segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
07_07_seg_0003_track_09 | 2 | 07_07 | 9 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0003_track_09.wav | null | 59.015 | 74.001 | 14.986 | true | false | I know what you fixed to me, tied to a string and dangling out the window. | Verse | combined | 59.015 | 74.001 | false | false | null | 9 | 74 | 16 | 0 | 0 | audio_only | 07_07_9 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0003_track_10 | 2 | 07_07 | 10 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0003_track_10.wav | null | 59.015 | 74.001 | 14.986 | true | false | I know what you fixed to me, tied to a string and dangling out the window. | Verse | combined | 59.015 | 74.001 | false | false | null | 9 | 74 | 16 | 0 | 0 | audio_only | 07_07_10 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0004_track_02 | 3 | 07_07 | 2 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0004_track_02.wav | null | 74.001 | 96.003 | 22.002 | true | false | Quick before they come, let it fall down. Let it fall down. | Verse | combined | 74.001 | 96.003 | false | false | null | 11 | 59 | 12 | 0 | 0 | audio_only | 07_07_2 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0004_track_03 | 3 | 07_07 | 3 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_04_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0004_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_03_modular.mid | 74.001 | 96.003 | 22.002 | false | true | Quick before they come, let it fall down. Let it fall down. | Verse | combined | 74.001 | 96.003 | false | false | null | 11 | 59 | 12 | 0 | 0 | midi_only | 07_07_3 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0004_track_04 | 3 | 07_07 | 4 | Matrix Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_06_matrix.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0004_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_05_matrix.mid | 74.001 | 96.003 | 22.002 | true | true | Quick before they come, let it fall down. Let it fall down. | Verse | combined | 74.001 | 96.003 | false | false | null | 11 | 59 | 12 | 0 | 0 | audio_midi | 07_07_4 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0004_track_05 | 3 | 07_07 | 5 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0004_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_07_farfisa.mid | 74.001 | 96.003 | 22.002 | false | true | Quick before they come, let it fall down. Let it fall down. | Verse | combined | 74.001 | 96.003 | false | false | null | 11 | 59 | 12 | 0 | 0 | midi_only | 07_07_5 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0004_track_07 | 3 | 07_07 | 7 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_10_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0004_track_07.wav | null | 74.001 | 96.003 | 22.002 | true | false | Quick before they come, let it fall down. Let it fall down. | Verse | combined | 74.001 | 96.003 | false | false | null | 11 | 59 | 12 | 0 | 0 | audio_only | 07_07_7 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0004_track_09 | 3 | 07_07 | 9 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0004_track_09.wav | null | 74.001 | 96.003 | 22.002 | true | false | Quick before they come, let it fall down. Let it fall down. | Verse | combined | 74.001 | 96.003 | false | false | null | 11 | 59 | 12 | 0 | 0 | audio_only | 07_07_9 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0004_track_10 | 3 | 07_07 | 10 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0004_track_10.wav | null | 74.001 | 96.003 | 22.002 | true | false | Quick before they come, let it fall down. Let it fall down. | Verse | combined | 74.001 | 96.003 | false | false | null | 11 | 59 | 12 | 0 | 0 | audio_only | 07_07_10 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0005_track_02 | 4 | 07_07 | 2 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0005_track_02.wav | null | 96.003 | 110.022 | 14.019 | true | false | Don't you feel like being the same? Don't you feel like I forgot your name? | Interlude | combined | 96.003 | 110.022 | false | false | null | 13 | 75 | 15 | 0 | 0 | audio_only | 07_07_2 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0005_track_03 | 4 | 07_07 | 3 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_04_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0005_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_03_modular.mid | 96.003 | 110.022 | 14.019 | true | true | Don't you feel like being the same? Don't you feel like I forgot your name? | Interlude | combined | 96.003 | 110.022 | false | false | null | 13 | 75 | 15 | 0 | 0 | audio_midi | 07_07_3 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0005_track_05 | 4 | 07_07 | 5 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0005_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_07_farfisa.mid | 96.003 | 110.022 | 14.019 | false | true | Don't you feel like being the same? Don't you feel like I forgot your name? | Interlude | combined | 96.003 | 110.022 | false | false | null | 13 | 75 | 15 | 0 | 0 | midi_only | 07_07_5 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0005_track_07 | 4 | 07_07 | 7 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_10_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0005_track_07.wav | null | 96.003 | 110.022 | 14.019 | true | false | Don't you feel like being the same? Don't you feel like I forgot your name? | Interlude | combined | 96.003 | 110.022 | false | false | null | 13 | 75 | 15 | 0 | 0 | audio_only | 07_07_7 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0005_track_09 | 4 | 07_07 | 9 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0005_track_09.wav | null | 96.003 | 110.022 | 14.019 | true | false | Don't you feel like being the same? Don't you feel like I forgot your name? | Interlude | combined | 96.003 | 110.022 | false | false | null | 13 | 75 | 15 | 0 | 0 | audio_only | 07_07_9 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0005_track_10 | 4 | 07_07 | 10 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0005_track_10.wav | null | 96.003 | 110.022 | 