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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
05_01_seg_0022_track_02 | 21 | 05_01 | 2 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_03_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0022_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_02_pad.mid | 580.017 | 600.014 | 19.997 | false | true | Epoch 2 | structure | 580.017 | 600.014 | false | true | 8/8 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_2 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0022_track_03 | 21 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0022_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 580.017 | 600.014 | 19.997 | true | true | Epoch 2 | structure | 580.017 | 600.014 | false | true | 8/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0022_track_04 | 21 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0022_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 580.017 | 600.014 | 19.997 | true | true | Epoch 2 | structure | 580.017 | 600.014 | false | true | 8/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0022_track_05 | 21 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0022_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 580.017 | 600.014 | 19.997 | true | true | Epoch 2 | structure | 580.017 | 600.014 | false | true | 8/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0022_track_06 | 21 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0022_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 580.017 | 600.014 | 19.997 | true | true | Epoch 2 | structure | 580.017 | 600.014 | false | true | 8/8 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0023_track_02 | 22 | 05_01 | 2 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_03_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0023_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_02_pad.mid | 600.015 | 630.015 | 30 | false | true | Mass Extinction Event 2 | structure | 600.015 | 630.015 | false | true | 1/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_2 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0023_track_03 | 22 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0023_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 600.015 | 630.015 | 30 | true | true | Mass Extinction Event 2 | structure | 600.015 | 630.015 | false | true | 1/5 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0023_track_04 | 22 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0023_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 600.015 | 630.015 | 30 | true | true | Mass Extinction Event 2 | structure | 600.015 | 630.015 | false | true | 1/5 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0023_track_05 | 22 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0023_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 600.015 | 630.015 | 30 | true | true | Mass Extinction Event 2 | structure | 600.015 | 630.015 | false | true | 1/5 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0023_track_06 | 22 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0023_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 600.015 | 630.015 | 30 | true | true | Mass Extinction Event 2 | structure | 600.015 | 630.015 | false | true | 1/5 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0024_track_02 | 23 | 05_01 | 2 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_03_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0024_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_02_pad.mid | 628.015 | 658.015 | 30 | false | true | Mass Extinction Event 2 | structure | 628.015 | 658.015 | false | true | 2/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_2 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0024_track_03 | 23 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0024_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 628.015 | 658.015 | 30 | true | true | Mass Extinction Event 2 | structure | 628.015 | 658.015 | false | true | 2/5 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0024_track_04 | 23 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0024_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 628.015 | 658.015 | 30 | true | true | Mass Extinction Event 2 | structure | 628.015 | 658.015 | false | true | 2/5 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0024_track_05 | 23 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0024_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 628.015 | 658.015 | 30 | true | true | Mass Extinction Event 2 | structure | 628.015 | 658.015 | false | true | 2/5 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0024_track_06 | 23 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0024_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 628.015 | 658.015 | 30 | true | true | Mass Extinction Event 2 | structure | 628.015 | 658.015 | false | true | 2/5 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0025_track_02 | 24 | 05_01 | 2 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_03_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0025_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_02_pad.mid | 656.015 | 686.015 | 30 | false | true | Mass Extinction Event 2 | structure | 656.015 | 686.015 | false | true | 3/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_2 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0025_track_03 | 24 