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this is an undeniably intriguing film from an adventurous young talent who finds his inspiration on the fringes of the american underground .
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the sweetest thing , a romantic comedy with outrageous tendencies , may be a mess in a lot of ways . but it does have one saving grace . a lot of its gags and observations reflect a woman's point-of-view .
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this is lightweight filmmaking , to be sure , but it's pleasant enough -- and oozing with attractive men .
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at its most basic , this cartoon adventure is that wind-in-the-hair exhilarating .
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fans of critics' darling band wilco will marvel at the sometimes murky , always brooding look of i am trying to break your heart .
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the film presents visceral and dangerously honest revelations about the men and machines behind the curtains of our planet .
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[gosling's] combination of explosive physical energy and convincing intelligence helps create a complex , unpredictable character .
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confounding because it solemnly advances a daringly preposterous thesis . acting cannot be acted .
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fulford-wierzbicki . . . deftly captures the wise-beyond-her-years teen .
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a wild ride juiced with enough energy and excitement for at least three films .
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it's a cool event for the whole family . maybe not a classic , but a movie the kids will want to see over and over again .
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featherweight romantic comedy has a few nice twists in a standard plot and the charisma of hugh grant and sandra bullock .
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the movie is not as terrible as the synergistic impulse that created it .
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a typically observant , carefully nuanced and intimate french coming-of-age film that is an encouraging debut feature but has a needlessly downbeat ending that is too heavy for all that has preceded it .
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less an examination of neo-nazism than a probe into the nature of faith itself .
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a moving and weighty depiction of one family's attempts to heal after the death of a child .
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i don't think most of the people who loved the 1989 paradiso will prefer this new version . but i do .
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a zinger-filled crowd-pleaser that open-minded elvis fans ( but by no means all ) will have fun with .
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diggs and lathan are among the chief reasons brown sugar is such a sweet and sexy film .
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entirely suspenseful , extremely well-paced and ultimately . . . dare i say , entertaining !
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the riveting performances by the incredibly flexible cast make love a joy to behold .
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terrific as nadia , a russian mail-order bride who comes to america speaking not a word of english , it's kidman who holds the film together with a supremely kittenish performance that gradually accumulates more layers .
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with an unflappable air of decadent urbanity , everett remains a perfect wildean actor , and a relaxed firth displays impeccable comic skill .
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the re-release of ron howard's apollo 13 in the imax format proves absolutely that really , really , really good things can come in enormous packages .
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very well written and directed with brutal honesty and respect for its audience .
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wonderful fencing scenes and an exciting plot make this an eminently engrossing film .
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it's pretty linear and only makeup-deep , but bogdanovich ties it together with efficiency and an affection for the period .
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a surprisingly charming and even witty match for the best of hollywood's comic-book adaptations .
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this is a superior horror flick .
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adaptation is simply brilliant .
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smart and alert , thirteen conversations about one thing is a small gem .
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the pleasure of read my lips is like seeing a series of perfect black pearls clicking together to form a string . we're drawn in by the dark luster .
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a haunting tale of murder and mayhem .
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i love the opening scenes of a wintry new york city in 1899 . cinematic poetry showcases the city's old-world charm before machines change nearly everything .
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it's hard to imagine anyone managing to steal a movie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb .
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one of the best rock documentaries ever . wilco is a phenomenal band with such an engrossing story that will capture the minds and hearts of many .
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ian holm conquers france as an earthy napoleon
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offers big , fat , dumb laughs that may make you hate yourself for giving in . ah , what the hell .
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[sports] admirable energy , full-bodied characterizations and narrative urgency .
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a portrait of an artist .
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directors brett morgen and nanette burstein have put together a bold biographical fantasia .
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the subtitled costume drama is set in a remote african empire before cell phones , guns , and the internal combustion engine , but the politics that thump through it are as timely as tomorrow .
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a tremendous piece of work .
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a delightful , if minor , pastry of a movie .
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while obviously aimed at kids , the country bears . . . should keep parents amused with its low groan-to-guffaw ratio .
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labute masterfully balances both traditional or modern stories together in a manner that one never overwhelms the other . something for everyone .
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irwin is so earnest that it's hard to resist his pleas to spare wildlife and respect their environs . there are far worse messages to teach a young audience , which will probably be perfectly happy with the sloppy slapstick comedy .
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leigh succeeds in delivering a dramatic slap in the face that's simultaneously painful and refreshing .
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not about scares but a mood in which an ominous , pervasive , and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense .
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'film aficionados cannot help but love cinema paradiso , whether the original version or new director's cut . '
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a fascinating glimpse into an insular world that gives the lie to many clichés and showcases a group of dedicated artists .
