segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
03_10_seg_0008_track_13 | 7 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0008_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 116.12 | 128.215 | 12.095 | false | true | Didn't you mind being flayed until my role was played? | Chorus 2 | combined | 116.12 | 128.21 | true | End aligned to Chorus 2 boundary at 128.215s | false | null | 19 | 54 | 10 | 0 | 0.005 | midi_only | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0008_track_15 | 7 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0008_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 116.12 | 128.215 | 12.095 | false | true | Didn't you mind being flayed until my role was played? | Chorus 2 | combined | 116.12 | 128.21 | true | End aligned to Chorus 2 boundary at 128.215s | false | null | 19 | 54 | 10 | 0 | 0.005 | midi_only | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0008_track_18 | 7 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0008_track_18.wav | null | 116.12 | 128.215 | 12.095 | true | false | Didn't you mind being flayed until my role was played? | Chorus 2 | combined | 116.12 | 128.21 | true | End aligned to Chorus 2 boundary at 128.215s | false | null | 19 | 54 | 10 | 0 | 0.005 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0008_track_20 | 7 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0008_track_20.wav | null | 116.12 | 128.215 | 12.095 | true | false | Didn't you mind being flayed until my role was played? | Chorus 2 | combined | 116.12 | 128.21 | true | End aligned to Chorus 2 boundary at 128.215s | false | null | 19 | 54 | 10 | 0 | 0.005 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0008_track_21 | 7 | 03_10 | 21 | Paddy Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_22_paddy_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0008_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_21_paddy_synth.mid | 116.12 | 128.215 | 12.095 | true | false | Didn't you mind being flayed until my role was played? | Chorus 2 | combined | 116.12 | 128.21 | true | End aligned to Chorus 2 boundary at 128.215s | false | null | 19 | 54 | 10 | 0 | 0.005 | audio_only | 03_10_21 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0008_track_25 | 7 | 03_10 | 25 | Cheesy Arp | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_26_cheesy_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0008_track_25.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_25_cheesy_arp.mid | 116.12 | 128.215 | 12.095 | true | false | Didn't you mind being flayed until my role was played? | Chorus 2 | combined | 116.12 | 128.21 | true | End aligned to Chorus 2 boundary at 128.215s | false | null | 19 | 54 | 10 | 0 | 0.005 | audio_only | 03_10_25 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0008_track_27 | 7 | 03_10 | 27 | Vocal 2 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_27_vocal2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0008_track_27.wav | null | 116.12 | 128.215 | 12.095 | true | false | Didn't you mind being flayed until my role was played? | Chorus 2 | combined | 116.12 | 128.21 | true | End aligned to Chorus 2 boundary at 128.215s | false | null | 19 | 54 | 10 | 0 | 0.005 | audio_only | 03_10_27 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0009_track_02 | 8 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0009_track_02.wav | null | 128.215 | 134.25 | 6.035 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 128.21 | 134.25 | true | Start aligned to Chorus 2 boundary at 128.215s | false | null | 21 | 36 | 5 | 0.005 | 0 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0009_track_03 | 8 | 03_10 | 3 | Shredder Guitar Synth 1 | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_04_shredder_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0009_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_03_shredder_1.mid | 128.215 | 134.25 | 6.035 | true | true | Nothing, nothing, nothing to believe | Interlude | combined | 128.21 | 134.25 | true | Start aligned to Chorus 2 boundary at 128.215s | false | null | 21 | 36 | 5 | 0.005 | 0 | audio_midi | 03_10_3 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0009_track_11 | 8 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0009_track_11.wav | null | 128.215 | 134.25 | 6.035 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 128.21 | 134.25 | true | Start aligned to Chorus 2 boundary at 128.215s | false | null | 21 | 36 | 5 | 0.005 | 0 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0009_track_12 | 8 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0009_track_12.wav | null | 128.215 | 134.25 | 6.035 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 128.21 | 134.25 | true | Start aligned to Chorus 2 boundary at 128.215s | false | null | 21 | 36 | 5 | 0.005 | 0 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0009_track_13 | 8 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0009_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 128.215 | 134.25 | 6.035 | true | true | Nothing, nothing, nothing to believe | Interlude | combined | 128.21 | 134.25 | true | Start aligned to Chorus 2 boundary at 128.215s | false | null | 21 | 36 | 5 | 0.005 | 0 | audio_midi | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0009_track_15 | 8 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0009_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 128.215 | 134.25 | 6.035 | true | true | Nothing, nothing, nothing to believe | Interlude | combined | 128.21 | 134.25 | true | Start aligned to Chorus 2 boundary at 128.215s | false | null | 21 | 36 | 5 | 0.005 | 0 | audio_midi | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0009_track_17 | 8 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0009_track_17.wav | null | 128.215 | 134.25 | 6.035 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 128.21 | 134.25 | true | Start aligned to Chorus 2 boundary at 128.215s | false | null | 21 | 36 | 5 | 0.005 | 0 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0009_track_18 | 8 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0009_track_18.wav | null | 128.215 | 134.25 | 6.035 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 128.21 | 134.25 | true | Start aligned to Chorus 2 boundary at 128.215s | false | null | 21 | 36 | 5 | 0.005 | 0 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0009_track_19 | 8 | 03_10 | 19 | GM | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_19_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0009_track_19.wav | null | 128.215 | 134.25 | 6.035 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 128.21 | 134.25 | true | Start aligned to Chorus 2 boundary at 128.215s | false | null | 21 | 36 | 5 | 0.005 | 0 | audio_only | 03_10_19 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0009_track_20 | 8 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0009_track_20.wav | null | 128.215 | 134.25 | 6.035 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 128.21 | 134.25 | true | Start aligned to Chorus 2 boundary at 128.215s | false | null | 21 | 36 | 5 | 0.005 | 0 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0009_track_27 | 8 | 03_10 | 27 | Vocal 2 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_27_vocal2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0009_track_27.wav | null | 128.215 | 134.25 | 6.035 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 128.21 | 134.25 | true | Start aligned to Chorus 2 boundary at 128.215s | false | null | 21 | 36 | 5 | 0.005 | 0 | audio_only | 03_10_27 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0010_track_02 | 9 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0010_track_02.wav | null | 134.25 | 140.29 | 6.04 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 134.25 | 140.29 | false | false | null | 23 | 38 | 6 | 0 | 0 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0010_track_03 | 9 | 03_10 | 3 | Shredder Guitar Synth 1 | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_04_shredder_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0010_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_03_shredder_1.mid | 134.25 | 140.29 | 6.04 | true | true | Nothing, nothing, nothing up my sleeve | Interlude | combined | 134.25 | 140.29 | false | false | null | 23 | 38 | 6 | 0 | 0 | audio_midi | 03_10_3 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0010_track_11 | 9 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0010_track_11.wav | null | 134.25 | 140.29 | 6.04 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 134.25 | 140.29 | false | false | null | 23 | 38 | 6 | 0 | 0 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0010_track_12 | 9 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0010_track_12.wav | null | 134.25 | 140.29 | 6.04 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 134.25 | 140.29 | false | false | null | 23 | 38 | 6 | 0 | 0 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0010_track_13 | 9 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0010_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 134.25 | 140.29 | 6.04 | false | true | Nothing, nothing, nothing up my sleeve | Interlude | combined | 134.25 | 140.29 | false | false | null | 23 | 38 | 6 | 0 | 0 | midi_only | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0010_track_15 | 9 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0010_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 134.25 | 140.29 | 6.04 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 134.25 | 140.29 | false | false | null | 23 | 38 | 6 | 0 | 0 | audio_only | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0010_track_17 | 9 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0010_track_17.wav | null | 134.25 | 140.29 | 6.04 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 134.25 | 140.29 | false | false | null | 23 | 38 | 6 | 0 | 0 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0010_track_18 | 9 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0010_track_18.wav | null | 134.25 | 140.29 | 6.04 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 134.25 | 140.29 | false | false | null | 23 | 38 | 6 | 0 | 0 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0010_track_19 | 9 | 03_10 | 19 | GM | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_19_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0010_track_19.wav | null | 134.25 | 140.29 | 6.04 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 134.25 | 140.29 | false | false | null | 23 | 38 | 6 | 0 | 0 | audio_only | 03_10_19 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0010_track_20 | 9 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0010_track_20.wav | null | 134.25 | 140.29 | 6.04 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 134.25 | 140.29 | false | false | null | 23 | 38 | 6 | 0 | 0 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0011_track_02 | 10 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0011_track_02.wav | null | 140.29 | 147.02 | 6.73 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 140.29 | 147.02 | false | false | null | 25 | 36 | 5 | 0 | 0 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0011_track_03 | 10 | 03_10 | 3 | Shredder Guitar Synth 1 | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_04_shredder_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0011_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_03_shredder_1.mid | 140.29 | 147.02 | 6.73 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 140.29 | 147.02 | false | false | null | 25 | 36 | 5 | 0 | 0 | audio_only | 03_10_3 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0011_track_11 | 10 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0011_track_11.wav | null | 140.29 | 147.02 | 6.73 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 140.29 | 147.02 | false | false | null | 25 | 36 | 5 | 0 | 0 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0011_track_12 | 10 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0011_track_12.wav | null | 140.29 | 147.02 | 6.73 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 140.29 | 147.02 | false | false | null | 25 | 36 | 5 | 0 | 0 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0011_track_13 | 10 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0011_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 140.29 | 147.02 | 6.73 | true | true | Nothing, nothing, nothing to believe | Interlude | combined | 140.29 | 147.02 | false | false | null | 25 | 36 | 5 | 0 | 0 | audio_midi | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0011_track_15 | 10 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0011_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 140.29 | 147.02 | 6.73 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 140.29 | 147.02 | false | false | null | 25 | 36 | 5 | 0 | 0 | audio_only | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0011_track_17 | 10 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0011_track_17.wav | null | 140.29 | 147.02 | 6.73 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 140.29 | 147.02 | false | false | null | 25 | 36 | 5 | 0 | 0 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0011_track_18 | 10 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0011_track_18.wav | null | 140.29 | 147.02 | 6.73 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 140.29 | 147.02 | false | false | null | 25 | 36 | 5 | 0 | 0 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0011_track_19 | 10 | 03_10 | 19 | GM | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_19_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0011_track_19.wav | null | 140.29 | 147.02 | 6.73 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 140.29 | 147.02 | false | false | null | 25 | 36 | 5 | 0 | 0 | audio_only | 03_10_19 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0011_track_20 | 10 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0011_track_20.wav | null | 140.29 | 147.02 | 6.73 | true | false | Nothing, nothing, nothing to believe | Interlude | combined | 140.29 | 147.02 | false | false | null | 25 | 36 | 5 | 0 | 0 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0012_track_02 | 11 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0012_track_02.wav | null | 147.02 | 153.064 | 6.044 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 147.02 | 153.06 | true | End aligned to Interlude boundary at 153.064s | false | null | 27 | 38 | 6 | 0 | 0.004 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0012_track_03 | 11 | 03_10 | 3 | Shredder Guitar Synth 1 | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_04_shredder_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0012_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_03_shredder_1.mid | 147.02 | 153.064 | 6.044 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 147.02 | 153.06 | true | End aligned to Interlude boundary at 153.064s | false | null | 27 | 38 | 6 | 0 | 0.004 | audio_only | 03_10_3 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0012_track_11 | 11 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0012_track_11.wav | null | 147.02 | 153.064 | 6.044 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 147.02 | 153.06 | true | End aligned to Interlude boundary at 153.064s | false | null | 27 | 38 | 6 | 0 | 0.004 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0012_track_12 | 11 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0012_track_12.wav | null | 147.02 | 153.064 | 6.044 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 147.02 | 153.06 | true | End aligned to Interlude boundary at 153.064s | false | null | 27 | 38 | 6 | 0 | 0.004 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0012_track_13 | 11 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0012_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 147.02 | 153.064 | 6.044 | false | true | Nothing, nothing, nothing up my sleeve | Interlude | combined | 147.02 | 153.06 | true | End aligned to Interlude boundary at 153.064s | false | null | 27 | 38 | 6 | 0 | 0.004 | midi_only | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0012_track_15 | 11 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0012_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 147.02 | 153.064 | 6.044 | true | true | Nothing, nothing, nothing up my sleeve | Interlude | combined | 147.02 | 153.06 | true | End aligned to Interlude boundary at 153.064s | false | null | 27 | 38 | 6 | 0 | 0.004 | audio_midi | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0012_track_17 | 11 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0012_track_17.wav | null | 147.02 | 153.064 | 6.044 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 147.02 | 153.06 | true | End aligned to Interlude boundary at 153.064s | false | null | 27 | 38 | 6 | 0 | 0.004 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0012_track_18 | 11 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0012_track_18.wav | null | 147.02 | 153.064 | 6.044 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 147.02 | 153.06 | true | End aligned to Interlude boundary at 153.064s | false | null | 27 | 38 | 6 | 0 | 0.004 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0012_track_19 | 11 | 03_10 | 19 | GM | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_19_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0012_track_19.wav | null | 147.02 | 153.064 | 6.044 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 147.02 | 153.06 | true | End aligned to Interlude boundary at 153.064s | false | null | 27 | 38 | 6 | 0 | 0.004 | audio_only | 03_10_19 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0012_track_20 | 11 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0012_track_20.wav | null | 147.02 | 153.064 | 6.044 | true | false | Nothing, nothing, nothing up my sleeve | Interlude | combined | 147.02 | 153.06 | true | End aligned to Interlude boundary at 153.064s | false | null | 27 | 38 | 6 | 0 | 0.004 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0013_track_02 | 12 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0013_track_02.wav | null | 153.064 | 159.1 | 6.036 | true | false | On your dark side of the river | Verse 2 | combined | 153.06 | 159.1 | true | Start aligned to Interlude boundary at 153.064s | false | null | 29 | 30 | 7 | 0.004 | 0 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0013_track_03 | 12 | 03_10 | 3 | Shredder Guitar Synth 1 | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_04_shredder_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0013_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_03_shredder_1.mid | 153.064 | 159.1 | 6.036 | true | false | On your dark side of the river | Verse 2 | combined | 153.06 | 159.1 | true | Start aligned to Interlude boundary at 153.064s | false | null | 29 | 30 | 7 | 0.004 | 0 | audio_only | 03_10_3 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0013_track_11 | 12 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0013_track_11.wav | null | 153.064 | 159.1 | 6.036 | true | false | On your dark side of the river | Verse 2 | combined | 153.06 | 159.1 | true | Start aligned to Interlude boundary at 153.064s | false | null | 29 | 30 | 7 | 0.004 | 0 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0013_track_12 | 12 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0013_track_12.wav | null | 153.064 | 159.1 | 6.036 | true | false | On your dark side of the river | Verse 2 | combined | 153.06 | 159.1 | true | Start aligned to Interlude boundary at 153.064s | false | null | 29 | 30 | 7 | 0.004 | 0 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0013_track_13 | 12 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0013_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 153.064 | 159.1 | 6.036 | true | true | On your dark side of the river | Verse 2 | combined | 153.06 | 159.1 | true | Start aligned to Interlude boundary at 153.064s | false | null | 29 | 30 | 7 | 0.004 | 0 | audio_midi | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0013_track_15 | 12 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0013_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 153.064 | 159.1 | 6.036 | true | true | On your dark side of the river | Verse 2 | combined | 153.06 | 159.1 | true | Start aligned to Interlude boundary at 153.064s | false | null | 29 | 30 | 7 | 0.004 | 0 | audio_midi | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0013_track_17 | 12 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0013_track_17.wav | null | 153.064 | 159.1 | 6.036 | true | false | On your dark side of the river | Verse 2 | combined | 153.06 | 159.1 | true | Start aligned to Interlude boundary at 153.064s | false | null | 29 | 30 | 7 | 0.004 | 0 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0013_track_18 | 12 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0013_track_18.wav | null | 153.064 | 159.1 | 6.036 | true | false | On your dark side of the river | Verse 2 | combined | 153.06 | 159.1 | true | Start aligned to Interlude boundary at 153.064s | false | null | 29 | 30 | 7 | 0.004 | 0 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0013_track_19 | 12 | 03_10 | 19 | GM | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_19_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0013_track_19.wav | null | 153.064 | 159.1 | 6.036 | true | false | On your dark side of the river | Verse 2 | combined | 153.06 | 159.1 | true | Start aligned to Interlude boundary at 153.064s | false | null | 29 | 30 | 7 | 0.004 | 0 | audio_only | 03_10_19 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0013_track_20 | 12 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0013_track_20.wav | null | 153.064 | 159.1 | 6.036 | true | false | On your dark side of the river | Verse 2 | combined | 153.06 | 159.1 | true | Start aligned to Interlude boundary at 153.064s | false | null | 29 | 30 | 7 | 0.004 | 0 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0014_track_11 | 13 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0014_track_11.wav | null | 159.1 | 165.13 | 6.03 | true | false | We would set out to deliver | Verse 2 | combined | 159.1 | 165.13 | false | false | null | 31 | 27 | 6 | 0 | 0 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0014_track_12 | 13 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0014_track_12.wav | null | 159.1 | 165.13 | 6.03 | true | false | We would set out to deliver | Verse 2 | combined | 159.1 | 165.13 | false | false | null | 31 | 27 | 6 | 0 | 0 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0014_track_13 | 13 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0014_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 159.1 | 165.13 | 6.03 | true | true | We would set out to deliver | Verse 2 | combined | 159.1 | 165.13 | false | false | null | 31 | 27 | 6 | 0 | 0 | audio_midi | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0014_track_18 | 13 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0014_track_18.wav | null | 159.1 | 165.13 | 6.03 | true | false | We would set out to deliver | Verse 2 | combined | 159.1 | 165.13 | false | false | null | 31 | 27 | 6 | 0 | 0 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0014_track_20 | 13 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0014_track_20.wav | null | 159.1 | 165.13 | 6.03 | true | false | We would set out to deliver | Verse 2 | combined | 159.1 | 165.13 | false | false | null | 31 | 27 | 6 | 0 | 0 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0014_track_21 | 13 | 03_10 | 21 | Paddy Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_22_paddy_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0014_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_21_paddy_synth.mid | 159.1 | 165.13 | 6.03 | false | true | We would set out to deliver | Verse 2 | combined | 159.1 | 165.13 | false | false | null | 31 | 27 | 6 | 0 | 0 | midi_only | 03_10_21 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0014_track_25 | 13 | 03_10 | 25 | Cheesy Arp | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_26_cheesy_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0014_track_25.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_25_cheesy_arp.mid | 159.1 | 165.13 | 6.03 | false | true | We would set out to deliver | Verse 2 | combined | 159.1 | 165.13 | false | false | null | 31 | 27 | 6 | 0 | 0 | midi_only | 03_10_25 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0015_track_02 | 14 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0015_track_02.wav | null | 165.13 | 171.17 | 6.04 | true | false | A mark against the flow of time | Verse 2 | combined | 165.13 | 171.17 | false | false | null | 33 | 31 | 7 | 0 | 0 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0015_track_11 | 14 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0015_track_11.wav | null | 165.13 | 171.17 | 6.04 | true | false | A mark against the flow of time | Verse 2 | combined | 165.13 | 171.17 | false | false | null | 33 | 31 | 7 | 0 | 0 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0015_track_12 | 14 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0015_track_12.wav | null | 165.13 | 171.17 | 6.04 | true | false | A mark against the flow of time | Verse 2 | combined | 165.13 | 171.17 | false | false | null | 33 | 31 | 7 | 0 | 0 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0015_track_13 | 14 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0015_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 165.13 | 171.17 | 6.04 | true | true | A mark against the flow of time | Verse 2 | combined | 165.13 | 171.17 | false | false | null | 33 | 31 | 7 | 0 | 0 | audio_midi | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0015_track_15 | 14 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0015_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 165.13 | 171.17 | 6.04 | true | false | A mark against the flow of time | Verse 2 | combined | 165.13 | 171.17 | false | false | null | 33 | 31 | 7 | 0 | 0 | audio_only | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0015_track_17 | 14 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0015_track_17.wav | null | 165.13 | 171.17 | 6.04 | true | false | A mark against the flow of time | Verse 2 | combined | 165.13 | 171.17 | false | false | null | 33 | 31 | 7 | 0 | 0 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0015_track_18 | 14 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0015_track_18.wav | null | 165.13 | 171.17 | 6.04 | true | false | A mark against the flow of time | Verse 2 | combined | 165.13 | 171.17 | false | false | null | 33 | 31 | 7 | 0 | 0 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0015_track_19 | 14 | 03_10 | 19 | GM | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_19_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0015_track_19.wav | null | 165.13 | 171.17 | 6.04 | true | false | A mark against the flow of time | Verse 2 | combined | 165.13 | 171.17 | false | false | null | 33 | 31 | 7 | 0 | 0 | audio_only | 03_10_19 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0015_track_20 | 14 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0015_track_20.wav | null | 165.13 | 171.17 | 6.04 | true | false | A mark against the flow of time | Verse 2 | combined | 165.13 | 171.17 | false | false | null | 33 | 31 | 7 | 0 | 0 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0015_track_21 | 14 | 03_10 | 21 | Paddy Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_22_paddy_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0015_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_21_paddy_synth.mid | 165.13 | 171.17 | 6.04 | false | true | A mark against the flow of time | Verse 2 | combined | 165.13 | 171.17 | false | false | null | 33 | 31 | 7 | 0 | 0 | midi_only | 03_10_21 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0015_track_25 | 14 | 03_10 | 25 | Cheesy Arp | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_26_cheesy_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0015_track_25.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_25_cheesy_arp.mid | 165.13 | 171.17 | 6.04 | false | true | A mark against the flow of time | Verse 2 | combined | 165.13 | 171.17 | false | false | null | 33 | 31 | 7 | 0 | 0 | midi_only | 03_10_25 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0016_track_02 | 15 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0016_track_02.wav | null | 171.17 | 177.212 | 6.042 | true | false | Before I heard the third bell chime | Verse 2 | combined | 171.17 | 177.21 | true | End aligned to Verse 2 boundary at 177.212s | false | null | 35 | 35 | 7 | 0 | 0.002 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0016_track_11 | 15 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0016_track_11.wav | null | 171.17 | 177.212 | 6.042 | true | false | Before I heard the third bell chime | Verse 2 | combined | 171.17 | 177.21 | true | End aligned to Verse 2 boundary at 177.212s | false | null | 35 | 35 | 7 | 0 | 0.002 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0016_track_12 | 15 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0016_track_12.wav | null | 171.17 | 177.212 | 6.042 | true | false | Before I heard the third bell chime | Verse 2 | combined | 171.17 | 177.21 | true | End aligned to Verse 2 boundary at 177.212s | false | null | 35 | 35 | 7 | 0 | 0.002 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0016_track_13 | 15 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0016_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 171.17 | 177.212 | 6.042 | true | true | Before I heard the third bell chime | Verse 2 | combined | 171.17 | 177.21 | true | End aligned to Verse 2 boundary at 177.212s | false | null | 35 | 35 | 7 | 0 | 0.002 | audio_midi | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0016_track_15 | 15 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0016_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 171.17 | 177.212 | 6.042 | true | false | Before I heard the third bell chime | Verse 2 | combined | 171.17 | 177.21 | true | End aligned to Verse 2 boundary at 177.212s | false | null | 35 | 35 | 7 | 0 | 0.002 | audio_only | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0016_track_17 | 15 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0016_track_17.wav | null | 171.17 | 177.212 | 6.042 | true | false | Before I heard the third bell chime | Verse 2 | combined | 171.17 | 177.21 | true | End aligned to Verse 2 boundary at 177.212s | false | null | 35 | 35 | 7 | 0 | 0.002 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0016_track_18 | 15 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0016_track_18.wav | null | 171.17 | 177.212 | 6.042 | true | false | Before I heard the third bell chime | Verse 2 | combined | 171.17 | 177.21 | true | End aligned to Verse 2 boundary at 177.212s | false | null | 35 | 35 | 7 | 0 | 0.002 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0016_track_19 | 15 | 03_10 | 19 | GM | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_19_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0016_track_19.wav | null | 171.17 | 177.212 | 6.042 | true | false | Before I heard the third bell chime | Verse 2 | combined | 171.17 | 177.21 | true | End aligned to Verse 2 boundary at 177.212s | false | null | 35 | 35 | 7 | 0 | 0.002 | audio_only | 03_10_19 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0016_track_20 | 15 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0016_track_20.wav | null | 171.17 | 177.212 | 6.042 | true | false | Before I heard the third bell chime | Verse 2 | combined | 171.17 | 177.21 | true | End aligned to Verse 2 boundary at 177.212s | false | null | 35 | 35 | 7 | 0 | 0.002 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0016_track_21 | 15 | 03_10 | 21 | Paddy Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_22_paddy_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0016_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_21_paddy_synth.mid | 171.17 | 177.212 | 6.042 | false | true | Before I heard the third bell chime | Verse 2 | combined | 171.17 | 177.21 | true | End aligned to Verse 2 boundary at 177.212s | false | null | 35 | 35 | 7 | 0 | 0.002 | midi_only | 03_10_21 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0016_track_25 | 15 | 03_10 | 25 | Cheesy Arp | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_26_cheesy_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0016_track_25.