segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
03_10_seg_0018_track_11 | 17 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0018_track_11.wav | null | 190 | 202.081 | 12.081 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 190 | 202.08 | true | End aligned to Chorus 3 boundary at 202.081s | false | null | 39 | 51 | 9 | 0 | 0.001 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0018_track_12 | 17 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0018_track_12.wav | null | 190 | 202.081 | 12.081 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 190 | 202.08 | true | End aligned to Chorus 3 boundary at 202.081s | false | null | 39 | 51 | 9 | 0 | 0.001 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0018_track_13 | 17 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0018_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 190 | 202.081 | 12.081 | true | true | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 190 | 202.08 | true | End aligned to Chorus 3 boundary at 202.081s | false | null | 39 | 51 | 9 | 0 | 0.001 | audio_midi | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0018_track_15 | 17 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0018_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 190 | 202.081 | 12.081 | false | true | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 190 | 202.08 | true | End aligned to Chorus 3 boundary at 202.081s | false | null | 39 | 51 | 9 | 0 | 0.001 | midi_only | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0018_track_17 | 17 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0018_track_17.wav | null | 190 | 202.081 | 12.081 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 190 | 202.08 | true | End aligned to Chorus 3 boundary at 202.081s | false | null | 39 | 51 | 9 | 0 | 0.001 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0018_track_18 | 17 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0018_track_18.wav | null | 190 | 202.081 | 12.081 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 190 | 202.08 | true | End aligned to Chorus 3 boundary at 202.081s | false | null | 39 | 51 | 9 | 0 | 0.001 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0018_track_20 | 17 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0018_track_20.wav | null | 190 | 202.081 | 12.081 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 190 | 202.08 | true | End aligned to Chorus 3 boundary at 202.081s | false | null | 39 | 51 | 9 | 0 | 0.001 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0018_track_21 | 17 | 03_10 | 21 | Paddy Synth | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_22_paddy_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0018_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_21_paddy_synth.mid | 190 | 202.081 | 12.081 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 190 | 202.08 | true | End aligned to Chorus 3 boundary at 202.081s | false | null | 39 | 51 | 9 | 0 | 0.001 | audio_only | 03_10_21 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0018_track_25 | 17 | 03_10 | 25 | Cheesy Arp | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_26_cheesy_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0018_track_25.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_25_cheesy_arp.mid | 190 | 202.081 | 12.081 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 190 | 202.08 | true | End aligned to Chorus 3 boundary at 202.081s | false | null | 39 | 51 | 9 | 0 | 0.001 | audio_only | 03_10_25 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0018_track_27 | 17 | 03_10 | 27 | Vocal 2 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_27_vocal2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0018_track_27.wav | null | 190 | 202.081 | 12.081 | true | false | Didn't you mind being used until the stone refused? | Chorus 3 | combined | 190 | 202.08 | true | End aligned to Chorus 3 boundary at 202.081s | false | null | 39 | 51 | 9 | 0 | 0.001 | audio_only | 03_10_27 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0019_track_02 | 18 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0019_track_02.wav | null | 202.081 | 208.11 | 6.029 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 202.08 | 208.11 | true | Start aligned to Chorus 3 boundary at 202.081s | false | null | 41 | 27 | 4 | 0.001 | 0 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0019_track_11 | 18 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0019_track_11.wav | null | 202.081 | 208.11 | 6.029 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 202.08 | 208.11 | true | Start aligned to Chorus 3 boundary at 202.081s | false | null | 41 | 27 | 4 | 0.001 | 0 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0019_track_12 | 18 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0019_track_12.wav | null | 202.081 | 208.11 | 6.029 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 202.08 | 208.11 | true | Start aligned to Chorus 3 boundary at 202.081s | false | null | 41 | 27 | 4 | 0.001 | 0 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0019_track_13 | 18 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0019_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 202.081 | 208.11 | 6.029 | true | true | Nothing. Nothing to believe | Bridge 2 | combined | 202.08 | 208.11 | true | Start aligned to Chorus 3 boundary at 202.081s | false | null | 41 | 27 | 4 | 0.001 | 0 | audio_midi | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0019_track_15 | 18 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0019_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 202.081 | 208.11 | 6.029 | false | true | Nothing. Nothing to believe | Bridge 2 | combined | 202.08 | 208.11 | true | Start aligned to Chorus 3 boundary at 202.081s | false | null | 41 | 27 | 4 | 0.001 | 0 | midi_only | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0019_track_17 | 18 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0019_track_17.wav | null | 202.081 | 208.11 | 6.029 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 202.08 | 208.11 | true | Start aligned to Chorus 3 boundary at 202.081s | false | null | 41 | 27 | 4 | 0.001 | 0 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0019_track_18 | 18 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0019_track_18.wav | null | 202.081 | 208.11 | 6.029 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 202.08 | 208.11 | true | Start aligned to Chorus 3 boundary at 202.081s | false | null | 41 | 27 | 4 | 0.001 | 0 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0019_track_20 | 18 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0019_track_20.wav | null | 202.081 | 208.11 | 6.029 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 202.08 | 208.11 | true | Start aligned to Chorus 3 boundary at 202.081s | false | null | 41 | 27 | 4 | 0.001 | 0 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0019_track_25 | 18 | 03_10 | 25 | Cheesy Arp | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_26_cheesy_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0019_track_25.