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07_09_seg_0009_track_21 | 8 | 07_09 | 21 | SEM Bass Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_24_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_SEM_bass.mid | 97.016 | 102.004 | 4.988 | true | true | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | audio_midi | 07_09_21 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0009_track_22 | 8 | 07_09 | 22 | Lead Synthi | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_26_lead_synthi.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 97.016 | 102.004 | 4.988 | true | false | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | audio_only | 07_09_22 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid |
07_09_seg_0009_track_23 | 8 | 07_09 | 23 | Grandmother Synth Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_27_lead_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 97.016 | 102.004 | 4.988 | true | false | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | audio_only | 07_09_23 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid |
07_09_seg_0009_track_24 | 8 | 07_09 | 24 | Infranym | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_28_infranym.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_24.wav | null | 97.016 | 102.004 | 4.988 | true | false | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | audio_only | 07_09_24 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0010_track_02 | 9 | 07_09 | 2 | Drums | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0010_track_02.wav | null | 102.004 | 112.008 | 10.004 | true | false | If you accept these terms, then we can get nullified. | Verse 2 | combined | 102.019 | 112.008 | true | Start aligned to Verse 2 boundary at 102.004s | false | null | 23 | 53 | 10 | -0.015 | 0 | audio_only | 07_09_2 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0010_track_06 | 9 | 07_09 | 6 | SEM Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_07_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0010_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_06_SEM_bass.mid | 102.004 | 112.008 | 10.004 | true | true | If you accept these terms, then we can get nullified. | Verse 2 | combined | 102.019 | 112.008 | true | Start aligned to Verse 2 boundary at 102.004s | false | null | 23 | 53 | 10 | -0.015 | 0 | audio_midi | 07_09_6 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
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07_09_seg_0010_track_10 | 9 | 07_09 | 10 | Vox 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_11_vox_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0010_track_10.wav | null | 102.004 | 112.008 | 10.004 | true | false | If you accept these terms, then we can get nullified. | Verse 2 | combined | 102.019 | 112.008 | true | Start aligned to Verse 2 boundary at 102.004s | false | null | 23 | 53 | 10 | -0.015 | 0 | audio_only | 07_09_10 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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07_09_seg_0010_track_18 | 9 | 07_09 | 18 | Prophet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_21_prophet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0010_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 102.004 | 112.008 | 10.004 | false | true | If you accept these terms, then we can get nullified. | Verse 2 | combined | 102.019 | 112.008 | true | Start aligned to Verse 2 boundary at 102.004s | false | null | 23 | 53 | 10 | -0.015 | 0 | midi_only | 07_09_18 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid |
07_09_seg_0010_track_19 | 9 | 07_09 | 19 | Prophet to Grandmother 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_22_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0010_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 102.004 | 112.008 | 10.004 | false | true | If you accept these terms, then we can get nullified. | Verse 2 | combined | 102.019 | 112.008 | true | Start aligned to Verse 2 boundary at 102.004s | false | null | 23 | 53 | 10 | -0.015 | 0 | midi_only | 07_09_19 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0011_track_06 | 10 | 07_09 | 6 | SEM Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_07_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0011_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_06_SEM_bass.mid | 112.008 | 142.008 | 30 | true | true | We can tell each other about our days, we can tell what's beneath. | Interlude | combined | 112.008 | 142.024 | false | true | 1/2 | 25 | 66 | 13 | 0 | -0.016 | audio_midi | 07_09_6 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0012_track_12 | 11 | 07_09 | 12 | Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_13_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0012_track_12.wav | null | 140.008 | 142.024 | 2.016 | true | false | We can tell each other about our days, we can tell what's beneath. | Interlude | combined | 112.008 | 142.024 | false | true | 2/2 | 25 | 66 | 13 | 28 | 0 | audio_only | 07_09_12 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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07_09_seg_0012_track_21 | 11 | 07_09 | 21 | SEM Bass Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_24_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0012_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_SEM_bass.mid | 140.008 | 142.024 | 2.016 | true | true | We can tell each other about our days, we can tell what's beneath. | Interlude | combined | 112.008 | 142.024 | false | true | 2/2 | 25 | 66 | 13 | 28 | 0 | audio_midi | 07_09_21 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
07_09_seg_0012_track_24 | 11 | 07_09 | 24 | Infranym | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_28_infranym.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0012_track_24.wav | null | 140.008 | 142.024 | 2.016 | true | false | We can tell each other about our days, we can tell what's beneath. | Interlude | combined | 112.008 | 142.024 | false | true | 2/2 | 25 | 66 | 13 | 28 | 0 | audio_only | 07_09_24 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0013_track_14 | 12 | 07_09 | 14 | Lead Synth Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_17_taffy_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0013_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 142.024 | 148.002 | 5.978 | false | true | Touch your face, touch beneath it | Interlude | combined | 142.024 | 148.002 | false | false | null | 27 | 33 | 6 | 0 | 0 | midi_only | 07_09_14 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
