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01_03_seg_0007_track_06 | 6 | 01_03 | 6 | Stereo Guitars | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_11_stereo_guitars.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0007_track_06.wav | null | 112.063 | 117.082 | 5.019 | true | false | when I was born and then betrayed | Verse 2 | combined | 112.063 | 117.082 | false | false | null | 15 | 33 | 7 | 0 | 0 | audio_only | 01_03_6 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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01_03_seg_0007_track_08 | 6 | 01_03 | 8 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_14_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0007_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_13_bass.mid | 112.063 | 117.082 | 5.019 | true | true | when I was born and then betrayed | Verse 2 | combined | 112.063 | 117.082 | false | false | null | 15 | 33 | 7 | 0 | 0 | audio_midi | 01_03_8 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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01_03_seg_0007_track_09 | 6 | 01_03 | 9 | Punchy Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_16_punchy_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0007_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_15_punchy_synth.mid | 112.063 | 117.082 | 5.019 | true | true | when I was born and then betrayed | Verse 2 | combined | 112.063 | 117.082 | false | false | null | 15 | 33 | 7 | 0 | 0 | audio_midi | 01_03_9 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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01_03_seg_0007_track_10 | 6 | 01_03 | 10 | Soft Lead Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_18_soft_lead_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0007_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_17_soft_lead_synth.mid | 112.063 | 117.082 | 5.019 | true | true | when I was born and then betrayed | Verse 2 | combined | 112.063 | 117.082 | false | false | null | 15 | 33 | 7 | 0 | 0 | audio_midi | 01_03_10 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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01_03_seg_0007_track_11 | 6 | 01_03 | 11 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_03/01_03_19_main_vocals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_03/01_03_seg_0007_track_11.wav | null | 112.063 | 117.082 | 5.019 | true | false | when I was born and then betrayed | Verse 2 | combined | 112.063 | 117.082 | false | false | null | 15 | 33 | 7 | 0 | 0 | audio_only | 01_03_11 | 106 | null | null | F | major | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | An Unfortunate Conflict of Evidence | 2017-07-18T00:00:00 | [02:40.175] | true | true | My brain’s laced and ready to go The lost Mind is already in stow I’ve been broadcasting in Mclear hoping that Contact is near It was Arbitrary’s survey when I was born and then betrayed I’ve been broadcasting in Mclear hoping that Contact is near | Solid Space (2), discogs_id: 448701, Joe Meek, discogs_id: 226551, Bruce Haack, discogs_id: 26952, The Beatles, discogs_id: 82730 | bizarre, absurd, surreal, quirky, whimsical, playful, eccentric, alien, otherworldly, psychedelic, spacey, dreamy | Experimental, Psychedelic, Oddball, Science Fiction, Art Rock, Avant-Garde | 01_03.lrc | There's a song by Tom Rush called "Beam Me Up Scotty" that my dad used to play a lot growing up. During this dark era of 2016 I found myself thinking similar thoughts - but Iain M. Banks' Culture instead of Star Trek. The idea of being rescued from the mess humans are making of the planet by a benevolent, highly advanced alien civilization. I tried to share my Culture-inspired music with /r/Culture, but they didn't seem to care for it. What? Did I think I could make friends through music, silly me. | {
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} | Instrumental 1 : Droning Instrumental with psychedelic and comically alien sounds, [00:00.000]-[00:53.176] | Verse 1 : A space-age synth note hangs over the verse with thumping kick drums and stoned backup vocals, [00:53.177]-[01:14.042] | Instrumental 2 : Return to the instrumental alien chamber music with a synth note that hangs over the verse, [01:14.043]-[01:44.215] | Verse 2 : Back to the verse with more odd alien sounds and stoned backup vocals, [01:44.216]-[02:05.081] | Instrumental 2 : The alien chamber music takes us through to the end of the song, [02:05.082]-[02:40.175] | null |
01_04_seg_0001_track_02 | 0 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0001_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 7.057 | 13.686 | 6.629 | true | true | Once again, villagers are shuttering | Verse 1 | combined | 7.19 | 13.686 | true | Start aligned to Verse 1 boundary at 7.057s | false | null | 5 | 36 | 5 | -0.133 | 0 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0001_track_03 | 0 | 01_04 | 3 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_07_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0001_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_06_kick.mid | 7.057 | 13.686 | 6.629 | true | true | Once again, villagers are shuttering | Verse 1 | combined | 7.19 | 13.686 | true | Start aligned to Verse 1 boundary at 7.057s | false | null | 5 | 36 | 5 | -0.133 | 0 | audio_midi | 01_04_3 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0001_track_05 | 0 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0001_track_05.wav | null | 7.057 | 13.686 | 6.629 | true | false | Once again, villagers are shuttering | Verse 1 | combined | 7.19 | 13.686 | true | Start aligned to Verse 1 boundary