Split (1)

train · 23.2k rows

segment_id string	segment_index int64	song_id string	track_number int64	track_description string	track_group string	track_player string	source_audio_file string	segment_audio_file string	midi_file string	start_seconds float64	end_seconds float64	duration_seconds float64	has_audio bool	has_midi bool	lyric_text string	structure_section string	segment_type string	original_start_seconds float64	original_end_seconds float64	has_structure_adjustments bool	structure_adjustments string	is_sub_segment bool	sub_segment_info string	lrc_line_number float64	lyric_char_count uint32	lyric_word_count uint32	start_adjustment_seconds float64	end_adjustment_seconds float64	content_type string	manifest_track_key string	bpm int64	tempo_numerator float64	tempo_denominator float64	key_signature_note string	key_signature_mode string	rainbow_color string	rainbow_color_temporal_mode string	rainbow_color_objectional_mode string	rainbow_color_ontological_mode string	transmigrational_mode string	title string	release_date string	total_running_time string	vocals bool	lyrics bool	lrc_lyrics string	sounds_like string	mood string	genres string	lrc_file string	concept string	training_data dict	song_structure string	midi_group_file string
03_01_seg_0012_track_09	11	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0012_track_09.wav	null	59.051	61.243	2.192	true	false	but time don't bend	Chorus 1	combined	59.051	61.243	false		false	null	27	19	4	0	0	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0012_track_12	11	03_01	12	Main Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0012_track_12.wav	null	59.051	61.243	2.192	true	false	but time don't bend	Chorus 1	combined	59.051	61.243	false		false	null	27	19	4	0	0	audio_only	03_01_12	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0012_track_13	11	03_01	13	Doubled Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0012_track_13.wav	null	59.051	61.243	2.192	true	false	but time don't bend	Chorus 1	combined	59.051	61.243	false		false	null	27	19	4	0	0	audio_only	03_01_13	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0012_track_14	11	03_01	14	Harmony Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0012_track_14.wav	null	59.051	61.243	2.192	true	false	but time don't bend	Chorus 1	combined	59.051	61.243	false		false	null	27	19	4	0	0	audio_only	03_01_14	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0013_track_03	12	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0013_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	61.243	69.092	7.849	true	true	so rake the moon	Chorus 1	combined	61.243	69.111	true	End aligned to Verse 3 boundary at 69.092s	false	null	29	16	4	0	-0.019	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0013_track_04	12	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0013_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	61.243	69.092	7.849	true	true	so rake the moon	Chorus 1	combined	61.243	69.111	true	End aligned to Verse 3 boundary at 69.092s	false	null	29	16	4	0	-0.019	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0013_track_08	12	03_01	8	Buchula Easel	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_11_easel.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0013_track_08.wav	null	61.243	69.092	7.849	true	false	so rake the moon	Chorus 1	combined	61.243	69.111	true	End aligned to Verse 3 boundary at 69.092s	false	null	29	16	4	0	-0.019	audio_only	03_01_8	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0013_track_09	12	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0013_track_09.wav	null	61.243	69.092	7.849	true	false	so rake the moon	Chorus 1	combined	61.243	69.111	true	End aligned to Verse 3 boundary at 69.092s	false	null	29	16	4	0	-0.019	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0013_track_11	12	03_01	11	Soft Clavinet	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_15_clav.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0013_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_14_clav.mid	61.243	69.092	7.849	true	true	so rake the moon	Chorus 1	combined	61.243	69.111	true	End aligned to Verse 3 boundary at 69.092s	false	null	29	16	4	0	-0.019	audio_midi	03_01_11	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0013_track_12	12	03_01	12	Main Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0013_track_12.wav	null	61.243	69.092	7.849	true	false	so rake the moon	Chorus 1	combined	61.243	69.111	true	End aligned to Verse 3 boundary at 69.092s	false	null	29	16	4	0	-0.019	audio_only	03_01_12	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0013_track_13	12	03_01	13	Doubled Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0013_track_13.wav	null	61.243	69.092	7.849	true	false	so rake the moon	Chorus 1	combined	61.243	69.111	true	End aligned to Verse 3 boundary at 69.092s	false	null	29	16	4	0	-0.019	audio_only	