task_path stringlengths 3 199 ⌀ | dataset stringlengths 1 128 ⌀ | model_name stringlengths 1 223 ⌀ | paper_url stringlengths 21 601 ⌀ | metric_name stringlengths 1 50 ⌀ | metric_value stringlengths 1 9.22k ⌀ |
|---|---|---|---|---|---|
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection | FakeAVCeleb | AV-Lip-Sync+ | https://arxiv.org/abs/2311.02733v1 | Accuracy (%) | 99.29 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection | FakeAVCeleb | Avtenet | https://arxiv.org/abs/2310.13103v1 | Accuracy (%) | 98.57 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection | FakeAVCeleb | AV-Lip-Sync Model | https://ieeexplore.ieee.org/document/9980296 | Accuracy (%) | 94 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection | FakeAVCeleb | Multimodal Ensemble Model | https://ieeexplore.ieee.org/document/9980296 | Accuracy (%) | 89 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection | FaceForensics | XceptionNet | https://arxiv.org/abs/1901.08971v3 | DF | 96.36 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection | FaceForensics | XceptionNet | https://arxiv.org/abs/1901.08971v3 | FS | 90.29 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection | FaceForensics | XceptionNet | https://arxiv.org/abs/1901.08971v3 | FSF | 86.86 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection | FaceForensics | XceptionNet | https://arxiv.org/abs/1901.08971v3 | NT | 80.67 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection | FaceForensics | XceptionNet | https://arxiv.org/abs/1901.08971v3 | Real | 52.4 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection | FaceForensics | XceptionNet | https://arxiv.org/abs/1901.08971v3 | Total Accuracy | 70.1 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection | 1 | STYLE | https://arxiv.org/abs/2206.09379v2 | 0L | 99 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | FakeOrReal | rawnet_lite.pt | https://arxiv.org/abs/2504.20923v2 | EER | 0.25 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | XLSR-Mamba | https://arxiv.org/abs/2411.10027v2 | 21LA EER | 0.93 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | XLSR-Mamba | https://arxiv.org/abs/2411.10027v2 | 21DF EER | 1.88 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | XLSR+AASIST | https://arxiv.org/abs/2202.12233v2 | 21LA EER | 1.0 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | XLSR+AASIST | https://arxiv.org/abs/2202.12233v2 | 21DF EER | 3.69 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | XLSR+SLS | https://openreview.net/pdf?id=acJMIXJg2u | 21LA EER | 2.86 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | XLSR+SLS | https://openreview.net/pdf?id=acJMIXJg2u | 21DF EER | 1.96 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | TCM-Add | https://arxiv.org/abs/2406.17376v1 | 21LA EER | 2.99 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | TCM-Add | https://arxiv.org/abs/2406.17376v1 | 21DF EER | 2.14 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | BTS-E | https://ieeexplore.ieee.org/abstract/document/10095927 | 21LA EER | 8.75 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | BTS-E | https://ieeexplore.ieee.org/abstract/document/10095927 | 21DF EER | / |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | RawGAT-ST | https://arxiv.org/abs/2107.12710v2 | 21LA EER | 10.25 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | RawGAT-ST | https://arxiv.org/abs/2107.12710v2 | 21DF EER | 23.26 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | AASIST | https://arxiv.org/abs/2110.01200v1 | 21LA EER | 11.46 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | AASIST | https://arxiv.org/abs/2110.01200v1 | 21DF EER | 21.07 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | RawNet-2 | https://arxiv.org/abs/2011.01108v3 | 21LA EER | 40.07 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Audio Deepfake Detection | ASVspoof 2021 | RawNet-2 | https://arxiv.org/abs/2011.01108v3 | 21DF EER | 40.06 |
3D Reconstruction > 3D Shape Reconstruction from Videos > DeepFake Detection > Multimodal Forgery Detection | FakeAVCeleb | Ensemble AudioVisual Model | http://www.apsipa.org/proceedings/2022/APSIPA%202022/ThAM1-6/1570840386.pdf | Accuracy (%) | 0.89 |
Music Source Separation | MUSDB18 | Sparse HT Demucs (fine tuned) | https://arxiv.org/abs/2211.08553v1 | SDR (vocals) | 9.37 |
Music Source Separation | MUSDB18 | Sparse HT Demucs (fine tuned) | https://arxiv.org/abs/2211.08553v1 | SDR (drums) | 10.83 |
Music Source Separation | MUSDB18 | Sparse HT Demucs (fine tuned) | https://arxiv.org/abs/2211.08553v1 | SDR (other) | 6.41 |
Music Source Separation | MUSDB18 | Sparse HT Demucs (fine tuned) | https://arxiv.org/abs/2211.08553v1 | SDR (bass) | 10.47 |
Music Source Separation | MUSDB18 | Sparse HT Demucs (fine tuned) | https://arxiv.org/abs/2211.08553v1 | SDR (avg) | 9.20 |
Music Source Separation | MUSDB18 | Hybrid Transformer Demucs (f.t.) | https://arxiv.org/abs/2211.08553v1 | SDR (vocals) | 9.20 |
Music Source Separation | MUSDB18 | Hybrid Transformer Demucs (f.t.) | https://arxiv.org/abs/2211.08553v1 | SDR (drums) | 10.08 |
Music Source Separation | MUSDB18 | Hybrid Transformer Demucs (f.t.) | https://arxiv.org/abs/2211.08553v1 | SDR (other) | 6.42 |
Music Source Separation | MUSDB18 | Hybrid Transformer Demucs (f.t.) | https://arxiv.org/abs/2211.08553v1 | SDR (bass) | 9.78 |
Music Source Separation | MUSDB18 | Hybrid Transformer Demucs (f.t.) | https://arxiv.org/abs/2211.08553v1 | SDR (avg) | 9.00 |
Music Source Separation | MUSDB18 | Band-Split RNN (semi-sup.) | https://arxiv.org/abs/2209.15174v1 | SDR (vocals) | 10.47 |
Music Source Separation | MUSDB18 | Band-Split RNN (semi-sup.) | https://arxiv.org/abs/2209.15174v1 | SDR (drums) | 10.15 |
Music Source Separation | MUSDB18 | Band-Split RNN (semi-sup.) | https://arxiv.org/abs/2209.15174v1 | SDR (other) | 7.08 |
Music Source Separation | MUSDB18 | Band-Split RNN (semi-sup.) | https://arxiv.org/abs/2209.15174v1 | SDR (bass) | 8.16 |
Music Source Separation | MUSDB18 | Band-Split RNN (semi-sup.) | https://arxiv.org/abs/2209.15174v1 | SDR (avg) | 8.97 |
Music Source Separation | MUSDB18 | TFC-TDF-UNet (v3) | https://arxiv.org/abs/2306.09382v3 | SDR (vocals) | 9.59 |
Music Source Separation | MUSDB18 | TFC-TDF-UNet (v3) | https://arxiv.org/abs/2306.09382v3 | SDR (drums) | 8.44 |
