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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
04_07_seg_0002_track_03 | 1 | 04_07 | 3 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_07/04_07_03_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_07/04_07_seg_0002_track_03.wav | null | 35.02 | 46.023 | 11.003 | true | false | Come thou forth | Come thou forth | combined | 7.02 | 46.023 | false | true | 2/2 | 5 | 15 | 3 | 28 | 0 | audio_only | 04_07_3 | 123 | 4 | 4 | D | major | Yellow | Future | Place | Imagined | null | Study | 2020-12-08T00:00:00 | [03:07.010] | false | true | Come thou forth Come thou forth Come thou forth | Basil Kirchin, discogs_id: 202191, Helios, discogs_id: 121680, Boards of Canada, discogs_id: 307 | spooky, dark, foreboding, dreamy | electronic, ambient, baroque pop | 04_07.lrc | Lord Pulsimore shows the party his personal study, filled with books on every subject imaginable. Amongst the books is a phone book, which holds the key to why the party is here. They must take page 123 back to where they came from, all before Lord Pulsimore notices. | {
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
04_07_seg_0002_track_04 | 1 | 04_07 | 4 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_07/04_07_04_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_07/04_07_seg_0002_track_04.wav | null | 35.02 | 46.023 | 11.003 | true | false | Come thou forth | Come thou forth | combined | 7.02 | 46.023 | false | true | 2/2 | 5 | 15 | 3 | 28 | 0 | audio_only | 04_07_4 | 123 | 4 | 4 | D | major | Yellow | Future | Place | Imagined | null | Study | 2020-12-08T00:00:00 | [03:07.010] | false | true | Come thou forth Come thou forth Come thou forth | Basil Kirchin, discogs_id: 202191, Helios, discogs_id: 121680, Boards of Canada, discogs_id: 307 | spooky, dark, foreboding, dreamy | electronic, ambient, baroque pop | 04_07.lrc | Lord Pulsimore shows the party his personal study, filled with books on every subject imaginable. Amongst the books is a phone book, which holds the key to why the party is here. They must take page 123 back to where they came from, all before Lord Pulsimore notices. | {
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
04_07_seg_0002_track_05 | 1 | 04_07 | 5 | Guitar 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_07/04_07_05_guitar2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_07/04_07_seg_0002_track_05.wav | null | 35.02 | 46.023 | 11.003 | true | false | Come thou forth | Come thou forth | combined | 7.02 | 46.023 | false | true | 2/2 | 5 | 15 | 3 | 28 | 0 | audio_only | 04_07_5 | 123 | 4 | 4 | D | major | Yellow | Future | Place | Imagined | null | Study | 2020-12-08T00:00:00 | [03:07.010] | false | true | Come thou forth Come thou forth Come thou forth | Basil Kirchin, discogs_id: 202191, Helios, discogs_id: 121680, Boards of Canada, discogs_id: 307 | spooky, dark, foreboding, dreamy | electronic, ambient, baroque pop | 04_07.lrc | Lord Pulsimore shows the party his personal study, filled with books on every subject imaginable. Amongst the books is a phone book, which holds the key to why the party is here. They must take page 123 back to where they came from, all before Lord Pulsimore notices. | {
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
04_07_seg_0002_track_06 | 1 | 04_07 | 6 | Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_07/04_07_06_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_07/04_07_seg_0002_track_06.wav | null | 35.02 | 46.023 | 11.003 | true | false | Come thou forth | Come thou forth | combined | 7.02 | 46.023 | false | true | 2/2 | 5 | 15 | 3 | 28 | 0 | audio_only | 04_07_6 | 123 | 4 | 4 | D | major | Yellow | Future | Place | Imagined | null | Study | 2020-12-08T00:00:00 | [03:07.010] | false | true | Come thou forth Come thou forth Come thou forth | Basil Kirchin, discogs_id: 202191, Helios, discogs_id: 121680, Boards of Canada, discogs_id: 307 | spooky, dark, foreboding, dreamy | electronic, ambient, baroque pop | 04_07.lrc | Lord Pulsimore shows the party his personal study, filled with books on every subject imaginable. Amongst the books is a phone book, which holds the key to why the party is here. They must take page 123 back to where they came from, all before Lord Pulsimore notices. | {
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
