movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
1,000 Times Good Night | 1More Film Blog | Kenneth R. Morefield | As one would expect with of a film made by a photographer, 1,000 Times Good Night is always visually interesting. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 997 |
Persuasion | 1More Film Blog | Kenneth R. Morefield | For a film as esteemed as it is, it has always felt overshadowed by its proximity to BBC's beloved production of Pride and Prejudice. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 997 |
All Is True | 1More Film Blog | Kenneth R. Morefield | Much as with Anne Rice's The Young Messiah, the film's use of an historical frame adds nothing vital to its story and creates an expectation of truth adjacency that it lacks the skill or imagination to meet. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 997 |
Basmati Blues | 1More Film Blog | Kenneth R. Morefield | Basmati Blues isn't going to win any Oscars, but I finished the movie happier than when I started. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 997 |
Before Stonewall | 1More Film Blog | Kenneth R. Morefield | I do recommend the film, especially for straight viewers. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 997 |
Chameleon | 1More Film Blog | Kenneth R. Morefield | It's a character-driven crime film that looks surprisingly polished for a movie with a total budget that was was less than I paid for my last used car. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 997 |
Charlie's Angels | 1More Film Blog | Kenneth R. Morefield | More or less indistinguishable from the newer Mission: Impossible films that always seem to garner raves, excepting the fact Kristen Stewart is consistently funnier than Simon Pegg. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 997 |
Edie | 1More Film Blog | Kenneth R. Morefield | This is an actor's showcase for Hancock. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 997 |
Ender's Game | 1More Film Blog | Kenneth R. Morefield | Absent a fuller exploration of the desperation prompting war and the horrors experienced in it, the small moments of life and love don't really stand out. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 997 |
God's Not Dead | 1More Film Blog | Kenneth R. Morefield | I do believe God's not dead. I just have a hard time swallowing that saying so is the act of profound spiritual courage that the film makes it out to be. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 997 |
Great Expectations | 1More Film Blog | Kenneth R. Morefield | A surprisingly emotionally engaging film. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 997 |
Love & Mercy | 1More Film Blog | Kenneth R. Morefield | What I'm not on the fence about is Elizabeth Banks. She's riveting. Make no mistake, Brian Wilson is the famous figure, but this is Melinda's movie. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 997 |
Made in Italy | 1More Film Blog | Kenneth R. Morefield | There is plenty of Tuscan countryside to look at while the characters are figuring out what we already know. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 997 |
Mumia: Long Distance Revolutionary | 1More Film Blog | Kenneth R. Morefield | ...Rightly intuits that visually summarizing Abu-Jamal's Wikipedia page could well be emotionally satisfying but would ultimately be less persuasive than simply allowing viewers to see the man and hear his words... | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 997 |
Summerland | 1More Film Blog | Kenneth R. Morefield | Arterton's character writes about folklore, so it is no surprise that the film will have lots of self-referential dialogue about stories, where they come from, and how they shape us. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 997 |
The Invisible Man | 1More Film Blog | Kenneth R. Morefield | So it falls to me to be that guy. The woke critic who points out that the film sadistically brutalizes women for 120 minutes of entertainment in order, ostensibly, to tell us that brutalizing women is bad. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 997 |
Tolkien | 1More Film Blog | Kenneth R. Morefield | It celebrates the love of art, not just the love of a particular piece of art. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 997 |
Top End Wedding | 1More Film Blog | Kenneth R. Morefield | The clash of cultures was an integral part of the story without it being a cheap shortcut for generic laughs | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 997 |
In Cold Blood | 1More Film Blog | Kenneth R. Morefield | Like another great crime story rooted in truth, Dead Man Walking, it refuses to depersonalize the victims or elide their suffering | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 998 |
A Man for All Seasons | 1More Film Blog | Kenneth R. Morefield | There is something deeply, intellectually satisfying in hearing someone, even someone semi-fictional, articulate one's own ideas more eloquently and forcefully than one could oneself. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 998 |
A White, White Day (Hvítur, hvítur dagur) | 1More Film Blog | Kenneth R. Morefield | A thriller form Iceland, the film may lose some with its deliberate pace and hushed tones, but it is worth sticking with. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
Akron | 1More Film Blog | Kenneth R. Morefield | The best and worst thing about the movie is that you could probably change Benny and Christopher to a heterosexual couple and not have to change a single line of the screenplay. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 998 |
Alien: Covenant | 1More Film Blog | Kenneth R. Morefield | Prometheus and Alien: Covenant are like a Star Trek universe composed of nothing but red shirts. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
Army of Shadows (L'Armée des ombres) | 1More Film Blog | Kenneth R. Morefield | The greatness of Army of Shadows comes from the way it is able to convey many of the cruel paradoxes of war. What is an intimate and messy affair for some ends up being a remote and tactical exercise for others. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 998 |