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_25_cheesy_arp.mid | 202.081 | 208.11 | 6.029 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 202.08 | 208.11 | true | Start aligned to Chorus 3 boundary at 202.081s | false | null | 41 | 27 | 4 | 0.001 | 0 | audio_only | 03_10_25 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0019_track_27 | 18 | 03_10 | 27 | Vocal 2 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_27_vocal2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0019_track_27.wav | null | 202.081 | 208.11 | 6.029 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 202.08 | 208.11 | true | Start aligned to Chorus 3 boundary at 202.081s | false | null | 41 | 27 | 4 | 0.001 | 0 | audio_only | 03_10_27 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null |
03_10_seg_0020_track_02 | 19 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0020_track_02.wav | null | 208.11 | 214.15 | 6.04 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 208.11 | 214.15 | false | false | null | 43 | 29 | 5 | 0 | 0 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0020_track_03 | 19 | 03_10 | 3 | Shredder Guitar Synth 1 | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_04_shredder_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0020_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_03_shredder_1.mid | 208.11 | 214.15 | 6.04 | false | true | Nothing. Nothing up my sleeve | Bridge 2 | combined | 208.11 | 214.15 | false | false | null | 43 | 29 | 5 | 0 | 0 | midi_only | 03_10_3 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0020_track_11 | 19 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0020_track_11.wav | null | 208.11 | 214.15 | 6.04 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 208.11 | 214.15 | false | false | null | 43 | 29 | 5 | 0 | 0 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0020_track_12 | 19 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0020_track_12.wav | null | 208.11 | 214.15 | 6.04 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 208.11 | 214.15 | false | false | null | 43 | 29 | 5 | 0 | 0 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0020_track_13 | 19 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0020_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 208.11 | 214.15 | 6.04 | true | true | Nothing. Nothing up my sleeve | Bridge 2 | combined | 208.11 | 214.15 | false | false | null | 43 | 29 | 5 | 0 | 0 | audio_midi | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0020_track_15 | 19 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0020_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 208.11 | 214.15 | 6.04 | false | true | Nothing. Nothing up my sleeve | Bridge 2 | combined | 208.11 | 214.15 | false | false | null | 43 | 29 | 5 | 0 | 0 | midi_only | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0020_track_17 | 19 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0020_track_17.wav | null | 208.11 | 214.15 | 6.04 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 208.11 | 214.15 | false | false | null | 43 | 29 | 5 | 0 | 0 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0020_track_18 | 19 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0020_track_18.wav | null | 208.11 | 214.15 | 6.04 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 208.11 | 214.15 | false | false | null | 43 | 29 | 5 | 0 | 0 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0020_track_19 | 19 | 03_10 | 19 | GM | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_19_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0020_track_19.wav | null | 208.11 | 214.15 | 6.04 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 208.11 | 214.15 | false | false | null | 43 | 29 | 5 | 0 | 0 | audio_only | 03_10_19 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0020_track_20 | 19 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0020_track_20.wav | null | 208.11 | 214.15 | 6.04 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 208.11 | 214.15 | false | false | null | 43 | 29 | 5 | 0 | 0 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0020_track_27 | 19 | 03_10 | 27 | Vocal 2 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_27_vocal2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0020_track_27.wav | null | 208.11 | 214.15 | 6.04 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 208.11 | 214.15 | false | false | null | 43 | 29 | 5 | 0 | 0 | audio_only | 03_10_27 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0021_track_02 | 20 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0021_track_02.wav | null | 214.15 | 220.19 | 6.04 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 214.15 | 220.19 | false | false | null | 45 | 27 | 4 | 0 | 0 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0021_track_03 | 20 | 03_10 | 3 | Shredder Guitar Synth 1 | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_04_shredder_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0021_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_03_shredder_1.mid | 214.15 | 220.19 | 6.04 | false | true | Nothing. Nothing to believe | Bridge 2 | combined | 214.15 | 220.19 | false | false | null | 45 | 27 | 4 | 0 | 0 | midi_only | 03_10_3 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0021_track_11 | 20 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0021_track_11.wav | null | 214.15 | 220.19 | 6.04 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 214.15 | 220.19 | false | false | null | 45 | 27 | 4 | 0 | 0 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0021_track_12 | 20 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0021_track_12.wav | null | 214.15 | 220.19 | 6.04 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 214.15 | 220.19 | false | false | null | 45 | 27 | 4 | 0 | 0 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0021_track_13 | 20 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0021_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 214.15 | 220.19 | 6.04 | false | true | Nothing. Nothing to believe | Bridge 2 | combined | 214.15 | 220.19 | false | false | null | 45 | 27 | 4 | 0 | 0 | midi_only | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0021_track_15 | 20 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0021_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 214.15 | 220.19 | 6.04 | false | true | Nothing. Nothing to believe | Bridge 2 | combined | 214.15 | 220.19 | false | false | null | 45 | 27 | 4 | 0 | 0 | midi_only | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0021_track_17 | 20 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0021_track_17.wav | null | 214.15 | 220.19 | 6.04 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 214.15 | 220.19 | false | false | null | 45 | 27 | 4 | 0 | 0 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0021_track_18 | 20 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0021_track_18.wav | null | 214.15 | 220.19 | 6.04 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 214.15 | 220.19 | false | false | null | 45 | 27 | 4 | 0 | 0 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0021_track_19 | 20 | 03_10 | 19 | GM | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_19_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0021_track_19.wav | null | 214.15 | 220.19 | 6.04 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 214.15 | 220.19 | false | false | null | 45 | 27 | 4 | 0 | 0 | audio_only | 03_10_19 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0021_track_20 | 20 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0021_track_20.wav | null | 214.15 | 220.19 | 6.04 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 214.15 | 220.19 | false | false | null | 45 | 27 | 4 | 0 | 0 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0021_track_27 | 20 | 03_10 | 27 | Vocal 2 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_27_vocal2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0021_track_27.wav | null | 214.15 | 220.19 | 6.04 | true | false | Nothing. Nothing to believe | Bridge 2 | combined | 214.15 | 220.19 | false | false | null | 45 | 27 | 4 | 0 | 0 | audio_only | 03_10_27 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0022_track_02 | 21 | 03_10 | 2 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0022_track_02.wav | null | 220.19 | 223.19 | 3 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 220.19 | 223.19 | false | false | null | 47 | 29 | 5 | 0 | 0 | audio_only | 03_10_2 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0022_track_03 | 21 | 03_10 | 3 | Shredder Guitar Synth 1 | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_04_shredder_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0022_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_03_shredder_1.mid | 220.19 | 223.19 | 3 | false | true | Nothing. Nothing up my sleeve | Bridge 2 | combined | 220.19 | 223.19 | false | false | null | 47 | 29 | 5 | 0 | 0 | midi_only | 03_10_3 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0022_track_11 | 21 | 03_10 | 11 | Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0022_track_11.wav | null | 220.19 | 223.19 | 3 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 220.19 | 223.19 | false | false | null | 47 | 29 | 5 | 0 | 0 | audio_only | 03_10_11 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0022_track_12 | 21 | 03_10 | 12 | GM Bass | Bass | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_12_gm_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0022_track_12.wav | null | 220.19 | 223.19 | 3 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 220.19 | 223.19 | false | false | null | 47 | 29 | 5 | 0 | 0 | audio_only | 03_10_12 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0022_track_13 | 21 | 03_10 | 13 | Chords | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_14_chords.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0022_track_13.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_13_chords.mid | 220.19 | 223.19 | 3 | true | true | Nothing. Nothing up my sleeve | Bridge 2 | combined | 220.19 | 223.19 | false | false | null | 47 | 29 | 5 | 0 | 0 | audio_midi | 03_10_13 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0022_track_15 | 21 | 03_10 | 15 | Melody | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_16_melody.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0022_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_15_melody.mid | 220.19 | 223.19 | 3 | false | true | Nothing. Nothing up my sleeve | Bridge 2 | combined | 220.19 | 223.19 | false | false | null | 47 | 29 | 5 | 0 | 0 | midi_only | 03_10_15 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0022_track_17 | 21 | 03_10 | 17 | Flange Goth | FX | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_17_flange_goth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0022_track_17.wav | null | 220.19 | 223.19 | 3 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 220.19 | 223.19 | false | false | null | 47 | 29 | 5 | 0 | 0 | audio_only | 03_10_17 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0022_track_18 | 21 | 03_10 | 18 | Glam | Guitars | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_18_glam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0022_track_18.wav | null | 220.19 | 223.19 | 3 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 220.19 | 223.19 | false | false | null | 47 | 29 | 5 | 0 | 0 | audio_only | 03_10_18 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0022_track_19 | 21 | 03_10 | 19 | GM | Synths | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_19_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0022_track_19.wav | null | 220.19 | 223.19 | 3 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 220.19 | 223.19 | false | false | null | 47 | 29 | 5 | 0 | 0 | audio_only | 03_10_19 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0022_track_20 | 21 | 03_10 | 20 | Vocal 1 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_20_vocal1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0022_track_20.wav | null | 220.19 | 223.19 | 3 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 220.19 | 223.19 | false | false | null | 47 | 29 | 5 | 0 | 0 | audio_only | 03_10_20 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
