movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Hell Fest | Brainwaves | Steve "Uncle Creepy" Barton | I want to go to this haunt. Like yesterday. This place is friggin' awesome. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,151 |
Slender Man | Brainwaves | Steve "Uncle Creepy" Barton | Nothing to see here. Except tentacles. Lots and lots of tentacles. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 1,151 |
The Final Wish | Brainwaves | Steve "Uncle Creepy" Barton | If you're looking for a spooky little flick that forges some new ground against a backdrop of familiar terror tropes, The Final Wish will grant you that. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,151 |
The Meg | Brainwaves | Steve "Uncle Creepy" Barton | The Meg will have you falling off your chairs laughing nearly as many times as its on-screen characters fall into the sea. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,151 |
The Nun | Brainwaves | Steve "Uncle Creepy" Barton | Looking to experience the promised darkest and spookiest chapter in The Conjuring universe? Sadly, your prayers have certainly not been answered here. Maybe The Crooked Man will fare a bit better, but for my money? The Nun deserved better. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,151 |
The Predator | Brainwaves | Steve "Uncle Creepy" Barton | Things are left open for a sequel, but it's hard to get over the fact that there was a better movie in here somewhere. One that was eviscerated like one of the creature's many victims. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,151 |
A Shaun the Sheep Movie: Farmageddon | Breakfast All Day | Alonso Duralde | I was delighted throughout. | 8.5/10 | 10 | 8.5 | 10 | false | 75 | 91 | 10 | 1,152 |
Atlantics | Breakfast All Day | Christy Lemire | I really enjoyed trying to puzzle through this and I was very impressed by the tonal balance that Mati Diop pulls off here. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 1,152 |
Atlantics | Breakfast All Day | Alonso Duralde | This is a really cool like ghost story and love story and [a] social piece and all rolled into one in a very assured and fascinating movie. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 1,152 |
Bad Boys for Life | Breakfast All Day | Alonso Duralde | I was kind of bored when things weren't blowing up but when things are blowing up our cars are chasing I was digging it. | 6.5/10 | 10 | 6.5 | 10 | false | 55 | 91 | 10 | 1,152 |
Cats | Breakfast All Day | Alonso Duralde | You can't believe what you're looking at because it's so hideous to behold. | 2/10 | 10 | 2 | 10 | false | 10 | 91 | 10 | 1,152 |
Dolittle | Breakfast All Day | Christy Lemire | What did everyone think was the good idea here? | 2/10 | 10 | 2 | 10 | false | 10 | 91 | 10 | 1,152 |
Emma. | Breakfast All Day | Alonso Duralde | It allows this sort of recognizable humanity because so often I think [with period pieces] it's really easy to get lost in the corsets and the wigs... The human element of it really pays off. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 1,152 |
In Fabric | Breakfast All Day | Christy Lemire | I was mesmerized. | 7.5/10 | 10 | 7.5 | 10 | false | 65 | 91 | 10 | 1,152 |
Just Mercy | Breakfast All Day | Alonso Duralde | It's competently made... Thought has been put into this production, and again, I'm completely a hundred percent on the side of everything it has to say. I just don't think it's a very good movie. | 6.5/10 | 10 | 6.5 | 10 | false | 55 | 91 | 10 | 1,152 |
Like a Boss | Breakfast All Day | Alonso Duralde | There are gags that land, but it's not a good movie. | 5.5/10 | 10 | 5.5 | 10 | false | 45 | 91 | 10 | 1,152 |
Miss Americana | Breakfast All Day | Alonso Duralde | I think there this movie has a lot of interesting things to say about fame, interesting things to say about how women are conditioned to be good and be nice and not make waves and get the approval of other people. | 8.5/10 | 10 | 8.5 | 10 | false | 75 | 91 | 10 | 1,152 |
