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|---|---|---|
[
"Homer Simpson",
"medical condition",
"alcoholism"
] |
Homer has complex relationships with his family. As previously noted, he and Bart are the most at odds; but the two commonly share adventures and are sometimes allies, with some episodes (particularly in later seasons) showing that the pair have a strange respect for each other's cunning. Homer and Lisa have opposite personalities and he usually overlooks Lisa's talents, but when made aware of his neglect, does everything he can to help her. The show also occasionally implies Homer forgets he has a third child, Maggie; while the episode "And Maggie Makes Three" suggests she is the chief reason Homer took and remains at his regular job (season six, 1995). While Homer's thoughtless antics often upset his family, he on many occasions has also revealed himself to be a caring and loving father and husband: in "Lisa the Beauty Queen", (season four, 1992) he sold his cherished ride on the Duff blimp and used the money to enter Lisa in a beauty pageant so she could feel better about herself; in "Rosebud", (season five, 1993) he gave up his chance at wealth to allow Maggie to keep a cherished teddy bear; in "Radio Bart", (season three, 1992) he spearheads an attempt to dig Bart out after he had fallen down a well; in "A Milhouse Divided", (season eight, 1996) he arranges a surprise second wedding with Marge to make up for their unsatisfactory first ceremony; and despite a poor relationship with his father Abraham "Grampa" Simpson, whom he placed in a nursing home as soon as he could while the Simpson family often do their best to avoid unnecessary contact with Grampa, Homer has shown feelings of love for his father from time to time.Homer is "a (happy) slave to his various appetites". He has an apparently vacuous mind, but occasionally exhibits a surprising depth of knowledge about various subjects, such as the composition of the Supreme Court of the United States, Inca mythology, bankruptcy law, and cell biology. Homer's brief periods of intelligence are overshadowed, however, by much longer and consistent periods of ignorance, forgetfulness, and stupidity. Homer has a low IQ of 55, which would actually make him unable to speak or perform basic tasks, and has variously been attributed to the hereditary "Simpson Gene" (which eventually causes every male member of the family to become incredibly stupid), his alcohol problem, exposure to radioactive waste, repetitive cranial trauma, and a crayon lodged in the frontal lobe of his brain. In the 2001 episode "HOMR", Homer has the crayon removed, boosting his IQ to 105; although he bonds with Lisa, his newfound capacity for understanding and reason makes him unhappy, and he has the crayon reinserted. Homer often debates with his own mind, expressed in voiceover. His mind has a tendency to offer dubious advice, which occasionally helps him make the right decision, but often fails spectacularly. His mind has even become completely frustrated and, through sound effects, walked out on Homer. These exchanges were often introduced because they filled time and were easy for the animators to work on. They were phased out after the producers "used every possible permutation".Producer Mike Reiss said Homer was his favorite Simpsons character to write: "Homer's just a comedy writer's dream. He has everything wrong with him, every comedy trope. He's fat and bald and stupid and lazy and angry and an alcoholic. I'm pretty sure he embodies all seven deadly sins." John Swartzwelder, who wrote 60 episodes, said he wrote Homer as if he were "a big talking dog ... One moment he's the saddest man in the world, because he's just lost his job, or dropped his sandwich, or accidentally killed his family. Then, the next moment, he's the happiest man in the world, because he's just found a penny — maybe under one of his dead family members ... If you write him as a dog you'll never go wrong." Reiss felt this was insightful, saying: "Homer is just pure emotion, no long-term memory, everything is instant gratification. And, you know, has good dog qualities, too. I think, loyalty, friendliness, and just kind of continuous optimism."
| 9
|
[
"Homer Simpson",
"family",
"Simpson family"
] |
Role in The Simpsons
Homer Jay Simpson is the bumbling husband of Marge, and father to Bart, Lisa and Maggie Simpson. He is the son of Mona and Abraham "Grampa" Simpson. Homer held over 188 different jobs in the first 400 episodes of The Simpsons. In most episodes, he works as the nuclear safety inspector at the Springfield Nuclear Power Plant (in Sector 7-G), a position which he has held since "Homer's Odyssey", the third episode of the series, despite the fact that he is totally unsuitable for it. At the nuclear plant, Homer is often ignored and completely forgotten by his boss Mr. Burns, and he constantly falls asleep and neglects his duties. Matt Groening has stated that he decided to have Homer work at the power plant because of the potential for Homer to wreak severe havoc. Each of his other jobs has lasted only one episode. In the first half of the series, the writers developed an explanation about how he got fired from the plant and was then rehired in every episode. In later episodes, he often began a new job on impulse, without any mention of his regular employment.The Simpsons uses a floating timeline in which the characters never physically age, and, as such, the show is generally assumed to be always set in the current year. Nevertheless, in several episodes, events in Homer's life have been linked to specific time periods. "Mother Simpson" (season seven, 1995) depicts Homer's mother, Mona, as a radical who went into hiding in 1969 following a run-in with the law; "The Way We Was" (season two, 1991) shows Homer falling in love with Marge Bouvier as a senior at Springfield High School in 1974; and "I Married Marge" (season three, 1991) implies that Marge became pregnant with Bart in 1980. However, the episode "That '90s Show" (season 19, 2008) contradicted much of this backstory, portraying Homer and Marge as a twentysomething childless couple in the early 1990s. The episode "Do Pizza Bots Dream of Electric Guitars" (season 32, 2021) further contradicts this backstory, putting Homer's adolescence in the 1990s. Showrunner Matt Selman has explained that no version was the "official continuity." and that "they all kind of happened in their imaginary world, you know, and people can choose to love whichever version they love."Due to the floating timeline, Homer's age has changed occasionally as the series developed; he was 34 in the early episodes, 36 in season four, 38 and 39 in season eight, and 40 in the eighteenth season, although even in those seasons his age is inconsistent. In the fourth season episode "Duffless", Homer's drivers license shows his birthdate of being May 12, 1956, which would have made him 36 years old at the time of the episode. During Bill Oakley and Josh Weinstein's period as showrunners, they found that as they aged, Homer seemed to become older too, so they increased his age to 38. His height is 6' (1.83 m).
| 11
|
[
"Homer Simpson",
"father",
"Grampa Simpson"
] |
Role in The Simpsons
Homer Jay Simpson is the bumbling husband of Marge, and father to Bart, Lisa and Maggie Simpson. He is the son of Mona and Abraham "Grampa" Simpson. Homer held over 188 different jobs in the first 400 episodes of The Simpsons. In most episodes, he works as the nuclear safety inspector at the Springfield Nuclear Power Plant (in Sector 7-G), a position which he has held since "Homer's Odyssey", the third episode of the series, despite the fact that he is totally unsuitable for it. At the nuclear plant, Homer is often ignored and completely forgotten by his boss Mr. Burns, and he constantly falls asleep and neglects his duties. Matt Groening has stated that he decided to have Homer work at the power plant because of the potential for Homer to wreak severe havoc. Each of his other jobs has lasted only one episode. In the first half of the series, the writers developed an explanation about how he got fired from the plant and was then rehired in every episode. In later episodes, he often began a new job on impulse, without any mention of his regular employment.The Simpsons uses a floating timeline in which the characters never physically age, and, as such, the show is generally assumed to be always set in the current year. Nevertheless, in several episodes, events in Homer's life have been linked to specific time periods. "Mother Simpson" (season seven, 1995) depicts Homer's mother, Mona, as a radical who went into hiding in 1969 following a run-in with the law; "The Way We Was" (season two, 1991) shows Homer falling in love with Marge Bouvier as a senior at Springfield High School in 1974; and "I Married Marge" (season three, 1991) implies that Marge became pregnant with Bart in 1980. However, the episode "That '90s Show" (season 19, 2008) contradicted much of this backstory, portraying Homer and Marge as a twentysomething childless couple in the early 1990s. The episode "Do Pizza Bots Dream of Electric Guitars" (season 32, 2021) further contradicts this backstory, putting Homer's adolescence in the 1990s. Showrunner Matt Selman has explained that no version was the "official continuity." and that "they all kind of happened in their imaginary world, you know, and people can choose to love whichever version they love."Due to the floating timeline, Homer's age has changed occasionally as the series developed; he was 34 in the early episodes, 36 in season four, 38 and 39 in season eight, and 40 in the eighteenth season, although even in those seasons his age is inconsistent. In the fourth season episode "Duffless", Homer's drivers license shows his birthdate of being May 12, 1956, which would have made him 36 years old at the time of the episode. During Bill Oakley and Josh Weinstein's period as showrunners, they found that as they aged, Homer seemed to become older too, so they increased his age to 38. His height is 6' (1.83 m).
| 14
|
[
"Homer Simpson",
"mother",
"Mona Simpson"
] |
Homer Jay Simpson is a fictional character and the main protagonist of the American animated sitcom The Simpsons. He is voiced by Dan Castellaneta and first appeared, along with the rest of his family, in The Tracey Ullman Show short "Good Night" on April 19, 1987. Homer was created and designed by cartoonist Matt Groening while he was waiting in the lobby of producer James L. Brooks's office. Groening had been called to pitch a series of shorts based on his comic strip Life in Hell but instead decided to create a new set of characters. He named the character after his father, Homer Groening. After appearing for three seasons on The Tracey Ullman Show, the Simpson family got their own series on Fox, which debuted December 17, 1989.
He is the nominal foreman of the paternally eponymous family. He and his wife Marge have three children: Bart, Lisa and Maggie. As the family's provider, he works at the Springfield Nuclear Power Plant as safety inspector. Homer embodies many American working class stereotypes: he is obese, immature, outspoken, aggressive, balding, lazy, ignorant, unprofessional, and fond of beer, junk food and watching television. However, he is fundamentally a good man and is staunchly protective of his family, especially when they need him the most. Despite the suburban blue-collar routine of his life, he has had a number of remarkable experiences, including going to space, climbing the tallest mountain in Springfield by himself, fighting former President George H. W. Bush, and winning a Grammy Award as a member of a barbershop quartet.
In the shorts and earlier episodes, Castellaneta voiced Homer with a loose impression of Walter Matthau; however, during the second and third seasons of the half-hour show, Homer's voice evolved to become more robust, to allow the expression of a fuller range of emotions. He has appeared in other media relating to The Simpsons—including video games, The Simpsons Movie, The Simpsons Ride, commercials, and comic books—and inspired an entire line of merchandise. His signature catchphrase, the annoyed grunt "D'oh!", has been included in The New Oxford Dictionary of English since 1998 and the Oxford English Dictionary since 2001.
Homer is one of the most influential characters in the history of television, and is widely considered to be an American cultural icon. The British newspaper The Sunday Times described him as "The greatest comic creation of [modern] time". He was named the greatest character "of the last 20 years" in 2010 by Entertainment Weekly, was ranked the second-greatest cartoon character by TV Guide, behind Bugs Bunny, and was voted the greatest television character of all time by Channel 4 viewers. For voicing Homer, Castellaneta has won four Primetime Emmy Awards for Outstanding Voice-Over Performance and a special-achievement Annie Award. In 2000, Homer and his family were awarded a star on the Hollywood Walk of Fame.Role in The Simpsons
Homer Jay Simpson is the bumbling husband of Marge, and father to Bart, Lisa and Maggie Simpson. He is the son of Mona and Abraham "Grampa" Simpson. Homer held over 188 different jobs in the first 400 episodes of The Simpsons. In most episodes, he works as the nuclear safety inspector at the Springfield Nuclear Power Plant (in Sector 7-G), a position which he has held since "Homer's Odyssey", the third episode of the series, despite the fact that he is totally unsuitable for it. At the nuclear plant, Homer is often ignored and completely forgotten by his boss Mr. Burns, and he constantly falls asleep and neglects his duties. Matt Groening has stated that he decided to have Homer work at the power plant because of the potential for Homer to wreak severe havoc. Each of his other jobs has lasted only one episode. In the first half of the series, the writers developed an explanation about how he got fired from the plant and was then rehired in every episode. In later episodes, he often began a new job on impulse, without any mention of his regular employment.The Simpsons uses a floating timeline in which the characters never physically age, and, as such, the show is generally assumed to be always set in the current year. Nevertheless, in several episodes, events in Homer's life have been linked to specific time periods. "Mother Simpson" (season seven, 1995) depicts Homer's mother, Mona, as a radical who went into hiding in 1969 following a run-in with the law; "The Way We Was" (season two, 1991) shows Homer falling in love with Marge Bouvier as a senior at Springfield High School in 1974; and "I Married Marge" (season three, 1991) implies that Marge became pregnant with Bart in 1980. However, the episode "That '90s Show" (season 19, 2008) contradicted much of this backstory, portraying Homer and Marge as a twentysomething childless couple in the early 1990s. The episode "Do Pizza Bots Dream of Electric Guitars" (season 32, 2021) further contradicts this backstory, putting Homer's adolescence in the 1990s. Showrunner Matt Selman has explained that no version was the "official continuity." and that "they all kind of happened in their imaginary world, you know, and people can choose to love whichever version they love."Due to the floating timeline, Homer's age has changed occasionally as the series developed; he was 34 in the early episodes, 36 in season four, 38 and 39 in season eight, and 40 in the eighteenth season, although even in those seasons his age is inconsistent. In the fourth season episode "Duffless", Homer's drivers license shows his birthdate of being May 12, 1956, which would have made him 36 years old at the time of the episode. During Bill Oakley and Josh Weinstein's period as showrunners, they found that as they aged, Homer seemed to become older too, so they increased his age to 38. His height is 6' (1.83 m).