04_07_seg_0002_track_07 | 1 | 04_07 | 7 | Iteras | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_07/04_07_07_iteras.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_07/04_07_seg_0002_track_07.wav | null | 35.02 | 46.023 | 11.003 | true | false | Come thou forth | Come thou forth | combined | 7.02 | 46.023 | false | true | 2/2 | 5 | 15 | 3 | 28 | 0 | audio_only | 04_07_7 | 123 | 4 | 4 | D | major | Yellow | Future | Place | Imagined | null | Study | 2020-12-08T00:00:00 | [03:07.010] | false | true | Come thou forth Come thou forth Come thou forth | Basil Kirchin, discogs_id: 202191, Helios, discogs_id: 121680, Boards of Canada, discogs_id: 307 | spooky, dark, foreboding, dreamy | electronic, ambient, baroque pop | 04_07.lrc | Lord Pulsimore shows the party his personal study, filled with books on every subject imaginable. Amongst the books is a phone book, which holds the key to why the party is here. They must take page 123 back to where they came from, all before Lord Pulsimore notices. | {
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
04_07_seg_0002_track_09 | 1 | 04_07 | 9 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_07/04_07_10_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_07/04_07_seg_0002_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_07/04_07_09_arp.mid | 35.02 | 46.023 | 11.003 | true | true | Come thou forth | Come thou forth | combined | 7.02 | 46.023 | false | true | 2/2 | 5 | 15 | 3 | 28 | 0 | audio_midi | 04_07_9 | 123 | 4 | 4 | D | major | Yellow | Future | Place | Imagined | null | Study | 2020-12-08T00:00:00 | [03:07.010] | false | true | Come thou forth Come thou forth Come thou forth | Basil Kirchin, discogs_id: 202191, Helios, discogs_id: 121680, Boards of Canada, discogs_id: 307 | spooky, dark, foreboding, dreamy | electronic, ambient, baroque pop | 04_07.lrc | Lord Pulsimore shows the party his personal study, filled with books on every subject imaginable. Amongst the books is a phone book, which holds the key to why the party is here. They must take page 123 back to where they came from, all before Lord Pulsimore notices. | {
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
04_07_seg_0002_track_10 | 1 | 04_07 | 10 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_07/04_07_11_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_07/04_07_seg_0002_track_10.wav | null | 35.02 | 46.023 | 11.003 | true | false | Come thou forth | Come thou forth | combined | 7.02 | 46.023 | false | true | 2/2 | 5 | 15 | 3 | 28 | 0 | audio_only | 04_07_10 | 123 | 4 | 4 | D | major | Yellow | Future | Place | Imagined | null | Study | 2020-12-08T00:00:00 | [03:07.010] | false | true | Come thou forth Come thou forth Come thou forth | Basil Kirchin, discogs_id: 202191, Helios, discogs_id: 121680, Boards of Canada, discogs_id: 307 | spooky, dark, foreboding, dreamy | electronic, ambient, baroque pop | 04_07.lrc | Lord Pulsimore shows the party his personal study, filled with books on every subject imaginable. Amongst the books is a phone book, which holds the key to why the party is here. They must take page 123 back to where they came from, all before Lord Pulsimore notices. | {
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
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} | Come thou forth : Lord Pulsimore opens a set of intricately carved doors, this is his personal study with books stacked high and ritual artifacts on every one of the eight-sided walls., [00:00.000]-[00:54.019] | Books on all subjects : Lord Pulsimore moves through his study, running his fingers along the spines of books on every subject imaginable, from ancient history to modern science. We can tell this study is his pride and joy., [00:54.020]-[01:18.006] | What stands out : Amongst the ornately bound books one title, propped up on a lectern stands out to all twentieth-century party members. It's yellow pages of text with poorly rendered ads could only be a phone book., [01:18.007]-[01:41.018] | We now know why we are here : A powerful bolt of insight strikes the party, a brief respite of lucidity. They now know why they are here. Page 123, they need to take this page back to where they came from., [01:41.019]-[02:05.005] | Before he sees : The most deft of the party moves forward and takes a letter opener sitting next to phone book, turns to page 123 and slices it free - all before Lord Pulsimore sees it., [02:05.005]-[02:28.017] | Carry on : Lord Pulsimore take one more look at the study in pride and ask the party to continue on with their tour of the property., [02:28.018]-[02:36.013] | null | |
