movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Hagazussa: A Heathen's Curse (Hagazussa) | Atom Insider | Matt Donato | Cinematography is so "folktale gorgeous," fully realizing the maddening effects of isolation (much like THE WIND/THE WITCH). A deeply, destructively disturbing taste of pagan witchcraft horrors. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,067 |
I Trapped The Devil | Atom Insider | Matt Donato | A paranoid "Christmas Horror" chestnut roaster about family dysfunction, powered by Scott Poythress' disturbed but in-control performance, that *loves* playing by its own rules. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,067 |
In Fabric | Atom Insider | Matt Donato | In the pantheon of deadly inanimate object cinema, Peter Strickland's In Fabric is a sensually riveting standout. Say yes to this killer dress! | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,067 |
Knives Out | Atom Insider | Matt Donato | You'll burst out laughing and adore how Johnson's cast plays their cards with confidence, masks their bluffs, and presents a gallery of rogues with enjoyable deceit. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,067 |
Little | Atom Insider | Matt Donato | Marsai Martin and Issa Rae share a few genuinely funny moments of body-swap comedy chemistry, but not enough to distract from Little's formulaic generics. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,067 |
Midsommar | Atom Insider | Matt Donato | Midsommar is a warm invitation into subtle ritualistic madness decked out in the reassurance of pastel colors. Striking, unsettling, and surprisingly humorous. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,067 |
Porno | Atom Insider | Matt Donato | Porno knows how to make horror fans scream. Interpret that sentence how you will. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,067 |
Rocketman | Atom Insider | Matt Donato | Rocketman is flamboyant and rambunctious and everything Elton would be proud of. It's the musical biopic Bohemian Rhapsody wants to be when it grows up. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,067 |
Sea Fever | Atom Insider | Matt Donato | Hardiman's tension within confined seafaring quarters works to pressurize and constrict this "Cabin Fever meets The Thing aboard a trawling vessel." | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,067 |
The Lighthouse | Atom Insider | Matt Donato | This might sound crass, but there's a true metaphor here: The Lighthouse loves the smell of its own farts (not necessarily a negative, either). | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,067 |
The Man Who Killed Don Quixote | Atom Insider | Matt Donato | An exquisitely bonkers fantasy adventure structured around hilarious satire and blind ambition that's served so well by Gilliam's release of decades-long frustrations. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,067 |
Uncut Gems | Atom Insider | Matt Donato | You will squirm, you will hurt, and you'll respect the hell out of Adam Sandler's ability to bring the worst out of his surrounding actors in the best possible way. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,067 |
Waves | Atom Insider | Matt Donato | Waves accomplishes sublime narrative fluidity via Trey Edward Shults' ability to keep camera motion, soundtrack beats, and character energies in constant synergy. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,067 |
A Star Is Born | Attitude | Joe Passmore | The soundtrack is thoughtful, emotional, and difficult to imagine being brought to life by anybody other than Gaga and her diverse vocal talent, which feels right at home on the big screen. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,068 |
Aladdin | Attitude | Joe Passmore | It may have helped that the negative buzz around the film had our expectations pretty low, but Aladdin is one of cinema's most pleasant surprises of 2019. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,068 |
Avengers: Endgame | Attitude | Joe Passmore | Despite a slower first act, once it warms up, Endgame is everything fans would want from the climax of this epic, decade-long journey. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,068 |
Avengers: Infinity War | Attitude | Joe Passmore | But if you've been a fan of even a small handful of the previous Marvel films, there's little chance that you won't feel satisfied with this. And by 'satisfied', we mean shaken to the core. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,068 |
Boy Erased | Attitude | Joe Passmore | Packs a poignent punch, but could have delved deeper. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,068 |
Call Me by Your Name | Attitude | Joe Passmore | A stunning coming-of-age tale that will go down in gay cinema history. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,068 |
Captain Marvel | Attitude | Joe Passmore | Captain Marvel takes a while to find its pace, but when it does, it doesn't disappoint. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,068 |
Ghost in the Shell | Attitude | Joe Passmore | Though not perfect, this is an ambitious, distinctive and spectacular piece of cinema which, beyond its occasional low points, is memorable mainly for its electrifying highs. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,068 |
Life | Attitude | Joe Passmore | If you can forgive some of the reliance on genre familiarities, Life is the perfect popcorn blockbuster, which will keep you intrigued, frightened and disgusted throughout, with a truly spectacular and jaw-dropping finale. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,068 |
