segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
03_06_seg_0009_track_29 | 8 | 03_06 | 29 | Marvin BG 2 | null | RainbowPlayer.MARVIN | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_44_marvin_bg_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0009_track_29.wav | null | 136 | 152 | 16 | true | false | Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing | Special Bridge | combined | 136 | 152 | true | Start aligned to Special Bridge boundary at 136.000s | End aligned to Verse 3 boundary at 152.000s | false | null | 21 | 185 | 36 | 0 | 0 | audio_only | 03_06_29 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null |
03_06_seg_0010_track_03 | 9 | 03_06 | 3 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_05_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0010_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_04_cymbals.mid | 152 | 160 | 8 | false | true | Can you remember Those songs you knew before? | Verse 3 | combined | 152 | 160 | true | Start aligned to Verse 3 boundary at 152.000s | false | null | 23 | 45 | 8 | 0 | 0 | midi_only | 03_06_3 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null |
03_06_seg_0010_track_05 | 9 | 03_06 | 5 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_09_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0010_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_08_hihat.mid | 152 | 160 | 8 | false | true | Can you remember Those songs you knew before? | Verse 3 | combined | 152 | 160 | true | Start aligned to Verse 3 boundary at 152.000s | false | null | 23 | 45 | 8 | 0 | 0 | midi_only | 03_06_5 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null |
03_06_seg_0010_track_06 | 9 | 03_06 | 6 | Snare | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_11_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0010_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_10_snare.mid | 152 | 160 | 8 | true | true | Can you remember Those songs you knew before? | Verse 3 | combined | 152 | 160 | true | Start aligned to Verse 3 boundary at 152.000s | false | null | 23 | 45 | 8 | 0 | 0 | audio_midi | 03_06_6 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null |
03_06_seg_0010_track_07 | 9 | 03_06 | 7 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0010_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_12_kick.mid | 152 | 160 | 8 | true | true | Can you remember Those songs you knew before? | Verse 3 | combined | 152 | 160 | true | Start aligned to Verse 3 boundary at 152.000s | false | null | 23 | 45 | 8 | 0 | 0 | audio_midi | 03_06_7 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null |
03_06_seg_0010_track_08 | 9 | 03_06 | 8 | B3 Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_15_b3_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0010_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_14_b3_organ.mid | 152 | 160 | 8 | true | true | Can you remember Those songs you knew before? | Verse 3 | combined | 152 | 160 | true | Start aligned to Verse 3 boundary at 152.000s | false | null | 23 | 45 | 8 | 0 | 0 | audio_midi | 03_06_8 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null |
03_06_seg_0010_track_09 | 9 | 03_06 | 9 | Electric Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_17_electric_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0010_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_16_electric_piano.mid | 152 | 160 | 8 | true | true | Can you remember Those songs you knew before? | Verse 3 | combined | 152 | 160 | true | Start aligned to Verse 3 boundary at 152.000s | false | null | 23 | 45 | 8 | 0 | 0 | audio_midi | 03_06_9 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0011_track_05 | 10 | 03_06 | 5 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_09_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0011_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_08_hihat.mid | 160 | 190 | 30 | false | true | Photos and letters Now blank on your living room floor | Bridge 3 | combined | 160 | 200 | false | true | 1/2 | 25 | 54 | 10 | 0 | -10 | midi_only | 03_06_5 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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03_06_seg_0011_track_12 | 10 | 03_06 | 12 | Mellotron | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_23_mellotron.