Miss Americana | Breakfast All Day | Christy Lemire | I came away with a whole new appreciation for one of the most famous people on the planet. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 1,152 |
Portrait of a Lady on Fire (Portrait de la jeune fille en feu) | Breakfast All Day | Alonso Duralde | It is an incredibly passionate romance. | 9.2/10 | 10 | 9.2 | 10 | false | 82 | 91 | 10 | 1,152 |
Portrait of a Lady on Fire (Portrait de la jeune fille en feu) | Breakfast All Day | Christy Lemire | It is one of the most one of the most gorgeous films you will ever see in your life. Every single frame of it is like a picture that you want to hang in your home and it is just devastatingly romantic and sad and sexy and beautiful. | 9.6/10 | 10 | 9.6 | 10 | false | 86 | 91 | 10 | 1,152 |
Sonic the Hedgehog | Breakfast All Day | Christy Lemire | If you want [a] light, fun escape, this is it. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 1,152 |
Star Wars: The Rise of Skywalker | Breakfast All Day | Christy Lemire | It is trying to accomplish a lot, because it has to tie up every plotline. It has to involve every character. It has to has to take you to every planet... And so, in trying to cram in all of that, it feels very cursory and very rushed. | 5.3/10 | 10 | 5.3 | 10 | false | 43 | 91 | 10 | 1,152 |
Swallow | Breakfast All Day | Alonso Duralde | I think people should see it. I think there's so much that does work in this movie. | 7.2/10 | 10 | 7.2 | 10 | false | 62 | 91 | 10 | 1,152 |
The Gentlemen | Breakfast All Day | Alonso Duralde | This is utter nonsense, and I was never not entertained. | 7.2/10 | 10 | 7.2 | 10 | false | 62 | 91 | 10 | 1,152 |
The Half of It | Breakfast All Day | Alonso Duralde | This is a really charming high school comedy. | 9.5/10 | 10 | 9.5 | 10 | false | 85 | 91 | 10 | 1,152 |
The Hunt | Breakfast All Day | Christy Lemire | I walked away [thinking] that was enjoyable, but maybe it didn't have as sharp of teeth as it could have. | 6.5/10 | 10 | 6.5 | 10 | false | 55 | 91 | 10 | 1,152 |
The Invisible Man | Breakfast All Day | Christy Lemire | [Elizabeth Moss is] amazing and she does so much just with her eyes. It's a really demanding role physically [and] emotionally; it's a huge range she has to play. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 1,152 |
The Invisible Man | Breakfast All Day | Alonso Duralde | This is far removed from what you might be expecting. | 8.8/10 | 10 | 8.8 | 10 | false | 78 | 91 | 10 | 1,152 |
The Photograph | Breakfast All Day | Alonso Duralde | [Rae and Stanfield] have amazing chemistry. | 8.7/10 | 10 | 8.7 | 10 | false | 77 | 91 | 10 | 1,152 |
The Photograph | Breakfast All Day | Christy Lemire | It is so good. It is so lovely, and beautifully acted, [and] gorgeously shot. | 8.8/10 | 10 | 8.8 | 10 | false | 78 | 91 | 10 | 1,152 |
The Rhythm Section | Breakfast All Day | Alonso Duralde | This movie is just inane. | 3.5/10 | 10 | 3.5 | 10 | false | 25 | 91 | 10 | 1,152 |
The Two Popes | Breakfast All Day | Christy Lemire | It is really beautifully acted, and a lot of times it does feel like a play on film in all the best ways. | 7.5/10 | 10 | 7.5 | 10 | false | 65 | 91 | 10 | 1,152 |
To All the Boys: P.S. I Still Love You | Breakfast All Day | Christy Lemire | It's really sweet. if you like the first one you will like this one too. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 1,152 |
To All the Boys: P.S. I Still Love You | Breakfast All Day | Alonso Duralde | If I were 16, I would be obsessed with this movie. | 7.3/10 | 10 | 7.3 | 10 | false | 63 | 91 | 10 | 1,152 |
Tyler Perry's A Fall from Grace | Breakfast All Day | Alonso Duralde | Unintentionally hilarious. | 2/10 | 10 | 2 | 10 | false | 10 | 91 | 10 | 1,152 |
Tyler Perry's A Fall from Grace | Breakfast All Day | Christy Lemire | While it's terrible, I did enjoy myself sometimes. | 3.4/10 | 10 | 3.4 | 10 | false | 24 | 91 | 10 | 1,152 |
Underwater | Breakfast All Day | Alonso Duralde | It's mostly satisfactory but... it's kind of redundant. | 6.6/10 | 10 | 6.6 | 10 | false | 56 | 91 | 10 | 1,152 |
Cherish | BrianOrndorf.com | Brian Orndorf | Cherish is a million genres and ideas all at once. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,153 |