| 15
|
[
"Homer Simpson",
"family name",
"Simpson"
] |
Role in The Simpsons
Homer Jay Simpson is the bumbling husband of Marge, and father to Bart, Lisa and Maggie Simpson. He is the son of Mona and Abraham "Grampa" Simpson. Homer held over 188 different jobs in the first 400 episodes of The Simpsons. In most episodes, he works as the nuclear safety inspector at the Springfield Nuclear Power Plant (in Sector 7-G), a position which he has held since "Homer's Odyssey", the third episode of the series, despite the fact that he is totally unsuitable for it. At the nuclear plant, Homer is often ignored and completely forgotten by his boss Mr. Burns, and he constantly falls asleep and neglects his duties. Matt Groening has stated that he decided to have Homer work at the power plant because of the potential for Homer to wreak severe havoc. Each of his other jobs has lasted only one episode. In the first half of the series, the writers developed an explanation about how he got fired from the plant and was then rehired in every episode. In later episodes, he often began a new job on impulse, without any mention of his regular employment.The Simpsons uses a floating timeline in which the characters never physically age, and, as such, the show is generally assumed to be always set in the current year. Nevertheless, in several episodes, events in Homer's life have been linked to specific time periods. "Mother Simpson" (season seven, 1995) depicts Homer's mother, Mona, as a radical who went into hiding in 1969 following a run-in with the law; "The Way We Was" (season two, 1991) shows Homer falling in love with Marge Bouvier as a senior at Springfield High School in 1974; and "I Married Marge" (season three, 1991) implies that Marge became pregnant with Bart in 1980. However, the episode "That '90s Show" (season 19, 2008) contradicted much of this backstory, portraying Homer and Marge as a twentysomething childless couple in the early 1990s. The episode "Do Pizza Bots Dream of Electric Guitars" (season 32, 2021) further contradicts this backstory, putting Homer's adolescence in the 1990s. Showrunner Matt Selman has explained that no version was the "official continuity." and that "they all kind of happened in their imaginary world, you know, and people can choose to love whichever version they love."Due to the floating timeline, Homer's age has changed occasionally as the series developed; he was 34 in the early episodes, 36 in season four, 38 and 39 in season eight, and 40 in the eighteenth season, although even in those seasons his age is inconsistent. In the fourth season episode "Duffless", Homer's drivers license shows his birthdate of being May 12, 1956, which would have made him 36 years old at the time of the episode. During Bill Oakley and Josh Weinstein's period as showrunners, they found that as they aged, Homer seemed to become older too, so they increased his age to 38. His height is 6' (1.83 m).
| 26
|
[
"Homer Simpson",
"given name",
"Homer"
] |
Role in The Simpsons
Homer Jay Simpson is the bumbling husband of Marge, and father to Bart, Lisa and Maggie Simpson. He is the son of Mona and Abraham "Grampa" Simpson. Homer held over 188 different jobs in the first 400 episodes of The Simpsons. In most episodes, he works as the nuclear safety inspector at the Springfield Nuclear Power Plant (in Sector 7-G), a position which he has held since "Homer's Odyssey", the third episode of the series, despite the fact that he is totally unsuitable for it. At the nuclear plant, Homer is often ignored and completely forgotten by his boss Mr. Burns, and he constantly falls asleep and neglects his duties. Matt Groening has stated that he decided to have Homer work at the power plant because of the potential for Homer to wreak severe havoc. Each of his other jobs has lasted only one episode. In the first half of the series, the writers developed an explanation about how he got fired from the plant and was then rehired in every episode. In later episodes, he often began a new job on impulse, without any mention of his regular employment.The Simpsons uses a floating timeline in which the characters never physically age, and, as such, the show is generally assumed to be always set in the current year. Nevertheless, in several episodes, events in Homer's life have been linked to specific time periods. "Mother Simpson" (season seven, 1995) depicts Homer's mother, Mona, as a radical who went into hiding in 1969 following a run-in with the law; "The Way We Was" (season two, 1991) shows Homer falling in love with Marge Bouvier as a senior at Springfield High School in 1974; and "I Married Marge" (season three, 1991) implies that Marge became pregnant with Bart in 1980. However, the episode "That '90s Show" (season 19, 2008) contradicted much of this backstory, portraying Homer and Marge as a twentysomething childless couple in the early 1990s. The episode "Do Pizza Bots Dream of Electric Guitars" (season 32, 2021) further contradicts this backstory, putting Homer's adolescence in the 1990s. Showrunner Matt Selman has explained that no version was the "official continuity." and that "they all kind of happened in their imaginary world, you know, and people can choose to love whichever version they love."Due to the floating timeline, Homer's age has changed occasionally as the series developed; he was 34 in the early episodes, 36 in season four, 38 and 39 in season eight, and 40 in the eighteenth season, although even in those seasons his age is inconsistent. In the fourth season episode "Duffless", Homer's drivers license shows his birthdate of being May 12, 1956, which would have made him 36 years old at the time of the episode. During Bill Oakley and Josh Weinstein's period as showrunners, they found that as they aged, Homer seemed to become older too, so they increased his age to 38. His height is 6' (1.83 m).
| 34
|
[
"Homer Simpson",
"named after",
"Homer Groening"
] |
Character
Creation
Naming the characters after members of his own family, Groening named Homer after his father, who himself had been named after the ancient Greek poet of the same name. Very little else of Homer's character was based on him, and to prove that the meaning behind Homer's name was not significant, Groening later named his own son Homer. According to Groening, "Homer originated with my goal to both amuse my real father, and just annoy him a little bit. My father was an athletic, creative, intelligent filmmaker and writer, and the only thing he had in common with Homer was a love of donuts." Although Groening has stated in several interviews that Homer was named after his father, he also claimed in several 1990 interviews that a character called precisely Homer Simpson in the 1939 Nathanael West novel The Day of the Locust as well as in the eponymous 1975 movie, was the inspiration. In 2012 he clarified, "I took that name from a minor character in the novel The Day of the Locust... Since Homer was my father's name, and I thought Simpson was a funny name in that it had the word “simp” in it, which is short for “simpleton”—I just went with it." Homer's middle initial "J", which stands for "Jay", is a "tribute" to animated characters such as Bullwinkle J. Moose and Rocket J. Squirrel from The Rocky and Bullwinkle Show, who got their middle initial from Jay Ward.Homer made his debut with the rest of the Simpson family on April 19, 1987, in The Tracey Ullman Show short "Good Night". In 1989, the shorts were adapted into The Simpsons, a half-hour series airing on the Fox Broadcasting Company. Homer and the Simpson family remained the main characters on this new show.
| 36
|
[
"Homer Simpson",
"instance of",
"fictional human"
] |
Role in The Simpsons
Homer Jay Simpson is the bumbling husband of Marge, and father to Bart, Lisa and Maggie Simpson. He is the son of Mona and Abraham "Grampa" Simpson. Homer held over 188 different jobs in the first 400 episodes of The Simpsons. In most episodes, he works as the nuclear safety inspector at the Springfield Nuclear Power Plant (in Sector 7-G), a position which he has held since "Homer's Odyssey", the third episode of the series, despite the fact that he is totally unsuitable for it. At the nuclear plant, Homer is often ignored and completely forgotten by his boss Mr. Burns, and he constantly falls asleep and neglects his duties. Matt Groening has stated that he decided to have Homer work at the power plant because of the potential for Homer to wreak severe havoc. Each of his other jobs has lasted only one episode. In the first half of the series, the writers developed an explanation about how he got fired from the plant and was then rehired in every episode. In later episodes, he often began a new job on impulse, without any mention of his regular employment.The Simpsons uses a floating timeline in which the characters never physically age, and, as such, the show is generally assumed to be always set in the current year. Nevertheless, in several episodes, events in Homer's life have been linked to specific time periods. "Mother Simpson" (season seven, 1995) depicts Homer's mother, Mona, as a radical who went into hiding in 1969 following a run-in with the law; "The Way We Was" (season two, 1991) shows Homer falling in love with Marge Bouvier as a senior at Springfield High School in 1974; and "I Married Marge" (season three, 1991) implies that Marge became pregnant with Bart in 1980. However, the episode "That '90s Show" (season 19, 2008) contradicted much of this backstory, portraying Homer and Marge as a twentysomething childless couple in the early 1990s. The episode "Do Pizza Bots Dream of Electric Guitars" (season 32, 2021) further contradicts this backstory, putting Homer's adolescence in the 1990s. Showrunner Matt Selman has explained that no version was the "official continuity." and that "they all kind of happened in their imaginary world, you know, and people can choose to love whichever version they love."Due to the floating timeline, Homer's age has changed occasionally as the series developed; he was 34 in the early episodes, 36 in season four, 38 and 39 in season eight, and 40 in the eighteenth season, although even in those seasons his age is inconsistent. In the fourth season episode "Duffless", Homer's drivers license shows his birthdate of being May 12, 1956, which would have made him 36 years old at the time of the episode. During Bill Oakley and Josh Weinstein's period as showrunners, they found that as they aged, Homer seemed to become older too, so they increased his age to 38. His height is 6' (1.83 m).
| 39
|
[
"Nothing to Declare (film)",
"country of origin",
"Belgium"
] |
Nothing to Declare (French: Rien à déclarer) is a 2010 Franco-Belgian comedy film, written and directed by Dany Boon.
| 0
|
[
"Nothing to Declare (film)",
"instance of",
"film"
] |
Nothing to Declare (French: Rien à déclarer) is a 2010 Franco-Belgian comedy film, written and directed by Dany Boon.Cast
Benoît Poelvoorde: Ruben Vandevoorde
Dany Boon: Mathias Ducatel
Karin Viard: Irène Janus
François Damiens: Jacques Janus
Julie Bernard: Louise Vandevoorde
Eric Godon: Chief Willems
Zinedine Soualem: Lucas Pozzi
Bruno Lochet: Tiburce
Nadège Beausson-Diagne: Nadia Bakari
Philippe Magnan: Mercier
Guy Lecluyse: Grégory Brioul
Laurent Gamelon: Duval
David Coudyser: the country driver
Jérôme Commandeur: the French driver
Bouli Lanners: Bruno Vanuxem
Jean-Luc Couchard: Brother Vanuxem
Olivier Gourmet: the priest from Chimay
Bruno Moynot: the estate agent
Jean-Paul Dermont: Father Vandevoorde
Laurent Capelluto: the Russian
Chritel Pedrinelli: Olivia Vandevoorde
Joachim Ledeganck: Léopold Vandevoorde
Sylviane Alliet: "No Man's Land" client
| 2
|
[
"Nothing to Declare (film)",
"genre",
"comedy film"
] |
Nothing to Declare (French: Rien à déclarer) is a 2010 Franco-Belgian comedy film, written and directed by Dany Boon.
| 3
|
[
"Nothing to Declare (film)",
"director",
"Dany Boon"
] |
Nothing to Declare (French: Rien à déclarer) is a 2010 Franco-Belgian comedy film, written and directed by Dany Boon.
| 8
|
[
"Nothing to Declare (film)",
"country of origin",
"France"
] |
Nothing to Declare (French: Rien à déclarer) is a 2010 Franco-Belgian comedy film, written and directed by Dany Boon.
| 11
|
[
"La Haine",
"instance of",
"film"
] |
Cast
Production
Kassovitz has said that the idea came to him when a young Zairian, Makomé M'Bowolé, was shot in 1993. He was killed at point blank range while in police custody and handcuffed to a radiator. The officer was reported to have been angered by Makome's words, and had been threatening him when the gun went off accidentally. Kassovitz began writing the script on 6 April 1993, the day M'Bowole was shot. He was also inspired by the case of Malik Oussekine, a 22-year-old student protester who died after being badly beaten by the riot police after a mass demonstration in 1986, in which he did not take part. Oussekine's death is also referred to in the opening montage of the film. Mathieu Kassovitz included his own experiences; he took part in riots, he acts in a number of scenes and includes his father Peter in another.