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0011_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_22_mellotron.mid | 160 | 190 | 30 | true | true | Photos and letters Now blank on your living room floor | Bridge 3 | combined | 160 | 200 | false | true | 1/2 | 25 | 54 | 10 | 0 | -10 | audio_midi | 03_06_12 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0011_track_14 | 10 | 03_06 | 14 | Corrupt Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_25_corrupt_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0011_track_14.wav | null | 160 | 190 | 30 | true | false | Photos and letters Now blank on your living room floor | Bridge 3 | combined | 160 | 200 | false | true | 1/2 | 25 | 54 | 10 | 0 | -10 | audio_only | 03_06_14 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0011_track_23 | 10 | 03_06 | 23 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_38_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0011_track_23.wav | null | 160 | 190 | 30 | true | false | Photos and letters Now blank on your living room floor | Bridge 3 | combined | 160 | 200 | false | true | 1/2 | 25 | 54 | 10 | 0 | -10 | audio_only | 03_06_23 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0011_track_29 | 10 | 03_06 | 29 | Marvin BG 2 | null | RainbowPlayer.MARVIN | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_44_marvin_bg_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0011_track_29.wav | null | 160 | 190 | 30 | true | false | Photos and letters Now blank on your living room floor | Bridge 3 | combined | 160 | 200 | false | true | 1/2 | 25 | 54 | 10 | 0 | -10 | audio_only | 03_06_29 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0013_track_22 | 12 | 03_06 | 22 | Vocal Filtered | Filtered Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_37_vocal_filtered.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0013_track_22.wav | null | 200 | 208 | 8 | true | false | On the sixteenth day My eyes went dark and I started to sway | Final Verse | combined | 200 | 208 | false | false | null | 27 | 60 | 13 | 0 | 0 | audio_only | 03_06_22 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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03_06_seg_0014_track_08 | 13 | 03_06 | 8 | B3 Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_15_b3_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0014_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_14_b3_organ.mid | 208 | 216.093 | 8.093 | true | true | Then I tried to scream I felt held down by something unseen | Final Verse | combined | 208 | 216.093 | false | false | null | 29 | 59 | 12 | 0 | 0 | audio_midi | 03_06_8 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0014_track_09 | 13 | 03_06 | 9 | Electric Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_17_electric_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0014_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_16_electric_piano.mid | 208 | 216.093 | 8.093 | true | true | Then I tried to scream I felt held down by something unseen | Final Verse | combined | 208 | 216.093 | false | false | null | 29 | 59 | 12 | 0 | 0 | audio_midi | 03_06_9 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0014_track_10 | 13 | 03_06 | 10 | Signs of Life Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_19_signs_of_life_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0014_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_18_signs_of_life_synth.mid | 208 | 216.093 | 8.093 | true | true | Then I tried to scream I felt held down by something unseen | Final Verse | combined | 208 | 216.093 | false | false | null | 29 | 59 | 12 | 0 | 0 | audio_midi | 03_06_10 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0014_track_14 | 13 | 03_06 | 14 | Corrupt Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_25_corrupt_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0014_track_14.wav | null | 208 | 216.093 | 8.093 | true | false | Then I tried to scream I felt held down by something unseen | Final Verse | combined | 208 | 216.093 | false | false | null | 29 | 59 | 12 | 0 | 0 | audio_only | 03_06_14 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0014_track_15 | 13 | 03_06 | 15 | Shredder | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_27_shredder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0014_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_26_shredder.mid | 208 | 216.093 | 8.093 | true | true | Then I tried to scream I felt held down by something unseen | Final Verse | combined | 208 | 216.093 | false | false | null | 29 | 59 | 12 | 0 | 0 | audio_midi | 03_06_15 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0014_track_22 | 13 | 03_06 | 22 | Vocal Filtered | Filtered Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_37_vocal_filtered.