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0025_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 656.015 | 686.015 | 30 | true | true | Mass Extinction Event 2 | structure | 656.015 | 686.015 | false | true | 3/5 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0025_track_04 | 24 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0025_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 656.015 | 686.015 | 30 | true | true | Mass Extinction Event 2 | structure | 656.015 | 686.015 | false | true | 3/5 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0025_track_05 | 24 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0025_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 656.015 | 686.015 | 30 | true | true | Mass Extinction Event 2 | structure | 656.015 | 686.015 | false | true | 3/5 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0025_track_06 | 24 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0025_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 656.015 | 686.015 | 30 | true | true | Mass Extinction Event 2 | structure | 656.015 | 686.015 | false | true | 3/5 | null | 0 | 1 | 0 | 0 | audio_midi | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0025_track_08 | 24 | 05_01 | 8 | Psalter | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_13_psalter.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0025_track_08.wav | null | 656.015 | 686.015 | 30 | true | false | Mass Extinction Event 2 | structure | 656.015 | 686.015 | false | true | 3/5 | null | 0 | 1 | 0 | 0 | audio_only | 05_01_8 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0026_track_02 | 25 | 05_01 | 2 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_03_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0026_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_02_pad.mid | 684.015 | 714.015 | 30 | false | true | Mass Extinction Event 2 | structure | 684.015 | 714.015 | false | true | 4/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_2 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0026_track_03 | 25 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0026_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 684.015 | 714.015 | 30 | false | true | Mass Extinction Event 2 | structure | 684.015 | 714.015 | false | true | 4/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0026_track_04 | 25 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0026_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 684.015 | 714.015 | 30 | false | true | Mass Extinction Event 2 | structure | 684.015 | 714.015 | false | true | 4/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0026_track_05 | 25 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0026_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 684.015 | 714.015 | 30 | false | true | Mass Extinction Event 2 | structure | 684.015 | 714.015 | false | true | 4/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0026_track_06 | 25 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0026_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 684.015 | 714.015 | 30 | false | true | Mass Extinction Event 2 | structure | 684.015 | 714.015 | false | true | 4/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0027_track_02 | 26 | 05_01 | 2 | Synth Pad | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_03_pad.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0027_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_02_pad.mid | 712.015 | 723.023 | 11.008 | false | true | Mass Extinction Event 2 | structure | 712.015 | 723.023 | false | true | 5/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_2 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0027_track_03 | 26 | 05_01 | 3 | Violin | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_05_violin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0027_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_04_violin.mid | 712.015 | 723.023 | 11.008 | false | true | Mass Extinction Event 2 | structure | 712.015 | 723.023 | false | true | 5/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_3 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0027_track_04 | 26 | 05_01 | 4 | Viola | null | RainbowPlayer.MARIA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_07_viola.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0027_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_06_viola.mid | 712.015 | 723.023 | 11.008 | false | true | Mass Extinction Event 2 | structure | 712.015 | 723.023 | false | true | 5/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_4 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0027_track_05 | 26 | 05_01 | 5 | Cello | null | RainbowPlayer.LYUDMILA | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_09_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0027_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_08_cello.mid | 712.015 | 723.023 | 11.008 | false | true | Mass Extinction Event 2 | structure | 712.015 | 723.023 | false | true | 5/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_5 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_01_seg_0027_track_06 | 26 | 05_01 | 6 | Double Bass | null | RainbowPlayer.ZOLTAN | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_11_double_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_01/05_01_seg_0027_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_01/05_01_10_double_bass.mid | 712.015 | 723.023 | 11.008 | false | true | Mass Extinction Event 2 | structure | 712.015 | 723.023 | false | true | 5/5 | null | 0 | 1 | 0 | 0 | midi_only | 05_01_6 | 107 | 5 | 4 | G | minor | Green | Future | Place | Forgotten | null | M.E.E. | 2021-09-07T00:00:00 | [12:03.023] | false | false | null | Krzysztof Penderecki, discogs_id: 227875, Charles Ives, discogs_id: 202092, György Ligeti, discogs_id: 190370 | epic, dark, ominous, dreamy | ambient, modern classical, experimental, electronic | null | M.E.E. stands for Mass Extinction Event. The piece is structured around two cycles of life emerging, developing, and diversifying followed by near complete annihilation. The composition draws inspiration from modern classical composers such as Krzysztof Penderecki, Charles Ives, and György Ligeti, incorporating dissonant harmonies, unconventional structures, and experimental soundscapes to evoke the grandeur and fragility of life on Earth. | {
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} | Epoch 1 : Life emerges then develops, [00:00.000]-[05:56.015] | Mass Extinction Event 1 : Life is nearly wiped out entirely, [05:56.016]-[06:24.016] | Epoch 2 : Life re-emerges and diversifies, [06:24.017]-[10:00.014] | Mass Extinction Event 2 : Life is nearly wiped out entirely again, [10:00.015]-[12:03.023] | null | ||
05_02_seg_0001_track_03 | 0 | 05_02 | 3 | Super bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_02/05_02_03_super_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_02/05_02_seg_0001_track_03.wav | null | 0 | 30 | 30 | true | false | Emerging from stone | structure | 0 | 30 | false | true | 1/14 | null | 0 | 1 | 0 | 0 | audio_only | 05_02_3 | 16 | 4 | 4 | F | minor | Green | Future | Place | Forgotten | null | Where There Are Rocks... | 2021-09-07T00:00:00 | [06:09.093] | false | false | null | Robert Ashley, discogs_id: 32210, Krzysztof Penderecki, discogs_id: 227875, Throbbing Gristle, discogs_id: 12589 | epic, dark, ominous, frightening | ambient, modern classical, experimental, noise, music concrete | null | Where there are rocks, watch out! Watch out, because the rocks are going to eventually come alive and they are going to have people crawling over them. It is only matter of time, just in the same way the acorn is eventually going to turn into the oak because it has the potentiality of that within it. Rocks are not dead. You see, it depends on what kind of attitude you want to take to the world. You cannot get an intelligent organism such as a human being out of an unintelligent universe. So in any lump of rock floating about in space, there is implicit human intelligence. Don’t differentiate yourself and standoff against this and say ‘I am a living organism in a world made of a lot of dead junk, rocks and stuff.’ It all goes together, those rocks are just as much you as your finger nails. - Alan Watts | {
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05_02_seg_0002_track_10 | 1 | 05_02 | 10 | Modular Synth Tectonagram | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_02/05_02_10_tectonagram.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_02/05_02_seg_0002_track_10.wav | null | 28 | 58 | 30 | true | false | Emerging from stone | structure | 28 | 58 | false | true | 2/14 | null | 0 | 1 | 0 | 0 | audio_only | 05_02_10 | 16 | 4 | 4 | F | minor | Green | Future | Place | Forgotten | null | Where There Are Rocks... | 2021-09-07T00:00:00 | [06:09.093] | false | false | null | Robert Ashley, discogs_id: 32210, Krzysztof Penderecki, discogs_id: 227875, Throbbing Gristle, discogs_id: 12589 | epic, dark, ominous, frightening | ambient, modern classical, experimental, noise, music concrete | null | Where there are rocks, watch out! Watch out, because the rocks are going to eventually come alive and they are going to have people crawling over them. It is only matter of time, just in the same way the acorn is eventually going to turn into the oak because it has the potentiality of that within it. Rocks are not dead. You see, it depends on what kind of attitude you want to take to the world. You cannot get an intelligent organism such as a human being out of an unintelligent universe. So in any lump of rock floating about in space, there is implicit human intelligence. Don’t differentiate yourself and standoff against this and say ‘I am a living organism in a world made of a lot of dead junk, rocks and stuff.’ It all goes together, those rocks are just as much you as your finger nails. - Alan Watts | {
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05_02_seg_0003_track_03 | 2 | 05_02 | 3 | Super bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_02/05_02_03_super_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_02/05_02_seg_0003_track_03.wav | null | 56 | 86 | 30 | true | false | Emerging from stone | structure | 56 | 86 | false | true | 3/14 | null | 0 | 1 | 0 | 0 | audio_only | 05_02_3 | 16 | 4 | 4 | F | minor | Green | Future | Place | Forgotten | null | Where There Are Rocks... | 2021-09-07T00:00:00 | [06:09.093] | false | false | null | Robert Ashley, discogs_id: 32210, Krzysztof Penderecki, discogs_id: 227875, Throbbing Gristle, discogs_id: 12589 | epic, dark, ominous, frightening | ambient, modern classical, experimental, noise, music concrete | null | Where there are rocks, watch out! Watch out, because the rocks are going to eventually come alive and they are going to have people crawling over them. It is only matter of time, just in the same way the acorn is eventually going to turn into the oak because it has the potentiality of that within it. Rocks are not dead. You see, it depends on what kind of attitude you want to take to the world. You cannot get an intelligent organism such as a human being out of an unintelligent universe. So in any lump of rock floating about in space, there is implicit human intelligence. Don’t differentiate yourself and standoff against this and say ‘I am a living organism in a world made of a lot of dead junk, rocks and stuff.’ It all goes together, those rocks are just as much you as your finger nails. - Alan Watts | {