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_25_cheesy_arp.mid | 171.17 | 177.212 | 6.042 | false | true | Before I heard the third bell chime | Verse 2 | combined | 171.17 | 177.21 | true | End aligned to Verse 2 boundary at 177.212s | false | null | 35 | 35 | 7 | 0 | 0.002 | midi_only | 03_10_25 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0017_track_02 | 16 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0017_track_02.wav | null | 177.212 | 190 | 12.788 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 177.21 | 190 | true | Start aligned to Verse 2 boundary at 177.212s | false | null | 37 | 51 | 9 | 0.002 | 0 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0017_track_11 | 16 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0017_track_11.wav | null | 177.212 | 190 | 12.788 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 177.21 | 190 | true | Start aligned to Verse 2 boundary at 177.212s | false | null | 37 | 51 | 9 | 0.002 | 0 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0017_track_12 | 16 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0017_track_12.wav | null | 177.212 | 190 | 12.788 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 177.21 | 190 | true | Start aligned to Verse 2 boundary at 177.212s | false | null | 37 | 51 | 9 | 0.002 | 0 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0017_track_13 | 16 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0017_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 177.212 | 190 | 12.788 | true | true | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 177.21 | 190 | true | Start aligned to Verse 2 boundary at 177.212s | false | null | 37 | 51 | 9 | 0.002 | 0 | audio_midi | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0017_track_15 | 16 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0017_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 177.212 | 190 | 12.788 | false | true | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 177.21 | 190 | true | Start aligned to Verse 2 boundary at 177.212s | false | null | 37 | 51 | 9 | 0.002 | 0 | midi_only | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0017_track_17 | 16 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0017_track_17.wav | null | 177.212 | 190 | 12.788 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 177.21 | 190 | true | Start aligned to Verse 2 boundary at 177.212s | false | null | 37 | 51 | 9 | 0.002 | 0 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0017_track_18 | 16 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0017_track_18.wav | null | 177.212 | 190 | 12.788 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 177.21 | 190 | true | Start aligned to Verse 2 boundary at 177.212s | false | null | 37 | 51 | 9 | 0.002 | 0 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0017_track_19 | 16 | 03_10 | 19 | GM | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_19_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0017_track_19.wav | null | 177.212 | 190 | 12.788 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 177.21 | 190 | true | Start aligned to Verse 2 boundary at 177.212s | false | null | 37 | 51 | 9 | 0.002 | 0 | audio_only | 03_10_19 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0017_track_20 | 16 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0017_track_20.wav | null | 177.212 | 190 | 12.788 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 177.21 | 190 | true | Start aligned to Verse 2 boundary at 177.212s | false | null | 37 | 51 | 9 | 0.002 | 0 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0017_track_21 | 16 | 03_10 | 21 | Paddy Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_22_paddy_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0017_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_21_paddy_synth.mid | 177.212 | 190 | 12.788 | false | true | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 177.21 | 190 | true | Start aligned to Verse 2 boundary at 177.212s | false | null | 37 | 51 | 9 | 0.002 | 0 | midi_only | 03_10_21 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0017_track_25 | 16 | 03_10 | 25 | Cheesy Arp | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_26_cheesy_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0017_track_25.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_25_cheesy_arp.mid | 177.212 | 190 | 12.788 | true | true | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 177.21 | 190 | true | Start aligned to Verse 2 boundary at 177.212s | false | null | 37 | 51 | 9 | 0.002 | 0 | audio_midi | 03_10_25 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0017_track_27 | 16 | 03_10 | 27 | Vocal 2 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_27_vocal2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0017_track_27.wav | null | 177.212 | 190 | 12.788 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 177.21 | 190 | true | Start aligned to Verse 2 boundary at 177.212s | false | null | 37 | 51 | 9 | 0.002 | 0 | audio_only | 03_10_27 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0018_track_02 | 17 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0018_track_02.wav | null | 190 | 202.081 | 12.081 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 190 | 202.08 | true | End aligned to Chorus 3 boundary at 202.081s | false | null | 39 | 51 | 9 | 0 | 0.001 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
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} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
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