Beyond The Mask | 1More Film Blog | Kenneth R. Morefield | It's just a good, fun movie. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
Beyond the Visible - Hilma af Klint | 1More Film Blog | Kenneth R. Morefield | One needn't have a B.F.A. to see the striking resemblances between Klint's works, painted years earlier, and those of vastly more lauded male artists who came later | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) | 1More Film Blog | Kenneth R. Morefield | Of the many things I hate about this origin story, perhaps the thing I hate the most is the way it uses mental illness as a cheap plot device to make Harley's underlying character entirely malleable. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
Boy Erased | 1More Film Blog | Kenneth R. Morefield | The worst violence we do, we justify in the name of love. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 998 |
Burden | 1More Film Blog | Kenneth R. Morefield | One of the things I appreciated about Burden is that it allowed for some space within the African-American community to disagree with Reverend Kennedy's approach and actions. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
Captain Marvel | 1More Film Blog | Kenneth R. Morefield | Aren't these movies supposed to be interchangeable? Isn't that the point? | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
Cats | 1More Film Blog | Kenneth R. Morefield | Structurally, thematically, rhythmically, the show is built around 'Memory.' If that song brings the house down, nothing else matters. If it doesn't... | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
Cradle of Champions | 1More Film Blog | Kenneth R. Morefield | More of a look at what boxing means to the participants than mere profiles of those boxers themselves. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
Emma. | 1More Film Blog | Kenneth R. Morefield | Emma is, admittedly, a singularly tough novel to adapt for the screen. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
Hooking Up | 1More Film Blog | Kenneth R. Morefield | It's a road trip, sex farce, interracial romcom, cancer movie. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
How to Build a Girl | 1More Film Blog | Kenneth R. Morefield | At no point does the film trust anyone - audience or onlooker - except Johanna to get the point unless Johanna verbalizes it for us. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
Jack Reacher: Never Go Back | 1More Film Blog | Kenneth R. Morefield | Perhaps my affinity for the character blinds me to the film's greater flaws, but maybe it also mediates against reflexive film critic cynicism. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 998 |
Linda Ronstadt: The Sound of My Voice | 1More Film Blog | Kenneth R. Morefield | All she did was walk around and sing better than just about anyone else of her generation. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 998 |
Miss Arizona | 1More Film Blog | Kenneth R. Morefield | The lack of nuance with which patriarchy and heteronormativity are cast as the source of all that is wrong with the world don't disqualify the film so much as render it uninteresting. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
New Life | 1More Film Blog | Kenneth R. Morefield | The film's press release mentions both The Notebook and The Fault in Our Stars in its first sentence. Add the word 'Christian' and you have both an elevator pitch and a summary. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
No God, No Master | 1More Film Blog | Kenneth R. Morefield | Nobody in No God, No Master actually utters the phrase "those who forget the past are condemned to repeat it," but that sentiment is the subtext of nearly line of dialogue in this historical drama about the Palmer Raids. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 998 |
Ophelia | 1More Film Blog | Kenneth R. Morefield | Can we start by all agreeing that Ophelia is the least interesting female character in the entire Shakespearean canon? | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 998 |
Ready Player One | 1More Film Blog | Kenneth R. Morefield | Ready Player One is a bit like catnip laced cocaine sprinkled atop crack filled Girl Scout Cookies. You probably can't live on it. It may even kill you. But it will be worth it. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 998 |
Richard Jewell | 1More Film Blog | Kenneth R. Morefield | There is a certain amount of chutzpah in suggesting that the key to understanding this story is that it is less about prejudice against conservatives or liberals than it is about prejudice against fat people. Sometimes chutzpah pays off, though | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 998 |
Rogue One: A Star Wars Story | 1More Film Blog | Kenneth R. Morefield | I know that for the next few years, at least, I'll see fewer and fewer interesting, engaging, stories, and more and more interchangeable shells surrounding interchangeable explosions. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
Skyman | 1More Film Blog | Kenneth R. Morefield | In a scripted movie, even one without special effects, we know in the back of our head that anything could happen with equal plausibility. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
Slumdog Millionaire | 1More Film Blog | Kenneth R. Morefield | Are there causal connections between hardships and subsequent joys, and if so, are the latter compensations for the former or simply inevitable turns of the wheel of fortune? | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 998 |
Spider-Man: Far From Home | 1More Film Blog | Kenneth R. Morefield | Far From Home refuses to succumb to the studio's snowballing weight of gravitas. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 998 |
Streetlight Harmonies | 1More Film Blog | Kenneth R. Morefield | The film opens by telling us that there have been only twelve vocal harmony groups inducted into the Rock and Roll Hall of Fame. It goes on to introduce us to some of them... | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