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it's one thing to read about or rail against the ongoing - and unprecedented - construction project going on over our heads . it's quite another to feel physically caught up in the process .
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contradicts everything we've come to expect from movies nowadays . instead of simply handling conventional material in a conventional way , secretary takes the most unexpected material and handles it in the most unexpected way .
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could i have been more geeked when i heard that apollo 13 was going to be released in imax format ? in a word : no .
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murderous maids has a lot going for it , not least the brilliant performances by testud . . . and parmentier .
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filmmaker stacy peralta has a flashy editing style that doesn't always jell with sean penn's monotone narration , but he respects the material without sentimentalizing it .
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there are a couple of things that elevate " glory " above most of its ilk , most notably the mere presence of duvall .
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it's light on the chills and heavy on the atmospheric weirdness , and there are moments of jaw-droppingly odd behavior -- yet i found it weirdly appealing .
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( rises ) above its oh-so-hollywood rejiggering and its conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism .
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a breezy blend of art , history , esoteric musings and philosophy .
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kids will love its fantasy and adventure , and grownups should appreciate its whimsical humor .
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tsai ming-liang's ghosts are painfully aware of their not-being .
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leaping from one arresting image to another , songs from the second floor has all the enjoyable randomness of a very lively dream and so manages to be compelling , amusing and unsettling at the same time .
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sean penn , you owe nicolas cage an apology .
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the performances are uniformly good .
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she's all-powerful , a voice for a pop-cyber culture that feeds on her bjorkness .
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it's a perfect show of respect to just one of those underrated professionals who deserve but rarely receive it .
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for all its plot twists , and some of them verge on the bizarre as the film winds down , blood work is a strong , character-oriented piece .
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the story line may be 127 years old , but el crimen del padre amaro . . . couldn't be more timely in its despairing vision of corruption within the catholic establishment .
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this in-depth study of important developments of the computer industry should make it required viewing in university computer science departments for years to come .
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it shows us a slice of life that's very different from our own and yet instantly recognizable .
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a wonderfully speculative character study that made up for its rather slow beginning by drawing me into the picture .
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has its share of arresting images .
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leave it to john sayles to take on developers , the chamber of commerce , tourism , historical pageants , and commercialism all in the same movie . . . without neglecting character development for even one minute .
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reign of fire just might go down as one of the all-time great apocalypse movies .
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poignant and funny .
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a smart little indie .
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payne has created a beautiful canvas , and nicholson proves once again that he's the best brush in the business .
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see it . debate it . remember it .
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try as you might to resist , if you've got a place in your heart for smokey robinson , this movie will worm its way there .
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a riveting profile of law enforcement , and a visceral , nasty journey into an urban hades .
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director douglas mcgrath takes on nickleby with all the halfhearted zeal of an 8th grade boy delving into required reading .
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stands as a document of what it felt like to be a new yorker -- or , really , to be a human being -- in the weeks after 9/11 .
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i am not generally a huge fan of cartoons derived from tv shows , but hey arnold ! the movie is clever , offbeat and even gritty enough to overcome my resistance .
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with not a lot of help from the screenplay ( proficient , but singularly cursory ) , [testud] acts with the feral intensity of the young bette davis .
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it's a film that's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio's animated classics .
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slow and ponderous , but rohmer's drama builds to an intense indoor drama about compassion , sacrifice , and christian love in the face of political corruption .
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if you're not totally weirded- out by the notion of cinema as community-therapy spectacle , quitting hits home with disorienting force .
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austin powers for the most part is extremely funny , the first part making up for any flaws that come later .
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while tattoo borrows heavily from both seven and the silence of the lambs , it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in .
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cho continues her exploration of the outer limits of raunch with considerable brio .
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elvira fans could hardly ask for more .
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a canny , derivative , wildly gruesome portrait of a london sociopath who's the scariest of sadists .
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the movie should be credited with remembering his victims .
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fast-paced and wonderfully edited , the film is extremely thorough .
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a bracing , unblinking work that serves as a painful elegy and sobering cautionary tale .
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hashiguchi uses the situation to evoke a japan bustling atop an undercurrent of loneliness and isolation .
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as if trying to grab a lump of play-doh , the harder that liman tries to squeeze his story , the more details slip out between his fingers .
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my big fat greek wedding is not only the best date movie of the year , it's also a -- dare i say it twice -- delightfully charming -- and totally american , i might add -- slice of comedic bliss .
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few films have captured the chaos of an urban conflagration with such fury , and audience members will leave feeling as shaken as nesbitt's cooper looks when the bullets stop flying .
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