movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Holes | BlackFilm.com | Wilson Morales | Disney, known for its family oriented films, has put a wholesome winning film in Holes. Adapted by Louis Sachar from his award winning novel, the film comes with many positive messages that will bring fans of all ages and be quite entertained | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,134 |
Not Easily Broken | BlackFilm.com | Wilson Morales | The film is saddled with convoluted and contrived plots that makes one question what its initial intentions are. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,134 |
Snakes on a Plane | BlackFilm.com | Wilson Morales | New Line has nothing to fear, for Snakes on a Plane is a thrill, seeking, action-packed joy ride that will have you jumping in your seats. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,134 |
Crash | BlackNews.com | Kam Williams | This articulate and particularly poignant mood piece demands nothing of its audience, except for some brutally honest introspection about our unquestioned presumptions about the human condition. Easily, the best film of 2005. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,135 |
Invictus | BlackNews.com | Kam Williams | The rainbow nation starts here! | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 1,135 |
Roll Bounce | BlackNews.com | Kam Williams | For some reason, teasing people about their skin color has become a big theme of brainless black comedies like this. Plus, it unfolds like one long Pepsi ad, with dialogue extolling the cola's virtues in virtually every scene. | 1/4 | 4 | 1 | 4 | false | 0 | 4 | 1 | 1,135 |
Avengers: Endgame | BlakeCrane.com | Blake Crane | [As] a finale to the MCU we've known since 2008's Iron Man, Avengers: Endgame is an exciting, fitting, substantial, almost miraculously eloquent closer. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,136 |
Backcountry | BlakeCrane.com | Blake Crane | The anxiety is palpable and various threats are immediately recognizable, communicating how illusory the concept of control is, and how frightening it can be when it's lost. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,136 |
Halloween | BlakeCrane.com | Blake Crane | Does right by [Halloween's] legacy and uses the 40 years of history to incorporate themes of lasting trauma in ways rare to the genre. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,136 |
Hell Fest | BlakeCrane.com | Blake Crane | [A] fun, well-paced slasher. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,136 |
Peppermint | BlakeCrane.com | Blake Crane | [M]isguided and clunky from the start, beyond even the ever-flowing racist undercurrent. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 1,136 |
Pet Sematary | BlakeCrane.com | Blake Crane | This flat, lifeless version of Pet Sematary is one destined to remain harmlessly buried in the psyche. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,136 |
Ratter | BlakeCrane.com | Blake Crane | Ratter keeps its story contained to a simple, increasingly uncomfortable case of online prowling that manifests itself in a real, panic-inducing way. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,136 |
The Intruder | BlakeCrane.com | Blake Crane | The Intruder breaks no new ground in the breaking-in subgenre ... but its real fatal flaw is not using the recycled tropes to push far enough into either true terror or camp. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,136 |
Emperor | Blerd Galaxy Magazine | Jonita Davis | 'Emperor' is an action-packed film that recognizes the value of Black America's traumatic past and uses that past to embolden us today. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,137 |
Ouija | Bloody Disgusting | Alyse Wax | Ouija never goes beyond what it obviously is: a quick, cheap Halloween throwaway that hopes to sell as many board games as it does tickets. Do not fall for it. | 1/4 | 4 | 1 | 4 | false | 0 | 4 | 1 | 1,138 |
Knuckleball! | Bloomberg News | Greg Evans | The charming Knuckleball finds something universal here, about obsession, talent, perseverance and, rarest of all, good sportsmanship. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,139 |
Cherry 2000 | Blu-ray.com | Brian Orndorf | Offers a colorful supporting cast and a fluid pace. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,140 |
Big Fur | Boom Howdy | Jeff Owens | Big Fur becomes surprisingly emotional. | 95/100 | 100 | 95 | 100 | false | 94 | 100 | 1 | 1,141 |
Surrogates | Boston Globe | Ty Burr | Give credit to filmmaker Jonathan Mostow for keeping the movie on track; give credit to star Bruce Willis for keeping a straight face. | 2/5 | 5 | 2 | 5 | true | 4 | 11 | 2 | 1,142 |
College | Boston Globe | Wesley Morris | Things never get better than the movie's poster, which features a kid with his head in a toilet. Incidentally, that image doubles, concisely, as apt film criticism. | 0.5/5 | 5 | 0.5 | 5 | true | 1 | 11 | 2 | 1,142 |
