segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
01_04_seg_0008_track_03 | 7 | 01_04 | 3 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_07_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0008_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_06_kick.mid | 68.155 | 75.079 | 6.924 | true | true | Wives, they curse me for you're desiring | Verse 2 | combined | 68.155 | 75.259 | true | End aligned to Chorus 2 boundary at 75.079s | false | null | 19 | 40 | 7 | 0 | -0.18 | audio_midi | 01_04_3 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0008_track_05 | 7 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0008_track_05.wav | null | 68.155 | 75.079 | 6.924 | true | false | Wives, they curse me for you're desiring | Verse 2 | combined | 68.155 | 75.259 | true | End aligned to Chorus 2 boundary at 75.079s | false | null | 19 | 40 | 7 | 0 | -0.18 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0008_track_06 | 7 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0008_track_06.wav | null | 68.155 | 75.079 | 6.924 | true | false | Wives, they curse me for you're desiring | Verse 2 | combined | 68.155 | 75.259 | true | End aligned to Chorus 2 boundary at 75.079s | false | null | 19 | 40 | 7 | 0 | -0.18 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0008_track_07 | 7 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0008_track_07.wav | null | 68.155 | 75.079 | 6.924 | true | false | Wives, they curse me for you're desiring | Verse 2 | combined | 68.155 | 75.259 | true | End aligned to Chorus 2 boundary at 75.079s | false | null | 19 | 40 | 7 | 0 | -0.18 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0008_track_08 | 7 | 01_04 | 8 | Double Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_13_dbl_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0008_track_08.wav | null | 68.155 | 75.079 | 6.924 | true | false | Wives, they curse me for you're desiring | Verse 2 | combined | 68.155 | 75.259 | true | End aligned to Chorus 2 boundary at 75.079s | false | null | 19 | 40 | 7 | 0 | -0.18 | audio_only | 01_04_8 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0008_track_16 | 7 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0008_track_16.wav | null | 68.155 | 75.079 | 6.924 | true | false | Wives, they curse me for you're desiring | Verse 2 | combined | 68.155 | 75.259 | true | End aligned to Chorus 2 boundary at 75.079s | false | null | 19 | 40 | 7 | 0 | -0.18 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0008_track_18 | 7 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0008_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 68.155 | 75.079 | 6.924 | true | true | Wives, they curse me for you're desiring | Verse 2 | combined | 68.155 | 75.259 | true | End aligned to Chorus 2 boundary at 75.079s | false | null | 19 | 40 | 7 | 0 | -0.18 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0008_track_20 | 7 | 01_04 | 20 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_29_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0008_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_28_organ.mid | 68.155 | 75.079 | 6.924 | true | true | Wives, they curse me for you're desiring | Verse 2 | combined | 68.155 | 75.259 | true | End aligned to Chorus 2 boundary at 75.079s | false | null | 19 | 40 | 7 | 0 | -0.18 | audio_midi | 01_04_20 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_02 | 8 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 75.079 | 88.07 | 12.991 | true | true | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_03 | 8 | 01_04 | 3 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_07_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_06_kick.mid | 75.079 | 88.07 | 12.991 | true | true | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | audio_midi | 01_04_3 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_04 | 8 | 01_04 | 4 | Hi-Hat | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_09hi_hat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_08_hi_hat.mid | 75.079 | 88.07 | 12.991 | false | true | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | midi_only | 01_04_4 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_05 | 8 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_05.wav | null | 75.079 | 88.07 | 12.991 | true | false | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_06 | 8 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_06.wav | null | 75.079 | 88.07 | 12.991 | true | false | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_07 | 8 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_07.wav | null | 75.079 | 88.07 | 12.991 | true | false | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_11 | 8 | 01_04 | 11 | Background Vocals 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_16_bg3_vocal.m.