Music Source Separation | MUSDB18 | TFC-TDF-UNet (v3) | https://arxiv.org/abs/2306.09382v3 | SDR (other) | 6.86 |
Music Source Separation | MUSDB18 | TFC-TDF-UNet (v3) | https://arxiv.org/abs/2306.09382v3 | SDR (bass) | 8.45 |
Music Source Separation | MUSDB18 | TFC-TDF-UNet (v3) | https://arxiv.org/abs/2306.09382v3 | SDR (avg) | 8.34 |
Music Source Separation | MUSDB18 | Band-Split RNN | https://arxiv.org/abs/2209.15174v1 | SDR (vocals) | 10.21 |
Music Source Separation | MUSDB18 | Band-Split RNN | https://arxiv.org/abs/2209.15174v1 | SDR (drums) | 8.58 |
Music Source Separation | MUSDB18 | Band-Split RNN | https://arxiv.org/abs/2209.15174v1 | SDR (other) | 6.62 |
Music Source Separation | MUSDB18 | Band-Split RNN | https://arxiv.org/abs/2209.15174v1 | SDR (bass) | 7.51 |
Music Source Separation | MUSDB18 | Band-Split RNN | https://arxiv.org/abs/2209.15174v1 | SDR (avg) | 8.23 |
Music Source Separation | MUSDB18 | Hybrid Demucs | https://arxiv.org/abs/2111.03600v3 | SDR (vocals) | 8.04 |
Music Source Separation | MUSDB18 | Hybrid Demucs | https://arxiv.org/abs/2111.03600v3 | SDR (drums) | 8.58 |
Music Source Separation | MUSDB18 | Hybrid Demucs | https://arxiv.org/abs/2111.03600v3 | SDR (other) | 5.59 |
Music Source Separation | MUSDB18 | Hybrid Demucs | https://arxiv.org/abs/2111.03600v3 | SDR (bass) | 8.67 |
Music Source Separation | MUSDB18 | Hybrid Demucs | https://arxiv.org/abs/2111.03600v3 | SDR (avg) | 7.72 |
Music Source Separation | MUSDB18 | KUIELab-MDX-Net | https://arxiv.org/abs/2111.12203v1 | SDR (vocals) | 9.00 |
Music Source Separation | MUSDB18 | KUIELab-MDX-Net | https://arxiv.org/abs/2111.12203v1 | SDR (drums) | 7.33 |
Music Source Separation | MUSDB18 | KUIELab-MDX-Net | https://arxiv.org/abs/2111.12203v1 | SDR (other) | 5.95 |
Music Source Separation | MUSDB18 | KUIELab-MDX-Net | https://arxiv.org/abs/2111.12203v1 | SDR (bass) | 7.86 |
Music Source Separation | MUSDB18 | KUIELab-MDX-Net | https://arxiv.org/abs/2111.12203v1 | SDR (avg) | 7.54 |
Music Source Separation | MUSDB18 | CDE-HTCN | https://ieeexplore.ieee.org/document/9812509 | SDR (vocals) | 7.37 |
Music Source Separation | MUSDB18 | CDE-HTCN | https://ieeexplore.ieee.org/document/9812509 | SDR (drums) | 7.33 |
Music Source Separation | MUSDB18 | CDE-HTCN | https://ieeexplore.ieee.org/document/9812509 | SDR (other) | 4.92 |
Music Source Separation | MUSDB18 | CDE-HTCN | https://ieeexplore.ieee.org/document/9812509 | SDR (bass) | 7.92 |
Music Source Separation | MUSDB18 | CDE-HTCN | https://ieeexplore.ieee.org/document/9812509 | SDR (avg) | 6.89 |
Music Source Separation | MUSDB18 | Attentive-MultiResUNet | https://ieeexplore.ieee.org/document/9947051?source=authoralert | SDR (vocals) | 8.57 |
Music Source Separation | MUSDB18 | Attentive-MultiResUNet | https://ieeexplore.ieee.org/document/9947051?source=authoralert | SDR (drums) | 7.63 |
Music Source Separation | MUSDB18 | Attentive-MultiResUNet | https://ieeexplore.ieee.org/document/9947051?source=authoralert | SDR (other) | 5.14 |
Music Source Separation | MUSDB18 | Attentive-MultiResUNet | https://ieeexplore.ieee.org/document/9947051?source=authoralert | SDR (bass) | 5.88 |