14.019 | true | false | Don't you feel like being the same? Don't you feel like I forgot your name? | Interlude | combined | 96.003 | 110.022 | false | false | null | 13 | 75 | 15 | 0 | 0 | audio_only | 07_07_10 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0006_track_02 | 5 | 07_07 | 2 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0006_track_02.wav | null | 110.022 | 140.022 | 30 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | Interlude | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 1/2 | 15 | 97 | 21 | 0 | -22.979 | audio_only | 07_07_2 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0006_track_03 | 5 | 07_07 | 3 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_04_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0006_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_03_modular.mid | 110.022 | 140.022 | 30 | true | true | I've told you this so many times before, what do you need from me to fix the stitch in the night? | Interlude | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 1/2 | 15 | 97 | 21 | 0 | -22.979 | audio_midi | 07_07_3 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0006_track_05 | 5 | 07_07 | 5 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0006_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_07_farfisa.mid | 110.022 | 140.022 | 30 | false | true | I've told you this so many times before, what do you need from me to fix the stitch in the night? | Interlude | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 1/2 | 15 | 97 | 21 | 0 | -22.979 | midi_only | 07_07_5 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0006_track_06 | 5 | 07_07 | 6 | Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_09_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0006_track_06.wav | null | 110.022 | 140.022 | 30 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | Interlude | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 1/2 | 15 | 97 | 21 | 0 | -22.979 | audio_only | 07_07_6 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0006_track_07 | 5 | 07_07 | 7 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_10_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0006_track_07.wav | null | 110.022 | 140.022 | 30 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | Interlude | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 1/2 | 15 | 97 | 21 | 0 | -22.979 | audio_only | 07_07_7 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0006_track_09 | 5 | 07_07 | 9 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0006_track_09.wav | null | 110.022 | 140.022 | 30 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | Interlude | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 1/2 | 15 | 97 | 21 | 0 | -22.979 | audio_only | 07_07_9 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0006_track_10 | 5 | 07_07 | 10 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0006_track_10.wav | null | 110.022 | 140.022 | 30 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | Interlude | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 1/2 | 15 | 97 | 21 | 0 | -22.979 | audio_only | 07_07_10 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0006_track_13 | 5 | 07_07 | 13 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_16_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0006_track_13.wav | null | 110.022 | 140.022 | 30 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | Interlude | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 1/2 | 15 | 97 | 21 | 0 | -22.979 | audio_only | 07_07_13 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0007_track_02 | 6 | 07_07 | 2 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0007_track_02.wav | null | 138.022 | 162.004 | 23.982 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | This isn't right | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 2/2 | 15 | 97 | 21 | 28 | -0.997 | audio_only | 07_07_2 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0007_track_03 | 6 | 07_07 | 3 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_04_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0007_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_03_modular.mid | 138.022 | 162.004 | 23.982 | true | true | I've told you this so many times before, what do you need from me to fix the stitch in the night? | This isn't right | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 2/2 | 15 | 97 | 21 | 28 | -0.997 | audio_midi | 07_07_3 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0007_track_05 | 6 | 07_07 | 5 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0007_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_07_farfisa.mid | 138.022 | 162.004 | 23.982 | false | true | I've told you this so many times before, what do you need from me to fix the stitch in the night? | This isn't right | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 2/2 | 15 | 97 | 21 | 28 | -0.997 | midi_only | 07_07_5 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0007_track_06 | 6 | 07_07 | 6 | Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_09_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0007_track_06.wav | null | 138.022 | 162.004 | 23.982 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | This isn't right | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 2/2 | 15 | 97 | 21 | 28 | -0.997 | audio_only | 07_07_6 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0007_track_07 | 6 | 07_07 | 7 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_10_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0007_track_07.wav | null | 138.022 | 162.004 | 23.982 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | This isn't right | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 2/2 | 15 | 97 | 21 | 28 | -0.997 | audio_only | 07_07_7 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0007_track_08 | 6 | 07_07 | 8 | Vocals Doubles | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_11_vox_dbl.