movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Basic Instinct 2 | Arizona Republic | Scott Craven | Trust your basic instinct and avoid the worst sequel since Staying Alive. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 1,046 |
The Bourne Ultimatum | Arizona Republic | Randy Cordova | Damon, however, is perfect. He doesn't say a lot, but he's able to suggest the turmoil and mistrust of a man with no memory. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,046 |
Bridesmaids | Arizona Republic | Bill Goodykoontz | "Bridesmaids" proves two things conclusively: Women are every bit as adept as men at gross-out comedy antics, and Kristen Wiig is a bona-fide comedy star. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,046 |
Burlesque | Arizona Republic | Bill Goodykoontz | I's not interesting enough to be a disaster. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,046 |
The Cave | Arizona Republic | Kathy Cano Murillo | Despite the occasional chuckles of embarrassment for what the cast (including Morris Chestnut, Piper Perabo, and Eddie Cibrian) must endure, The Cave is a dead end. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 1,046 |
Charlotte's Web | Arizona Republic | Bill Muller | There's too much talent and too strong a story to mess it up. There was potential for more here, but this incarnation is nothing to be ashamed of, and some of the actors answer the bell. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,046 |
The Descent | Arizona Republic | Bill Muller | Sorry, George Lucas, but CGI creatures usually look pretty fake; the crawlers, however, are quite realistic and creepy, especially as they skitter over the walls and roofs of the caves. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,046 |
Failure to Launch | Arizona Republic | Kathy Cano Murillo | The film goes a layer deeper than most formulaic chick flicks. It dabbles in the sociological aspects of why many present-day adults refuse to leave the nest, as well as the effect on aging parents. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,046 |
First Daughter | Arizona Republic | Randy Cordova | A cinematic souffl that refuses to rise. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,046 |
Four Brothers | Arizona Republic | Bill Muller | Making sense isn't a top priority for Four Brothers. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,046 |
Freedomland | Arizona Republic | Bill Muller | In Roth's hands, Freedomland is a civics lesson disguised as a police drama, shrouded in a mystery that's not very mysterious to anyone who has seen the trailer. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,046 |
The Grudge 2 | Arizona Republic | Randy Cordova | The film feels more like several small, disconnected pieces thrown together rather than a satisfying whole. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,046 |
Herbie: Fully Loaded | Arizona Republic | Bill Muller | While you won't care about the human characters, you may find yourself pulling for Herbie. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,046 |
Hoot | Arizona Republic | Bill Muller | The movie treats us as if we're all 3 years old, and it belies its supposedly positive message by filling the story with dysfunctional families and a teenager left alone to forage in the wilderness. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,046 |
Miss Sloane | Arizona Republic | Bill Goodykoontz | Chastain gets to play pushy, angry, smart, hurt, almost sympathetic and more. This role is a real showcase for her formidable talents. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,046 |
Mission: Impossible Rogue Nation | Arizona Republic | Kerry Lengel | McQuarrie delivers a tense, eye-popping amusement-park ride that's almost as exciting as it is forgettable. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,046 |
Monster House | Arizona Republic | Bill Muller | Most viewers will see this computer-animated movie on a conventional 2D screen. That's too bad, because, given the range of motion-capture effects and camera moves, the film was made for 3D. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,046 |
Mr. & Mrs. Smith | Arizona Republic | Bill Muller | Mr. & Mrs. Smith has a beginning, but it lacks the always important middle and end. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,046 |
Notes on a Scandal | Arizona Republic | Bill Muller | The movie serves as a convenient locale for Dench and Blanchett to showcase their abilities, but it could be more involving. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,046 |
Palindromes | Arizona Republic | Bill Muller | It's a more challenging trek, but well worth it for some. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,046 |
