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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
04_10_seg_0009_track_06 | 8 | 04_10 | 6 | Arp Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_11_arp_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_10/04_10_seg_0009_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_10_arp_bass.mid | 224 | 231.02 | 7.02 | false | true | Run | structure | 224 | 231.02 | false | true | 9/9 | null | 0 | 1 | 0 | 0 | midi_only | 04_10_6 | 144 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Back Gardens | 2020-12-08T00:00:00 | [04:03.012] | false | false | null | Bowery Electric, discogs_id: 3800, Múm, discogs_id: 8298, Tycho (3), discogs_id: 71827 | dark, terrifying, panicked, cosmic | electronic, ambient, baroque pop, shoegaze | null | Having crawled from the Cloak Room's secret entrance, the group steadies themselves and finds they are in a large, opulent garden with topiary sculptures, grand fountains, and a large, open courtyard. The group begins to hear the throbbing pulsar, much like the one that seemingly summoned them here. With each blast of the pulsar the palace and its surroundings begin to shake as if tossed around by a violent earthquake. The group simultaneously realizes they are in danger and begins running towards the courtyard. The sky, the light, their whole field of vision turns bright, pure yellow. As the run for their lives they realize their efforts are futile as the only thing that lies in their path is the all consuming pulsar. | {
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} | Run : The group runs towards the courtyard., [00:00.000]-[03:51.020] | Into the flickering light : The group is consumed by the pulsar's light., [03:51.021]-[04:03.012] | null | ||
04_10_seg_0009_track_07 | 8 | 04_10 | 7 | Fuzz Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_13_fuzz_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_10/04_10_seg_0009_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_12_fuzz_bass.mid | 224 | 231.02 | 7.02 | true | true | Run | structure | 224 | 231.02 | false | true | 9/9 | null | 0 | 1 | 0 | 0 | audio_midi | 04_10_7 | 144 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Back Gardens | 2020-12-08T00:00:00 | [04:03.012] | false | false | null | Bowery Electric, discogs_id: 3800, Múm, discogs_id: 8298, Tycho (3), discogs_id: 71827 | dark, terrifying, panicked, cosmic | electronic, ambient, baroque pop, shoegaze | null | Having crawled from the Cloak Room's secret entrance, the group steadies themselves and finds they are in a large, opulent garden with topiary sculptures, grand fountains, and a large, open courtyard. The group begins to hear the throbbing pulsar, much like the one that seemingly summoned them here. With each blast of the pulsar the palace and its surroundings begin to shake as if tossed around by a violent earthquake. The group simultaneously realizes they are in danger and begins running towards the courtyard. The sky, the light, their whole field of vision turns bright, pure yellow. As the run for their lives they realize their efforts are futile as the only thing that lies in their path is the all consuming pulsar. | {
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} | Run : The group runs towards the courtyard., [00:00.000]-[03:51.020] | Into the flickering light : The group is consumed by the pulsar's light., [03:51.021]-[04:03.012] | null | ||
04_10_seg_0009_track_08 | 8 | 04_10 | 8 | Synth Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_15_strings.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_10/04_10_seg_0009_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_14_strings.mid | 224 | 231.02 | 7.02 | true | true | Run | structure | 224 | 231.02 | false | true | 9/9 | null | 0 | 1 | 0 | 0 | audio_midi | 04_10_8 | 144 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Back Gardens | 2020-12-08T00:00:00 | [04:03.012] | false | false | null | Bowery Electric, discogs_id: 3800, Múm, discogs_id: 8298, Tycho (3), discogs_id: 71827 | dark, terrifying, panicked, cosmic | electronic, ambient, baroque pop, shoegaze | null | Having crawled from the Cloak Room's secret entrance, the group steadies themselves and finds they are in a large, opulent garden with topiary sculptures, grand fountains, and a large, open courtyard. The group begins to hear the throbbing pulsar, much like the one that seemingly summoned them here. With each blast of the pulsar the palace and its surroundings begin to shake as if tossed around by a violent earthquake. The group simultaneously realizes they are in danger and begins running towards the courtyard. The sky, the light, their whole field of vision turns bright, pure yellow. As the run for their lives they realize their efforts are futile as the only thing that lies in their path is the all consuming pulsar. | {
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04_10_seg_0009_track_09 | 8 | 04_10 | 9 | Drum Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_17_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_10/04_10_seg_0009_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_16_kit.mid | 224 | 231.02 | 7.02 | true | true | Run | structure | 224 | 231.02 | false | true | 9/9 | null | 0 | 1 | 0 | 0 | audio_midi | 04_10_9 | 144 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Back Gardens | 2020-12-08T00:00:00 | [04:03.012] | false | false | null | Bowery Electric, discogs_id: 3800, Múm, discogs_id: 8298, Tycho (3), discogs_id: 71827 | dark, terrifying, panicked, cosmic | electronic, ambient, baroque pop, shoegaze | null | Having crawled from the Cloak Room's secret entrance, the group steadies themselves and finds they are in a large, opulent garden with topiary sculptures, grand fountains, and a large, open courtyard. The group begins to hear the throbbing pulsar, much like the one that seemingly summoned them here. With each blast of the pulsar the palace and its surroundings begin to shake as if tossed around by a violent earthquake. The group simultaneously realizes they are in danger and begins running towards the courtyard. The sky, the light, their whole field of vision turns bright, pure yellow. As the run for their lives they realize their efforts are futile as the only thing that lies in their path is the all consuming pulsar. | {
