | 0 | 0 | audio_midi | 03_01_4 | 127 | 6 | 8 | C | major | Orange | Past | Thing | Imagined | null | Moonrakers | 2020-06-23T00:00:00 | [02:47.060] | true | true | What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!" | The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958 | otherworldly, intense, frenetic, unsettling, chaotic | Electronic, Experimental, Pop, Rock, Electropop, Noise Pop | 03_01.lrc | The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese. | {
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} | Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] | Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] | Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] | Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] | Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] | Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] | Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] | Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] | Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] | Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060] | null |
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