at 7.057s | false | null | 5 | 36 | 5 | -0.133 | 0 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0001_track_06 | 0 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0001_track_06.wav | null | 7.057 | 13.686 | 6.629 | true | false | Once again, villagers are shuttering | Verse 1 | combined | 7.19 | 13.686 | true | Start aligned to Verse 1 boundary at 7.057s | false | null | 5 | 36 | 5 | -0.133 | 0 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0001_track_07 | 0 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0001_track_07.wav | null | 7.057 | 13.686 | 6.629 | true | false | Once again, villagers are shuttering | Verse 1 | combined | 7.19 | 13.686 | true | Start aligned to Verse 1 boundary at 7.057s | false | null | 5 | 36 | 5 | -0.133 | 0 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0001_track_08 | 0 | 01_04 | 8 | Double Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_13_dbl_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0001_track_08.wav | null | 7.057 | 13.686 | 6.629 | true | false | Once again, villagers are shuttering | Verse 1 | combined | 7.19 | 13.686 | true | Start aligned to Verse 1 boundary at 7.057s | false | null | 5 | 36 | 5 | -0.133 | 0 | audio_only | 01_04_8 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0001_track_16 | 0 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0001_track_16.wav | null | 7.057 | 13.686 | 6.629 | true | false | Once again, villagers are shuttering | Verse 1 | combined | 7.19 | 13.686 | true | Start aligned to Verse 1 boundary at 7.057s | false | null | 5 | 36 | 5 | -0.133 | 0 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0001_track_18 | 0 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0001_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 7.057 | 13.686 | 6.629 | true | true | Once again, villagers are shuttering | Verse 1 | combined | 7.19 | 13.686 | true | Start aligned to Verse 1 boundary at 7.057s | false | null | 5 | 36 | 5 | -0.133 | 0 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0001_track_20 | 0 | 01_04 | 20 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_29_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0001_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_28_organ.mid | 7.057 | 13.686 | 6.629 | true | true | Once again, villagers are shuttering | Verse 1 | combined | 7.19 | 13.686 | true | Start aligned to Verse 1 boundary at 7.057s | false | null | 5 | 36 | 5 | -0.133 | 0 | audio_midi | 01_04_20 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0002_track_02 | 1 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0002_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 13.686 | 20.707 | 7.021 | true | true | Crops have failed, children are vanishing | Verse 1 | combined | 13.686 | 20.707 | false | false | null | 7 | 41 | 6 | 0 | 0 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0002_track_05 | 1 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0002_track_05.wav | null | 13.686 | 20.707 | 7.021 | true | false | Crops have failed, children are vanishing | Verse 1 | combined | 13.686 | 20.707 | false | false | null | 7 | 41 | 6 | 0 | 0 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0002_track_06 | 1 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0002_track_06.wav | null | 13.686 | 20.707 | 7.021 | true | false | Crops have failed, children are vanishing | Verse 1 | combined | 13.686 | 20.707 | false | false | null | 7 | 41 | 6 | 0 | 0 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0002_track_07 | 1 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0002_track_07.wav | null | 13.686 | 20.707 | 7.021 | true | false | Crops have failed, children are vanishing | Verse 1 | combined | 13.686 | 20.707 | false | false | null | 7 | 41 | 6 | 0 | 0 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0002_track_16 | 1 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0002_track_16.wav | null | 13.686 | 20.707 | 7.021 | true | false | Crops have failed, children are vanishing | Verse 1 | combined | 13.686 | 20.707 | false | false | null | 7 | 41 | 6 | 0 | 0 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0002_track_18 | 1 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0002_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 13.686 | 20.707 | 7.021 | true | true | Crops have failed, children are vanishing | Verse 1 | combined | 13.686 | 20.707 | false | false | null | 7 | 41 | 6 | 0 | 0 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0003_track_02 | 2 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0003_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 20.707 | 27.04 | 6.333 | true | true | Led astray, seeking more suffering | Verse 1 | combined | 20.707 | 27.546 | true | End aligned to Chorus 1 boundary at 27.040s | false | null | 9 | 34 | 5 | 0 | -0.506 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0003_track_03 | 2 | 01_04 | 3 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_07_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0003_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_06_kick.mid | 20.707 | 27.04 | 6.333 | true | true | Led astray, seeking more suffering | Verse 1 | combined | 20.707 | 27.546 | true | End aligned to Chorus 1 boundary at 27.040s | false | null | 9 | 34 | 5 | 0 | -0.506 | audio_midi | 01_04_3 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0003_track_05 | 2 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0003_track_05.wav | null | 20.707 | 27.04 | 6.333 | true | false | Led astray, seeking more suffering | Verse 1 | combined | 20.707 | 27.546 | true | End aligned to Chorus 