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05_02_seg_0004_track_03 | 3 | 05_02 | 3 | Super bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_02/05_02_03_super_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_02/05_02_seg_0004_track_03.wav | null | 84 | 114 | 30 | true | false | Emerging from stone | structure | 84 | 114 | false | true | 4/14 | null | 0 | 1 | 0 | 0 | audio_only | 05_02_3 | 16 | 4 | 4 | F | minor | Green | Future | Place | Forgotten | null | Where There Are Rocks... | 2021-09-07T00:00:00 | [06:09.093] | false | false | null | Robert Ashley, discogs_id: 32210, Krzysztof Penderecki, discogs_id: 227875, Throbbing Gristle, discogs_id: 12589 | epic, dark, ominous, frightening | ambient, modern classical, experimental, noise, music concrete | null | Where there are rocks, watch out! Watch out, because the rocks are going to eventually come alive and they are going to have people crawling over them. It is only matter of time, just in the same way the acorn is eventually going to turn into the oak because it has the potentiality of that within it. Rocks are not dead. You see, it depends on what kind of attitude you want to take to the world. You cannot get an intelligent organism such as a human being out of an unintelligent universe. So in any lump of rock floating about in space, there is implicit human intelligence. Don’t differentiate yourself and standoff against this and say ‘I am a living organism in a world made of a lot of dead junk, rocks and stuff.’ It all goes together, those rocks are just as much you as your finger nails. - Alan Watts | {
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05_02_seg_0004_track_09 | 3 | 05_02 | 9 | Alp horns | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_02/05_02_09_alp_horns.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_02/05_02_seg_0004_track_09.wav | null | 84 | 114 | 30 | true | false | Emerging from stone | structure | 84 | 114 | false | true | 4/14 | null | 0 | 1 | 0 | 0 | audio_only | 05_02_9 | 16 | 4 | 4 | F | minor | Green | Future | Place | Forgotten | null | Where There Are Rocks... | 2021-09-07T00:00:00 | [06:09.093] | false | false | null | Robert Ashley, discogs_id: 32210, Krzysztof Penderecki, discogs_id: 227875, Throbbing Gristle, discogs_id: 12589 | epic, dark, ominous, frightening | ambient, modern classical, experimental, noise, music concrete | null | Where there are rocks, watch out! Watch out, because the rocks are going to eventually come alive and they are going to have people crawling over them. It is only matter of time, just in the same way the acorn is eventually going to turn into the oak because it has the potentiality of that within it. Rocks are not dead. You see, it depends on what kind of attitude you want to take to the world. You cannot get an intelligent organism such as a human being out of an unintelligent universe. So in any lump of rock floating about in space, there is implicit human intelligence. Don’t differentiate yourself and standoff against this and say ‘I am a living organism in a world made of a lot of dead junk, rocks and stuff.’ It all goes together, those rocks are just as much you as your finger nails. - Alan Watts | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_02_monthly.mid | ||
05_04_seg_0001_track_04 | 0 | 05_04 | 4 | Synth Pads | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_07_pads_yearly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0001_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_03_yearly.mid | 0 | 30 | 30 | true | true | 1870 | structure | 0 | 30 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_4 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_03_yearly.mid | ||
05_04_seg_0001_track_05 | 0 | 05_04 | 5 | Gamelan | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_08_gamelan_yearly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0001_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_03_yearly.mid | 0 | 30 | 30 | true | true | 1870 | structure | 0 | 30 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_5 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_03_yearly.mid | ||
05_04_seg_0001_track_06 | 0 | 05_04 | 6 | Alp horns | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_09_alp_horn_decade.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0001_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_04_decades.mid | 0 | 30 | 30 | false | true | 1870 | structure | 0 | 30 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | midi_only | 05_04_6 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_04_decades.mid | ||