03_10_seg_0022_track_27 | 21 | 03_10 | 27 | Vocal 2 | Vocals | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/03_10/03_10_27_vocal2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/03_10/03_10_seg_0022_track_27.wav | null | 220.19 | 223.19 | 3 | true | false | Nothing. Nothing up my sleeve | Bridge 2 | combined | 220.19 | 223.19 | false | false | null | 47 | 29 | 5 | 0 | 0 | audio_only | 03_10_27 | 78 | 4 | 4 | E | minor | Orange | Past | Thing | Imagined | null | Sleeve | 2020-06-23T00:00:00 | [05:19.153] | true | true | I used to meet you by the stream Hidden there where my tent would lean I never knew the age that you seemed And your signal flags what did you mean? Didn't you mind being taken until I did awaken? Didn't you mind being taken until I did awaken? Didn't you mind being flayed until my role was played? Didn't you mind being flayed until my role was played? Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve Nothing, nothing, nothing to believe Nothing, nothing, nothing up my sleeve On your dark side of the river We would set out to deliver A mark against the flow of time Before I heard the third bell chime Didn't you mind being used until the stone refused? Didn't you mind being used until the stone refused? Nothing. Nothing to believe Nothing. Nothing up my sleeve Nothing. Nothing to believe Nothing. Nothing up my sleeve | David Bowie, discogs_id: 10263, Tears For Fears, discogs_id: 19814, Godspeed You Black Emperor!, discogs_id: 280442 | eclectic, quirky, upbeat, catchy, energetic, nostalgic, playful, trancendent, dreamy, eerie, atmospheric, experimental, dynamic | Rock, Alternative Rock, New Wave, Post-Punk, Experimental, Indie Rock, Art Rock, Progressive Rock | 03_10.lrc | While doing meditations I got into the habit of imagining meeting my seventeen year old self across a stream in the woods I would pass my consciousness to him (the sleeve) and try to find a hidden cave entrance that was different every time. Once in the cave I would carve a sigil into the wall and burn it into the rock by tracing the pattern with my eyes. There were three bells that would let me know how much time had passed in the meditation. The thing that was misremember was the long sleeve tshirt I was wearing as the teen. It was blue, not purple as in the meditation. The song is about that experience and the feeling of being out of time and place. | {
"album_sequence": 3,
"avg_word_length": 4.2047244094488185,
"boundary_fluidity_score": 0,
"concept_length": 660,
"discrepancy_intensity": 0.15748031496062992,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0.15748031496062992,
"narrative_complexity": 0.7086614173228346,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 4.724409448818897,
"rebracketing_type": "spatial",
"sentence_count": 6,
"temporal_complexity_score": 0.7086614173228346,
"track_duration": 319.153,
"track_id": "03_10",
"track_position": 10,
"uncertainty_level": 0,
"word_count": 127
} | Carol's headphones : An audio clip from some type of In Search of... show about psychic energy places with strange other quotes and binaurl panning., [00:00.000]-[00:18.110] | Intro : A slow groove is played with a 1970s post-punk vibe., [00:18.111]-[00:30.183] | Verse 1 : The verse kicks in with a steady beat, bass, and guitar. The vocals are laid-back and somewhat detached., [00:30.184]-[01:07.125] | Chorus 1 : The song takes a left turn and suddenly sounds like 1980s new wave radio rock with a catchy chorus and melodic vocals., [01:07.126]-[01:31.274] | Bridge : And now what? Heavy metal guitar chugs?, [01:31.275]-[01:44.047] | Chorus 2 : Back to the catchy new wave chorus., [01:44.048]-[02:08.215] | Interlude : The song propels forward with punk-tinged vocals and both the electric piano and heavy guitars, [02:08.216]-[02:33.064] | Verse 2 : The verse returns with more intensity and layers of sounds., [02:33.065]-[02:57.212] | Chorus 3 : Return to the catchy new wave chorus with some hangover notes, [02:57.213]-[03:22.081] | Bridge 2 : A reprise of the heavy metal guitar with string scraps and some eerie synths., [03:22.082]-[03:46.227] | Outro : The song adds guitar after to guitar to build into an epic crescendo., [03:46.228]-[05:19.153] | null | |
04_01_seg_0001_track_03 | 0 | 04_01 | 3 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_05_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0001_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_04_bass.mid | 66 | 78 | 12 | true | true | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 66 | 78 | false | false | null | 5 | 55 | 15 | 0 | 0 | audio_midi | 04_01_3 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null | |
04_01_seg_0001_track_04 | 0 | 04_01 | 4 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_06_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0001_track_04.wav | null | 66 | 78 | 12 | true | false | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 66 | 78 | false | false | null | 5 | 55 | 15 | 0 | 0 | audio_only | 04_01_4 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null | |
04_01_seg_0001_track_06 | 0 | 04_01 | 6 | Heartbeat Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_09_heartbeat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0001_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_08_heartbeat.mid | 66 | 78 | 12 | true | true | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 66 | 78 | false | false | null | 5 | 55 | 15 | 0 | 0 | audio_midi | 04_01_6 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null | |
