segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
07_05_seg_0010_track_04 | 9 | 07_05 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0010_track_04.wav | null | 75 | 81.01 | 6.01 | true | false | I was cutting out but now I'm clear | Verse 3 | combined | 75 | 81.01 | true | End aligned to Verse 3 boundary at 81.010s | false | null | 23 | 35 | 8 | 0 | 0 | audio_only | 07_05_4 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0010_track_06 | 9 | 07_05 | 6 | CS80 Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_07_cs80_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0010_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_06_cs80_dm.mid | 75 | 81.01 | 6.01 | false | true | I was cutting out but now I'm clear | Verse 3 | combined | 75 | 81.01 | true | End aligned to Verse 3 boundary at 81.010s | false | null | 23 | 35 | 8 | 0 | 0 | midi_only | 07_05_6 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0010_track_07 | 9 | 07_05 | 7 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_08_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0010_track_07.wav | null | 75 | 81.01 | 6.01 | true | false | I was cutting out but now I'm clear | Verse 3 | combined | 75 | 81.01 | true | End aligned to Verse 3 boundary at 81.010s | false | null | 23 | 35 | 8 | 0 | 0 | audio_only | 07_05_7 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0010_track_08 | 9 | 07_05 | 8 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_10_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0010_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_09_arp.mid | 75 | 81.01 | 6.01 | false | true | I was cutting out but now I'm clear | Verse 3 | combined | 75 | 81.01 | true | End aligned to Verse 3 boundary at 81.010s | false | null | 23 | 35 | 8 | 0 | 0 | midi_only | 07_05_8 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0010_track_13 | 9 | 07_05 | 13 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0010_track_13.wav | null | 75 | 81.01 | 6.01 | true | false | I was cutting out but now I'm clear | Verse 3 | combined | 75 | 81.01 | true | End aligned to Verse 3 boundary at 81.010s | false | null | 23 | 35 | 8 | 0 | 0 | audio_only | 07_05_13 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0010_track_14 | 9 | 07_05 | 14 | Vocal A Layer 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_18_vox_a_layer_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0010_track_14.wav | null | 75 | 81.01 | 6.01 | true | false | I was cutting out but now I'm clear | Verse 3 | combined | 75 | 81.01 | true | End aligned to Verse 3 boundary at 81.010s | false | null | 23 | 35 | 8 | 0 | 0 | audio_only | 07_05_14 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0011_track_02 | 10 | 07_05 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0011_track_02.wav | null | 81.01 | 87.022 | 6.012 | true | false | Then you spoke to me | Bridge 2 | combined | 81.01 | 87.022 | true | Start aligned to Verse 3 boundary at 81.010s | false | null | 25 | 20 | 5 | 0 | 0 | audio_only | 07_05_2 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0011_track_03 | 10 | 07_05 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0011_track_03.wav | null | 81.01 | 87.022 | 6.012 | true | false | Then you spoke to me | Bridge 2 | combined | 81.01 | 87.022 | true | Start aligned to Verse 3 boundary at 81.010s | false | null | 25 | 20 | 5 | 0 | 0 | audio_only | 07_05_3 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0011_track_06 | 10 | 07_05 | 6 | CS80 Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_07_cs80_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0011_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_06_cs80_dm.mid | 81.01 | 87.022 | 6.012 | false | true | Then you spoke to me | Bridge 2 | combined | 81.01 | 87.022 | true | Start aligned to Verse 3 boundary at 81.010s | false | null | 25 | 20 | 5 | 0 | 0 | midi_only | 07_05_6 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0011_track_07 | 10 | 07_05 | 7 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_08_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0011_track_07.wav | null | 81.01 | 87.022 | 6.012 | true | false | Then you spoke to me | Bridge 2 | combined | 81.01 | 87.022 | true | Start aligned to Verse 3 boundary at 81.010s | false | null | 25 | 20 | 5 | 0 | 0 | audio_only | 07_05_7 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0011_track_08 | 10 | 07_05 | 8 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_10_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0011_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_09_arp.mid | 81.01 | 87.022 | 6.012 | false | true | Then you spoke to me | Bridge 2 | combined | 81.01 | 87.022 | true | Start aligned to Verse 3 boundary at 81.010s | false | null | 25 | 20 | 5 | 0 | 0 | midi_only | 07_05_8 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0011_track_13 | 10 | 07_05 | 13 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0011_track_13.wav | null | 81.01 | 87.022 | 6.012 | true | false | Then you spoke to me | Bridge 2 | combined | 81.01 | 87.022 | true | Start aligned to Verse 3 boundary at 81.010s | false | null | 25 | 20 | 5 | 0 | 0 | audio_only | 07_05_13 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0011_track_14 | 10 | 07_05 | 14 | Vocal A Layer 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_18_vox_a_layer_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0011_track_14.wav | null | 81.01 | 87.022 | 6.012 | true | false | Then you spoke to me | Bridge 2 | combined | 81.01 | 87.022 | true | Start aligned to Verse 3 boundary at 81.010s | false | null | 25 | 20 | 5 | 0 | 0 | audio_only | 07_05_14 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0012_track_02 | 11 | 07_05 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0012_track_02.wav | null | 87.022 | 94.007 | 6.985 | true | false | I hope you agree | Bridge 2 | combined | 