movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Locke | AspectRatio.us | Matt Kelemen | Knight's genius, beyond dialogue and direction, lies in being able to depict how layers of personality slide against each other, and how the constructs we create serve our lives. | 4.5/10 | 10 | 4.5 | 10 | false | 7 | 19 | 2 | 1,059 |
Third Person | AspectRatio.us | Matt Kelemen | Haggis is making a very personal artistic statement, and had break down any walls of hesitation or fear of critical acceptance in order to proceed. He may have lost perspective in the process. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,060 |
42 | AspectRatio.us | Matt Kelemen | If life-affirming inspirational stories are a turn-off, 42 is still worth watching. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,061 |
American Hustle | AspectRatio.us | Matt Kelemen | ... [Russell] bullshits his way through the narrative, basically, giving his stellar cast plenty of room to improvise at length but in the end coming off as an indulgent storyteller unable to self-edit. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,061 |
August: Osage County | AspectRatio.us | Matt Kelemen | With the accolades it received, August: Osage County must work better on stage. As a production timed specifically for awards-season, it is lacking. | 1.5/5 | 5 | 1.5 | 5 | true | 3 | 11 | 2 | 1,061 |
Dom Hemingway | AspectRatio.us | Matt Kelemen | Great performance by Law in a character study where there is too much anti and not enough hero. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,061 |
EDC 2013: Under the Electric Sky | AspectRatio.us | Matt Kelemen | As an echo of a era when acid house swept away Club MTV commercial crap and dancing all night took on a new meaning, it falls far short | 0.5/5 | 5 | 0.5 | 5 | true | 1 | 11 | 2 | 1,061 |
Enough Said | AspectRatio.us | Matt Kelemen | ... the ensemble cast is stellar and in the end is what makes the film work, but any indie filmmaker can aspire to make a film like this. It's all about the story, and the sensitivity with which it's realized. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,061 |
Gravity | AspectRatio.us | Matt Kelemen | Let's just say seeing the film is the next best thing to the horror and beauty of being lost in space. | 4.5/5 | 5 | 4.5 | 5 | true | 9 | 11 | 2 | 1,061 |
Love Is All You Need | AspectRatio.us | Matt Kelemen | The question isn't whether the two people at the heart of Susanne Bier's Love Is All You Need will get together, but how ... Bier demonstrates excellence in a genre where excellence isn't expected | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,061 |
Mandela: Long Walk to Freedom | AspectRatio.us | Matt Kelemen | The synchronicity among the creators led to effective depictions of Mandela's transformation into a national leader | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,061 |
Oblivion | AspectRatio.us | Matt Kelemen | Unfortunately, when the story seems like an afterthought and the audience can't follow the plot progression, the movie ultimately fails | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,061 |
Out of the Furnace | AspectRatio.us | Matt Kelemen | He feels for his subject matter, no doubt, but every once in a while it feels like he falls short on imagination and takes a short cut to move his story forward. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,061 |
Prisoners | AspectRatio.us | Matt Kelemen | ... when Dover's efforts reach a sadistic level the film's flaws become more noticeable. It feels like Villeneuve stretches out nearly every scene ... | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,061 |
Rush | AspectRatio.us | Matt Kelemen | ... one of Howard's best. Maybe it was going back to the era of his directing debut, 1976's Eat My Dust, and revisiting its subject matter (fast cars) that kicked Howard's aesthetic drive into gear. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,061 |
Star Trek Into Darkness | AspectRatio.us | Matt Kelemen | The weaknesses covered up by the fan-boy thoroughness of the last Enterprise outing are more glaring this time. It's not enough to present caricatures of the original cast | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,061 |
Still Mine | AspectRatio.us | Matt Kelemen | Hopefully, [James] Cromwell will have more highlights in the December of his years, but Still Mine is one to be proud of. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,061 |
The Bling Ring | AspectRatio.us | Matt Kelemen | sometimes reminiscent of Adrian Lyne's tragic depiction of latch-key L.A. teens in 1980's Foxes, but Coppola's characters don't draw the sympathy ... nor does it feel as intrinsic of a representation of its time | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,061 |
Evil Dead | AspectRatio.us | Matt Kelemen | ... not for people prone to nightmares. It's highly effective as causing involuntary chills and hand movements (as in, up to eyes to block the bloody chaos onscreen). ... a cut above just about any other modern horror/slasher remake | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,061 |
