segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
07_09_seg_0002_track_19 | 1 | 07_09 | 19 | Prophet to Grandmother 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_22_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0002_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 22.006 | 38.019 | 16.013 | false | true | Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. | Verse 1 | combined | 22.006 | 38.019 | false | false | null | 7 | 115 | 18 | 0 | 0 | midi_only | 07_09_19 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0002_track_20 | 1 | 07_09 | 20 | Prophet to Grandmother 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0002_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 22.006 | 38.019 | 16.013 | true | true | Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. | Verse 1 | combined | 22.006 | 38.019 | false | false | null | 7 | 115 | 18 | 0 | 0 | audio_midi | 07_09_20 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0002_track_21 | 1 | 07_09 | 21 | SEM Bass Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_24_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0002_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_SEM_bass.mid | 22.006 | 38.019 | 16.013 | true | true | Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. | Verse 1 | combined | 22.006 | 38.019 | false | false | null | 7 | 115 | 18 | 0 | 0 | audio_midi | 07_09_21 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0002_track_22 | 1 | 07_09 | 22 | Lead Synthi | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_26_lead_synthi.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0002_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 22.006 | 38.019 | 16.013 | true | false | Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. | Verse 1 | combined | 22.006 | 38.019 | false | false | null | 7 | 115 | 18 | 0 | 0 | audio_only | 07_09_22 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
07_09_seg_0002_track_23 | 1 | 07_09 | 23 | Grandmother Synth Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_27_lead_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0002_track_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 22.006 | 38.019 | 16.013 | true | false | Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. | Verse 1 | combined | 22.006 | 38.019 | false | false | null | 7 | 115 | 18 | 0 | 0 | audio_only | 07_09_23 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
07_09_seg_0002_track_24 | 1 | 07_09 | 24 | Infranym | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_28_infranym.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0002_track_24.wav | null | 22.006 | 38.019 | 16.013 | true | false | Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. | Verse 1 | combined | 22.006 | 38.019 | false | false | null | 7 | 115 | 18 | 0 | 0 | audio_only | 07_09_24 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0003_track_02 | 2 | 07_09 | 2 | Drums | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_02.wav | null | 38.019 | 51.016 | 12.997 | true | false | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | audio_only | 07_09_2 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0003_track_06 | 2 | 07_09 | 6 | SEM Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_07_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_06_SEM_bass.mid | 38.019 | 51.016 | 12.997 | true | true | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | audio_midi | 07_09_6 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0003_track_09 | 2 | 07_09 | 9 | Vox 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_10_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_09.wav | null | 38.019 | 51.016 | 12.997 | true | false | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | audio_only | 07_09_9 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0003_track_10 | 2 | 07_09 | 10 | Vox 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_11_vox_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_10.wav | null | 38.019 | 51.016 | 12.997 | true | false | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | audio_only | 07_09_10 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0003_track_14 | 2 | 07_09 | 14 | Lead Synth Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_17_taffy_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 38.019 | 51.016 | 12.997 | false | true | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | midi_only | 07_09_14 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
07_09_seg_0003_track_15 | 2 | 07_09 | 15 | Lead Synth Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_15_taffy_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 38.019 | 51.016 | 12.997 | false | true | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | midi_only | 07_09_15 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
07_09_seg_0003_track_18 | 2 | 07_09 | 18 | Prophet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_21_prophet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 38.019 | 51.016 | 12.997 | false | true | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | midi_only | 07_09_18 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0003_track_19 | 2 | 07_09 | 19 | Prophet to Grandmother 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_22_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 38.019 | 51.016 | 12.997 | false | true | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | midi_only | 07_09_19 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0003_track_20 | 2 | 07_09 | 20 | Prophet to Grandmother 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 38.019 | 51.016 | 12.997 | true | true | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | audio_midi | 07_09_20 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0003_track_21 | 2 | 07_09 | 21 | SEM Bass Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_24_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_SEM_bass.mid | 38.019 | 51.016 | 12.997 | true | true | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | audio_midi | 07_09_21 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0003_track_22 | 2 | 07_09 | 22 | Lead Synthi | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_26_lead_synthi.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 38.019 | 51.016 | 12.997 | true | false | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | audio_only | 07_09_22 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