87.022 | 94.007 | true | End aligned to Bridge 2 boundary at 94.007s | false | null | 27 | 16 | 4 | 0 | 0 | audio_only | 07_05_2 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0012_track_03 | 11 | 07_05 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0012_track_03.wav | null | 87.022 | 94.007 | 6.985 | true | false | I hope you agree | Bridge 2 | combined | 87.022 | 94.007 | true | End aligned to Bridge 2 boundary at 94.007s | false | null | 27 | 16 | 4 | 0 | 0 | audio_only | 07_05_3 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0012_track_04 | 11 | 07_05 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0012_track_04.wav | null | 87.022 | 94.007 | 6.985 | true | false | I hope you agree | Bridge 2 | combined | 87.022 | 94.007 | true | End aligned to Bridge 2 boundary at 94.007s | false | null | 27 | 16 | 4 | 0 | 0 | audio_only | 07_05_4 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0012_track_06 | 11 | 07_05 | 6 | CS80 Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_07_cs80_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0012_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_06_cs80_dm.mid | 87.022 | 94.007 | 6.985 | false | true | I hope you agree | Bridge 2 | combined | 87.022 | 94.007 | true | End aligned to Bridge 2 boundary at 94.007s | false | null | 27 | 16 | 4 | 0 | 0 | midi_only | 07_05_6 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0012_track_07 | 11 | 07_05 | 7 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_08_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0012_track_07.wav | null | 87.022 | 94.007 | 6.985 | true | false | I hope you agree | Bridge 2 | combined | 87.022 | 94.007 | true | End aligned to Bridge 2 boundary at 94.007s | false | null | 27 | 16 | 4 | 0 | 0 | audio_only | 07_05_7 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0012_track_08 | 11 | 07_05 | 8 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_10_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0012_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_09_arp.mid | 87.022 | 94.007 | 6.985 | false | true | I hope you agree | Bridge 2 | combined | 87.022 | 94.007 | true | End aligned to Bridge 2 boundary at 94.007s | false | null | 27 | 16 | 4 | 0 | 0 | midi_only | 07_05_8 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0012_track_13 | 11 | 07_05 | 13 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0012_track_13.wav | null | 87.022 | 94.007 | 6.985 | true | false | I hope you agree | Bridge 2 | combined | 87.022 | 94.007 | true | End aligned to Bridge 2 boundary at 94.007s | false | null | 27 | 16 | 4 | 0 | 0 | audio_only | 07_05_13 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0012_track_14 | 11 | 07_05 | 14 | Vocal A Layer 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_18_vox_a_layer_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0012_track_14.wav | null | 87.022 | 94.007 | 6.985 | true | false | I hope you agree | Bridge 2 | combined | 87.022 | 94.007 | true | End aligned to Bridge 2 boundary at 94.007s | false | null | 27 | 16 | 4 | 0 | 0 | audio_only | 07_05_14 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0013_track_02 | 12 | 07_05 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0013_track_02.wav | null | 94.007 | 102.021 | 8.014 | true | false | Come back to life now circuitry connect me | Chorus 2 | combined | 94.007 | 102.021 | true | Start aligned to Bridge 2 boundary at 94.007s | false | null | 29 | 42 | 8 | 0 | 0 | audio_only | 07_05_2 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0013_track_03 | 12 | 07_05 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0013_track_03.wav | null | 94.007 | 102.021 | 8.014 | true | false | Come back to life now circuitry connect me | Chorus 2 | combined | 94.007 | 102.021 | true | Start aligned to Bridge 2 boundary at 94.007s | false | null | 29 | 42 | 8 | 0 | 0 | audio_only | 07_05_3 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0013_track_04 | 12 | 07_05 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0013_track_04.wav | null | 94.007 | 102.021 | 8.014 | true | false | Come back to life now circuitry connect me | Chorus 2 | combined | 94.007 | 102.021 | true | Start aligned to Bridge 2 boundary at 94.007s | false | null | 29 | 42 | 8 | 0 | 0 | audio_only | 07_05_4 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0013_track_07 | 12 | 07_05 | 7 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_08_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0013_track_07.wav | null | 94.007 | 102.021 | 8.014 | true | false | Come back to life now circuitry connect me | Chorus 2 | combined | 94.007 | 102.021 | true | Start aligned to Bridge 2 boundary at 94.007s | false | null | 29 | 42 | 8 | 0 | 0 | audio_only | 07_05_7 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0013_track_08 | 12 | 07_05 | 8 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_10_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0013_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_09_arp.mid | 94.007 | 102.021 | 8.014 | false | true | Come back to life now circuitry connect me | Chorus 2 | combined | 94.007 | 102.021 | true | Start aligned to Bridge 2 boundary at 94.007s | false | null | 29 | 42 | 8 | 0 | 0 | midi_only | 07_05_8 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0013_track_13 | 12 | 07_05 | 13 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0013_track_13.wav | null | 94.007 | 102.021 | 8.014 | true | false | Come back to life now circuitry connect me | Chorus 2 | combined | 94.007 | 102.021 | true | Start aligned to Bridge 2 boundary at 94.007s | false | null | 29 | 42 | 8 | 0 | 0 | audio_only | 07_05_13 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0013_track_16 | 12 | 07_05 | 16 | Vocal B Layer 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_20_vox_b_layer_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0013_track_16.wav | null | 94.007 | 102.021 | 8.014 | true | false | Come back to life now circuitry connect me | Chorus 2 | combined | 94.007 | 102.021 | true | Start aligned to Bridge 2 boundary at 94.007s | false | null | 29 | 42 | 8 | 0 | 0 | audio_only | 07_05_16 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0014_track_02 | 13 | 07_05 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0014_track_02.wav | null | 102.021 | 132.021 | 30 | true | false | Feeling alive now from circuitry connect me | Interlude | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 1/3 | 31 | 43 | 7 | 0 | -40.993 | audio_only | 07_05_2 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0014_track_03 | 13 | 07_05 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0014_track_03.wav | null | 102.021 | 132.021 | 30 | true | false | Feeling alive now from circuitry connect me | Interlude | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 1/3 | 31 | 43 | 7 | 0 | -40.993 | audio_only | 07_05_3 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0014_track_04 | 13 | 07_05 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0014_track_04.wav | null | 102.021 | 132.021 | 30 | true | false | Feeling alive now from circuitry connect me | Interlude | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 1/3 | 31 | 43 | 7 | 0 | -40.993 | audio_only | 07_05_4 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0014_track_06 | 13 | 07_05 | 6 | CS80 Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_07_cs80_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0014_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_06_cs80_dm.mid | 102.021 | 132.021 | 30 | false | true | Feeling alive now from circuitry connect me | Interlude | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 1/3 | 31 | 43 | 7 | 0 | -40.993 | midi_only | 07_05_6 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0014_track_07 | 13 | 07_05 | 7 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_08_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0014_track_07.wav | null | 102.021 | 132.021 | 30 | true | false | Feeling alive now from circuitry connect me | Interlude | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 1/3 | 31 | 43 | 7 | 0 | -40.993 | audio_only | 07_05_7 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0014_track_08 | 13 | 07_05 | 8 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_10_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0014_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_09_arp.mid | 102.021 | 132.021 | 30 | true | true | Feeling alive now from circuitry connect me | Interlude | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 1/3 | 31 | 43 | 7 | 0 | -40.993 | audio_midi | 07_05_8 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0014_track_09 | 13 | 07_05 | 9 | Lead Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_12_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0014_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_11_lead.mid | 102.021 | 132.021 | 30 | false | true | Feeling alive now from circuitry connect me | Interlude | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 1/3 | 31 | 43 | 7 | 0 | -40.993 | midi_only | 07_05_9 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0014_track_10 | 13 | 07_05 | 10 | Mellotron Vibes | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_14_vibes.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0014_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_13_vibes.mid | 102.021 | 132.021 | 30 | false | true | Feeling alive now from circuitry connect me | Interlude | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 1/3 | 31 | 43 | 7 | 0 | -40.993 | midi_only | 07_05_10 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0014_track_13 | 13 | 07_05 | 13 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0014_track_13.wav | null | 102.021 | 132.021 | 30 | true | false | Feeling alive now from circuitry connect me | Interlude | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 1/3 | 31 | 43 | 7 | 0 | -40.993 | audio_only | 07_05_13 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0015_track_02 | 14 | 07_05 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0015_track_02.wav | null | 130.021 | 160.021 | 30 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 2/3 | 31 | 43 | 7 | 28 | -12.993 | audio_only | 07_05_2 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0015_track_03 | 14 | 07_05 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0015_track_03.wav | null | 130.021 | 160.021 | 30 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 2/3 | 31 | 43 | 7 | 28 | -12.993 | audio_only | 07_05_3 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0015_track_04 | 14 | 07_05 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0015_track_04.wav | null | 130.021 | 160.021 | 30 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 2/3 | 31 | 43 | 7 | 28 | -12.993 | audio_only | 07_05_4 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0015_track_06 | 14 | 07_05 | 6 | CS80 Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_07_cs80_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0015_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_06_cs80_dm.mid | 130.021 | 160.021 | 30 | false | true | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 2/3 | 31 | 43 | 7 | 28 | -12.993 | midi_only | 07_05_6 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0015_track_07 | 14 | 07_05 | 7 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_08_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0015_track_07.wav | null | 130.021 | 160.021 | 30 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 2/3 | 31 | 43 | 7 | 28 | -12.993 | audio_only | 07_05_7 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0015_track_08 | 14 | 07_05 | 8 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_10_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0015_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_09_arp.mid | 130.021 | 160.021 | 30 | true | true | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 2/3 | 31 | 43 | 7 | 28 | -12.993 | audio_midi | 07_05_8 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0015_track_09 | 14 | 07_05 | 9 | Lead Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_12_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0015_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_11_lead.mid | 130.021 | 160.021 | 30 | false | true | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 2/3 | 31 | 43 | 7 | 28 | -12.993 | midi_only | 07_05_9 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0015_track_10 | 14 | 07_05 | 10 | Mellotron Vibes | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_14_vibes.