The majority of the filming was done in the Parisian suburb of Chanteloup-les-Vignes. Unstaged footage was used for this film, taken from 1986 to 1996; riots still took place during the time of filming. To actually film in the projects, Kassovitz, the production team and the actors, moved there for three months prior to the shooting as well as during actual filming. Due to the film's controversial subject matter, seven or eight local French councils refused to allow the film crew to film on their territory. Kassovitz was forced to temporarily rename the script Droit de Cité. Some of the actors were not professionals and the film includes many situations that were based on real events.The music of the film was handled by French hardcore rap group Assassin, whose song "Nique la Police" (translated as "Fuck the Police") was featured in one of the scenes of the film. One of the members of Assassin, Mathias "Rockin' Squat" Crochon, is the brother of Vincent Cassel, who plays Vinz in the film.The film is dedicated to those who died while it was being made.Reception
Upon its release, La Haine received widespread critical acclaim and was well received in France and abroad. The film was shown at the 1995 Cannes Film Festival where it enjoyed a standing ovation. Kassovitz was awarded the Best Director prize at the festival. The film opened at number one at the French box office with a gross of 12.5 million Francs for the week. It was number one for four consecutive weeks. The film had a total of 2,042,070 admissions in France where it was the 14th highest-grossing film of the year.On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 100% based on 33 reviews, with an average rating of 8.2/10. The website's critics consensus reads, "Hard-hitting and breathtakingly effective, La Haine takes an uncompromising look at long-festering social and economic divisions affecting 1990s Paris." Kevin Thomas of the Los Angeles Times called the film "raw, vital and captivating". Wendy Ide of The Times stated that La Haine is "[o]ne of the most blisteringly effective pieces of urban cinema ever made."After the film was well received upon its release in France, Alain Juppé, who was Prime Minister of France at the time, commissioned a special screening of the film for the cabinet, which ministers were required to attend. A spokesman for the Prime Minister said that, despite resenting some of the anti-police themes present in the film, Juppé found La Haine to be "a beautiful work of cinematographic art that can make us more aware of certain realities."It was ranked number 32 in Empire magazine's "The 100 Best Films of World Cinema" in 2010.
| 0
|
[
"La Haine",
"genre",
"crime film"
] |
La Haine (French pronunciation: [la ɛn], lit. 'Hatred'; released in the United States as Hate) is a 1995 French crime drama film written, co-edited, and directed by Mathieu Kassovitz. Starring Vincent Cassel, Hubert Koundé and Saïd Taghmaoui, the film chronicles a day and night in the lives of three friends from a poor immigrant neighbourhood in the suburbs of Paris. The title derives from a line spoken by one of them, Hubert: "La haine attire la haine!", "hatred breeds hatred". Kassovitz was awarded the Best Director prize at the 1995 Cannes Film Festival.
| 11
|
[
"La Haine",
"film editor",
"Mathieu Kassovitz"
] |
Cast
Production
Kassovitz has said that the idea came to him when a young Zairian, Makomé M'Bowolé, was shot in 1993. He was killed at point blank range while in police custody and handcuffed to a radiator. The officer was reported to have been angered by Makome's words, and had been threatening him when the gun went off accidentally. Kassovitz began writing the script on 6 April 1993, the day M'Bowole was shot. He was also inspired by the case of Malik Oussekine, a 22-year-old student protester who died after being badly beaten by the riot police after a mass demonstration in 1986, in which he did not take part. Oussekine's death is also referred to in the opening montage of the film. Mathieu Kassovitz included his own experiences; he took part in riots, he acts in a number of scenes and includes his father Peter in another.
The majority of the filming was done in the Parisian suburb of Chanteloup-les-Vignes. Unstaged footage was used for this film, taken from 1986 to 1996; riots still took place during the time of filming. To actually film in the projects, Kassovitz, the production team and the actors, moved there for three months prior to the shooting as well as during actual filming. Due to the film's controversial subject matter, seven or eight local French councils refused to allow the film crew to film on their territory. Kassovitz was forced to temporarily rename the script Droit de Cité. Some of the actors were not professionals and the film includes many situations that were based on real events.The music of the film was handled by French hardcore rap group Assassin, whose song "Nique la Police" (translated as "Fuck the Police") was featured in one of the scenes of the film. One of the members of Assassin, Mathias "Rockin' Squat" Crochon, is the brother of Vincent Cassel, who plays Vinz in the film.The film is dedicated to those who died while it was being made.
| 17
|
[
"In July (film)",
"instance of",
"film"
] |
In July (German: Im Juli.) is a 2000 German-Turkish road movie.Plot
At the beginning of his summer holiday, a somewhat naive trainee teacher Daniel (Moritz Bleibtreu) buys a ring from a stall run by a neighbor, the aspiring artist and street vendor Juli (in German, "Juli" would be not only the month July but also a common nickname for someone named "Julia"; Christiane Paul). The ring bears a Mayan sun symbol, which, according to Juli, has the power to lead him to the woman of his dreams, whom he will recognise by a similar sun symbol. As Juli has the ring's counterpart, and as she is in love with him, she invites Daniel to a party that evening, hoping that they will meet.
Curious, Daniel goes to the party and meets Melek (İdil Üner), a young Turkish woman who is wearing a T-shirt imprinted with a sun symbol. Convinced that she is the woman of his dreams, Daniel talks to her. Melek is only passing through and looking for a place to spend the night. After spending the evening together seeing the sights of Hamburg, Daniel invites her to spend the night in his apartment.
Daniel and Melek leave the party just as Juli arrives. She sees them leave together. In her disappointment, she decides to leave town. Next day she goes to the Autobahn to hitch a ride, with no predetermined destination.
As fate would have it, Daniel is the first car to stop, on his way back from the airport, where he has just dropped Melek off. He has decided to drive to Istanbul in search of Melek, who, as she told him, will be under the bridge over the Bosporus at a certain time a few days later, although he does not know why. Daniel takes Juli with him in his stoner roommate's rusty old car. And this is the beginning a long and exciting trip across a scorching hot Southeastern Europe.
| 1
|
[
"I Always Wanted to Be a Gangster",
"country of origin",
"France"
] |
I Always Wanted to Be a Gangster (French: J'ai toujours rêvé d'être un gangster) is a 2008 French comedy film directed by Samuel Benchetrit.Cast
Anna Mouglalis - Suzy - la serveuse
Édouard Baer - Gino - le braqueur
Jean Rochefort - Jean
Laurent Terzieff - Émile
Jean-Pierre Kalfon - Max
Venantino Venantini - Joe
Roger Dumas - Pierrot la Pince
Alain Bashung - Alain Bashung
Arno - Arno
Bouli Lanners - Léon
| 0
|
[
"I Always Wanted to Be a Gangster",
"instance of",
"film"
] |
I Always Wanted to Be a Gangster (French: J'ai toujours rêvé d'être un gangster) is a 2008 French comedy film directed by Samuel Benchetrit.
| 5
|
[
"I Always Wanted to Be a Gangster",
"genre",
"drama film"
] |
I Always Wanted to Be a Gangster (French: J'ai toujours rêvé d'être un gangster) is a 2008 French comedy film directed by Samuel Benchetrit.Cast
Anna Mouglalis - Suzy - la serveuse
Édouard Baer - Gino - le braqueur
Jean Rochefort - Jean
Laurent Terzieff - Émile
Jean-Pierre Kalfon - Max
Venantino Venantini - Joe
Roger Dumas - Pierrot la Pince
Alain Bashung - Alain Bashung
Arno - Arno
Bouli Lanners - Léon
| 7
|
[
"I Always Wanted to Be a Gangster",
"genre",
"comedy film"
] |
I Always Wanted to Be a Gangster (French: J'ai toujours rêvé d'être un gangster) is a 2008 French comedy film directed by Samuel Benchetrit.
| 8
|
[
"I Always Wanted to Be a Gangster",
"director",
"Samuel Benchetrit"
] |
I Always Wanted to Be a Gangster (French: J'ai toujours rêvé d'être un gangster) is a 2008 French comedy film directed by Samuel Benchetrit.
| 15
|
[
"Welcome to the Sticks",
"genre",
"comedy film"
] |
Welcome to the Sticks (French: Bienvenue chez les Ch'tis, French pronunciation: [bjɛ̃vny ʃe le ʃti]) is a 2008 French comedy film directed and co-written by Dany Boon and starring Kad Merad and Boon himself. The film was the highest-grossing French film of all time at the box office in France until it was surpassed by The Intouchables (2011).Plot
Philippe Abrams is the manager of the French post office (La Poste) branch in Salon-de-Provence, Bouches-du-Rhône, in southern France. He is married to Julie, whose negative character makes his life miserable. Philippe does everything to get a job at an office on the Mediterranean coast to make her happy. As it is perceived that the position will be acquired more easily if one is disabled, Abrams pretends that he is disabled – and is found out by the management. As punishment, he is banished for two years to Bergues, a town near Dunkirk in northern France. Northern France – and the Nord-Pas-de-Calais region in particular – is considered "the sticks" – a cold and rainy place inhabited by unsophisticated ch'tis who speak a strange dialect (called "ch'ti" in local parlance, and "cheutimi" in the South). He has to spend his first night at the home of Antoine, a member of his staff. Philippe initially dislikes Antoine for his obnoxious behavior and because he initially thinks Antoine is gay (due to seeing pictures of him crossdressing), but later Philippe finds out that Antoine worked for a carnival for time (where he did impressions of numerous people, men and women alike) and that he secretly has a crush on Annabelle, one of the workers at the post office. Antoine and Philippe subsequently become best friends.
To Philippe's surprise, Bergues proves to be a charming place teeming with warm, friendly people and co-workers. Soon, he is completely won over, eating strong-smelling Maroilles cheese; talking to virtually every local (by delivering their mail, and accepting the recipients' invitation for a drink); playing at the beach; playing the carillon at the bell tower together, drinking beer like a local, going to an RC Lens football match and so forth. He tries to describe the happy turn of events to his wife who has remained in the South with their young son, but she does not believe him. This inspires Philippe to tell her what she wants to believe; that his life is wretched there.
Everything goes fine until Julie decides to join him in the North to relieve his gloom. Philippe is forced to confess to his new friends and colleagues that he has described them as barbarians to his wife. First, they are angry, but they then decide to help him by behaving as such to cover for his lies and to scare Julie so she will depart quickly. They also let her stay in the old mining village near Bergues, pretending it is the main town. Julie has a very bad weekend, but decides she will move to Bergues to stay with Philippe, to be supportive.
Just when she's ready to go back south, she discovers that she has been tricked when a local tells Julie that the actual town of Bergues is several kilometers away. When Philippe finds Julie at his real Bergues home, he tells her the truth about the happiness and friendship that the town has brought him. Julie is disappointed at first, but after realising her husband is happy, she decides to move north to be with him.
Meanwhile, Antoine and Annabelle had been dating for over a year, but had broken up due to Antoine's passiveness towards his overbearing mother. Despite their split, Antoine still has feelings for Annabelle, who now has a new boyfriend. Upon learning this, Antoine cheers himself up by drinking alcohol during his work hours and behaves in an erratic manner. When Philippe urges Antoine to take courage and be assertive, Antoine finally confesses to his mother that he loves Annabelle and is planning to move to a new place with her. Unexpectedly, his mother is happy about it – she has waited all these years for Antoine to stand up for himself. As a result, Antoine proposes to Annabelle by the bell tower when it is playing a Stevie Wonder song. Annabelle accepts, and they get married.
Three years later, Philippe receives a transfer to move to Porquerolles on the Mediterranean coast. Accepting the offer, Philippe and his family move south. Just as he is about to say goodbye, he is reduced to tears, proving Antoine's theory on the Ch'tis proverb ("A visitor brays [cries] twice up north; once on his arrival and once at his departure").
| 0
|
[
"Welcome to the Sticks",
"country of origin",
"France"
] |
Plot
Philippe Abrams is the manager of the French post office (La Poste) branch in Salon-de-Provence, Bouches-du-Rhône, in southern France. He is married to Julie, whose negative character makes his life miserable. Philippe does everything to get a job at an office on the Mediterranean coast to make her happy. As it is perceived that the position will be acquired more easily if one is disabled, Abrams pretends that he is disabled – and is found out by the management. As punishment, he is banished for two years to Bergues, a town near Dunkirk in northern France. Northern France – and the Nord-Pas-de-Calais region in particular – is considered "the sticks" – a cold and rainy place inhabited by unsophisticated ch'tis who speak a strange dialect (called "ch'ti" in local parlance, and "cheutimi" in the South). He has to spend his first night at the home of Antoine, a member of his staff. Philippe initially dislikes Antoine for his obnoxious behavior and because he initially thinks Antoine is gay (due to seeing pictures of him crossdressing), but later Philippe finds out that Antoine worked for a carnival for time (where he did impressions of numerous people, men and women alike) and that he secretly has a crush on Annabelle, one of the workers at the post office. Antoine and Philippe subsequently become best friends.
To Philippe's surprise, Bergues proves to be a charming place teeming with warm, friendly people and co-workers. Soon, he is completely won over, eating strong-smelling Maroilles cheese; talking to virtually every local (by delivering their mail, and accepting the recipients' invitation for a drink); playing at the beach; playing the carillon at the bell tower together, drinking beer like a local, going to an RC Lens football match and so forth. He tries to describe the happy turn of events to his wife who has remained in the South with their young son, but she does not believe him. This inspires Philippe to tell her what she wants to believe; that his life is wretched there.