07_09_seg_0003_track_23 | 2 | 07_09 | 23 | Grandmother Synth Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_27_lead_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 38.019 | 51.016 | 12.997 | true | false | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | audio_only | 07_09_23 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
07_09_seg_0003_track_24 | 2 | 07_09 | 24 | Infranym | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_28_infranym.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0003_track_24.wav | null | 38.019 | 51.016 | 12.997 | true | false | Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. | Verse 1 | combined | 38.019 | 51.016 | false | false | null | 9 | 79 | 16 | 0 | 0 | audio_only | 07_09_24 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0004_track_02 | 3 | 07_09 | 2 | Drums | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0004_track_02.wav | null | 51.016 | 56.005 | 4.989 | true | false | Won't you please let me know. | Verse 1 | combined | 51.016 | 57.003 | true | End aligned to Chorus 1 boundary at 56.005s | false | null | 11 | 29 | 6 | 0 | -0.998 | audio_only | 07_09_2 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0004_track_06 | 3 | 07_09 | 6 | SEM Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_07_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0004_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_06_SEM_bass.mid | 51.016 | 56.005 | 4.989 | true | true | Won't you please let me know. | Verse 1 | combined | 51.016 | 57.003 | true | End aligned to Chorus 1 boundary at 56.005s | false | null | 11 | 29 | 6 | 0 | -0.998 | audio_midi | 07_09_6 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0004_track_09 | 3 | 07_09 | 9 | Vox 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_10_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0004_track_09.wav | null | 51.016 | 56.005 | 4.989 | true | false | Won't you please let me know. | Verse 1 | combined | 51.016 | 57.003 | true | End aligned to Chorus 1 boundary at 56.005s | false | null | 11 | 29 | 6 | 0 | -0.998 | audio_only | 07_09_9 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0004_track_10 | 3 | 07_09 | 10 | Vox 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_11_vox_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0004_track_10.wav | null | 51.016 | 56.005 | 4.989 | true | false | Won't you please let me know. | Verse 1 | combined | 51.016 | 57.003 | true | End aligned to Chorus 1 boundary at 56.005s | false | null | 11 | 29 | 6 | 0 | -0.998 | audio_only | 07_09_10 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0004_track_18 | 3 | 07_09 | 18 | Prophet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_21_prophet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0004_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 51.016 | 56.005 | 4.989 | false | true | Won't you please let me know. | Verse 1 | combined | 51.016 | 57.003 | true | End aligned to Chorus 1 boundary at 56.005s | false | null | 11 | 29 | 6 | 0 | -0.998 | midi_only | 07_09_18 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid |
07_09_seg_0004_track_19 | 3 | 07_09 | 19 | Prophet to Grandmother 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_22_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0004_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 51.016 | 56.005 | 4.989 | false | true | Won't you please let me know. | Verse 1 | combined | 51.016 | 57.003 | true | End aligned to Chorus 1 boundary at 56.005s | false | null | 11 | 29 | 6 | 0 | -0.998 | midi_only | 07_09_19 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid |
07_09_seg_0004_track_20 | 3 | 07_09 | 20 | Prophet to Grandmother 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0004_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 51.016 | 56.005 | 4.989 | true | true | Won't you please let me know. | Verse 1 | combined | 51.016 | 57.003 | true | End aligned to Chorus 1 boundary at 56.005s | false | null | 11 | 29 | 6 | 0 | -0.998 | audio_midi | 07_09_20 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid |
07_09_seg_0004_track_21 | 3 | 07_09 | 21 | SEM Bass Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_24_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0004_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_SEM_bass.mid | 51.016 | 56.005 | 4.989 | true | true | Won't you please let me know. | Verse 1 | combined | 51.016 | 57.003 | true | End aligned to Chorus 1 boundary at 56.005s | false | null | 11 | 29 | 6 | 0 | -0.998 | audio_midi | 07_09_21 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0004_track_22 | 3 | 07_09 | 22 | Lead Synthi | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_26_lead_synthi.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0004_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 51.016 | 56.005 | 4.989 | true | false | Won't you please let me know. | Verse 1 | combined | 51.016 | 57.003 | true | End aligned to Chorus 1 boundary at 56.005s | false | null | 11 | 29 | 6 | 0 | -0.998 | audio_only | 07_09_22 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid |