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_11.wav | null | 75.079 | 88.07 | 12.991 | true | false | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | audio_only | 01_04_11 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_12 | 8 | 01_04 | 12 | Vocoder | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_18_vocoder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_17_vocoder.mid | 75.079 | 88.07 | 12.991 | false | true | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | midi_only | 01_04_12 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_13 | 8 | 01_04 | 13 | Noisy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_19_noisy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_13.wav | null | 75.079 | 88.07 | 12.991 | true | false | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | audio_only | 01_04_13 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_14 | 8 | 01_04 | 14 | Backwards Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_20_backwards_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_14.wav | null | 75.079 | 88.07 | 12.991 | true | false | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | audio_only | 01_04_14 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_16 | 8 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_16.wav | null | 75.079 | 88.07 | 12.991 | true | false | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_18 | 8 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 75.079 | 88.07 | 12.991 | true | true | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_19 | 8 | 01_04 | 19 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_27_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_26_wurlitzer.mid | 75.079 | 88.07 | 12.991 | true | true | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | audio_midi | 01_04_19 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0009_track_20 | 8 | 01_04 | 20 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_29_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0009_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_28_organ.mid | 75.079 | 88.07 | 12.991 | true | true | As time begins to harden, you forgot who touched the tree | Chorus 2 | combined | 75.259 | 88.07 | true | Start aligned to Chorus 2 boundary at 75.079s | false | null | 21 | 57 | 11 | -0.18 | 0 | audio_midi | 01_04_20 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0010_track_02 | 9 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0010_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 88.07 | 94.743 | 6.673 | true | true | From the things I've seen written, | Chorus 2 | combined | 88.07 | 94.743 | false | false | null | 23 | 34 | 6 | 0 | 0 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0010_track_03 | 9 | 01_04 | 3 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_07_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0010_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_06_kick.mid | 88.07 | 94.743 | 6.673 | true | true | From the things I've seen written, | Chorus 2 | combined | 88.07 | 94.743 | false | false | null | 23 | 34 | 6 | 0 | 0 | audio_midi | 01_04_3 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0010_track_04 | 9 | 01_04 | 4 | Hi-Hat | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_09hi_hat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0010_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_08_hi_hat.mid | 88.07 | 94.743 | 6.673 | false | true | From the things I've seen written, | Chorus 2 | combined | 88.07 | 94.743 | false | false | null | 23 | 34 | 6 | 0 | 0 | midi_only | 01_04_4 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0010_track_05 | 9 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0010_track_05.wav | null | 88.07 | 94.743 | 6.673 | true | false | From the things I've seen written, | Chorus 2 | combined | 88.07 | 94.743 | false | false | null | 23 | 34 | 6 | 0 | 0 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0010_track_06 | 9 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0010_track_06.wav | null | 88.07 | 94.743 | 6.673 | true | false | From the things I've seen written, | Chorus 2 | combined | 88.07 | 94.743 | false | false | null | 23 | 34 | 6 | 0 | 0 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0010_track_07 | 9 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0010_track_07.wav | null | 88.07 | 94.743 | 6.673 | true | false | From the things I've seen written, | Chorus 2 | combined | 88.07 | 94.743 | false | false | null | 23 | 34 | 6 | 0 | 0 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0010_track_12 | 9 | 01_04 | 12 | Vocoder | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_18_vocoder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0010_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_17_vocoder.mid | 88.07 | 94.743 | 6.673 | false | true | From the things I've seen written, | Chorus 2 | combined | 88.07 | 94.743 | false | false | null | 23 | 34 | 6 | 0 | 0 | midi_only | 01_04_12 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0010_track_13 | 9 | 01_04 | 13 | Noisy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_19_noisy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0010_track_13.wav | null | 88.07 | 94.743 | 6.673 | true | false | From the things I've seen written, | Chorus 2 | combined | 88.07 | 94.743 | false | false | null | 23 | 34 | 6 | 0 | 0 | audio_only | 01_04_13 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0010_track_14 | 9 | 01_04 | 14 | Backwards Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_20_backwards_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0010_track_14.wav | null | 88.07 | 94.743 | 6.673 | true | false | From the things I've seen written, | Chorus 2 | combined | 88.07 | 94.743 | false | false | null | 23 | 34 | 6 | 0 | 0 | audio_only | 01_04_14 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0010_track_16 | 9 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0010_track_16.wav | null | 88.07 | 94.743 | 6.673 | true | false | From the things I've seen written, | Chorus 2 | combined | 88.07 | 94.743 | false | false | null | 23 | 34 | 6 | 0 | 0 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0010_track_18 | 9 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0010_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 88.07 | 94.743 | 6.673 | true | true | From the things I've seen written, | Chorus 2 | combined | 88.07 | 94.743 | false | false | null | 23 | 34 | 6 | 0 | 0 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0010_track_19 | 9 | 01_04 | 19 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_27_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0010_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_26_wurlitzer.mid | 88.07 | 94.743 | 6.673 | true | true | From the things I've seen written, | Chorus 2 | combined | 88.07 | 94.743 | false | false | null | 23 | 34 | 6 | 0 | 0 | audio_midi | 01_04_19 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0012_track_01 | 11 | 01_04 | 1 | Cymbals | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_03_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_02_cymbals.mid | 94.743 | 116.021 | 21.278 | false | true | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | midi_only | 01_04_1 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_02 | 11 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 94.743 | 116.021 | 21.278 | true | true | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_03 | 11 | 01_04 | 3 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_07_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_06_kick.mid | 94.743 | 116.021 | 21.278 | true | true | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | audio_midi | 01_04_3 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_04 | 11 | 01_04 | 4 | Hi-Hat | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_09hi_hat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_08_hi_hat.mid | 94.743 | 116.021 | 21.278 | false | true | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | midi_only | 01_04_4 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_05 | 11 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_05.wav | null | 94.743 | 116.021 | 21.278 | true | false | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_06 | 11 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_06.wav | null | 94.743 | 116.021 | 21.278 | true | false | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_07 | 11 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_07.wav | null | 94.743 | 116.021 | 21.278 | true | false | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_12 | 11 | 01_04 | 12 | Vocoder | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_18_vocoder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_17_vocoder.mid | 94.743 | 116.021 | 21.278 | true | true | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | audio_midi | 01_04_12 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_13 | 11 | 01_04 | 13 | Noisy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_19_noisy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_13.wav | null | 94.743 | 116.021 | 21.278 | true | false | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | audio_only | 01_04_13 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_14 | 11 | 01_04 | 14 | Backwards Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_20_backwards_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_14.wav | null | 94.743 | 116.021 | 21.278 | true | false | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | audio_only | 01_04_14 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_15 | 11 | 01_04 | 15 | Smashy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_21_smashy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_15.wav | null | 94.743 | 116.021 | 21.278 | true | false | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | audio_only | 01_04_15 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_16 | 11 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_16.wav | null | 94.743 | 116.021 | 21.278 | true | false | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_18 | 11 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 94.743 | 116.021 | 21.278 | true | true | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_19 | 11 | 01_04 | 19 | Wurlitzer | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_27_wurlitzer.