The Family | AspectRatio.us | Matt Kelemen | ... the audience has been pummeled by scenes of excessive violence that aren't convincingly farcical. They're just violent. | 2/5 | 5 | 2 | 5 | true | 4 | 11 | 2 | 1,061 |
The German Doctor | AspectRatio.us | Matt Kelemen | The conclusion of the film is still difficult to follow, and without a satisfying ending we're left with a compelling set-up a charismatic cast and a character sketch of a war criminal in hiding. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,061 |
The Grandmaster | AspectRatio.us | Matt Kelemen | lovingly photographed, disjointed meditation of a life, an era in martial arts and a legacy, but its appeal beyond audience members with an appreciation Ip Man or the director may be limited. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,061 |
The Hangover Part III | AspectRatio.us | Matt Kelemen | It's hard to look past the convenient clues - barely more believable than plot points in a Scooby-Doo cartoon - that always spin the lads in the right direction. Then again, this is a cartoon. | 1.5/5 | 5 | 1.5 | 5 | true | 3 | 11 | 2 | 1,061 |
The Purge | AspectRatio.us | Matt Kelemen | ... lapses in logic that are hard to overcome. Even a kid knows to turn a flashlight off when hiding, and a filmmaker should know audience members could react with derision if characters act thoughtlessly. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,061 |
The Raid 2 | AspectRatio.us | Matt Kelemen | If Evans goes back to a 90-minute thrill ride for the three-quel, it may be worth forgiving his excesses this time around. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,061 |
The Way Way Back | AspectRatio.us | Matt Kelemen | Faxon and Nash, who won an Oscar for The Descendants, wrote the screenplay based on their own childhood memories of water park anarchy and substitute fathers, and probably were inspired more than a little by classic summer camp comedy Meatballs (1978). | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,061 |
The Wolf of Wall Street | AspectRatio.us | Matt Kelemen | ... it's a good film, not a great one. Considering the source material and a protagonist that any actor would have a hard time making likeable, though, it's as great as it can be. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,061 |
The World's End | AspectRatio.us | Matt Kelemen | the film starts off with the best of intentions and ends like an epic pub crawl usually does. No hangover, though - it's a good time in retrospect. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,061 |
This Is the End | AspectRatio.us | Matt Kelemen | manages to maintain a surreal comic pace throughout the first half until things take a turn for the truly weird ... What Baruchel witnesses when he walks in on Cera in Franco's bathroom is priceless on its own | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,061 |
Battle For Terra | Associated Content | Frank Ochieng | Although well-meaning, Battle for Terra is too tame to capture the active imagination of adventurous tots as a mediocre-driven meteorite looking to impact young minds with its slow-footed pacing and puffy-minded pathos. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,062 |
Ghosts of Girlfriends Past | Associated Content | Frank Ochieng | [An] odious romantic comedy...has all the depth and charm of an unwashed pillow case. Needlessly unimaginative and cloying... | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,062 |
Star Trek | Associated Content | Frank Ochieng | Thankfully, both diehard and casual observers of Gene Roddenberry's original 60's televised blueprint will be zapped with stimulating giddiness more effectively than an errant phaser gun gone wild. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,062 |
X-Men Origins - Wolverine | Associated Content | Frank Ochieng | Hood never really establishes the essence of Wolverine's personalized demons beyond pitting our hirsute hero in compromising slice and dice tactical situations. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,062 |
Aloft | Associated Press | Lindsey Bahr | The majority of the film strives for ethereal lyricism but the melodrama of these lives never proves strong enough to anchor any real emotional connection. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,063 |
Clouds of Sils Maria | Associated Press | Jocelyn Noveck | It's winding, and it sure takes time and patience, and it's not all that clearly marked. But by the end, you're left with quite a view. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,063 |
Gnomeo and Juliet | Associated Press | Christy Lemire | What is there to say about a movie that beats its eccentric premise to the ground in the first scene, and doesn't stop? | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,063 |
The House Bunny | Associated Press | Christy Lemire | The purpose of this comedy is to serve as a showcase for Anna Faris, whose sunny disposition and solid comic timing make The House Bunny more enjoyable than it ought to be. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,063 |