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0007_track_08.wav | null | 138.022 | 162.004 | 23.982 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | This isn't right | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 2/2 | 15 | 97 | 21 | 28 | -0.997 | audio_only | 07_07_8 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0007_track_09 | 6 | 07_07 | 9 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0007_track_09.wav | null | 138.022 | 162.004 | 23.982 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | This isn't right | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 2/2 | 15 | 97 | 21 | 28 | -0.997 | audio_only | 07_07_9 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0007_track_10 | 6 | 07_07 | 10 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0007_track_10.wav | null | 138.022 | 162.004 | 23.982 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | This isn't right | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 2/2 | 15 | 97 | 21 | 28 | -0.997 | audio_only | 07_07_10 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0007_track_13 | 6 | 07_07 | 13 | Drum Machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_16_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0007_track_13.wav | null | 138.022 | 162.004 | 23.982 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | This isn't right | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 2/2 | 15 | 97 | 21 | 28 | -0.997 | audio_only | 07_07_13 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0007_track_15 | 6 | 07_07 | 15 | Mellotron with effects | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_18_mellotron_with_fx.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0007_track_15.wav | null | 138.022 | 162.004 | 23.982 | true | false | I've told you this so many times before, what do you need from me to fix the stitch in the night? | This isn't right | combined | 110.022 | 163.001 | true | End aligned to Verse 2 boundary at 162.004s | true | 2/2 | 15 | 97 | 21 | 28 | -0.997 | audio_only | 07_07_15 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0008_track_02 | 7 | 07_07 | 2 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0008_track_02.wav | null | 162.004 | 180.009 | 18.005 | true | false | They'll hold back the tickets that we purchased for the drive-in down the street. | Verse 2 | combined | 163.001 | 180.009 | true | Start aligned to Verse 2 boundary at 162.004s | false | null | 17 | 81 | 14 | -0.997 | 0 | audio_only | 07_07_2 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0008_track_03 | 7 | 07_07 | 3 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_04_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0008_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_03_modular.mid | 162.004 | 180.009 | 18.005 | true | true | They'll hold back the tickets that we purchased for the drive-in down the street. | Verse 2 | combined | 163.001 | 180.009 | true | Start aligned to Verse 2 boundary at 162.004s | false | null | 17 | 81 | 14 | -0.997 | 0 | audio_midi | 07_07_3 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0008_track_05 | 7 | 07_07 | 5 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0008_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_07_farfisa.mid | 162.004 | 180.009 | 18.005 | false | true | They'll hold back the tickets that we purchased for the drive-in down the street. | Verse 2 | combined | 163.001 | 180.009 | true | Start aligned to Verse 2 boundary at 162.004s | false | null | 17 | 81 | 14 | -0.997 | 0 | midi_only | 07_07_5 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0008_track_07 | 7 | 07_07 | 7 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_10_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0008_track_07.wav | null | 162.004 | 180.009 | 18.005 | true | false | They'll hold back the tickets that we purchased for the drive-in down the street. | Verse 2 | combined | 163.001 | 180.009 | true | Start aligned to Verse 2 boundary at 162.004s | false | null | 17 | 81 | 14 | -0.997 | 0 | audio_only | 07_07_7 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0008_track_09 | 7 | 07_07 | 9 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0008_track_09.wav | null | 162.004 | 180.009 | 18.005 | true | false | They'll hold back the tickets that we purchased for the drive-in down the street. | Verse 2 | combined | 163.001 | 180.009 | true | Start aligned to Verse 2 boundary at 162.004s | false | null | 17 | 81 | 14 | -0.997 | 0 | audio_only | 07_07_9 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0008_track_10 | 7 | 07_07 | 10 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0008_track_10.wav | null | 162.004 | 180.009 | 18.005 | true | false | They'll hold back the tickets that we purchased for the drive-in down the street. | Verse 2 | combined | 163.001 | 180.009 | true | Start aligned to Verse 2 boundary at 162.004s | false | null | 17 | 81 | 14 | -0.997 | 0 | audio_only | 07_07_10 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0009_track_02 | 8 | 07_07 | 2 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0009_track_02.wav | null | 180.009 | 201.005 | 20.996 | true | false | I know you're excited to see the latest mystery. I'll try to not to spoil it. | Verse 2 | combined | 180.009 | 201.005 | false | false | null | 19 | 77 | 16 | 0 | 0 | audio_only | 07_07_2 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0009_track_03 | 8 | 07_07 | 3 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_04_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0009_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_03_modular.mid | 180.009 | 201.005 | 20.996 | true | true | I know you're excited to see the latest mystery. I'll try to not to spoil it. | Verse 2 | combined | 180.009 | 201.005 | false | false | null | 19 | 77 | 16 | 0 | 0 | audio_midi | 07_07_3 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0009_track_05 | 8 | 07_07 | 5 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0009_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_07_farfisa.mid | 180.009 | 201.005 | 20.996 | false | true | I know you're excited to see the latest