03_01_13	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0013_track_14	12	03_01	14	Harmony Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0013_track_14.wav	null	61.243	69.092	7.849	true	false	so rake the moon	Chorus 1	combined	61.243	69.111	true	End aligned to Verse 3 boundary at 69.092s	false	null	29	16	4	0	-0.019	audio_only	03_01_14	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0014_track_02	13	03_01	2	NSynth (Magenta) Bed	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0014_track_02.wav	null	69.092	74.177	5.085	true	false	Years ago I knew none	Verse 4	combined	69.111	74.177	true	Start aligned to Verse 3 boundary at 69.092s	false	null	31	21	5	-0.019	0	audio_only	03_01_2	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0014_track_03	13	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0014_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	69.092	74.177	5.085	true	true	Years ago I knew none	Verse 4	combined	69.111	74.177	true	Start aligned to Verse 3 boundary at 69.092s	false	null	31	21	5	-0.019	0	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0014_track_04	13	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0014_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	69.092	74.177	5.085	true	true	Years ago I knew none	Verse 4	combined	69.111	74.177	true	Start aligned to Verse 3 boundary at 69.092s	false	null	31	21	5	-0.019	0	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0014_track_09	13	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0014_track_09.wav	null	69.092	74.177	5.085	true	false	Years ago I knew none	Verse 4	combined	69.111	74.177	true	Start aligned to Verse 3 boundary at 69.092s	false	null	31	21	5	-0.019	0	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0014_track_12	13	03_01	12	Main Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0014_track_12.wav	null	69.092	74.177	5.085	true	false	Years ago I knew none	Verse 4	combined	69.111	74.177	true	Start aligned to Verse 3 boundary at 69.092s	false	null	31	21	5	-0.019	0	audio_only	03_01_12	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0014_track_13	13	03_01	13	Doubled Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0014_track_13.wav	null	69.092	74.177	5.085	true	false	Years ago I knew none	Verse 4	combined	69.111	74.177	true	Start aligned to Verse 3 boundary at 69.092s	false	null	31	21	5	-0.019	0	audio_only	03_01_13	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0014_track_14	13	03_01	14	Harmony Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0014_track_14.wav	null	69.092	74.177	5.085	true	false	Years ago I knew none	Verse 4	combined	69.111	74.177	true	Start aligned to Verse 3 boundary at 69.092s	false	null	31	21	5	-0.019	0	audio_only	03_01_14	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0015_track_02	14	03_01	2	NSynth (Magenta) Bed	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0015_track_02.wav	null	74.177	80.176	5.999	true	false	except the glow, a braid undone	Verse 4	combined	74.177	80.176	false		false	null	33	31	6	0	0	audio_only	03_01_2	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0015_track_03	14	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0015_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	74.177	80.176	5.999	true	true	except the glow, a braid undone	Verse 4	combined	74.177	80.176	false		false	null	33	31	6	0	0	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0015_track_04	14	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0015_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	74.177	80.176	5.999	true	true	except the glow, a braid undone	Verse 4	combined	74.177	80.176	false		false	null	33	31	6	0	0	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0015_track_09	14	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0015_track_09.wav	null	74.177	80.176	5.999	true	false	except the glow, a braid undone	Verse 4	combined	74.177	80.176	false		false	null	33	31	6	0	0	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0015_track_12	14	03_01	12	Main Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0015_track_12.wav	null	74.177	80.176	5.999	true	false	except the glow, a braid undone	Verse 4	combined	74.177	80.176	false		false	null	33	31	6	0	0	audio_only	03_01_12	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0015_track_13	14	03_01	13	Doubled Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0015_track_13.wav	null	74.177	80.176	5.999	true	false	except the glow, a braid undone	Verse 4	combined	74.177	80.176	false		false	null	33	31	6	0	0	audio_only	03_01_13	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0015_track_14	14	03_01	14	Harmony Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0015_track_14.wav	null	74.177	80.176	5.999	true	false	except the glow, a braid undone	Verse 4	combined	74.177	80.176	false		false	null	33	31	6	0	0	audio_only	03_01_14	