Scoop | Arizona Republic | Bill Muller | It's a pleasing blend of Abbott and Costello and Foul Play, tickling the audience in all the right spots. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,046 |
Slither | Arizona Republic | Bill Goodykoontz | Slither is an enjoyable stab at spoofing the genre, but it won't send you away feeling completely slimed, which in this context is another word for satisfied. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,046 |
A Sound of Thunder | Arizona Republic | Bill Muller | A Sound of Thunder is worth noting, if only as a real contender for worst movie of the year. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 1,046 |
The Eagle | Arizona Republic | Kerry Lengel | To its credit, the film does attempt to grapple with the ambivalence that Europe and America feel toward the Roman Empire. We admire its cultural achievements while condemning its brutality, and in that tension we see our own ideals and failures reflected. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,046 |
The Wild | Arizona Republic | Bill Muller | As animated features go, it's strictly paint-by-numbers. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,046 |
You, Me and Dupree | Arizona Republic | Bill Muller | Although the movie offers a few chuckles here and there, it fails on almost every level. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,046 |
In Bruges | Arizona Republic | Bill Goodykoontz | The dialogue is front and center, in spite of the picturesque setting and all the goings-on, and it's the best thing about the film. | 5/6 | 6 | 5 | 6 | false | 4 | 6 | 1 | 1,047 |
Blame | Arkansas Democrat-Gazette | Piers Marchant | he film plays with a lot of high-school film tropes, but is smart enough to subvert them just enough to keep it feeling fresh. | 6.6/10 | 10 | 6.6 | 10 | false | 56 | 91 | 10 | 1,048 |
Bone Tomahawk | Arkansas Democrat-Gazette | Piers Marchant | The overt racism is palpable and, for all intents and purposes, unexplored, other than to make it so radically blatant, it ka-thunks you in the head like one of the nameless tribe's titular weapons. | 5.6/10 | 10 | 5.6 | 10 | false | 46 | 91 | 10 | 1,048 |
Everybody Knows (Todos lo saben) | Arkansas Democrat-Gazette | Piers Marchant | Like the great Canadian short story writer Alice Munro, Asghar Farhadi forms intricate, mysterious narratives around a complex weave of characters, whose relation to one another takes you some time to sort out. | 7.7/10 | 10 | 7.7 | 10 | false | 67 | 91 | 10 | 1,048 |
Fast Color | Arkansas Democrat-Gazette | Piers Marchant | At times awkwardly uneven. But the mystery that powers Ruth's plight, echoing the world's dried-up agony, is atmospherically rich, and the film, like its protagonists, carries a certain grace. | 6.1/10 | 10 | 6.1 | 10 | false | 51 | 91 | 10 | 1,048 |
Following | Arkansas Democrat-Gazette | Piers Marchant | Inessential, to be sure, but as an early example of... a fascinating early turn by a heady director first getting his metaphysical feet wet. | 5.7/10 | 10 | 5.7 | 10 | false | 47 | 91 | 10 | 1,048 |
I don't feel at home in this world anymore. | Arkansas Democrat-Gazette | Piers Marchant | Consistently funny, the film actually works best when it plays more or less straight. | 6.3/10 | 10 | 6.3 | 10 | false | 53 | 91 | 10 | 1,048 |
In a Lonely Place | Arkansas Democrat-Gazette | Piers Marchant | Bogart, always brilliant at playing bitter, adds a frightening aspect of fury to Dix, casting his impulses as well beyond his control -- he manages to make cutting a grapefruit seem like an act of vengeance. | 7.5/10 | 10 | 7.5 | 10 | false | 65 | 91 | 10 | 1,048 |
The Last House on the Left | Arkansas Democrat-Gazette | Piers Marchant | Beyond clumsy and amateurish, Craven dispenses with such niceties as plot logic and character development . | 5.1/10 | 10 | 5.1 | 10 | false | 41 | 91 | 10 | 1,048 |
The Lincoln Lawyer | Arkansas Democrat-Gazette | Piers Marchant | We don't ask much of our legal thrillers beyond a twisty plot and a good villain to watch go down, and Brad Furman's methodical thriller doesn't bother offering much more than that. | 5.9/10 | 10 | 5.9 | 10 | false | 49 | 91 | 10 | 1,048 |
Rewind | Arkansas Democrat-Gazette | Piers Marchant | The old footage of Sasha clearly cracking under the strain of his family's betrayal contrasts poignantly with the strong, centered man he has become. | 7.7/10 | 10 | 7.7 | 10 | false | 67 | 91 | 10 | 1,048 |
Steamboat Bill Jr. | Arkansas Democrat-Gazette | Piers Marchant | When you hear old-school film lovers speak of the "magic" of the movies, it is this sort of thing to which they're referring. | 6.7/10 | 10 | 6.7 | 10 | false | 57 | 91 | 10 | 1,048 |