Babies | Bright Lights Film Journal | Matthew Sorrento | Babies is one of the most human fly-on-the-wall docs I've ever come across. | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,154 |
Metropolis | Bright Lights Film Journal | Matthew Sorrento | The new release of Metropolis, fully restored to just shy of Fritz Lang's original vision, is an example of the grandest telepathy: what was thought to be lost forever. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,154 |
Mystery Train | Bright Lights Film Journal | Matthew Sorrento | (O)nce it plants itself within, it remains a vivid cultural memory. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,154 |
A Woman, A Gun and a Noodle Shop (San qiang pai an jing qi) (A Simple Noodle Story) (The First Gun) | Bright Lights Film Journal | Matthew Sorrento | The Coens' Loren Visser (M. Emmet Walsh) is cold blooded, but to see the new hitman's method of silent murder will unveil the real noirish heart of darkness. | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,154 |
Catfish | Bright Lights Film Journal | Matthew Sorrento | The final narrative movement ... lets the early part of the film rest as the weaker premise that it is. | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,154 |
Cronos | Bright Lights Film Journal | Matthew Sorrento | The truly child-bound perspectives of The Devil's Backbone and Pan's Labyrinth are still to come, though Aurora has flights of del Torian wonder. | 8.5/10 | 10 | 8.5 | 10 | false | 15 | 19 | 2 | 1,154 |
Eat Pray Love | Bright Lights Film Journal | Matthew Sorrento | Rodney [Dangerfield] may have cracked about "praying after you eat," but this film reflects the need to surfeit before finding balance. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,154 |
Exit Through The Gift Shop | Bright Lights Film Journal | Matthew Sorrento | Here comes a rich smell drawn from a load of bullsh-t. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,154 |
For Colored Girls | Bright Lights Film Journal | Matthew Sorrento | [Perry] pulls off disturbing moments by finding conviction and vulnerability in his performers. | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,154 |
Hairspray | Bright Lights Film Journal | Matthew Sorrento | Even if the new Hairspray seems a welcome return to camp for Travolta, his mock seriousness is as frozen as ever. | 4/10 | 10 | 4 | 10 | false | 6 | 19 | 2 | 1,154 |
I Am a Fugitive From a Chain Gang | Bright Lights Film Journal | Matthew Sorrento | The film suggests the denial of the common worker, whose service to industry is only as worthy as his social status. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,154 |
Inception | Bright Lights Film Journal | Matthew Sorrento | (S)tories should show, not tell, and Nolan keeps telling us that he can't tell this story. | 2/10 | 10 | 2 | 10 | false | 2 | 19 | 2 | 1,154 |
Jonah Hex | Bright Lights Film Journal | Matthew Sorrento | The filmmakers try to squeeze action from their trampling of a genre. | 2/10 | 10 | 2 | 10 | false | 2 | 19 | 2 | 1,154 |
The Last Airbender | Bright Lights Film Journal | Matthew Sorrento | Fantasy works best off linear narrative clarity, while many scene transitions whirl like air in the hands of Aang. Yet, Night ignites the separate moments with visual magic worthy of his mythology. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,154 |
Meek's Cutoff | Bright Lights Film Journal | Matthew Sorrento | Of Time and Place: An Interview with John Raymond on Meek's Cutoff | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,154 |
The Social Network | Bright Lights Film Journal | Matthew Sorrento | [Network's rise and fall] relates to the classic gangster film narrative ... More directly, [the film] positions itself as a new Citizen Kane, with its protagonist reaching the heights of a communication empire. | 8.5/10 | 10 | 8.5 | 10 | false | 15 | 19 | 2 | 1,154 |
The Runaways | Bright Lights Film Journal | Matthew Sorrento | After all this, we can't help but ask, why Cherie, anyway? ... Shine on, Joan. | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,154 |