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_26_wurlitzer.mid | 94.743 | 116.021 | 21.278 | false | true | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | midi_only | 01_04_19 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0012_track_20 | 11 | 01_04 | 20 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_29_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0012_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_28_organ.mid | 94.743 | 116.021 | 21.278 | true | true | All of you, basty, Al Basty! | Interrupting Bridge | combined | 94.743 | 116.14 | true | End aligned to Chorus 3 Extended boundary at 116.021s | false | null | 27 | 28 | 6 | 0 | -0.119 | audio_midi | 01_04_20 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0013_track_01 | 12 | 01_04 | 1 | Cymbals | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_03_cymbals.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0013_track_01.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_02_cymbals.mid | 116.021 | 123.255 | 7.234 | false | true | Apples grow too, in my garden, | Chorus 3 Extended | combined | 116.14 | 123.255 | true | Start aligned to Chorus 3 Extended boundary at 116.021s | false | null | 29 | 30 | 6 | -0.119 | 0 | midi_only | 01_04_1 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0013_track_02 | 12 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0013_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 116.021 | 123.255 | 7.234 | true | true | Apples grow too, in my garden, | Chorus 3 Extended | combined | 116.14 | 123.255 | true | Start aligned to Chorus 3 Extended boundary at 116.021s | false | null | 29 | 30 | 6 | -0.119 | 0 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0013_track_03 | 12 | 01_04 | 3 | Kick | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_07_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0013_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_06_kick.mid | 116.021 | 123.255 | 7.234 | true | true | Apples grow too, in my garden, | Chorus 3 Extended | combined | 116.14 | 123.255 | true | Start aligned to Chorus 3 Extended boundary at 116.021s | false | null | 29 | 30 | 6 | -0.119 | 0 | audio_midi | 01_04_3 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0013_track_04 | 12 | 01_04 | 4 | Hi-Hat | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_09hi_hat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0013_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_08_hi_hat.mid | 116.021 | 123.255 | 7.234 | false | true | Apples grow too, in my garden, | Chorus 3 Extended | combined | 116.14 | 123.255 | true | Start aligned to Chorus 3 Extended boundary at 116.021s | false | null | 29 | 30 | 6 | -0.119 | 0 | midi_only | 01_04_4 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0013_track_05 | 12 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0013_track_05.wav | null | 116.021 | 123.255 | 7.234 | true | false | Apples grow too, in my garden, | Chorus 3 Extended | combined | 116.14 | 123.255 | true | Start aligned to Chorus 3 Extended boundary at 116.021s | false | null | 29 | 30 | 6 | -0.119 | 0 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0013_track_06 | 12 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0013_track_06.wav | null | 116.021 | 123.255 | 7.234 | true | false | Apples grow too, in my garden, | Chorus 3 Extended | combined | 116.14 | 123.255 | true | Start aligned to Chorus 3 Extended boundary at 116.021s | false | null | 29 | 30 | 6 | -0.119 | 0 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0013_track_07 | 12 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0013_track_07.wav | null | 116.021 | 123.255 | 7.234 | true | false | Apples grow too, in my garden, | Chorus 3 Extended | combined | 116.14 | 123.255 | true | Start aligned to Chorus 3 Extended boundary at 116.021s | false | null | 29 | 30 | 6 | -0.119 | 0 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0013_track_11 | 12 | 01_04 | 11 | Background Vocals 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_16_bg3_vocal.m.