The Runaways | Arkansas Democrat-Gazette | Piers Marchant | Falls into the usual sorts of narrative traps, including expositional overkill, flimsy character building, and the inexorable rise and subsequent descent into the tedious maelstrom of excess. | 5.4/10 | 10 | 5.4 | 10 | false | 44 | 91 | 10 | 1,048 |
A Late Quartet | Arkansas Democrat-Gazette | Dan Lybarger | While classical music sometimes seems to exist in a bubble protected from the real world, the people who play it struggle with the same issues everyone else does. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,049 |
Alex Cross | Arkansas Democrat-Gazette | Dan Lybarger | Imagine Bob Uecker pinch-hitting for Stan Musial, and you get an idea what it's like to see hyphenate Tyler Perry step into Morgan Freeman's shoes. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,049 |
America: Imagine the World Without Her | Arkansas Democrat-Gazette | Dan Lybarger | D'Souza has a gift for stating his opponent's position without actually addressing it. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,049 |
Help! | Arkansas Democrat-Gazette | Philip Martin | charming but slight, a step back from Hard Day's Night | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,049 |
Being Julia | Arkansas Democrat-Gazette | Philip Martin | Bening great in otherwise prosaic film | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,049 |
Belle | Arkansas Democrat-Gazette | Dan Lybarger | Belle does wrestle with a corner of history that most books have avoided. Nonetheless, those are the corners that most worth exploring. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,049 |
Chasing Mavericks | Arkansas Democrat-Gazette | Dan Lybarger | If Chasing Mavericks is short in the originality department, at least directors Curtis Hanson (L.A. Confidential) and Michael Apted (Coal Miner's Daughter) know how to make the film seem believable. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,049 |
Fun Size | Arkansas Democrat-Gazette | Dan Lybarger | Like the candy, Fun Size is short and occasionally sweet, but not all that fun. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,049 |
Heroin(e) | Arkansas Democrat-Gazette | Dan Lybarger | McMillion Shelton doesn't sugarcoat the severity of the crisis, but watching these women addressing it is oddly hopeful and entertaining. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,049 |
How to Train Your Dragon 2 | Arkansas Democrat-Gazette | Dan Lybarger | DeBlois thankfully remembers everything the two of them did right in the previous film. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,049 |
I Will Follow You Into The Dark | Arkansas Democrat-Gazette | Dan Lybarger | Robinson apparently believes the best way to jolt an audience is to have several sequences where darkness and silence linger on the screen before having loud music wake viewers up from a well-deserved slumber. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,049 |
Ice Age: Continental Drift | Arkansas Democrat-Gazette | Dan Lybarger | One of the surest signs climate change is upon us may be that Ice Age movies ceased to be fun a long time ago. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,049 |
Identity Thief | Arkansas Democrat-Gazette | Dan Lybarger | 'Identity Thief' gets off to a shaky start and never recovers. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 1,049 |
Into The Storm | Arkansas Democrat-Gazette | Dan Lybarger | While 'Into the Storm' deals with tornadoes that flatten whole towns in seconds, it generates all the excitement of a mild breeze. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,049 |
Killing Them Softly | Arkansas Democrat-Gazette | Dan Lybarger | These fellows are hardened criminals, but they're often darkly hilarious and mesmerizing when viewed from the safety of the big screen. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,049 |
Kinsey | Arkansas Democrat-Gazette | Philip Martin | Humane and ultimately sweet | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,049 |
The Last Stand | Arkansas Democrat-Gazette | Dan Lybarger | No, Schwarzenegger is unlikely to deliver an Oscar acceptance speech, but he and everyone else have their tongues firmly in cheek (that's not an Austrian thing). | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,049 |
Life of Pi | Arkansas Democrat-Gazette | Dan Lybarger | Taiwanese director Ang Lee (Brokeback Mountain) poses intriguing philosophical questions while also providing some of the finest eye candy in recent memory. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,049 |
Point Break | Arkansas Democrat-Gazette | Philip Martin | dumb, testosterone-soaked big summer story by Kathryn Bigelow | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,049 |
Premium Rush | Arkansas Democrat-Gazette | Dan Lybarger | New York bicycle couriers lead such dangerous lives that it seems it would be possible to make a thrilling movie about them without having conventional villains or plots. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,049 |
