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reassuring , retro uplifter .
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throwing it all away for the fleeting joys of love's brief moment .
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armed with a game supporting cast , from the pitch-perfect forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud .
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a decent-enough nail-biter that stands a good chance of being the big hit franklin needs to stay afloat in hollywood .
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begins like a docu-drama but builds its multi-character story with a flourish .
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one of the most genuinely sweet films to come along in quite some time .
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after an uncertain start , murder hits and generally sustains a higher plateau with bullock's memorable first interrogation of gosling .
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the story ultimately takes hold and grips hard .
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a bit of a downer and a little over-dramatic at times , but this is a beautiful film for people who like their romances to have that french realism .
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an emotionally strong and politically potent piece of cinema .
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enticing and often funny documentary .
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going to this movie is a little like chewing whale blubber - it's an acquired taste that takes time to enjoy , but it's worth it , even if it does take 3 hours to get through .
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a portrait of hell so shattering it's impossible to shake .
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almodovar is an imaginative teacher of emotional intelligence in this engaging film about two men who discover what william james once called 'the gift of tears . '
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better than the tepid star trek : insurrection ; falls short of first contact because the villain couldn't pick the lint off borg queen alice krige's cape ; and finishes half a parsec ( a nose ) ahead of generations .
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at times a bit melodramatic and even a little dated ( depending upon where you live ) , ignorant fairies is still quite good-natured and not a bad way to spend an hour or two .
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tense , terrific , sweaty-palmed fun .
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majidi's direction has never been smoother or more confident .
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visually captivating .
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what a bewilderingly brilliant and entertaining movie this is .
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hard , endearing , caring , warm . bring tissues .
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a thriller with an edge -- which is to say that it doesn't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world .
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" me without you " is a probing examination of a female friendship set against a few dynamic decades .
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inherently caustic and oddly whimsical , the film chimes in on the grieving process and strangely draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss .
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though frodo's quest remains unfulfilled , a hardy group of determined new zealanders has proved its creative mettle .
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it's a square , sentimental drama that satisfies , as comfort food often can .
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pure cinematic intoxication , a wildly inventive mixture of comedy and melodrama , tastelessness and swooning elegance .
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ramsay is clearly extraordinarily talented , and based on three short films and two features , here's betting her third feature will be something to behold .
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i was impressed by how many tit-for-tat retaliatory responses the filmmakers allow before pulling the plug on the conspirators and averting an american-russian armageddon .
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a classy , sprightly spin on film .
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fast , frantic and fun , but also soon forgotten
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a spiffy animated feature about an unruly adolescent boy who is yearning for adventure and a chance to prove his worth .
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devos and cassel have tremendous chemistry -- their sexual and romantic tension , while never really vocalized , is palpable .
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fulfills the minimum requirement of disney animation .
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a moving , if uneven , success .
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with one exception , every blighter in this particular south london housing project digs into dysfunction like it's a big , comforting jar of marmite , to be slathered on crackers and served as a feast of bleakness .
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wickedly funny , visually engrossing , never boring , this movie challenges us to think about the ways we consume pop culture .
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there's plenty to impress about e . t .
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a chronicle not only of one man's quest to be president , but of how that man single-handedly turned a plane full of hard-bitten , cynical journalists into what was essentially , by campaign's end , an extended publicity department .
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until it goes off the rails in its final 10 or 15 minutes , wendigo , larry fessenden's spooky new thriller , is a refreshingly smart and newfangled variation on several themes derived from far less sophisticated and knowing horror films .
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[woo's] most resonant film since the killer .
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collateral damage is trash , but it earns extra points by acting as if it weren't .
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a whole lot of fun and funny in the middle , though somewhat less hard-hitting at the start and finish .
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maybe it is formula filmmaking , but there's nothing wrong with that if the film is well-crafted and this one is .
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[fincher's] camera sense and assured pacing make it an above-average thriller .
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the film is insightful about kissinger's background and history .
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an engrossing portrait of a man whose engaging manner and flamboyant style made him a truly larger-than-life character .
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a lot of the credit for the film's winning tone must go to grant , who hasn't lost a bit of the dry humor that first made audiences on both sides of the atlantic love him .
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exploits [headbanger] stereotypes in good fun , while adding a bit of heart and unsettling subject matter .
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a journey that is as difficult for the audience to take as it is for the protagonist -- yet it's potentially just as rewarding .
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ratliff's two previous titles , plutonium circus and purgatory county show his penchant for wry , contentious configurations , and this film is part of that delicate canon .
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from its invitingly upbeat overture to its pathos-filled but ultimately life-affirming finale , martin is a masterfully conducted work .
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passions , obsessions , and loneliest dark spots are pushed to their most virtuous limits , lending the narrative an unusually surreal tone .