Tesla | 1More Film Blog | Kenneth R. Morefield | Like it's subject, Tesla is sure to leave a trail of admirers unsure if they are being conned or just witnessing genius so highly elevated that it is incomprehensible to mere mortals. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
The King of Staten Island | 1More Film Blog | Kenneth R. Morefield | Dad's death is a giant Maguffin, which is a tad offensive. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
The Nutcracker and the Four Realms | 1More Film Blog | Kenneth R. Morefield | No, it was not the instant classic that I suppose any studio that makes a holiday-themed movie hopes it will be, but it is a consistently entertaining fantasy with a likable heroine, delightful art design, and a decent message. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
The Sunday Sessions | 1More Film Blog | Kenneth R. Morefield | I'll now own the fact that the most counter-cultural thing in this portrait of a conflicted gay man is his insistence that his religious identity is not some choice that can be jettisoned. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
The Third Murder (Sandome no satsujin) | 1More Film Blog | Kenneth R. Morefield | Koreeda's sadly neglected predecessor to Shoplifters is now thankfully available on DVD from Film Movement. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
The Unknown Girl (La fille inconnue) | 1More Film Blog | Kenneth R. Morefield | It's a very good film, but it is challenging, with a slant toward pessimism that may make it a bit harder to warm up to than The Kid With a Bike or Two Days, One Night. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
Time For Ilhan | 1More Film Blog | Kenneth R. Morefield | One way the film is effective is by portraying the politics or primaries and how they differ from that of national elections. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
Transit | 1More Film Blog | Kenneth R. Morefield | The film will get plenty of exposure on DVD and streaming, but its meditative qualities and slower pace lend themselves better to the contemplative space of a darkened and distraction-free cinema. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 998 |
Vision Quest | 1More Film Blog | Kenneth R. Morefield | I would hardly be the first critic to suggest that its rote sports-movie structure and the presence of Linda Fiorentino as an implausibly available older woman masks Vision Quest's strange homoerotic subtext. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 998 |
WALL-E | 1More Film Blog | Kenneth R. Morefield | Wall-E is near the top of the list of films I call "friendship killers." | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 998 |
You Can't Take It With You | 1More Film Blog | Kenneth R. Morefield | There is something undeniably endearing about the film's assertions that happiness is a choice and that self-acceptance is the foundation of contentment. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 998 |
Framing John DeLorean | 2 Minute Telly | Zehra Phelan | Meshed together with testimonies from his colleagues and his own family, it's a fascinating delve into a forgotten dreamer. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 999 |
Roman J. Israel, Esq. | 2 Minute Telly | Zehra Phelan | A richly subtle compelling character study which struggles to overcome its own meandering plot. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 999 |
Güeros | 24 Horas | Alejandro Alemán | A unique, fresh and original masterpiece. [full review in Spanish] | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,000 |
1917 | 25YL (25 Years Later) | Don Shanahan | "1917" concentrates its adrenaline into a relentless experience that will strafe your senses. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 1,001 |
Ad Astra | 25YL (25 Years Later) | Don Shanahan | An accomplishment of contemplative science fiction that is felt in your core as much as it pours wonderment in your eyes. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
Always Be My Maybe | 25YL (25 Years Later) | Don Shanahan | The catchy chemistry of the movie comes from the whip-smart writing and performances of the two leads. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
Arkansas | 25YL (25 Years Later) | Don Shanahan | What could have been a menacing mystery ends up being little better than a quirky pickle or two. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
Auggie | 25YL (25 Years Later) | Don Shanahan | Tantalizingly bounces your comfort level between intimacy and voyeurism. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
August: Osage County | 25YL (25 Years Later) | Don Shanahan | August: Osage County brings an outstanding story peppered with howling laughs and poignant family drama that blend tremendously. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
Brian Banks | 25YL (25 Years Later) | Don Shanahan | Offers a patient and earned dose of victory that feels awfully nice and hopeful for this day and age. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
Burden | 25YL (25 Years Later) | Don Shanahan | This is not an easy walkabout or spiritual amputation. It is not subtle, but neither is hard personal change like that found in this story. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
Clara | 25YL (25 Years Later) | Don Shanahan | Grounds solemnity and sweetness into complicated love within a rare area of science fiction | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 1,001 |
Clemency | 25YL (25 Years Later) | Don Shanahan | Alfre Woodard is beyond compelling in taking on the destructive darkness this character envelopes around us all. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
Coffee & Kareem | 25YL (25 Years Later) | Don Shanahan | Filled with dumbfounded narrative and creative choices, fake trauma, and forgotten consequences. | 1/5 | 5 | 1 | 5 | false | 0 | 5 | 1 | 1,001 |