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0016_track_02	15	03_01	2	NSynth (Magenta) Bed	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0016_track_02.wav	null	80.176	86.113	5.937	true	false	Kept away, kept for fun	Verse 4	combined	80.176	86.113	false		false	null	35	23	5	0	0	audio_only	03_01_2	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0016_track_03	15	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0016_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	80.176	86.113	5.937	true	true	Kept away, kept for fun	Verse 4	combined	80.176	86.113	false		false	null	35	23	5	0	0	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0016_track_04	15	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0016_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	80.176	86.113	5.937	true	true	Kept away, kept for fun	Verse 4	combined	80.176	86.113	false		false	null	35	23	5	0	0	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0016_track_06	15	03_01	6	Acoustic Guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_09_acoustic_guitar.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0016_track_06.wav	null	80.176	86.113	5.937	true	false	Kept away, kept for fun	Verse 4	combined	80.176	86.113	false		false	null	35	23	5	0	0	audio_only	03_01_6	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0016_track_09	15	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0016_track_09.wav	null	80.176	86.113	5.937	true	false	Kept away, kept for fun	Verse 4	combined	80.176	86.113	false		false	null	35	23	5	0	0	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0016_track_12	15	03_01	12	Main Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0016_track_12.wav	null	80.176	86.113	5.937	true	false	Kept away, kept for fun	Verse 4	combined	80.176	86.113	false		false	null	35	23	5	0	0	audio_only	03_01_12	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0016_track_13	15	03_01	13	Doubled Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0016_track_13.wav	null	80.176	86.113	5.937	true	false	Kept away, kept for fun	Verse 4	combined	80.176	86.113	false		false	null	35	23	5	0	0	audio_only	03_01_13	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0016_track_14	15	03_01	14	Harmony Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0016_track_14.wav	null	80.176	86.113	5.937	true	false	Kept away, kept for fun	Verse 4	combined	80.176	86.113	false		false	null	35	23	5	0	0	audio_only	03_01_14	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0017_track_02	16	03_01	2	NSynth (Magenta) Bed	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0017_track_02.wav	null	86.113	89.013	2.9	true	false	You did stay	Verse 4	combined	86.113	89.013	false		false	null	37	12	3	0	0	audio_only	03_01_2	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0017_track_03	16	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0017_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	86.113	89.013	2.9	true	true	You did stay	Verse 4	combined	86.113	89.013	false		false	null	37	12	3	0	0	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0017_track_04	16	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0017_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	86.113	89.013	2.9	true	true	You did stay	Verse 4	combined	86.113	89.013	false		false	null	37	12	3	0	0	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0017_track_06	16	03_01	6	Acoustic Guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_09_acoustic_guitar.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0017_track_06.wav	null	86.113	89.013	2.9	true	false	You did stay	Verse 4	combined	86.113	89.013	false		false	null	37	12	3	0	0	audio_only	03_01_6	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0017_track_09	16	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0017_track_09.wav	null	86.113	89.013	2.9	true	false	You did stay	Verse 4	combined	86.113	89.013	false		false	null	37	12	3	0	0	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0017_track_11	16	03_01	11	Soft Clavinet	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_15_clav.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0017_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_14_clav.mid	86.113	89.013	2.9	true	true	You did stay	Verse 4	combined	86.113	89.013	false		false	null	37	12	3	0	0	audio_midi	03_01_11	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0017_track_12	16	03_01	12	Main Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0017_track_12.wav	null	86.113	89.013	2.9	true	false	You did stay	Verse 4	combined	86.113	89.013	false		false	null	37	12	3	0	0	audio_only	03_01_12	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0017_track_13	16	03_01	13	Doubled Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0017_track_13.wav	null	86.113	89.013	2.9	true	false	You did stay	Verse 4	combined	86.113	89.013	false		false	null	37	12	3	0	0	