Moonlight | Attitude | Joe Passmore | Barry Jenkins' screenplay is beautiful in its simplicity, relying just as much on its stars' exceptional abilities to move the story along during moments of silence. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,068 |
Pokémon Detective Pikachu | Attitude | Joe Passmore | While not reinventing the narrative wheel, Detective Pikachu has no right bring as fun as it is. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,068 |
Always | Audiences Everywhere | Nathanael Hood | Always may not be a classic, but there's not a drop of cynicism in the whole thing. Spielberg's earnestness is infectious. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,069 |
The Shape of Water | Audiences Everywhere | Nathanael Hood | Neil Gaiman once wrote that America is no place for gods. But is it no place for fairy tales? Guillermo del Toro would say no. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 1,069 |
Rear Window | Audiences Everywhere | Beth McDonough | He (Stewart) carries the momentum of the story from beginning to end, using the subtle nuances in his voice and facial expressions to convey nonchalance, frustration, determination, then borderline obsession, and finally, naked fear. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,070 |
45 Years | Audiences Everywhere | Nathanael Hood | Visually stunning and exquisitely acted, 45 Years transcends its own occasional sleepiness to become one of the more poignant British dramas in some years. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,070 |
96 Souls | Audiences Everywhere | Nathanael Hood | Worst of all, it's boring. And that's the kiss of death for a film about super-powers. | D | long_letter | null | null | false | 7 | 18 | 1 | 1,070 |
American Pastoral | Audiences Everywhere | Nathanael Hood | ...the trouble with American Pastoral is that these individually competent scenes are strung together into an inchoate whole. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,070 |
Brimstone | Audiences Everywhere | Nathanael Hood | If you can handle the films of the aforementioned von Trier, you can probably make it through Brimstone and find it a rewarding sit. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,070 |
Certain Women | Audiences Everywhere | Nathanael Hood | There's no arguing that Certain Women has moments of incredible power. But the film itself can be greatly uneven. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,070 |
Desert Hearts | Audiences Everywhere | Nathanael Hood | It's this evocation of a homophobia-free universe that elevates Desert Hearts from mere lesbian melodrama to the most tantalizing of wish-fulfillment fantasies. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,070 |
Dig Two Graves | Audiences Everywhere | Nathanael Hood | Dig Two Graves simply isn't a good film. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,070 |
Drifter | Audiences Everywhere | Nathanael Hood | It's too technically proficient to be dismissed as garbage, but it's too serious to be enjoyed as camp. It occupies the perfect sweet spot of terribleness. | D | long_letter | null | null | false | 7 | 18 | 1 | 1,070 |
Ghost in the Shell | Audiences Everywhere | Nathanael Hood | Ghost in the Shell is one of the few true watershed moments of anime here in the West... | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,070 |
Godzilla Resurgence (Shin Godzilla) | Audiences Everywhere | Nathanael Hood | ...quite possibly the best Godzilla film since the first one in 1954. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,070 |
Kill Ratio | Audiences Everywhere | Nathanael Hood | Kill Ratio does little to transcend its Die Hard framework. | D | long_letter | null | null | false | 7 | 18 | 1 | 1,070 |
Meantime | Audiences Everywhere | Nathanael Hood | A crucial glimpse into the societal ennui felt by Britain's working class during the 1980s. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,070 |
Only the Brave | Audiences Everywhere | Nathanael Hood | The advertising may make it look like a disposable drama or award season bait, but it's so much more. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,070 |
Person to Person | Audiences Everywhere | Nathanael Hood | Person to Person is gentle, occasionally sweet, sometimes charming, but wholly unoriginal and undistinguished. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,070 |
Run the Tide | Audiences Everywhere | Nathanael Hood | All of these performances are subjugated to a meandering story with very little idea what it wants to do with them. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,070 |
Savage Dog | Audiences Everywhere | Nathanael Hood | Savage Dog is dumb, but entertaining. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,070 |
Soul on a String | Audiences Everywhere | Nathanael Hood | ...undeniably ambitious... | B | long_letter | null | null | false | 13 | 18 | 1 | 1,070 |
The Girl on the Train | Audiences Everywhere | Beth McDonough | The result is a film written and based on a novel by a female author that does little for women but overtly sexualize and dumb them down. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,070 |
The Meyerowitz Stories (New and Selected) | Audiences Everywhere | Nathanael Hood | But for a film that fumbles its last act like a greased football, it still remains a funny, penetrating look into familial dysfunction. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,070 |
The Story of the Last Chrysanthemums | Audiences Everywhere | Nathanael Hood | The Story of the Last Chrysanthemum is a towering work by one of Japan's premier cinematic artists. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,070 |
Three Billboards Outside Ebbing, Missouri | Audiences Everywhere | Nathanael Hood | McDormand is a shoo-in for Best Actress. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,070 |
