segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
03_05_seg_0004_track_15 | 3 | 03_05 | 15 | Vocal One Verse and Chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_24_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0004_track_15.wav | null | 72.001 | 91.051 | 19.05 | true | false | Look to the ceiling as it fades away It was just a feeling, another weekday | Chorus 1 | combined | 72.137 | 91.15 | true | Start aligned to Chorus 1 boundary at 72.001s | End aligned to Verse 2 boundary at 91.051s | false | null | 11 | 75 | 15 | -0.136 | -0.099 | audio_only | 03_05_15 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0004_track_16 | 3 | 03_05 | 16 | Vocal Two Verse and Chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_25_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0004_track_16.wav | null | 72.001 | 91.051 | 19.05 | true | false | Look to the ceiling as it fades away It was just a feeling, another weekday | Chorus 1 | combined | 72.137 | 91.15 | true | Start aligned to Chorus 1 boundary at 72.001s | End aligned to Verse 2 boundary at 91.051s | false | null | 11 | 75 | 15 | -0.136 | -0.099 | audio_only | 03_05_16 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0004_track_17 | 3 | 03_05 | 17 | Vocal Three Chorus and Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_26_vocal_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0004_track_17.wav | null | 72.001 | 91.051 | 19.05 | true | false | Look to the ceiling as it fades away It was just a feeling, another weekday | Chorus 1 | combined | 72.137 | 91.15 | true | Start aligned to Chorus 1 boundary at 72.001s | End aligned to Verse 2 boundary at 91.051s | false | null | 11 | 75 | 15 | -0.136 | -0.099 | audio_only | 03_05_17 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0005_track_04 | 4 | 03_05 | 4 | Electric Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_06_electric_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0005_track_04.wav | null | 91.051 | 100.086 | 9.035 | true | false | From his porch, an old man heard us and spilled his herbal tea. | Verse 2 | combined | 91.15 | 100.086 | true | Start aligned to Verse 2 boundary at 91.051s | false | null | 13 | 63 | 13 | -0.099 | 0 | audio_only | 03_05_4 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0005_track_05 | 4 | 03_05 | 5 | Hybrid Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_07_hybrid_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0005_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_08_hybrid_kick.mid | 91.051 | 100.086 | 9.035 | true | true | From his porch, an old man heard us and spilled his herbal tea. | Verse 2 | combined | 91.15 | 100.086 | true | Start aligned to Verse 2 boundary at 91.051s | false | null | 13 | 63 | 13 | -0.099 | 0 | audio_midi | 03_05_5 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0005_track_06 | 4 | 03_05 | 6 | Snare | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_10_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0005_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_09_snare.mid | 91.051 | 100.086 | 9.035 | true | true | From his porch, an old man heard us and spilled his herbal tea. | Verse 2 | combined | 91.15 | 100.086 | true | Start aligned to Verse 2 boundary at 91.051s | false | null | 13 | 63 | 13 | -0.099 | 0 | audio_midi | 03_05_6 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0005_track_07 | 4 | 03_05 | 7 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_12_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0005_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_11_hihat.mid | 91.051 | 100.086 | 9.035 | false | true | From his porch, an old man heard us and spilled his herbal tea. | Verse 2 | combined | 91.15 | 100.086 | true | Start aligned to Verse 2 boundary at 91.051s | false | null | 13 | 63 | 13 | -0.099 | 0 | midi_only | 03_05_7 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0005_track_08 | 4 | 03_05 | 8 | Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_14_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0005_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_13_toms.mid | 91.051 | 100.086 | 9.035 | true | true | From his porch, an old man heard us and spilled his herbal tea. | Verse 2 | combined | 91.15 | 100.086 | true | Start aligned to Verse 2 boundary at 91.051s | false | null | 13 | 63 | 13 | -0.099 | 0 | audio_midi | 03_05_8 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0005_track_09 | 4 | 03_05 | 9 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_16_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0005_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_15_cymbals.mid | 91.051 | 100.086 | 9.035 | false | true | From his porch, an old man heard us and spilled his herbal tea. | Verse 2 | combined | 91.15 | 100.086 | true | Start aligned to Verse 2 boundary at 91.051s | false | null | 13 | 63 | 13 | -0.099 | 0 | midi_only | 03_05_9 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0005_track_10 | 4 | 03_05 | 10 | Farfisa Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_18_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0005_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_17_farfisa.mid | 91.051 | 100.086 | 9.035 | true | true | From his porch, an old man heard us and spilled his herbal tea. | Verse 2 | combined | 91.15 | 100.086 | true | Start aligned to Verse 2 boundary at 91.051s | false | null | 13 | 63 | 13 | -0.099 | 0 | audio_midi | 03_05_10 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0005_track_11 | 4 | 03_05 | 11 | Moog Grandmother Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_19_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0005_track_11.wav | null | 91.051 | 100.086 | 9.035 | true | false | From his porch, an old man heard us and spilled his herbal tea. | Verse 2 | combined | 91.15 | 100.086 | true | Start aligned to Verse 2 boundary at 91.051s | false | null | 13 | 63 | 13 | -0.099 | 0 | audio_only | 03_05_11 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0005_track_13 | 4 | 03_05 | 13 | Rhythm Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_22_rhythm_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0005_track_13.wav | null | 91.051 | 100.086 | 9.035 | true | false | From his porch, an old man heard us and spilled his herbal tea. | Verse 2 | combined | 91.15 | 100.086 | true | Start aligned to Verse 2 boundary at 91.051s | false | null | 13 | 63 | 13 | -0.099 | 0 | audio_only | 03_05_13 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0005_track_14 | 4 | 03_05 | 14 | Lead Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_23_lead_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0005_track_14.wav | null | 91.051 | 100.086 | 9.035 | true | false | From his porch, an old man heard us and spilled his herbal tea. | Verse 2 | combined | 91.15 | 100.086 | true | Start aligned to Verse 2 boundary at 91.051s | false | null | 13 | 63 | 13 | -0.099 | 0 | audio_only | 03_05_14 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0005_track_15 | 4 | 03_05 | 15 | Vocal One Verse and Chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_24_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0005_track_15.wav | null | 91.051 | 100.086 | 9.035 | true | false | From his porch, an old man heard us and spilled his herbal tea. | Verse 2 | combined | 91.15 | 100.086 | true | Start aligned to Verse 2 boundary at 91.051s | false | null | 13 | 63 | 13 | -0.099 | 0 | audio_only | 03_05_15 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0006_track_04 | 5 | 03_05 | 4 | Electric Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_06_electric_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0006_track_04.wav | null | 100.086 | 109.231 | 9.145 | true | false | He screamed, and rose, and fell, again, and called to us from his knees | Verse 2 | combined | 100.086 | 109.231 | false | false | null | 15 | 71 | 14 | 0 | 0 | audio_only | 03_05_4 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0006_track_05 | 5 | 03_05 | 5 | Hybrid Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_07_hybrid_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0006_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_08_hybrid_kick.mid | 100.086 | 109.231 | 9.145 | true | true | He screamed, and rose, and fell, again, and called to us from his knees | Verse 2 | combined | 100.086 | 109.231 | false | false | null | 15 | 71 | 14 | 0 | 0 | audio_midi | 03_05_5 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0006_track_06 | 5 | 03_05 | 6 | Snare | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_10_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0006_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_09_snare.mid | 100.086 | 109.231 | 9.145 | true | true | He screamed, and rose, and fell, again, and called to us from his knees | Verse 2 | combined | 100.086 | 109.231 | false | false | null | 15 | 71 | 14 | 0 | 0 | audio_midi | 03_05_6 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0006_track_07 | 5 | 03_05 | 7 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_12_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0006_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_11_hihat.mid | 100.086 | 109.231 | 9.145 | false | true | He screamed, and rose, and fell, again, and called to us from his knees | Verse 2 | combined | 100.086 | 109.231 | false | false | null | 15 | 71 | 14 | 0 | 0 | midi_only | 03_05_7 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0006_track_08 | 5 | 03_05 | 8 | Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_14_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0006_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_13_toms.mid | 100.086 | 109.231 | 9.145 | true | true | He screamed, and rose, and fell, again, and called to us from his knees | Verse 2 | combined | 100.086 | 109.231 | false | false | null | 15 | 71 | 14 | 0 | 0 | audio_midi | 03_05_8 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0006_track_09 | 5 | 03_05 | 9 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_16_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0006_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_15_cymbals.mid | 100.086 | 109.231 | 9.145 | false | true | He screamed, and rose, and fell, again, and called to us from his knees | Verse 2 | combined | 100.086 | 109.231 | false | false | null | 15 | 71 | 14 | 0 | 0 | midi_only | 03_05_9 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0006_track_10 | 5 | 03_05 | 10 | Farfisa Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_18_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0006_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_17_farfisa.mid | 100.086 | 109.231 | 9.145 | true | true | He screamed, and rose, and fell, again, and called to us from his knees | Verse 2 | combined | 100.086 | 109.231 | false | false | null | 15 | 71 | 14 | 0 | 0 | audio_midi | 03_05_10 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0006_track_11 | 5 | 03_05 | 11 | Moog Grandmother Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_19_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0006_track_11.wav | null | 100.086 | 109.231 | 9.145 | true | false | He screamed, and rose, and fell, again, and called to us from his knees | Verse 2 | combined | 100.086 | 109.231 | false | false | null | 15 | 71 | 14 | 0 | 0 | audio_only | 03_05_11 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0006_track_14 | 5 | 03_05 | 14 | Lead Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_23_lead_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0006_track_14.wav | null | 100.086 | 109.231 | 9.145 | true | false | He screamed, and rose, and fell, again, and called to us from his knees | Verse 2 | combined | 100.086 | 109.231 | false | false | null | 15 | 71 | 14 | 0 | 0 | audio_only | 03_05_14 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0006_track_15 | 5 | 03_05 | 15 | Vocal One Verse and Chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_24_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0006_track_15.wav | null | 100.086 | 109.231 | 9.145 | true | false | He screamed, and rose, and fell, again, and called to us from his knees | Verse 2 | combined | 100.086 | 109.231 | false | false | null | 15 | 71 | 14 | 0 | 0 | audio_only | 03_05_15 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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03_05_seg_0007_track_04 | 6 | 03_05 | 4 | Electric Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_06_electric_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0007_track_04.wav | null | 109.231 | 139.231 | 30 | true | false | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 1/2 | 17 | 74 | 14 | 0 | -4.805 | audio_only | 03_05_4 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0007_track_05 | 6 | 03_05 | 5 | Hybrid Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_07_hybrid_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0007_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_08_hybrid_kick.mid | 109.231 | 139.231 | 30 | true | true | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 1/2 | 17 | 74 | 14 | 0 | -4.805 | audio_midi | 03_05_5 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0007_track_06 | 6 | 03_05 | 6 | Snare | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_10_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0007_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_09_snare.mid | 109.231 | 139.231 | 30 | false | true | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 1/2 | 17 | 74 | 14 | 0 | -4.805 | midi_only | 03_05_6 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0007_track_07 | 6 | 03_05 | 7 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_12_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0007_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_11_hihat.mid | 109.231 | 139.231 | 30 | false | true | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 1/2 | 17 | 74 | 14 | 0 | -4.805 | midi_only | 03_05_7 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0007_track_08 | 6 | 03_05 | 8 | Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_14_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0007_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_13_toms.mid | 109.231 | 139.231 | 30 | true | true | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 1/2 | 17 | 74 | 14 | 0 | -4.805 | audio_midi | 03_05_8 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0007_track_09 | 6 | 03_05 | 9 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_16_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0007_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_15_cymbals.mid | 109.231 | 139.231 | 30 | false | true | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 1/2 | 17 | 74 | 14 | 0 | -4.805 | midi_only | 03_05_9 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0007_track_10 | 6 | 03_05 | 10 | Farfisa Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_18_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0007_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_17_farfisa.mid | 109.231 | 139.231 | 30 | true | true | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 1/2 | 17 | 74 | 14 | 0 | -4.805 | audio_midi | 03_05_10 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0007_track_11 | 6 | 03_05 | 11 | Moog Grandmother Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_19_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0007_track_11.wav | null | 109.231 | 139.231 | 30 | true | false | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 1/2 | 17 | 74 | 14 | 0 | -4.805 | audio_only | 03_05_11 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0007_track_13 | 6 | 03_05 | 13 | Rhythm Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_22_rhythm_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0007_track_13.wav | null | 109.231 | 139.231 | 30 | true | false | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 1/2 | 17 | 74 | 14 | 0 | -4.805 | audio_only | 03_05_13 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0007_track_14 | 6 | 03_05 | 14 | Lead Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_23_lead_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0007_track_14.wav | null | 109.231 | 139.231 | 30 | true | false | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 1/2 | 17 | 74 | 14 | 0 | -4.805 | audio_only | 03_05_14 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0007_track_15 | 6 | 03_05 | 15 | Vocal One Verse and Chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_24_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0007_track_15.wav | null | 109.231 | 139.231 | 30 | true | false | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 1/2 | 17 | 74 | 14 | 0 | -4.805 | audio_only | 03_05_15 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0007_track_17 | 6 | 03_05 | 17 | Vocal Three Chorus and Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_26_vocal_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0007_track_17.wav | null | 109.231 | 139.231 | 30 | true | false | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 1/2 | 17 | 74 | 14 | 0 | -4.805 | audio_only | 03_05_17 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0008_track_04 | 7 | 03_05 | 4 | Electric Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_06_electric_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0008_track_04.wav | null | 137.231 | 144.001 | 6.77 | true | false | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 2/2 | 17 | 74 | 14 | 28 | -0.035 | audio_only | 03_05_4 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0008_track_05 | 7 | 03_05 | 5 | Hybrid Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_07_hybrid_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0008_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_08_hybrid_kick.mid | 137.231 | 144.001 | 6.77 | false | true | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 2/2 | 17 | 74 | 14 | 28 | -0.035 | midi_only | 03_05_5 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0008_track_06 | 7 | 03_05 | 6 | Snare | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_10_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0008_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_09_snare.mid | 137.231 | 144.001 | 6.77 | true | true | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 2/2 | 17 | 74 | 14 | 28 | -0.035 | audio_midi | 03_05_6 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0008_track_07 | 7 | 03_05 | 7 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_12_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0008_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_11_hihat.mid | 137.231 | 144.001 | 6.77 | false | true | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 2/2 | 17 | 74 | 14 | 28 | -0.035 | midi_only | 03_05_7 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0008_track_08 | 7 | 03_05 | 8 | Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_14_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0008_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_13_toms.mid | 137.231 | 144.001 | 6.77 | false | true | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 2/2 | 17 | 74 | 14 | 28 | -0.035 | midi_only | 03_05_8 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0008_track_09 | 7 | 03_05 | 9 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_16_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0008_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_15_cymbals.mid | 137.231 | 144.001 | 6.77 | false | true | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 2/2 | 17 | 74 | 14 | 28 | -0.035 | midi_only | 03_05_9 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0008_track_10 | 7 | 03_05 | 10 | Farfisa Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_18_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0008_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_17_farfisa.mid | 137.231 | 144.001 | 6.77 | true | true | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 2/2 | 17 | 74 | 14 | 28 | -0.035 | audio_midi | 03_05_10 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0008_track_13 | 7 | 03_05 | 13 | Rhythm Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_22_rhythm_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0008_track_13.wav | null | 137.231 | 144.001 | 6.77 | true | false | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 2/2 | 17 | 74 | 14 | 28 | -0.035 | audio_only | 03_05_13 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0008_track_14 | 7 | 03_05 | 14 | Lead Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_23_lead_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0008_track_14.wav | null | 137.231 | 144.001 | 6.77 | true | false | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 2/2 | 17 | 74 | 14 | 28 | -0.035 | audio_only | 03_05_14 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0008_track_17 | 7 | 03_05 | 17 | Vocal Three Chorus and Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_26_vocal_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0008_track_17.wav | null | 137.231 | 144.001 | 6.77 | true | false | “If I catch you shits 'round here again, you’ll be hanging from that tree” | Bridge 2 | combined | 109.231 | 144.036 | true | End aligned to Verse 3 boundary at 144.001s | true | 2/2 | 17 | 74 | 14 | 28 | -0.035 | audio_only | 03_05_17 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0009_track_04 | 8 | 03_05 | 4 | Electric Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_06_electric_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0009_track_04.wav | null | 144.001 | 153 | 8.999 | true | false | And so we carried on in my Shadow, north on Twenty-Three | Verse 3 | combined | 144.036 | 153 | true | Start aligned to Verse 3 boundary at 144.001s | false | null | 19 | 56 | 11 | -0.035 | 0 | audio_only | 03_05_4 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0009_track_05 | 8 | 03_05 | 5 | Hybrid Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_07_hybrid_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0009_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_08_hybrid_kick.mid | 144.001 | 153 | 8.999 | true | true | And so we carried on in my Shadow, north on Twenty-Three | Verse 3 | combined | 144.036 | 153 | true | Start aligned to Verse 3 boundary at 144.001s | false | null | 19 | 56 | 11 | -0.035 | 0 | audio_midi | 03_05_5 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0009_track_06 | 8 | 03_05 | 6 | Snare | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_10_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0009_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_09_snare.mid | 144.001 | 153 | 8.999 | true | true | And so we carried on in my Shadow, north on Twenty-Three | Verse 3 | combined | 144.036 | 153 | true | Start aligned to Verse 3 boundary at 144.001s | false | null | 19 | 56 | 11 | -0.035 | 0 | audio_midi | 03_05_6 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0009_track_07 | 8 | 03_05 | 7 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_12_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0009_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_11_hihat.mid | 144.001 | 153 | 8.999 | false | true | And so we carried on in my Shadow, north on Twenty-Three | Verse 3 | combined | 144.036 | 153 | true | Start aligned to Verse 3 boundary at 144.001s | false | null | 19 | 56 | 11 | -0.035 | 0 | midi_only | 03_05_7 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0009_track_08 | 8 | 03_05 | 8 | Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_14_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0009_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_13_toms.mid | 144.001 | 153 | 8.999 | true | true | And so we carried on in my Shadow, north on Twenty-Three | Verse 3 | combined | 144.036 | 153 | true | Start aligned to Verse 3 boundary at 144.001s | false | null | 19 | 56 | 11 | -0.035 | 0 | audio_midi | 03_05_8 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0009_track_09 | 8 | 03_05 | 9 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_16_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0009_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_15_cymbals.mid | 144.001 | 153 | 8.999 | false | true | And so we carried on in my Shadow, north on Twenty-Three | Verse 3 | combined | 144.036 | 153 | true | Start aligned to Verse 3 boundary at 144.001s | false | null | 19 | 56 | 11 | -0.035 | 0 | midi_only | 03_05_9 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0009_track_10 | 8 | 03_05 | 10 | Farfisa Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_18_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0009_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_17_farfisa.mid | 144.001 | 153 | 8.999 | true | true | And so we carried on in my Shadow, north on Twenty-Three | Verse 3 | combined | 144.036 | 153 | true | Start aligned to Verse 3 boundary at 144.001s | false | null | 19 | 56 | 11 | -0.035 | 0 | audio_midi | 03_05_10 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0009_track_11 | 8 | 03_05 | 11 | Moog Grandmother Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_19_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0009_track_11.wav | null | 144.001 | 153 | 8.999 | true | false | And so we carried on in my Shadow, north on Twenty-Three | Verse 3 | combined | 144.036 | 153 | true | Start aligned to Verse 3 boundary at 144.001s | false | null | 19 | 56 | 11 | -0.035 | 0 | audio_only | 03_05_11 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0009_track_14 | 8 | 03_05 | 14 | Lead Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_23_lead_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0009_track_14.wav | null | 144.001 | 153 | 8.999 | true | false | And so we carried on in my Shadow, north on Twenty-Three | Verse 3 | combined | 144.036 | 153 | true | Start aligned to Verse 3 boundary at 144.001s | false | null | 19 | 56 | 11 | -0.035 | 0 | audio_only | 03_05_14 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0009_track_15 | 8 | 03_05 | 15 | Vocal One Verse and Chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_24_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0009_track_15.wav | null | 144.001 | 153 | 8.999 | true | false | And so we carried on in my Shadow, north on Twenty-Three | Verse 3 | combined | 144.036 | 153 | true | Start aligned to Verse 3 boundary at 144.001s | false | null | 19 | 56 | 11 | -0.035 | 0 | audio_only | 03_05_15 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0009_track_16 | 8 | 03_05 | 16 | Vocal Two Verse and Chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_25_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0009_track_16.wav | null | 144.001 | 153 | 8.999 | true | false | And so we carried on in my Shadow, north on Twenty-Three | Verse 3 | combined | 144.036 | 153 | true | Start aligned to Verse 3 boundary at 144.001s | false | null | 19 | 56 | 11 | -0.035 | 0 | audio_only | 03_05_16 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_02 | 9 | 03_05 | 2 | Synth bass 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_03_synth_bass_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_02_synth_bass_1.mid | 153 | 163.05 | 10.05 | false | true | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | midi_only | 03_05_2 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_03 | 9 | 03_05 | 3 | Synth bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_05_synth_bass_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_04_synth_bass_2.mid | 153 | 163.05 | 10.05 | false | true | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | midi_only | 03_05_3 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_04 | 9 | 03_05 | 4 | Electric Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_06_electric_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_04.wav | null | 153 | 163.05 | 10.05 | true | false | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | audio_only | 03_05_4 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_05 | 9 | 03_05 | 5 | Hybrid Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_07_hybrid_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_08_hybrid_kick.mid | 153 | 163.05 | 10.05 | true | true | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | audio_midi | 03_05_5 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_06 | 9 | 03_05 | 6 | Snare | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_10_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_09_snare.mid | 153 | 163.05 | 10.05 | true | true | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | audio_midi | 03_05_6 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_07 | 9 | 03_05 | 7 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_12_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_11_hihat.mid | 153 | 163.05 | 10.05 | false | true | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | midi_only | 03_05_7 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_08 | 9 | 03_05 | 8 | Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_14_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_13_toms.mid | 153 | 163.05 | 10.05 | true | true | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | audio_midi | 03_05_8 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_09 | 9 | 03_05 | 9 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_16_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_15_cymbals.mid | 153 | 163.05 | 10.05 | false | true | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | midi_only | 03_05_9 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_10 | 9 | 03_05 | 10 | Farfisa Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_18_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_17_farfisa.mid | 153 | 163.05 | 10.05 | true | true | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | audio_midi | 03_05_10 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_11 | 9 | 03_05 | 11 | Moog Grandmother Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_19_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_11.wav | null | 153 | 163.05 | 10.05 | true | false | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | audio_only | 03_05_11 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_12 | 9 | 03_05 | 12 | Shredder Faux Metal Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_21_shredder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_20_shredder.mid | 153 | 163.05 | 10.05 | false | true | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | midi_only | 03_05_12 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_13 | 9 | 03_05 | 13 | Rhythm Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_22_rhythm_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_13.wav | null | 153 | 163.05 | 10.05 | true | false | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | audio_only | 03_05_13 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_14 | 9 | 03_05 | 14 | Lead Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_23_lead_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_14.wav | null | 153 | 163.05 | 10.05 | true | false | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | audio_only | 03_05_14 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_15 | 9 | 03_05 | 15 | Vocal One Verse and Chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_24_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_15.wav | null | 153 | 163.05 | 10.05 | true | false | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | audio_only | 03_05_15 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0010_track_16 | 9 | 03_05 | 16 | Vocal Two Verse and Chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_25_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0010_track_16.wav | null | 153 | 163.05 | 10.05 | true | false | I asked you if you’d seen a ghost. You said you’d seen enough of me. | Verse 3 | combined | 153 | 163.05 | true | End aligned to Verse 3 boundary at 163.050s | false | null | 21 | 68 | 15 | 0 | 0 | audio_only | 03_05_16 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_02 | 10 | 03_05 | 2 | Synth bass 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_03_synth_bass_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_02_synth_bass_1.mid | 163.05 | 177.178 | 14.128 | true | true | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_midi | 03_05_2 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_03 | 10 | 03_05 | 3 | Synth bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_05_synth_bass_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_04_synth_bass_2.mid | 163.05 | 177.178 | 14.128 | true | true | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_midi | 03_05_3 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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03_05_seg_0011_track_04 | 10 | 03_05 | 4 | Electric Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_06_electric_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_04.wav | null | 163.05 | 177.178 | 14.128 | true | false | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_only | 03_05_4 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_05 | 10 | 03_05 | 5 | Hybrid Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_07_hybrid_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_08_hybrid_kick.mid | 163.05 | 177.178 | 14.128 | true | true | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_midi | 03_05_5 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_06 | 10 | 03_05 | 6 | Snare | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_10_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_09_snare.mid | 163.05 | 177.178 | 14.128 | true | true | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_midi | 03_05_6 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_07 | 10 | 03_05 | 7 