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0015_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_13_vibes.mid | 130.021 | 160.021 | 30 | false | true | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 2/3 | 31 | 43 | 7 | 28 | -12.993 | midi_only | 07_05_10 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0015_track_13 | 14 | 07_05 | 13 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0015_track_13.wav | null | 130.021 | 160.021 | 30 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 2/3 | 31 | 43 | 7 | 28 | -12.993 | audio_only | 07_05_13 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0015_track_19 | 14 | 07_05 | 19 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_23_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0015_track_19.wav | null | 130.021 | 160.021 | 30 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 2/3 | 31 | 43 | 7 | 28 | -12.993 | audio_only | 07_05_19 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0015_track_20 | 14 | 07_05 | 20 | Twelve String Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_24_twelve_string.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0015_track_20.wav | null | 130.021 | 160.021 | 30 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 2/3 | 31 | 43 | 7 | 28 | -12.993 | audio_only | 07_05_20 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0016_track_02 | 15 | 07_05 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0016_track_02.wav | null | 158.021 | 173.014 | 14.993 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 3/3 | 31 | 43 | 7 | 56 | 0 | audio_only | 07_05_2 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0016_track_03 | 15 | 07_05 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0016_track_03.wav | null | 158.021 | 173.014 | 14.993 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 3/3 | 31 | 43 | 7 | 56 | 0 | audio_only | 07_05_3 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0016_track_04 | 15 | 07_05 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0016_track_04.wav | null | 158.021 | 173.014 | 14.993 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 3/3 | 31 | 43 | 7 | 56 | 0 | audio_only | 07_05_4 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0016_track_06 | 15 | 07_05 | 6 | CS80 Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_07_cs80_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0016_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_06_cs80_dm.mid | 158.021 | 173.014 | 14.993 | false | true | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 3/3 | 31 | 43 | 7 | 56 | 0 | midi_only | 07_05_6 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0016_track_07 | 15 | 07_05 | 7 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_08_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0016_track_07.wav | null | 158.021 | 173.014 | 14.993 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 3/3 | 31 | 43 | 7 | 56 | 0 | audio_only | 07_05_7 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0016_track_08 | 15 | 07_05 | 8 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_10_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0016_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_09_arp.mid | 158.021 | 173.014 | 14.993 | true | true | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 3/3 | 31 | 43 | 7 | 56 | 0 | audio_midi | 07_05_8 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0016_track_09 | 15 | 07_05 | 9 | Lead Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_12_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0016_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_11_lead.mid | 158.021 | 173.014 | 14.993 | false | true | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 3/3 | 31 | 43 | 7 | 56 | 0 | midi_only | 07_05_9 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0016_track_13 | 15 | 07_05 | 13 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0016_track_13.wav | null | 158.021 | 173.014 | 14.993 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 3/3 | 31 | 43 | 7 | 56 | 0 | audio_only | 07_05_13 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0016_track_19 | 15 | 07_05 | 19 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_23_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0016_track_19.wav | null | 158.021 | 173.014 | 14.993 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 3/3 | 31 | 43 | 7 | 56 | 0 | audio_only | 07_05_19 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0016_track_20 | 15 | 07_05 | 20 | Twelve String Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_24_twelve_string.