Everything goes fine until Julie decides to join him in the North to relieve his gloom. Philippe is forced to confess to his new friends and colleagues that he has described them as barbarians to his wife. First, they are angry, but they then decide to help him by behaving as such to cover for his lies and to scare Julie so she will depart quickly. They also let her stay in the old mining village near Bergues, pretending it is the main town. Julie has a very bad weekend, but decides she will move to Bergues to stay with Philippe, to be supportive.
Just when she's ready to go back south, she discovers that she has been tricked when a local tells Julie that the actual town of Bergues is several kilometers away. When Philippe finds Julie at his real Bergues home, he tells her the truth about the happiness and friendship that the town has brought him. Julie is disappointed at first, but after realising her husband is happy, she decides to move north to be with him.
Meanwhile, Antoine and Annabelle had been dating for over a year, but had broken up due to Antoine's passiveness towards his overbearing mother. Despite their split, Antoine still has feelings for Annabelle, who now has a new boyfriend. Upon learning this, Antoine cheers himself up by drinking alcohol during his work hours and behaves in an erratic manner. When Philippe urges Antoine to take courage and be assertive, Antoine finally confesses to his mother that he loves Annabelle and is planning to move to a new place with her. Unexpectedly, his mother is happy about it – she has waited all these years for Antoine to stand up for himself. As a result, Antoine proposes to Annabelle by the bell tower when it is playing a Stevie Wonder song. Annabelle accepts, and they get married.
Three years later, Philippe receives a transfer to move to Porquerolles on the Mediterranean coast. Accepting the offer, Philippe and his family move south. Just as he is about to say goodbye, he is reduced to tears, proving Antoine's theory on the Ch'tis proverb ("A visitor brays [cries] twice up north; once on his arrival and once at his departure").
| 1
|
[
"Welcome to the Sticks",
"instance of",
"film"
] |
Welcome to the Sticks (French: Bienvenue chez les Ch'tis, French pronunciation: [bjɛ̃vny ʃe le ʃti]) is a 2008 French comedy film directed and co-written by Dany Boon and starring Kad Merad and Boon himself. The film was the highest-grossing French film of all time at the box office in France until it was surpassed by The Intouchables (2011).Plot
Philippe Abrams is the manager of the French post office (La Poste) branch in Salon-de-Provence, Bouches-du-Rhône, in southern France. He is married to Julie, whose negative character makes his life miserable. Philippe does everything to get a job at an office on the Mediterranean coast to make her happy. As it is perceived that the position will be acquired more easily if one is disabled, Abrams pretends that he is disabled – and is found out by the management. As punishment, he is banished for two years to Bergues, a town near Dunkirk in northern France. Northern France – and the Nord-Pas-de-Calais region in particular – is considered "the sticks" – a cold and rainy place inhabited by unsophisticated ch'tis who speak a strange dialect (called "ch'ti" in local parlance, and "cheutimi" in the South). He has to spend his first night at the home of Antoine, a member of his staff. Philippe initially dislikes Antoine for his obnoxious behavior and because he initially thinks Antoine is gay (due to seeing pictures of him crossdressing), but later Philippe finds out that Antoine worked for a carnival for time (where he did impressions of numerous people, men and women alike) and that he secretly has a crush on Annabelle, one of the workers at the post office. Antoine and Philippe subsequently become best friends.
To Philippe's surprise, Bergues proves to be a charming place teeming with warm, friendly people and co-workers. Soon, he is completely won over, eating strong-smelling Maroilles cheese; talking to virtually every local (by delivering their mail, and accepting the recipients' invitation for a drink); playing at the beach; playing the carillon at the bell tower together, drinking beer like a local, going to an RC Lens football match and so forth. He tries to describe the happy turn of events to his wife who has remained in the South with their young son, but she does not believe him. This inspires Philippe to tell her what she wants to believe; that his life is wretched there.
Everything goes fine until Julie decides to join him in the North to relieve his gloom. Philippe is forced to confess to his new friends and colleagues that he has described them as barbarians to his wife. First, they are angry, but they then decide to help him by behaving as such to cover for his lies and to scare Julie so she will depart quickly. They also let her stay in the old mining village near Bergues, pretending it is the main town. Julie has a very bad weekend, but decides she will move to Bergues to stay with Philippe, to be supportive.
Just when she's ready to go back south, she discovers that she has been tricked when a local tells Julie that the actual town of Bergues is several kilometers away. When Philippe finds Julie at his real Bergues home, he tells her the truth about the happiness and friendship that the town has brought him. Julie is disappointed at first, but after realising her husband is happy, she decides to move north to be with him.
Meanwhile, Antoine and Annabelle had been dating for over a year, but had broken up due to Antoine's passiveness towards his overbearing mother. Despite their split, Antoine still has feelings for Annabelle, who now has a new boyfriend. Upon learning this, Antoine cheers himself up by drinking alcohol during his work hours and behaves in an erratic manner. When Philippe urges Antoine to take courage and be assertive, Antoine finally confesses to his mother that he loves Annabelle and is planning to move to a new place with her. Unexpectedly, his mother is happy about it – she has waited all these years for Antoine to stand up for himself. As a result, Antoine proposes to Annabelle by the bell tower when it is playing a Stevie Wonder song. Annabelle accepts, and they get married.
Three years later, Philippe receives a transfer to move to Porquerolles on the Mediterranean coast. Accepting the offer, Philippe and his family move south. Just as he is about to say goodbye, he is reduced to tears, proving Antoine's theory on the Ch'tis proverb ("A visitor brays [cries] twice up north; once on his arrival and once at his departure").
| 3
|
[
"Welcome to the Sticks",
"director",
"Dany Boon"
] |
Welcome to the Sticks (French: Bienvenue chez les Ch'tis, French pronunciation: [bjɛ̃vny ʃe le ʃti]) is a 2008 French comedy film directed and co-written by Dany Boon and starring Kad Merad and Boon himself. The film was the highest-grossing French film of all time at the box office in France until it was surpassed by The Intouchables (2011).
| 4
|
[
"Welcome to the Sticks",
"nominated for",
"European Film Award – People's Choice Award for Best European Film"
] |
Welcome to the Sticks (French: Bienvenue chez les Ch'tis, French pronunciation: [bjɛ̃vny ʃe le ʃti]) is a 2008 French comedy film directed and co-written by Dany Boon and starring Kad Merad and Boon himself. The film was the highest-grossing French film of all time at the box office in France until it was surpassed by The Intouchables (2011).Plot
Philippe Abrams is the manager of the French post office (La Poste) branch in Salon-de-Provence, Bouches-du-Rhône, in southern France. He is married to Julie, whose negative character makes his life miserable. Philippe does everything to get a job at an office on the Mediterranean coast to make her happy. As it is perceived that the position will be acquired more easily if one is disabled, Abrams pretends that he is disabled – and is found out by the management. As punishment, he is banished for two years to Bergues, a town near Dunkirk in northern France. Northern France – and the Nord-Pas-de-Calais region in particular – is considered "the sticks" – a cold and rainy place inhabited by unsophisticated ch'tis who speak a strange dialect (called "ch'ti" in local parlance, and "cheutimi" in the South). He has to spend his first night at the home of Antoine, a member of his staff. Philippe initially dislikes Antoine for his obnoxious behavior and because he initially thinks Antoine is gay (due to seeing pictures of him crossdressing), but later Philippe finds out that Antoine worked for a carnival for time (where he did impressions of numerous people, men and women alike) and that he secretly has a crush on Annabelle, one of the workers at the post office. Antoine and Philippe subsequently become best friends.
To Philippe's surprise, Bergues proves to be a charming place teeming with warm, friendly people and co-workers. Soon, he is completely won over, eating strong-smelling Maroilles cheese; talking to virtually every local (by delivering their mail, and accepting the recipients' invitation for a drink); playing at the beach; playing the carillon at the bell tower together, drinking beer like a local, going to an RC Lens football match and so forth. He tries to describe the happy turn of events to his wife who has remained in the South with their young son, but she does not believe him. This inspires Philippe to tell her what she wants to believe; that his life is wretched there.
Everything goes fine until Julie decides to join him in the North to relieve his gloom. Philippe is forced to confess to his new friends and colleagues that he has described them as barbarians to his wife. First, they are angry, but they then decide to help him by behaving as such to cover for his lies and to scare Julie so she will depart quickly. They also let her stay in the old mining village near Bergues, pretending it is the main town. Julie has a very bad weekend, but decides she will move to Bergues to stay with Philippe, to be supportive.
Just when she's ready to go back south, she discovers that she has been tricked when a local tells Julie that the actual town of Bergues is several kilometers away. When Philippe finds Julie at his real Bergues home, he tells her the truth about the happiness and friendship that the town has brought him. Julie is disappointed at first, but after realising her husband is happy, she decides to move north to be with him.
Meanwhile, Antoine and Annabelle had been dating for over a year, but had broken up due to Antoine's passiveness towards his overbearing mother. Despite their split, Antoine still has feelings for Annabelle, who now has a new boyfriend. Upon learning this, Antoine cheers himself up by drinking alcohol during his work hours and behaves in an erratic manner. When Philippe urges Antoine to take courage and be assertive, Antoine finally confesses to his mother that he loves Annabelle and is planning to move to a new place with her. Unexpectedly, his mother is happy about it – she has waited all these years for Antoine to stand up for himself. As a result, Antoine proposes to Annabelle by the bell tower when it is playing a Stevie Wonder song. Annabelle accepts, and they get married.
Three years later, Philippe receives a transfer to move to Porquerolles on the Mediterranean coast. Accepting the offer, Philippe and his family move south. Just as he is about to say goodbye, he is reduced to tears, proving Antoine's theory on the Ch'tis proverb ("A visitor brays [cries] twice up north; once on his arrival and once at his departure").
| 28
|
[
"Polisse",
"country of origin",
"France"
] |
Polisse (released at some film festivals as Poliss, French pronunciation: [pɔˈlis]) is a 2011 French crime drama film written, directed by and starring Maïwenn. It also stars Joeystarr, Karin Viard, Marina Foïs, Nicolas Duvauchelle, Emmanuelle Bercot and Riccardo Scamarcio. The film centres on the Child Protection Unit (Brigade de Protection des Mineurs) of the Paris Police, and a photographer who is assigned to cover the unit. The title is derived from Maïwenn's son's misspelling of the word "police".The film won the Jury Prize at the 2011 Cannes Film Festival and in 2012, received
thirteen nominations in the 37th César Awards.Premise
The members of a Child Protection Unit police squad try to safeguard their mental health and home lives in the face of their stressful and disruptive work: tracking paedophiles, arresting parents suspected of mistreating their children, following teenage pickpockets, runaways or those sexually exploited and helping in the protection of homeless children and victims of rape.
During brief periods of relaxation, the squad gossip, quarrel, drink, dance; relationships are put under strain, break and are remade or newly made. Their boss is an ambitious and politically astute policeman, not wholly sympathetic to the demands of their consciences, and ready to tighten the leash if the suspect whom they are questioning has powerful friends. At the heart of the story is a hard-edged, bitter yet tender policeman (Joeystarr), and a photographer (played by director Maïwenn), whose assignment is to follow the squad in their work.
| 18
|
[
"Polisse",
"production company",
"Les Productions du Trésor"
] |
Cast
Production
Maïwenn got the idea for the film when she saw a documentary about the Child Protection Unit on television. She was allowed to stay with the officers of the unit to research the subject and get to know what kind of people they were. All the cases in the screenplay were based either on things the director had witnessed during her time with the unit or older cases they told her about. Not letting the viewers know the verdicts of the defendants was a conscious choice, because the police officers seldom get to know it either. Maïwenn wrote a first draft for the screenplay on her own, and was then joined by Emmanuelle Bercot.The film was produced for €6.14 million through Les Films du Trésor in co-production with Arte France Cinéma and Mars Films. The production received pre-sales investment from Canal+ and CinéCinéma. Maïwenn only wanted to cast actors who would be credible in the roles of policemen: "In my opinion all of them had to have a common feature – they had to look like working class people and speak in vernacular Parisian French." Two former members of the CPU were hired to train the actors.Filming took place in Paris between 30 August and 29 October 2010. The film was digitally recorded with two or three cameras in each scene. Editing took three months.
| 56
|
[
"Samourais",
"genre",
"martial arts film"
] |
Samourais is a 2002 martial arts film starring Cyril Mourali, Jean-François Lénogue, Mai Anh Le and Yasuaki Kurata. It was directed by Giordano Gederlini and written by Matt Alexander and Alexandre Coquelle.References
External links
Samourais at IMDb
Samourais at Rotten Tomatoes
| 18
|
[
"Samourais",
"director",
"Giordano Gederlini"
] |
Samourais is a 2002 martial arts film starring Cyril Mourali, Jean-François Lénogue, Mai Anh Le and Yasuaki Kurata. It was directed by Giordano Gederlini and written by Matt Alexander and Alexandre Coquelle.