04_08_seg_0001_track_02 | 0 | 04_08 | 2 | Dobbs Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_08/04_08_02_dobbs.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_08/04_08_seg_0001_track_02.wav | null | 73.024 | 77.016 | 3.992 | true | false | It is a frame of mind which is a frame of mind which is a frame of mind | A frame of mind | combined | 73.024 | 77.016 | true | Start aligned to Which type of nursery? boundary at 73.024s | false | null | 5 | 71 | 18 | 0 | 0 | audio_only | 04_08_2 | 130 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Nursery | 2020-12-08T00:00:00 | [03:58.005] | false | true | It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind | Boards of Canada, discogs_id: 307, Pink Floyd, discogs_id: 45467, Medicine (2), discogs_id: 71224 | dreamy, mysterious, eerie | electronic, ambient, baroque pop, noise pop | 04_08.lrc | The party having seemingly accomplished their goal unnoticed walks with Lord Pulsimore from the study. A blue-skinned butler, standing behind the study's threshold approaches Lord Pulsimore and whispers in his ear. Lord Pulsimore's expression sours, he says, 'Forgive me, but I have a matter to attend. Please, view the nursery - it is wonderful this time of year.' The party is left alone with an old woman who ushers them into a dimly lit nursery filled with empty cribs and greenhouse beds. Confused, the party asks her which type of nursery this is. The woman grabs the party by the arms and answers that the type of nursery it is depends on the frame of mind, 'A frame of mind which is a frame of mind'. She pulls the group toward the lone, lit greenhouse bed in the back. As they approach, a pair of blubbery legs emerge from the soil, quivering in pain as blood gushes from between their legs. The old woman tightens her grip and says, 'I know what you stole. She wants to confess.' From the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.' The party, horrified, backs away and turns to run from the nursery. But the vine infant cracks its jaws open and begins chasing them. | {
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null |
04_08_seg_0002_track_02 | 1 | 04_08 | 2 | Dobbs Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_08/04_08_02_dobbs.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_08/04_08_seg_0002_track_02.wav | null | 77.016 | 81.009 | 3.993 | true | false | It is a frame of mind which is a frame of mind which is a frame of mind | A frame of mind | combined | 77.016 | 81.009 | false | false | null | 7 | 71 | 18 | 0 | 0 | audio_only | 04_08_2 | 130 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Nursery | 2020-12-08T00:00:00 | [03:58.005] | false | true | It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind | Boards of Canada, discogs_id: 307, Pink Floyd, discogs_id: 45467, Medicine (2), discogs_id: 71224 | dreamy, mysterious, eerie | electronic, ambient, baroque pop, noise pop | 04_08.lrc | The party having seemingly accomplished their goal unnoticed walks with Lord Pulsimore from the study. A blue-skinned butler, standing behind the study's threshold approaches Lord Pulsimore and whispers in his ear. Lord Pulsimore's expression sours, he says, 'Forgive me, but I have a matter to attend. Please, view the nursery - it is wonderful this time of year.' The party is left alone with an old woman who ushers them into a dimly lit nursery filled with empty cribs and greenhouse beds. Confused, the party asks her which type of nursery this is. The woman grabs the party by the arms and answers that the type of nursery it is depends on the frame of mind, 'A frame of mind which is a frame of mind'. She pulls the group toward the lone, lit greenhouse bed in the back. As they approach, a pair of blubbery legs emerge from the soil, quivering in pain as blood gushes from between their legs. The old woman tightens her grip and says, 'I know what you stole. She wants to confess.' From the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.' The party, horrified, backs away and turns to run from the nursery. But the vine infant cracks its jaws open and begins chasing them. | {
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
04_08_seg_0002_track_03 | 1 | 04_08 | 3 | Swirls | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_08/04_08_04_swirls.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_08/04_08_seg_0002_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_08/04_08_03_swirls.mid | 77.016 | 81.009 | 3.993 | false | true | It is a frame of mind which is a frame of mind which is a frame of mind | A frame of mind | combined | 77.016 | 81.009 | false | false | null | 7 | 71 | 18 | 0 | 0 | midi_only | 04_08_3 | 130 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Nursery | 2020-12-08T00:00:00 | [03:58.005] | false | true | It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind | Boards of Canada, discogs_id: 307, Pink Floyd, discogs_id: 45467, Medicine (2), discogs_id: 71224 | dreamy, mysterious, eerie | electronic, ambient, baroque pop, noise pop | 04_08.lrc | The party having seemingly accomplished their goal unnoticed walks with Lord Pulsimore from the study. A blue-skinned butler, standing behind the study's threshold approaches Lord Pulsimore and whispers in his ear. Lord Pulsimore's expression sours, he says, 'Forgive me, but I have a matter to attend. Please, view the nursery - it is wonderful this time of year.' The party is left alone with an old woman who ushers them into a