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0016_track_20.wav | null | 158.021 | 173.014 | 14.993 | true | false | Feeling alive now from circuitry connect me | Jams | combined | 102.021 | 173.014 | true | End aligned to Jams boundary at 173.014s | true | 3/3 | 31 | 43 | 7 | 56 | 0 | audio_only | 07_05_20 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0017_track_02 | 16 | 07_05 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0017_track_02.wav | null | 173.014 | 182.018 | 9.004 | true | false | Come back to life now circuitry connect me | Chorus 3 | combined | 173.014 | 182.018 | true | Start aligned to Jams boundary at 173.014s | false | null | 33 | 42 | 8 | 0 | 0 | audio_only | 07_05_2 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0017_track_03 | 16 | 07_05 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0017_track_03.wav | null | 173.014 | 182.018 | 9.004 | true | false | Come back to life now circuitry connect me | Chorus 3 | combined | 173.014 | 182.018 | true | Start aligned to Jams boundary at 173.014s | false | null | 33 | 42 | 8 | 0 | 0 | audio_only | 07_05_3 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0017_track_04 | 16 | 07_05 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0017_track_04.wav | null | 173.014 | 182.018 | 9.004 | true | false | Come back to life now circuitry connect me | Chorus 3 | combined | 173.014 | 182.018 | true | Start aligned to Jams boundary at 173.014s | false | null | 33 | 42 | 8 | 0 | 0 | audio_only | 07_05_4 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0017_track_06 | 16 | 07_05 | 6 | CS80 Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_07_cs80_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0017_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_06_cs80_dm.mid | 173.014 | 182.018 | 9.004 | false | true | Come back to life now circuitry connect me | Chorus 3 | combined | 173.014 | 182.018 | true | Start aligned to Jams boundary at 173.014s | false | null | 33 | 42 | 8 | 0 | 0 | midi_only | 07_05_6 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0017_track_07 | 16 | 07_05 | 7 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_08_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0017_track_07.wav | null | 173.014 | 182.018 | 9.004 | true | false | Come back to life now circuitry connect me | Chorus 3 | combined | 173.014 | 182.018 | true | Start aligned to Jams boundary at 173.014s | false | null | 33 | 42 | 8 | 0 | 0 | audio_only | 07_05_7 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0017_track_08 | 16 | 07_05 | 8 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_10_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0017_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_09_arp.mid | 173.014 | 182.018 | 9.004 | false | true | Come back to life now circuitry connect me | Chorus 3 | combined | 173.014 | 182.018 | true | Start aligned to Jams boundary at 173.014s | false | null | 33 | 42 | 8 | 0 | 0 | midi_only | 07_05_8 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0017_track_09 | 16 | 07_05 | 9 | Lead Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_12_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0017_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_11_lead.mid | 173.014 | 182.018 | 9.004 | false | true | Come back to life now circuitry connect me | Chorus 3 | combined | 173.014 | 182.018 | true | Start aligned to Jams boundary at 173.014s | false | null | 33 | 42 | 8 | 0 | 0 | midi_only | 07_05_9 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0017_track_13 | 16 | 07_05 | 13 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0017_track_13.wav | null | 173.014 | 182.018 | 9.004 | true | false | Come back to life now circuitry connect me | Chorus 3 | combined | 173.014 | 182.018 | true | Start aligned to Jams boundary at 173.014s | false | null | 33 | 42 | 8 | 0 | 0 | audio_only | 07_05_13 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0017_track_16 | 16 | 07_05 | 16 | Vocal B Layer 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_20_vox_b_layer_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0017_track_16.wav | null | 173.014 | 182.018 | 9.004 | true | false | Come back to life now circuitry connect me | Chorus 3 | combined | 173.014 | 182.018 | true | Start aligned to Jams boundary at 173.014s | false | null | 33 | 42 | 8 | 0 | 0 | audio_only | 07_05_16 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null |
07_05_seg_0018_track_02 | 17 | 07_05 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0018_track_02.wav | null | 182.018 | 185.018 | 3 | true | false | Feeling alive now from circuitry connect me | Chorus 3 | combined | 182.018 | 185.018 | false | false | null | 35 | 43 | 7 | 0 | 0 | audio_only | 07_05_2 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null | |
07_05_seg_0018_track_03 | 17 | 07_05 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0018_track_03.wav | null | 182.018 | 185.018 | 3 | true | false | Feeling alive now from circuitry connect me | Chorus 3 | combined | 182.018 | 185.018 | false | false | null | 35 | 43 | 7 | 0 | 0 | audio_only | 07_05_3 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null | |
07_05_seg_0018_track_04 | 17 | 07_05 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0018_track_04.wav | null | 182.018 | 185.018 | 3 | true | false | Feeling alive now from circuitry connect me | Chorus 3 | combined | 182.018 | 185.018 | false | false | null | 35 | 43 | 7 | 0 | 0 | audio_only | 07_05_4 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null | |
07_05_seg_0018_track_06 | 17 | 07_05 | 6 | CS80 Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_07_cs80_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0018_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_06_cs80_dm.mid | 182.018 | 185.018 | 3 | false | true | Feeling alive now from circuitry connect me | Chorus 3 | combined | 182.018 | 185.018 | false | false | null | 35 | 43 | 7 | 0 | 0 | midi_only | 07_05_6 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null | |