07_09_seg_0004_track_23 | 3 | 07_09 | 23 | Grandmother Synth Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_27_lead_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0004_track_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 51.016 | 56.005 | 4.989 | true | false | Won't you please let me know. | Verse 1 | combined | 51.016 | 57.003 | true | End aligned to Chorus 1 boundary at 56.005s | false | null | 11 | 29 | 6 | 0 | -0.998 | audio_only | 07_09_23 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid |
07_09_seg_0004_track_24 | 3 | 07_09 | 24 | Infranym | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_28_infranym.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0004_track_24.wav | null | 51.016 | 56.005 | 4.989 | true | false | Won't you please let me know. | Verse 1 | combined | 51.016 | 57.003 | true | End aligned to Chorus 1 boundary at 56.005s | false | null | 11 | 29 | 6 | 0 | -0.998 | audio_only | 07_09_24 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0005_track_02 | 4 | 07_09 | 2 | Drums | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0005_track_02.wav | null | 56.005 | 65.016 | 9.011 | true | false | Oh love, has the signal reached beneath you yet? | Chorus 1 | combined | 57.003 | 65.016 | true | Start aligned to Chorus 1 boundary at 56.005s | false | null | 13 | 48 | 9 | -0.998 | 0 | audio_only | 07_09_2 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0005_track_06 | 4 | 07_09 | 6 | SEM Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_07_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0005_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_06_SEM_bass.mid | 56.005 | 65.016 | 9.011 | true | true | Oh love, has the signal reached beneath you yet? | Chorus 1 | combined | 57.003 | 65.016 | true | Start aligned to Chorus 1 boundary at 56.005s | false | null | 13 | 48 | 9 | -0.998 | 0 | audio_midi | 07_09_6 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0005_track_08 | 4 | 07_09 | 8 | Bass Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0005_track_08.wav | null | 56.005 | 65.016 | 9.011 | true | false | Oh love, has the signal reached beneath you yet? | Chorus 1 | combined | 57.003 | 65.016 | true | Start aligned to Chorus 1 boundary at 56.005s | false | null | 13 | 48 | 9 | -0.998 | 0 | audio_only | 07_09_8 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0005_track_09 | 4 | 07_09 | 9 | Vox 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_10_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0005_track_09.wav | null | 56.005 | 65.016 | 9.011 | true | false | Oh love, has the signal reached beneath you yet? | Chorus 1 | combined | 57.003 | 65.016 | true | Start aligned to Chorus 1 boundary at 56.005s | false | null | 13 | 48 | 9 | -0.998 | 0 | audio_only | 07_09_9 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0005_track_12 | 4 | 07_09 | 12 | Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_13_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0005_track_12.wav | null | 56.005 | 65.016 | 9.011 | true | false | Oh love, has the signal reached beneath you yet? | Chorus 1 | combined | 57.003 | 65.016 | true | Start aligned to Chorus 1 boundary at 56.005s | false | null | 13 | 48 | 9 | -0.998 | 0 | audio_only | 07_09_12 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0005_track_18 | 4 | 07_09 | 18 | Prophet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_21_prophet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0005_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 56.005 | 65.016 | 9.011 | false | true | Oh love, has the signal reached beneath you yet? | Chorus 1 | combined | 57.003 | 65.016 | true | Start aligned to Chorus 1 boundary at 56.005s | false | null | 13 | 48 | 9 | -0.998 | 0 | midi_only | 07_09_18 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid |
07_09_seg_0005_track_19 | 4 | 07_09 | 19 | Prophet to Grandmother 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_22_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0005_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 56.005 | 65.016 | 9.011 | false | true | Oh love, has the signal reached beneath you yet? | Chorus 1 | combined | 57.003 | 65.016 | true | Start aligned to Chorus 1 boundary at 56.005s | false | null | 13 | 48 | 9 | -0.998 | 0 | midi_only | 07_09_19 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid |
07_09_seg_0005_track_20 | 4 | 07_09 | 20 | Prophet to Grandmother 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0005_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 56.005 | 65.016 | 9.011 | true | true | Oh love, has the signal reached beneath you yet? | Chorus 1 | combined | 57.003 | 65.016 | true | Start aligned to Chorus 1 boundary at 56.005s | false | null | 13 | 48 | 9 | -0.998 | 0 | audio_midi | 07_09_20 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid |
07_09_seg_0005_track_21 | 4 | 07_09 | 21 | SEM Bass Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_24_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0005_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_SEM_bass.mid | 56.005 | 65.016 | 9.011 | true | true | Oh love, has the signal reached beneath you yet? | Chorus 1 | combined | 57.003 | 65.016 | true | Start aligned to Chorus 1 boundary at 56.005s | false | null | 13 | 48 | 9 | -0.998 | 0 | audio_midi | 07_09_21 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0005_track_22 | 4 | 07_09 | 22 | Lead Synthi | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_26_lead_synthi.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0005_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 56.005 | 65.016 | 9.011 | true | false | Oh love, has the signal reached beneath you yet? | Chorus 1 | combined | 57.003 | 65.016 | true | Start aligned to Chorus 1 boundary at 56.005s | false | null | 13 | 48 | 9 | -0.998 | 0 | audio_only | 07_09_22 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid |
07_09_seg_0005_track_23 | 4 | 07_09 | 23 | Grandmother Synth Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_27_lead_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0005_track_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 56.005 | 65.016 | 9.011 | true | false | Oh love, has the signal reached beneath you yet? | Chorus 1 | combined | 57.003 | 65.016 | true | Start aligned to Chorus 1 boundary at 56.005s | false | null | 13 | 48 | 9 | -0.998 | 0 | audio_only | 07_09_23 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid |
07_09_seg_0005_track_24 | 4 | 07_09 | 24 | Infranym | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_28_infranym.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0005_track_24.wav | null | 56.005 | 65.016 | 9.011 | true | false | Oh love, has the signal reached beneath you yet? | Chorus 1 | combined | 57.003 | 65.016 | true | Start aligned to Chorus 1 boundary at 56.005s | false | null | 13 | 48 | 9 | -0.998 | 0 | audio_only | 07_09_24 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0006_track_02 | 5 | 07_09 | 2 | Drums | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_02.wav | null | 65.016 | 74.001 | 8.985 | true | false | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | audio_only | 07_09_2 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0006_track_03 | 5 | 07_09 | 3 | Kick | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_03.wav | null | 65.016 | 74.001 | 8.985 | true | false | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | audio_only | 07_09_3 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0006_track_06 | 5 | 07_09 | 6 | SEM Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_07_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_06_SEM_bass.mid | 65.016 | 74.001 | 8.985 | true | true | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | audio_midi | 07_09_6 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0006_track_08 | 5 | 07_09 | 8 | Bass Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_08.wav | null | 65.016 | 74.001 | 8.985 | true | false | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | audio_only | 07_09_8 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0006_track_09 | 5 | 07_09 | 9 | Vox 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_10_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_09.wav | null | 65.016 | 74.001 | 8.985 | true | false | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | audio_only | 07_09_9 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0006_track_11 | 5 | 07_09 | 11 | Vox 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_12_vox_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_11.wav | null | 65.016 | 74.001 | 8.985 | true | false | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | audio_only | 07_09_11 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0006_track_12 | 5 | 07_09 | 12 | Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_13_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_12.wav | null | 65.016 | 74.001 | 8.985 | true | false | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | audio_only | 07_09_12 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0006_track_14 | 5 | 07_09 | 14 | Lead Synth Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_17_taffy_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 65.016 | 74.001 | 8.985 | false | true | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | midi_only | 07_09_14 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
07_09_seg_0006_track_15 | 5 | 07_09 | 15 | Lead Synth Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_15_taffy_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 65.016 | 74.001 | 8.985 | false | true | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | midi_only | 07_09_15 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
07_09_seg_0006_track_18 | 5 | 07_09 | 18 | Prophet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_21_prophet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 65.016 | 74.001 | 8.985 | false | true | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | midi_only | 07_09_18 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0006_track_19 | 5 | 07_09 | 19 | Prophet to Grandmother 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_22_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 65.016 | 74.001 | 8.985 | false | true | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | midi_only | 07_09_19 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0006_track_20 | 5 | 07_09 | 20 | Prophet to Grandmother 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 65.016 | 74.001 | 8.985 | true | true | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | audio_midi | 07_09_20 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0006_track_21 | 5 | 07_09 | 21 | SEM Bass Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_24_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_SEM_bass.mid | 65.016 | 74.001 | 8.985 | true | true | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | audio_midi | 07_09_21 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0006_track_22 | 5 | 07_09 | 22 | Lead Synthi | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_26_lead_synthi.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 65.016 | 74.001 | 8.985 | true | false | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | audio_only | 07_09_22 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
07_09_seg_0006_track_23 | 5 | 07_09 | 23 | Grandmother Synth Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_27_lead_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 65.016 | 74.001 | 8.985 | true | false | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | audio_only | 07_09_23 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