Amazing Grace | Boston Globe | Ty Burr | It stands as a mighty historical document, a balm to the soul, and proof of genius. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,142 |
Diane | Boston Globe | Ty Burr | The more adventurous or open-hearted may step into this film and find a kind of translucent everyday poetry. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,142 |
Grown Ups | Boston Globe | Wesley Morris | If you've ever wondered what The Big Chill would be like with old Saturday Night Live castmates -- well, why would you ever have done that? | 2/5 | 5 | 2 | 5 | true | 4 | 11 | 2 | 1,142 |
New York, I Love You | Boston Globe | Wesley Morris | How could so ethnically and artistically diverse a field of filmmakers produce a work of such lifeless uniformity? | 2/5 | 5 | 2 | 5 | true | 4 | 11 | 2 | 1,142 |
Shadow | Boston Globe | Ty Burr | Shadow isn't quite as perfect as one might wish. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,142 |
The Aftermath | Boston Globe | Ty Burr | The movie is both ridiculous and enjoyable. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,142 |
The Two Popes | Boston Globe | Mark Feeney | The actors are such pros that the woodenness of the dialogue and implausibility of the set-up that McCarten has saddled them with almost don't matter. Almost. | 2/5 | 5 | 2 | 5 | true | 4 | 11 | 2 | 1,142 |
Us | Boston Globe | Ty Burr | A handful of eek-eek-eek scenes aside, the movie's not so much gory as intensely unnerving, with just enough laughs larded in to remind us we're having a good time. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,142 |
Wallace & Gromit: The Curse of the Were-Rabbit | Boston Herald | James Verniere | Curse of the Were-Rabbit' has enough wacky inventiveness and pure silliness, including a greenhouse in the shape of a church, to entertain both children and adults. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,143 |
Metropolis | Boston Phoenix | Jeffrey Gantz | For all that it was eviscerated soon after its January 1927 Berlin premiere, Fritz Lang's masterpiece has been the matrix of movies over the past 83 years... | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,144 |
Red Eye | Boston Phoenix | null | One to watch on an airplane with the sound off. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,144 |
Best Worst Movie | Boston Phoenix | Gerald Peary | I've been strong-arming acquaintances about this deliriously entertaining documentary ever since I saw it at South by Southwest last year. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,144 |
The Devil's Rejects | Boston Phoenix | Tom Meek | Despite the clichés and the profanity, there are some hilariously wicked moments. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,144 |
Infamous | Boston Phoenix | Peter Keough | Only Sandra Bullock shines as Harper Lee. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,144 |
Transporter 2 | Boston Phoenix | null | The only one who plays it straight is Statham, and his cool machismo borders on camp. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,144 |
X-Men Origins - Wolverine | Boston Phoenix | Peter Keough | Apart from some genuine archetypes and myths that find their way into the mix, the film's overflow of half-baked ideas adds up to a cluttered, nondescript, "Weapon Number XI"-like mess. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,144 |
The Grudge | Bounding Into Comics | Chris Sawin | Bellow out one last sorrowful Death Rattle/Grudge-gurgle, this is the franchise flat lining without so much as a whimper. | 1.5/10 | 10 | 1.5 | 10 | false | 1 | 19 | 2 | 1,145 |
1917 | Bounding Into Comics | Chris Sawin | While 1917 doesn't have a ton of layers in its storytelling or its characters, it's a film that certainly makes up for it with exquisite visuals and glorious music. | 4/5 | 5 | 4 | 5 | false | 12 | 17 | 4 | 1,146 |
Archive | Bounding Into Comics | Chris Sawin | Archive is such a visually superb experience with subtle humor that keeps you interested and downright shocks in its final moments. A wonderfully vibrant and expertly captivating debut from a first time director with a ton of potential. | 3.5/5 | 5 | 3.5 | 5 | false | 10 | 17 | 4 | 1,146 |
Capone | Bounding Into Comics | Chris Sawin | Capone is a sad, disorienting, and challenging watch that won't be for everyone. Trank's ambitious and troublesome vision brought to life exactly how he sees it. Tom Hardy delivers this destructive wrecking ball of a performance. | 3/5 | 5 | 3 | 5 | false | 8 | 17 | 4 | 1,146 |
Extraction | Bounding Into Comics | Chris Sawin | Extraction is flawed, especially when it comes to its ending feeling like an indecisive tease, but its extended and bloody action sequences are impressive enough to make Extraction a worthwhile action packed escape for any given evening. | 3.5/5 | 5 | 3.5 | 5 | false | 10 | 17 | 4 | 1,146 |
