movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Valentine's Day | Behind The Lens | Debbie Lynn Elias | Garry Marshall...knows his audience... He delivers what we expect and here he does it all tied up in a heart-shaped box with a big red bow - make that lots of big red bows. Kitschy? You bet. But it's fun! | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,114 |
Van Helsing | Behind The Lens | Debbie Lynn Elias | Hugh Jackman stars as the sexiest Van Helsing to ever hit the screen. Even more impressive... is his larger than life screen presence and physicality that keeps his character from becoming overshadowed by the incredible amount of CGI and monster effects | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,114 |
What a Girl Wants | Behind The Lens | Debbie Lynn Elias | Dennie Gordon does an admirable of directing this little romp across the pond keeping things light and even-tempered... Predictable? Yes. Sentimental? Yes. Charming? Yes. Enjoyable? Without a doubt. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,114 |
Wild Hogs | Behind The Lens | Debbie Lynn Elias | Ripe with laughter, gags, obvious ad-libbing and a free-wheeling sense of lensing that befits the open road ride of the Wild Hogs, [Walt] Becker does another admirable job despite the film's shortcomings. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,114 |
Wish I Was Here | Behind The Lens | Debbie Lynn Elias | Although there is an unevenness to the story in terms of thematic elements, [Zach] Braff hits some emotional highs but truly excels with not only his casting but the technical elements and considerations, most notably Lawrence Sher's cinematography. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,114 |
Zoolander 2 | Behind The Lens | Debbie Lynn Elias | Directed by [Ben] Stiller, the work is serviceable but not outstanding, save for the film serving as a compact travelogue for Rome. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,114 |
Armageddon | Beliefnet | Nell Minow | The summer thrill ride movie is becoming as much of a 4th of July tradition as the picnic and the fireworks. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,115 |
A Private War | Ben Film Talk | Ben Rolph | Rosamund Pike delivers a career best performance. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,116 |
A Star Is Born | Ben Film Talk | Ben Rolph | An incredibly strong film with minimal flaws capturing this heart-wrenching story in a special way. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,116 |
Bird Box | Ben Film Talk | Ben Rolph | Sandra Bullock delievers a powerhouse performance. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,116 |
Bohemian Rhapsody | Ben Film Talk | Ben Rolph | The film suffers from the utterly poor direction of Bryan Singer. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,116 |
Child's Play | Ben Film Talk | Ben Rolph | This is horror at its worst. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,116 |
Dark Phoenix | Ben Film Talk | Ben Rolph | Overall I liked it and it certainly isn't the worst X-Men film. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,116 |
First Man | Ben Film Talk | Ben Rolph | First Man is an incredible film, ripe with Damien Chazelle's touch - reinforcing him as one of the best directors currently working. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,116 |
Halloween | Ben Film Talk | Ben Rolph | The film captures the tension and feeling of the original. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,116 |
Hereditary | Ben Film Talk | Ben Rolph | An absolute masterpiece in horror cinema | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,116 |
Leave No Trace | Ben Film Talk | Ben Rolph | A deeply affecting tale of love and survival | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,116 |
Mandy | Ben Film Talk | Ben Rolph | The concept is incredible and hilarious at the end - but is a big mess. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,116 |
Overlord | Ben Film Talk | Ben Rolph | The film is exhilarating. With the beautiful visuals and the bright piercing colours. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,116 |
Sorry to Bother You | Ben Film Talk | Ben Rolph | It is an honourable mess. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,116 |
The Ballad of Buster Scruggs | Ben Film Talk | Ben Rolph | An unconventional masterpiece. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,116 |
The Front Runner | Ben Film Talk | Ben Rolph | It is great, but not entirely captivating like The Post. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,116 |
The Old Man & the Gun | Ben Film Talk | Ben Rolph | A wonderful piece in cinema, heart warming and lovable. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,116 |