| 25
|
[
"Man Is a Woman",
"country of origin",
"France"
] |
Man Is a Woman (French title: L'homme est une femme comme les autres) is a 1998 French film directed by Jean-Jacques Zilbermann.
| 3
|
[
"Man Is a Woman",
"instance of",
"film"
] |
Man Is a Woman (French title: L'homme est une femme comme les autres) is a 1998 French film directed by Jean-Jacques Zilbermann.
| 9
|
[
"Man Is a Woman",
"director",
"Jean-Jacques Zilbermann"
] |
Man Is a Woman (French title: L'homme est une femme comme les autres) is a 1998 French film directed by Jean-Jacques Zilbermann.
| 22
|
[
"Métisse (film)",
"country of origin",
"France"
] |
Métisse (also known as Café au lait) is a 1993 French film directed by Mathieu Kassovitz.Cast
Julie Mauduech as Lola Mauduech
Hubert Koundé as Jamal Saddam Abossolo M'bo
Mathieu Kassovitz as Félix
Vincent Cassel as Max
Héloïse Rauth as Sarah
Andrée Damant as Maurice's mother
Peter Kassovitz as University professor
| 1
|
[
"Métisse (film)",
"instance of",
"film"
] |
Métisse (also known as Café au lait) is a 1993 French film directed by Mathieu Kassovitz.Cast
Julie Mauduech as Lola Mauduech
Hubert Koundé as Jamal Saddam Abossolo M'bo
Mathieu Kassovitz as Félix
Vincent Cassel as Max
Héloïse Rauth as Sarah
Andrée Damant as Maurice's mother
Peter Kassovitz as University professor
| 4
|
[
"Métisse (film)",
"director",
"Mathieu Kassovitz"
] |
Métisse (also known as Café au lait) is a 1993 French film directed by Mathieu Kassovitz.
| 7
|
[
"May Allah Bless France!",
"country of origin",
"France"
] |
May Allah Bless France! (French: Qu'Allah bénisse la France) is a French biographical drama film, released in 2014. The directorial debut of French hip hop musician Abd al Malik, the film is a dramatization of his own childhood memoir Qu'Allah bénisse la France, which was first published in 2004.The film stars Marc Zinga as the young al Malik.
| 0
|
[
"May Allah Bless France!",
"genre",
"drama film"
] |
May Allah Bless France! (French: Qu'Allah bénisse la France) is a French biographical drama film, released in 2014. The directorial debut of French hip hop musician Abd al Malik, the film is a dramatization of his own childhood memoir Qu'Allah bénisse la France, which was first published in 2004.The film stars Marc Zinga as the young al Malik.
| 5
|
[
"May Allah Bless France!",
"director",
"Abd al Malik"
] |
May Allah Bless France! (French: Qu'Allah bénisse la France) is a French biographical drama film, released in 2014. The directorial debut of French hip hop musician Abd al Malik, the film is a dramatization of his own childhood memoir Qu'Allah bénisse la France, which was first published in 2004.The film stars Marc Zinga as the young al Malik.
| 6
|
[
"May Allah Bless France!",
"genre",
"biographical film"
] |
May Allah Bless France! (French: Qu'Allah bénisse la France) is a French biographical drama film, released in 2014. The directorial debut of French hip hop musician Abd al Malik, the film is a dramatization of his own childhood memoir Qu'Allah bénisse la France, which was first published in 2004.The film stars Marc Zinga as the young al Malik.
| 15
|
[
"May Allah Bless France!",
"production company",
"Les Films du Kiosque"
] |
May Allah Bless France! (French: Qu'Allah bénisse la France) is a French biographical drama film, released in 2014. The directorial debut of French hip hop musician Abd al Malik, the film is a dramatization of his own childhood memoir Qu'Allah bénisse la France, which was first published in 2004.The film stars Marc Zinga as the young al Malik.Cast
Marc Zinga as Régis
Sabrina Ouazani as Nawel
Larouci Didi as Samir
Mickaël Nagenraft as Mike
Matteo Falkone as Pascal
Stéphane Fayette-Mikano as Bilal
Mireille Perrier as Miss Schaeffer
Gianni Giardinelli as The gangster
| 17
|
[
"Sympathy for the Devil (2019 film)",
"instance of",
"film"
] |
Sympathy for the Devil (French: Sympathie pour le diable) is a 2019 war drama film directed by Guillaume de Fontenay and released in 2019. Based on the book of the same name by French war correspondent Paul Marchand, the film stars Niels Schneider as Marchand covering the Bosnian War in the 1990s.The cast also includes Vincent Rottiers and Ella Rumpf.The film, a coproduction of companies from Canada, France and Belgium, had its Canadian theatrical premiere at the Cinemania film festival on November 11, 2019, before premiering commercially on November 29.
| 3
|
[
"Sympathy for the Devil (2019 film)",
"genre",
"drama film"
] |
Sympathy for the Devil (French: Sympathie pour le diable) is a 2019 war drama film directed by Guillaume de Fontenay and released in 2019. Based on the book of the same name by French war correspondent Paul Marchand, the film stars Niels Schneider as Marchand covering the Bosnian War in the 1990s.The cast also includes Vincent Rottiers and Ella Rumpf.The film, a coproduction of companies from Canada, France and Belgium, had its Canadian theatrical premiere at the Cinemania film festival on November 11, 2019, before premiering commercially on November 29.
| 4
|
[
"Sympathy for the Devil (2019 film)",
"genre",
"war film"
] |
Sympathy for the Devil (French: Sympathie pour le diable) is a 2019 war drama film directed by Guillaume de Fontenay and released in 2019. Based on the book of the same name by French war correspondent Paul Marchand, the film stars Niels Schneider as Marchand covering the Bosnian War in the 1990s.The cast also includes Vincent Rottiers and Ella Rumpf.The film, a coproduction of companies from Canada, France and Belgium, had its Canadian theatrical premiere at the Cinemania film festival on November 11, 2019, before premiering commercially on November 29.
| 6
|
[
"Sympathy for the Devil (2019 film)",
"genre",
"film based on literature"
] |
Sympathy for the Devil (French: Sympathie pour le diable) is a 2019 war drama film directed by Guillaume de Fontenay and released in 2019. Based on the book of the same name by French war correspondent Paul Marchand, the film stars Niels Schneider as Marchand covering the Bosnian War in the 1990s.The cast also includes Vincent Rottiers and Ella Rumpf.The film, a coproduction of companies from Canada, France and Belgium, had its Canadian theatrical premiere at the Cinemania film festival on November 11, 2019, before premiering commercially on November 29.
| 19
|
[
"MILF (2018 film)",
"country of origin",
"France"
] |
MILF is a 2018 sex comedy film directed by Axelle Laffont (in her feature directorial debut) and starring Virginie Ledoyen, Marie-Josée Croze and Laffont. The film was released in France on 2 May 2018.Premise
The film follows a trio of forty-something women who begin dating younger men while on vacation. The trio, Sonia, Cécile, and Elise, are friends who travel to the French Riviera to help Cécile prepare her vacation home to be sold.
During their vacation, they meet three men in their twenties – Julien, Paul, and Markus (a former family friend of Cécile's), who work at a local sailing club. The men are immediately interested in the women, who they have deemed "MILFs". The six of them spend a lot of time together as a summer fling; the film ends on their last day of vacation.
The film also features Laffont's real-life daughter, Mitty Hazanavicius, who plays her daughter Nina, visiting her for a couple of days.
| 0
|
[
"MILF (2018 film)",
"instance of",
"film"
] |
MILF is a 2018 sex comedy film directed by Axelle Laffont (in her feature directorial debut) and starring Virginie Ledoyen, Marie-Josée Croze and Laffont. The film was released in France on 2 May 2018.Premise
The film follows a trio of forty-something women who begin dating younger men while on vacation. The trio, Sonia, Cécile, and Elise, are friends who travel to the French Riviera to help Cécile prepare her vacation home to be sold.
During their vacation, they meet three men in their twenties – Julien, Paul, and Markus (a former family friend of Cécile's), who work at a local sailing club. The men are immediately interested in the women, who they have deemed "MILFs". The six of them spend a lot of time together as a summer fling; the film ends on their last day of vacation.
The film also features Laffont's real-life daughter, Mitty Hazanavicius, who plays her daughter Nina, visiting her for a couple of days.
| 3
|
[
"MILF (2018 film)",
"genre",
"comedy film"
] |
MILF is a 2018 sex comedy film directed by Axelle Laffont (in her feature directorial debut) and starring Virginie Ledoyen, Marie-Josée Croze and Laffont. The film was released in France on 2 May 2018.Premise
The film follows a trio of forty-something women who begin dating younger men while on vacation. The trio, Sonia, Cécile, and Elise, are friends who travel to the French Riviera to help Cécile prepare her vacation home to be sold.
During their vacation, they meet three men in their twenties – Julien, Paul, and Markus (a former family friend of Cécile's), who work at a local sailing club. The men are immediately interested in the women, who they have deemed "MILFs". The six of them spend a lot of time together as a summer fling; the film ends on their last day of vacation.
The film also features Laffont's real-life daughter, Mitty Hazanavicius, who plays her daughter Nina, visiting her for a couple of days.
| 4
|
[
"MILF (2018 film)",
"director",
"Axelle Laffont"
] |
MILF is a 2018 sex comedy film directed by Axelle Laffont (in her feature directorial debut) and starring Virginie Ledoyen, Marie-Josée Croze and Laffont. The film was released in France on 2 May 2018.
| 9
|
[
"Grindhouse (film)",
"genre",
"action film"
] |
Grindhouse is a 2007 American film written and directed by Robert Rodriguez and Quentin Tarantino. Presented as a double feature, it combines Rodriguez's Planet Terror, a action horror about a group of survivors who battle zombie-like creatures, and Tarantino's Death Proof, a black comedy action thriller about a murderous stuntman who kills young women with modified vehicles. The former stars Rose McGowan, Freddy Rodriguez, Michael Biehn, Jeff Fahey, Josh Brolin, and Marley Shelton; the latter stars Kurt Russell, Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell. Grindhouse pays homage to exploitation films of the 1970s, with its title deriving from the now-defunct theaters that would show such films. As part of its theatrical presentation, Grindhouse also features fictitious exploitation trailers directed by Rodriguez, Rob Zombie, Edgar Wright, Eli Roth, and Jason Eisener.
The film was released theatrically on April 6, 2007, to positive reviews for its tone, thrills, and tribute to exploitation cinema. However, Grindhouse was a commercial failure, grossing $25.4 million on a $53–67 million budget. Due to underperforming at the domestic box office, Planet Terror and Death Proof were released separately in other countries. Initial home media releases also separated Planet Terror and Death Proof; the theatrical version with both films and the fictitious trailers did not appear on home media until 2010. Despite the box office failure, Rodriguez and Tarantino have expressed interest in a possible sequel due to Grindhouse's positive reviews and successful home media sales. The fake trailers directed by Rodriguez, Eisener, and Roth later became the basis for their feature films Machete, Hobo with a Shotgun, Machete Kills, and Thanksgiving.
| 12
|
[
"Grindhouse (film)",
"genre",
"exploitation film"
] |
Grindhouse is a 2007 American film written and directed by Robert Rodriguez and Quentin Tarantino. Presented as a double feature, it combines Rodriguez's Planet Terror, a action horror about a group of survivors who battle zombie-like creatures, and Tarantino's Death Proof, a black comedy action thriller about a murderous stuntman who kills young women with modified vehicles. The former stars Rose McGowan, Freddy Rodriguez, Michael Biehn, Jeff Fahey, Josh Brolin, and Marley Shelton; the latter stars Kurt Russell, Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell. Grindhouse pays homage to exploitation films of the 1970s, with its title deriving from the now-defunct theaters that would show such films. As part of its theatrical presentation, Grindhouse also features fictitious exploitation trailers directed by Rodriguez, Rob Zombie, Edgar Wright, Eli Roth, and Jason Eisener.
The film was released theatrically on April 6, 2007, to positive reviews for its tone, thrills, and tribute to exploitation cinema. However, Grindhouse was a commercial failure, grossing $25.4 million on a $53–67 million budget. Due to underperforming at the domestic box office, Planet Terror and Death Proof were released separately in other countries. Initial home media releases also separated Planet Terror and Death Proof; the theatrical version with both films and the fictitious trailers did not appear on home media until 2010. Despite the box office failure, Rodriguez and Tarantino have expressed interest in a possible sequel due to Grindhouse's positive reviews and successful home media sales. The fake trailers directed by Rodriguez, Eisener, and Roth later became the basis for their feature films Machete, Hobo with a Shotgun, Machete Kills, and Thanksgiving.
| 27
|
[
"Grindhouse (film)",
"has part(s)",
"Planet Terror"
] |
Grindhouse is a 2007 American film written and directed by Robert Rodriguez and Quentin Tarantino. Presented as a double feature, it combines Rodriguez's Planet Terror, a action horror about a group of survivors who battle zombie-like creatures, and Tarantino's Death Proof, a black comedy action thriller about a murderous stuntman who kills young women with modified vehicles. The former stars Rose McGowan, Freddy Rodriguez, Michael Biehn, Jeff Fahey, Josh Brolin, and Marley Shelton; the latter stars Kurt Russell, Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell. Grindhouse pays homage to exploitation films of the 1970s, with its title deriving from the now-defunct theaters that would show such films. As part of its theatrical presentation, Grindhouse also features fictitious exploitation trailers directed by Rodriguez, Rob Zombie, Edgar Wright, Eli Roth, and Jason Eisener.