Music Source Separation | MUSDB18 | Attentive-MultiResUNet | https://ieeexplore.ieee.org/document/9947051?source=authoralert | SDR (avg) | 6.81 |
Music Source Separation | MUSDB18 | DEMUCS (extra) | https://arxiv.org/abs/1911.13254v2 | SDR (vocals) | 7.29 |
Music Source Separation | MUSDB18 | DEMUCS (extra) | https://arxiv.org/abs/1911.13254v2 | SDR (drums) | 7.58 |
Music Source Separation | MUSDB18 | DEMUCS (extra) | https://arxiv.org/abs/1911.13254v2 | SDR (other) | 4.69 |
Music Source Separation | MUSDB18 | DEMUCS (extra) | https://arxiv.org/abs/1911.13254v2 | SDR (bass) | 7.60 |
Music Source Separation | MUSDB18 | DEMUCS (extra) | https://arxiv.org/abs/1911.13254v2 | SDR (avg) | 6.79 |
Music Source Separation | MUSDB18 | CWS-PResUNet | https://arxiv.org/abs/2112.04685v1 | SDR (vocals) | 8.92 |
Music Source Separation | MUSDB18 | CWS-PResUNet | https://arxiv.org/abs/2112.04685v1 | SDR (drums) | 6.38 |
Music Source Separation | MUSDB18 | CWS-PResUNet | https://arxiv.org/abs/2112.04685v1 | SDR (other) | 5.84 |
Music Source Separation | MUSDB18 | CWS-PResUNet | https://arxiv.org/abs/2112.04685v1 | SDR (bass) | 5.93 |
Music Source Separation | MUSDB18 | CWS-PResUNet | https://arxiv.org/abs/2112.04685v1 | SDR (avg) | 6.77 |
Music Source Separation | MUSDB18 | D3Net | https://arxiv.org/abs/2010.01733v4 | SDR (vocals) | 7.80 |
Music Source Separation | MUSDB18 | D3Net | https://arxiv.org/abs/2010.01733v4 | SDR (drums) | 7.36 |
Music Source Separation | MUSDB18 | D3Net | https://arxiv.org/abs/2010.01733v4 | SDR (other) | 5.37 |
Music Source Separation | MUSDB18 | D3Net | https://arxiv.org/abs/2010.01733v4 | SDR (bass) | 6.20 |
Music Source Separation | MUSDB18 | D3Net | https://arxiv.org/abs/2010.01733v4 | SDR (avg) | 6.68 |
Music Source Separation | MUSDB18 | DLMNet | https://www.isca-archive.org/interspeech_2023/kim23i_interspeech.pdf | SDR (vocals) | 6.91 |
Music Source Separation | MUSDB18 | DLMNet | https://www.isca-archive.org/interspeech_2023/kim23i_interspeech.pdf | SDR (drums) | 7.05 |
Music Source Separation | MUSDB18 | DLMNet | https://www.isca-archive.org/interspeech_2023/kim23i_interspeech.pdf | SDR (other) | 4.62 |
Music Source Separation | MUSDB18 | DLMNet | https://www.isca-archive.org/interspeech_2023/kim23i_interspeech.pdf | SDR (bass) | 7.29 |
Music Source Separation | MUSDB18 | DLMNet | https://www.isca-archive.org/interspeech_2023/kim23i_interspeech.pdf | SDR (avg) | 6.47 |
Music Source Separation | MUSDB18 | Conv-TasNet (extra) | https://arxiv.org/abs/1809.07454v3 | SDR (vocals) | 6.74 |
Music Source Separation | MUSDB18 | Conv-TasNet (extra) | https://arxiv.org/abs/1809.07454v3 | SDR (drums) | 7.11 |
Music Source Separation | MUSDB18 | Conv-TasNet (extra) | https://arxiv.org/abs/1809.07454v3 | SDR (bass) | 7.00 |
Music Source Separation | MUSDB18 | Conv-TasNet (extra) | https://arxiv.org/abs/1809.07454v3 | SDR (avg) | 6.32 |
Music Source Separation | MUSDB18 | UMXL | https://joss.theoj.org/papers/10.21105/joss.01667 | SDR (vocals) | 7.213 |
Music Source Separation | MUSDB18 | UMXL | https://joss.theoj.org/papers/10.21105/joss.01667 | SDR (drums) | 7.148 |
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