audio_only	03_01_13	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0017_track_14	16	03_01	14	Harmony Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0017_track_14.wav	null	86.113	89.013	2.9	true	false	You did stay	Verse 4	combined	86.113	89.013	false		false	null	37	12	3	0	0	audio_only	03_01_14	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0018_track_02	17	03_01	2	NSynth (Magenta) Bed	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0018_track_02.wav	null	89.013	92.012	2.999	true	false	while I did run	Verse 4	combined	89.013	92.012	false		false	null	39	15	4	0	0	audio_only	03_01_2	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0018_track_03	17	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0018_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	89.013	92.012	2.999	true	true	while I did run	Verse 4	combined	89.013	92.012	false		false	null	39	15	4	0	0	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0018_track_04	17	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0018_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	89.013	92.012	2.999	true	true	while I did run	Verse 4	combined	89.013	92.012	false		false	null	39	15	4	0	0	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0018_track_06	17	03_01	6	Acoustic Guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_09_acoustic_guitar.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0018_track_06.wav	null	89.013	92.012	2.999	true	false	while I did run	Verse 4	combined	89.013	92.012	false		false	null	39	15	4	0	0	audio_only	03_01_6	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0018_track_09	17	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0018_track_09.wav	null	89.013	92.012	2.999	true	false	while I did run	Verse 4	combined	89.013	92.012	false		false	null	39	15	4	0	0	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0018_track_11	17	03_01	11	Soft Clavinet	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_15_clav.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0018_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_14_clav.mid	89.013	92.012	2.999	true	true	while I did run	Verse 4	combined	89.013	92.012	false		false	null	39	15	4	0	0	audio_midi	03_01_11	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0018_track_12	17	03_01	12	Main Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0018_track_12.wav	null	89.013	92.012	2.999	true	false	while I did run	Verse 4	combined	89.013	92.012	false		false	null	39	15	4	0	0	audio_only	03_01_12	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0018_track_13	17	03_01	13	Doubled Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0018_track_13.wav	null	89.013	92.012	2.999	true	false	while I did run	Verse 4	combined	89.013	92.012	false		false	null	39	15	4	0	0	audio_only	03_01_13	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0018_track_14	17	03_01	14	Harmony Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0018_track_14.wav	null	89.013	92.012	2.999	true	false	while I did run	Verse 4	combined	89.013	92.012	false		false	null	39	15	4	0	0	audio_only	03_01_14	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0019_track_02	18	03_01	2	NSynth (Magenta) Bed	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0019_track_02.wav	null	92.012	94.24	2.228	true	false	I did run	Verse 4	combined	92.012	94.24	true	End aligned to Verse 4 boundary at 94.240s	false	null	41	9	3	0	0	audio_only	03_01_2	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0019_track_03	18	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0019_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	92.012	94.24	2.228	true	true	I did run	Verse 4	combined	92.012	94.24	true	End aligned to Verse 4 boundary at 94.240s	false	null	41	9	3	0	0	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0019_track_04	18	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0019_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	92.012	94.24	2.228	true	true	I did run	Verse 4	combined	92.012	94.24	true	End aligned to Verse 4 boundary at 94.240s	false	null	41	9	3	0	0	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0019_track_09	18	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0019_track_09.wav	null	92.012	94.24	2.228	true	false	I did run	Verse 4	combined	92.012	94.24	true	End aligned to Verse 4 boundary at 94.240s	false	null	41	9	3	0	0	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0019_track_11	18	03_01	11	Soft Clavinet	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_15_clav.