The film was released theatrically on April 6, 2007, to positive reviews for its tone, thrills, and tribute to exploitation cinema. However, Grindhouse was a commercial failure, grossing $25.4 million on a $53–67 million budget. Due to underperforming at the domestic box office, Planet Terror and Death Proof were released separately in other countries. Initial home media releases also separated Planet Terror and Death Proof; the theatrical version with both films and the fictitious trailers did not appear on home media until 2010. Despite the box office failure, Rodriguez and Tarantino have expressed interest in a possible sequel due to Grindhouse's positive reviews and successful home media sales. The fake trailers directed by Rodriguez, Eisener, and Roth later became the basis for their feature films Machete, Hobo with a Shotgun, Machete Kills, and Thanksgiving.
| 34
|
[
"Death Proof",
"instance of",
"film"
] |
Death Proof is a 2007 American black comedy action thriller film written and directed by Quentin Tarantino. It stars Kurt Russell as a stuntman who murders young women with modified cars he purports to be "death-proof". Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell co-star as the women he targets.
The film was originally released theatrically as part of Grindhouse, a double feature that combined Death Proof with Robert Rodriguez's Planet Terror. After Grindhouse underperformed at the domestic box office, Death Proof was released as a standalone feature in other countries and on home media. It received mostly positive reviews for its stunt sequences and tribute to exploitation cinema, although its pacing was criticized.Cast
Production
During a night of drinking with his friend Sean Penn, Tarantino learned about "death-proofing" cars from Penn. Tarantino developed a fascination with the concept and the story for Death Proof developed from the way stuntmen would "death-proof" stunt cars so a driver could survive horrific, high-speed crashes and collisions. This inspired Tarantino to create a slasher film featuring a deranged stuntman who stalks and murders sexy young women with his "death-proof" car. Tarantino remembers, "I realized I couldn't do a straight slasher film, because with the exception of women-in-prison films, there is no other genre quite as rigid. And if you break that up, you aren't really doing it anymore. It's inorganic, so I realized—let me take the structure of a slasher film and just do what I do. My version is going to be fucked up and disjointed, but it seemingly uses the structure of a slasher film, hopefully against you."According to Robert Rodriguez, "[Tarantino] had an idea and a complete vision for it right away when he first talked about it. He started to tell me the story and said, 'It's got this death-proof car in it.' I said, 'You have to call it Death Proof.' I helped title the movie, but that's it." Of the car chases, Tarantino stated: "CGI for car stunts doesn't make any sense to me—how is that supposed to be impressive? ... I don't think there have been any good car chases since I started making films in '92—to me, the last terrific car chase was in Terminator 2. And Final Destination 2 had a magnificent car action piece. In between that, not a lot. Every time a stunt happens, there's twelve cameras and they use every angle for Avid editing, but I don't feel it in my stomach. It's just action." Death Proof marked Tarantino's first credit as a cinematographer.
Tarantino attempted to cast John Travolta, Willem Dafoe, John Malkovich, Mickey Rourke, Ron Perlman, Bruce Willis, Kal Penn and Sylvester Stallone in Death Proof, but none were able to work due to prior commitments. In an interview, Tarantino revealed that he cast Kurt Russell as the killer stunt driver because "for people of my generation, he's a true hero…but now, there's a whole audience out there that doesn't know what Kurt Russell can do. When I open the newspaper and see an ad that says 'Kurt Russell in Dreamer,' or 'Kurt Russell in Miracle,' I'm not disparaging these movies, but I'm thinking: when is Kurt Russell going to be a badass again?" Eli Roth, Planet Terror leading actress Rose McGowan, and Tarantino himself appear in the film. Roth flew in from Europe, where he was filming Hostel: Part II, to film his scenes, which took one day.
After being stunned by stuntwoman Zoë Bell, who worked as Uma Thurman's stunt double in Tarantino's earlier film Kill Bill, Tarantino wrote her the leading female role. This was her first on-screen acting role, which Bell initially thought was going to be merely a cameo. The character Zoë was based on the stuntwoman herself and includes small stories based around her real life experiences, some with Tarantino. It was not until she saw her name featured on the film posters opposite Kurt Russell, Rosario Dawson and Rose McGowan that she realized how big the role was.
Death Proof uses various unconventional techniques to make the film appear more like those that were shown in grindhouse theaters in the 1970s. Throughout the feature, the film was intentionally damaged to make it look like many of the exploitation films of the 1970s which were generally shipped around from theater to theater and usually ended up in bad shape. This results in the film being almost unwatchable on a high quality, large screen TV. A notable example of one of the film's deliberate jump-cuts is seen at the beginning, when the title Quentin Tarantino's Thunderbolt is shown for a split second before abruptly being replaced by an insert with the title Death Proof, appearing in white lettering on a black background (exploitation films were commonly retitled, especially if they received bad press on initial release).
On the editing of Death Proof, Tarantino stated, "There is half-an-hour's difference between my Death Proof and what is playing in Grindhouse ... I was like a brutish American exploitation distributor who cut the movie down almost to the point of incoherence. I cut it down to the bone and took all the fat off it to see if it could still exist, and it worked." An extended version of Death Proof was screened in competition for the Palme d'Or at the 60th Cannes Film Festival. Although publicized as 127 minutes long, this extended version is actually around 113 minutes. Tarantino is quoted as saying, "It works great as a double feature, but I'm just as excited if not more excited about actually having the world see Death Proof unfiltered ... It will be the first time everyone sees Death Proof by itself, including me."
| 1
|
[
"Death Proof",
"director",
"Quentin Tarantino"
] |
Death Proof is a 2007 American black comedy action thriller film written and directed by Quentin Tarantino. It stars Kurt Russell as a stuntman who murders young women with modified cars he purports to be "death-proof". Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell co-star as the women he targets.
The film was originally released theatrically as part of Grindhouse, a double feature that combined Death Proof with Robert Rodriguez's Planet Terror. After Grindhouse underperformed at the domestic box office, Death Proof was released as a standalone feature in other countries and on home media. It received mostly positive reviews for its stunt sequences and tribute to exploitation cinema, although its pacing was criticized.
| 14
|
[
"Death Proof",
"producer",
"Quentin Tarantino"
] |
Death Proof is a 2007 American black comedy action thriller film written and directed by Quentin Tarantino. It stars Kurt Russell as a stuntman who murders young women with modified cars he purports to be "death-proof". Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell co-star as the women he targets.
The film was originally released theatrically as part of Grindhouse, a double feature that combined Death Proof with Robert Rodriguez's Planet Terror. After Grindhouse underperformed at the domestic box office, Death Proof was released as a standalone feature in other countries and on home media. It received mostly positive reviews for its stunt sequences and tribute to exploitation cinema, although its pacing was criticized.
| 17
|
[
"Death Proof",
"genre",
"thriller film"
] |
Death Proof is a 2007 American black comedy action thriller film written and directed by Quentin Tarantino. It stars Kurt Russell as a stuntman who murders young women with modified cars he purports to be "death-proof". Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell co-star as the women he targets.
The film was originally released theatrically as part of Grindhouse, a double feature that combined Death Proof with Robert Rodriguez's Planet Terror. After Grindhouse underperformed at the domestic box office, Death Proof was released as a standalone feature in other countries and on home media. It received mostly positive reviews for its stunt sequences and tribute to exploitation cinema, although its pacing was criticized.
| 50
|
[
"Bad Taste",
"country of origin",
"New Zealand"
] |
Production
Much of the film was shot in and around Jackson's home suburb of Pukerua Bay in northern Wellington, using a 25-year-old 16mm Bolex camera. Originally begun as a 20-minute short film called Roast of the Day, Bad Taste was shot primarily on weekends over the course of four years, at an initial cost of around $25,000. Toward the end of the shoot the New Zealand Film Commission invested around NZ$235,000 into the film to ensure its completion. Heavily influenced by special effects pioneer Tom Savini, Jackson incorporated many absurdly gory special effects.Peter Jackson himself plays two acting roles. In one early scene halfway down a cliff, careful editing, utilising shots taken months apart, makes it possible for the two characters, Derek and the alien Robert (both played by Jackson), to fight one another.Bad Taste begins Jackson's penchant for using the Morris Minor in his films - Giles drives a Morris Minor. Subsequently, every car in Meet the Feebles is a Morris Minor (including a limousine) and several are seen in Braindead.
A combination of blank firing firearms and homemade weapon props were used in the film. Most of the firearm props were made using recycled aluminium and wood. The actors also had to shake them to simulate the recoil. A flash and sound effect was added later during post production.All the alien masks in the film were baked in Peter Jackson's mother's oven.Kaihoro, the name of the town whose inhabitants are butchered, is a Māori word coined by Jackson and his crew early in the shooting of the film. It has two parts - "kai" which means food and "horo" which means town or village. Foodtown is also the name of a New Zealand chain of grocery stores. Kai horo in Te Reo Maori means 'greedy' - but is made up of the words Kai (food) and horo (quickly) which, loosely translated, could be said to mean 'fast food', a play on the fate of the villagers.
The sheep in the film was to have played a larger role as a running gag, being surprisingly aggressive and chasing "The Boys" at various points throughout. This was reduced to the single sheep/rocket launcher moment of the final scene.
| 0
|
[
"Women in Revolt",
"country of origin",
"United States of America"
] |
Women in Revolt is a 1971 American satirical film produced by Andy Warhol and directed by Paul Morrissey. The film stars Jackie Curtis, Candy Darling, and Holly Woodlawn, three trans women and superstars of Warhol's Factory scene. It also features soundtrack music by John Cale.During production from 1970 to 1971, Jackie Curtis insisted that Warhol shoot the film, or she threatened to leave the project. The film satirizes the Women's Liberation Movement, and alludes to Valerie Solanas and the SCUM Manifesto.The film was called Andy Warhol's Women when it opened at the Cinema Theater in Los Angeles on December 17, 1971. It was renamed Women in Revolt by the time it opened at the Cine Malibu in New York City on February 16, 1972.
| 0
|
[
"Women in Revolt",
"producer",
"Andy Warhol"
] |
Women in Revolt is a 1971 American satirical film produced by Andy Warhol and directed by Paul Morrissey. The film stars Jackie Curtis, Candy Darling, and Holly Woodlawn, three trans women and superstars of Warhol's Factory scene. It also features soundtrack music by John Cale.During production from 1970 to 1971, Jackie Curtis insisted that Warhol shoot the film, or she threatened to leave the project. The film satirizes the Women's Liberation Movement, and alludes to Valerie Solanas and the SCUM Manifesto.The film was called Andy Warhol's Women when it opened at the Cinema Theater in Los Angeles on December 17, 1971. It was renamed Women in Revolt by the time it opened at the Cine Malibu in New York City on February 16, 1972.
| 2
|
[
"Women in Revolt",
"instance of",
"film"
] |
Women in Revolt is a 1971 American satirical film produced by Andy Warhol and directed by Paul Morrissey. The film stars Jackie Curtis, Candy Darling, and Holly Woodlawn, three trans women and superstars of Warhol's Factory scene. It also features soundtrack music by John Cale.During production from 1970 to 1971, Jackie Curtis insisted that Warhol shoot the film, or she threatened to leave the project. The film satirizes the Women's Liberation Movement, and alludes to Valerie Solanas and the SCUM Manifesto.The film was called Andy Warhol's Women when it opened at the Cinema Theater in Los Angeles on December 17, 1971. It was renamed Women in Revolt by the time it opened at the Cine Malibu in New York City on February 16, 1972.
| 4
|
[
"Women in Revolt",
"composer",
"John Cale"
] |
Women in Revolt is a 1971 American satirical film produced by Andy Warhol and directed by Paul Morrissey. The film stars Jackie Curtis, Candy Darling, and Holly Woodlawn, three trans women and superstars of Warhol's Factory scene. It also features soundtrack music by John Cale.During production from 1970 to 1971, Jackie Curtis insisted that Warhol shoot the film, or she threatened to leave the project. The film satirizes the Women's Liberation Movement, and alludes to Valerie Solanas and the SCUM Manifesto.The film was called Andy Warhol's Women when it opened at the Cinema Theater in Los Angeles on December 17, 1971. It was renamed Women in Revolt by the time it opened at the Cine Malibu in New York City on February 16, 1972.