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a comedy that swings and jostles to the rhythms of life .
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at times auto focus feels so distant you might as well be watching it through a telescope . yet in its own aloof , unreachable way it's so fascinating you won't be able to look away for a second .
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if you're part of her targeted audience , you'll cheer . otherwise , maybe .
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as animation increasingly emphasizes the computer and the cool , this is a film that takes a stand in favor of tradition and warmth .
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blade ii merges bits and pieces from fighting games , wire fu , horror movies , mystery , james bond , wrestling , sci-fi and anime into one big bloody stew .
1pos
instead of hitting the audience over the head with a moral , schrader relies on subtle ironies and visual devices to convey point of view .
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k-19 will not go down in the annals of cinema as one of the great submarine stories , but it is an engaging and exciting narrative of man confronting the demons of his own fear and paranoia .
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contrived as this may sound , mr . rose's updating works surprisingly well .
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a glib but bouncy bit of sixties-style slickness in which the hero might wind up caught but the audience gets pure escapism .
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lavishly , exhilaratingly tasteless .
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you don't need to be a hip-hop fan to appreciate scratch , and that's the mark of a documentary that works .
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between bursts of automatic gunfire , the story offers a trenchant critique of capitalism .
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combines improbable melodrama ( gored bullfighters , comatose ballerinas ) with subtly kinky bedside vigils and sensational denouements , and yet at the end , we are undeniably touched .
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while the story's undeniably hard to follow , iwai's gorgeous visuals seduce .
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if you can get past the taboo subject matter , it will be well worth your time .
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a lovely film . . . elegant , witty and beneath a prim exterior unabashedly romantic . . . hugely enjoyable in its own right though not really faithful to its source's complexity .
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scooby doo is surely everything its fans are hoping it will be , and in that sense is a movie that deserves recommendation .
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[a] devastatingly powerful and astonishingly vivid holocaust drama .
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a solid cast , assured direction and complete lack of modern day irony .
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these characters are so well established that the gang feels comfortable with taking insane liberties and doing the goofiest stuff out of left field , and i'm all for that .
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a sun-drenched masterpiece , part parlor game , part psychological case study , part droll social satire .
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worth a look as a curiosity .
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you watch for that sense of openness , the little surprises .
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director peter kosminsky gives these women a forum to demonstrate their acting 'chops' and they take full advantage .
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auto focus is not your standard hollywood bio-pic . schrader aims to present an unflinching look at one man's downfall , brought about by his lack of self-awareness .
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the bourne identity shouldn't be half as entertaining as it is , but director doug liman and his colleagues have managed to pack it with enough action to satisfy the boom-bam crowd without a huge sacrifice of character and mood .
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for veggietales fans , this is more appetizing than a side dish of asparagus . if you're not a fan , it might be like trying to eat brussels sprouts .
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remove spider-man the movie from its red herring surroundings and it's apparent that this is one summer film that satisfies .
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the whole mildly pleasant outing -- the r rating is for brief nudity and a grisly corpse -- remains aloft not on its own self-referential hot air , but on the inspired performance of tim allen .
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a gorgeously strange movie , heaven is deeply concerned with morality , but it refuses to spell things out for viewers .
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the emperor's club , ruthless in its own placid way , finds one of our most conservative and hidebound movie-making traditions and gives it new texture , new relevance , new reality .
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it's truly awful and heartbreaking subject matter , but one whose lessons are well worth revisiting as many times as possible .
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though intrepid in exploring an attraction that crosses sexual identity , ozpetek falls short in showing us antonia's true emotions . . . but at the very least , his secret life will leave you thinking .
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there is little question that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out .
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the message of such reflections--intentional or not--is that while no art grows from a vacuum , many artists exist in one .
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gooding is the energetic frontman , and it's hard to resist his enthusiasm , even if the filmmakers come up with nothing original in the way of slapstick sequences .
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the otherwise good-naturedness of mr . deeds , with its embrace of sheer goofiness and cameos of less- than-likely new york celebrities . . . certainly raises the film above anything sandler's been attached to before .
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the movie is brilliant , really . it is philosophy , illustrated through everyday events .
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it's stylishly directed with verve . . .
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gives an intriguing twist to the french coming-of-age genre .
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offers an interesting look at the rapidly changing face of beijing .
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a solid , psychological action film from hong kong .
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see it now , before the inevitable hollywood remake flattens out all its odd , intriguing wrinkles .
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holm does his sly , intricate magic , and iben hjelje is entirely appealing as pumpkin .
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an enjoyable feel-good family comedy regardless of race .
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features what is surely the funniest and most accurate depiction of writer's block ever .
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it would take a complete moron to foul up a screen adaptation of oscar wilde's classic satire .
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