dimly lit nursery filled with empty cribs and greenhouse beds. Confused, the party asks her which type of nursery this is. The woman grabs the party by the arms and answers that the type of nursery it is depends on the frame of mind, 'A frame of mind which is a frame of mind'. She pulls the group toward the lone, lit greenhouse bed in the back. As they approach, a pair of blubbery legs emerge from the soil, quivering in pain as blood gushes from between their legs. The old woman tightens her grip and says, 'I know what you stole. She wants to confess.' From the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.' The party, horrified, backs away and turns to run from the nursery. But the vine infant cracks its jaws open and begins chasing them. | {
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
04_08_seg_0002_track_04 | 1 | 04_08 | 4 | Drums | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_08/04_08_06_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_08/04_08_seg_0002_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_08/04_08_05_drums.mid | 77.016 | 81.009 | 3.993 | false | true | It is a frame of mind which is a frame of mind which is a frame of mind | A frame of mind | combined | 77.016 | 81.009 | false | false | null | 7 | 71 | 18 | 0 | 0 | midi_only | 04_08_4 | 130 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Nursery | 2020-12-08T00:00:00 | [03:58.005] | false | true | It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind | Boards of Canada, discogs_id: 307, Pink Floyd, discogs_id: 45467, Medicine (2), discogs_id: 71224 | dreamy, mysterious, eerie | electronic, ambient, baroque pop, noise pop | 04_08.lrc | The party having seemingly accomplished their goal unnoticed walks with Lord Pulsimore from the study. A blue-skinned butler, standing behind the study's threshold approaches Lord Pulsimore and whispers in his ear. Lord Pulsimore's expression sours, he says, 'Forgive me, but I have a matter to attend. Please, view the nursery - it is wonderful this time of year.' The party is left alone with an old woman who ushers them into a dimly lit nursery filled with empty cribs and greenhouse beds. Confused, the party asks her which type of nursery this is. The woman grabs the party by the arms and answers that the type of nursery it is depends on the frame of mind, 'A frame of mind which is a frame of mind'. She pulls the group toward the lone, lit greenhouse bed in the back. As they approach, a pair of blubbery legs emerge from the soil, quivering in pain as blood gushes from between their legs. The old woman tightens her grip and says, 'I know what you stole. She wants to confess.' From the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.' The party, horrified, backs away and turns to run from the nursery. But the vine infant cracks its jaws open and begins chasing them. | {
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
04_08_seg_0002_track_13 | 1 | 04_08 | 13 | Sample B | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_08/04_08_20_sampleB.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_08/04_08_seg_0002_track_13.wav | null | 77.016 | 81.009 | 3.993 | true | false | It is a frame of mind which is a frame of mind which is a frame of mind | A frame of mind | combined | 77.016 | 81.009 | false | false | null | 7 | 71 | 18 | 0 | 0 | audio_only | 04_08_13 | 130 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Nursery | 2020-12-08T00:00:00 | [03:58.005] | false | true | It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind | Boards of Canada, discogs_id: 307, Pink Floyd, discogs_id: 45467, Medicine (2), discogs_id: 71224 | dreamy, mysterious, eerie | electronic, ambient, baroque pop, noise pop | 04_08.lrc | The party having seemingly accomplished their goal unnoticed walks with Lord Pulsimore from the study. A blue-skinned butler, standing behind the study's threshold approaches Lord Pulsimore and whispers in his ear. Lord Pulsimore's expression sours, he says, 'Forgive me, but I have a matter to attend. Please, view the nursery - it is wonderful this time of year.' The party is left alone with an old woman who ushers them into a dimly lit nursery filled with empty cribs and greenhouse beds. Confused, the party asks her which type of nursery this is. The woman grabs the party by the arms and answers that the type of nursery it is depends on the frame of mind, 'A frame of mind which is a frame of mind'. She pulls the group toward the lone, lit greenhouse bed in the back. As they approach, a pair of blubbery legs emerge from the soil, quivering in pain as blood gushes from between their legs. The old woman tightens her grip and says, 'I know what you stole. She wants to confess.' From the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.' The party, horrified, backs away and turns to run from the nursery. But the vine infant cracks its jaws open and begins chasing them. | {