Rocket Science | Associated Press | Christy Lemire | Blitz continues to make a case for himself as a filmmaker with rich, realistic stories to tell. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,063 |
Sanctum | Associated Press | Jake Coyle | There's plenty of atmosphere and awe, even if it's in the service of a story that starts rote and finds its sea legs only when half the divers have sunk their bones to Davy Jones. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,063 |
The Beach Bum | Associated Press | Lindsey Bahr | There is a lot of fun to be had living in Moondog's world for 95 minutes, and the film goes down suspiciously easy for something so ugly and amoral. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,063 |
The Call | Associated Press | Jake Coyle | "The Call" dials up a shallow thrill ride, but one efficiently peppered with your typical "don't go in there!" moments. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,063 |
The Comedian | Associated Press | Sandy Cohen | Interesting character study and heartfelt love letter to New York City and the camaraderie among its comedians. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,063 |
The Forest | Associated Press | Lindsey Bahr | Pretty bad, even for a January release. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 1,063 |
The Humbling | Associated Press | Lindsey Bahr | "The Humbling" is not quite a renaissance, but the scrappy effort sizzles with wit and energy more often than it falters. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,063 |
The Vow | Associated Press | Christy Lemire | "The Vow" serves as a series of precise if obvious moments and emotional cues we must endure en route to the inevitable reconciliation, complete with an intrusively heart-tugging score and too much explanatory voiceover from Tatum. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,063 |
The Ward | Associated Press | Christy Lemire | The kills aren't terribly suspenseful or dramatically staged and they quickly grow repetitive. Worst of all, they're not particularly scary. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,063 |
Nine Lives | Associated Press | David Germain | The stories are sketches, often without resolution, and while individual segments succeed admirably, taken together the portraits are a fitful match. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,064 |
Clean | Associated Press | Christy Lemire | The film that showed the world Maggie Cheung is more than just a strikingly beautiful face. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,064 |
See No Evil | Associated Press | Christy Lemire | With its run-down, abandoned setting, which is lousy with roaches, rats and flies, it's just dark, dirty and gross. | D | long_letter | null | null | false | 7 | 18 | 1 | 1,064 |
2 Days in Paris | Associated Press | Christy Lemire | 2 Days in Paris may seem familiar, with its manic, walking-and-talking rhythms reminiscent of Woody Allen and Diane Keaton in the 1970s. But you never know where it's going, which is one of the film's greatest pleasures. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,064 |
A Simple Favor | Associated Press | Jake Coyle | An often lighthearted, sometimes creepy journey through the female stereotypes of the genre, with Anna Kendrick and Blake Lively as guides who both delight in and subvert traditional noir archetypes. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,064 |
The Black Dahlia | Associated Press | David Germain | This fictionalized tale of two Los Angeles detectives assigned to the gruesome 1940s murder of a real-life wannabe starlet begins as a slow but intriguing character study that gradually unravels into a turgid mess. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,064 |
Catch and Release | Associated Press | Christy Lemire | This fish-themed romance flops wildly all over the place, from heavy poignant moments to slapsticky comedy, with a healthy dose of soapy melodrama in between. | D+ | long_letter | null | null | false | 8 | 18 | 1 | 1,064 |
The Covenant | Associated Press | Christy Lemire | All that's truly scary about The Covenant are the words that appear before the title: 'A Renny Harlin Film.' | D | long_letter | null | null | false | 7 | 18 | 1 | 1,064 |
Dan in Real Life | Associated Press | David Germain | A surprisingly plain, sappy, even insipid comedy, considering the filmmaker behind it. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,064 |
Eagle vs Shark | Associated Press | Christy Lemire | Eagle vs. Shark might have seemed amusingly original, albeit in a self-consciously quirky, indie-movie kind of way, if Napoleon Dynamite didn't already exist. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,064 |
Everyone's Hero | Associated Press | Christy Lemire | The movie means well and, like tee ball, it's probably best suited for the littlest kids only. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,064 |