07_09_seg_0013_track_15 | 12 | 07_09 | 15 | Lead Synth Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_15_taffy_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0013_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 142.024 | 148.002 | 5.978 | false | true | Touch your face, touch beneath it | Interlude | combined | 142.024 | 148.002 | false | false | null | 27 | 33 | 6 | 0 | 0 | midi_only | 07_09_15 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0013_track_19 | 12 | 07_09 | 19 | Prophet to Grandmother 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_22_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0013_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 142.024 | 148.002 | 5.978 | false | true | Touch your face, touch beneath it | Interlude | combined | 142.024 | 148.002 | false | false | null | 27 | 33 | 6 | 0 | 0 | midi_only | 07_09_19 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0014_track_02 | 13 | 07_09 | 2 | Drums | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0014_track_02.wav | null | 148.002 | 153.004 | 5.002 | true | false | Not sharing anything inside now. | Interlude | combined | 148.002 | 153.004 | false | false | null | 29 | 32 | 5 | 0 | 0 | audio_only | 07_09_2 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0014_track_03 | 13 | 07_09 | 3 | Kick | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0014_track_03.wav | null | 148.002 | 153.004 | 5.002 | true | false | Not sharing anything inside now. | Interlude | combined | 148.002 | 153.004 | false | false | null | 29 | 32 | 5 | 0 | 0 | audio_only | 07_09_3 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0014_track_14 | 13 | 07_09 | 14 | Lead Synth Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_17_taffy_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0014_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 148.002 | 153.004 | 5.002 | true | true | Not sharing anything inside now. | Interlude | combined | 148.002 | 153.004 | false | false | null | 29 | 32 | 5 | 0 | 0 | audio_midi | 07_09_14 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
07_09_seg_0014_track_15 | 13 | 07_09 | 15 | Lead Synth Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_15_taffy_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0014_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 148.002 | 153.004 | 5.002 | false | true | Not sharing anything inside now. | Interlude | combined | 148.002 | 153.004 | false | false | null | 29 | 32 | 5 | 0 | 0 | midi_only | 07_09_15 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0014_track_19 | 13 | 07_09 | 19 | Prophet to Grandmother 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_22_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0014_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 148.002 | 153.004 | 5.002 | false | true | Not sharing anything inside now. | Interlude | combined | 148.002 | 153.004 | false | false | null | 29 | 32 | 5 | 0 | 0 | midi_only | 07_09_19 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
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07_09_seg_0014_track_21 | 13 | 07_09 | 21 | SEM Bass Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_24_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0014_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_SEM_bass.mid | 148.002 | 153.004 | 5.002 | true | true | Not sharing anything inside now. | Interlude | combined | 148.002 | 153.004 | false | false | null | 29 | 32 | 5 | 0 | 0 | audio_midi | 07_09_21 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
07_09_seg_0014_track_24 | 13 | 07_09 | 24 | Infranym | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_28_infranym.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0014_track_24.wav | null | 148.002 | 153.004 | 5.002 | true | false | Not sharing anything inside now. | Interlude | combined | 148.002 | 153.004 | false | false | null | 29 | 32 | 5 | 0 | 0 | audio_only | 07_09_24 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0015_track_02 | 14 | 07_09 | 2 | Drums | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0015_track_02.wav | null | 153.004 | 158.007 | 5.003 | true | false | Don't you love me so very much? | Interlude | combined | 153.004 | 158.007 | false | false | null | 31 | 31 | 7 | 0 | 0 | audio_only | 07_09_2 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
07_09_seg_0015_track_15 | 14 | 07_09 | 15 | Lead Synth Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_15_taffy_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0015_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 153.004 | 158.007 | 5.003 | false | true | Don't you love me so very much? | Interlude | combined | 153.004 | 158.007 | false | false | null | 31 | 31 | 7 | 0 | 0 | midi_only | 07_09_15 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
07_09_seg_0015_track_16 | 14 | 07_09 | 16 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_18_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0015_track_16.wav | null | 153.004 | 158.007 | 5.003 | true | false | Don't you love me so very much? | Interlude | combined | 153.004 | 158.007 | false | false | null | 31 | 31 | 7 | 0 | 0 | audio_only | 07_09_16 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0016_track_09 | 15 | 07_09 | 9 | Vox 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_10_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0016_track_09.wav | null | 158.007 | 163.01 | 5.003 | true | false | Do I trust your lips? You're blushing? | Interlude | combined | 158.007 | 163.01 | false | false | null | 33 | 38 | 7 | 0 | 0 | audio_only | 07_09_9 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0016_track_10 | 15 | 07_09 | 10 | Vox 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_11_vox_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0016_track_10.wav | null | 158.007 | 163.01 | 5.003 | true | false | Do I trust your lips? You're blushing? | Interlude | combined | 158.007 | 163.01 | false | false | null | 33 | 38 | 7 | 0 | 0 | audio_only | 07_09_10 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0017_track_14 | 16 | 07_09 | 14 | Lead Synth Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_17_taffy_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0017_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 163.01 | 166.014 | 3.004 | true | true | Let me pour you a drink. | Interlude | combined | 163.01 | 166.014 | false | false | null | 35 | 24 | 6 | 0 | 0 | audio_midi | 07_09_14 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
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} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid |
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