07_09_seg_0006_track_24 | 5 | 07_09 | 24 | Infranym | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_28_infranym.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0006_track_24.wav | null | 65.016 | 74.001 | 8.985 | true | false | Oh love, have you turned in your badge and gun yet? | Chorus 1 | combined | 65.016 | 74.001 | false | false | null | 15 | 51 | 11 | 0 | 0 | audio_only | 07_09_24 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0007_track_02 | 6 | 07_09 | 2 | Drums | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_02.wav | null | 74.001 | 82.004 | 8.003 | true | false | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | audio_only | 07_09_2 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0007_track_06 | 6 | 07_09 | 6 | SEM Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_07_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_06_SEM_bass.mid | 74.001 | 82.004 | 8.003 | true | true | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | audio_midi | 07_09_6 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0007_track_08 | 6 | 07_09 | 8 | Bass Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_08.wav | null | 74.001 | 82.004 | 8.003 | true | false | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | audio_only | 07_09_8 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0007_track_09 | 6 | 07_09 | 9 | Vox 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_10_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_09.wav | null | 74.001 | 82.004 | 8.003 | true | false | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | audio_only | 07_09_9 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0007_track_10 | 6 | 07_09 | 10 | Vox 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_11_vox_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_10.wav | null | 74.001 | 82.004 | 8.003 | true | false | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | audio_only | 07_09_10 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0007_track_11 | 6 | 07_09 | 11 | Vox 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_12_vox_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_11.wav | null | 74.001 | 82.004 | 8.003 | true | false | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | audio_only | 07_09_11 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0007_track_12 | 6 | 07_09 | 12 | Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_13_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_12.wav | null | 74.001 | 82.004 | 8.003 | true | false | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | audio_only | 07_09_12 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0007_track_14 | 6 | 07_09 | 14 | Lead Synth Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_17_taffy_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 74.001 | 82.004 | 8.003 | false | true | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | midi_only | 07_09_14 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
07_09_seg_0007_track_15 | 6 | 07_09 | 15 | Lead Synth Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_15_taffy_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 74.001 | 82.004 | 8.003 | false | true | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | midi_only | 07_09_15 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
07_09_seg_0007_track_18 | 6 | 07_09 | 18 | Prophet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_21_prophet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 74.001 | 82.004 | 8.003 | false | true | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | midi_only | 07_09_18 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0007_track_19 | 6 | 07_09 | 19 | Prophet to Grandmother 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_22_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 74.001 | 82.004 | 8.003 | false | true | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | midi_only | 07_09_19 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0007_track_20 | 6 | 07_09 | 20 | Prophet to Grandmother 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 74.001 | 82.004 | 8.003 | true | true | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | audio_midi | 07_09_20 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0007_track_21 | 6 | 07_09 | 21 | SEM Bass Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_24_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_SEM_bass.mid | 74.001 | 82.004 | 8.003 | true | true | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | audio_midi | 07_09_21 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0007_track_22 | 6 | 07_09 | 22 | Lead Synthi | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_26_lead_synthi.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 74.001 | 82.004 | 8.003 | true | false | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | audio_only | 07_09_22 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
07_09_seg_0007_track_23 | 6 | 07_09 | 23 | Grandmother Synth Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_27_lead_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 74.001 | 82.004 | 8.003 | true | false | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | audio_only | 07_09_23 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