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0013_track_11.wav | null | 116.021 | 123.255 | 7.234 | true | false | Apples grow too, in my garden, | Chorus 3 Extended | combined | 116.14 | 123.255 | true | Start aligned to Chorus 3 Extended boundary at 116.021s | false | null | 29 | 30 | 6 | -0.119 | 0 | audio_only | 01_04_11 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0013_track_15 | 12 | 01_04 | 15 | Smashy Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_21_smashy_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0013_track_15.wav | null | 116.021 | 123.255 | 7.234 | true | false | Apples grow too, in my garden, | Chorus 3 Extended | combined | 116.14 | 123.255 | true | Start aligned to Chorus 3 Extended boundary at 116.021s | false | null | 29 | 30 | 6 | -0.119 | 0 | audio_only | 01_04_15 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0013_track_16 | 12 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0013_track_16.wav | null | 116.021 | 123.255 | 7.234 | true | false | Apples grow too, in my garden, | Chorus 3 Extended | combined | 116.14 | 123.255 | true | Start aligned to Chorus 3 Extended boundary at 116.021s | false | null | 29 | 30 | 6 | -0.119 | 0 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0013_track_18 | 12 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0013_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 116.021 | 123.255 | 7.234 | true | true | Apples grow too, in my garden, | Chorus 3 Extended | combined | 116.14 | 123.255 | true | Start aligned to Chorus 3 Extended boundary at 116.021s | false | null | 29 | 30 | 6 | -0.119 | 0 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0013_track_20 | 12 | 01_04 | 20 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_29_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0013_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_28_organ.mid | 116.021 | 123.255 | 7.234 | true | true | Apples grow too, in my garden, | Chorus 3 Extended | combined | 116.14 | 123.255 | true | Start aligned to Chorus 3 Extended boundary at 116.021s | false | null | 29 | 30 | 6 | -0.119 | 0 | audio_midi | 01_04_20 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null |
01_04_seg_0015_track_02 | 14 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0015_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 123.255 | 128.07 | 4.815 | true | true | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 123.255 | 128.07 | false | false | null | 33 | 28 | 6 | 0 | 0 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0015_track_04 | 14 | 01_04 | 4 | Hi-Hat | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_09hi_hat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0015_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_08_hi_hat.mid | 123.255 | 128.07 | 4.815 | false | true | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 123.255 | 128.07 | false | false | null | 33 | 28 | 6 | 0 | 0 | midi_only | 01_04_4 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0015_track_05 | 14 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0015_track_05.wav | null | 123.255 | 128.07 | 4.815 | true | false | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 123.255 | 128.07 | false | false | null | 33 | 28 | 6 | 0 | 0 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0015_track_06 | 14 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0015_track_06.wav | null | 123.255 | 128.07 | 4.815 | true | false | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 123.255 | 128.07 | false | false | null | 33 | 28 | 6 | 0 | 0 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0015_track_07 | 14 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0015_track_07.wav | null | 123.255 | 128.07 | 4.815 | true | false | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 123.255 | 128.07 | false | false | null | 33 | 28 | 6 | 0 | 0 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0015_track_09 | 14 | 01_04 | 9 | Background Vocals 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_14_bg1_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0015_track_09.wav | null | 123.255 | 128.07 | 4.815 | true | false | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 123.255 | 128.07 | false | false | null | 33 | 28 | 6 | 0 | 0 | audio_only | 01_04_9 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0015_track_10 | 14 | 01_04 | 10 | Background Vocals 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_15_bg2_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0015_track_10.wav | null | 123.255 | 128.07 | 4.815 | true | false | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 123.255 | 128.07 | false | false | null | 33 | 28 | 6 | 0 | 0 | audio_only | 01_04_10 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0015_track_11 | 14 | 01_04 | 11 | Background Vocals 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_16_bg3_vocal.m.