07_05_seg_0018_track_07 | 17 | 07_05 | 7 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_08_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0018_track_07.wav | null | 182.018 | 185.018 | 3 | true | false | Feeling alive now from circuitry connect me | Chorus 3 | combined | 182.018 | 185.018 | false | false | null | 35 | 43 | 7 | 0 | 0 | audio_only | 07_05_7 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null | |
07_05_seg_0018_track_08 | 17 | 07_05 | 8 | Arp | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_10_arp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0018_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_09_arp.mid | 182.018 | 185.018 | 3 | false | true | Feeling alive now from circuitry connect me | Chorus 3 | combined | 182.018 | 185.018 | false | false | null | 35 | 43 | 7 | 0 | 0 | midi_only | 07_05_8 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null | |
07_05_seg_0018_track_13 | 17 | 07_05 | 13 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_17_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0018_track_13.wav | null | 182.018 | 185.018 | 3 | true | false | Feeling alive now from circuitry connect me | Chorus 3 | combined | 182.018 | 185.018 | false | false | null | 35 | 43 | 7 | 0 | 0 | audio_only | 07_05_13 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null | |
07_05_seg_0018_track_16 | 17 | 07_05 | 16 | Vocal B Layer 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_05/07_05_20_vox_b_layer_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_05/07_05_seg_0018_track_16.wav | null | 182.018 | 185.018 | 3 | true | false | Feeling alive now from circuitry connect me | Chorus 3 | combined | 182.018 | 185.018 | false | false | null | 35 | 43 | 7 | 0 | 0 | audio_only | 07_05_16 | 112 | 4 | 4 | D | major | Indigo | null | null | Known, Forgotten | null | Cicatrise Dud | 2024-06-04T00:00:00 | [03:25.017] | true | true | I've been feeling down and laying low I've been hiding out and staying in Then you spoke to me I hope you agree I was tuning out but now I'm in I was losing sleep but now I win Come back to life now circuitry connect me Feeling alive now from circuitry connect me I was heading back but now I'm here I was cutting out but now I'm clear Then you spoke to me I hope you agree Come back to life now circuitry connect me Feeling alive now from circuitry connect me Come back to life now circuitry connect me Feeling alive now from circuitry connect me | Black Moth Super Rainbow, discogs_id: 165373, Bruce Haack, discogs_id: 26952, Happy Mondays, discogs_id: 12097 | groovy, joyous, trippy, mysterious | experimental, indie rock, art rock, electronic dance | 07_05.lrc | A song about healing and recovery, both physical and emotional, it's the manic to the previous song's depression. Interesting that the happy place is being more machine-like though. | {
"album_sequence": 7,
"avg_word_length": 5.5,
"boundary_fluidity_score": 0,
"concept_length": 181,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.3571428571428571,
"ontological_uncertainty": 0.3571428571428571,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 14.285714285714285,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0.3571428571428571,
"track_duration": 205.017,
"track_id": "07_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 28
} | Verse 1 : The vocals are a call and response and overlap - describing feeling drained emotionally and physically, [00:00.000]-[00:25.017] | Bridge : The bridge provides a different longer vocal melody while the grooves continue, [00:25.018]-[00:38.014] | Verse 2 : Return to the call and response with a more relaxed vocal melody, [00:38.015]-[00:51.010] | Chorus 1 : An all out assault of vocoders, giant reverb guitars and beats make this a stand out chorus, [00:51.011]-[01:08.014] | Verse 3 : Back to the more chill verse, [01:08.015]-[01:21.010] | Bridge 2 : This time the bridge is used to build the energy a bit more, [01:21.011]-[01:34.007] | Chorus 2 : Return to the maximalist chorus, [01:34.008]-[01:51.010] | Interlude : Guitars and 80s synths spare in this interlude, [01:51.011]-[02:10.017] | Jams : A long psychedelic jam section with lots of effects and sonic exploration, [02:10.018]-[02:53.014] | Chorus 3 : The final chorus brings back all the elements for a big finish, [02:53.015]-[03:10.017] | Infranym : Some type of hidden message in tap or Morse code, [03:10.018]-[03:25.017] | null | |
07_06_seg_0001_track_02 | 0 | 07_06 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0001_track_02.wav | null | 32.013 | 40.016 | 8.003 | true | false | Might not be reasons why | Verse 1 | combined | 32.013 | 40.016 | true | Start aligned to Instrumental Verse boundary at 32.013s | false | null | 5 | 24 | 5 | 0 | 0 | audio_only | 07_06_2 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0001_track_03 | 0 | 07_06 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0001_track_03.wav | null | 32.013 | 40.016 | 8.003 | true | false | Might not be reasons why | Verse 1 | combined | 32.013 | 40.016 | true | Start aligned to Instrumental Verse boundary at 32.013s | false | null | 5 | 24 | 5 | 0 | 0 | audio_only | 07_06_3 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0001_track_04 | 0 | 07_06 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0001_track_04.wav | null | 32.013 | 40.016 | 8.003 | true | false | Might not be reasons why | Verse 1 | combined | 32.013 | 40.016 | true | Start aligned to Instrumental Verse boundary at 32.013s | false | null | 5 | 24 | 5 | 0 | 0 | audio_only | 07_06_4 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0001_track_07 | 0 | 07_06 | 7 | Drum machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_07_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0001_track_07.wav | null | 32.013 | 40.016 | 8.003 | true | false | Might not be reasons why | Verse 1 | combined | 32.013 | 40.016 | true | Start aligned to Instrumental Verse boundary at 32.013s | false | null | 5 | 24 | 5 | 0 | 0 | audio_only | 07_06_7 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0001_track_08 | 0 | 