Fantasy Island | Bounding Into Comics | Chris Sawin | Fantasy Island is ridiculous and trashy to the point that it feels like a soap opera. This is the type of PG-13 horror film that gives the genre a bad name and turns horror fans away from the theater. Blumhouse is certainly better than this. | 1.5/5 | 5 | 1.5 | 5 | false | 2 | 17 | 4 | 1,146 |
Frozen II | Bounding Into Comics | Chris Sawin | A few new characters, a new dress, and a reindeer sing-a-long aren't worth a 103 minute strained serenade of monotonous fluff. | 1.5/5 | 5 | 1.5 | 5 | false | 2 | 17 | 4 | 1,146 |
Jumanji: The Next Level | Bounding Into Comics | Chris Sawin | Jumanji: The Next Level is pure popcorn entertainment. It's silly and absurd at times, but it's also a family movie with action and adventure that is fun for everyone. If you can stomach old man humor, the action is a big payoff. | 3.25/5 | 5 | 3.25 | 5 | false | 9 | 17 | 4 | 1,146 |
Onward | Bounding Into Comics | Chris Sawin | Onward isn't a bad animated film since it's fairly cute and charming and entertaining for all ages, but it's lacking that emotional wallop and impressive spark of creativity that other Pixar films are notorious for. | 3.5/5 | 5 | 3.5 | 5 | false | 10 | 17 | 4 | 1,146 |
Parasite (Gisaengchung) | Bounding Into Comics | Chris Sawin | Parasite is deliciously mischievous and a masterwork of pure and utter deceit with a mesmerizing conclusion that leaves you breathless and reflective. | 4.5/5 | 5 | 4.5 | 5 | false | 14 | 17 | 4 | 1,146 |
Relic | Bounding Into Comics | Chris Sawin | Relic is a maddening labyrinth of a horror film. It begins as a harmful itch, turns into a worrisome series of scratches, and fully evolves into a debilitating disease. The film is this gloriously unnerving triumph of an all-female cast. | 4/5 | 5 | 4 | 5 | false | 12 | 17 | 4 | 1,146 |
Sputnik | Bounding Into Comics | Chris Sawin | Sputnik is a visually remarkable sci-fi horror film that leaves you with a lot of questions and even ends on a sour note. It's always disappointing when a film would be better watching YouTube highlights of rather than in its entirety. | 2.5/5 | 5 | 2.5 | 5 | false | 6 | 17 | 4 | 1,146 |
Star Wars: The Rise of Skywalker | Bounding Into Comics | Chris Sawin | The Rise of Skywalker captivates with its alluring special effects, but it is a finale that infuriates to the extent that you literally don't care anymore. Why settle for a saturated and uneven reboot of Return of the Jedi? | 1.5/5 | 5 | 1.5 | 5 | false | 2 | 17 | 4 | 1,146 |
Terminator: Dark Fate | Bounding Into Comics | Chris Sawin | Dark Fate finally gives Terminator the facelift it's so desperately needed the past 28 years. | 4/5 | 5 | 4 | 5 | false | 12 | 17 | 4 | 1,146 |
The Invisible Man | Bounding Into Comics | Chris Sawin | Leigh Whannell continues his impressive streak of conjuring impeccable storytelling and creative special effects all on a shoestring budget. The first exceptionally good horror film of 2020. | 4.5/5 | 5 | 4.5 | 5 | false | 14 | 17 | 4 | 1,146 |
The Irishman | Bounding Into Comics | Chris Sawin | The Irishman comes off as this longwinded geriatric fart with a smell that lingers in a room with no windows that you're trapped in for three and a half hours. All the mob hits in the world aren't going to get that smell out. | 1.5/5 | 5 | 1.5 | 5 | false | 2 | 17 | 4 | 1,146 |
The Rental | Bounding Into Comics | Chris Sawin | The Rental is horror popcorn entertainment. It doesn't really take any unexpected turns, but seeing how far these characters are willing to go to screw up their lives to an even greater degree is enjoyable in itself. | 3.5/5 | 5 | 3.5 | 5 | false | 10 | 17 | 4 | 1,146 |
The Tax Collector | Bounding Into Comics | Chris Sawin | The Tax Collector feels low budget despite having a moderate amount of money at its disposal. The cast is excruciating and the action is lacking. It's a shame that the film we end up with isn't good and pales in comparison to Ayer's other works. | 2/5 | 5 | 2 | 5 | false | 4 | 17 | 4 | 1,146 |
You Should Have Left | Bounding Into Comics | Chris Sawin | A flimsy excuse for horror with scares that never land and an ending that you can guess from the trailers alone. You Should Have Left tries to be this twisty and clever thriller, but has to settle for being a lethargic labyrinth of predictability. | 2.5/5 | 5 | 2.5 | 5 | false | 6 | 17 | 4 | 1,146 |
Zombie for Sale | Bounding Into Comics | Chris Sawin | If you're going to take the dread away from the horror, then the comedy needs to be front and center. Zombie For Sale just flounders around on dry land like an undead fish out of water. | 3/5 | 5 | 3 | 5 | false | 8 | 17 | 4 | 1,146 |
Zombieland: Double Tap | Bounding Into Comics | Chris Sawin | Double Tap isn't nearly as good as the original film, but it's not a sequel that's attempting to outdo its roots. It's a quick-witted expansion with more blood, more character development, and more sentimentality. | 3.5/5 | 5 | 3.5 | 5 | false | 10 | 17 | 4 | 1,146 |