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0015_track_11.wav | null | 123.255 | 128.07 | 4.815 | true | false | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 123.255 | 128.07 | false | false | null | 33 | 28 | 6 | 0 | 0 | audio_only | 01_04_11 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0015_track_12 | 14 | 01_04 | 12 | Vocoder | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_18_vocoder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0015_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_17_vocoder.mid | 123.255 | 128.07 | 4.815 | true | true | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 123.255 | 128.07 | false | false | null | 33 | 28 | 6 | 0 | 0 | audio_midi | 01_04_12 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0015_track_16 | 14 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0015_track_16.wav | null | 123.255 | 128.07 | 4.815 | true | false | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 123.255 | 128.07 | false | false | null | 33 | 28 | 6 | 0 | 0 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0015_track_18 | 14 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0015_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 123.255 | 128.07 | 4.815 | true | true | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 123.255 | 128.07 | false | false | null | 33 | 28 | 6 | 0 | 0 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0015_track_20 | 14 | 01_04 | 20 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_29_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0015_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_28_organ.mid | 123.255 | 128.07 | 4.815 | true | true | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 123.255 | 128.07 | false | false | null | 33 | 28 | 6 | 0 | 0 | audio_midi | 01_04_20 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0016_track_02 | 15 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0016_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 128.07 | 136.491 | 8.421 | true | true | No, I won't beg your pardon, | Chorus 3 Extended | combined | 128.07 | 136.491 | false | false | null | 35 | 28 | 6 | 0 | 0 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0016_track_04 | 15 | 01_04 | 4 | Hi-Hat | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_09hi_hat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0016_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_08_hi_hat.mid | 128.07 | 136.491 | 8.421 | false | true | No, I won't beg your pardon, | Chorus 3 Extended | combined | 128.07 | 136.491 | false | false | null | 35 | 28 | 6 | 0 | 0 | midi_only | 01_04_4 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0016_track_05 | 15 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0016_track_05.wav | null | 128.07 | 136.491 | 8.421 | true | false | No, I won't beg your pardon, | Chorus 3 Extended | combined | 128.07 | 136.491 | false | false | null | 35 | 28 | 6 | 0 | 0 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0016_track_06 | 15 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0016_track_06.wav | null | 128.07 | 136.491 | 8.421 | true | false | No, I won't beg your pardon, | Chorus 3 Extended | combined | 128.07 | 136.491 | false | false | null | 35 | 28 | 6 | 0 | 0 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0016_track_07 | 15 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0016_track_07.wav | null | 128.07 | 136.491 | 8.421 | true | false | No, I won't beg your pardon, | Chorus 3 Extended | combined | 128.07 | 136.491 | false | false | null | 35 | 28 | 6 | 0 | 0 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0016_track_11 | 15 | 01_04 | 11 | Background Vocals 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_16_bg3_vocal.m.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0016_track_11.wav | null | 128.07 | 136.491 | 8.421 | true | false | No, I won't beg your pardon, | Chorus 3 Extended | combined | 128.07 | 136.491 | false | false | null | 35 | 28 | 6 | 0 | 0 | audio_only | 01_04_11 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0016_track_12 | 15 | 01_04 | 12 | Vocoder | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_18_vocoder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0016_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_17_vocoder.mid | 128.07 | 136.491 | 8.421 | true | true | No, I won't beg your pardon, | Chorus 3 Extended | combined | 128.07 | 136.491 | false | false | null | 35 | 28 | 6 | 0 | 0 | audio_midi | 01_04_12 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0016_track_16 | 15 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0016_track_16.wav | null | 128.07 | 136.491 | 8.421 | true | false | No, I won't beg your pardon, | Chorus 3 Extended | combined | 128.07 | 136.491 | false | false | null | 35 | 28 | 6 | 0 | 0 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0016_track_18 | 15 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0016_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 128.07 | 136.491 | 8.421 | true | true | No, I won't beg your pardon, | Chorus 3 Extended | combined | 128.07 | 136.491 | false | false | null | 35 | 28 | 6 | 0 | 0 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0018_track_02 | 17 | 01_04 | 2 | Snare | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_05_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0018_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_04_snare.mid | 136.491 | 139.491 | 3 | true | true | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 136.491 | 139.491 | false | false | null | 39 | 28 | 6 | 0 | 0 | audio_midi | 01_04_2 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0018_track_04 | 17 | 01_04 | 4 | Hi-Hat | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_09hi_hat.