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
04_08_seg_0003_track_02 | 2 | 04_08 | 2 | Dobbs Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_08/04_08_02_dobbs.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_08/04_08_seg_0003_track_02.wav | null | 81.009 | 85.001 | 3.992 | true | false | It is a frame of mind which is a frame of mind which is a frame of mind | A frame of mind | combined | 81.009 | 85.001 | false | false | null | 9 | 71 | 18 | 0 | 0 | audio_only | 04_08_2 | 130 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Nursery | 2020-12-08T00:00:00 | [03:58.005] | false | true | It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind | Boards of Canada, discogs_id: 307, Pink Floyd, discogs_id: 45467, Medicine (2), discogs_id: 71224 | dreamy, mysterious, eerie | electronic, ambient, baroque pop, noise pop | 04_08.lrc | The party having seemingly accomplished their goal unnoticed walks with Lord Pulsimore from the study. A blue-skinned butler, standing behind the study's threshold approaches Lord Pulsimore and whispers in his ear. Lord Pulsimore's expression sours, he says, 'Forgive me, but I have a matter to attend. Please, view the nursery - it is wonderful this time of year.' The party is left alone with an old woman who ushers them into a dimly lit nursery filled with empty cribs and greenhouse beds. Confused, the party asks her which type of nursery this is. The woman grabs the party by the arms and answers that the type of nursery it is depends on the frame of mind, 'A frame of mind which is a frame of mind'. She pulls the group toward the lone, lit greenhouse bed in the back. As they approach, a pair of blubbery legs emerge from the soil, quivering in pain as blood gushes from between their legs. The old woman tightens her grip and says, 'I know what you stole. She wants to confess.' From the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.' The party, horrified, backs away and turns to run from the nursery. But the vine infant cracks its jaws open and begins chasing them. | {
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
04_08_seg_0003_track_08 | 2 | 04_08 | 8 | Prophet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_08/04_08_14_prophet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_08/04_08_seg_0003_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_08/04_08_13_prophet.mid | 81.009 | 85.001 | 3.992 | true | true | It is a frame of mind which is a frame of mind which is a frame of mind | A frame of mind | combined | 81.009 | 85.001 | false | false | null | 9 | 71 | 18 | 0 | 0 | audio_midi | 04_08_8 | 130 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Nursery | 2020-12-08T00:00:00 | [03:58.005] | false | true | It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind | Boards of Canada, discogs_id: 307, Pink Floyd, discogs_id: 45467, Medicine (2), discogs_id: 71224 | dreamy, mysterious, eerie | electronic, ambient, baroque pop, noise pop | 04_08.lrc | The party having seemingly accomplished their goal unnoticed walks with Lord Pulsimore from the study. A blue-skinned butler, standing behind the study's threshold approaches Lord Pulsimore and whispers in his ear. Lord Pulsimore's expression sours, he says, 'Forgive me, but I have a matter to attend. Please, view the nursery - it is wonderful this time of year.' The party is left alone with an old woman who ushers them into a dimly lit nursery filled with empty cribs and greenhouse beds. Confused, the party asks her which type of nursery this is. The woman grabs the party by the arms and answers that the type of nursery it is depends on the frame of mind, 'A frame of mind which is a frame of mind'. She pulls the group toward the lone, lit greenhouse bed in the back. As they approach, a pair of blubbery legs emerge from the soil, quivering in pain as blood gushes from between their legs. The old woman tightens her grip and says, 'I know what you stole. She wants to confess.' From the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.' The party, horrified, backs away and turns to run from the nursery. But the vine infant cracks its jaws open and begins chasing them. | {
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