07_06 | 8 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_08_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0001_track_08.wav | null | 32.013 | 40.016 | 8.003 | true | false | Might not be reasons why | Verse 1 | combined | 32.013 | 40.016 | true | Start aligned to Instrumental Verse boundary at 32.013s | false | null | 5 | 24 | 5 | 0 | 0 | audio_only | 07_06_8 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0001_track_09 | 0 | 07_06 | 9 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0001_track_09.wav | null | 32.013 | 40.016 | 8.003 | true | false | Might not be reasons why | Verse 1 | combined | 32.013 | 40.016 | true | Start aligned to Instrumental Verse boundary at 32.013s | false | null | 5 | 24 | 5 | 0 | 0 | audio_only | 07_06_9 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0001_track_10 | 0 | 07_06 | 10 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_10_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0001_track_10.wav | null | 32.013 | 40.016 | 8.003 | true | false | Might not be reasons why | Verse 1 | combined | 32.013 | 40.016 | true | Start aligned to Instrumental Verse boundary at 32.013s | false | null | 5 | 24 | 5 | 0 | 0 | audio_only | 07_06_10 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0001_track_12 | 0 | 07_06 | 12 | Vocals 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_12_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0001_track_12.wav | null | 32.013 | 40.016 | 8.003 | true | false | Might not be reasons why | Verse 1 | combined | 32.013 | 40.016 | true | Start aligned to Instrumental Verse boundary at 32.013s | false | null | 5 | 24 | 5 | 0 | 0 | audio_only | 07_06_12 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0001_track_13 | 0 | 07_06 | 13 | Vocals 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_13_vox_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0001_track_13.wav | null | 32.013 | 40.016 | 8.003 | true | false | Might not be reasons why | Verse 1 | combined | 32.013 | 40.016 | true | Start aligned to Instrumental Verse boundary at 32.013s | false | null | 5 | 24 | 5 | 0 | 0 | audio_only | 07_06_13 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0001_track_15 | 0 | 07_06 | 15 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_16_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0001_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_15_organ.mid | 32.013 | 40.016 | 8.003 | false | true | Might not be reasons why | Verse 1 | combined | 32.013 | 40.016 | true | Start aligned to Instrumental Verse boundary at 32.013s | false | null | 5 | 24 | 5 | 0 | 0 | midi_only | 07_06_15 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0001_track_16 | 0 | 07_06 | 16 | Organ Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_18_organ_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0001_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_17_organ_lead.mid | 32.013 | 40.016 | 8.003 | false | true | Might not be reasons why | Verse 1 | combined | 32.013 | 40.016 | true | Start aligned to Instrumental Verse boundary at 32.013s | false | null | 5 | 24 | 5 | 0 | 0 | midi_only | 07_06_16 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | 07_06_17_organ_lead.mid |
07_06_seg_0001_track_17 | 0 | 07_06 | 17 | Grandmother Synth Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_19_grandmother_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0001_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_17_organ_lead.mid | 32.013 | 40.016 | 8.003 | false | true | Might not be reasons why | Verse 1 | combined | 32.013 | 40.016 | true | Start aligned to Instrumental Verse boundary at 32.013s | false | null | 5 | 24 | 5 | 0 | 0 | midi_only | 07_06_17 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | 07_06_17_organ_lead.mid |
07_06_seg_0002_track_02 | 1 | 07_06 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0002_track_02.wav | null | 40.016 | 48.02 | 8.004 | true | false | We were told not to go outside | Verse 1 | combined | 40.016 | 48.02 | true | End aligned to Verse 1 boundary at 48.020s | false | null | 7 | 30 | 7 | 0 | 0 | audio_only | 07_06_2 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0002_track_03 | 1 | 07_06 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0002_track_03.wav | null | 40.016 | 48.02 | 8.004 | true | false | We were told not to go outside | Verse 1 | combined | 40.016 | 48.02 | true | End aligned to Verse 1 boundary at 48.020s | false | null | 7 | 30 | 7 | 0 | 0 | audio_only | 07_06_3 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0002_track_04 | 1 | 07_06 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0002_track_04.wav | null | 40.016 | 48.02 | 8.004 | true | false | We were told not to go outside | Verse 1 | combined | 40.016 | 48.02 | true | End aligned to Verse 1 boundary at 48.020s | false | null | 7 | 30 | 7 | 0 | 0 | audio_only | 07_06_4 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0002_track_07 | 1 | 07_06 | 7 | Drum machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_07_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0002_track_07.wav | null | 40.016 | 48.02 | 8.004 | true | false | We were told not to go outside | Verse 1 | combined | 40.016 | 48.02 | true | End aligned to Verse 1 boundary at 48.020s | false | null | 7 | 30 | 7 | 0 | 0 | audio_only | 07_06_7 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0002_track_08 | 1 | 07_06 | 8 | Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_08_synth_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0002_track_08.wav | null | 40.016 | 48.02 | 8.004 | true | false | We were told not to go outside | Verse 1 | combined | 40.016 | 48.02 | true | End aligned to Verse 1 boundary at 48.020s | false | null | 7 | 30 | 7 | 0 | 0 | audio_only | 07_06_8 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0002_track_09 | 1 | 07_06 | 9 