movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Resident Evil: Afterlife | AOL Black Voices | Wilson Morales | 'Resident Evil: Afterlife 3D' is more disappointing than the previous films only because they added nothing new than having derivative slow motion sequences, bad acting and an incoherent storyline. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 1,012 |
The Social Network | AOL Black Voices | Wilson Morales | David Fincher and screenwriter Aaron Sorkin have put together a well-acted, intelligent, and compelling film that merits accolades as one of the best films of 2010. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,012 |
The Fighter | AOL Black Voices | Wilson Morales | Mark Wahlberg's portrayal of former boxer Mickey Ward packs a riveting and powerful punch but it's the performances by the rest of the cast, including scene stealer Christian Bale that makes the film a winner. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,012 |
The Tourist | AOL Black Voices | Wilson Morales | The only thing worth noting is that the film is beautifully shot, but too bad 'The Tourist' is a just a lifeless, boring romantic mess. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 1,012 |
True Grit | AOL Black Voices | Wilson Morales | The thought of remaking the film that finally garnered an Academy Award for John Wayne seemed inconceivable at first, but in the hands of Oscar winners Ethan and Joel Coen, 'True Grit,' is a splendid delight and a reboot that Wayne would be proud of. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,012 |
Unknown | AOL Black Voices | Wilson Morales | While it's not a sequel, one can see this film and call it 'Taken' with a twist and they wouldn't complain. They would get their money's worth.'Unknown' has plenty of action, suspense and dramatic moments to keep one engaged and satisfied. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,012 |
Big Mommas: Like Father, Like Son | AOL Black Voices | Wilson Morales | 'BM:LF,LS' is pretty thin on the comedy. A few chuckles doesn't justify the return of an aging character, whose make-up has already lost its appeal. It's time to put away the fat suit. | 1/5 | 5 | 1 | 5 | false | 0 | 5 | 1 | 1,013 |
Hereafter | AOL Black Voices | Wilson Morales | Eastwood's latest drama fails to ignite a spark that will bring an audience to see a film involving the afterlife and supernatural. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,013 |
Piranha 3-D | AOL Black Voices | Wilson Morales | Though it's campy and gory, but for all its hype, it's best to save your money rather than spring the dough for special effects that aren't that spectacular -- or even eye-popping. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,013 |
Takers | AOL Black Voices | Wilson Morales | 'Takers' works because of its solid pace and action scenes, including one chase sequence that will have the audience rooting for both the cops and robbers. It's the perfect popcorn film to end the summer season. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,013 |
White Wedding | AOL Black Voices | Wilson Morales | While the plot is predictable, South Africa's 'White Wedding' is still an entertaining comedic film that audiences will find universally appealing. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,013 |
Emma. | AV Club | Garrett Mitchell | It's clear that de Wilde adores Emma, for all her challenges, just as much as her fictional admirers. And audiences should fall in love with her again, too. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,014 |
Adrift | AWFJ Women on Film | Sarah Knight Adamson | Technically, a film to be appreciated for its cinematic story-telling and the excellent performance by Shailene Woodley in the most challenging performance of her career. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,015 |
Ant-Man and the Wasp | AWFJ Women on Film | Sarah Knight Adamson | Unquestionably, the recognition of The Wasp/Evangeline Lily's superhero's name in the film's title is an intelligent choice--along with the choice to center on family. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,015 |
Clover | AWFJ Women on Film | Cate Marquis | CLOVER is not as clever as it thinks it is but it benefits from a strong cast... | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,015 |
First Man | AWFJ Women on Film | Sarah Knight Adamson | Quote from the past, "Behind every successful man there is a woman." Claire Foy as Janet Armstrong, shines as she's written to portray strength, love, uncertainty, and fortitude. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,015 |
A Simple Wedding | AWFJ Women on Film | Leslie Combemale | A Simple Wedding is a wonderful peek into one Iranian family's experience choosing to live with varying degrees of assimilation, while celebrating their own cultural traditions. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,016 |
Bathtubs Over Broadway | AWFJ Women on Film | Leslie Combemale | On rare occasions, the truly bizarre and the utterly charming intersect. Dava Whisenant's directorial debut about industrial musicals shines delightful light on the subject matter. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,016 |
Bull | AWFJ Women on Film | Leslie Combemale | As Abe, Rob Morgan carries a weary self-assurance and the bone-deep wisdom of a survivor, and it's heartbreaking, in this story about found family and forgiveness. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,016 |
Dilili in Paris (Dilili à Paris) | AWFJ Women on Film | Leslie Combemale | It is both an old story, and one that we must continue to tell. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,016 |