Chuck & Buck | Bowling Green Daily News | Micheal Compton | This bizarre and wonderfully abstract film is not to be missed. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 1,147 |
Julie & Julia | Boxoffice Magazine | Sara Maria Vizcarrondo | While women seem the most immediate audience for this soufflé-light summer film, anyone with even fleeting interest in writing or in eating (a much larger demo, for sure) will want to revel in this two hour long celebration of love, life and Lobster Therm | 4.5/10 | 10 | 4.5 | 10 | false | 7 | 19 | 2 | 1,148 |
One True Thing | Boxoffice Magazine | Maitland McDonagh | The film rests firmly on the shoulders of Streep and, to a lesser degree, Zellweger. Their performances, and Carl Franklin's understated direction keep the tears and life-affirming revelations from congealing into chicken shmaltz for the soul. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,148 |
Permanent Midnight | Boxoffice Magazine | Maitland McDonagh | Witty! | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,148 |
Rush Hour | Boxoffice Magazine | Maitland McDonagh | Brash, stupid and surprisingly watchable! | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,148 |
My Best Friend's Girl | Boxoffice Magazine | Amy Nicholson | Cahan's curious and increasingly sincere slant on modern romance outshines its efforts to please Cook's MySpace fan base with gross-out gags (some of which are damned funny). | B | long_letter | null | null | false | 13 | 18 | 1 | 1,149 |
Superhero Movie | Boxoffice Magazine | Amy Nicholson | With jokes packed as tightly together as sliced cheese, the flick's comedy axiom seems to be: Never give the audience a pause to second-guess their laughter | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,149 |
All Good Things | Boxoffice Magazine | Amy Nicholson | A soap opera that stands at a distance from its characters (that distance being the length of a lawyer's briefcase) | C | long_letter | null | null | false | 10 | 18 | 1 | 1,149 |
An American Carol | Boxoffice Magazine | Amy Nicholson | As entertainment, An American Carol ranks below YouTube clips of Sarah Palin. | D- | long_letter | null | null | false | 6 | 18 | 1 | 1,149 |
Burn After Reading | Boxoffice Magazine | Amy Nicholson | Out of boredom or a need to unbalance their audiences, the Coens' follow-up is a bumbler, its first half as aimless as a drunk spider making threads without plotting a trap. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,149 |
College Road Trip | Boxoffice Magazine | Amy Nicholson | James' outlandish ruses to make his firstborn a Wildcat are fun; the push-pull parent-child dynamic generic, but sweet. But the writers comedy failsafe is "Cut to the pig!" | C | long_letter | null | null | false | 10 | 18 | 1 | 1,149 |
Country Strong | Boxoffice Magazine | Amy Nicholson | Both sincere and cynical in its view of country stardom, it makes you forgive all of its false notes simply because the talent plays them with conviction. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,149 |
Disneynature Earth | Boxoffice Magazine | Amy Nicholson | Our responsibility to protect this ecosystem underscores every image; watching is submission to our call of duty. Yet, Earth feels compromised where Planet Earth was not | B | long_letter | null | null | false | 13 | 18 | 1 | 1,149 |
Dragonball Evolution | Boxoffice Magazine | Amy Nicholson | It's hard to muster up fear for the end of the civilization when the whole production looks like an hour of network filler. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,149 |
H2: Halloween II | Boxoffice Magazine | Amy Nicholson | Zombie's viewpoint is clear: he's taking Michael's inexorable killing spree to its brutal extreme, and he wants us to feel every blow. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,149 |
Just Wright | Boxoffice Magazine | Amy Nicholson | The Queen's got pride and heart, rare commodities in a genre that likes women to trip over their own stilettos. Katherine Hepburn demanded better. So does Latifah - and so should we. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,149 |
Letters to Juliet | Boxoffice Magazine | Amy Nicholson | Doesn't have a lick of cynicism -- it's as pure of heart as they come. A fine ideal, but it feels as flat as a pizza. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,149 |
MacGruber | Boxoffice Magazine | Amy Nicholson | Today we dig anti-comedy, thinking that we discovered the joke, and director Jorma Taccone understands that odd tone of straight-faced, almost surrealist bluster. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,149 |
The Men Who Stare at Goats | Boxoffice Magazine | Amy Nicholson | At once optimistic about what the military could do if it replaced its guns with flowers, and cynical about what the non-believers and opportunists can - and did - do to that dream | A | long_letter | null | null | false | 16 | 18 | 1 | 1,149 |