Fight Club | Associated Press | Bob Thomas | Perhaps it is postmodern filmmaking, whatever that means. In any case, Fight Club remains the ugliest, most inhuman film since Natural Born Killers. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,064 |
Gridiron Gang | Associated Press | Christy Lemire | ... utterly predictable ... | C | long_letter | null | null | false | 10 | 18 | 1 | 1,064 |
The Hitcher | Associated Press | Christy Lemire | There are several good jumps and scares, and it's surprisingly tense the whole way through, not just gory and cheesy. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,064 |
Ice Age 2: The Meltdown | Associated Press | David Germain | The movie is right on par with the 2002 original: brisk, pleasant and loaded with slapstick that should keep young children giggling. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,064 |
Illegal Tender | Associated Press | Christy Lemire | It's helpful if you walk in with the expectation that it is a genre picture -- not a parody, not camp, but a loving homage to gangster movies of the 1980s like Scarface. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,064 |
Joyeux Noël (Merry Christmas) | Associated Press | David Germain | An elegantly crafted drama that derives its eerie, ethereal mood as much from the sounds of war -- and their absence -- as the sights of combat. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,064 |
La Vie en Rose (La Mome) | Associated Press | Christy Lemire | It's the acting that elevates the story beyond its biopic trappings. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,064 |
The Last Kiss | Associated Press | Christy Lemire | If names like Tony Goldwyn and Paul Haggis weren't attached, you'd swear The Last Kiss was just another Edward Burns movie. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,064 |
Little Children | Associated Press | Christy Lemire | It is a shrewd, darkly humorous look at supposed civility, at the ways in which we allow ourselves to settle and a rare depiction of motherhood as a less-than-awesome experience. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,064 |
Max | Associated Press | Jocelyn Noveck | It's like they invited the Coen brothers - or maybe Quentin Tarantino - to script a few scenes of a "Dora the Explorer" episode. | D- | long_letter | null | null | false | 6 | 18 | 1 | 1,064 |
No End in Sight | Associated Press | Christy Lemire | No End in Sight will leave you floored, agape and enraged anew. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,064 |
Oldboy | Associated Press | null | Much of the dialogue is stilted (several scene are laughable) and the melodrama feels unmoored without the lurid, baroque atmosphere of Park's film -- which, after all, was kind of the whole point. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,064 |
Pitch Perfect 2 | Associated Press | Jocelyn Noveck | Really, all the news is good about this sequel: It is, if anything, funnier than the original. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,064 |
Project Almanac | Associated Press | Lindsey Bahr | What have we done to deserve another found-footage movie? | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,064 |
Scary Movie 4 | Associated Press | Christy Lemire | The gags are hit-and-miss, and regardless of their success, they categorically go on too long. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,064 |
Spy | Associated Press | Jake Coyle | It's a globe-trotting tour of McCarthy's talent, throughout which she's practically always kicking butt. Who was that double-O-what's-his-face, anyway? | B | long_letter | null | null | false | 13 | 18 | 1 | 1,064 |
The Story of Us | Associated Press | David Germain | A funny, teary, endearing movie that marks [Rob Reiner's] return to the romantic comedy formula he mined so well in When Harry Met Sally. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,064 |
Talladega Nights: The Ballad of Ricky Bobby | Associated Press | Christy Lemire | Like the sport it spoofs, the movie has its thrilling moments but mostly feels repetitive -- it's constantly moving but never really goes anywhere. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,064 |
The Collection | Associated Press | null | More than anything, the sequel feels like an excuse for Dunstan and his effects team to see how creative they can be in the bloody killing of people using pointy metal objects. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,064 |
The Gunman | Associated Press | Jocelyn Noveck | OK, we've seen the biceps and the abs. Very nice. Now, back to the brain. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,064 |
La tigre e la neve (The Tiger and the Snow) | Associated Press | David Germain | Like Life Is Beautiful, The Tiger and the Snow incongruously offers sharp laughs and touches of tenderness amid moments of drama and danger. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,064 |