Tower | Audiences Everywhere | Nathanael Hood | The shooting is brought to life without being trivialized, the survivors venerated and mourned without being reduced to mechanical talking heads. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,070 |
Swordfish | Audio Video Revolution | Abbie Bernstein | Swordfish is made with demonstrable skill and enthusiasm, and it's so improbable in its particulars that most viewers in the mood to do so will be able to kick back and enjoy it as shoot-'em-up entertainment. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 1,071 |
North by Northwest | Aufmuth.com | Jeanne Aufmuth | Viewer friendly, refreshingly undated, and worth as many repeat viewings as one can stomach. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 1,072 |
Hamlet | Aufmuth.com | Jeanne Aufmuth | Alternately clumsy and clever, it's nonetheless the new order of Shakespeare. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,073 |
Enough | Aufmuth.com | Jeanne Aufmuth | A glossy female fantasy about losing it all and throwing it right back atcha. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,073 |
Blue Crush | Aufmuth.com | Jeanne Aufmuth | Predictable storyline and by-the-book scripting is all but washed away by sumptuous ocean visuals and the cinematic stylings of director John Stockwell. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,073 |
Bride of the Wind | Aufmuth.com | Jeanne Aufmuth | ..stumbles under the burden of two-hours of focused, exaggerated emotion... | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,073 |
Closer | Aufmuth.com | Jeanne Aufmuth | Sexy, deliciously perverse and oozing with immorality. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,073 |
Daredevil | Aufmuth.com | Jeanne Aufmuth | Sounds good on flimsy colored paper, but for a comic book adaptation to work onscreen there has to be decent scripting and A-list production values. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,073 |
De zaak Alzheimer (The Memory of a Killer) | Aufmuth.com | Jeanne Aufmuth | Heavily nuanced and weighty with tension. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,073 |
Evergreen | Aufmuth.com | Jeanne Aufmuth | Rife with clichs and precocious artsy-craft. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,073 |
Far From Heaven | Aufmuth.com | Jeanne Aufmuth | Todd Haynes goes out on a limb to make his point, sometimes in inches but more often miles. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,073 |
Finding Nemo | Aufmuth.com | Jeanne Aufmuth | Pixar has interlaced its energetic storyline with the moody strains of a classic Thomas Newman score, lending an element of darkness that ingeniously penetrates the perpetual submarine light. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,073 |
Hulk | Aufmuth.com | Jeanne Aufmuth | Ang Lee's imprint is on every frame; pulsing with passion and the desire to construct the best product possible. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,073 |
Kill Bill: Volume 1 | Aufmuth.com | Jeanne Aufmuth | Quentin Tarantino comes out of the box with a vengeance, intent on the idea of parlaying hardcore grind-house into trendy art-house. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,073 |
The Last Samurai | Aufmuth.com | Jeanne Aufmuth | A mildly satisfying entertainment many moons shy of potential greatness. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,073 |
Lost In Translation | Aufmuth.com | Jeanne Aufmuth | Subtly realized and finely nuanced, this is fresh and unspoiled filmmaking. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,073 |
The Matrix Revolutions | Aufmuth.com | Jeanne Aufmuth | Only hardcore fans will delight at the surface slick to which the brothers Wachowski have succumbed to conclude their philosophical opus. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,073 |
Men in Black II | Aufmuth.com | Jeanne Aufmuth | The mark of a respectable summer blockbuster is one of two things: unadulterated thrills or genuine laughs. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,073 |
Minority Report | Aufmuth.com | Jeanne Aufmuth | Violent, graphic, and breathtaking in its emotional ugliness, this is a classic, ambitious film that restores diminishing faith in the world's most influential medium. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,073 |
New Best Friend | Aufmuth.com | Jeanne Aufmuth | It's impossible to even categorize this as a smutty guilty pleasure. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 1,073 |
One Hour Photo | Aufmuth.com | Jeanne Aufmuth | A finely nuanced character study of insecurity and suppressed malevolence. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,073 |
Paradise Now | Aufmuth.com | Jeanne Aufmuth | Simple, reflective, and uncomfortably relevant. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,073 |
The Passion of the Christ | Aufmuth.com | Jeanne Aufmuth | Saturated with vengeance, betrayal, and melodrama, Mel Gibson's sadistic take on Jesus' final twelve hours screams bloody murder. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,073 |
Ray | Aufmuth.com | Jeanne Aufmuth | Maybe it's the hype but I'm not feeling the love. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,073 |
Runaway Jury | Aufmuth.com | Jeanne Aufmuth | A glossy look and a stable of A-list stars elevate this prosaic John Grisham story from movie melodrama to smart mystery thriller. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,073 |
Shrek 2 | Aufmuth.com | Jeanne Aufmuth | Lampoons a number of fairy-tale conventions but engages in the conflict and warmth of un-enchanted humanity. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,073 |