Jinn | AWFJ Women on Film | Leslie Combemale | Coming-of-age drama Jinn is a beautiful meditation on the complexities of becoming whole in a world that seems to thrive on breaking the spirit of anyone seen as 'other'. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,016 |
Judy & Punch | AWFJ Women on Film | Leslie Combemale | Foulkes has created a fascinating fairy tale from the female perspective, and we should all be excited to see what she brings us next. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,016 |
Lost Transmissions | AWFJ Women on Film | Leslie Combemale | A hard watch, Lost Transmissions takes us into the world of the suffering, without bombast and without flamboyance, in a way rarely shown onscreen. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,016 |
Military Wives | AWFJ Women on Film | Leslie Combemale | Scott Thomas elevates every project, and here she nearly makes a marvel out of the mediocrity. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,016 |
Queen & Slim | AWFJ Women on Film | Leslie Combemale | Queen & Slim flows through you from the screen like music you've rarely heard played out loud. Visceral. Transcendent. Haunting...Complex and deep, Queen & Slim is about cap L legacy. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,016 |
Tell It to the Bees | AWFJ Women on Film | Leslie Combemale | Tell it to the Bees is ultimately a love story, and Grainger and Paquin make it a good one. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,016 |
The Painter and the Thief | AWFJ Women on Film | Leslie Combemale | This remarkable, transformative story, in which the director explores the relationship between the subjects, gets to deeper truths and is a soul-stirring, life-affirming watch. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,016 |
The Photograph | AWFJ Women on Film | Leslie Combemale | From its first moments, it's like the movie, with its underlying romantic jazz score and winning co-leads, is calling the viewers into an intimate slow dance. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,016 |
The Queen | AWFJ Women on Film | Leslie Combemale | Not least for the must-see jaw-dropping bitch-fest scene courtesy of Crystal LaBeija, who was later indelibly captured in 1990's Paris is Burning, this film is truly a priceless cinematic artifact of LGBTQ and film history. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,016 |
Transit | AWFJ Women on Film | Leslie Combemale | Bleak but beautiful, Transit is a perfectly-timed look at ethnic cleansing, and the ever-sliding scale of each individual's perceptions of personal responsibility and moral obligation. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,016 |
What She Said: The Art of Pauline Kael | AWFJ Women on Film | Leslie Combemale | A fascinating look at a woman who carved out a life as a writer in an industry that has been famously unforgiving of opinions offered by female voices. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,016 |
Casa de los Babys | About.com | Marcy Dermansky | The topic--international adoption--is certainly compelling and the performances convincing, but as a drama, Casa de Los Babys never quite comes to life. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,017 |
The Red Shoes | About.com | David Nusair | ...a periodically spellbinding yet grossly overlong endeavor that could've used a few more passes through the editing bay. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,018 |
12 Years a Slave | About.com | David Nusair | ...meticulously made, sporadically captivating, and yet palpably overlong... | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,018 |
Fast & Furious 6 | About.com | David Nusair | ...Furious 6 fares noticeably worse than its surprisingly entertaining (yet far-from-flawless) predecessor... | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,018 |
Flow: For Love of Water | About.com | Jennifer Merin | The documentary shows in no uncertain terms that if we continue to abuse our water supply, Earth will become uninhabitable and humankind will become extinct. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,018 |
Ramona and Beezus | About.com | David Nusair | ...an affable yet forgettable little comedy... | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,018 |
The Purge | About.com | David Nusair | It's a rather ludicrous premise that's employed to persistently underwhelming effect by writer/director James DeMonaco... | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,018 |
The Tortured | About.com | David Nusair | ...a passable horror effort that remains a marginal cut above its direct-to-video brethren. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,018 |
Ant-Man and the Wasp | Action Figure Junkies | Rob Vaux | Its quiet optimism feels both welcome and badly needed. | 7.5/10 | 10 | 7.5 | 10 | false | 13 | 19 | 2 | 1,019 |
Avengers: Infinity War | Action Figure Junkies | Rob Vaux | An impressive feat simply because of the discipline and skill required to deliver so much in such a comparatively tight package. | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,019 |
Black Panther | Action Figure Junkies | Rob Vaux | Black is beautiful. | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,019 |
Deadpool 2 | Action Figure Junkies | Rob Vaux | You can feel the filmmakers pulling their punches when they should be lunging for the jugular: more interested in protecting the franchise than letting the character do what we paid good money to watch him do. | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,019 |
Incredibles 2 | Action Figure Junkies | Rob Vaux | It's a work of pure craftsmanship, designed to hold up to repeat viewings and making a grand companion piece to the first film. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,019 |