04_08_seg_0004_track_06 | 3 | 04_08 | 6 | SEM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_08/04_08_10_sem.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_08/04_08_seg_0004_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_08/04_08_09_sem.mid | 85.001 | 88.001 | 3 | true | true | It is a frame of mind which is a frame of mind which is a frame of mind | A frame of mind | combined | 85.001 | 88.001 | false | false | null | 11 | 71 | 18 | 0 | 0 | audio_midi | 04_08_6 | 130 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Nursery | 2020-12-08T00:00:00 | [03:58.005] | false | true | It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind It is a frame of mind which is a frame of mind which is a frame of mind | Boards of Canada, discogs_id: 307, Pink Floyd, discogs_id: 45467, Medicine (2), discogs_id: 71224 | dreamy, mysterious, eerie | electronic, ambient, baroque pop, noise pop | 04_08.lrc | The party having seemingly accomplished their goal unnoticed walks with Lord Pulsimore from the study. A blue-skinned butler, standing behind the study's threshold approaches Lord Pulsimore and whispers in his ear. Lord Pulsimore's expression sours, he says, 'Forgive me, but I have a matter to attend. Please, view the nursery - it is wonderful this time of year.' The party is left alone with an old woman who ushers them into a dimly lit nursery filled with empty cribs and greenhouse beds. Confused, the party asks her which type of nursery this is. The woman grabs the party by the arms and answers that the type of nursery it is depends on the frame of mind, 'A frame of mind which is a frame of mind'. She pulls the group toward the lone, lit greenhouse bed in the back. As they approach, a pair of blubbery legs emerge from the soil, quivering in pain as blood gushes from between their legs. The old woman tightens her grip and says, 'I know what you stole. She wants to confess.' From the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.' The party, horrified, backs away and turns to run from the nursery. But the vine infant cracks its jaws open and begins chasing them. | {
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
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} | Which type of nursery? : A Lord Pulsimore departs the party is left with the old woman, they stand awkwardly for a moment. One of the group asks her which type of nursery this is as their are empty cribs and empty greenhouse beds., [00:00.000]-[01:13.024] | A frame of mind : The old woman pulls two of the party members by the arms toward the lone lit greenhouse bed in the back. She says that the type of nursery depends on your frame of mind, 'A frame of mind which is a frame of mind'., [01:13.025]-[01:58.009] | An accusation, Labor : The party is stunned by what they see. A pair of blubbery legs emerge from the soil, they quiver in pain as blood gushes from between their legs. The old woman's grip tightens and she says, 'I know what you stole. She wants to confess.' Birthed from the severed torso a horrid, eggplant-skinned infant emerges. It slops to the ground, gathers itself, then turns its head toward the group. In a tortured voice it says, 'The page. Give it back.', [01:58.010]-[02:13.003] | The vine infant gives chase : The party backs away and turns to run from the nursery. But the vine infant, cracks its jaws open and begins chasing them., [02:13.004]-[03:58.005] | null | |
04_09_seg_0001_track_02 | 0 | 04_09 | 2 | 808 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_02_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0001_track_02.wav | null | 0 | 21.001 | 21.001 | true | false | Any escape | structure | 0 | 21.001 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_2 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0001_track_05 | 0 | 04_09 | 5 | Plucky Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_06_plucky.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0001_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_05_plucky.mid | 0 | 21.001 | 21.001 | true | true | Any escape | structure | 0 | 21.001 | false | false | null | null | 0 | 1 | 0 | 0 | audio_midi | 04_09_5 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0001_track_06 | 0 | 04_09 | 6 | Bouncing Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_07_bounce.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0001_track_06.wav | null | 0 | 21.001 | 21.001 | true | false | Any escape | structure | 0 | 21.001 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_6 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0001_track_07 | 0 | 04_09 | 7 | Chunky Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_09_chunky.