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} | Run : The group runs towards the courtyard., [00:00.000]-[03:51.020] | Into the flickering light : The group is consumed by the pulsar's light., [03:51.021]-[04:03.012] | null | ||
04_10_seg_0009_track_10 | 8 | 04_10 | 10 | Kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_19_kicks.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_10/04_10_seg_0009_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_18_kicks.mid | 224 | 231.02 | 7.02 | true | true | Run | structure | 224 | 231.02 | false | true | 9/9 | null | 0 | 1 | 0 | 0 | audio_midi | 04_10_10 | 144 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Back Gardens | 2020-12-08T00:00:00 | [04:03.012] | false | false | null | Bowery Electric, discogs_id: 3800, Múm, discogs_id: 8298, Tycho (3), discogs_id: 71827 | dark, terrifying, panicked, cosmic | electronic, ambient, baroque pop, shoegaze | null | Having crawled from the Cloak Room's secret entrance, the group steadies themselves and finds they are in a large, opulent garden with topiary sculptures, grand fountains, and a large, open courtyard. The group begins to hear the throbbing pulsar, much like the one that seemingly summoned them here. With each blast of the pulsar the palace and its surroundings begin to shake as if tossed around by a violent earthquake. The group simultaneously realizes they are in danger and begins running towards the courtyard. The sky, the light, their whole field of vision turns bright, pure yellow. As the run for their lives they realize their efforts are futile as the only thing that lies in their path is the all consuming pulsar. | {
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} | Run : The group runs towards the courtyard., [00:00.000]-[03:51.020] | Into the flickering light : The group is consumed by the pulsar's light., [03:51.021]-[04:03.012] | null | ||
04_10_seg_0010_track_02 | 9 | 04_10 | 2 | Pulsar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_03_pulsar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_10/04_10_seg_0010_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_02_pulsar.mid | 231.021 | 243.012 | 11.991 | false | true | Into the flickering light | structure | 231.021 | 243.012 | false | false | null | null | 0 | 1 | 0 | 0 | midi_only | 04_10_2 | 144 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Back Gardens | 2020-12-08T00:00:00 | [04:03.012] | false | false | null | Bowery Electric, discogs_id: 3800, Múm, discogs_id: 8298, Tycho (3), discogs_id: 71827 | dark, terrifying, panicked, cosmic | electronic, ambient, baroque pop, shoegaze | null | Having crawled from the Cloak Room's secret entrance, the group steadies themselves and finds they are in a large, opulent garden with topiary sculptures, grand fountains, and a large, open courtyard. The group begins to hear the throbbing pulsar, much like the one that seemingly summoned them here. With each blast of the pulsar the palace and its surroundings begin to shake as if tossed around by a violent earthquake. The group simultaneously realizes they are in danger and begins running towards the courtyard. The sky, the light, their whole field of vision turns bright, pure yellow. As the run for their lives they realize their efforts are futile as the only thing that lies in their path is the all consuming pulsar. | {
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04_10_seg_0010_track_07 | 9 | 04_10 | 7 | Fuzz Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_13_fuzz_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_10/04_10_seg_0010_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_12_fuzz_bass.mid | 231.021 | 243.012 | 11.991 | false | true | Into the flickering light | structure | 231.021 | 243.012 | false | false | null | null | 0 | 1 | 0 | 0 | midi_only | 04_10_7 | 144 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Back Gardens | 2020-12-08T00:00:00 | [04:03.012] | false | false | null | Bowery Electric, discogs_id: 3800, Múm, discogs_id: 8298, Tycho (3), discogs_id: 71827 | dark, terrifying, panicked, cosmic | electronic, ambient, baroque pop, shoegaze | null | Having crawled from the Cloak Room's secret entrance, the group steadies themselves and finds they are in a large, opulent garden with topiary sculptures, grand fountains, and a large, open courtyard. The group begins to hear the throbbing pulsar, much like the one that seemingly summoned them here. With each blast of the pulsar the palace and its surroundings begin to shake as if tossed around by a violent earthquake. The group simultaneously realizes they are in danger and begins running towards the courtyard. The sky, the light, their whole field of vision turns bright, pure yellow. As the run for their lives they realize their efforts are futile as the only thing that lies in their path is the all consuming pulsar. | {