mystery. I'll try to not to spoil it. | Verse 2 | combined | 180.009 | 201.005 | false | false | null | 19 | 77 | 16 | 0 | 0 | midi_only | 07_07_5 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0009_track_07 | 8 | 07_07 | 7 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_10_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0009_track_07.wav | null | 180.009 | 201.005 | 20.996 | true | false | I know you're excited to see the latest mystery. I'll try to not to spoil it. | Verse 2 | combined | 180.009 | 201.005 | false | false | null | 19 | 77 | 16 | 0 | 0 | audio_only | 07_07_7 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0009_track_09 | 8 | 07_07 | 9 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0009_track_09.wav | null | 180.009 | 201.005 | 20.996 | true | false | I know you're excited to see the latest mystery. I'll try to not to spoil it. | Verse 2 | combined | 180.009 | 201.005 | false | false | null | 19 | 77 | 16 | 0 | 0 | audio_only | 07_07_9 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0009_track_10 | 8 | 07_07 | 10 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0009_track_10.wav | null | 180.009 | 201.005 | 20.996 | true | false | I know you're excited to see the latest mystery. I'll try to not to spoil it. | Verse 2 | combined | 180.009 | 201.005 | false | false | null | 19 | 77 | 16 | 0 | 0 | audio_only | 07_07_10 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0009_track_12 | 8 | 07_07 | 12 | Toms | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_15_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0009_track_12.wav | null | 180.009 | 201.005 | 20.996 | true | false | I know you're excited to see the latest mystery. I'll try to not to spoil it. | Verse 2 | combined | 180.009 | 201.005 | false | false | null | 19 | 77 | 16 | 0 | 0 | audio_only | 07_07_12 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0010_track_02 | 9 | 07_07 | 2 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0010_track_02.wav | null | 201.005 | 222.015 | 21.01 | true | false | I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. | Verse 2 | combined | 201.005 | 223.024 | true | End aligned to Outro boundary at 222.015s | false | null | 21 | 83 | 18 | 0 | -1.009 | audio_only | 07_07_2 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0010_track_03 | 9 | 07_07 | 3 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_04_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0010_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_03_modular.mid | 201.005 | 222.015 | 21.01 | true | true | I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. | Verse 2 | combined | 201.005 | 223.024 | true | End aligned to Outro boundary at 222.015s | false | null | 21 | 83 | 18 | 0 | -1.009 | audio_midi | 07_07_3 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0010_track_04 | 9 | 07_07 | 4 | Matrix Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_06_matrix.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0010_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_05_matrix.mid | 201.005 | 222.015 | 21.01 | false | true | I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. | Verse 2 | combined | 201.005 | 223.024 | true | End aligned to Outro boundary at 222.015s | false | null | 21 | 83 | 18 | 0 | -1.009 | midi_only | 07_07_4 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0010_track_05 | 9 | 07_07 | 5 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0010_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_07_farfisa.mid | 201.005 | 222.015 | 21.01 | false | true | I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. | Verse 2 | combined | 201.005 | 223.024 | true | End aligned to Outro boundary at 222.015s | false | null | 21 | 83 | 18 | 0 | -1.009 | midi_only | 07_07_5 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0010_track_07 | 9 | 07_07 | 7 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_10_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0010_track_07.wav | null | 201.005 | 222.015 | 21.01 | true | false | I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. | Verse 2 | combined | 201.005 | 223.024 | true | End aligned to Outro boundary at 222.015s | false | null | 21 | 83 | 18 | 0 | -1.009 | audio_only | 07_07_7 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0010_track_09 | 9 | 07_07 | 9 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0010_track_09.wav | null | 201.005 | 222.015 | 21.01 | true | false | I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. | Verse 2 | combined | 201.005 | 223.024 | true | End aligned to Outro boundary at 222.015s | false | null | 21 | 83 | 18 | 0 | -1.009 | audio_only | 07_07_9 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0010_track_10 | 9 | 07_07 | 10 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0010_track_10.wav | null | 201.005 | 222.015 | 21.01 | true | false | I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. | Verse 2 | combined | 201.005 | 223.024 | true | End aligned to Outro boundary at 222.015s | false | null | 21 | 83 | 18 | 0 | -1.009 | audio_only | 07_07_10 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0011_track_02 | 10 | 07_07 | 2 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0011_track_02.wav | null | 222.015 | 238.004 | 15.989 | true | false | I will only have this phone for another month or two, then I don't know how and I don't know when. | Outro | combined | 223.024 | 238.004 | true | Start aligned to Outro boundary at 222.015s | false | null | 23 | 98 | 21 | -1.009 | 0 | audio_only | 07_07_2 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0011_track_03 | 10 | 07_07 | 3 | Modular Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_04_modular.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0011_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_03_modular.mid | 222.015 | 238.004 | 15.989 | false | true | I will only have this phone for another month or two, then I don't know how and I don't know when. | Outro | combined | 223.024 | 238.004 | true | Start aligned to Outro boundary at 222.015s | false | null | 23 | 98 | 21 | -1.009 | 0 | midi_only | 07_07_3 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0011_track_04 | 10 | 07_07 | 4 | Matrix Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_06_matrix.