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0001_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_08_chunky.mid | 0 | 21.001 | 21.001 | true | true | Any escape | structure | 0 | 21.001 | false | false | null | null | 0 | 1 | 0 | 0 | audio_midi | 04_09_7 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0001_track_09 | 0 | 04_09 | 9 | Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_12_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0001_track_09.wav | null | 0 | 21.001 | 21.001 | true | false | Any escape | structure | 0 | 21.001 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_9 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0001_track_10 | 0 | 04_09 | 10 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_13_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0001_track_10.wav | null | 0 | 21.001 | 21.001 | true | false | Any escape | structure | 0 | 21.001 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_10 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0002_track_02 | 1 | 04_09 | 2 | 808 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_02_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0002_track_02.wav | null | 21.002 | 28.001 | 6.999 | true | false | Tickets Please | structure | 21.002 | 28.001 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_2 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0002_track_03 | 1 | 04_09 | 3 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_03_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0002_track_03.wav | null | 21.002 | 28.001 | 6.999 | true | false | Tickets Please | structure | 21.002 | 28.001 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_3 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0002_track_05 | 1 | 04_09 | 5 | Plucky Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_06_plucky.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0002_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_05_plucky.mid | 21.002 | 28.001 | 6.999 | true | true | Tickets Please | structure | 21.002 | 28.001 | false | false | null | null | 0 | 1 | 0 | 0 | audio_midi | 04_09_5 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0002_track_06 | 1 | 04_09 | 6 | Bouncing Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_07_bounce.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0002_track_06.wav | null | 21.002 | 28.001 | 6.999 | true | false | Tickets Please | structure | 21.002 | 28.001 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_6 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0002_track_09 | 1 | 04_09 | 9 | Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_12_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0002_track_09.wav | null | 21.002 | 28.001 | 6.999 | true | false | Tickets Please | structure | 21.002 | 28.001 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_9 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0002_track_10 | 1 | 04_09 | 10 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_13_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0002_track_10.wav | null | 21.002 | 28.001 | 6.999 | true | false | Tickets Please | structure | 21.002 | 28.001 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_10 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0003_track_02 | 2 | 04_09 | 2 | 808 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_02_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0003_track_02.wav | null | 28.002 | 42.002 | 14 | true | false | Pleading for our lives | structure | 28.002 | 42.002 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_2 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0003_track_05 | 2 | 04_09 | 5 | Plucky Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_06_plucky.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0003_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_05_plucky.mid | 28.002 | 42.002 | 14 | true | true | Pleading for our lives | structure | 28.002 | 42.002 | false | false | null | null | 0 | 1 | 0 | 0 | audio_midi | 04_09_5 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0003_track_06 | 2 | 04_09 | 6 | Bouncing Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_07_bounce.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0003_track_06.wav | null | 28.002 | 42.002 | 14 | true | false | Pleading for our lives | structure | 28.002 | 42.002 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_6 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0003_track_08 | 2 | 04_09 | 8 | Modern Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_11_modern.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0003_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_10_modern.mid | 28.002 | 42.002 | 14 | true | true | Pleading for our lives | structure | 28.002 | 42.002 | false | false | null | null | 0 | 1 | 0 | 0 | audio_midi | 04_09_8 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0003_track_09 | 2 | 04_09 | 9 | Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_12_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0003_track_09.wav | null | 28.002 | 42.002 | 14 | true | false | Pleading for our lives | structure | 28.002 | 42.002 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_9 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0003_track_10 | 2 | 04_09 | 10 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_13_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0003_track_10.wav | null | 28.002 | 42.002 | 14 | true | false | Pleading for our lives | structure | 28.002 | 42.002 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_10 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0004_track_02 | 3 | 04_09 | 2 | 808 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_02_808.