The Possession of Hannah Grace | Ben Film Talk | Ben Rolph | It's full of cliches and is rather uneventful. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,116 |
The Sisters Brothers | Ben Film Talk | Ben Rolph | It's a warped dream of the Western that successfully subverts and delivers a ravishingly beautiful spectacle. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,116 |
Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) | Beyond the Trailer | Grace Randolph | Total mixed bag, doesn't merit a rotten OR fresh tomato. But representation is important, which JUST tips the scale to fresh. Robbie, McGregor & Smollet-Bell do the best work. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,117 |
Avengers: Endgame | Big Easy Magazine | Bill Arceneaux | Two and a half hours of plot for thirty minutes of magically divine statuesque iconography that's, surprisingly, worth the seat. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,118 |
Be Natural: The Untold Story of Alice Guy-Blaché | Big Easy Magazine | Bill Arceneaux | Thoughtful and dedicated to the mission of history and the contrasting of then to now. An absolutely stunning chronicle. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
Border (Gräns) | Big Easy Magazine | Bill Arceneaux | A confounding smash-up of genres, of societal themes, and of various fantasy mythologies, making for a film that is equally as interesting as I am personally disturbed by it. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,118 |
CAM | Big Easy Magazine | Bill Arceneaux | It's dystopian now. It's a road that follows back into itself, repeating on and on. It's a data-mosh where all that matters in this or that world is persona. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
Captain Marvel | Big Easy Magazine | Bill Arceneaux | One of the sweetest - not cutesy - entries in the franchise, not to mention cheer-inducing and strong. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,118 |
Child's Play | Big Easy Magazine | Bill Arceneaux | Could CHILD'S PLAY be that rare instance of an 80s remake that gets things right? Yes, it could be. It eschews that decade's aesthetic for a modern look, but still captures that old-ish mentality of Reaganomics gory satire. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,118 |
Creed II | Big Easy Magazine | Bill Arceneaux | This new entry plays things just above safe, being a crazy good crowd pleaser that is both level-headed and daring, but within set limits. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,118 |
Donnybrook | Big Easy Magazine | Bill Arceneaux | America, as designed by Sutton and crew, is vibrant in its decay and alive in ways that make you appreciate what little you have. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,118 |
DriverX | Big Easy Magazine | Bill Arceneaux | DriverX is the movie version of that Simpsons meme where Principal Skinner asks aloud "Am I out of touch?" | 1.5/5 | 5 | 1.5 | 5 | true | 3 | 11 | 2 | 1,118 |
Fahrenheit 11/9 | Big Easy Magazine | Bill Arceneaux | A movie that goes from disappointment and told you so-ism to we can still turn this around attitude, with the asterisk of "if we want to". | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,118 |
Fast Color | Big Easy Magazine | Bill Arceneaux | Through visions of family and generational trauma, Fast Color stands tall as a specialty listing, something I would call a "Pre-Power" story. When that power comes alive, the results reach fantastical heights. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,118 |
Godzilla: King of the Monsters | Big Easy Magazine | Bill Arceneaux | Sanctimonious in bad places and incoherent in even worse ones. It does have heart and a definite sense of wanting. That should go a long way. It should. | 1.5/5 | 5 | 1.5 | 5 | true | 3 | 11 | 2 | 1,118 |
Hale County This Morning, This Evening | Big Easy Magazine | Bill Arceneaux | Hale County has determination in spite of sensory trauma. It never rests, nor should it. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
Hallowed Ground | Big Easy Magazine | Bill Arceneaux | A new MANOS: THE HANDS OF FATE for a new kind of audience, who appreciates the honest effort and love of filmmaking, over technical and plain razzle-dazzle. Still... | 0/5 | 5 | 0 | 5 | true | 0 | 11 | 2 | 1,118 |
I Am Mother | Big Easy Magazine | Bill Arceneaux | There is science to this fiction, and that science may be too terrifying for some viewers to consider or accept. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,118 |
It Chapter Two | Big Easy Magazine | Bill Arceneaux | Some quirks here, some added observations there, some action around the corner, and you have what is a somewhat enjoyable if potentially disappointing popcorn-muncher. | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 1,118 |