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0011_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_05_matrix.mid | 222.015 | 238.004 | 15.989 | false | true | I will only have this phone for another month or two, then I don't know how and I don't know when. | Outro | combined | 223.024 | 238.004 | true | Start aligned to Outro boundary at 222.015s | false | null | 23 | 98 | 21 | -1.009 | 0 | midi_only | 07_07_4 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0011_track_05 | 10 | 07_07 | 5 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0011_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_07_farfisa.mid | 222.015 | 238.004 | 15.989 | false | true | I will only have this phone for another month or two, then I don't know how and I don't know when. | Outro | combined | 223.024 | 238.004 | true | Start aligned to Outro boundary at 222.015s | false | null | 23 | 98 | 21 | -1.009 | 0 | midi_only | 07_07_5 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0011_track_07 | 10 | 07_07 | 7 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_10_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0011_track_07.wav | null | 222.015 | 238.004 | 15.989 | true | false | I will only have this phone for another month or two, then I don't know how and I don't know when. | Outro | combined | 223.024 | 238.004 | true | Start aligned to Outro boundary at 222.015s | false | null | 23 | 98 | 21 | -1.009 | 0 | audio_only | 07_07_7 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0011_track_09 | 10 | 07_07 | 9 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0011_track_09.wav | null | 222.015 | 238.004 | 15.989 | true | false | I will only have this phone for another month or two, then I don't know how and I don't know when. | Outro | combined | 223.024 | 238.004 | true | Start aligned to Outro boundary at 222.015s | false | null | 23 | 98 | 21 | -1.009 | 0 | audio_only | 07_07_9 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0011_track_10 | 10 | 07_07 | 10 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0011_track_10.wav | null | 222.015 | 238.004 | 15.989 | true | false | I will only have this phone for another month or two, then I don't know how and I don't know when. | Outro | combined | 223.024 | 238.004 | true | Start aligned to Outro boundary at 222.015s | false | null | 23 | 98 | 21 | -1.009 | 0 | audio_only | 07_07_10 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null |
07_07_seg_0012_track_02 | 11 | 07_07 | 2 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0012_track_02.wav | null | 238.004 | 251.009 | 13.005 | true | false | Won't you please take it with you, I have no use for its SIM cards, | Outro | combined | 238.004 | 251.009 | false | false | null | 25 | 67 | 15 | 0 | 0 | audio_only | 07_07_2 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0012_track_04 | 11 | 07_07 | 4 | Matrix Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_06_matrix.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0012_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_05_matrix.mid | 238.004 | 251.009 | 13.005 | false | true | Won't you please take it with you, I have no use for its SIM cards, | Outro | combined | 238.004 | 251.009 | false | false | null | 25 | 67 | 15 | 0 | 0 | midi_only | 07_07_4 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0012_track_05 | 11 | 07_07 | 5 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0012_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_07_farfisa.mid | 238.004 | 251.009 | 13.005 | false | true | Won't you please take it with you, I have no use for its SIM cards, | Outro | combined | 238.004 | 251.009 | false | false | null | 25 | 67 | 15 | 0 | 0 | midi_only | 07_07_5 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0012_track_07 | 11 | 07_07 | 7 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_10_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0012_track_07.wav | null | 238.004 | 251.009 | 13.005 | true | false | Won't you please take it with you, I have no use for its SIM cards, | Outro | combined | 238.004 | 251.009 | false | false | null | 25 | 67 | 15 | 0 | 0 | audio_only | 07_07_7 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0012_track_09 | 11 | 07_07 | 9 | Drums | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_12_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0012_track_09.wav | null | 238.004 | 251.009 | 13.005 | true | false | Won't you please take it with you, I have no use for its SIM cards, | Outro | combined | 238.004 | 251.009 | false | false | null | 25 | 67 | 15 | 0 | 0 | audio_only | 07_07_9 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0012_track_10 | 11 | 07_07 | 10 | Kick | Drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_13_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0012_track_10.wav | null | 238.004 | 251.009 | 13.005 | true | false | Won't you please take it with you, I have no use for its SIM cards, | Outro | combined | 238.004 | 251.009 | false | false | null | 25 | 67 | 15 | 0 | 0 | audio_only | 07_07_10 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0013_track_02 | 12 | 07_07 | 2 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_02_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0013_track_02.wav | null | 251.009 | 254.009 | 3 | true | false | For the fortune cards, or the playing cards, or the sympathy cards for you. | Outro | combined | 251.009 | 254.009 | false | false | null | 27 | 75 | 14 | 0 | 0 | audio_only | 07_07_2 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0013_track_04 | 12 | 07_07 | 4 | Matrix Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_06_matrix.