04_01_seg_0001_track_10 | 0 | 04_01 | 10 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_14_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0001_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_13_machine.mid | 66 | 78 | 12 | true | true | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 66 | 78 | false | false | null | 5 | 55 | 15 | 0 | 0 | audio_midi | 04_01_10 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null | |
04_01_seg_0001_track_11 | 0 | 04_01 | 11 | Machine Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_14_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0001_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_13_machine.mid | 66 | 78 | 12 | true | true | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 66 | 78 | false | false | null | 5 | 55 | 15 | 0 | 0 | audio_midi | 04_01_11 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null | |
04_01_seg_0001_track_14 | 0 | 04_01 | 14 | Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_18_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0001_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_17_pad.mid | 66 | 78 | 12 | true | true | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 66 | 78 | false | false | null | 5 | 55 | 15 | 0 | 0 | audio_midi | 04_01_14 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null | |
04_01_seg_0001_track_18 | 0 | 04_01 | 18 | Cloud Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_24_cloudy.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0001_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_23_cloudy.mid | 66 | 78 | 12 | true | true | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 66 | 78 | false | false | null | 5 | 55 | 15 | 0 | 0 | audio_midi | 04_01_18 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null | |
04_01_seg_0002_track_03 | 1 | 04_01 | 3 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_05_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0002_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_04_bass.mid | 78 | 84 | 6 | true | true | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 78 | 84 | true | End aligned to Sirens on the lawn boundary at 84.000s | false | null | 7 | 55 | 15 | 0 | 0 | audio_midi | 04_01_3 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0002_track_04 | 1 | 04_01 | 4 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_06_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0002_track_04.wav | null | 78 | 84 | 6 | true | false | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 78 | 84 | true | End aligned to Sirens on the lawn boundary at 84.000s | false | null | 7 | 55 | 15 | 0 | 0 | audio_only | 04_01_4 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0002_track_06 | 1 | 04_01 | 6 | Heartbeat Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_09_heartbeat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0002_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_08_heartbeat.mid | 78 | 84 | 6 | true | true | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 78 | 84 | true | End aligned to Sirens on the lawn boundary at 84.000s | false | null | 7 | 55 | 15 | 0 | 0 | audio_midi | 04_01_6 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0002_track_08 | 1 | 04_01 | 8 | Sample | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_11_sample.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0002_track_08.wav | null | 78 | 84 | 6 | true | false | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 78 | 84 | true | End aligned to Sirens on the lawn boundary at 84.000s | false | null | 7 | 55 | 15 | 0 | 0 | audio_only | 04_01_8 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0002_track_10 | 1 | 04_01 | 10 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_14_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0002_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_13_machine.mid | 78 | 84 | 6 | true | true | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 78 | 84 | true | End aligned to Sirens on the lawn boundary at 84.000s | false | null | 7 | 55 | 15 | 0 | 0 | audio_midi | 04_01_10 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0002_track_11 | 1 | 04_01 | 11 | Machine Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_14_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0002_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_13_machine.mid | 78 | 84 | 6 | true | true | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 78 | 84 | true | End aligned to Sirens on the lawn boundary at 84.000s | false | null | 7 | 55 | 15 | 0 | 0 | audio_midi | 04_01_11 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0002_track_14 | 1 | 04_01 | 14 | Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_18_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0002_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_17_pad.mid | 78 | 84 | 6 | true | true | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 78 | 84 | true | End aligned to Sirens on the lawn boundary at 84.000s | false | null | 7 | 55 | 15 | 0 | 0 | audio_midi | 04_01_14 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0002_track_18 | 1 | 04_01 | 18 | Cloud Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_24_cloudy.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0002_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_23_cloudy.mid | 78 | 84 | 6 | true | true | "And then | that | I knew | that he was | World War II" | Sirens on the lawn | combined | 78 | 84 | true | End aligned to Sirens on the lawn boundary at 84.000s | false | null | 7 | 55 | 15 | 0 | 0 | audio_midi | 04_01_18 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0003_track_03 | 2 | 04_01 | 3 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_05_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0003_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_04_bass.mid | 84 | 87 | 3 | true | true | "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | The Valet's war stories | combined | 84 | 87 | true | Start aligned to Sirens on the lawn boundary at 84.000s | false | null | 9 | 109 | 30 | 0 | 0 | audio_midi | 04_01_3 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0003_track_04 | 2 | 04_01 | 4 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_06_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0003_track_04.wav | null | 84 | 87 | 3 | true | false | "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | The Valet's war stories | combined | 84 | 87 | true | Start aligned to Sirens on the lawn boundary at 84.000s | false | null | 9 | 109 | 30 | 0 | 0 | audio_only | 04_01_4 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0003_track_06 | 2 | 04_01 | 6 | Heartbeat Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_09_heartbeat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0003_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_08_heartbeat.mid | 84 | 87 | 3 | true | true | "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | The Valet's war stories | combined | 84 | 87 | true | Start aligned to Sirens on the lawn boundary at 84.000s | false | null | 9 | 109 | 30 | 0 | 0 | audio_midi | 04_01_6 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0003_track_08 | 2 | 04_01 | 8 | Sample | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_11_sample.