Justice League | Action Figure Junkies | Rob Vaux | it makes for a reasonable amount of fun in its own right... enough to put a gentle smile on your face and look towards future movies with a little more hope. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,019 |
Ready Player One | Action Figure Junkies | Rob Vaux | It may be just a roller coaster, but it respects itself enough to be the best rollercoaster it possibly can. | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,019 |
Solo: A Star Wars Story | Action Figure Junkies | Rob Vaux | Solo probably won't top anyone's list of their favorite Star Wars movies, and if you're looking for any surprises, you've come to the wrong place. But that doesn't mean it's not a whole lot of fun. | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,019 |
Tomb Raider | Action Figure Junkies | Rob Vaux | The pieces are there. They just need better assembly. | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,019 |
Black Panther | AdeAdeniji.com | Ade Adeniji | You know there must be something special about a superhero movie, an action superhero movie at that, to get my mother to see that movie. And not just once. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,020 |
High Flying Bird | AdeAdeniji.com | Ade Adeniji | Whether you fly along with High Flying Bird depends a lot on if you're compelled by the dialogue-heavy scenes of Power Broker A facing off against Power Broker B. There are many. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,020 |
The Last Black Man in San Francisco | AdeAdeniji.com | Ade Adeniji | [It is] streamlining what it wants to say, all the while complicating basic ideas of history and mythmaking. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,020 |
Uncut Gems | AdeAdeniji.com | Ade Adeniji | Uncut Gems really nails the anxiety involved in watching sports, and the joy. But while this investment can come from being a noble fan rooting for their home team, there are so many other ways to have skin in the game. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,020 |
Us | AdeAdeniji.com | Ade Adeniji | There's much to admire about Us. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,020 |
Miss Peregrine's Home for Peculiar Children | Adelaide Review | David 'Mad Dog' Bradley | The climax comes somewhat too late and the final result suffers from a lopsided structure, this nevertheless offers nice playing (from Green and Stamp especially), some fanciful FX and a few Burton-esque film-buff references. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,021 |
The Magnificent Seven | Adelaide Review | David 'Mad Dog' Bradley | This most satisfying, testosterone-fuelled shoot-'em-up is great fun, with pleasing work from the whole cast. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,021 |
Der Blaue Engel (The Blue Angel) | Advocate (Baton Rouge, LA) | John Wirt | A classic of the German cinema. Jannings is tragic, Dietrich is devastating. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,022 |
Ghost | Advocate (Baton Rouge, LA) | John Wirt | This occult love story deserved its hit status. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,022 |
Avalon | Advocate (Baton Rouge, LA) | John Wirt | An overstuffed family drama that's not nearly as magical as it thinks it is. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,022 |
Leap of Faith | Advocate (Baton Rouge, LA) | John Wirt | Comic Steve Martin gives an underappreciated dramatic performance as a phony preacher man. Among his best work. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,022 |
The Secret Garden | Advocate (Baton Rouge, LA) | John Wirt | Agnieszka Holland and cinematographer Roger Deakins orchestrate the film's blossoming of human and plant life with care, transcending Hollywood's typical family fare. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,022 |
The Fugitive | Advocate (Baton Rouge, LA) | John Wirt | In a morally confused age, a take-no-prisoner, seemingly heartless predator like Tommy Lee Jones' Gerard could easily be elected to high political office. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,022 |
Nobody's Fool | Advocate (Baton Rouge, LA) | John Wirt | Newman in fine late-career form. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,022 |
Ace Ventura: Pet Detective | Advocate (Baton Rouge, LA) | John Wirt | Loose-limbed, rubber-mouthed and poodle-hyper, Carrey is the screen's next great clown. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,022 |
Antonia (Antonia's Line) | Advocate (Baton Rouge, LA) | John Wirt | An amateurish, self-conscious film with a ham-fisted message. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,022 |
Yellow Submarine | Advocate (Baton Rouge, LA) | John Wirt | Not a splendid time for all. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,022 |
Dracula - Dead and Loving It | Advocate (Baton Rouge, LA) | John Wirt | This Dracula spoof belongs dead. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,022 |
Duck Soup | Advocate (Baton Rouge, LA) | John Wirt | The magnificent Marx Brothers at their funniest and most chaotic. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,022 |
Edward Scissorhands | Advocate (Baton Rouge, LA) | John Wirt | Johnny Depp and Tim Burton in magical collaboration. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,022 |
Eraser | Advocate (Baton Rouge, LA) | John Wirt | Schwarzenegger delivers big action, big stunts and high-tech suspense, but Eraser ultimately fails to thrill. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,022 |
Falling Down | Advocate (Baton Rouge, LA) | John Wirt | Douglas' tortured misfit is a chore to watch. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,022 |
The Fisher King | Advocate (Baton Rouge, LA) | John Wirt | With director Terry Gilliam at the helm, Robin Williams actually succeeds in a drama. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,022 |