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0013_track_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_05_matrix.mid | 251.009 | 254.009 | 3 | false | true | For the fortune cards, or the playing cards, or the sympathy cards for you. | Outro | combined | 251.009 | 254.009 | false | false | null | 27 | 75 | 14 | 0 | 0 | midi_only | 07_07_4 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0013_track_05 | 12 | 07_07 | 5 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0013_track_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_07_farfisa.mid | 251.009 | 254.009 | 3 | false | true | For the fortune cards, or the playing cards, or the sympathy cards for you. | Outro | combined | 251.009 | 254.009 | false | false | null | 27 | 75 | 14 | 0 | 0 | midi_only | 07_07_5 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_07_seg_0013_track_07 | 12 | 07_07 | 7 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_07/07_07_10_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_07/07_07_seg_0013_track_07.wav | null | 251.009 | 254.009 | 3 | true | false | For the fortune cards, or the playing cards, or the sympathy cards for you. | Outro | combined | 251.009 | 254.009 | false | false | null | 27 | 75 | 14 | 0 | 0 | audio_only | 07_07_7 | 131 | 6 | 4 | G | minor | Indigo | null | null | Known, Forgotten | null | Dim Scar | 2024-06-04T00:00:00 | [04:32.001] | true | true | Look Outside, the sun has gone behind the water tower. All the police have gone home for the day, there's nothing left for them to steal. I know what you fixed to me, tied to a string and dangling out the window. Quick before they come, let it fall down. Let it fall down. Don't you feel like being the same? Don't you feel like I forgot your name? I've told you this so many times before, what do you need from me to fix the stitch in the night? They'll hold back the tickets that we purchased for the drive-in down the street. I know you're excited to see the latest mystery. I'll try to not to spoil it. I'll try not to explain it. I'll try to not critique it. I'll try to not to notice. I will only have this phone for another month or two, then I don't know how and I don't know when. Won't you please take it with you, I have no use for its SIM cards, For the fortune cards, or the playing cards, or the sympathy cards for you. | Supercollider, discogs_id: 244281, The Caretaker, discogs_id: 7734, Laurie Anderson, discogs_id: 26050 | dreamy, mysterious, surreal, dark | electronic, experimental, post-rock, art rock | 07_07.lrc | This song is the sound I set out to make for Infranyms - warbling, fragile ballads with a sort of Christopher Knowles-esque, stream of consciousness feel. It describes suicidal ideation as the narrator's sim card reveals that he's living in a simulation himself. | {
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} | Verse : Bizarre, warped synths accompany a vocoder-laden vocal., [00:00.000]-[01:33.010] | Interlude : The drums rest while the synths and bass support the vocal, [01:33.011]-[02:09.004] | This isn't right : An intense build while the narrator realizes his own inability to comprehend he's living in a simulation., [02:09.005]-[02:36.016] | Bridge : A small bridge to change the intensity, [02:36.017]-[02:42.003] | Verse 2 : The second verse continues the surreal, stream-of-consciousness narration., [02:42.004]-[03:39.021] | Interlude : A small keyboard line resets the tempo, [03:39.022]-[03:42.014] | Outro : Now the song is on a different upbeat as the narrator says his goodbyes, [03:42.015]-[04:32.001] | null | |
07_08_seg_0001_track_02 | 0 | 07_08 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0001_track_02.wav | null | 34.008 | 41.006 | 6.998 | true | false | We walk at night eavesdropping on the city's sorrow, | Verse 1 | combined | 34.02 | 41.006 | true | Start aligned to Verse 1 boundary at 34.008s | false | null | 5 | 52 | 9 | -0.012 | 0 | audio_only | 07_08_2 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0001_track_03 | 0 | 07_08 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0001_track_03.wav | null | 34.008 | 41.006 | 6.998 | true | false | We walk at night eavesdropping on the city's sorrow, | Verse 1 | combined | 34.02 | 41.006 | true | Start aligned to Verse 1 boundary at 34.008s | false | null | 5 | 52 | 9 | -0.012 | 0 | audio_only | 07_08_3 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0001_track_09 | 0 | 07_08 | 9 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0001_track_09.wav | null | 34.008 | 41.006 | 6.998 | true | false | We walk at night eavesdropping on the city's sorrow, | Verse 1 | combined | 34.02 | 41.006 | true | Start aligned to Verse 1 boundary at 34.008s | false | null | 5 | 52 | 9 | -0.012 | 0 | audio_only | 07_08_9 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0001_track_17 | 0 | 07_08 | 17 | Synthi | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_18_synthi.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0001_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_17_synthi.mid | 34.008 | 41.006 | 6.998 | false | true | We walk at night eavesdropping on the city's sorrow, | Verse 1 | combined | 34.02 | 41.006 | true | Start aligned to Verse 1 boundary at 34.008s | false | null | 5 | 52 | 9 | -0.012 | 0 | midi_only | 07_08_17 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0001_track_18 | 0 | 07_08 | 18 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_20_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0001_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_19_farfisa_lead.mid | 34.008 | 41.006 | 6.998 | false | true | We walk at night eavesdropping on the city's sorrow, | Verse 1 | combined | 34.02 | 41.006 | true | Start aligned to Verse 1 boundary at 34.008s | false | null | 5 | 52 | 9 | -0.012 | 0 | midi_only | 07_08_18 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0002_track_02 | 1 | 07_08 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0002_track_02.wav | null | 41.006 | 51.005 | 9.999 | true | false | but I know sorrow's just a fairy-tale to you. | Verse 1 | combined | 41.006 | 51.005 | false | false | null | 7 | 45 | 9 | 0 | 0 | audio_only | 07_08_2 