Glory Road | Bright Lights Film Journal | Tony Macklin | Glory Road doesn't have any of the individual moments that humanized Hoosiers, The Rookie, and Miracle. It's a feel-good sports movie by the numbers. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,155 |
500 Days of Summer | Bright Lights Film Journal | Tony Macklin | The independent film 500 Days of Summer is as refreshing as hot air. It's as formulaic and calculating as the Hallmark greeting cards to which it feigns superiority. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,155 |
About Schmidt | Bright Lights Film Journal | Tony Macklin | About Schmidt drives another nail in the coffin of irony. It is as lacking in irony as its blatant crayon drawing ending. It's a synthetic antidote to an ironic world, a superficial contrivance that is getting voluminous applause from those who sho | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,155 |
Avanti! | Bright Lights Film Journal | Tony Macklin | There is a lot of Billy Wilder in [Avanti!], including the idea that age is a state of mind. The film doesn't all work, [but] when the rigid Armbruster warms up on a sunny rock,... Wilder is telling us something that is more than just fun. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,155 |
Friday Night Lights | Bright Lights Film Journal | Tony Macklin | Friday Night Lights is a feel-good movie, but it's not real. It's a hard-hitting Hallmark greeting card. It's no wonder it appealed to Larry King — it's safe, easy, conventional, and feigns incisiveness. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,155 |
Hot Tub Time Machine | Bright Lights Film Journal | Matthew Sorrento | Cusack seem(s) like a casting error [in this hilarious comedy], a cameo miscast into a lead. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,155 |
Million Dollar Baby | Bright Lights Film Journal | Tony Macklin | Million Dollar Baby adds to Clint Eastwood's legacy in ways we might not have expected. It explores emotional terrain as he hasn't done before, and it gives him a kind of role that he has never had before. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,155 |
Sunset Boulevard | Bright Lights Film Journal | Tony Macklin | Sunset Boulevard's entire point of view is based on a gimmick. Whether one considers it an "artistic cheat" or a valid and audacious device depends up his ability and desire to suspend his disbelief. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 1,155 |
Zodiac | Bright Lights Film Journal | Tony Macklin | It's a deceptively rich film. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,155 |
Annihilation | Brightest Young Things | Ross Bonaime | Alex Garland has now made two of the finest science fiction films of the 2010s, and cements himself as one of the most exciting filmmakers in the genre. | 8.7/10 | 10 | 8.7 | 10 | false | 77 | 91 | 10 | 1,156 |
Damsel | Brightest Young Things | Ross Bonaime | Darkness and humor are never far from each other, and both are balanced in equal measure. | 8.2/10 | 10 | 8.2 | 10 | false | 72 | 91 | 10 | 1,156 |
Jurassic World: Fallen Kingdom | Brightest Young Things | Diana Metzger | Most of the film feels like Hostel but with dinosaurs. | 4.3/10 | 10 | 4.3 | 10 | false | 33 | 91 | 10 | 1,156 |
Mamma Mia! Here We Go Again | Brightest Young Things | Svetlana Legetic | Made with the sole purpose of making you forget that you are alive in 2018 as we know it. It exists in a parallel universe of blue skies, sequins, non-sensical helicopter fly-ins and, well, some good old-fashioned, indiscriminate summer lovin'. | 6.9/10 | 10 | 6.9 | 10 | false | 59 | 91 | 10 | 1,156 |
Tape | Brightest Young Things | Alan Zilberman | Leaving aside the sloppy filmmaking, the premise is misguided to its rotten core. Bad faith detractors could use this film to undermine a movement that deserves better. | 1/10 | 10 | 1 | 10 | false | 0 | 91 | 10 | 1,156 |
The First Purge | Brightest Young Things | Kaylee Dugan | The First Purge still manages to capture that rush that makes us come back to the series again and again. | 6.5/10 | 10 | 6.5 | 10 | false | 55 | 91 | 10 | 1,156 |