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0019_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_14_clav.mid	92.012	94.24	2.228	true	true	I did run	Verse 4	combined	92.012	94.24	true	End aligned to Verse 4 boundary at 94.240s	false	null	41	9	3	0	0	audio_midi	03_01_11	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0019_track_12	18	03_01	12	Main Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0019_track_12.wav	null	92.012	94.24	2.228	true	false	I did run	Verse 4	combined	92.012	94.24	true	End aligned to Verse 4 boundary at 94.240s	false	null	41	9	3	0	0	audio_only	03_01_12	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0019_track_13	18	03_01	13	Doubled Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0019_track_13.wav	null	92.012	94.24	2.228	true	false	I did run	Verse 4	combined	92.012	94.24	true	End aligned to Verse 4 boundary at 94.240s	false	null	41	9	3	0	0	audio_only	03_01_13	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0019_track_14	18	03_01	14	Harmony Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0019_track_14.wav	null	92.012	94.24	2.228	true	false	I did run	Verse 4	combined	92.012	94.24	true	End aligned to Verse 4 boundary at 94.240s	false	null	41	9	3	0	0	audio_only	03_01_14	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0020_track_02	19	03_01	2	NSynth (Magenta) Bed	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_03_nsynth_intro.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0020_track_02.wav	null	94.24	97.085	2.845	true	false	I knew this road	Chorus 2	combined	94.24	97.085	true	Start aligned to Verse 4 boundary at 94.240s	false	null	43	16	4	0	0	audio_only	03_01_2	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0020_track_03	19	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0020_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	94.24	97.085	2.845	true	true	I knew this road	Chorus 2	combined	94.24	97.085	true	Start aligned to Verse 4 boundary at 94.240s	false	null	43	16	4	0	0	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0020_track_04	19	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0020_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	94.24	97.085	2.845	true	true	I knew this road	Chorus 2	combined	94.24	97.085	true	Start aligned to Verse 4 boundary at 94.240s	false	null	43	16	4	0	0	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0020_track_09	19	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0020_track_09.wav	null	94.24	97.085	2.845	true	false	I knew this road	Chorus 2	combined	94.24	97.085	true	Start aligned to Verse 4 boundary at 94.240s	false	null	43	16	4	0	0	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0020_track_11	19	03_01	11	Soft Clavinet	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_15_clav.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0020_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_14_clav.mid	94.24	97.085	2.845	false	true	I knew this road	Chorus 2	combined	94.24	97.085	true	Start aligned to Verse 4 boundary at 94.240s	false	null	43	16	4	0	0	midi_only	03_01_11	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0020_track_12	19	03_01	12	Main Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0020_track_12.wav	null	94.24	97.085	2.845	true	false	I knew this road	Chorus 2	combined	94.24	97.085	true	Start aligned to Verse 4 boundary at 94.240s	false	null	43	16	4	0	0	audio_only	03_01_12	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0020_track_13	19	03_01	13	Doubled Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0020_track_13.wav	null	94.24	97.085	2.845	true	false	I knew this road	Chorus 2	combined	94.24	97.085	true	Start aligned to Verse 4 boundary at 94.240s	false	null	43	16	4	0	0	audio_only	03_01_13	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0020_track_14	19	03_01	14	Harmony Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0020_track_14.wav	null	94.24	97.085	2.845	true	false	I knew this road	Chorus 2	combined	94.24	97.085	true	Start aligned to Verse 4 boundary at 94.240s	false	null	43	16	4	0	0	audio_only	03_01_14	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0021_track_03	20	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0021_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	97.085	100.075	2.99	true	true	I knew this room	Chorus 2	combined	97.085	100.075	false		false	null	45	16	4	0	0	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0021_track_04	20	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0021_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	97.085	100.075	2.99	true	true	I knew this room	Chorus 2	combined	97.085	100.075	false		false	null	45	16	4	0	0	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0021_track_09	20	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0021_track_09.wav	null	97.085	100.075	2.99	true	false	I knew this room	Chorus 2	combined	97.085	100.075	false		false	null	45	16	4	0	0	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0021_track_12	20	03_01	12	Main Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0021_track_12.wav	null	97.085	100.075	2.99	true	false	I knew this room	Chorus 2	combined	97.085	100.075	false		false	null	45	16	4	0	0	audio_only	03_01_12	