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0014_track_22.wav | null | 208 | 216.093 | 8.093 | true | false | Then I tried to scream I felt held down by something unseen | Final Verse | combined | 208 | 216.093 | false | false | null | 29 | 59 | 12 | 0 | 0 | audio_only | 03_06_22 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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03_06_seg_0014_track_23 | 13 | 03_06 | 23 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_38_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0014_track_23.wav | null | 208 | 216.093 | 8.093 | true | false | Then I tried to scream I felt held down by something unseen | Final Verse | combined | 208 | 216.093 | false | false | null | 29 | 59 | 12 | 0 | 0 | audio_only | 03_06_23 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0015_track_03 | 14 | 03_06 | 3 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_05_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0015_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_04_cymbals.mid | 216.093 | 224 | 7.907 | false | true | Did I hear my name? It sounded familiar, but not quite the same | Final Verse | combined | 216.093 | 224 | false | false | null | 31 | 63 | 13 | 0 | 0 | midi_only | 03_06_3 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0015_track_10 | 14 | 03_06 | 10 | Signs of Life Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_19_signs_of_life_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0015_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_18_signs_of_life_synth.mid | 216.093 | 224 | 7.907 | true | true | Did I hear my name? It sounded familiar, but not quite the same | Final Verse | combined | 216.093 | 224 | false | false | null | 31 | 63 | 13 | 0 | 0 | audio_midi | 03_06_10 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0015_track_14 | 14 | 03_06 | 14 | Corrupt Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_25_corrupt_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0015_track_14.wav | null | 216.093 | 224 | 7.907 | true | false | Did I hear my name? It sounded familiar, but not quite the same | Final Verse | combined | 216.093 | 224 | false | false | null | 31 | 63 | 13 | 0 | 0 | audio_only | 03_06_14 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0016_track_05 | 15 | 03_06 | 5 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_09_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0016_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_08_hihat.mid | 224 | 227 | 3 | false | true | Blind or future sight Can’t see now, but I see tomorrow’s light | Final Verse | combined | 224 | 227 | false | false | null | 33 | 63 | 12 | 0 | 0 | midi_only | 03_06_5 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0016_track_15 | 15 | 03_06 | 15 | Shredder | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_27_shredder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0016_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_26_shredder.mid | 224 | 227 | 3 | true | true | Blind or future sight Can’t see now, but I see tomorrow’s light | Final Verse | combined | 224 | 227 | false | false | null | 33 | 63 | 12 | 0 | 0 | audio_midi | 03_06_15 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0016_track_22 | 15 | 03_06 | 22 | Vocal Filtered | Filtered Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_37_vocal_filtered.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0016_track_22.wav | null | 224 | 227 | 3 | true | false | Blind or future sight Can’t see now, but I see tomorrow’s light | Final Verse | combined | 224 | 227 | false | false | null | 33 | 63 | 12 | 0 | 0 | audio_only | 03_06_22 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0016_track_23 | 15 | 03_06 | 23 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_38_vocal_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0016_track_23.wav | null | 224 | 227 | 3 | true | false | Blind or future sight Can’t see now, but I see tomorrow’s light | Final Verse | combined | 224 | 227 | false | false | null | 33 | 63 | 12 | 0 | 0 | audio_only | 03_06_23 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_06_seg_0016_track_25 | 15 | 03_06 | 25 | Vocal 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_06/03_06_40_vocal_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_06/03_06_seg_0016_track_25.wav | null | 224 | 227 | 3 | true | false | Blind or future sight Can’t see now, but I see tomorrow’s light | Final Verse | combined | 224 | 227 | false | false | null | 33 | 63 | 12 | 0 | 0 | audio_only | 03_06_25 | 120 | 4 | 4 | D | minor | Orange | Past | Thing | Imagined | null | Newest of the Natural Senses | 2020-06-23T00:00:00 | [04:07.124] | true | true | Back in sixty-two We were losing ground and the rent was due Took a flyer down Medical study, seen it ‘round town Change the way you see it’s your opportunity Change the way you hear it could be the cure Take it once a day Take it with no food Call without delay ‘Till the study concludes So why not try to help? Plus some pocket coin to help myself Signed away my rights Filled out the form with my loved one's dislikes Now what you see is what you get, what you get, what you get when you’re barely looking You call and cry, you scream until you forget, you forget, you forget what you were really seeing Can you remember Those songs you knew before? Photos and letters Now blank on your living room floor On the sixteenth day My eyes went dark and I started to sway Then I tried to scream I felt held down by something unseen Did I hear my name? It sounded familiar, but not quite the same Blind or future sight Can’t see now, but I see tomorrow’s light | David Bowie, discogs_id: 10263, The Boo Radleys, discogs_id: 7579, Willie Hutch, discogs_id: 7153 | frantic | indie rock, shoegaze, art rock, motown | 03_06.lrc | A sci-fi sort of song about down-and-out friends who sign up for a medical experiment for eyedrop vision correction. It causes them to go blind at first but then see 24 hours forward into the future. The forgotten item is the money they never collected. | {
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} | NSynth intro : Woozy Magenta synths stray from sample to sample, creating a dreamy, otherworldly atmosphere., [00:00.000]-[00:40.099] | Verse 1 : The first verse, with a more traditional indie rock meets 70s art rock arrangement, [00:40.100]-[01:03.999] | Chorus 1 : Extremely early Bowie sounding, [01:04.000]-[01:19.999] | Bridge 1 : Motown like backing vocals are added giving the song a another facet, [01:20.000]-[01:35.999] | Verse 2 : Back to the verse, [01:36.000]-[02:15.999] | Special Bridge : The deep soulful singer and the snotty proto-punk singer sing together, [02:16.000]-[02:31.999] | Verse 3 : The third verse continues the lyrical story, [02:32.000]-[02:47.999] | Bridge 3 : The bridge is repeated again, now with more organ and synths, [02:48.000]-[03:03.999] | Final Verse : The final verse, almost overloaded runs into the end of the song, [03:04.000]-[03:51.222] | Outro : Strange samples and odd discussions leak through the noisy outro, [03:51.223]-[04:07.124] | null | |
03_07_seg_0001_track_02 | 0 | 03_07 | 2 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_03_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0001_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_02_bass.mid | 42.01 | 48.077 | 6.067 | true | true | *"We’re getting reports of violence interrupting the second shift. Digging to resume."* | Interlude | combined | 41.193 | 48.077 | true | Start aligned to Verse 1 boundary at 42.010s | End aligned to Interlude boundary at 48.077s | false | null | 9 | 87 | 12 | 0.817 | 0 | audio_midi | 03_07_2 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0001_track_03 | 0 | 03_07 | 3 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_05_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0001_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_04_dx7.mid | 42.01 | 48.077 | 6.067 | false | true | *"We’re getting reports of violence interrupting the second shift. Digging to resume."* | Interlude | combined | 41.193 | 48.077 | true | Start aligned to Verse 1 boundary at 42.010s | End aligned to Interlude boundary at 48.077s | false | null | 9 | 87 | 12 | 0.817 | 0 | midi_only | 03_07_3 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0001_track_04 | 0 | 03_07 | 4 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_07_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0001_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_06_modular.mid | 42.01 | 48.077 | 6.067 | true | false | *"We’re getting reports of violence interrupting the second shift. Digging to resume."* | Interlude | combined | 41.193 | 48.077 | true | Start aligned to Verse 1 boundary at 42.010s | End aligned to Interlude boundary at 48.077s | false | null | 9 | 87 | 12 | 0.817 | 0 | audio_only | 03_07_4 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0001_track_06 | 0 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0001_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 42.01 | 48.077 | 6.067 | true | true | *"We’re getting reports of violence interrupting the second shift. Digging to resume."