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0002_track_09.wav | null | 40.016 | 48.02 | 8.004 | true | false | We were told not to go outside | Verse 1 | combined | 40.016 | 48.02 | true | End aligned to Verse 1 boundary at 48.020s | false | null | 7 | 30 | 7 | 0 | 0 | audio_only | 07_06_9 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0002_track_10 | 1 | 07_06 | 10 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_10_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0002_track_10.wav | null | 40.016 | 48.02 | 8.004 | true | false | We were told not to go outside | Verse 1 | combined | 40.016 | 48.02 | true | End aligned to Verse 1 boundary at 48.020s | false | null | 7 | 30 | 7 | 0 | 0 | audio_only | 07_06_10 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0002_track_12 | 1 | 07_06 | 12 | Vocals 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_12_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0002_track_12.wav | null | 40.016 | 48.02 | 8.004 | true | false | We were told not to go outside | Verse 1 | combined | 40.016 | 48.02 | true | End aligned to Verse 1 boundary at 48.020s | false | null | 7 | 30 | 7 | 0 | 0 | audio_only | 07_06_12 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0002_track_13 | 1 | 07_06 | 13 | Vocals 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_13_vox_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0002_track_13.wav | null | 40.016 | 48.02 | 8.004 | true | false | We were told not to go outside | Verse 1 | combined | 40.016 | 48.02 | true | End aligned to Verse 1 boundary at 48.020s | false | null | 7 | 30 | 7 | 0 | 0 | audio_only | 07_06_13 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0002_track_15 | 1 | 07_06 | 15 | Organ | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_16_organ.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0002_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_15_organ.mid | 40.016 | 48.02 | 8.004 | false | true | We were told not to go outside | Verse 1 | combined | 40.016 | 48.02 | true | End aligned to Verse 1 boundary at 48.020s | false | null | 7 | 30 | 7 | 0 | 0 | midi_only | 07_06_15 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0003_track_02 | 2 | 07_06 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0003_track_02.wav | null | 48.02 | 65.002 | 16.982 | true | false | There's lots of talk about going this way or that, but the end is always the same | Chorus 1 | combined | 48.02 | 65.002 | true | Start aligned to Verse 1 boundary at 48.020s | false | null | 9 | 81 | 17 | 0 | 0 | audio_only | 07_06_2 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0003_track_03 | 2 | 07_06 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0003_track_03.wav | null | 48.02 | 65.002 | 16.982 | true | false | There's lots of talk about going this way or that, but the end is always the same | Chorus 1 | combined | 48.02 | 65.002 | true | Start aligned to Verse 1 boundary at 48.020s | false | null | 9 | 81 | 17 | 0 | 0 | audio_only | 07_06_3 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
07_06_seg_0003_track_04 | 2 | 07_06 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_06/07_06_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_06/07_06_seg_0003_track_04.wav | null | 48.02 | 65.002 | 16.982 | true | false | There's lots of talk about going this way or that, but the end is always the same | Chorus 1 | combined | 48.02 | 65.002 | true | Start aligned to Verse 1 boundary at 48.020s | false | null | 9 | 81 | 17 | 0 | 0 | audio_only | 07_06_4 | 118 | 4 | 4 | B | minor | Indigo | null | null | Known, Forgotten | null | Aim It NE | 2024-06-04T00:00:00 | [03:51.021] | true | true | Might not be reasons why We were told not to go outside There's lots of talk about going this way or that, but the end is always the same You can't get to a promised land when both the promise and the land are misnamed And so it goes, we wait until the team returns Still in the throes of throwing eyes in the storm The discourse on rationale is still a mumble The tablets that replaced you now they crumble There's lots of talk about going this way or that but the end is always the same The only thing left to do is to wander off alone, babbling to the rain | Stereolab, discogs_id: 388, Mercury Rev, discogs_id: 9658, 13th Floor Elevators, discogs_id: 304455 | defiant, angsty, energetic, dreamy | indie rock, psychedelic rock | 07_06.lrc | This song channels the frustrations of group-think or going along with a team you don't want to belong to. There's a perspective from a Moses-doubter sick of wandering the desert, and arguing over two options that aren't even defined correctly. | {
"album_sequence": 7,
"avg_word_length": 5.125,
"boundary_fluidity_score": 0,
"concept_length": 244,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 7.5,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 231.021,
"track_id": "07_06",
"track_position": 6,
"uncertainty_level": 0,
"word_count": 40
} | Intro : Pulsating bass synths and drums start the song., [00:00.000]-[00:16.006] | Instrumental Verse : A few bars of the verse are played without lyrics, [00:16.007]-[00:32.013] | Verse 1 : The first verse begins with vocals., [00:32.014]-[00:48.020] | Chorus 1 : More vocals are added but the tone becomes more conversational, [00:48.021]-[01:21.008] | Verse 2 : Right back into the verse, [01:21.009]-[01:53.022] | Chorus 2 : The chorus returns with more intensity, [01:53.023]-[02:26.011] | Breakdown : The drum machine, guitar, and organ play a pick-axe-swinging type rhythm, [02:26.012]-[02:42.017] | Bass Build : The bass builds up the tension, [02:42.018]-[02:58.024] | Jams : A crazy, noisy jam is released with warped instruments and a flurry of drums, [02:58.025]-[03:47.019] | Infranym : The spoken hidden message can barely be heard., [03:47.020]-[03:51.021] | null |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.