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0003_track_08.wav | null | 84 | 87 | 3 | true | false | "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | The Valet's war stories | combined | 84 | 87 | true | Start aligned to Sirens on the lawn boundary at 84.000s | false | null | 9 | 109 | 30 | 0 | 0 | audio_only | 04_01_8 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0003_track_10 | 2 | 04_01 | 10 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_14_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0003_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_13_machine.mid | 84 | 87 | 3 | true | true | "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | The Valet's war stories | combined | 84 | 87 | true | Start aligned to Sirens on the lawn boundary at 84.000s | false | null | 9 | 109 | 30 | 0 | 0 | audio_midi | 04_01_10 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0003_track_11 | 2 | 04_01 | 11 | Machine Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_14_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0003_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_13_machine.mid | 84 | 87 | 3 | true | true | "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | The Valet's war stories | combined | 84 | 87 | true | Start aligned to Sirens on the lawn boundary at 84.000s | false | null | 9 | 109 | 30 | 0 | 0 | audio_midi | 04_01_11 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0003_track_14 | 2 | 04_01 | 14 | Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_18_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0003_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_17_pad.mid | 84 | 87 | 3 | true | true | "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | The Valet's war stories | combined | 84 | 87 | true | Start aligned to Sirens on the lawn boundary at 84.000s | false | null | 9 | 109 | 30 | 0 | 0 | audio_midi | 04_01_14 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_01_seg_0003_track_18 | 2 | 04_01 | 18 | Cloud Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_24_cloudy.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_01/04_01_seg_0003_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_01/04_01_23_cloudy.mid | 84 | 87 | 3 | true | true | "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | The Valet's war stories | combined | 84 | 87 | true | Start aligned to Sirens on the lawn boundary at 84.000s | false | null | 9 | 109 | 30 | 0 | 0 | audio_midi | 04_01_18 | 80 | 4 | 4 | C | major | Yellow | Future | Place | Imagined | null | Entrance | 2020-12-08T00:00:00 | [05:30.135] | false | true | "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II" "And then | that | I knew | that he was | World War II And then | that | I knew | that he was | World War II" | Boards of Canada, discogs_id: 307, Paul White (4), discogs_id: 934385, Basil Kirchin, discogs_id: 202191 | cosmic, baroque, grandiose, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_01.lrc | As the the listen pulls toward the Palace their long, grey car flicks gravel in time with the solar pulsar, in time with the flicker of Red and Green leds causing the hallucination of yellow, of the this palace, of this world. | {
"album_sequence": 4,
"avg_word_length": 4.404761904761905,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.7142857142857142,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 2.380952380952381,
"rebracketing_type": "perceptual",
"sentence_count": 1,
"temporal_complexity_score": 0.7142857142857142,
"track_duration": 330.135,
"track_id": "04_01",
"track_position": 1,
"uncertainty_level": 0,
"word_count": 42
} | Pulling up the driveway : Stone pop under tire as the long grey limousine pulls up the driveway, [00:00.000]-[01:00.000] | Sirens on the lawn : Blessed, yellow Sirens call forth for the Valets, [01:00.001]-[01:24.000] | The Valet's war stories : As the party is ushered from their car, the Valets tell war stories under their breath, [01:24.001]-[02:00.000] | A welcoming song, an apology : The Sirens lament the visitor's arrival, but it's too late now, the tour must begin, [02:00.001]-[03:00.000] | Behind the screen : As if to exhibit their remorse the Sirens imbue in the minds of the party seats behind a movie screen. Credits roll, but flipped right-to-left., [03:00.001]-[03:24.000] | The stone walkway. : As the movie screen disappears the party is ushered up the walk way. The stones at even increments are red and green., [03:24.001]-[03:36.000] | The Herald's regalia : Finally, at the entrance, the Heralds sound horns, announcing the party to all within the Pulsar Palace., [03:36.001]-[04:00.000] | Siren's tears : A lone Siren begins to weep, knowing what's to come., [04:00.001]-[04:30.000] | Over the threshold : The party steps over the threshold of the Pulsar Palace. There is no turning back., [04:30.001]-[05:30.135] | null |