05_04_seg_0001_track_07 | 0 | 05_04 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_10_bass_decade.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0001_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_04_decades.mid | 0 | 30 | 30 | true | true | 1870 | structure | 0 | 30 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_7 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_04_decades.mid | ||
05_04_seg_0002_track_02 | 1 | 05_04 | 2 | Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_05_strings_monthly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0002_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_02_monthly.mid | 28 | 31.008 | 3.008 | true | true | 1870 | structure | 28 | 31.008 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_2 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_02_monthly.mid | ||
05_04_seg_0002_track_03 | 1 | 05_04 | 3 | Synths | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_06_synths_monthly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0002_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_02_monthly.mid | 28 | 31.008 | 3.008 | true | true | 1870 | structure | 28 | 31.008 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_3 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_02_monthly.mid | ||
05_04_seg_0002_track_04 | 1 | 05_04 | 4 | Synth Pads | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_07_pads_yearly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0002_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_03_yearly.mid | 28 | 31.008 | 3.008 | true | true | 1870 | structure | 28 | 31.008 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_4 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_03_yearly.mid | ||
05_04_seg_0002_track_05 | 1 | 05_04 | 5 | Gamelan | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_08_gamelan_yearly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0002_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_03_yearly.mid | 28 | 31.008 | 3.008 | true | true | 1870 | structure | 28 | 31.008 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_5 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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"uncertainty_level": 0,
"word_count": 39
} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_03_yearly.mid | ||
05_04_seg_0002_track_07 | 1 | 05_04 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_10_bass_decade.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0002_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_04_decades.mid | 28 | 31.008 | 3.008 | true | false | 1870 | structure | 28 | 31.008 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_only | 05_04_7 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_04_decades.mid | ||
05_04_seg_0003_track_02 | 2 | 05_04 | 2 | Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_05_strings_monthly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0003_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_02_monthly.mid | 31.009 | 32.01 | 1.001 | true | true | 1880 | structure | 31.009 | 32.01 | false | false | null | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_2 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_02_monthly.mid | ||
05_04_seg_0003_track_03 | 2 | 05_04 | 3 | Synths | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_06_synths_monthly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0003_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_02_monthly.mid | 31.009 | 32.01 | 1.001 | true | true | 1880 | structure | 31.009 | 32.01 | false | false | null | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_3 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_02_monthly.mid | ||
05_04_seg_0003_track_04 | 2 | 05_04 | 4 | Synth Pads | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_07_pads_yearly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0003_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_03_yearly.mid | 31.009 | 32.01 | 1.001 | true | false | 1880 | structure | 31.009 | 32.01 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 05_04_4 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_03_yearly.mid | ||
05_04_seg_0003_track_05 | 2 | 05_04 | 5 | Gamelan | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_08_gamelan_yearly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0003_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_03_yearly.mid | 31.009 | 32.01 | 1.001 | true | false | 1880 | structure | 31.009 | 32.01 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 05_04_5 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_03_yearly.mid | ||
05_04_seg_0003_track_07 | 2 | 05_04 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_10_bass_decade.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0003_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_04_decades.mid | 31.009 | 32.01 | 1.001 | true | false | 1880 | structure | 31.009 | 32.01 | false | false | null | null | 0 | 1 | 0 | 0 | audio_only | 05_04_7 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_04_decades.mid | ||
05_04_seg_0004_track_02 | 3 | 05_04 | 2 | Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_05_strings_monthly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0004_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_02_monthly.mid | 32.011 | 62.011 | 30 | true | true | 1890 | structure | 32.011 | 62.011 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_2 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_02_monthly.mid | ||