Ma | Big Easy Magazine | Bill Arceneaux | Spencer taps into something true and terrifying in all of us and that's the real horror in this. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,118 |
Porno | Big Easy Magazine | Bill Arceneaux | Has just enough to get us through a hump but not enough to pull us to complete satisfaction. | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 1,118 |
Rodents of Unusual Size | Big Easy Magazine | Bill Arceneaux | Beneath the fun cooking and wildlife anecdotes is an inquisitive motion of unwavering notions about the coast, tradition, and ways of life and family. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,118 |
Roma | Big Easy Magazine | Bill Arceneaux | Cuaron brings new definition to what is considered a "spectacle". Indeed, Roma is spectacular. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
Shoplifters (Manbiki kazoku) | Big Easy Magazine | Bill Arceneaux | Never once is this a story that obstructs its telling to show off skill and craft, always technically nuanced and always engrossing. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
Spider-Man: Into the Spider-Verse | Big Easy Magazine | Bill Arceneaux | If we are to think of cinema as escapism, and we also consider what we're escaping from and what we're escaping into, Spider-Verse isn't a mere crowd-pleaser; it's a major accomplishment. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
Starfish | Big Easy Magazine | Bill Arceneaux | Bold, to say the least, and frustratingly pretentious to say the most. | 1/5 | 5 | 1 | 5 | true | 2 | 11 | 2 | 1,118 |
Suspiria | Big Easy Magazine | Bill Arceneaux | The beads of sweat coming off my brow and from my pits made for some discomfort but didn't rival the uncomfortable horror, the unnerving attractiveness, and ultimately the deeply embedded sounds and images the film put forth. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
The Ballad of Buster Scruggs | Big Easy Magazine | Bill Arceneaux | Scruggs is a cinematic achievement of the marriage between the strange and the mainstream, of the reconciliation between the legendary and the literal, and of the push/pull between the known and the unknown. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,118 |
The Dead Don't Die | Big Easy Magazine | Bill Arceneaux | There's nothing bland about DEAD's compositions or scenarios, as still as they may be perceived. Really, plenty is happening from ear to ear. Just listen and look. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
The Favourite | Big Easy Magazine | Bill Arceneaux | Olivia Colman, if there is any justice in this world, ought to get an Academy Award for her tragically pathetic and miserably afraid turn. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,118 |
The Great Buster: A Celebration | Big Easy Magazine | Bill Arceneaux | Not a documentary but more, THE GREAT BUSTER is quite a lovely way to round out a year of modern classics. | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 1,118 |
The House That Jack Built | Big Easy Magazine | Bill Arceneaux | If Lars Von Trier were to make a toilet humor/fart joke farce, The House That Jack Built would be it. This conceit alone is disturbing but goes farther ... | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 1,118 |
The LEGO Movie 2: The Second Part | Big Easy Magazine | Bill Arceneaux | In the face of negative space, The Lego Movie 2 finds a way to break through the occasional tedium and make something I'd like to launch into infinity, as a message from us Earthlings. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,118 |
The Man Who Killed Don Quixote | Big Easy Magazine | Bill Arceneaux | That (the movie) exists indeed and does so with much vigor, much energy, much love is a wonderment all alone. And that it works on such an impactful level is a testament to Cervantes' classic and to Terry Gilliam's very spirit. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
Thunder Road | Big Easy Magazine | Bill Arceneaux | It's a singular performance in a singular movie, to be certain. One that will have you smiling and teary-eyed for various - right or wrong - reasons. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
Toy Story 4 | Big Easy Magazine | Bill Arceneaux | TOY STORY 4 handles its heavy doses of philosophical queries with maturity, nuance, and tenderness, never once eyeballing the children in the audience, never once demanding not enough or too much. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
Under the Silver Lake | Big Easy Magazine | Bill Arceneaux | An enigma on top of an enigma, contradicting and solving itself at once. That's quite the feat for any director, and even more of one for any moviegoer to sit through and enjoy. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