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0004_track_02.wav | null | 42.003 | 56.002 | 13.999 | true | false | No ticket, no way out | structure | 42.003 | 56.002 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_2 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0004_track_03 | 3 | 04_09 | 3 | DFAM | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_03_dfam.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0004_track_03.wav | null | 42.003 | 56.002 | 13.999 | true | false | No ticket, no way out | structure | 42.003 | 56.002 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_3 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0004_track_08 | 3 | 04_09 | 8 | Modern Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_11_modern.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0004_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_10_modern.mid | 42.003 | 56.002 | 13.999 | true | true | No ticket, no way out | structure | 42.003 | 56.002 | false | false | null | null | 0 | 1 | 0 | 0 | audio_midi | 04_09_8 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0004_track_09 | 3 | 04_09 | 9 | Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_12_grandmother.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0004_track_09.wav | null | 42.003 | 56.002 | 13.999 | true | false | No ticket, no way out | structure | 42.003 | 56.002 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_9 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null | ||
04_09_seg_0004_track_10 | 3 | 04_09 | 10 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_09/04_09_13_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_09/04_09_seg_0004_track_10.wav | null | 42.003 | 56.002 | 13.999 | true | false | No ticket, no way out | structure | 42.003 | 56.002 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_09_10 | 137 | 4 | 4 | G | minor | Yellow | Future | Place | Imagined | null | Cloak Room | 2020-12-08T00:00:00 | [01:59.011] | false | false | null | Sweet Valley, discogs_id: 3075580, MF Doom, discogs_id: 25058 | enigmatic, dreamy, whimsical, melancholy | electronic, ambient, baroque pop, funk | null | The vine infant and the group spill into back into the party, knocking over trays, guests, and furniture. In the chaos you spot a doorway that sticks out for its plainness and the group quickly ducks in while the room is distracted. A beautiful woman with long sparkling eye lashes stands a counter used for coat check. She looks at each of you expectantly and then asks you for your ticket. The group pleads with her for a way out of the Palace, but she only smiles and says "No ticket, no way out." Desperately you search your pockets and bags for anything that might resemble a ticket. You find a crumpled yellow page from a phone book and hold it up to her. She takes it, examines it closely, and then nods and hands you back your coats. "I got you, honey," she says cryptically and produces a green, velvet cloak from beneath the counter. As she unfurls the cloak you can see the night sky in the distance. A thud is heard at the door, the vine infant is on your heels. Quickly the party glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak. | {
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} | Any escape : The group spots a plain door and ducks in., [00:00.000]-[00:21.001] | Tickets Please : We see a counter and a woman with a long sparkling eye lashes. She asks for our tickets., [00:21.002]-[00:28.001] | Pleading for our lives : The group begs her to give us a way out of the Palace., [00:28.002]-[00:42.002] | No ticket, no way out : But she only smiles and says "No ticket, no way out.", [00:42.003]-[00:56.002] | The yellow page? : We take the yellow listing page taken from the Study and pass it to her as a poor, desperate substitute for a ticket., [00:56.003]-[01:10.003] | An understanding : She examines it closely, then nods and says "I got you, honey," producing a green velvet cloak from beneath the counter., [01:10.004]-[01:31.004] | Is this one yours? : She unfurls the cloak revealing a portal - the night sky can be seen in the distance. A thud is heard at the door, the vine infant is on our heels., [01:31.005]-[01:45.005] | Through and out : The group glances at one and another in agreement and each leaps up on the counter and crawls through the portal in the cloak., [01:45.006]-[01:59.011] | null |
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