* | Interlude | combined | 41.193 | 48.077 | true | Start aligned to Verse 1 boundary at 42.010s | End aligned to Interlude boundary at 48.077s | false | null | 9 | 87 | 12 | 0.817 | 0 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0001_track_07 | 0 | 03_07 | 7 | 808 Drum Machine | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_13_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0001_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_12_808.mid | 42.01 | 48.077 | 6.067 | true | true | *"We’re getting reports of violence interrupting the second shift. Digging to resume."* | Interlude | combined | 41.193 | 48.077 | true | Start aligned to Verse 1 boundary at 42.010s | End aligned to Interlude boundary at 48.077s | false | null | 9 | 87 | 12 | 0.817 | 0 | audio_midi | 03_07_7 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0001_track_24 | 0 | 03_07 | 24 | Coms Chatter | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_38_coms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0001_track_24.wav | null | 42.01 | 48.077 | 6.067 | true | false | *"We’re getting reports of violence interrupting the second shift. Digging to resume."* | Interlude | combined | 41.193 | 48.077 | true | Start aligned to Verse 1 boundary at 42.010s | End aligned to Interlude boundary at 48.077s | false | null | 9 | 87 | 12 | 0.817 | 0 | audio_only | 03_07_24 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0002_track_06 | 1 | 03_07 | 6 | Steel Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_11_steel_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0002_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_10_steel_piano.mid | 48.077 | 59.046 | 10.969 | true | true | We’re getting closer five more meters to breach the veil. | Bridge 1 | combined | 48.077 | 59.046 | true | Start aligned to Interlude boundary at 48.077s | End aligned to Bridge 1 boundary at 59.046s | false | null | 11 | 57 | 10 | 0 | 0 | audio_midi | 03_07_6 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0002_track_07 | 1 | 03_07 | 7 | 808 Drum Machine | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_13_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0002_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_12_808.mid | 48.077 | 59.046 | 10.969 | true | true | We’re getting closer five more meters to breach the veil. | Bridge 1 | combined | 48.077 | 59.046 | true | Start aligned to Interlude boundary at 48.077s | End aligned to Bridge 1 boundary at 59.046s | false | null | 11 | 57 | 10 | 0 | 0 | audio_midi | 03_07_7 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0002_track_08 | 1 | 03_07 | 8 | Drum Kit | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_15_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0002_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_14_kit.mid | 48.077 | 59.046 | 10.969 | true | true | We’re getting closer five more meters to breach the veil. | Bridge 1 | combined | 48.077 | 59.046 | true | Start aligned to Interlude boundary at 48.077s | End aligned to Bridge 1 boundary at 59.046s | false | null | 11 | 57 | 10 | 0 | 0 | audio_midi | 03_07_8 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0002_track_10 | 1 | 03_07 | 10 | Snare Drum | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_19_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0002_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_18_snare.mid | 48.077 | 59.046 | 10.969 | false | true | We’re getting closer five more meters to breach the veil. | Bridge 1 | combined | 48.077 | 59.046 | true | Start aligned to Interlude boundary at 48.077s | End aligned to Bridge 1 boundary at 59.046s | false | null | 11 | 57 | 10 | 0 | 0 | midi_only | 03_07_10 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0002_track_11 | 1 | 03_07 | 11 | Hi-Hat | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_21_hihat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0002_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_20_hihat.mid | 48.077 | 59.046 | 10.969 | false | true | We’re getting closer five more meters to breach the veil. | Bridge 1 | combined | 48.077 | 59.046 | true | Start aligned to Interlude boundary at 48.077s | End aligned to Bridge 1 boundary at 59.046s | false | null | 11 | 57 | 10 | 0 | 0 | midi_only | 03_07_11 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0002_track_12 | 1 | 03_07 | 12 | Cymbals | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_23_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0002_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_22_cymbals.mid | 48.077 | 59.046 | 10.969 | false | true | We’re getting closer five more meters to breach the veil. | Bridge 1 | combined | 