Prometheus | Arkansas Democrat-Gazette | Dan Lybarger | 'Prometheus' is not so much a prequel to Ridley Scott's 'Alien' as it is a remake. Fortunately, Scott remembers what made his unsettling 1979 classic work. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,049 |
Pumping Iron | Arkansas Democrat-Gazette | Philip Martin | Pumping Iron is a fascinating film, especially when seen in the context of Schwarzenegger's subsequent cinematic and political career. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,049 |
Rise of the Guardians | Arkansas Democrat-Gazette | Dan Lybarger | It takes a unique film to make Santa Claus, the Easter Bunny and the Tooth Fairy seem dreary or even unappealing. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,049 |
Savages | Arkansas Democrat-Gazette | Dan Lybarger | With 'Savages,' the mind behind 'Platoon' and 'Born on the Fourth of July' has apparently declared unconditional war on subtlety. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,049 |
Seven Psychopaths | Arkansas Democrat-Gazette | Dan Lybarger | Irish playwright and filmmaker Martin McDonagh doesn't make movies; they're more like balancing acts. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,049 |
Side Effects | Arkansas Democrat-Gazette | Dan Lybarger | Thankfully, Burns and Soderbergh have more on their agenda than simply trashing the pharmaceutical industry. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,049 |
Snitch | Arkansas Democrat-Gazette | Dan Lybarger | It is easy to fault Snitch for trying to be two seemingly incompatible films at once. I, for one, am deeply grateful that Waugh does a passable job of juggling when too many filmmakers have trouble keeping one ball in the air. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,049 |
Step Up Revolution | Arkansas Democrat-Gazette | Dan Lybarger | Nobody buys a ticket to see a Step Up movie expecting to hear Harold Pinter-esque dialogue or to decipher elaborate plots. That's why they're titled 'Step Up' instead of 'Speak Up' or 'Think Deeply.' | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,049 |
Suicide Kings | Arkansas Democrat-Gazette | Philip Martin | ...it isn't that well-written and if you're accustomed to the genre it might even seem predictable. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,049 |
The Big Wedding | Arkansas Democrat-Gazette | Dan Lybarger | It's best not to use your brain when watching The Big Wedding. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,049 |
The Bourne Legacy | Arkansas Democrat-Gazette | Dan Lybarger | It's too bad that Universal wasn't content with merely letting amnesiac superspy Jason Bourne (Matt Damon) end his saga with dignity. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,049 |
The Campaign | Arkansas Democrat-Gazette | Dan Lybarger | By sheer volume and force, laughs emerge. You just have to wait for them. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,049 |
The Fault In Our Stars | Arkansas Democrat-Gazette | Dan Lybarger | For a movie involving cancer, youthful fatalities and other heartbreaking developments, The Fault in Our Stars is remarkably entertaining and achieves a balance most tightrope walkers would envy. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,049 |
The Watch | Arkansas Democrat-Gazette | Dan Lybarger | Sadly, like a lot of SNL alumni or proteges, Schaffer has trouble coming up with 100 minutes of funny material. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,049 |
The Wolverine | Arkansas Democrat-Gazette | Dan Lybarger | Much of the reason Wolverine has become everyone's favorite Canadian mutant is because, despite his origins in the Marvel Universe, he doesn't act much like a superhero. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,049 |
Traffic Stop | Arkansas Democrat-Gazette | Dan Lybarger | [Kate] Davis avoids making a shallow diatribe from its volatile subject. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,049 |
Turbo | Arkansas Democrat-Gazette | Dan Lybarger | The buildup to the inevitable big race is a lot more fun than the climax itself. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,049 |
Warm Bodies | Arkansas Democrat-Gazette | Dan Lybarger | Screenwriter-director Jonathan Levine has an uncanny gift for milking comedy and even romance from unlikely places. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,049 |
Winter's Tale | Arkansas Democrat-Gazette | Dan Lybarger | Through the power of garbled mythology and questionable artistic decisions, it's guaranteed to cure the incurable romantic, on Valentine's Day, no less. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,049 |