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0021_track_13	20	03_01	13	Doubled Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0021_track_13.wav	null	97.085	100.075	2.99	true	false	I knew this room	Chorus 2	combined	97.085	100.075	false		false	null	45	16	4	0	0	audio_only	03_01_13	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0021_track_14	20	03_01	14	Harmony Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0021_track_14.wav	null	97.085	100.075	2.99	true	false	I knew this room	Chorus 2	combined	97.085	100.075	false		false	null	45	16	4	0	0	audio_only	03_01_14	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0022_track_03	21	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0022_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	100.075	104.22	4.145	true	true	well time don't slow	Chorus 2	combined	100.075	103.061	true	End aligned to Chorus 2 boundary at 104.220s	false	null	47	20	4	0	1.159	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0022_track_04	21	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0022_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	100.075	104.22	4.145	true	true	well time don't slow	Chorus 2	combined	100.075	103.061	true	End aligned to Chorus 2 boundary at 104.220s	false	null	47	20	4	0	1.159	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0022_track_09	21	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0022_track_09.wav	null	100.075	104.22	4.145	true	false	well time don't slow	Chorus 2	combined	100.075	103.061	true	End aligned to Chorus 2 boundary at 104.220s	false	null	47	20	4	0	1.159	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0022_track_12	21	03_01	12	Main Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0022_track_12.wav	null	100.075	104.22	4.145	true	false	well time don't slow	Chorus 2	combined	100.075	103.061	true	End aligned to Chorus 2 boundary at 104.220s	false	null	47	20	4	0	1.159	audio_only	03_01_12	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0022_track_13	21	03_01	13	Doubled Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0022_track_13.wav	null	100.075	104.22	4.145	true	false	well time don't slow	Chorus 2	combined	100.075	103.061	true	End aligned to Chorus 2 boundary at 104.220s	false	null	47	20	4	0	1.159	audio_only	03_01_13	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0022_track_14	21	03_01	14	Harmony Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0022_track_14.wav	null	100.075	104.22	4.145	true	false	well time don't slow	Chorus 2	combined	100.075	103.061	true	End aligned to Chorus 2 boundary at 104.220s	false	null	47	20	4	0	1.159	audio_only	03_01_14	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0023_track_03	22	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0023_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	104.22	134.22	30	true	true	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	1/2	49	16	4	1.159	-12.821	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0023_track_04	22	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0023_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	104.22	134.22	30	true	true	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	1/2	49	16	4	1.159	-12.821	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0023_track_05	22	03_01	5	Spliced Guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_08_spliced_guitar.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0023_track_05.wav	null	104.22	134.22	30	true	false	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	1/2	49	16	4	1.159	-12.821	audio_only	03_01_5	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0023_track_08	22	03_01	8	Buchula Easel	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_11_easel.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0023_track_08.wav	null	104.22	134.22	30	true	false	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	1/2	49	16	4	1.159	-12.821	audio_only	03_01_8	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0023_track_09	22	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0023_track_09.wav	null	104.22	134.22	30	true	false	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	1/2	49	16	4	1.159	-12.821	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0023_track_11	22	03_01	11	Soft Clavinet	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_15_clav.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0023_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_14_clav.mid	104.22	134.22	30	true	false	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	1/2	49	16	4	1.159	-12.821	audio_only	03_01_11	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0023_track_12	22	03_01	12	Main Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_16_main_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0023_track_12.wav	null	104.22	134.22	30	true	false	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	1/2	49	16	4	1.159	-12.821	audio_only	03_01_12	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0023_track_13	22	03_01	13	Doubled Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_17_dbl_vocals.