Won't You Be My Neighbor? | Brightest Young Things | Brandon Wetherbee | If you need a pick me up film, it's great. But I wanted a well rounded documentary, not emotional manipulation approved by the Rogers family. | 6.6/10 | 10 | 6.6 | 10 | false | 56 | 91 | 10 | 1,156 |
Crazy Rich Asians | Brightest Young Things | Diana Metzger | A glamorous confection of a romcom. It's basically the film equivalent of a chilled, bubbly glass of champagne on a steamy August night: a refreshing, classy party starter. | 92/100 | 100 | 92 | 100 | false | 91 | 100 | 1 | 1,157 |
Dolemite Is My Name | Brightest Young Things | Ross Bonaime | Dolemite Is My Name is Murphy's shining moment, an actor that has been around for decades, lately as an outcast. This performance just happens to be in one of the most enjoyable, uplifting films of the year... | 88/100 | 100 | 88 | 100 | false | 87 | 100 | 1 | 1,157 |
Fighting with My Family | Brightest Young Things | Trisha Brown | Fighting with My Family won't stay with you because it's brilliant or subversive, but it's fun to watch. It'll make you laugh, it might make you cry, and you get to root for the characters and leave the theater feeling good. | 85/100 | 100 | 85 | 100 | false | 84 | 100 | 1 | 1,157 |
Final Portrait | Brightest Young Things | Svetlana Legetic | Tucci steps up to the task and challenge fastidiously and with obvious fascination for its chosen topic. | 68/100 | 100 | 68 | 100 | false | 67 | 100 | 1 | 1,157 |
Flower | Brightest Young Things | Max Bentovim | Flower is indeed, smart, clever, and knowing - it's also ultimately vacuous, superficial, and self-absorbed. In that way, there's no distance between it and its protagonist at all. | 50/100 | 100 | 50 | 100 | false | 49 | 100 | 1 | 1,157 |
Gemini | Brightest Young Things | Svetlana Legetic | On paper, there is a lot of reasons for me to like Gemini: the mystery premise, the quality talent, the LA noir-ish setting. And, don't get me wrong, this is not a bad movie, but at the same time, I am not sure I will remember it next week. | 51/100 | 100 | 51 | 100 | false | 50 | 100 | 1 | 1,157 |
Knock Down the House | Brightest Young Things | Benjamin Freed | [Rachel] Lears mixes [Alexandria] Ocasio-Cortez's rise with the campaigns of three other Brand New Congress candidates around the country. And they're sometimes more compelling than the future congresswoman. | 85/100 | 100 | 85 | 100 | false | 84 | 100 | 1 | 1,157 |
Krystal | Brightest Young Things | Trisha Brown | The plot of this movie is simple at its core, but it spirals out to become increasingly bizarre. | 22/100 | 100 | 22 | 100 | false | 21 | 100 | 1 | 1,157 |
Loveless (Nelyubov) | Brightest Young Things | Max Bentovim | Thin on character and narrative. | 70/100 | 100 | 70 | 100 | false | 69 | 100 | 1 | 1,157 |
Mandy | Brightest Young Things | Max Bentovim | In the end, Mandy is either extremely for you or it is extremely not; I feel bad for you if you're in the latter camp. | 94/100 | 100 | 94 | 100 | false | 93 | 100 | 1 | 1,157 |
Midnighters | Brightest Young Things | Max Bentovim | Midnighters is an unclever person's idea of a clever movie, or someone's attempt to prove they're clever only to unclever people. | 40/100 | 100 | 40 | 100 | false | 39 | 100 | 1 | 1,157 |
Mission: Impossible - Fallout | Brightest Young Things | Ross Bonaime | While this franchise has always maintained an almost serialized quality, under McQuarrie's direction, Mission: Impossible - Fallout also feels like the culmination and payoff of the five films that came before it. | 93/100 | 100 | 93 | 100 | false | 92 | 100 | 1 | 1,157 |
Tea With the Dames (Nothing Like a Dame) | Brightest Young Things | Svetlana Legetic | This is for you if you enjoy gorgeous homes, crisp accents, and great pashminas during moments where Judi Dench has a reason to call herself a "menopausal dwarf" in the context of being cast to play a legendary beauty. | 97/100 | 100 | 97 | 100 | false | 96 | 100 | 1 | 1,157 |