| 5
|
[
"Women in Revolt",
"genre",
"comedy film"
] |
Women in Revolt is a 1971 American satirical film produced by Andy Warhol and directed by Paul Morrissey. The film stars Jackie Curtis, Candy Darling, and Holly Woodlawn, three trans women and superstars of Warhol's Factory scene. It also features soundtrack music by John Cale.During production from 1970 to 1971, Jackie Curtis insisted that Warhol shoot the film, or she threatened to leave the project. The film satirizes the Women's Liberation Movement, and alludes to Valerie Solanas and the SCUM Manifesto.The film was called Andy Warhol's Women when it opened at the Cinema Theater in Los Angeles on December 17, 1971. It was renamed Women in Revolt by the time it opened at the Cine Malibu in New York City on February 16, 1972.
| 6
|
[
"Women in Revolt",
"director",
"Paul Morrissey"
] |
Women in Revolt is a 1971 American satirical film produced by Andy Warhol and directed by Paul Morrissey. The film stars Jackie Curtis, Candy Darling, and Holly Woodlawn, three trans women and superstars of Warhol's Factory scene. It also features soundtrack music by John Cale.During production from 1970 to 1971, Jackie Curtis insisted that Warhol shoot the film, or she threatened to leave the project. The film satirizes the Women's Liberation Movement, and alludes to Valerie Solanas and the SCUM Manifesto.The film was called Andy Warhol's Women when it opened at the Cinema Theater in Los Angeles on December 17, 1971. It was renamed Women in Revolt by the time it opened at the Cine Malibu in New York City on February 16, 1972.
| 7
|
[
"Women in Revolt",
"film editor",
"Paul Morrissey"
] |
Women in Revolt is a 1971 American satirical film produced by Andy Warhol and directed by Paul Morrissey. The film stars Jackie Curtis, Candy Darling, and Holly Woodlawn, three trans women and superstars of Warhol's Factory scene. It also features soundtrack music by John Cale.During production from 1970 to 1971, Jackie Curtis insisted that Warhol shoot the film, or she threatened to leave the project. The film satirizes the Women's Liberation Movement, and alludes to Valerie Solanas and the SCUM Manifesto.The film was called Andy Warhol's Women when it opened at the Cinema Theater in Los Angeles on December 17, 1971. It was renamed Women in Revolt by the time it opened at the Cine Malibu in New York City on February 16, 1972.
| 10
|
[
"Women in Revolt",
"genre",
"LGBT-related film"
] |
Women in Revolt is a 1971 American satirical film produced by Andy Warhol and directed by Paul Morrissey. The film stars Jackie Curtis, Candy Darling, and Holly Woodlawn, three trans women and superstars of Warhol's Factory scene. It also features soundtrack music by John Cale.During production from 1970 to 1971, Jackie Curtis insisted that Warhol shoot the film, or she threatened to leave the project. The film satirizes the Women's Liberation Movement, and alludes to Valerie Solanas and the SCUM Manifesto.The film was called Andy Warhol's Women when it opened at the Cinema Theater in Los Angeles on December 17, 1971. It was renamed Women in Revolt by the time it opened at the Cine Malibu in New York City on February 16, 1972.
| 20
|
[
"Chelsea Girls",
"director",
"Andy Warhol"
] |
Chelsea Girls is a 1966 American experimental underground film directed by Andy Warhol and Paul Morrissey. The film was Warhol's first major commercial success after a long line of avant-garde art films (both feature-length and short). It was shot at the Hotel Chelsea and other locations in New York City, and follows the lives of several of the young women living there, and stars many of Warhol's superstars. The film is presented in a split screen, accompanied by alternating soundtracks attached to each scene and an alternation between black-and-white and color photography. The original cut runs at just over three hours long.The film was the inspiration for star Nico's 1967 debut album, Chelsea Girl, which featured a ballad-like track titled "Chelsea Girls", which was written about the hotel and its inhabitants. The girl in the poster is Clare Shenstone, at the age of 16, an aspiring artist later influenced by Francis Bacon. With its creativity and eroticism, the poster captures the sensual essence of the film, and was designed for its London release by graphic artist Alan Aldridge. Warhol was extremely happy with the design, and commented that he "wished the movie was as good as the poster". The poster was used as the cover art for Felt's 1984 album The Splendour of Fear.
| 3
|
[
"Chelsea Girls",
"instance of",
"film"
] |
Chelsea Girls is a 1966 American experimental underground film directed by Andy Warhol and Paul Morrissey. The film was Warhol's first major commercial success after a long line of avant-garde art films (both feature-length and short). It was shot at the Hotel Chelsea and other locations in New York City, and follows the lives of several of the young women living there, and stars many of Warhol's superstars. The film is presented in a split screen, accompanied by alternating soundtracks attached to each scene and an alternation between black-and-white and color photography. The original cut runs at just over three hours long.The film was the inspiration for star Nico's 1967 debut album, Chelsea Girl, which featured a ballad-like track titled "Chelsea Girls", which was written about the hotel and its inhabitants. The girl in the poster is Clare Shenstone, at the age of 16, an aspiring artist later influenced by Francis Bacon. With its creativity and eroticism, the poster captures the sensual essence of the film, and was designed for its London release by graphic artist Alan Aldridge. Warhol was extremely happy with the design, and commented that he "wished the movie was as good as the poster". The poster was used as the cover art for Felt's 1984 album The Splendour of Fear.Availability
Home media
Chelsea Girls is largely unavailable for home video format. The film belongs to the Andy Warhol Foundation, and it, along with Warhol's other films (apart from a handful of his Screen Tests, which have since been released on DVD) have never seen home video releases in the United States. In Europe, however, a handful of Warhol's films were released on DVD, including a short-lived DVD print of Chelsea Girls which was available in Italy for some time. This Italian DVD print, which is the film's only official home video release, was released on September 16, 2003.
| 6
|
[
"Chelsea Girls",
"director",
"Paul Morrissey"
] |
Chelsea Girls is a 1966 American experimental underground film directed by Andy Warhol and Paul Morrissey. The film was Warhol's first major commercial success after a long line of avant-garde art films (both feature-length and short). It was shot at the Hotel Chelsea and other locations in New York City, and follows the lives of several of the young women living there, and stars many of Warhol's superstars. The film is presented in a split screen, accompanied by alternating soundtracks attached to each scene and an alternation between black-and-white and color photography. The original cut runs at just over three hours long.The film was the inspiration for star Nico's 1967 debut album, Chelsea Girl, which featured a ballad-like track titled "Chelsea Girls", which was written about the hotel and its inhabitants. The girl in the poster is Clare Shenstone, at the age of 16, an aspiring artist later influenced by Francis Bacon. With its creativity and eroticism, the poster captures the sensual essence of the film, and was designed for its London release by graphic artist Alan Aldridge. Warhol was extremely happy with the design, and commented that he "wished the movie was as good as the poster". The poster was used as the cover art for Felt's 1984 album The Splendour of Fear.
| 11
|
[
"Chelsea Girls",
"color",
"black and white"
] |
Chelsea Girls is a 1966 American experimental underground film directed by Andy Warhol and Paul Morrissey. The film was Warhol's first major commercial success after a long line of avant-garde art films (both feature-length and short). It was shot at the Hotel Chelsea and other locations in New York City, and follows the lives of several of the young women living there, and stars many of Warhol's superstars. The film is presented in a split screen, accompanied by alternating soundtracks attached to each scene and an alternation between black-and-white and color photography. The original cut runs at just over three hours long.The film was the inspiration for star Nico's 1967 debut album, Chelsea Girl, which featured a ballad-like track titled "Chelsea Girls", which was written about the hotel and its inhabitants. The girl in the poster is Clare Shenstone, at the age of 16, an aspiring artist later influenced by Francis Bacon. With its creativity and eroticism, the poster captures the sensual essence of the film, and was designed for its London release by graphic artist Alan Aldridge. Warhol was extremely happy with the design, and commented that he "wished the movie was as good as the poster". The poster was used as the cover art for Felt's 1984 album The Splendour of Fear.
| 15
|
[
"Since (film)",
"main subject",
"assassination of John F. Kennedy"
] |
Since (also known as Kennedy’s Assassination) is a 1966 film directed by Andy Warhol about the assassination of the President of the United States, John F. Kennedy. The film reconstructs the assassination with both Kennedy and Lyndon B. Johnson present, both before and after the event. The roles in Since are performed by Warhol's "superstars" from The Factory.The film is based on the media coverage of the assassination and the speeches of Johnson, who succeeded Kennedy as President of the United States. The film is 67 minutes long, and shot on 16 mm film in color. It has been described as unfinished.
| 11
|
[
"Stimulantia",
"director",
"Arne Arnbom"
] |
Stimulantia is a 1967 Swedish anthology film directed by Hans Abramson, Hans Alfredson, Arne Arnbom, Tage Danielsson, Lars Görling, Ingmar Bergman, Jörn Donner, Gustaf Molander, and Vilgot Sjöman.
| 29
|
[
"Stimulantia",
"director",
"Lars Görling"
] |
Stimulantia is a 1967 Swedish anthology film directed by Hans Abramson, Hans Alfredson, Arne Arnbom, Tage Danielsson, Lars Görling, Ingmar Bergman, Jörn Donner, Gustaf Molander, and Vilgot Sjöman.
| 30
|
[
"Our Hospitality",
"instance of",
"film"
] |
Our Hospitality is a 1923 American silent comedy film directed by Buster Keaton and John G. Blystone. Starring Keaton, Joe Roberts, and Natalie Talmadge and distributed by Metro Pictures Corporation, it uses slapstick and situational comedy to tell the story of Willie McKay, caught in the middle of the infamous "Canfield–McKay" feud, an obvious satire of the real-life Hatfield–McCoy feud.
It was a groundbreaking work for the comedy film genre, as Keaton included "careful integration of gags into a dramatically coherent storyline", "meticulous attention to period detail" and beautiful cinematography and extensive location shooting"—in considerable contrast to the era's other slapstick comedies. Turner Classic Movies describes Our Hospitality as a "silent film for which no apologies need be made to modern viewers."Adaptations
Our Hospitality has been adapted into numerous Indian films, the first being the 2002 Kannada movie Balagaalittu Olage Baa. A Telugu film adaptation, titled Maryada Ramanna, was released in 2010. This film was remade in Hindi as Son of Sardaar (2012) and in Kannada as Maryade Ramanna. It was subsequently remade into a Bengali film, Faande Poriya Boga Kaande Re (2011). A Tamil film remake called Vallavanukku Pullum Aayudham was released in 2014. It was also remade in Malayalam as Ivan Maryadaraman (2015).
| 1
|
[
"Our Hospitality",
"genre",
"silent film"
] |
Our Hospitality is a 1923 American silent comedy film directed by Buster Keaton and John G. Blystone. Starring Keaton, Joe Roberts, and Natalie Talmadge and distributed by Metro Pictures Corporation, it uses slapstick and situational comedy to tell the story of Willie McKay, caught in the middle of the infamous "Canfield–McKay" feud, an obvious satire of the real-life Hatfield–McCoy feud.
It was a groundbreaking work for the comedy film genre, as Keaton included "careful integration of gags into a dramatically coherent storyline", "meticulous attention to period detail" and beautiful cinematography and extensive location shooting"—in considerable contrast to the era's other slapstick comedies. Turner Classic Movies describes Our Hospitality as a "silent film for which no apologies need be made to modern viewers."
| 4
|
[
"Our Hospitality",
"director",
"John G. Blystone"
] |
Our Hospitality is a 1923 American silent comedy film directed by Buster Keaton and John G. Blystone. Starring Keaton, Joe Roberts, and Natalie Talmadge and distributed by Metro Pictures Corporation, it uses slapstick and situational comedy to tell the story of Willie McKay, caught in the middle of the infamous "Canfield–McKay" feud, an obvious satire of the real-life Hatfield–McCoy feud.