Us | Big Easy Magazine | Bill Arceneaux | Seriously, Us is an instant classic from an instant player. | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,118 |
Agent Cody Banks | Billings Outpost (Montana) | Josh Gilchrist | Will kids enjoy this? Well, does a child like candy? | 2.5/4 | 4 | 2.5 | 4 | true | 5 | 9 | 2 | 1,119 |
Bend It Like Beckham | Billings Outpost (Montana) | Josh Gilchrist | Why does there seem to always be a popular fluff film out there? Because enough people out there are looking for just that, a fun film smothered in sweetness. | 3/4 | 4 | 3 | 4 | true | 6 | 9 | 2 | 1,119 |
Bruce Almighty | Billings Outpost (Montana) | Josh Gilchrist | There's something to be said for a film that keeps us smiling rather than one that has a few funny moments before disappearing from memory forever. | 3/4 | 4 | 3 | 4 | true | 6 | 9 | 2 | 1,119 |
Changing Lanes | Billings Outpost (Montana) | Josh Gilchrist | Movies like this make an audience feel numb after being put through so much in a short amount of time. It's unbelievable and relentless. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,119 |
The Core | Billings Outpost (Montana) | Josh Gilchrist | The film is an enjoyable vestige of the B movies of yesterday, not just in storyline but in cheap-looking effects. But with an $85 million budget, one wonders why the filmmakers voluntarily chose to make it look cheap. | 2.5/4 | 4 | 2.5 | 4 | true | 5 | 9 | 2 | 1,119 |
Daredevil | Billings Outpost (Montana) | Josh Gilchrist | Daredevil is nothing more than a big train wreck of a film. Too bad those responsible for bringing it to theaters were not on the train when it derailed. | 0.5/4 | 4 | 0.5 | 4 | true | 1 | 9 | 2 | 1,119 |
Hollywood Homicide | Billings Outpost (Montana) | Josh Gilchrist | It's not a bad film, just a very tired one that wastes a good cast. Some people will like this movie. For the rest, the best time to see it is when it hits Blockbuster. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,119 |
Nothing but Trouble | Billings Outpost (Montana) | Josh Gilchrist | Nothing but a complete mess. | 0/5 | 5 | 0 | 5 | true | 0 | 6 | 1 | 1,120 |
Promised Land | Birmingham Post | Damon Smith | The film means well, it just doesn't stir the soul. | 5.5/10 | 10 | 5.5 | 10 | false | 9 | 19 | 2 | 1,121 |
21 And Over | Birmingham Post | Damon Smith | Moore and Lucas's script treats the characters with affection and is peppered with belly laughs. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,121 |
All Stars | Birmingham Post | Damon Smith | All Stars is inoffensive wish fulfilment aimed at a distinctly younger audience than the StreetDance franchise. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,121 |
Byzantium | Birmingham Post | Damon Smith | The fractured chronology hampers dramatic momentum but Jordan navigates a clear path between past and present, drawing us into his heroines' unusual predicament. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,121 |
Dark Skies | Birmingham Post | Damon Smith | Dark Skies sustains tension by grounding most of the family's torment in reality. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,121 |
Dead Man Down | Birmingham Post | Damon Smith | Dead Man Down is gripping. | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,121 |
Deadfall | Birmingham Post | Damon Smith | The shifts in tone between black comedy, romance and suspense are often jarring and Dean's script fails to seamlessly weave together its themes of incest and redemption. | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,121 |
Disneynature Chimpanzee | Birmingham Post | Damon Smith | Linfield and Fothergill, colleagues from the BBC Natural History unit, who worked together on the series Planet Earth, remain cheerful throughout. Their passion for Mother Nature shines through in every frame. | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,121 |
Epic | Birmingham Post | Damon Smith | A charming fable that could, with clever parental persuasion, inspire the youngest generation to swap their video games for an invigorating spot of housework. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,121 |
Fast & Furious 6 | Birmingham Post | Damon Smith | Diesel and Walker can play their roles in their sleep, and the lack of expression on the former's face suggests he might be ... | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,121 |
Iron Man 3 | Birmingham Post | Susan Griffin | Fun for both fans and newbies to the comic book world, the movie may be a lengthy 129 minutes but it doesn't feel like it. | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,121 |
Love Is All You Need | Birmingham Post | Damon Smith | [Peddles] a winning formula of fizzing dialogue and longing glances. | 6.5/10 | 10 | 6.5 | 10 | false | 11 | 19 | 2 | 1,121 |
