movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Captain Marvel | Film Era | Katey Stoetzel | There's a significant amount of time dedicated to an entire alien race, and for a cinematic universe that first introduced space seven years ago, it's refreshing to learn more about the races of the MCU... | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,465 |
Life Is Beautiful (La Vita è bella) | Film Freak Central | Bill Chambers | It embraces the bravery of its victims, and educates its audience through truly accessible characters. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 1,466 |
What Planet Are You From? | Film Freak Central | Bill Chambers | A high-profile T&A comedy, albeit an enjoyable one. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,466 |
High Fidelity | Film Freak Central | Bill Chambers | The film is perceptive and enjoyable, the most precisely aimed men's movie since Swingers. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,466 |
American Pie | Film Freak Central | Bill Chambers | The filmmakers prove that socially responsible raunch is possible. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,466 |
Analyze This | Film Freak Central | Bill Chambers | Analyze This makes the mistake of anchoring its whole story on an amusing but thin premise. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,466 |
Antz | Film Freak Central | Bill Chambers | Ultimately, it is difficult to mine warmth from a story about an ant colony; worse, the only real guffaws come from Allen doing Allen. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,466 |
Armageddon | Film Freak Central | Bill Chambers | You know you're in trouble when Deep Impact dwarfs your asteroid movie in terms of emotion and scope. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,466 |
The Beach | Film Freak Central | Bill Chambers | Settles down into something vaguely formulaic. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,466 |
Bowfinger | Film Freak Central | Bill Chambers | Martin's decision to tell the story from a bottom feeder's point of view is what keeps it fresh and innovative--never have we seen on screen a group of people struggle this hard to complete a motion picture. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,466 |
The Cider House Rules | Film Freak Central | Bill Chambers | Hallstrm has married delicate, spare visuals and solid performances to Irving's low key yet enthralling narrative. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,466 |
Crouching Tiger, Hidden Dragon | Film Freak Central | Bill Chambers | Within age-old contrivances emerge deeply affecting characters. Poetry. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 1,466 |
Dead Ringers | Film Freak Central | Bill Chambers | I dare say Dead Ringers is first and foremost an entertaining film for its complete and honest storytelling. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,466 |
Enemy of the State | Film Freak Central | Bill Chambers | Enemy of the State tries very hard to make us leave the theatre as government-fearing as its jittery protagonist becomes, but it succeeds in only entertaining us, which is obviously its foremost purpose. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,466 |
Halloween H20 | Film Freak Central | Bill Chambers | H20 is compelling, due in large part to an outstanding, mature performance by Jamie Lee Curtis, returning to the series for the first time since Halloween II. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,466 |
I Still Know What You Did Last Summer | Film Freak Central | Bill Chambers | Here's a suggestion: hire a filmmaker with flair, someone capable of energizing this lame series beyond what it deserves -- someone who won't abide by the shock note. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,466 |
The Insider | Film Freak Central | Bill Chambers | Great moviemaking. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,466 |
The Limey | Film Freak Central | Bill Chambers | I was distracted to the point of contention at several points in The Limey by cinematic technique. I must write that Stamp's mesmerizing performance eventually drew me back in, every time. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,466 |
Magnolia | Film Freak Central | Bill Chambers | Magnolia is a deeply felt kitchen sink movie reminiscent, in a good way. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,466 |
Me, Myself & Irene | Film Freak Central | Bill Chambers | Everything about Me, Myself & Irene lacks edge. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,466 |
Meet the Parents | Film Freak Central | Bill Chambers | Quite simply, this Focker has us laughing out loud frequently and abundantly. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,466 |
The Mod Squad | Film Freak Central | Bill Chambers | I couldn't count The Mod Squad's plot holes with a calculator. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,466 |
Music of the Heart | Film Freak Central | Bill Chambers | Unintentional humour, soapboxing, and slack direction mar Music of the Heart's second half. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,466 |
Pay It Forward | Film Freak Central | Bill Chambers | Gutsy when it's not glossy, Pay It Forward is an affirming experience. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,466 |
The Replacements | Film Freak Central | Bill Chambers | The jokes are fusty and/or unpleasant. | 2/10 | 10 | 2 | 10 | false | 1 | 10 | 1 | 1,466 |
Shanghai Noon | Film Freak Central | Bill Chambers | A tasty matinee snack. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,466 |
Space Cowboys | Film Freak Central | Bill Chambers | Clint Eastwood approaches digital manipulation in the same practical manner he does camerawork in general, resulting in computer wizardry that assists the story instead of overwhelming it. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,466 |