It was a groundbreaking work for the comedy film genre, as Keaton included "careful integration of gags into a dramatically coherent storyline", "meticulous attention to period detail" and beautiful cinematography and extensive location shooting"—in considerable contrast to the era's other slapstick comedies. Turner Classic Movies describes Our Hospitality as a "silent film for which no apologies need be made to modern viewers."
| 17
|
[
"Nachavule",
"instance of",
"film"
] |
Nachavule (Telugu: నచ్చావులే) is a 2008 Telugu film directed by Ravi Babu and produced by Ramoji Rao. The film was the debut for the stars Tanish and Maadhavi Latha. The film is a teenage romantic comedy. It was released on 19 December, 2008. The film won three Nandi Awards.
| 3
|
[
"Sathyam Shivam Sundaram (1987 film)",
"director",
"K. S. R. Das"
] |
Sathyam Shivam Sundaram (transl. The Truth, the God, the Beauty) is a 1987 Indian Kannada-language film directed by K. S. R. Das and produced by G. R. K. Raju. The film stars Vishnuvardhan, Raadhika, Sumithra and Vajramuni. The film has musical score by K. Chakravarthy. The movie is a remake of 1985 Telugu movie Jwala. However, while the hero played dual role in the original, Vishnuvardhan played a triple role including the father's role.
| 8
|
[
"Interference (film)",
"instance of",
"film"
] |
Interference is a 1928 American drama film directed by Lothar Mendes, as Paramount Pictures' first feature-length all-talking motion picture. It stars Clive Brook, William Powell, Evelyn Brent, and Doris Kenyon, all making their sound film debuts. In England when a first husband turns out not to be dead, blackmail leads to murder.
| 3
|
[
"Interference (film)",
"director",
"Lothar Mendes"
] |
Production
The film was originally produced as a silent which was directed by Lothar Mendes. However, after its completion, Paramount halted its release and decided to remake the film completely in sound. The sound version was directed by special effects technician-turned-director Roy J. Pomeroy, as the basis for Paramount Pictures' first feature-length all-talking motion picture. Since Pomeroy lacked experience as a director, he was assisted by William deMille during the filming. It was based on the 1927 West End play Interference by Roland Pertwee and Harold Dearden. It was shot on a budget of $250,000 A silent version was also released to cater for theaters that had not yet wired for sound. While the sound version survives, the silent version is now lost.In 1935 it was remade by Paramount as Without Regret.
| 5
|
[
"Interference (film)",
"production company",
"Paramount Pictures"
] |
Interference is a 1928 American drama film directed by Lothar Mendes, as Paramount Pictures' first feature-length all-talking motion picture. It stars Clive Brook, William Powell, Evelyn Brent, and Doris Kenyon, all making their sound film debuts. In England when a first husband turns out not to be dead, blackmail leads to murder.
| 9
|
[
"Interference (film)",
"genre",
"crime film"
] |
Interference is a 1928 American drama film directed by Lothar Mendes, as Paramount Pictures' first feature-length all-talking motion picture. It stars Clive Brook, William Powell, Evelyn Brent, and Doris Kenyon, all making their sound film debuts. In England when a first husband turns out not to be dead, blackmail leads to murder.
| 15
|
[
"Intolerance (film)",
"main subject",
"intolerance"
] |
Storylines
The film consists of four distinct, but parallel, stories—intercut with increasing frequency as the film builds to a climax—that demonstrate humankind's persistent intolerance throughout the ages. The timeline covers approximately 2,500 years.The ancient "Babylonian" story (539 BC) depicts the conflict between Prince Belshazzar of Babylon and Cyrus the Great of Persia. The fall of Babylon is a result of intolerance arising from a conflict between devotees of two rival Babylonian gods—Bel-Marduk and Ishtar.
The Biblical "Judean" story (c. AD 27) recounts how—after the Wedding at Cana and the Woman Taken in Adultery—intolerance led to the Crucifixion of Jesus. This sequence is the shortest of the four.
The Renaissance "French" story (1572) tells of the religious intolerance that led to the St. Bartholomew's Day Massacre of Protestant Huguenots fomented by the Catholic Royal House of Valois.
The American "Modern" story (c. 1914) demonstrates how crime, moral puritanism, and conflicts between ruthless capitalists and striking workers help ruin the lives of marginalized Americans. To get more money for his spinster sister's charities, a mill owner orders a 10% pay cut to his workers' wages. An ensuing workers' strike is crushed and The Boy and The Dear One make their way to another city; she lives in poverty and he turns to crime. After they marry, he tries to break free of crime but is framed for theft by his ex-boss. While he is in prison, his wife must endure their child being taken away by the same "moral uplift society" that instigated the strike. Upon his release from prison, he discovers his ex-boss attempting to rape his wife. A struggle begins and in the confusion the girlfriend of the boss shoots and kills the boss. She escapes and The Boy is convicted and sentenced to the gallows. A kindly policeman helps The Dear One find the real killer and together they try to reach the Governor in time so her reformed husband will not be hanged.Breaks between differing time periods are marked by the symbolic image of a mother rocking a cradle, representing the passing of generations. The film simultaneously cross-cuts back and forth and interweaves the segments over great gaps of space and time, with over 50 transitions between the segments. One of the unusual characteristics of the film is that many of the characters do not have names. Griffith wished them to be emblematic of human types. Thus, the central female character in the modern story is called The Dear One, her young husband is called The Boy, and the leader of the local Mafia is called The Musketeer of the Slums. Critics and film theorists maintain that these names reveal Griffith's sentimentalism, which was already hinted at in The Birth of a Nation, with names such as The Little Colonel.
| 58
|
[
"The Covered Wagon",
"country of origin",
"United States of America"
] |
The Covered Wagon is a 1923 American silent Western film released by Paramount Pictures. The film was directed by James Cruze based on a 1922 novel of the same name by Emerson Hough about a group of pioneers traveling through the old West from Kansas to Oregon. J. Warren Kerrigan starred as Will Banion and Lois Wilson as Molly Wingate. On their quest they experience desert heat, mountain snow, hunger, and Indian attack.The Covered Wagon is one of many films from 1923 that entered the public domain in the United States on January 1, 2019.
| 1
|
[
"The Covered Wagon",
"instance of",
"film"
] |
The Covered Wagon is a 1923 American silent Western film released by Paramount Pictures. The film was directed by James Cruze based on a 1922 novel of the same name by Emerson Hough about a group of pioneers traveling through the old West from Kansas to Oregon. J. Warren Kerrigan starred as Will Banion and Lois Wilson as Molly Wingate. On their quest they experience desert heat, mountain snow, hunger, and Indian attack.The Covered Wagon is one of many films from 1923 that entered the public domain in the United States on January 1, 2019.
| 4
|
[
"The Covered Wagon",
"genre",
"drama film"
] |
The Covered Wagon is a 1923 American silent Western film released by Paramount Pictures. The film was directed by James Cruze based on a 1922 novel of the same name by Emerson Hough about a group of pioneers traveling through the old West from Kansas to Oregon. J. Warren Kerrigan starred as Will Banion and Lois Wilson as Molly Wingate. On their quest they experience desert heat, mountain snow, hunger, and Indian attack.The Covered Wagon is one of many films from 1923 that entered the public domain in the United States on January 1, 2019.
| 5
|
[
"The Covered Wagon",
"director",
"James Cruze"
] |
The Covered Wagon is a 1923 American silent Western film released by Paramount Pictures. The film was directed by James Cruze based on a 1922 novel of the same name by Emerson Hough about a group of pioneers traveling through the old West from Kansas to Oregon. J. Warren Kerrigan starred as Will Banion and Lois Wilson as Molly Wingate. On their quest they experience desert heat, mountain snow, hunger, and Indian attack.The Covered Wagon is one of many films from 1923 that entered the public domain in the United States on January 1, 2019.
| 6
|
[
"The Covered Wagon",
"production company",
"Paramount Pictures"
] |
The Covered Wagon is a 1923 American silent Western film released by Paramount Pictures. The film was directed by James Cruze based on a 1922 novel of the same name by Emerson Hough about a group of pioneers traveling through the old West from Kansas to Oregon. J. Warren Kerrigan starred as Will Banion and Lois Wilson as Molly Wingate. On their quest they experience desert heat, mountain snow, hunger, and Indian attack.The Covered Wagon is one of many films from 1923 that entered the public domain in the United States on January 1, 2019.
| 11
|
[
"The Covered Wagon",
"genre",
"Western film"
] |
The Covered Wagon is a 1923 American silent Western film released by Paramount Pictures. The film was directed by James Cruze based on a 1922 novel of the same name by Emerson Hough about a group of pioneers traveling through the old West from Kansas to Oregon. J. Warren Kerrigan starred as Will Banion and Lois Wilson as Molly Wingate. On their quest they experience desert heat, mountain snow, hunger, and Indian attack.The Covered Wagon is one of many films from 1923 that entered the public domain in the United States on January 1, 2019.
| 12
|
[
"The Covered Wagon",
"genre",
"silent film"
] |
The Covered Wagon is a 1923 American silent Western film released by Paramount Pictures. The film was directed by James Cruze based on a 1922 novel of the same name by Emerson Hough about a group of pioneers traveling through the old West from Kansas to Oregon. J. Warren Kerrigan starred as Will Banion and Lois Wilson as Molly Wingate. On their quest they experience desert heat, mountain snow, hunger, and Indian attack.The Covered Wagon is one of many films from 1923 that entered the public domain in the United States on January 1, 2019.
| 26
|
[
"The Dictator (1922 film)",
"country of origin",
"United States of America"
] |
The Dictator is a 1922 American silent comedy-drama film produced by Famous Players-Lasky and distributed through Paramount Pictures. James Cruze was the director and the star Wallace Reid.The basic story had also been filmed in 1915 with John Barrymore who had played a supporting part in the 1904 Broadway starring production of comedian William Collier. Both this film and the 1915 version are now lost.
| 0
|
[
"The Dictator (1922 film)",
"instance of",
"film"
] |
The Dictator is a 1922 American silent comedy-drama film produced by Famous Players-Lasky and distributed through Paramount Pictures. James Cruze was the director and the star Wallace Reid.The basic story had also been filmed in 1915 with John Barrymore who had played a supporting part in the 1904 Broadway starring production of comedian William Collier. Both this film and the 1915 version are now lost.
| 5
|
[
"The Dictator (1922 film)",
"distributed by",
"Paramount Pictures"
] |
The Dictator is a 1922 American silent comedy-drama film produced by Famous Players-Lasky and distributed through Paramount Pictures. James Cruze was the director and the star Wallace Reid.The basic story had also been filmed in 1915 with John Barrymore who had played a supporting part in the 1904 Broadway starring production of comedian William Collier. Both this film and the 1915 version are now lost.
| 6
|
[
"The Dictator (1922 film)",
"genre",
"silent film"
] |
The Dictator is a 1922 American silent comedy-drama film produced by Famous Players-Lasky and distributed through Paramount Pictures. James Cruze was the director and the star Wallace Reid.The basic story had also been filmed in 1915 with John Barrymore who had played a supporting part in the 1904 Broadway starring production of comedian William Collier. Both this film and the 1915 version are now lost.
| 7
|
[
"The Dictator (1922 film)",
"production company",
"Famous Players-Lasky Corporation"
] |
The Dictator is a 1922 American silent comedy-drama film produced by Famous Players-Lasky and distributed through Paramount Pictures. James Cruze was the director and the star Wallace Reid.The basic story had also been filmed in 1915 with John Barrymore who had played a supporting part in the 1904 Broadway starring production of comedian William Collier. Both this film and the 1915 version are now lost.
| 14
|
[
"The Dictator (1922 film)",
"genre",
"comedy drama"
] |
The Dictator is a 1922 American silent comedy-drama film produced by Famous Players-Lasky and distributed through Paramount Pictures. James Cruze was the director and the star Wallace Reid.The basic story had also been filmed in 1915 with John Barrymore who had played a supporting part in the 1904 Broadway starring production of comedian William Collier. Both this film and the 1915 version are now lost.
| 19
|
[
"Hollywood (1923 film)",
"instance of",
"film"
] |
Hollywood is a 1923 American silent comedy film directed by James Cruze, co-written by Frank Condon and Thomas J. Geraghty, and released by Paramount Pictures. The film is a lengthier feature follow-up to Paramount's own short film exposé of itself, A Trip to Paramountown from 1922.The film has become famous as having featured cameos of more than fifty famous Hollywood stars. However, the film is now considered a lost film.
| 4
|
[
"Hollywood (1923 film)",
"genre",
"comedy film"
] |
Hollywood is a 1923 American silent comedy film directed by James Cruze, co-written by Frank Condon and Thomas J. Geraghty, and released by Paramount Pictures. The film is a lengthier feature follow-up to Paramount's own short film exposé of itself, A Trip to Paramountown from 1922.The film has become famous as having featured cameos of more than fifty famous Hollywood stars. However, the film is now considered a lost film.
| 5
|
[
"Hollywood (1923 film)",
"distributed by",
"Paramount Pictures"
] |
Hollywood is a 1923 American silent comedy film directed by James Cruze, co-written by Frank Condon and Thomas J. Geraghty, and released by Paramount Pictures. The film is a lengthier feature follow-up to Paramount's own short film exposé of itself, A Trip to Paramountown from 1922.The film has become famous as having featured cameos of more than fifty famous Hollywood stars. However, the film is now considered a lost film.
| 6
|
[
"Hollywood (1923 film)",
"genre",
"silent film"
] |
Hollywood is a 1923 American silent comedy film directed by James Cruze, co-written by Frank Condon and Thomas J. Geraghty, and released by Paramount Pictures. The film is a lengthier feature follow-up to Paramount's own short film exposé of itself, A Trip to Paramountown from 1922.The film has become famous as having featured cameos of more than fifty famous Hollywood stars. However, the film is now considered a lost film.
| 7
|
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