07_09_seg_0007_track_24 | 6 | 07_09 | 24 | Infranym | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_28_infranym.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0007_track_24.wav | null | 74.001 | 82.004 | 8.003 | true | false | Oh love, have you severed the high voltage yet? | Chorus 1 | combined | 74.001 | 82.004 | false | false | null | 17 | 47 | 9 | 0 | 0 | audio_only | 07_09_24 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0008_track_02 | 7 | 07_09 | 2 | Drums | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_02.wav | null | 82.004 | 97.016 | 15.012 | true | false | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | audio_only | 07_09_2 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0008_track_06 | 7 | 07_09 | 6 | SEM Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_07_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_06_SEM_bass.mid | 82.004 | 97.016 | 15.012 | true | true | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | audio_midi | 07_09_6 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0008_track_08 | 7 | 07_09 | 8 | Bass Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_08.wav | null | 82.004 | 97.016 | 15.012 | true | false | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | audio_only | 07_09_8 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0008_track_09 | 7 | 07_09 | 9 | Vox 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_10_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_09.wav | null | 82.004 | 97.016 | 15.012 | true | false | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | audio_only | 07_09_9 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0008_track_10 | 7 | 07_09 | 10 | Vox 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_11_vox_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_10.wav | null | 82.004 | 97.016 | 15.012 | true | false | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | audio_only | 07_09_10 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0008_track_14 | 7 | 07_09 | 14 | Lead Synth Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_17_taffy_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 82.004 | 97.016 | 15.012 | false | true | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | midi_only | 07_09_14 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
07_09_seg_0008_track_15 | 7 | 07_09 | 15 | Lead Synth Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_15_taffy_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 82.004 | 97.016 | 15.012 | false | true | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | midi_only | 07_09_15 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid | |
07_09_seg_0008_track_18 | 7 | 07_09 | 18 | Prophet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_21_prophet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 82.004 | 97.016 | 15.012 | false | true | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | midi_only | 07_09_18 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0008_track_19 | 7 | 07_09 | 19 | Prophet to Grandmother 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_22_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 82.004 | 97.016 | 15.012 | false | true | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | midi_only | 07_09_19 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0008_track_20 | 7 | 07_09 | 20 | Prophet to Grandmother 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 82.004 | 97.016 | 15.012 | true | true | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | audio_midi | 07_09_20 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid | |
07_09_seg_0008_track_21 | 7 | 07_09 | 21 | SEM Bass Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_24_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_21.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_SEM_bass.mid | 82.004 | 97.016 | 15.012 | true | true | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | audio_midi | 07_09_21 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0008_track_22 | 7 | 07_09 | 22 | Lead Synthi | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_26_lead_synthi.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_22.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 82.004 | 97.016 | 15.012 | true | false | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | audio_only | 07_09_22 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
07_09_seg_0008_track_23 | 7 | 07_09 | 23 | Grandmother Synth Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_27_lead_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_23.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_25_lead.mid | 82.004 | 97.016 | 15.012 | true | false | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | audio_only | 07_09_23 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_25_lead.mid | |
07_09_seg_0008_track_24 | 7 | 07_09 | 24 | Infranym | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_28_infranym.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0008_track_24.wav | null | 82.004 | 97.016 | 15.012 | true | false | I know what you think if I could see you now, at sunset, with cruise missiles inbound. | Chorus 1 | combined | 82.004 | 97.016 | false | false | null | 19 | 86 | 17 | 0 | 0 | audio_only | 07_09_24 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null | |
07_09_seg_0009_track_02 | 8 | 07_09 | 2 | Drums | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_02.wav | null | 97.016 | 102.004 | 4.988 | true | false | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | audio_only | 07_09_2 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0009_track_03 | 8 | 07_09 | 3 | Kick | drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_03.wav | null | 97.016 | 102.004 | 4.988 | true | false | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | audio_only | 07_09_3 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0009_track_06 | 8 | 07_09 | 6 | SEM Synth Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_07_SEM_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_06.