Michael Jackson's This Is It | Boxoffice Magazine | Amy Nicholson | This is his '68 Comeback Special | A | long_letter | null | null | false | 16 | 18 | 1 | 1,149 |
Monsters vs. Aliens | Boxoffice Magazine | Amy Nicholson | By the DVD release -- and definitely by next year -- audiences will demand more effort than everyone at DreamWorks (excluding the animators) seems willing to exert. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,149 |
Morning Glory | Boxoffice Magazine | Amy Nicholson | An old-fashioned comedy that respects brains, ambition and, as McAdams' anchor dubs, her "repellent moxie." | B | long_letter | null | null | false | 13 | 18 | 1 | 1,149 |
The Open Road | Boxoffice Magazine | Amy Nicholson | A screenplay that feels written by numbers, but excellent performances make it deserve more attention than this late summer dump | C | long_letter | null | null | false | 10 | 18 | 1 | 1,149 |
Pandorum | Boxoffice Magazine | Amy Nicholson | Christian Alvart lays on the symbolism in this oppressive, captivating galactic thriller | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,149 |
Sorority Row | Boxoffice Magazine | Amy Nicholson | A satire made for cult rediscovery, just change the tagline to "In the foam, no one can hear you scream." | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,149 |
Strange Wilderness | Boxoffice Magazine | Amy Nicholson | At least Gaulke and Wolf didn't have to go far to kill their reputation: During the jungle piranha attack scene, a mallard floats by in the background. | F | long_letter | null | null | false | 1 | 18 | 1 | 1,149 |
The Change-Up | Boxoffice Magazine | Amy Nicholson | If the trailer for The Change-Up looks bad -- and it does -- it's because Universal saved all the jokes for the actual movie. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,149 |
The Hunger Games | Boxoffice Magazine | James Rocchi | As action, as allegory, as cinema, The Hunger Games is the best American science-fiction film since The Matrix. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,149 |
Toy Story | Boxoffice Magazine | Amy Nicholson | I think I speak for all adults and kids when I say I can't wait for playtime | A | long_letter | null | null | false | 16 | 18 | 1 | 1,149 |
True Grit | Boxoffice Magazine | Amy Nicholson | The Bible argues an eye for an eye. But as Rooster Cogburn doesn't have an eye to spare, the movie needs to ask if their death quest is worth the risk. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,149 |
The Warriors | Brag Magazine | Caffeinated Clint | The Warriors Rule! One of the best action-thrillers of the 70s! | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,150 |
Deal of the Century | Brag Magazine | Caffeinated Clint | Chase and Weaver make a great team! | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,150 |
Diggstown | Brag Magazine | Caffeinated Clint | Gossett reminds us why he's an Academy Award WInner - great flick! | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,150 |
Lethal Weapon 2 | Brag Magazine | Caffeinated Clint | Better than the first! | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,150 |
Maverick | Brag Magazine | Caffeinated Clint | This one has it all - romance, comedy, action and high-spirited adventure! | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,150 |
The Pink Panther | Brag Magazine | Caffeinated Clint | A fun and animated return to film for one of cinema's favourite characters, and a treat for the generation that have never seen him before. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,150 |
Quigley Down Under | Brag Magazine | Caffeinated Clint | A strikingly-beautiful western with an A-grade cast | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,150 |
She's the Man | Brag Magazine | Caffeinated Clint | Byrnes is an absolute delight...it kicks goals | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,150 |
Soul Man | Brag Magazine | Caffeinated Clint | Howell is awesome in this unforgettable comedy classic | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,150 |
When a Stranger Calls | Brag Magazine | Caffeinated Clint | This year's "I Know What You Did Last Summer"...You'll be totally immersed and near on the verge of drawing sweat | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,150 |
Without Limits | Brag Magazine | Caffeinated Clint | A brilliantly performed, gut-wrenchingly sad flick | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,150 |
Halloween | Brainwaves | Steve "Uncle Creepy" Barton | Halloween 2018 has a lot going for it and, as it stands, eclipses the other installments in the franchise with ease... | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,151 |
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