1 boundary at 27.040s | false | null | 9 | 34 | 5 | 0 | -0.506 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0003_track_06 | 2 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0003_track_06.wav | null | 20.707 | 27.04 | 6.333 | true | false | Led astray, seeking more suffering | Verse 1 | combined | 20.707 | 27.546 | true | End aligned to Chorus 1 boundary at 27.040s | false | null | 9 | 34 | 5 | 0 | -0.506 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0003_track_07 | 2 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0003_track_07.wav | null | 20.707 | 27.04 | 6.333 | true | false | Led astray, seeking more suffering | Verse 1 | combined | 20.707 | 27.546 | true | End aligned to Chorus 1 boundary at 27.040s | false | null | 9 | 34 | 5 | 0 | -0.506 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0003_track_08 | 2 | 01_04 | 8 | Double Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_13_dbl_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0003_track_08.wav | null | 20.707 | 27.04 | 6.333 | true | false | Led astray, seeking more suffering | Verse 1 | combined | 20.707 | 27.546 | true | End aligned to Chorus 1 boundary at 27.040s | false | null | 9 | 34 | 5 | 0 | -0.506 | audio_only | 01_04_8 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0003_track_16 | 2 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0003_track_16.wav | null | 20.707 | 27.04 | 6.333 | true | false | Led astray, seeking more suffering | Verse 1 | combined | 20.707 | 27.546 | true | End aligned to Chorus 1 boundary at 27.040s | false | null | 9 | 34 | 5 | 0 | -0.506 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0003_track_18 | 2 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0003_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 20.707 | 27.04 | 6.333 | true | true | Led astray, seeking more suffering | Verse 1 | combined | 20.707 | 27.546 | true | End aligned to Chorus 1 boundary at 27.040s | false | null | 9 | 34 | 5 | 0 | -0.506 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0003_track_20 | 2 | 01_04 | 20 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_29_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0003_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_28_organ.mid | 20.707 | 27.04 | 6.333 | true | true | Led astray, seeking more suffering | Verse 1 | combined | 20.707 | 27.546 | true | End aligned to Chorus 1 boundary at 27.040s | false | null | 9 | 34 | 5 | 0 | -0.506 | audio_midi | 01_04_20 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_02 | 3 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 27.04 | 40.351 | 13.311 | true | true | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_03 | 3 | 01_04 | 3 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_07_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_06_kick.mid | 27.04 | 40.351 | 13.311 | true | true | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | audio_midi | 01_04_3 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_04 | 3 | 01_04 | 4 | Hi-Hat | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_09hi_hat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_08_hi_hat.mid | 27.04 | 40.351 | 13.311 | false | true | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | midi_only | 01_04_4 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_05 | 3 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_05.wav | null | 27.04 | 40.351 | 13.311 | true | false | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_06 | 3 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_06.wav | null | 27.04 | 40.351 | 13.311 | true | false | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_07 | 3 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_07.wav | null | 27.04 | 40.351 | 13.311 | true | false | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_08 | 3 | 01_04 | 8 | Double Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_13_dbl_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_08.wav | null | 27.04 | 40.351 | 13.311 | true | false | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | audio_only | 01_04_8 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_09 | 3 | 01_04 | 9 | Background Vocals 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_14_bg1_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_09.wav | null | 27.04 | 40.351 | 13.311 | true | false | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | audio_only | 01_04_9 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_11 | 3 | 01_04 | 11 | Background Vocals 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_16_bg3_vocal.m.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_11.wav | null | 27.04 | 40.351 | 13.311 | true | false | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | audio_only | 01_04_11 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_12 | 3 | 01_04 | 12 | Vocoder | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_18_vocoder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_17_vocoder.mid | 27.04 | 40.351 | 13.311 | false | true | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | midi_only | 01_04_12 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_16 | 3 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_16.wav | null | 27.04 | 40.351 | 13.311 | true | false | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_18 | 3 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 27.04 | 40.351 | 13.311 | true | true | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_19 | 3 | 01_04 | 19 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_27_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_26_wurlitzer.mid | 27.04 | 40.351 | 13.311 | true | true | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | audio_midi | 01_04_19 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0004_track_20 | 3 | 01_04 | 20 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_29_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0004_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_28_organ.mid | 27.04 | 40.351 | 13.311 | true | true | Apples grow too, in my garden, you need only to come and see. | Chorus 1 | combined | 27.546 | 40.351 | true | Start aligned to Chorus 1 boundary at 27.040s | false | null | 11 | 61 | 13 | -0.506 | 0 | audio_midi | 01_04_20 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_02 | 4 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 40.351 | 54.228 | 13.877 | true | true | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_03 | 4 | 01_04 | 3 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_07_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_06_kick.mid | 40.351 | 54.228 | 13.877 | true | true | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_midi | 01_04_3 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_04 | 4 | 01_04 | 4 | Hi-Hat | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_09hi_hat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_08_hi_hat.mid | 40.351 | 54.228 | 13.877 | false | true | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | midi_only | 01_04_4 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_05 | 4 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_05.wav | null | 40.351 | 54.228 | 13.877 | true | false | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_06 | 4 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_06.wav | null | 40.351 | 54.228 | 13.877 | true | false | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_07 | 4 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_07.wav | null | 40.351 | 54.228 | 13.877 | true | false | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_09 | 4 | 01_04 | 9 | Background Vocals 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_14_bg1_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_09.wav | null | 40.351 | 54.228 | 13.877 | true | false | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_only | 01_04_9 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_10 | 4 | 01_04 | 10 | Background Vocals 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_15_bg2_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_10.wav | null | 40.351 | 54.228 | 13.877 | true | false | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_only | 01_04_10 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_11 | 4 | 01_04 | 11 | Background Vocals 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_16_bg3_vocal.m.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_11.wav | null | 40.351 | 54.228 | 13.877 | true | false | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_only | 01_04_11 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_12 | 4 | 01_04 | 12 | Vocoder | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_18_vocoder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_17_vocoder.mid | 40.351 | 54.228 | 13.877 | false | true | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | midi_only | 01_04_12 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_13 | 4 | 01_04 | 13 | Noisy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_19_noisy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_13.wav | null | 40.351 | 54.228 | 13.877 | true | false | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_only | 01_04_13 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_16 | 4 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_16.wav | null | 40.351 | 54.228 | 13.877 | true | false | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_18 | 4 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 40.351 | 54.228 | 13.877 | true | true | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_19 | 4 | 01_04 | 19 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_27_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_26_wurlitzer.mid | 40.351 | 54.228 | 13.877 | true | true | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_midi | 01_04_19 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0005_track_20 | 4 | 01_04 | 20 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_29_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0005_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_28_organ.mid | 40.351 | 54.228 | 13.877 | true | true | No, I won't beg your pardon,you're the one who exiled me. | Chorus 1 | combined | 40.351 | 54.743 | true | End aligned to Verse 2 boundary at 54.228s | false | null | 13 | 57 | 11 | 0 | -0.515 | audio_midi | 01_04_20 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0006_track_02 | 5 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0006_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 54.228 | 61.581 | 7.353 | true | true | Do expect sons to be fantasizing | Verse 2 | combined | 54.743 | 61.581 | true | Start aligned to Verse 2 boundary at 54.228s | false | null | 15 | 32 | 6 | -0.515 | 0 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0006_track_03 | 5 | 01_04 | 3 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_07_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0006_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_06_kick.mid | 54.228 | 61.581 | 7.353 | true | true | Do expect sons to be fantasizing | Verse 2 | combined | 54.743 | 61.581 | true | Start aligned to Verse 2 boundary at 54.228s | false | null | 15 | 32 | 6 | -0.515 | 0 | audio_midi | 01_04_3 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0006_track_04 | 5 | 01_04 | 4 | Hi-Hat | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_09hi_hat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0006_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_08_hi_hat.mid | 54.228 | 61.581 | 7.353 | false | true | Do expect sons to be fantasizing | Verse 2 | combined | 54.743 | 61.581 | true | Start aligned to Verse 2 boundary at 54.228s | false | null | 15 | 32 | 6 | -0.515 | 0 | midi_only | 01_04_4 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0006_track_05 | 5 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0006_track_05.wav | null | 54.228 | 61.581 | 7.353 | true | false | Do expect sons to be fantasizing | Verse 2 | combined | 54.743 | 61.581 | true | Start aligned to Verse 2 boundary at 54.228s | false | null | 15 | 32 | 6 | -0.515 | 0 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0006_track_06 | 5 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0006_track_06.wav | null | 54.228 | 61.581 | 7.353 | true | false | Do expect sons to be fantasizing | Verse 2 | combined | 54.743 | 61.581 | true | Start aligned to Verse 2 boundary at 54.228s | false | null | 15 | 32 | 6 | -0.515 | 0 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0006_track_07 | 5 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0006_track_07.wav | null | 54.228 | 61.581 | 7.353 | true | false | Do expect sons to be fantasizing | Verse 2 | combined | 54.743 | 61.581 | true | Start aligned to Verse 2 boundary at 54.228s | false | null | 15 | 32 | 6 | -0.515 | 0 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0006_track_08 | 5 | 01_04 | 8 | Double Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_13_dbl_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0006_track_08.wav | null | 54.228 | 61.581 | 7.353 | true | false | Do expect sons to be fantasizing | Verse 2 | combined | 54.743 | 61.581 | true | Start aligned to Verse 2 boundary at 54.228s | false | null | 15 | 32 | 6 | -0.515 | 0 | audio_only | 01_04_8 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0006_track_19 | 5 | 01_04 | 19 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_27_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0006_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_26_wurlitzer.mid | 54.228 | 61.581 | 7.353 | false | true | Do expect sons to be fantasizing | Verse 2 | combined | 54.743 | 61.581 | true | Start aligned to Verse 2 boundary at 54.228s | false | null | 15 | 32 | 6 | -0.515 | 0 | midi_only | 01_04_19 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0007_track_02 | 6 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0007_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 61.581 | 68.155 | 6.574 | true | true | Scholars weep, there's no end to the dramatizing | Verse 2 | combined | 61.581 | 68.155 | false | false | null | 17 | 48 | 8 | 0 | 0 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0007_track_05 | 6 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0007_track_05.wav | null | 61.581 | 68.155 | 6.574 | true | false | Scholars weep, there's no end to the dramatizing | Verse 2 | combined | 61.581 | 68.155 | false | false | null | 17 | 48 | 8 | 0 | 0 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0007_track_06 | 6 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0007_track_06.wav | null | 61.581 | 68.155 | 6.574 | true | false | Scholars weep, there's no end to the dramatizing | Verse 2 | combined | 61.581 | 68.155 | false | false | null | 17 | 48 | 8 | 0 | 0 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0007_track_07 | 6 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0007_track_07.wav | null | 61.581 | 68.155 | 6.574 | true | false | Scholars weep, there's no end to the dramatizing | Verse 2 | combined | 61.581 | 68.155 | false | false | null | 17 | 48 | 8 | 0 | 0 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0007_track_08 | 6 | 01_04 | 8 | Double Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_13_dbl_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0007_track_08.wav | null | 61.581 | 68.155 | 6.574 | true | false | Scholars weep, there's no end to the dramatizing | Verse 2 | combined | 61.581 | 68.155 | false | false | null | 17 | 48 | 8 | 0 | 0 | audio_only | 01_04_8 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0007_track_16 | 6 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0007_track_16.wav | null | 61.581 | 68.155 | 6.574 | true | false | Scholars weep, there's no end to the dramatizing | Verse 2 | combined | 61.581 | 68.155 | false | false | null | 17 | 48 | 8 | 0 | 0 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0007_track_18 | 6 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0007_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 61.581 | 68.155 | 6.574 | true | true | Scholars weep, there's no end to the dramatizing | Verse 2 | combined | 61.581 | 68.155 | false | false | null | 17 | 48 | 8 | 0 | 0 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0008_track_02 | 7 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0008_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 68.155 | 75.079 | 6.924 | true | true | Wives, they curse me for you're desiring | Verse 2 | combined | 68.155 | 75.259 | true | End aligned to Chorus 2 boundary at 75.079s | false | null | 19 | 40 | 7 | 0 | -0.18 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
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