04_02_seg_0001_track_02 | 0 | 04_02 | 2 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_02_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0001_track_02.wav | null | 92.245 | 98.144 | 5.899 | true | false | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 92.245 | 98.144 | false | false | null | 5 | 39 | 8 | 0 | 0 | audio_only | 04_02_2 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0001_track_03 | 0 | 04_02 | 3 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_03_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0001_track_03.wav | null | 92.245 | 98.144 | 5.899 | true | false | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 92.245 | 98.144 | false | false | null | 5 | 39 | 8 | 0 | 0 | audio_only | 04_02_3 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0001_track_04 | 0 | 04_02 | 4 | Reflectoids | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_05_reflectoids.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0001_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_04_reflectoids.mid | 92.245 | 98.144 | 5.899 | true | true | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 92.245 | 98.144 | false | false | null | 5 | 39 | 8 | 0 | 0 | audio_midi | 04_02_4 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0001_track_05 | 0 | 04_02 | 5 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0001_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_06_bass.mid | 92.245 | 98.144 | 5.899 | true | true | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 92.245 | 98.144 | false | false | null | 5 | 39 | 8 | 0 | 0 | audio_midi | 04_02_5 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | 04_02_06_bass.mid | |
04_02_seg_0001_track_07 | 0 | 04_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_09_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0001_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_06_bass.mid | 92.245 | 98.144 | 5.899 | true | true | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 92.245 | 98.144 | false | false | null | 5 | 39 | 8 | 0 | 0 | audio_midi | 04_02_7 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | 04_02_06_bass.mid | |
04_02_seg_0001_track_08 | 0 | 04_02 | 8 | Warped Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_11_warped_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0001_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_10_warped_pad.mid | 92.245 | 98.144 | 5.899 | true | true | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 92.245 | 98.144 | false | false | null | 5 | 39 | 8 | 0 | 0 | audio_midi | 04_02_8 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0001_track_09 | 0 | 04_02 | 9 | Modular | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_12_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0001_track_09.wav | null | 92.245 | 98.144 | 5.899 | true | false | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 92.245 | 98.144 | false | false | null | 5 | 39 | 8 | 0 | 0 | audio_only | 04_02_9 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0001_track_12 | 0 | 04_02 | 12 | Tremolo guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_16_tremolo_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0001_track_12.wav | null | 92.245 | 98.144 | 5.899 | true | false | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 92.245 | 98.144 | false | false | null | 5 | 39 | 8 | 0 | 0 | audio_only | 04_02_12 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0001_track_13 | 0 | 04_02 | 13 | Are we physical? Well, I would say yes. | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_17_are_we_physical.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0001_track_13.wav | null | 92.245 | 98.144 | 5.899 | true | false | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 92.245 | 98.144 | false | false | null | 5 | 39 | 8 | 0 | 0 | audio_only | 04_02_13 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0001_track_15 | 0 | 04_02 | 15 | Tunpara | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_20_tunpara.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0001_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_19_tunpara.mid | 92.245 | 98.144 | 5.899 | false | true | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 92.245 | 98.144 | false | false | null | 5 | 39 | 8 | 0 | 0 | midi_only | 04_02_15 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0002_track_02 | 1 | 04_02 | 2 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_02_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0002_track_02.wav | null | 98.144 | 104.022 | 5.878 | true | false | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 98.144 | 104.022 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_only | 04_02_2 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0002_track_03 | 1 | 04_02 | 3 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_03_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0002_track_03.wav | null | 98.144 | 104.022 | 5.878 | true | false | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 98.144 | 104.022 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_only | 04_02_3 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0002_track_04 | 1 | 04_02 | 4 | Reflectoids | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_05_reflectoids.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0002_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_04_reflectoids.mid | 98.144 | 104.022 | 5.878 | true | true | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 98.144 | 104.022 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_midi | 04_02_4 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0002_track_05 | 1 | 04_02 | 5 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0002_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_06_bass.mid | 98.144 | 104.022 | 5.878 | true | true | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 98.144 | 104.022 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_midi | 04_02_5 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | 04_02_06_bass.mid | |
04_02_seg_0002_track_07 | 1 | 04_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_09_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0002_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_06_bass.mid | 98.144 | 104.022 | 5.878 | true | true | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 98.144 | 104.022 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_midi | 04_02_7 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | 04_02_06_bass.mid | |