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_06_SEM_bass.mid | 97.016 | 102.004 | 4.988 | true | true | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | audio_midi | 07_09_6 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0009_track_08 | 8 | 07_09 | 8 | Bass Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_08.wav | null | 97.016 | 102.004 | 4.988 | true | false | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | audio_only | 07_09_8 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0009_track_09 | 8 | 07_09 | 9 | Vox 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_10_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_09.wav | null | 97.016 | 102.004 | 4.988 | true | false | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | audio_only | 07_09_9 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0009_track_10 | 8 | 07_09 | 10 | Vox 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_11_vox_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_10.wav | null | 97.016 | 102.004 | 4.988 | true | false | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | audio_only | 07_09_10 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0009_track_14 | 8 | 07_09 | 14 | Lead Synth Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_17_taffy_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 97.016 | 102.004 | 4.988 | false | true | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | midi_only | 07_09_14 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid |
07_09_seg_0009_track_15 | 8 | 07_09 | 15 | Lead Synth Grandmother | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_15_taffy_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_16_taffy.mid | 97.016 | 102.004 | 4.988 | false | true | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | midi_only | 07_09_15 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_16_taffy.mid |
07_09_seg_0009_track_16 | 8 | 07_09 | 16 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_18_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_16.wav | null | 97.016 | 102.004 | 4.988 | true | false | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | audio_only | 07_09_16 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | null |
07_09_seg_0009_track_18 | 8 | 07_09 | 18 | Prophet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_21_prophet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 97.016 | 102.004 | 4.988 | false | true | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | midi_only | 07_09_18 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid |
07_09_seg_0009_track_19 | 8 | 07_09 | 19 | Prophet to Grandmother 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_22_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_19.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 97.016 | 102.004 | 4.988 | false | true | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | midi_only | 07_09_19 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid |
07_09_seg_0009_track_20 | 8 | 07_09 | 20 | Prophet to Grandmother 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_23_prophet_to_gm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_09/07_09_seg_0009_track_20.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_09/07_09_20_prophet.mid | 97.016 | 102.004 | 4.988 | true | true | Don't over come. Don't dance with him. | Chorus 1 | combined | 97.016 | 102.019 | true | End aligned to Verse 2 boundary at 102.004s | false | null | 21 | 38 | 7 | 0 | -0.015 | audio_midi | 07_09_20 | 94 | 4 | 4 | E | minor | Indigo | null | null | Known, Forgotten | null | Beta Hats Hewn | 2024-06-04T00:00:00 | [03:25.013] | true | true | I know that you have been seen last year on the five o'clock news. Your arms stretched out, channeling Louise Howell, and publicly defending the merits of the void between the stars. Oh, come on now! Don't you know the Dewey Decimals don't have a place for that. Won't you please let me know. Oh love, has the signal reached beneath you yet? Oh love, have you turned in your badge and gun yet? Oh love, have you severed the high voltage yet? I know what you think if I could see you now, at sunset, with cruise missiles inbound. Don't over come. Don't dance with him. If you accept these terms, then we can get nullified. We can tell each other about our days, we can tell what's beneath. Touch your face, touch beneath it Not sharing anything inside now. Don't you love me so very much? Do I trust your lips? You're blushing? Let me pour you a drink. Let me tell you about the variable universe | Brian Eno, discogs_id: 634, My Bloody Valentine, discogs_id: 6516 | tender, frightening, bizarre, creepy | art rock, experimental rock | 07_09.lrc | This is the other song I felt achieved the Indigo goal of being a bit more experimental and stream-of-conscious. It describes a deconstructed romantic relationship. These lyrics also have some of the ad references from 'Here Comes the Mechanical Bridge' but, of course, obscured. | {
"album_sequence": 7,
"avg_word_length": 5.363636363636363,
"boundary_fluidity_score": 0,
"concept_length": 279,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.02631578947368421,
"rebracketing_intensity": 4.545454545454546,
"rebracketing_type": "spatial",
"sentence_count": 3,
"temporal_complexity_score": 0,
"track_duration": 205.013,
"track_id": "07_09",
"track_position": 9,
"uncertainty_level": 0,
"word_count": 44
} | Verse 1 : A meandering verse with guitar and synths, [00:00.000]-[00:56.004] | Chorus 1 : Bizarre vocal effects and chord changes take a spooky turn, [00:56.005]-[01:42.003] | Verse 2 : Back to the meandering verse with gentle tom work, [01:42.004]-[02:02.013] | Interlude : A warped little break heavy on the synths, [02:02.014]-[02:53.015] | Verse 3 : A little more minimal - with some more organ improvisation, [02:53.016]-[03:19.003] | Outro : Stylus heavy outro with tom flourishes, [03:19.004]-[03:25.013] | 07_09_20_prophet.mid |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.