05_04_seg_0004_track_03 | 3 | 05_04 | 3 | Synths | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_06_synths_monthly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0004_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_02_monthly.mid | 32.011 | 62.011 | 30 | true | true | 1890 | structure | 32.011 | 62.011 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_3 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_02_monthly.mid | ||
05_04_seg_0004_track_04 | 3 | 05_04 | 4 | Synth Pads | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_07_pads_yearly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0004_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_03_yearly.mid | 32.011 | 62.011 | 30 | true | true | 1890 | structure | 32.011 | 62.011 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_4 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_03_yearly.mid | ||
05_04_seg_0004_track_05 | 3 | 05_04 | 5 | Gamelan | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_08_gamelan_yearly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0004_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_03_yearly.mid | 32.011 | 62.011 | 30 | true | true | 1890 | structure | 32.011 | 62.011 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_5 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_03_yearly.mid | ||
05_04_seg_0004_track_06 | 3 | 05_04 | 6 | Alp horns | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_09_alp_horn_decade.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0004_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_04_decades.mid | 32.011 | 62.011 | 30 | false | true | 1890 | structure | 32.011 | 62.011 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | midi_only | 05_04_6 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_04_decades.mid | ||
05_04_seg_0004_track_07 | 3 | 05_04 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_10_bass_decade.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0004_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_04_decades.mid | 32.011 | 62.011 | 30 | true | true | 1890 | structure | 32.011 | 62.011 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_7 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_04_decades.mid | ||
05_04_seg_0005_track_02 | 4 | 05_04 | 2 | Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_05_strings_monthly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0005_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_02_monthly.mid | 60.011 | 64.021 | 4.01 | true | true | 1890 | structure | 60.011 | 64.021 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_2 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_02_monthly.mid | ||
05_04_seg_0005_track_03 | 4 | 05_04 | 3 | Synths | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_06_synths_monthly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0005_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_02_monthly.mid | 60.011 | 64.021 | 4.01 | true | true | 1890 | structure | 60.011 | 64.021 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_3 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_02_monthly.mid | ||
05_04_seg_0005_track_04 | 4 | 05_04 | 4 | Synth Pads | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_07_pads_yearly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0005_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_03_yearly.mid | 60.011 | 64.021 | 4.01 | true | true | 1890 | structure | 60.011 | 64.021 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_4 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_03_yearly.mid | ||
05_04_seg_0005_track_05 | 4 | 05_04 | 5 | Gamelan | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_08_gamelan_yearly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0005_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_03_yearly.mid | 60.011 | 64.021 | 4.01 | true | true | 1890 | structure | 60.011 | 64.021 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_5 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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"narrative_complexity": 0.2564102564102564,
"ontological_uncertainty": 0.2564102564102564,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.6923076923076925,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.2564102564102564,
"track_duration": 495.01,
"track_id": "05_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 39
} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_03_yearly.mid | ||
05_04_seg_0005_track_07 | 4 | 05_04 | 7 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_10_bass_decade.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0005_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_04_decades.mid | 60.011 | 64.021 | 4.01 | true | false | 1890 | structure | 60.011 | 64.021 | false | true | 2/2 | null | 0 | 1 | 0 | 0 | audio_only | 05_04_7 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
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"avg_word_length": 4.82051282051282,
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"ontological_uncertainty": 0.2564102564102564,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
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"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.2564102564102564,
"track_duration": 495.01,