Teen Titans Go! To the Movies | Brightest Young Things | Ross Bonaime | Teen Titans Go! is the takedown of comic book movies that is essential right now...one of the most satisfying superhero films in years, but also one of the funniest films of the summer. | 84/100 | 100 | 84 | 100 | false | 83 | 100 | 1 | 1,157 |
The Guilty (Den skyldige) | Brightest Young Things | Vesper Arnett | Director Gustav Möller might be a hypnotist. The Guilty is gripping tragedy, and is strongest in its focus on sound and storytelling. | 88/100 | 100 | 88 | 100 | false | 87 | 100 | 1 | 1,157 |
Toy Story 4 | Brightest Young Things | Ross Bonaime | Toy Story 4 is the most fun film of 2019 so far, and the fact that it's also able to imbue this story with a catharsis, stakes and emotional moments is just icing on the cake. | 95/100 | 100 | 95 | 100 | false | 94 | 100 | 1 | 1,157 |
Transit | Brightest Young Things | Beatrice Loayza | Transit is a thrilling and unsettling film that tangibly recreates a nightmare of displacement and uncertainty, but in such a way that could appeal to a broader audience. | 84/100 | 100 | 84 | 100 | false | 83 | 100 | 1 | 1,157 |
Where Is Kyra? | Brightest Young Things | Max Bentovim | Anchored around terrific performances from Pfeiffer and Kiefer Sutherland, Where is Kyra deserves to be applauded for everything it does right. | 73/100 | 100 | 73 | 100 | false | 72 | 100 | 1 | 1,157 |
Gotti | Broad Street Review | Stephen Silver | By treating its murderous subject as an unambiguous hero, it does what gangster films have been falsely accused of doing for decades: glorifying mobsters (Broad Street Review) | 0/5 | 5 | 0 | 5 | true | 0 | 11 | 2 | 1,158 |
Just Mercy | Broad Street Review | Stephen Silver | A watchable, entertaining treatment of an important true story, though it comes from a very familiar genre and doesn't do much to transcend it. | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 1,158 |
Parasite (Gisaengchung) | Broad Street Review | Stephen Silver | It's an ingenious satire of class that goes to some shockingly dark places. But it's also so, SO funny, finding humor in all sorts of places that the movies rarely do | 5/5 | 5 | 5 | 5 | true | 10 | 11 | 2 | 1,158 |
Waldo On Weed | Broad Street Review | Stephen Silver | An uncommonly sweet documentary about a uniquely Philly character and his very special son. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,158 |
The Eye | Bronsonfive | Michael Ferraro | Just be prepared to suspend your disbelief a little more than usual. | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 1,159 |
Untraceable | Bronsonfive | Michael Ferraro | It's a tame version of Saw, aimed at middle-aged America, with the same lack of brains and appeal. | 1.5/5 | 5 | 1.5 | 5 | true | 3 | 11 | 2 | 1,159 |
Fred Claus | Bronsonfive | Michael Ferraro | While it tries to bring a new premise into the mix (Santa Claus has a cranky older brother), the result is just as humorless and stale as the Tim Allen's The Santa Clause trilogy. | 1/5 | 5 | 1 | 5 | true | 2 | 11 | 2 | 1,159 |
The Bank Job | Bronsonfive | Michael Ferraro | It's captivating, intriguing, and enjoyable throughout. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,159 |
Atonement | Bronsonfive | Michael Ferraro | Fans of the original source material will definitely know what to expect here. The rest of us, who can't seem to connect to any of these characters (let alone care about them), can only marvel at the technical aspects of the film. | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 1,159 |
Aliens vs. Predator: Requiem (AVP 2) | Bronsonfive | Michael Ferraro | This isn't so much an Alien or Predator styled flick we were all hoping for. Instead, half of the plot plays out like a John Hughes nightmare circa 1988. | 1/5 | 5 | 1 | 5 | true | 2 | 11 | 2 | 1,159 |
Be Kind Rewind | Bronsonfive | Michael Ferraro | Be Kind Rewind not only reminds us why we love film so damn much, it pays tribute to those films that may have had a hand in it. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,159 |
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