Sin City | Aufmuth.com | Jeanne Aufmuth | Relentless, shocking, and admirably experimental. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,073 |
The Singing Detective | Aufmuth.com | Jeanne Aufmuth | Robert Downey, Jr. is the only saving grace of this incoherent crime caper based on the classic British mini-series. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,073 |
Solaris | Aufmuth.com | Jeanne Aufmuth | A surprisingly dull adaptation of the classic 1961 science-fiction novel by Stanislaw Lem. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,073 |
Star Wars: Episode II - Attack of the Clones | Aufmuth.com | Jeanne Aufmuth | Millions of dollars heaped upon a project of such vast proportions need to reap more rewards than spiffy bluescreen technique and stylish weaponry. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,073 |
Star Wars: Episode III - Revenge of the Sith | Aufmuth.com | Jeanne Aufmuth | Sure to please diehard fans and fringe folk alike. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,073 |
The War Within | Aufmuth.com | Jeanne Aufmuth | A thought-provoking and mood altering experience. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,073 |
Touching the Void | Aufmuth.com | Jeanne Aufmuth | Fraught with tension and nerve-wracking delirium, this innovative documentary is a powerful life-force in the guise of an adventure package. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,073 |
Van Helsing | Aufmuth.com | Jeanne Aufmuth | Plotless, pointless, horror-fest. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,073 |
Where the Truth Lies | Aufmuth.com | Jeanne Aufmuth | Has a soft-porn hue that sculpts its narrative into a sordid rainbow of slimy emotion. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,073 |
World Trade Center | Aufmuth.com | Jeanne Aufmuth | Oliver Stone's take on one of history's most notorious and devastating days is white-washed with the sentimental veneer of the Lifetime Channel. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,073 |
The Asphalt Jungle | Austin American-Statesman | Dudley Early | Asphalt Jungle is a realistic, well directed, well written story of the underworld. | 2/4 | 4 | 2 | 4 | false | 1 | 4 | 1 | 1,074 |
In a Lonely Place | Austin American-Statesman | Dudley Early | Bogey has got himself a pretty good picture here, the best he has had of the last several. | 2/4 | 4 | 2 | 4 | false | 1 | 4 | 1 | 1,074 |
Panic in the Streets | Austin American-Statesman | Dudley Early | If you are n fingernail chewer, the excitement and suspense of this film will have you eating your nails down to the knuckle. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,074 |
Where the Sidewalk Ends | Austin American-Statesman | Dudley Early | The whole thing builds to a logical'conclusion. with suspense along the way. | 2/4 | 4 | 2 | 4 | false | 1 | 4 | 1 | 1,074 |
All About Eve | Austin American-Statesman | Dudley Early | Betty Davis gives the finest performance of her career. If there was ever any doubt in your mind that she was one of the greatest of screen actresses, her performance here will dissipate ail doubt. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,075 |
9500 Liberty | Austin American-Statesman | Charles Ealy | The release of the new documentary 9500 Liberty couldn't be more timely. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,075 |
Alan Partridge | Austin American-Statesman | Charles Ealy | [Coogan's] eponymous feature debut here is very British and very funny. But after making a crackling good impression, Alan Partridge overstays its welcome. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,075 |
Anna Karenina | Austin American-Statesman | Charles Ealy | Director Joe Wright's Anna Karenina is a work of art -- technically brilliant, lavishly filmed and visually stunning. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,075 |
Arbitrage | Austin American-Statesman | Matthew Odam | With his burrowed eyes, perfect hair and flawless wardrobe, Gere brims with a regal air and unsettling chilliness in his best role in more than a decade. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,075 |
Argo | Austin American-Statesman | Charles Ealy | Argo expertly builds tension and makes you wonder whether the mission will succeed. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,075 |
Bad Kids Go to Hell | Austin American-Statesman | Charles Ealy | The movie suffers from several implausibilities, and as you can probably tell, it isn't high art. But horror movies usually tap into our secret fears and desires, and Bad Kids Go to Hell does so quite well. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,075 |
Barnyard | Austin American-Statesman | null | If the humor is smart and effective, the animation is lackluster and uneven -- the pixel pushers at Pixar have spoiled us. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,075 |
Best Worst Movie | Austin American-Statesman | Chris Garcia | Best Worst Movie is a rich experience. As fun as it is, it reverberates with cultural and psychological complexities you wouldn't expect. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,075 |
Blue Ruin | Austin American-Statesman | Matthew Odam | [With] Blue Ruin, [director Jeremy Saulnier] muffles the humor with darkness and grounds the violence in a stumbling revenge fantasy enacted by a lost and fractured soul. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,075 |
Chasing Ice | Austin American-Statesman | Lindsey Cherner | While visually and emotionally stunning, "Chasing Ice" raises almost as many questions as it answers. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,075 |
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