Bill & Ted Face the Music | Ars Technica | Nathan Mattise | If you also already have a soft spot for the Wyld Stallyns, hop in your nearest phone booth, dial up the infinite, and prepare for another charming, over-the-top and surprisingly poignant ride through time. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,050 |
Domain | Ars Technica | Nathan Mattise | Good sci-fi speaks to the times, and Domain has done that twice in four years | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,050 |
Feels Good Man | Ars Technica | Nathan Mattise | This film reminds viewers of a basic communication principle: no matter the intent of someone who puts a message into the world, once it's out there, that idea no longer entirely belongs to the messenger. Some part of meaning always lies in reception. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,050 |
Rodents of Unusual Size | Ars Technica | Nathan Mattise | Beyond a profile on this species, Rodents of Unusual Size may work even better as a snapshot of a life not many will ever live: those in these coastal communities who directly experience the impacts of climate change and coastal erosion. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,050 |
Antebellum | Art House Film Wire | Jeff Mitchell | An effective and challenging thriller. (and don't watch the trailer...go in blind) | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,051 |
Ben is Back | Art House Film Wire | Jeff Mitchell | The screenplay flirts with implausibility, but it draws up a compelling plot that squarely falls on mother and son. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,051 |
Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) | Art House Film Wire | Jeff Mitchell | Robbie taps into her inner psycho and delivers several stand-up-and-cheer moments for Harley Quinn fans everywhere. That's perfect for a 20-minute montage on YouTube. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,051 |
Border (Gräns) | Art House Film Wire | Jeff Mitchell | Abbasi, Melander, and Milonoff are not afraid to cross into bizarre territory. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,051 |
Burning (Beoning) | Art House Film Wire | Jeff Mitchell | Lee Chang-dong's potent drama sparks unconventional mysteries | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,051 |
Capernaum (Capharnaüm) | Art House Film Wire | Jeff Mitchell | Nadine Labaki shines a bright light on dark times. A painfully unreal experience. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,051 |
Captain Marvel | Art House Film Wire | Jeff Mitchell | Our comic book heroine has to remember her past, and you won't easily forget this fun, milestone movie. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,051 |
Colette | Art House Film Wire | Jeff Mitchell | West and Knightley shine in the true story of "he said, she wrote" | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,051 |
Fighting with My Family | Art House Film Wire | Jeff Mitchell | Don't fight it, this underdog story is a good movie. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,051 |
First Cow | Art House Film Wire | Jeff Mitchell | First Cow grazes into a long-winded but mesmerizing underdog story | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,051 |
Gauguin: Voyage to Tahiti | Art House Film Wire | Jeff Mitchell | We get a good sense of Guaguin's mindset but regrettably, through an uneventful and monotonous narrative. An uninspired trip. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,051 |
Judy | Art House Film Wire | Jeff Mitchell | See the film for Zellweger's out-of-nowhere, knockout performance. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,051 |
Never Rarely Sometimes Always | Art House Film Wire | Jeff Mitchell | This troubling drama always hits the mark. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,051 |
Star Wars: The Rise of Skywalker | Art House Film Wire | Jeff Mitchell | Star Wars: The Rise of Skywalker lifts our spirits just enough. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,051 |
Suspiria | Art House Film Wire | Jeff Mitchell | A gorgeous work of art and a confusing mess. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,051 |
The Happytime Murders | Art House Film Wire | Jeff Mitchell | The end credits feature an enjoyable 80's singalong...the most gratifying three minutes of the movie. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,051 |
The High Note | Art House Film Wire | Jeff Mitchell | The Flat Note | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,051 |
The King of Staten Island | Art House Film Wire | Jeff Mitchell | Davidson and Apatow proudly roll out their royal comedy | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,051 |
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