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0023_track_13.wav	null	104.22	134.22	30	true	false	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	1/2	49	16	4	1.159	-12.821	audio_only	03_01_13	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0023_track_14	22	03_01	14	Harmony Vocals	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_18_vox_harmonies.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0023_track_14.wav	null	104.22	134.22	30	true	false	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	1/2	49	16	4	1.159	-12.821	audio_only	03_01_14	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0024_track_03	23	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0024_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	132.22	147.041	14.821	true	true	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	2/2	49	16	4	29.159	0	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0024_track_04	23	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0024_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	132.22	147.041	14.821	true	true	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	2/2	49	16	4	29.159	0	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0024_track_05	23	03_01	5	Spliced Guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_08_spliced_guitar.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0024_track_05.wav	null	132.22	147.041	14.821	true	false	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	2/2	49	16	4	29.159	0	audio_only	03_01_5	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0024_track_08	23	03_01	8	Buchula Easel	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_11_easel.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0024_track_08.wav	null	132.22	147.041	14.821	true	false	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	2/2	49	16	4	29.159	0	audio_only	03_01_8	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0024_track_09	23	03_01	9	CMI Synth	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_12_CMI.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0024_track_09.wav	null	132.22	147.041	14.821	true	false	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	2/2	49	16	4	29.159	0	audio_only	03_01_9	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0024_track_10	23	03_01	10	Farfisa Organ	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_13_farfisa.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0024_track_10.wav	null	132.22	147.041	14.821	true	false	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	2/2	49	16	4	29.159	0	audio_only	03_01_10	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0024_track_11	23	03_01	11	Soft Clavinet	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_15_clav.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0024_track_11.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_14_clav.mid	132.22	147.041	14.821	true	false	so rake the moon	Outro	combined	103.061	147.041	true	Start aligned to Chorus 2 boundary at 104.220s	true	2/2	49	16	4	29.159	0	audio_only	03_01_11	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0025_track_03	24	03_01	3	Drums	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_05_drums.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0025_track_03.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_04_drums.mid	147.041	158.124	11.083	true	true	"finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes"	Outro	combined	147.041	158.124	false		false	null	51	116	19	0	0	audio_midi	03_01_3	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0025_track_04	24	03_01	4	Synth Bass	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_07_synth_bass.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0025_track_04.wav	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_06_synth_bass.mid	147.041	158.124	11.083	true	true	"finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes"	Outro	combined	147.041	158.124	false		false	null	51	116	19	0	0	audio_midi	03_01_4	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0025_track_05	24	03_01	5	Spliced Guitar	null	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_08_spliced_guitar.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0025_track_05.wav	null	147.041	158.124	11.083	true	false	"finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes"	Outro	combined	147.041	158.124	false		false	null	51	116	19	0	0	audio_only	03_01_5	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null