48.077 | 59.046 | true | Start aligned to Interlude boundary at 48.077s | End aligned to Bridge 1 boundary at 59.046s | false | null | 11 | 57 | 10 | 0 | 0 | midi_only | 03_07_12 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0002_track_13 | 1 | 03_07 | 13 | Rack Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_26_rack_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0002_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_24_rack_toms.mid | 48.077 | 59.046 | 10.969 | false | true | We’re getting closer five more meters to breach the veil. | Bridge 1 | combined | 48.077 | 59.046 | true | Start aligned to Interlude boundary at 48.077s | End aligned to Bridge 1 boundary at 59.046s | false | null | 11 | 57 | 10 | 0 | 0 | midi_only | 03_07_13 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
03_07_seg_0002_track_14 | 1 | 03_07 | 14 | Floor Tom | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_27_floor_tom.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_07/03_07_seg_0002_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_07/03_07_25_floor_tom.mid | 48.077 | 59.046 | 10.969 | true | true | We’re getting closer five more meters to breach the veil. | Bridge 1 | combined | 48.077 | 59.046 | true | Start aligned to Interlude boundary at 48.077s | End aligned to Bridge 1 boundary at 59.046s | false | null | 11 | 57 | 10 | 0 | 0 | audio_midi | 03_07_14 | 154 | 4 | 4 | A | minor | Orange | Past | Thing | Imagined | null | Tell | 2020-06-23T00:00:00 | [03:10.041] | true | true | Didn’t you tell me that you’d been here before? You recognized the door? I know you came here looking to finish off this final chore. But I thought it was more. *"We’re getting reports of violence interrupting the second shift. Digging to resume."* We’re getting closer five more meters to breach the veil. Does she know her moves in this world break up nations? Does she know her words in this world bring damnation? We’re getting closer five more meters to breach the veil. To breach the veil. I can see from your eyes this won’t go very well. It’s always been your tell. You are so lovely even as you turn to leave. If only you could believe. *"Call back your men the levels are too high."* *"Fall back! Fall back!"* *"There’s something coming through"* *"There’s something wrong with the sky."* Does she know her path in this world break up nations? Does she know her thoughts in this world bring damnation? | Public Image Limited, discogs_id: 66302, Tears for Fears, discogs_id: 19814, Phil Collins, discogs_id: 101028, Peter Gabriel, discogs_id: 11136 | melancholic, relaxed, mercurial, nerdy, aggressive, dreamy, energetic, introspective | New Wave, Synthpop, Punk, Post-Punk, Art Rock, Alternative Rock | 03_07.lrc | A guys is meeting his ex at pub and they are rehashing their breakup. Although he's invited her here, he gets bored and begins thinking of some childish adventure out of a comic book or saturday morning cartoon about digging up a mystical artifact. The lyrics blur the lines between the two scenarios. The thing forgotten was her tell - not a look but a habit of 'digging' through her food when she's annoyed. | {
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} | Entering the pub : We hear the sound of a Welsh pub, with people chatting and glasses clinking., [00:00.000]-[00:04.200] | Verse 1 intro : Some airy synth pop and cheesy MOR drum machines start the song, [00:04.201]-[00:17.271] | Verse 1 : New wave-inspired verse with a light bassline and airy synths., [00:17.272]-[00:42.010] | Interlude : The maudlin narrative of a post-breakup conversation oddly transitions to coms chatter about a dig site., [00:42.011]-[00:48.077] | Bridge 1 : The vocals return unclear if they are describing a breakup or a dig site. The synths build in intensity and a piano line builds., [00:48.078]-[00:59.046] | Chorus : The chorus burst out in a big wave of LFO-destroyed guitars and a 70s-style punk vocal., [00:59.047]-[01:17.272] | Bridge 2 : The energy dies down and we return to the synths and drum machines, [01:17.273]-[01:30.107] | Verse 2 : The second verse is similar to the first but with some vocal variations., [01:30.108]-[01:55.082] | Interlude 2 : This interlude extends to here multiple "characters" discussing the dig site., [01:55.083]-[02:07.237] | Chorus 2 : The chorus repeats with more intensity descending into non-verbal vocals., [02:07.238]-[02:45.047] | Outro : The outro is a long instrumental section with the synths and drum machines fading out, [02:45.048]-[03:10.041] | null |
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