"track_id": "05_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 39
} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_04_decades.mid | ||
05_04_seg_0006_track_02 | 5 | 05_04 | 2 | Strings | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_05_strings_monthly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0006_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_02_monthly.mid | 64.022 | 94.022 | 30 | true | true | 1900 | structure | 64.022 | 94.022 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_2 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
"album_sequence": 5,
"avg_word_length": 4.82051282051282,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
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"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2564102564102564,
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"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.6923076923076925,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.2564102564102564,
"track_duration": 495.01,
"track_id": "05_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 39
} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_02_monthly.mid | ||
05_04_seg_0006_track_03 | 5 | 05_04 | 3 | Synths | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_06_synths_monthly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0006_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_02_monthly.mid | 64.022 | 94.022 | 30 | true | true | 1900 | structure | 64.022 | 94.022 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_3 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
"album_sequence": 5,
"avg_word_length": 4.82051282051282,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2564102564102564,
"ontological_uncertainty": 0.2564102564102564,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.6923076923076925,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.2564102564102564,
"track_duration": 495.01,
"track_id": "05_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 39
} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_02_monthly.mid | ||
05_04_seg_0006_track_04 | 5 | 05_04 | 4 | Synth Pads | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_07_pads_yearly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0006_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_03_yearly.mid | 64.022 | 94.022 | 30 | true | true | 1900 | structure | 64.022 | 94.022 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_4 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
"album_sequence": 5,
"avg_word_length": 4.82051282051282,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2564102564102564,
"ontological_uncertainty": 0.2564102564102564,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.6923076923076925,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.2564102564102564,
"track_duration": 495.01,
"track_id": "05_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 39
} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_03_yearly.mid | ||
05_04_seg_0006_track_05 | 5 | 05_04 | 5 | Gamelan | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_08_gamelan_yearly.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/05_04/05_04_seg_0006_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/05_04/05_04_03_yearly.mid | 64.022 | 94.022 | 30 | true | true | 1900 | structure | 64.022 | 94.022 | false | true | 1/2 | null | 0 | 1 | 0 | 0 | audio_midi | 05_04_5 | 222 | 4 | 4 | D | minor | Green | Future | Place | Forgotten | null | Just Warming Up | 2021-09-07T00:00:00 | [08:15.010] | false | false | null | Ryoji Ikeda, discogs_id: 11139, Terry Riley, discogs_id: 32198, Autechre, discogs_id: 41 | apocalyptic, dark, unnerving | experimental, new composition, data driven | null | The ground temperature of the East Coast of the United States is transformed into this composition, which is a mix of ambient and experimental sounds. When we reach 2020 the portamento jump in pitch sounds like a global siren. | {
"album_sequence": 5,
"avg_word_length": 4.82051282051282,
"boundary_fluidity_score": 0,
"concept_length": 226,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2564102564102564,
"ontological_uncertainty": 0.2564102564102564,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.6923076923076925,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.2564102564102564,
"track_duration": 495.01,
"track_id": "05_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 39
} | 1870 : Temperatures for 1870, [00:00.000]-[00:31.008] | 1880 : Temperatures for 1880, [00:31.009]-[00:32.010] | 1890 : Temperatures for 1890, [00:32.011]-[01:04.021] | 1900 : Temperatures for 1900, [01:04.022]-[01:37.007] | 1910 : Temperatures for 1910, [01:37.008]-[02:09.018] | 1920 : Temperatures for 1920, [02:09.019]-[02:42.004] | 1930 : Temperatures for 1930, [02:42.005]-[03:14.014] | 1940 : Temperatures for 1940, [03:14.015]-[03:47.000] | 1950 : Temperatures for 1950, [03:47.001]-[04:19.011] | 1960 : Temperatures for 1960, [04:19.012]-[04:51.022] | 1970 : Temperatures for 1970, [04:51.023]-[05:24.008] | 1980 : Temperatures for 1980, [05:24.009]-[05:56.018] | 1990 : Temperatures for 1990, [05:56.019]-[06:29.004] | 2000 : Temperatures for 2000, [06:29.005]-[07:01.015] | 2010 : Temperatures for 2010, [07:01.016]-[07:34.001] | 2020 : Temperatures for 2020, [07:34.002]-[08:15.010] | 05_04_03_yearly.mid |
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