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0018_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_08_hi_hat.mid | 136.491 | 139.491 | 3 | false | true | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 136.491 | 139.491 | false | false | null | 39 | 28 | 6 | 0 | 0 | midi_only | 01_04_4 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0018_track_05 | 17 | 01_04 | 5 | Full Drum Kit | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_10_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0018_track_05.wav | null | 136.491 | 139.491 | 3 | true | false | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 136.491 | 139.491 | false | false | null | 39 | 28 | 6 | 0 | 0 | audio_only | 01_04_5 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0018_track_06 | 17 | 01_04 | 6 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_11_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0018_track_06.wav | null | 136.491 | 139.491 | 3 | true | false | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 136.491 | 139.491 | false | false | null | 39 | 28 | 6 | 0 | 0 | audio_only | 01_04_6 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0018_track_07 | 17 | 01_04 | 7 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_12_main_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0018_track_07.wav | null | 136.491 | 139.491 | 3 | true | false | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 136.491 | 139.491 | false | false | null | 39 | 28 | 6 | 0 | 0 | audio_only | 01_04_7 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0018_track_09 | 17 | 01_04 | 9 | Background Vocals 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_14_bg1_vocal.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0018_track_09.wav | null | 136.491 | 139.491 | 3 | true | false | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 136.491 | 139.491 | false | false | null | 39 | 28 | 6 | 0 | 0 | audio_only | 01_04_9 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0018_track_12 | 17 | 01_04 | 12 | Vocoder | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_18_vocoder.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0018_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_17_vocoder.mid | 136.491 | 139.491 | 3 | true | true | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 136.491 | 139.491 | false | false | null | 39 | 28 | 6 | 0 | 0 | audio_midi | 01_04_12 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0018_track_16 | 17 | 01_04 | 16 | Bass 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_22_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0018_track_16.wav | null | 136.491 | 139.491 | 3 | true | false | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 136.491 | 139.491 | false | false | null | 39 | 28 | 6 | 0 | 0 | audio_only | 01_04_16 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0018_track_18 | 17 | 01_04 | 18 | Mellotron Cello | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_25_mellotron_cello.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0018_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_24_mellotron_cello.mid | 136.491 | 139.491 | 3 | true | true | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 136.491 | 139.491 | false | false | null | 39 | 28 | 6 | 0 | 0 | audio_midi | 01_04_18 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_04_seg_0018_track_20 | 17 | 01_04 | 20 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_29_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_04/01_04_seg_0018_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_04/01_04_28_organ.mid | 136.491 | 139.491 | 3 | true | true | All of you, basty, Al Basty! | Chorus 3 Extended | combined | 136.491 | 139.491 | false | false | null | 39 | 28 | 6 | 0 | 0 | audio_midi | 01_04_20 | 141 | 4 | 4 | B | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | All Basty | 2017-07-18T00:00:00 | [03:00.212] | true | true | Once again, villagers are shuttering Crops have failed, children are vanishing Led astray, seeking more suffering Apples grow too, in my garden, you need only to come and see. No, I won't beg your pardon,you're the one who exiled me. Do expect sons to be fantasizing Scholars weep, there's no end to the dramatizing Wives, they curse me for you're desiring As time begins to harden, you forgot who touched the tree From the things I've seen written, Oh you'd think it must be me All of you, basty, Al Basty! Apples grow too, in my garden, you need only to come and see. All of you, basty, Al Basty! No, I won't beg your pardon, you're the one who exiled me. All of you, basty, Al Basty! | The Momes, discogs_id: 1416914, Ariel Pink's Haunted Graffiti, discogs_id: 284349, Lily Vakili, discogs_id: 12841037 | coy, trippy, whimsical, playful, quirky, dreamy, surreal, eccentric | Psychedelic, Pych Rock, Indie Rock, Dream Pop, Lo-Fi, Experimental, Art Rock, Avant-Garde | 01_04.lrc | Al Basti is the Sumerian name for Lilith, Adam's first wife who was made from the same earth as he. She was cast out of Eden for refusing to be subservient to him and became a demon who preyed on new mothers and infants. This song is from her perspective, her side really railing against the unfair treatment she received and YWH's unfair treatment of Eve. The song is playful and whimsical in tone, but the lyrics are dark and angry. | {