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_12_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_11_hihat.mid | 163.05 | 177.178 | 14.128 | true | true | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_midi | 03_05_7 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_08 | 10 | 03_05 | 8 | Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_14_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_13_toms.mid | 163.05 | 177.178 | 14.128 | true | true | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_midi | 03_05_8 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_09 | 10 | 03_05 | 9 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_16_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_15_cymbals.mid | 163.05 | 177.178 | 14.128 | true | false | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_only | 03_05_9 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_10 | 10 | 03_05 | 10 | Farfisa Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_18_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_17_farfisa.mid | 163.05 | 177.178 | 14.128 | true | true | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_midi | 03_05_10 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_11 | 10 | 03_05 | 11 | Moog Grandmother Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_19_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_11.wav | null | 163.05 | 177.178 | 14.128 | true | false | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_only | 03_05_11 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_12 | 10 | 03_05 | 12 | Shredder Faux Metal Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_21_shredder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_20_shredder.mid | 163.05 | 177.178 | 14.128 | true | true | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_midi | 03_05_12 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_13 | 10 | 03_05 | 13 | Rhythm Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_22_rhythm_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_13.wav | null | 163.05 | 177.178 | 14.128 | true | false | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_only | 03_05_13 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_14 | 10 | 03_05 | 14 | Lead Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_23_lead_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_14.wav | null | 163.05 | 177.178 | 14.128 | true | false | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_only | 03_05_14 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_15 | 10 | 03_05 | 15 | Vocal One Verse and Chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_24_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_15.wav | null | 163.05 | 177.178 | 14.128 | true | false | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_only | 03_05_15 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0011_track_16 | 10 | 03_05 | 16 | Vocal Two Verse and Chorus | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_25_vocal_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0011_track_16.wav | null | 163.05 | 177.178 | 14.128 | true | false | Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say | Chorus 2 | combined | 163.05 | 177.178 | true | Start aligned to Verse 3 boundary at 163.050s | false | null | 23 | 84 | 17 | 0 | 0 | audio_only | 03_05_16 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
03_05_seg_0012_track_02 | 11 | 03_05 | 2 | Synth bass 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_03_synth_bass_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_02_synth_bass_1.mid | 177.178 | 180.178 | 3 | true | true | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_midi | 03_05_2 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0012_track_03 | 11 | 03_05 | 3 | Synth bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_05_synth_bass_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_04_synth_bass_2.mid | 177.178 | 180.178 | 3 | true | true | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_midi | 03_05_3 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0012_track_04 | 11 | 03_05 | 4 | Electric Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_06_electric_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_04.wav | null | 177.178 | 180.178 | 3 | true | false | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_only | 03_05_4 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0012_track_05 | 11 | 03_05 | 5 | Hybrid Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_07_hybrid_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_08_hybrid_kick.mid | 177.178 | 180.178 | 3 | true | true | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_midi | 03_05_5 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0012_track_06 | 11 | 03_05 | 6 | Snare | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_10_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_09_snare.mid | 177.178 | 180.178 | 3 | true | true | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_midi | 03_05_6 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0012_track_07 | 11 | 03_05 | 7 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_12_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_11_hihat.mid | 177.178 | 180.178 | 3 | true | true | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_midi | 03_05_7 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0012_track_08 | 11 | 03_05 | 8 | Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_14_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_13_toms.mid | 177.178 | 180.178 | 3 | true | true | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_midi | 03_05_8 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0012_track_09 | 11 | 03_05 | 9 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_16_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_15_cymbals.mid | 177.178 | 180.178 | 3 | true | true | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_midi | 03_05_9 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0012_track_10 | 11 | 03_05 | 10 | Farfisa Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_18_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_17_farfisa.mid | 177.178 | 180.178 | 3 | true | true | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_midi | 03_05_10 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0012_track_11 | 11 | 03_05 | 11 | Moog Grandmother Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_19_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_11.wav | null | 177.178 | 180.178 | 3 | true | false | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_only | 03_05_11 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0012_track_12 | 11 | 03_05 | 12 | Shredder Faux Metal Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_21_shredder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_20_shredder.mid | 177.178 | 180.178 | 3 | true | true | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_midi | 03_05_12 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0012_track_13 | 11 | 03_05 | 13 | Rhythm Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_22_rhythm_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_13.wav | null | 177.178 | 180.178 | 3 | true | false | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_only | 03_05_13 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null | |
03_05_seg_0012_track_14 | 11 | 03_05 | 14 | Lead Guitar with re-mic | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_05/03_05_23_lead_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_05/03_05_seg_0012_track_14.wav | null | 177.178 | 180.178 | 3 | true | false | There’s no more revealing what led us astray It was just a feeling, another weekday | Chorus 2 | combined | 177.178 | 180.178 | false | false | null | 25 | 83 | 15 | 0 | 0 | audio_only | 03_05_14 | 100 | 4 | 4 | C | major | Orange | Past | Thing | Imagined | null | Newton | 2020-06-23T00:00:00 | [04:48.000] | true | true | We walked the streets of Newton. The year was ninety-three. I asked you what class you cut. You asked me to let you be, “You know, the moon is covering the only thing to see” Look to the ceiling as it fades away It was just a feeling, another weekday From his porch, an old man heard us and spilled his herbal tea. He screamed, and rose, and fell, again, and called to us from his knees “If I catch you shits 'round here again, you’ll be hanging from that tree” And so we carried on in my Shadow, north on Twenty-Three I asked you if you’d seen a ghost. You said you’d seen enough of me. Look to the ceiling as it fades away Who knows what you’re feeling, it’s hard to say There’s no more revealing what led us astray It was just a feeling, another weekday | Pale Saints, discogs_id: 88711, Ruhr, discogs_id: 93854, Ride, discogs_id: 10138, The Lewers, discogs_id: 13801555, The Jesus and Mary Chain, discogs_id: 243280 | contemplative, nostalgic | indie rock, shoegaze, dream pop, alternative rock, psychedelic rock, art rock | 03_05.lrc | One of the most directly autobiographical songs, Newton (named for the town in Sussex County, NJ where I grew up - and obviously Rainbow-related) is about the "magical bored" moments of youth. The girl in the song is a composite of friends I spent a lot of time with back then - a couple of which had some mental health issues. Their unknowable inner worlds were something that I both related to and could never get close to. There's touches of drug-use and the casual racism of that area and time. Musically, the song is an extrapolation of the WSUS weather alert jingle - which had a cheesy synth melody that I always found haunting. The past thing remembered incorrectly was the jingle's melody. | {
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} | A WSUS alert intro : The 1980s Sussex County, NJ weather alert jingle along with a buried announcer's voice., [00:00.000]-[00:14.100] | Opening verse : The music kicks in full throttle with gigantic 1990s style guitars, [00:14.101]-[00:33.150] | Settling Pre-verse : The music drops down to a more contemplative level, [00:33.151]-[00:43.050] | Verse 1 : The first verse, with a more traditional indie rock arrangement, [00:43.051]-[01:12.000] | Chorus 1 : The chorus takes a major weird turn with trippy vocal effects and pulsating synths and background vocals., [01:12.001]-[01:26.100] | Bridge 1 : A guitar line, based on the WSUS jingle, guides us back to the verse, [01:26.101]-[01:31.050] | Verse 2 : The second verse, there's variations on the vocal melody to suite the lyrics, [01:31.051]-[02:00.000] | Bridge 2 : The bridge idea is developed and extended to bring back to the next verse, the stuttered vocals from the chorus now underpin the whole section, [02:00.001]-[02:24.000] | Verse 3 : The third verse concludes the lyrical story, [02:24.001]-[02:43.050] | Chorus 2 : The chorus is brought in now more lamenting and wistful, [02:43.051]-[03:12.000] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [03:12.001]-[03:21.000] | Jams : The elements introduced, the WSUS jingle, 90s guitars, organs and stuttered vocals are all jammed out in a long outro section, [03:21.001]-[04:33.150] | Outro : The drums drop out and the song ends with the guitars and synths playing off the jingle melody, [04:33.151]-[04:48.000] | null |
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