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04_10_seg_0010_track_09 | 9 | 04_10 | 9 | Drum Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_17_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_10/04_10_seg_0010_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_16_kit.mid | 231.021 | 243.012 | 11.991 | false | true | Into the flickering light | structure | 231.021 | 243.012 | false | false | null | null | 0 | 1 | 0 | 0 | midi_only | 04_10_9 | 144 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Back Gardens | 2020-12-08T00:00:00 | [04:03.012] | false | false | null | Bowery Electric, discogs_id: 3800, Múm, discogs_id: 8298, Tycho (3), discogs_id: 71827 | dark, terrifying, panicked, cosmic | electronic, ambient, baroque pop, shoegaze | null | Having crawled from the Cloak Room's secret entrance, the group steadies themselves and finds they are in a large, opulent garden with topiary sculptures, grand fountains, and a large, open courtyard. The group begins to hear the throbbing pulsar, much like the one that seemingly summoned them here. With each blast of the pulsar the palace and its surroundings begin to shake as if tossed around by a violent earthquake. The group simultaneously realizes they are in danger and begins running towards the courtyard. The sky, the light, their whole field of vision turns bright, pure yellow. As the run for their lives they realize their efforts are futile as the only thing that lies in their path is the all consuming pulsar. | {
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} | Run : The group runs towards the courtyard., [00:00.000]-[03:51.020] | Into the flickering light : The group is consumed by the pulsar's light., [03:51.021]-[04:03.012] | null | ||
04_10_seg_0010_track_10 | 9 | 04_10 | 10 | Kick | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_19_kicks.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/04_10/04_10_seg_0010_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/04_10/04_10_18_kicks.mid | 231.021 | 243.012 | 11.991 | true | false | Into the flickering light | structure | 231.021 | 243.012 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 04_10_10 | 144 | 4 | 4 | A | minor | Yellow | Future | Place | Imagined | null | Back Gardens | 2020-12-08T00:00:00 | [04:03.012] | false | false | null | Bowery Electric, discogs_id: 3800, Múm, discogs_id: 8298, Tycho (3), discogs_id: 71827 | dark, terrifying, panicked, cosmic | electronic, ambient, baroque pop, shoegaze | null | Having crawled from the Cloak Room's secret entrance, the group steadies themselves and finds they are in a large, opulent garden with topiary sculptures, grand fountains, and a large, open courtyard. The group begins to hear the throbbing pulsar, much like the one that seemingly summoned them here. With each blast of the pulsar the palace and its surroundings begin to shake as if tossed around by a violent earthquake. The group simultaneously realizes they are in danger and begins running towards the courtyard. The sky, the light, their whole field of vision turns bright, pure yellow. As the run for their lives they realize their efforts are futile as the only thing that lies in their path is the all consuming pulsar. | {
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} | Run : The group runs towards the courtyard., [00:00.000]-[03:51.020] | Into the flickering light : The group is consumed by the pulsar's light., [03:51.021]-[04:03.012] | null | ||
05_01_seg_0001_track_03 | 0 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0001_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 0 | 30 | 30 | true | true | Epoch 1 | structure | 0 | 30 | false | true | 1/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0001_track_04 | 0 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0001_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 0 | 30 | 30 | true | true | Epoch 1 | structure | 0 | 30 | false | true | 1/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0001_track_05 | 0 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0001_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 0 | 30 | 30 | true | true | Epoch 1 | structure | 0 | 30 | false | true | 1/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0001_track_06 | 0 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0001_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 0 | 30 | 30 | true | true | Epoch 1 | structure | 0 | 30 | false | true | 1/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0002_track_03 | 1 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0002_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 28 | 58 | 30 | true | true | Epoch 1 | structure | 28 | 58 | false | true | 2/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0002_track_04 | 1 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0002_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 28 | 58 | 30 | true | true | Epoch 1 | structure | 28 | 58 | false | true | 2/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0002_track_05 | 1 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0002_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 28 | 58 | 30 | true | true | Epoch 1 | structure | 28 | 58 | false | true | 2/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0002_track_06 | 1 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0002_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 28 | 58 | 30 | true | true | Epoch 1 | structure | 28 | 58 | false | true | 2/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0003_track_03 | 2 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0003_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 56 | 86 | 30 | true | true | Epoch 1 | structure | 56 | 86 | false | true | 3/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0003_track_04 | 2 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0003_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 56 | 86 | 30 | true | true | Epoch 1 | structure | 56 | 86 | false | true | 3/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0003_track_05 | 2 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0003_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 56 | 86 | 30 | true | true | Epoch 1 | structure | 56 | 86 | false | true | 3/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0003_track_06 | 2 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0003_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 56 | 86 | 30 | true | true | Epoch 1 | structure | 56 | 86 | false | true | 3/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0004_track_03 | 3 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0004_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 84 | 114 | 30 | true | true | Epoch 1 | structure | 84 | 114 | false | true | 4/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0004_track_04 | 3 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0004_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 84 | 114 | 30 | true | true | Epoch 1 | structure | 84 | 114 | false | true | 4/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0004_track_05 | 3 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0004_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 84 | 114 | 30 | true | true | Epoch 1 | structure | 84 | 114 | false | true | 4/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0004_track_06 | 3 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0004_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 84 | 114 | 30 | true | true | Epoch 1 | structure | 84 | 114 | false | true | 4/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0005_track_03 | 4 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0005_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 112 | 142 | 30 | true | true | Epoch 1 | structure | 112 | 142 | false | true | 5/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0005_track_04 | 4 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0005_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 112 | 142 | 30 | true | true | Epoch 1 | structure | 112 | 142 | false | true | 5/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0005_track_05 | 4 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0005_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 112 | 142 | 30 | true | true | Epoch 1 | structure | 112 | 142 | false | true | 5/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0005_track_06 | 4 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0005_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 112 | 142 | 30 | true | true | Epoch 1 | structure | 112 | 142 | false | true | 5/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0006_track_03 | 5 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0006_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 140 | 170 | 30 | true | true | Epoch 1 | structure | 140 | 170 | false | true | 6/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0006_track_04 | 5 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0006_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 140 | 170 | 30 | true | true | Epoch 1 | structure | 140 | 170 | false | true | 6/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0006_track_05 | 5 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0006_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 140 | 170 | 30 | true | true | Epoch 1 | structure | 140 | 170 | false | true | 6/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0006_track_06 | 5 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0006_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 140 | 170 | 30 | true | true | Epoch 1 | structure | 140 | 170 | false | true | 6/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0007_track_03 | 6 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0007_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 168 | 198 | 30 | true | true | Epoch 1 | structure | 168 | 198 | false | true | 7/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0007_track_04 | 6 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0007_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 168 | 198 | 30 | true | true | Epoch 1 | structure | 168 | 198 | false | true | 7/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0007_track_05 | 6 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0007_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 168 | 198 | 30 | true | true | Epoch 1 | structure | 168 | 198 | false | true | 7/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0007_track_06 | 6 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0007_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 168 | 198 | 30 | true | true | Epoch 1 | structure | 168 | 198 | false | true | 7/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0008_track_03 | 7 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0008_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 196 | 226 | 30 | true | true | Epoch 1 | structure | 196 | 226 | false | true | 8/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0008_track_04 | 7 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0008_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 196 | 226 | 30 | true | true | Epoch 1 | structure | 196 | 226 | false | true | 8/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0008_track_05 | 7 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0008_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 196 | 226 | 30 | true | true | Epoch 1 | structure | 196 | 226 | false | true | 8/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0008_track_06 | 7 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0008_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 196 | 226 | 30 | true | true | Epoch 1 | structure | 196 | 226 | false | true | 8/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0009_track_03 | 8 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0009_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 224 | 254 | 30 | true | true | Epoch 1 | structure | 224 | 254 | false | true | 9/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0009_track_04 | 8 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0009_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 224 | 254 | 30 | true | true | Epoch 1 | structure | 224 | 254 | false | true | 9/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0009_track_05 | 8 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0009_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 224 | 254 | 30 | true | true | Epoch 1 | structure | 224 | 254 | false | true | 9/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0009_track_06 | 8 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0009_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 224 | 254 | 30 | true | true | Epoch 1 | structure | 224 | 254 | false | true | 9/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0010_track_03 | 9 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0010_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 252 | 282 | 30 | true | true | Epoch 1 | structure | 252 | 282 | false | true | 10/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0010_track_04 | 9 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0010_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 252 | 282 | 30 | true | true | Epoch 1 | structure | 252 | 282 | false | true | 10/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0010_track_05 | 9 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0010_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 252 | 282 | 30 | true | true | Epoch 1 | structure | 252 | 282 | false | true | 10/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0010_track_06 | 9 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0010_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 252 | 282 | 30 | true | true | Epoch 1 | structure | 252 | 282 | false | true | 10/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0011_track_03 | 10 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0011_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 280 | 310 | 30 | true | true | Epoch 1 | structure | 280 | 310 | false | true | 11/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0011_track_04 | 10 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0011_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 280 | 310 | 30 | true | true | Epoch 1 | structure | 280 | 310 | false | true | 11/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0011_track_05 | 10 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0011_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 280 | 310 | 30 | true | true | Epoch 1 | structure | 280 | 310 | false | true | 11/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0011_track_06 | 10 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0011_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 280 | 310 | 30 | true | true | Epoch 1 | structure | 280 | 310 | false | true | 11/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0012_track_03 | 11 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0012_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 308 | 338 | 30 | true | true | Epoch 1 | structure | 308 | 338 | false | true | 12/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0012_track_04 | 11 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0012_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 308 | 338 | 30 | true | true | Epoch 1 | structure | 308 | 338 | false | true | 12/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0012_track_05 | 11 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0012_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 308 | 338 | 30 | true | true | Epoch 1 | structure | 308 | 338 | false | true | 12/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0012_track_06 | 11 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0012_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 308 | 338 | 30 | true | true | Epoch 1 | structure | 308 | 338 | false | true | 12/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0013_track_03 | 12 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0013_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 336 | 356.015 | 20.015 | true | true | Epoch 1 | structure | 336 | 356.015 | false | true | 13/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0013_track_04 | 12 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0013_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 336 | 356.015 | 20.015 | true | true | Epoch 1 | structure | 336 | 356.015 | false | true | 13/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0013_track_05 | 12 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0013_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 336 | 356.015 | 20.015 | true | true | Epoch 1 | structure | 336 | 356.015 | false | true | 13/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0013_track_06 | 12 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0013_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 336 | 356.015 | 20.015 | true | true | Epoch 1 | structure | 336 | 356.015 | false | true | 13/13 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0014_track_03 | 13 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0014_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 356.016 | 384.016 | 28 | false | true | Mass Extinction Event 1 | structure | 356.016 | 384.016 | false | false | null | null | 0 | 1 | 0 | 0 | midi_only | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0014_track_04 | 13 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0014_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 356.016 | 384.016 | 28 | true | true | Mass Extinction Event 1 | structure | 356.016 | 384.016 | false | false | null | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0014_track_05 | 13 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0014_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 356.016 | 384.016 | 28 | true | true | Mass Extinction Event 1 | structure | 356.016 | 384.016 | false | false | null | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0014_track_06 | 13 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0014_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 356.016 | 384.016 | 28 | true | true | Mass Extinction Event 1 | structure | 356.016 | 384.016 | false | false | null | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0015_track_02 | 14 | 05_01 | 2 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_03_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0015_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_02_pad.mid | 384.017 | 414.017 | 30 | false | true | Epoch 2 | structure | 384.017 | 414.017 | false | true | 1/8 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_2 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0015_track_03 | 14 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0015_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 384.017 | 414.017 | 30 | true | true | Epoch 2 | structure | 384.017 | 414.017 | false | true | 1/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0015_track_04 | 14 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0015_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 384.017 | 414.017 | 30 | true | true | Epoch 2 | structure | 384.017 | 414.017 | false | true | 1/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0015_track_05 | 14 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0015_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 384.017 | 414.017 | 30 | true | true | Epoch 2 | structure | 384.017 | 414.017 | false | true | 1/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0015_track_06 | 14 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0015_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 384.017 | 414.017 | 30 | true | true | Epoch 2 | structure | 384.017 | 414.017 | false | true | 1/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0016_track_02 | 15 | 05_01 | 2 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_03_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0016_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_02_pad.mid | 412.017 | 442.017 | 30 | false | true | Epoch 2 | structure | 412.017 | 442.017 | false | true | 2/8 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_2 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0016_track_03 | 15 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0016_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 412.017 | 442.017 | 30 | true | true | Epoch 2 | structure | 412.017 | 442.017 | false | true | 2/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0016_track_04 | 15 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0016_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 412.017 | 442.017 | 30 | true | true | Epoch 2 | structure | 412.017 | 442.017 | false | true | 2/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0016_track_05 | 15 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0016_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 412.017 | 442.017 | 30 | true | true | Epoch 2 | structure | 412.017 | 442.017 | false | true | 2/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0016_track_06 | 15 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0016_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 412.017 | 442.017 | 30 | true | true | Epoch 2 | structure | 412.017 | 442.017 | false | true | 2/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0017_track_02 | 16 | 05_01 | 2 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_03_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0017_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_02_pad.mid | 440.017 | 470.017 | 30 | false | true | Epoch 2 | structure | 440.017 | 470.017 | false | true | 3/8 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_2 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0017_track_03 | 16 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0017_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 440.017 | 470.017 | 30 | true | true | Epoch 2 | structure | 440.017 | 470.017 | false | true | 3/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0017_track_04 | 16 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0017_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 440.017 | 470.017 | 30 | true | true | Epoch 2 | structure | 440.017 | 470.017 | false | true | 3/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0017_track_05 | 16 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0017_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 440.017 | 470.017 | 30 | true | true | Epoch 2 | structure | 440.017 | 470.017 | false | true | 3/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0017_track_06 | 16 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0017_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 440.017 | 470.017 | 30 | true | true | Epoch 2 | structure | 440.017 | 470.017 | false | true | 3/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0018_track_02 | 17 | 05_01 | 2 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_03_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0018_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_02_pad.mid | 468.017 | 498.017 | 30 | false | true | Epoch 2 | structure | 468.017 | 498.017 | false | true | 4/8 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_2 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0018_track_03 | 17 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0018_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 468.017 | 498.017 | 30 | true | true | Epoch 2 | structure | 468.017 | 498.017 | false | true | 4/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0018_track_04 | 17 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0018_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 468.017 | 498.017 | 30 | true | true | Epoch 2 | structure | 468.017 | 498.017 | false | true | 4/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0018_track_05 | 17 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0018_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 468.017 | 498.017 | 30 | true | true | Epoch 2 | structure | 468.017 | 498.017 | false | true | 4/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0018_track_06 | 17 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0018_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 468.017 | 498.017 | 30 | true | true | Epoch 2 | structure | 468.017 | 498.017 | false | true | 4/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0019_track_02 | 18 | 05_01 | 2 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_03_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0019_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_02_pad.mid | 496.017 | 526.017 | 30 | false | true | Epoch 2 | structure | 496.017 | 526.017 | false | true | 5/8 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_2 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0019_track_03 | 18 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0019_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 496.017 | 526.017 | 30 | true | true | Epoch 2 | structure | 496.017 | 526.017 | false | true | 5/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0019_track_04 | 18 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0019_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 496.017 | 526.017 | 30 | true | true | Epoch 2 | structure | 496.017 | 526.017 | false | true | 5/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0019_track_05 | 18 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0019_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 496.017 | 526.017 | 30 | true | true | Epoch 2 | structure | 496.017 | 526.017 | false | true | 5/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0019_track_06 | 18 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0019_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 496.017 | 526.017 | 30 | true | true | Epoch 2 | structure | 496.017 | 526.017 | false | true | 5/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0020_track_03 | 19 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0020_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 524.017 | 554.017 | 30 | true | true | Epoch 2 | structure | 524.017 | 554.017 | false | true | 6/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0020_track_04 | 19 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0020_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 524.017 | 554.017 | 30 | true | true | Epoch 2 | structure | 524.017 | 554.017 | false | true | 6/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0020_track_05 | 19 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0020_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 524.017 | 554.017 | 30 | true | true | Epoch 2 | structure | 524.017 | 554.017 | false | true | 6/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0020_track_06 | 19 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0020_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 524.017 | 554.017 | 30 | true | true | Epoch 2 | structure | 524.017 | 554.017 | false | true | 6/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0021_track_02 | 20 | 05_01 | 2 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_03_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0021_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_02_pad.mid | 552.017 | 582.017 | 30 | false | true | Epoch 2 | structure | 552.017 | 582.017 | false | true | 7/8 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_2 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0021_track_03 | 20 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0021_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 552.017 | 582.017 | 30 | true | true | Epoch 2 | structure | 552.017 | 582.017 | false | true | 7/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0021_track_04 | 20 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0021_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 552.017 | 582.017 | 30 | true | true | Epoch 2 | structure | 552.017 | 582.017 | false | true | 7/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0021_track_05 | 20 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0021_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 552.017 | 582.017 | 30 | true | true | Epoch 2 | structure | 552.017 | 582.017 | false | true | 7/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0021_track_06 | 20 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0021_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 552.017 | 582.017 | 30 | true | true | Epoch 2 | structure | 552.017 | 582.017 | false | true | 7/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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"discrepancy_intensity": 0,
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null |
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