03_01_seg_0025_track_08	24	03_01	8	Buchula Easel	shared_keyboard	RainbowPlayer.GABE	/Volumes/LucidNonsense/White/staged_raw_material/03_01/03_01_11_easel.wav	/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_01/03_01_seg_0025_track_08.wav	null	147.041	158.124	11.083	true	false	"finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes"	Outro	combined	147.041	158.124	false		false	null	51	116	19	0	0	audio_only	03_01_8	127	6	8	C	major	Orange	Past	Thing	Imagined	null	Moonrakers	2020-06-23T00:00:00	[02:47.060]	true	true	What it seems may not be where a hidden beam falls on your hair Scrape the waves and shoot the flare Moonlight bathes what wasn't there It wasn't there We knew then the end was soon but time don't bend so rake the moon Years ago I knew none except the glow, a braid undone Kept away, kept for fun You did stay while I did run I did run I knew this road I knew this room well time don't slow so rake the moon "finite space and its revolving planets. But to know greater things, and preserve these things, more than in globes" "or fluid substances, but the hyper-fluid must-ah be preserved in the mind!"	The Space Spectrum, discogs_id: 3623833, Animal Collective, discogs_id: 207958	otherworldly, intense, frenetic, unsettling, chaotic	Electronic, Experimental, Pop, Rock, Electropop, Noise Pop	03_01.lrc	The term 'Moonraker' is a colloquialism for the people of Wiltshire and originates from a folk tale about smugglers. There are many communities who lay claim to originating the story but the one we favour is set in Devizes where a group of sixteenth century smugglers were forced to hide their contraband in The Crammer after being surprised by a visit from the excisemen. As a ruse, the smugglers pretended they were attempting to rake a 'cheese' that had rolled into the water. The excisemen, seeing the men were in fact raking the moon's reflection, left the simple country-folk to their labours and rode out of town, unaware that the Wiltshire men were having the last laugh! It is in this spirit that Ruine "misremembers" the past, specifically my early years in rural New Jersey and New York - the past is not forgotten but a memory rebracketed to gain new context and meaning. In such it is an overture to the "orange" album in The Rainbow Table as the word "orange" has evolved phonetically rebracketed and then rebracketed again to blend the object with the color, the map with the territory. In the song we get the first and perhaps most drastic sounds of the 1990s rave and heavy metal scene with the double-kick drum machine pattern. The vocals are ethereal and high-pitched as if trying to rise above the cacophony of sounds. The odd time signatures and shifting tempos are disorienting as if the listener is being taken on a journey through an alien landscape. The "past thing imagined" is of course the smuggler's wheel of cheese.	{ "album_sequence": 3, "avg_word_length": 4.74721189591078, "boundary_fluidity_score": 0.12391573729863692, "concept_length": 1545, "discrepancy_intensity": 0, "exclamation_marks": 1, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.37174721189591076, "ontological_uncertainty": 0.22304832713754646, "question_marks": 0, "rebracketing_coverage": 0.06578947368421052, "rebracketing_intensity": 5.5762081784386615, "rebracketing_type": "spatial", "sentence_count": 9, "temporal_complexity_score": 0.37174721189591076, "track_duration": 167.06, "track_id": "03_01", "track_position": 1, "uncertainty_level": 0.12391573729863692, "word_count": 269 }	Overture : This cacophony of synth sounds sets the the listener on edge looking for purchase as the odd tempos disorient., [00:00.000]-[00:11.083] \| Overture 2 : To the already overwhelming sound a hard panned, synthetic double-kick is added signifying a 1990s style or allusion to heavy metal and rave music., [00:11.084]-[00:28.085] \| Verse 1 : The vocal begin they are almost falsetto and ethereal., [00:28.086]-[00:39.171] \| Verse 2 : The vocals continue and reach toward higher registers as if riding the bucking odd tempo., [00:39.172]-[00:53.213] \| Chorus 1 : The noisy elements calm to make way for the chorus. The last note of the vocals freezes and becomes a droning sustain., [00:53.214]-[01:09.091] \| Verse 3 : As we return to the chorus with the overhanging frozen note the synths are less busy but occasionally creep up as if uncontrolled, unwielded., [01:09.092]-[01:09.091] \| Verse 4 : The vocals are doubled for emphasis as the verse continues., [01:09.092]-[01:34.240] \| Chorus 2 : The chorus builds in intensity, [01:34.241]-[01:44.220] \| Outro : Again the last note of the vocals is frozen and the whole wobbly enterprise goes off the rails with samples and synths jumping off the temp grid as the bass line maniacally repeats., [01:44.221]-[02:33.016] \| Coda : As the music fades we hear a sample of a man describing some sort of alien, new age experience., [02:33.017]-[02:47.060]	null

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