Coming Through The Rye | 25YL (25 Years Later) | Don Shanahan | Coming Through the Rye exudes a polish and a vibe that defines the film's wit and tone. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 1,001 |
Dirt Music | 25YL (25 Years Later) | Don Shanahan | The titular melodies advertised to break down the melodrama blow away weakly with the wind. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,001 |
Drinking Buddies | 25YL (25 Years Later) | Don Shanahan | You are torn between pining for the attractive non-couple to get together or you are rooting against the mess that could happen. Either way, you're hooked. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
Europa Report | 25YL (25 Years Later) | Don Shanahan | Methodical and intelligent science fiction makes Europa Report a sharp movie. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
Get On Up | 25YL (25 Years Later) | Don Shanahan | A biopic that dares to put a few extra wrinkles and curves into its narrative. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
John Carter | 25YL (25 Years Later) | Don Shanahan | This misunderstood and reverent spectacle was a victim of youthful ignorance more than bad marketing | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
Just Mercy | 25YL (25 Years Later) | Don Shanahan | There is a certain steadiness to Destin Daniel Cretton's new film that pushes back those gaudy tendencies. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
Killing Them Softly | 25YL (25 Years Later) | Don Shanahan | With a sharp and brutal edge of discourse and humor, this is a crime film that trades action for conversation. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
Knives Out | 25YL (25 Years Later) | Don Shanahan | There's nuance dripping like venom from thirsty fangs all over the performance stage of Johnson's cinematic charade. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 1,001 |
Lake Michigan Monster | 25YL (25 Years Later) | Don Shanahan | Every braided shoestring of DIY indie filmmaking swings a proverbial kitchen sink of derring-do flair on the end of it. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
Legends of the Fall | 25YL (25 Years Later) | Don Shanahan | Every wisp of wind carries some timbre of a guttural growl of passion. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
Love Wedding Repeat | 25YL (25 Years Later) | Don Shanahan | Just when you think what transpires can't be recovered it rewinds to a crucial moment and tries it all over again. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
Made in Italy | 25YL (25 Years Later) | Don Shanahan | More than doors are going to be unlocked and more than floorboards are going to be hammered out between the two amid the idyllic Italian cypresses. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
Official Secrets | 25YL (25 Years Later) | Don Shanahan | Righteous treatment to a worthy story and builds a stoic thriller by layering its merits with an eye for accuracy. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
Onward | 25YL (25 Years Later) | Don Shanahan | This funnybone-slaying riot gives way to the kind of heart-rending climax that proves the Pixar Punch keeps manifesting itself in more and more unexpected places. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
Run This Town | 25YL (25 Years Later) | Don Shanahan | This shrewdly constructed movie leaves the monster in the background and highlights the eager and opportunistic help. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
Safety Not Guaranteed | 25YL (25 Years Later) | Don Shanahan | The proverbial pitch that we would laugh off becomes the jumping-off point for a unique and original comedy. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
Silver Linings Playbook | 25YL (25 Years Later) | Don Shanahan | You have crazy, raised by crazy, befriended by crazy, thinking crazy, advised by crazy, dreaming crazy, and in love with crazy all happening in a crazy city of of crazy sports fans. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 1,001 |
Simply Irresistible | 25YL (25 Years Later) | Don Shanahan | Enjoy all the flights of fancy and let yourself lap up all the cuteness possible. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
Star Wars: The Rise of Skywalker | 25YL (25 Years Later) | Don Shanahan | No amount of razzle-dazzle filling eyes and ears can cover up the glaring examples of questionable creativity and incomplete development enacted by Abrams and lead screenwriter Chris Terrio... | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
Starfish | 25YL (25 Years Later) | Don Shanahan | The mental maelstrom of Starfish is eerie, imaginative, and highly impactful. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
Summerland | 25YL (25 Years Later) | Don Shanahan | Respectfully pensive in many places and proud in many others, Jessica Swale's film has difficulty transitioning meshed tones among the heartstrings. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
The Departure | 25YL (25 Years Later) | Don Shanahan | Despite some style, too much torrid steam is off-screen and too little rancor coalesces and festers to truly shock. | 1/5 | 5 | 1 | 5 | false | 0 | 5 | 1 | 1,001 |
The Last 5 Years | 25YL (25 Years Later) | Don Shanahan | There is a sincerity and a lack of sarcasm overall that makes these two and their story approachable and devoid of extra fluff or cliche. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,001 |
The Lighthouse | 25YL (25 Years Later) | Don Shanahan | There is not enough compelling story, mystery, or perversion to fill or overwhelm this eerie environment. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,001 |
The Lion King | 25YL (25 Years Later) | Don Shanahan | The shininess is an undeniably impressive and redeeming feature to a lack of implemented originality. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
The Night Clerk | 25YL (25 Years Later) | Don Shanahan | Puts just enough creep and suspicion into this predicament to stir plenty of conjecture worth hanging around to figure out. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,001 |
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