Star Wars: Episode I - The Phantom Menace | Film Freak Central | Bill Chambers | I'd have to say it's a better picture than Return of the Jedi while falling into the same third-act trap of juxtaposing a terrific swordfight with boring, slapstick scenes of combat. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,466 |
State and Main | Film Freak Central | Bill Chambers | Resembles the cinema-obsessed work regularly generated by naive film school graduates. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,466 |
The Truman Show | Film Freak Central | Bill Chambers | This inspired movie is possibly the best - and most layered - summer picture in years. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,466 |
Kicking and Screaming | Film Freak Central | Walter Chaw | Smart and well-performed - captures a time and a feeling with grace and intelligence. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,467 |
Annihilation | Film Freak Central | Walter Chaw | What's impressive is Annihilation's willingness and ability to evoke the soul-sickness that leads to great moments of art, great moments of self-destruction, and an equation of the two. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,467 |
Barton Fink | Film Freak Central | Walter Chaw | Still the best film from the Coen brothers. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,467 |
Born on the Fourth of July | Film Freak Central | Walter Chaw | Typical jingoistic Stone bullroar, but professional. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,467 |
High Life | Film Freak Central | Angelo Muredda | It's powerful stuff, no less indelible for being vaguely familiar. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,467 |
The Madness of King George | Film Freak Central | Walter Chaw | Unusually faithful, magnificently performed. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,467 |
Life During Wartime | Film Freak Central | Bryant Frazer | Viewing it feels not unlike having a dream about people you knew a long, long time ago. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,468 |
Annie Hall | Film Freak Central | Bryant Frazer | Annie Hall expanded Woody Allen's canvas to incorporate real wisdom alongside the punchlines. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,468 |
Blow Out | Film Freak Central | Bryant Frazer | If cynicism were a superhero franchise, Blow Out would be its origin story. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,468 |
Django | Film Freak Central | Bryant Frazer | Django is a mean, unpretentious genre wallow. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,468 |
Manhattan | Film Freak Central | Bryant Frazer | Manhattan is one of the greatest films ever made, with a final passage that's truly devastating. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,468 |
Starship Troopers 3: Marauder | Film Freak Central | Bryant Frazer | Can be recommended more enthusiastically than most bargain-basement genre exercises. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,468 |
The White Ribbon (Das weisse Band) | Film Freak Central | Bryant Frazer | Executed at an incredibly high level of craft and with an off-putting degree of self-confidence. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,468 |
The Lone Ranger | Film Geek Central | Austin Kennedy | It begins and ends with a bang. Too bad the fuse fizzled out somewhere in the middle.This could have been the best film of the summer with some simple tinkering. But as it stands, it's just an okay movie with some spectacular action. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,469 |
Don't Breathe | Film Inquiry | Laura Birnbaum | Don't Breathe is interlaced with moments of terrifying brilliance and grounded in primal scares that demand your attention. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,470 |
The Hidden Fortress (kakushi-toride No San-akunin) | Film International | Matthew Sorrento | Mifune shines and invigorates what remains secondary Kurosawa (less rewarding than Throne), but a solid primal adventure in its own right. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,471 |
The Game | Film International | Matthew Sorrento | [N]ifty filmic style and crackpot sensibility. | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,471 |
42 | Film International | Matthew Sorrento | [Writer-director Brian] Helgeland shapes Jackie into a tested and proven American archetype: the strong, silent type. | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,471 |
All Is Lost | Film International | Matthew Sorrento | (Redford) is quite effective in the film's slower moments, while thoroughly rattled when reacting to the elements. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,471 |
Anatomy of a Murder | Film International | Matthew Sorrento | (Stewart's character) finishes the film an enigma, possibly the good go-getter of Capra but too much of a shadow. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,471 |
Blue Jasmine | Film International | Matthew Sorrento | In recent interviews, Woody admits that he continues making films out of guilt ... Let's rejoice that his guilt results in such palpable emotions for us all. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,471 |
Boyhood | Film International | Matthew Sorrento | Linklater uses life itself to his advantage by finding a clever way to capture its scope. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,471 |
Brain Damage | Film International | Matthew Sorrento | Traditional readings of the film see it as a commentary on the damning nature of chemical dependency. While the theme's presence is undeniable, the film also depicts the freeing and often empowering nature of stimulants. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,471 |
Circumstance | Film International | Matthew Sorrento | "Nothing is Private" would also suit Maryam Keshavarz's feature debut, though she chose "Circumstance" [to] reflect the factors surrounding her two young female leads in Iran. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,471 |
Cloud Atlas | Film International | Matthew Sorrento | Like Babel stretched through time, though its character connections are merely assumed. | 2/10 | 10 | 2 | 10 | false | 2 | 19 | 2 | 1,471 |