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0002_track_03 | 1 | 07_08 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0002_track_03.wav | null | 41.006 | 51.005 | 9.999 | true | false | but I know sorrow's just a fairy-tale to you. | Verse 1 | combined | 41.006 | 51.005 | false | false | null | 7 | 45 | 9 | 0 | 0 | audio_only | 07_08_3 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0002_track_04 | 1 | 07_08 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0002_track_04.wav | null | 41.006 | 51.005 | 9.999 | true | false | but I know sorrow's just a fairy-tale to you. | Verse 1 | combined | 41.006 | 51.005 | false | false | null | 7 | 45 | 9 | 0 | 0 | audio_only | 07_08_4 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0002_track_08 | 1 | 07_08 | 8 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_08_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0002_track_08.wav | null | 41.006 | 51.005 | 9.999 | true | false | but I know sorrow's just a fairy-tale to you. | Verse 1 | combined | 41.006 | 51.005 | false | false | null | 7 | 45 | 9 | 0 | 0 | audio_only | 07_08_8 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0002_track_09 | 1 | 07_08 | 9 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0002_track_09.wav | null | 41.006 | 51.005 | 9.999 | true | false | but I know sorrow's just a fairy-tale to you. | Verse 1 | combined | 41.006 | 51.005 | false | false | null | 7 | 45 | 9 | 0 | 0 | audio_only | 07_08_9 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0002_track_17 | 1 | 07_08 | 17 | Synthi | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_18_synthi.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0002_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_17_synthi.mid | 41.006 | 51.005 | 9.999 | false | true | but I know sorrow's just a fairy-tale to you. | Verse 1 | combined | 41.006 | 51.005 | false | false | null | 7 | 45 | 9 | 0 | 0 | midi_only | 07_08_17 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0002_track_18 | 1 | 07_08 | 18 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_20_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0002_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_19_farfisa_lead.mid | 41.006 | 51.005 | 9.999 | false | true | but I know sorrow's just a fairy-tale to you. | Verse 1 | combined | 41.006 | 51.005 | false | false | null | 7 | 45 | 9 | 0 | 0 | midi_only | 07_08_18 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0003_track_02 | 2 | 07_08 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0003_track_02.wav | null | 51.005 | 58.01 | 7.005 | true | false | You said it sounded like words from tomorrow, | Verse 1 | combined | 51.005 | 58.01 | false | false | null | 9 | 45 | 8 | 0 | 0 | audio_only | 07_08_2 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0003_track_03 | 2 | 07_08 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0003_track_03.wav | null | 51.005 | 58.01 | 7.005 | true | false | You said it sounded like words from tomorrow, | Verse 1 | combined | 51.005 | 58.01 | false | false | null | 9 | 45 | 8 | 0 | 0 | audio_only | 07_08_3 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0003_track_04 | 2 | 07_08 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0003_track_04.wav | null | 51.005 | 58.01 | 7.005 | true | false | You said it sounded like words from tomorrow, | Verse 1 | combined | 51.005 | 58.01 | false | false | null | 9 | 45 | 8 | 0 | 0 | audio_only | 07_08_4 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0003_track_08 | 2 | 07_08 | 8 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_08_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0003_track_08.wav | null | 51.005 | 58.01 | 7.005 | true | false | You said it sounded like words from tomorrow, | Verse 1 | combined | 51.005 | 58.01 | false | false | null | 9 | 45 | 8 | 0 | 0 | audio_only | 07_08_8 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0003_track_09 | 2 | 07_08 | 9 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0003_track_09.wav | null | 51.005 | 58.01 | 7.005 | true | false | You said it sounded like words from tomorrow, | Verse 1 | combined | 51.005 | 58.01 | false | false | null | 9 | 45 | 8 | 0 | 0 | audio_only | 07_08_9 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0003_track_17 | 2 | 07_08 | 17 | Synthi | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_18_synthi.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0003_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_17_synthi.mid | 51.005 | 58.01 | 7.005 | false | true | You said it sounded like words from tomorrow, | Verse 1 | combined | 51.005 | 58.01 | false | false | null | 9 | 45 | 8 | 0 | 0 | midi_only | 07_08_17 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0003_track_18 | 2 | 07_08 | 18 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_20_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0003_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_19_farfisa_lead.mid | 51.005 | 58.01 | 7.005 | false | true | You said it sounded like words from tomorrow, | Verse 1 | combined | 51.005 | 58.01 | false | false | null | 9 | 45 | 8 | 0 | 0 | midi_only | 07_08_18 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null | |