Fluke | Advocate (Baton Rouge, LA) | John Wirt | Touching in a shaggy dog sort of way. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,022 |
Free Willy | Advocate (Baton Rouge, LA) | John Wirt | Schmaltzy. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,022 |
Hear My Song | Advocate (Baton Rouge, LA) | John Wirt | Ned Beatty gives a great performance in the Ireland-set charmer. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,022 |
In the Army Now | Advocate (Baton Rouge, LA) | John Wirt | A good reason to go AWOL. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,022 |
Jungle 2 Jungle | Advocate (Baton Rouge, LA) | John Wirt | A fairly awful Tim Allen comedy. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,022 |
Maggie | Advocate (Baton Rouge, LA) | John Wirt | The grim, contemplative "Maggie" personalizes zombies, thanks in part to an unusually serious performance by Arnold Schwarzenegger. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,022 |
Manhattan | Advocate (Baton Rouge, LA) | John Wirt | The best of Woody Allen. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,022 |
Mary Poppins | Advocate (Baton Rouge, LA) | John Wirt | Classic Disney at his most lavish. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,022 |
Mr. Brooks | Advocate (Baton Rouge, LA) | John Wirt | Clever and engaging, Mr. Brooks contains some of Kevin Costner's best work. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,022 |
Mr. Destiny | Advocate (Baton Rouge, LA) | John Wirt | An awful redemption flick. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,022 |
Nine Months | Advocate (Baton Rouge, LA) | John Wirt | Quickly forgettable romantic comedy. Not even the promising pairing of Grant and Moore can salvage it. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,022 |
Ordinary People | Advocate (Baton Rouge, LA) | John Wirt | The 1980 drama hasn't aged well. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,022 |
Plan 9 from Outer Space | Advocate (Baton Rouge, LA) | John Wirt | The ultimate cult flick. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,022 |
The Preacher's Wife | Advocate (Baton Rouge, LA) | John Wirt | Definitely not Denzel Washington's finest hour. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,022 |
The Serpent and the Rainbow | Advocate (Baton Rouge, LA) | John Wirt | A trippy, guilty pleasure. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,022 |
You Only Live Twice | Advocate (Baton Rouge, LA) | John Wirt | A primetime Bond adventure + the best Bond movie theme of all time. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,022 |
Young Frankenstein | Advocate (Baton Rouge, LA) | John Wirt | Mel Brooks at his hysterical peak. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,022 |
I Am Not Your Negro | Affinity Magazine | Valerie Complex | What is scary is how seamlessly the film transitions between the racially charged tragedies of today and the tragedies of the civil rights movement. It paints a picture that race relations have not changed in since the 1960s. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,023 |
Life | Affinity Magazine | Valerie Complex | When compared to the cast of Alien, the ISS team isn't well-textured, developed, or likable. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,023 |
The Zookeeper's Wife | Affinity Magazine | Valerie Complex | The film could have been an excellent introduction to a relatively unknown historical figure, but it doesn't eloquently capture the essence of their real life struggle. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,023 |
A Mighty Heart | AfroToronto | Kam Williams | Jolie, dominating nearly every scene, is rather remarkable in this star vehicle, effectively conveying a convincing combination of unwavering dedication and the dire desperation of a woman who insists on remaining at the center of the search for her man. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,024 |
Star Trek Beyond | Aggressive Comix | Steph Cozza | Chris Pine and Zachary Quinto have an amazing chemistry on screen. | B | short_letter | null | null | false | 4 | 6 | 1 | 1,025 |
American Pie | Aisle Seat | Mike McGranaghan | The no-holds-barred rowdiness of American Pie makes it worth seeing. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,026 |
The Blair Witch Project | Aisle Seat | Mike McGranaghan | Because of its originality, its innovation, and its sheer feeling of authenticity, The Blair Witch Project is the scariest movie I have ever seen. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 1,026 |
Fight Club | Aisle Seat | Mike McGranaghan | This movie is almost hypnotically weird, and I liked it for that very reason. Not everyone will. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,026 |
Never Been Kissed | Aisle Seat | Mike McGranaghan | I smiled all through this movie, partly because it had something worthwhile to say, and partly because Drew Barrymore brings such a wonderful energy to it. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,026 |
The Sixth Sense | Aisle Seat | Mike McGranaghan | An extraordinarily well-told ghost story. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,026 |
South Park: Bigger, Longer & Uncut | Aisle Seat | Mike McGranaghan | I was reasonably sure I was going to enjoy the film; what I didn't expect was a first-rate satire of censorship and the kind of political hysteria that currently threatens to create it. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,026 |
The Story of Us | Aisle Seat | Mike McGranaghan | The Story of Us has enough good elements to make it watchable, but overall I felt let down by it. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,026 |
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