Deceptive Practice: The Mysteries and Mentors of Ricky Jay | Film International | Matthew Sorrento | Offers us a peek into a fervent force of creativity - as with many great artists, it's one of which we have limited understanding though all the more appreciation. | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,471 |
Gangster Squad | Film International | Matthew Sorrento | Viewers complaining about the cartoonish portrayal and wanting Curtis Hanson's Oscar winner again need to consider the source, and remember that - Paul Muni, anyone? - the former rules. | 7.5/10 | 10 | 7.5 | 10 | false | 13 | 19 | 2 | 1,471 |
Hannah Arendt | Film International | Matthew Sorrento | Arendt is so measured and elegant that the filmmaking seems effortless. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,471 |
Killer Joe | Film International | Matthew Sorrento | A family (dis)member(ed) ... with a wink from an eye more bloodshot than smirking. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,471 |
Nightcrawler | Film International | Matthew Sorrento | [F]eaturing one who lurks at night to gather crime footage for broadcast, the film parodies the obsession (with taking images) and notes it to be a tragedy of our times. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,471 |
Pacific Rim | Film International | Matthew Sorrento | del Toro playing it safe but with ease. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,471 |
Queen and Country | Film International | Matthew Sorrento | Boorman returns to the classical style of the movies he enjoyed at a young age, again showing his flexibility and commitment to finding a story's ideal tone. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,471 |
Rampart | Film International | Matthew Sorrento | Like the myth of the American West in a related genre, Dave reflects on an ideal past that never really was. | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,471 |
Red River | Film International | Matthew Sorrento | Wayne is an offbeat presence in River. His longish hair and loose gait - the latter usually indicating a relaxed sense of power - now imply a man out of his place, and a kind of restlessness. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,471 |
Rewind This! | Film International | Matthew Sorrento | Like any pop cultural tradition, the videotape has its diehards, who are the diverting guests in Josh Johnson's new documentary. | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,471 |
Seconds | Film International | Matthew Sorrento | [C]hange comes only before the cradle and after the grave ... consumerism processes identity until it's oversold. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,471 |
Man of Steel | Film International | Matthew Sorrento | Mantra 2: Zack Snyder should take his title too literally and pack his film with imagery of steel - Krypton could be called Planet Metallica. | 2/10 | 10 | 2 | 10 | false | 2 | 19 | 2 | 1,471 |
Ted | Film International | Matthew Sorrento | A lot of comic effort is smothered in conventional wrapping. | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,471 |
The Descendants | Film International | Matthew Sorrento | Clooney takes up the archetypal role of unofficial investigator, with a younger sidekick in tow. Though the film offers a fine portrait of character growth, it's allotted by the crime-themed structure of the avenger film. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,471 |
The Double | Film International | Matthew Sorrento | An oddity, for sure: with established performers in a neophyte work, it's odd for all the wrong reasons. | 4/10 | 10 | 4 | 10 | false | 6 | 19 | 2 | 1,471 |
The Iceman | Film International | Matthew Sorrento | [Shannon] almost convinces us that the Iceman's humanity was real. | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,471 |
The Pale Door | Film International | Matthew Sorrento | Co-writer/director Aaron B. Koontz's perceptiveness for the Western genre makes The Pale Door into a worthy hybrid horror. | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,471 |
The Robber | Film International | Matthew Sorrento | Johann operates with rules of the onscreen gangster ... [Yet he] is a noir protagonist, trapped and doomed by his past. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,471 |
Things to Come | Film International | Matthew Sorrento | As troublesome as Wells' philosophy may be, especially his faith in technocracy, Things certainly helped urge the medium into a new era - another Nation's Birth of artistry, and ignorance. | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,471 |
One Direction: This Is Us | Film International | Matthew Sorrento | (Spurlock) has occupied both sides of manufacturing, first as the engine of expose, and now as a wide-eyed, willing participant. | 2/10 | 10 | 2 | 10 | false | 2 | 19 | 2 | 1,471 |
Throne of Blood | Film International | Matthew Sorrento | Kurosawa grounds this downward spiral through the presence of Toshiro Mifune, who personalizes the Macbeth role while making it greater than his historical moment. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,471 |
Toy Story 4 | Film International | Matthew Sorrento | Let's hope new renditions of Disney properties continue such correctives, and that genre revisionism will again be in service. | 7.5/10 | 10 | 7.5 | 10 | false | 13 | 19 | 2 | 1,471 |
Trumbo | Film International | Matthew Sorrento | Roach is wise to highlight Trumbo's wit and bemused lovability while taking the lashes of persecution. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,471 |
Us | Film International | Matthew Sorrento | The film is an economic nightmare machine, once it gets going. Serving both worlds of fans, the terrors are eerie and bone-crunching... in the same brisk rhythm as Get Out. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,471 |
We Need to Talk About Kevin | Film International | Matthew Sorrento | [F]eels like sleeptime indigestion finally cooling off. | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,471 |