04_02_seg_0002_track_08 | 1 | 04_02 | 8 | Warped Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_11_warped_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0002_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_10_warped_pad.mid | 98.144 | 104.022 | 5.878 | true | true | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 98.144 | 104.022 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_midi | 04_02_8 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0002_track_09 | 1 | 04_02 | 9 | Modular | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_12_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0002_track_09.wav | null | 98.144 | 104.022 | 5.878 | true | false | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 98.144 | 104.022 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_only | 04_02_9 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0002_track_12 | 1 | 04_02 | 12 | Tremolo guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_16_tremolo_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0002_track_12.wav | null | 98.144 | 104.022 | 5.878 | true | false | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 98.144 | 104.022 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_only | 04_02_12 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0002_track_13 | 1 | 04_02 | 13 | Are we physical? Well, I would say yes. | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_17_are_we_physical.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0002_track_13.wav | null | 98.144 | 104.022 | 5.878 | true | false | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 98.144 | 104.022 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_only | 04_02_13 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0002_track_15 | 1 | 04_02 | 15 | Tunpara | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_20_tunpara.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0002_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_19_tunpara.mid | 98.144 | 104.022 | 5.878 | false | true | Are we physical? Well, I would say yes. | Drowning in the wallpaper patterns | combined | 98.144 | 104.022 | false | false | null | 7 | 39 | 8 | 0 | 0 | midi_only | 04_02_15 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null | |
04_02_seg_0003_track_02 | 2 | 04_02 | 2 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_02_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0003_track_02.wav | null | 104.022 | 129.122 | 25.1 | true | false | Are we physical? Well, I would say yes. | The Kobland | combined | 104.022 | 129.122 | true | End aligned to The Kobland boundary at 129.122s | false | null | 9 | 39 | 8 | 0 | 0 | audio_only | 04_02_2 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null |
04_02_seg_0003_track_03 | 2 | 04_02 | 3 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_03_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0003_track_03.wav | null | 104.022 | 129.122 | 25.1 | true | false | Are we physical? Well, I would say yes. | The Kobland | combined | 104.022 | 129.122 | true | End aligned to The Kobland boundary at 129.122s | false | null | 9 | 39 | 8 | 0 | 0 | audio_only | 04_02_3 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null |
04_02_seg_0003_track_04 | 2 | 04_02 | 4 | Reflectoids | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_05_reflectoids.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0003_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_04_reflectoids.mid | 104.022 | 129.122 | 25.1 | true | true | Are we physical? Well, I would say yes. | The Kobland | combined | 104.022 | 129.122 | true | End aligned to The Kobland boundary at 129.122s | false | null | 9 | 39 | 8 | 0 | 0 | audio_midi | 04_02_4 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | null |
04_02_seg_0003_track_05 | 2 | 04_02 | 5 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_07_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_02/04_02_seg_0003_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_02/04_02_06_bass.mid | 104.022 | 129.122 | 25.1 | true | true | Are we physical? Well, I would say yes. | The Kobland | combined | 104.022 | 129.122 | true | End aligned to The Kobland boundary at 129.122s | false | null | 9 | 39 | 8 | 0 | 0 | audio_midi | 04_02_5 | 87 | 4 | 4 | F | minor | Yellow | Future | Place | Imagined | null | Vestibule | 2020-12-08T00:00:00 | [03:32.134] | false | true | Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? Well, I would say yes. Are we physical? | Paul White (4), discogs_id: 934385, King Ghidra, discogs_id: 113391 | hypnotic, dreamy, mysterious | electronic, ambient, experimental, kosmische, post-rock, new music | 04_02.lrc | As the party makes its way through the vestibule the wallpaper patterns envelops their consciousness. Its flickering light merges with their thoughts and threatens to wipe their minds clean - leading the party to ask, "Are we still physical?" A multidimensional stuttering creature called a Kobland comes their their rescue, pulling them back from the brink of non-existence. | {
"album_sequence": 4,
"avg_word_length": 5.482758620689655,
"boundary_fluidity_score": 0,
"concept_length": 375,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.17241379310344826,
"ontological_uncertainty": 0,
"question_marks": 1,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 1.7241379310344827,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.17241379310344826,
"track_duration": 212.134,
"track_id": "04_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 58
} | In we go : The party steps into the vestibule, the walls of which are covered in wallpaper patterns., [00:00.000]-[00:55.024] | Don't look too closely : One of your party has failed a role and becomes transfixed by the wallpaper in the vestibule., [00:55.025]-[01:05.022] | Drowning in the wallpaper patterns : The wallpaper patterns are enveloping their consciousness and pulling all of you into a multidimensional vortex., [01:05.023]-[01:47.122] | The Kobland : A strange creature appears. He's like a man splayed across time by multiple exposures. He sees your distress., [01:47.123]-[02:09.122] | A rescue most heroic : The Kobland wraps each member of the party in its physical form and guides you out of the vortex., [02:09.123]-[02:50.203] | Dust your selves off : The party is safely out of the vestibule now, dusting themselves off., [02:50.204]-[03:01.207] | Wait to be greeted : As if nothing happened - the ushers line you up to meet the Lord of Pulsar Palace, your host., [03:01.208]-[03:32.134] | 04_02_06_bass.mid |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.