07_08_seg_0004_track_02 | 3 | 07_08 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0004_track_02.wav | null | 58.01 | 68.014 | 10.004 | true | false | I guess that tenseless language is finally getting some use. | Verse 1 | combined | 58.01 | 67.012 | true | End aligned to Verse 1 boundary at 68.014s | false | null | 11 | 60 | 10 | 0 | 1.002 | audio_only | 07_08_2 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0004_track_03 | 3 | 07_08 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0004_track_03.wav | null | 58.01 | 68.014 | 10.004 | true | false | I guess that tenseless language is finally getting some use. | Verse 1 | combined | 58.01 | 67.012 | true | End aligned to Verse 1 boundary at 68.014s | false | null | 11 | 60 | 10 | 0 | 1.002 | audio_only | 07_08_3 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0004_track_04 | 3 | 07_08 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0004_track_04.wav | null | 58.01 | 68.014 | 10.004 | true | false | I guess that tenseless language is finally getting some use. | Verse 1 | combined | 58.01 | 67.012 | true | End aligned to Verse 1 boundary at 68.014s | false | null | 11 | 60 | 10 | 0 | 1.002 | audio_only | 07_08_4 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0004_track_08 | 3 | 07_08 | 8 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_08_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0004_track_08.wav | null | 58.01 | 68.014 | 10.004 | true | false | I guess that tenseless language is finally getting some use. | Verse 1 | combined | 58.01 | 67.012 | true | End aligned to Verse 1 boundary at 68.014s | false | null | 11 | 60 | 10 | 0 | 1.002 | audio_only | 07_08_8 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0004_track_09 | 3 | 07_08 | 9 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0004_track_09.wav | null | 58.01 | 68.014 | 10.004 | true | false | I guess that tenseless language is finally getting some use. | Verse 1 | combined | 58.01 | 67.012 | true | End aligned to Verse 1 boundary at 68.014s | false | null | 11 | 60 | 10 | 0 | 1.002 | audio_only | 07_08_9 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0004_track_17 | 3 | 07_08 | 17 | Synthi | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_18_synthi.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0004_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_17_synthi.mid | 58.01 | 68.014 | 10.004 | false | true | I guess that tenseless language is finally getting some use. | Verse 1 | combined | 58.01 | 67.012 | true | End aligned to Verse 1 boundary at 68.014s | false | null | 11 | 60 | 10 | 0 | 1.002 | midi_only | 07_08_17 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0004_track_18 | 3 | 07_08 | 18 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_20_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0004_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_19_farfisa_lead.mid | 58.01 | 68.014 | 10.004 | false | true | I guess that tenseless language is finally getting some use. | Verse 1 | combined | 58.01 | 67.012 | true | End aligned to Verse 1 boundary at 68.014s | false | null | 11 | 60 | 10 | 0 | 1.002 | midi_only | 07_08_18 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0005_track_02 | 4 | 07_08 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0005_track_02.wav | null | 68.014 | 74.022 | 6.008 | true | false | I've tried to keep up with names in your circles | Chorus 1 | combined | 67.012 | 74.022 | true | Start aligned to Verse 1 boundary at 68.014s | false | null | 13 | 48 | 10 | 1.002 | 0 | audio_only | 07_08_2 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0005_track_03 | 4 | 07_08 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0005_track_03.wav | null | 68.014 | 74.022 | 6.008 | true | false | I've tried to keep up with names in your circles | Chorus 1 | combined | 67.012 | 74.022 | true | Start aligned to Verse 1 boundary at 68.014s | false | null | 13 | 48 | 10 | 1.002 | 0 | audio_only | 07_08_3 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0005_track_04 | 4 | 07_08 | 4 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_04_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0005_track_04.wav | null | 68.014 | 74.022 | 6.008 | true | false | I've tried to keep up with names in your circles | Chorus 1 | combined | 67.012 | 74.022 | true | Start aligned to Verse 1 boundary at 68.014s | false | null | 13 | 48 | 10 | 1.002 | 0 | audio_only | 07_08_4 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
07_08_seg_0005_track_08 | 4 | 07_08 | 8 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_08/07_08_08_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_08/07_08_seg_0005_track_08.wav | null | 68.014 | 74.022 | 6.008 | true | false | I've tried to keep up with names in your circles | Chorus 1 | combined | 67.012 | 74.022 | true | Start aligned to Verse 1 boundary at 68.014s | false | null | 13 | 48 | 10 | 1.002 | 0 | audio_only | 07_08_8 | 112 | 4 | 4 | C | major | Indigo | null | null | Known, Forgotten | null | Ageless Angels Tune | 2024-06-04T00:00:00 | [03:27.021] | true | true | We walk at night eavesdropping on the city's sorrow, but I know sorrow's just a fairy-tale to you. You said it sounded like words from tomorrow, I guess that tenseless language is finally getting some use. I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Where you go I tried to follow but please explain now and then I will wait around until tomorrow next time you see me don't pretend I've tried to keep up with names in your circles Hey now, don't you go teasing me again You think what you're saying is universal Hey now, don't you go leaving me again Keep on talking in circles. Forever, before, now, and when. | The Velvet Underground, discogs_id: 39766, The Feelies, discogs_id: 152428 | ethereal, dreamy, hypnotic, motorik | rock, indie rock | 07_08.lrc | Inspired by 'Arrival' this song images how a language without tenses could rewire the brain. My son plays for the first time on an Earthly Frames song! | {
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"track_duration": 207.021,
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} | Verse Intro : A layered guitar motorik affair kicks in, [00:00.000]-[00:34.007] | Verse 1 : The instruments are layered and the vocals are more subdued than usual, [00:34.008]-[01:08.014] | Chorus 1 : The Velvet Underground vibe continues but it's like Cale is replaced with a robot voice, [01:08.015]-[01:42.021] | Aside : A little aside bridging for another chorus, [01:42.022]-[02:00.000] | Chorus 2 : The second chorus continues the robotic vocal and layered guitars, [02:00.001]-[02:34.007] | Aside : A little aside bridging for the final jams, [02:34.008]-[02:51.010] | Jams : Big, unusually typical guitar jams, [02:51.011]-[03:25.004] | Infranym : A mysterious message, [03:25.004]-[03:27.021] | null |
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