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} | Verse Intro : A bouncy sort of psych-roll that borders on Bubblegum begins., [00:00.000]-[00:07.056] | Verse 1 : The vocals begin along with a Billie Gentry-spired string line on a Melotron., [00:07.057]-[00:27.039] | Chorus 1 : The chorus comes in with tons of guitar interplay, [00:27.040]-[00:54.227] | Verse 2 : We return to the verse - the vocals play with the deep echo effect., [00:54.228]-[01:15.078] | Chorus 2 : The chorus returns with more urgency and interplay., [01:15.079]-[01:42.136] | Interrupting Bridge : A harsh, and dissonant bridge interrupts the flow of the song with a jarring effect., [01:42.137]-[01:56.020] | Chorus 3 Extended : The chorus returns a Vocoder joins in with a counter-chorus line., [01:56.021]-[02:37.042] | Interrupting Bridge as Outro : The harsh, and dissonant bridge returns to close out the song with a jarring effect., [02:37.043]-[03:00.212] | null | |
01_05_seg_0001_track_02 | 0 | 01_05 | 2 | Analog Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_04_analog_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_05/01_05_seg_0001_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_05/01_05_03_analog_synth_bass.mid | 56.818 | 64.11 | 7.292 | true | true | So, you've lost all your heroes? | Verse 1 | combined | 57.193 | 64.11 | true | Start aligned to Verse 1 boundary at 56.818s | false | null | 5 | 32 | 6 | -0.375 | 0 | audio_midi | 01_05_2 | 135 | 4 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | Strings of Bad Luck | 2017-07-18T00:00:00 | [04:51.082] | true | true | So, you've lost all your heroes? It's time to take it on the chin. There's no relief from the headline. There's no thickening your skin. Our strings of luck have been tangled. When pearls are off, the swine come in. They'll make you wish you had bothered to stash your papers in the tin. The one that you kept by the fence post, forever playing guardian. It's a bitter pill to swallow, bitter still when swallowed again. Our strings of luck have been tangled. When pearls are off the swine come in. It does not help but to mention, at best it's just a spoiled win. They'll make you wish you had bothered to remember how before had been. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. Restring, restring, restring our luck again, restring. We string our luck again, restring. | Dirty Beaches, discogs_id: 1352332, Dungen, discogs_id: 352175 | eerie, resilient, triumphant, defiant, bleak | Indie Rock, Psychedelic Rock, Lo-Fi, Alternative Rock, Experimental Rock, Garage Rock, Art Rock, Noise Pop, Indie Pop, Post-Rock | 01_05.lrc | 2016 was a beat down of a year. The election of the fucking orange menace, the continued rise of fascism worldwide, the ongoing refugee crisis, and the general sense that things were getting worse, not better. This song is about resilience in the face of all that. It's about continuing to create, to love, to live, even when the world seems bleak. The lyrics touch on themes of hiding from oppressive regimes, but also of finding strength in community and in art. | {
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} | Intro verse : A slinky, ominous baritone + bell sound plays on a combo mellotron. In the background various glitching and buzzing of electronics can be heard., [00:00.000]-[00:42.653] | Intro Chorus : For a brief interlude the chords of the verse are played, still without vocals, [00:42.654]-[00:56.817] | Verse 1 : The vocals enter, with a deep reverb and echo effect. The mellotron baritone and bells continue., [00:56.818]-[01:10.652] | Verse 2 : The next phrase continues posing darker questions., [01:10.653]-[01:25.825] | Chorus 1 : The chorus comes in with a fuller sound, including drums, bass, and guitars. Before the part can gain momentum we're left with just the vocals hanging and echoing out., [01:25.826]-[01:53.934] | Verse 3 : The vocals return to the verse, with the mellotron baritone and bells, [01:53.935]-[02:06.543] | Verse 4 : The fourth verse changes to address the listener directly, recalling us hiding our documents during fascist regimes., [02:06.544]-[02:22.543] | Chorus 2 : The chorus returns with the fuller sound, including drums, bass, and guitars, [02:22.544]-[02:50.652] | Chorus 3 with break down : The ending goes a bit 'Hey Jude' with claps, guitars and a triumphant feel., [02:50.653]-[04:51.082] | null |
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