Tuck Everlasting | Associated Press | Jocelyn Noveck | Those with the patience to submit to its low-energy charms may find their time well spent. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,064 |
The U.S. vs. John Lennon | Associated Press | Christy Lemire | It feels as if [Ono's] cooperation resulted in a softened perspective on the musician-turned- activist-turned-icon. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,064 |
Who Killed the Electric Car? | Associated Press | David Germain | It's a lively, informative whodunit about an energy-efficient vehicle that debuted with fanfare and died with a whimper. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,064 |
Wordplay | Associated Press | David Germain | A light, breezy documentary that introduces us to a genial gang of crossword puzzle fans whose passion for the pastime is gleefully infectious. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,064 |
Tenderness | At the Movies (Australia) | David Stratton | It does have a few plot contrivances, but the tension is skilfully built and the cast is uniformly excellent. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,065 |
Accidents Happen | At the Movies (Australia) | Margaret Pomeranz | I think this is an extraordinary film, it's like no other I can think of in this country's history. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,065 |
Fever Pitch | At the Movies (Australia) | Margaret Pomeranz | A delightful romantic comedy without the excesses we've come to expect of the Farrellys. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,065 |
Fever Pitch | At the Movies (Australia) | David Stratton | I think it's very ordinary. | 2/4 | 4 | 2 | 4 | false | 1 | 4 | 1 | 1,065 |
How I Live Now | At the Movies (Australia) | David Stratton | Not having read the book on which this impressive film is based I was completely unprepared for the way the narrative developed. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,065 |
Nanny McPhee Returns | At the Movies (Australia) | Margaret Pomeranz | This film has been done with such professionalism, it's a delight. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,065 |
Night Train To Lisbon | At the Movies (Australia) | Margaret Pomeranz | I think somewhere along the line this is one of those films that you are just going to embrace or step back from and I embraced it. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,065 |
Upstream Color | At the Movies (Australia) | David Stratton | Iit's a film that I'd like to go back and look at again and give it a second go. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 1,065 |
Upstream Color | At the Movies (Australia) | Margaret Pomeranz | It's not that it's not intriguing, but Carruth has withheld any sense of glue or cohesion or even a clue as to what he's getting at. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 1,065 |
Curious George | Atlanta Journal-Constitution | Chris Garcia | Curious George is probably the purest family movie in years. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,066 |
Hellboy | Atlanta Journal-Constitution | Chris Garcia | Guillermo del Toro's above-average if not-quite-spectacular adaptation of Hellboy sticks to this expectation-flipping recipe and retains the comic's cheeky, po-mo spirit. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,066 |
1917 | Atom Insider | Matt Donato | A mesmeric glimpse of history defined more by the quiet isolation of trench warfare than machine-gun projectiles whizzing by every couple of seconds. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,067 |
Belzebuth | Atom Insider | Matt Donato | Emilio Portes hath wrought Satan's wrath into an exorcism tale that lunges for your throat; a total kill-shot film that wastes no opportunity to test viewers. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,067 |
Dolittle | Atom Insider | Matt Donato | Dolittle is tonally at war with itself, chopped to bits by editing, and discombobulated in ways that are reminiscent of but lack the cult appeal of 2019's Cats. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,067 |
Fast & Furious Presents: Hobbs & Shaw | Atom Insider | Matt Donato | Hobbs & Shaw is the summer's most bromanic comedy to be covered with lumps, bruises, and pound-for-pound brawn. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,067 |
Gemini Man | Atom Insider | Matt Donato | Gemini Man is both a futuristic taste of what 120 frames per second can do for action cinema and a confirmation of the format's current limitations. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,067 |
Ghost Killers vs. Bloody Mary (Exterminadores do Além Contra a Loira do Banheiro) | Atom Insider | Matt Donato | Ghost Killers vs. Bloody Mary in a nutshell: vanilla-as-sin title, unexpectedly batsh*t paranormal warfare. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,067 |
Guns Akimbo | Atom Insider | Matt Donato | It's like a Saturday morning cartoon for the criminally insane, and I mean that with love. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,067 |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.