Oblivion | Birmingham Post | Damon Smith | The script's philosophical musings about humanity and self-sacrifice are almost as flimsy as the central love triangle that fails to ignite the emotional afterburners for a slam-bang finale. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,121 |
Olympus Has Fallen | Birmingham Post | Damon Smith | Fuqua lights the fuse on the summer blockbuster season with an almighty, ground-shaking bang. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,121 |
Spring Breakers | Birmingham Post | Damon Smith | [It] quickly descends into a pointless repetition of images and vapid dialogue. | 4/10 | 10 | 4 | 10 | false | 6 | 19 | 2 | 1,121 |
Star Trek Into Darkness | Birmingham Post | Damon Smith | Star Trek Into Darkness is bolted together with clinical precision by Abrams, who orchestrates each daredevil chase and skirmish with breathless abandon. | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,121 |
The Big Wedding | Birmingham Post | Damon Smith | A frothy and harmless confection that squanders the on-screen talent. | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,121 |
The Look of Love | Birmingham Post | Damon Smith | Quips aside, there's a disappointing lack of depth to the characters. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,121 |
The Odd Life of Timothy Green | Birmingham Post | Damon Smith | The bittersweet mood pervades until the final frames when Hedges contrives a satisfying resolution that should leave a few lumps in throats. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,121 |
The Place Beyond The Pines | Birmingham Post | Damon Smith | The Place Beyond The Pines is impeccably crafted and Mike Patton's orchestrations beautifully underscore the inner turmoil. | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,121 |
The Purge | Birmingham Post | Damon Smith | DeMonaco's script begins to run out of steam ... but there's a deliciously nasty sting in the tail, just when it seems the film is poised to draw breath. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,121 |
The Last Song | Birmingham Post | Roz Laws | It's pretty watchable, mainly thanks to strong performances from Kinnear and Coleman. Cyrus, sadly, fails to convey a broken heart. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 1,122 |
The Ghost Writer | Birmingham Post | Graham Young | The Ghost isn't Polanski's best work, but it's a more worthwhile project than the 2005 Oliver Twist remake, his only other movie since winning a best director Oscar for The Pianist in 2003. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,122 |
Repo Men | Birmingham Post | Graham Young | The script has a resonance of sorts with today's debt-ridden society. But it's also derivative, violent and lacking in both suspense and the sort of characters we cared for in Stephen Frears' organ drama Dirty Pretty Things. | 1/4 | 4 | 1 | 4 | false | 0 | 4 | 1 | 1,122 |
Furry Vengeance | Birmingham Post | Graham Young | If you only take your children to see movies like Up ... they'll think every film is going to be fantastic. That's not very good training for the disappointments of life, so Furry Vengeance does have one purpose. | 1/4 | 4 | 1 | 4 | false | 0 | 4 | 1 | 1,122 |
Kick-Ass | Birmingham Post | Roz Laws | Kick-Ass starts with a big laugh and they don't stop coming for two hours. The script is sharp, there are clever comic book graphics, a cool soundtrack and a satisfying ending. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,122 |
The Back-up Plan | Birmingham Post | null | This romcom is as predictable and contrived as they come, especially when they have to break-up before inevitably getting back together for the happy ending. But it's also funny and sweet, with some amusing lines. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,122 |
Centurion | Birmingham Post | Graham Young | This hideously violent, formula one chase movie lacks the novelty of Mel Gibson's Apocalypto as well as its equally-deserved 18 certificate. | 2/4 | 4 | 2 | 4 | false | 1 | 4 | 1 | 1,122 |
Date Night | Birmingham Post | Roz Laws | You have to take a few infeasible plot leaps, but the chemistry between the leads, and their sheer likeability factor, carry them through the silly slapstick. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,122 |
Dear John | Birmingham Post | Roz Laws | It's fairly romantic and looks good on screen, but the plot is too slight. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 1,122 |
The Disappearance of Alice Creed | Birmingham Post | Roz Laws | Only the pedigree of Eddie Marsan suggests there might be more to this film than meets the eye. And that it might be clever enough to excuse the material. | 2/4 | 4 | 2 | 4 | false | 1 | 4 | 1 | 1,122 |
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