What We Do In The Shadows | Film International | Matthew Sorrento | Like the mock-doc tone, the vampire parody feels worn out, though the production shows its affection for the tradition and insight about the recent genre. | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,471 |
Win Win | Film International | Matthew Sorrento | In Tom McCarthy's Win Win sports may seem to be the means for drama. But when considering the importance of wrestling to the characters, the sport shapes character and narrative. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,471 |
Zombeavers | Film International | Matthew Sorrento | A consistently funny spoof. | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,471 |
A Little Chaos | Film Ireland Magazine | Dee O'Donoghue | It is all rather too restraint and temperate an affair, hugely lacking the decadence and opulence of French aristocratic life. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,472 |
Appropriate Behavior | Film Ireland Magazine | Dee O'Donoghue | Approaching contentious topics with clarity and tact and attempting to find the correct balance between irony and outright offence within a comedic context can often be a tricky affair. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,472 |
Cake | Film Ireland Magazine | Dee O'Donoghue | Despite a formidable and kaleidoscopic performance, there is a sense that the themes of human frailty and the will to heal that inform the film's narrative are beyond Aniston's abilities as a serious dramatic actress. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,472 |
Captive | Film Ireland Magazine | Dee O'Donoghue | The film's reluctance to overinvest in its religious significance will certainly not satisfy the spiritual nor will it come as a welcome relief to the skeptical, placing the overall audience in a state of limbo. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,472 |
The D Train | Film Ireland Magazine | Dee O'Donoghue | The introduction of too many ill-conceived sub-plots fails to enhance or execute the essential tenets of the narrative, only serving to detract and distract from the film's overall philosophy, lacking the sharp, subversive edge required for black comedy. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,472 |
Danny Collins | Film Ireland Magazine | Dee O'Donoghue | Danny Collins is, at times, an engaging and downright hilarious comedy drama that will have you laughing through the tears but this is simply owing to the sublime performances from its cast... | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,472 |
Far From the Madding Crowd | Film Ireland Magazine | Dee O'Donoghue | Such an inflexible adaptation results in a rather half-hearted screenplay that lacks the energy of its source novel, failing to arouse or thrill on any level. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,472 |
Fifty Shades of Grey | Film Ireland Magazine | Dee O'Donoghue | While the film is arguably no better or worse than its literary source, it does shatter the fantasies of sexual desire and sexual pleasure constructed within the novel. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,472 |
Focus | Film Ireland Magazine | Dee O'Donoghue | Regardless of its gleaming production and costume design, smooth technical style and frisky musical score, Focus is largely seductive because Smith and Robbie are the seducers. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,472 |
Girlhood | Film Ireland Magazine | Dee O'Donoghue | Symptomatic of the national picture, Girlhood is an unflinching portrait into the seething cauldron of interminable chaos created by the fractured social structures in contemporary Paris. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,472 |
Goodnight Mommy (Ich seh, Ich seh) | Film Ireland Magazine | Dee O'Donoghue | Goodnight Mommy employs similar psychological tactics found in film noir and the gothic by arousing the same cultural moods of paranoia and mistrust, which have resulted from a disruption to a seemingly, civilized ideal. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,472 |
Inside Out | Film Ireland Magazine | Dee O'Donoghue | Aware of its own unrivalled mastery within animation filmmaking, Inside Out is a highly self-reflexive, daring and though-provoking feature, which provides a groundbreaking perspective on the narrative evolution within animation itself. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,472 |
Jafar Panahi's Taxi | Film Ireland Magazine | Dee O'Donoghue | He may have moved outside to the relative freedom of the streets, however the continuation of the same oppressive narrative persists and he is going to still defy it. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,472 |
Jupiter Ascending | Film Ireland Magazine | Dee O'Donoghue | Jupiter Ascending fails to offer its audiences anything other than a one-dimensional and disappointingly regressive visual saga of sci-fi fantasy and 1950s pulp. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,472 |
Jurassic World | Film Ireland Magazine | Dee O'Donoghue | Narratively continuous to the original film but slightly disregarding its two sequels, Jurassic World is a spectacular rush of furious energy, spellbinding awe and alarming terror from beginning to end. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,472 |
Lambert & Stamp | Film Ireland Magazine | Dee O'Donoghue | Cooper's cinematic scrapbook captures a relentless whirlwind of explosive rock history, in which a non-linear narrative and slick cinematography rollicks furiously through the decades, rooting the audience directly in the band's volcanic timeline. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,472 |
Song Of The Sea | Film Ireland Magazine | Dee O'Donoghue | Song of the Sea is a magical feast of visual delights, narrative intrigue and nostalgic revisionism that will appeal to the inner child of all ages. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,472 |
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