movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Mamma Mia! | Film Snobs | Stephen Himes | As for Meryl Streep, you sense that she's thinking what you're thinking: That she can't actually be in this movie. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,482 |
Margot at the Wedding | Film Snobs | Stephen Himes | Nicole Kidman hasn't been in a movie this bleak since "Dogville." | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,482 |
Michael Clayton | Film Snobs | Stephen Himes | The story of some nice lawyers who give dozens of pro bono hours working to adopt puppies for orphans before Christmas. George Clooney plays the headmaster. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,482 |
Midnight in Paris | Film Snobs | Stephen Himes | "Midnight in Paris," a parable about romanticism and nostalgia, recalls Early Owen as much as Early Woody. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,482 |
Nick and Norah's Infinite Playlist | Film Snobs | Stephen Himes | Introducing the new Lloyd Dobler! | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,482 |
Semi-Pro | Film Snobs | Stephen Himes | Jackie Moon is every other Will Ferrell character in John Stockton shorts. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,482 |
Sicko | Film Snobs | Stephen Himes | Moore effectively vents our collective rage, but his Cuba is like the Buena Vista Social Club, but with better benefits. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,482 |
The Simpsons Movie | Film Snobs | Stephen Himes | Gives us the most evil EPA agent in movies since William Atherton unleashed the minions of Zool on New York City. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,482 |
The Spiderwick Chronicles | Film Snobs | Stephen Himes | Like "Terabithia," willfully darker than most children's fare. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,482 |
Talk to Me | Film Snobs | Stephen Himes | Even Martin Sheen is keepin' it real. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,482 |
The Beaver | Film Snobs | Stephen Himes | Jodie Foster invites us to laugh at this guy who talks through a puppet, then scolds us for doing so. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,482 |
The Hangover Part II | Film Snobs | Stephen Himes | More a horror than a comedic film, as if Todd Phillips is making a kind of "Heart of Darkness" argument with Bangkok as his backdrop. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,482 |
Things We Lost in the Fire | Film Snobs | Stephen Himes | Benicio is the heroine addict with a heart of gold! | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,482 |
Tropic Thunder | Film Snobs | Stephen Himes | A journey into Hollywood's heart of darkness. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,482 |
W. | Film Snobs | Stephen Himes | Josh Brolin develops an ingenious physical tic that encompasses the President: He talks with his mouth full, like a man who's bitten off more than he can chew. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,482 |
Waitress | Film Snobs | Stephen Himes | Completely inauthentic in every detail--the cinematic equivalent of an apple pie from Perkins. | 2/10 | 10 | 2 | 10 | false | 1 | 10 | 1 | 1,482 |
Extract | Film Snobs | Jimmy O | Mike Judge Hasn't Got Over his Alliance with the Workers in Order to Make an Effective Flick about being The Man. | 1/4 | 4 | 1 | 4 | false | 0 | 7 | 2 | 1,483 |
Lara Croft - Tomb Raider | Film Snobs | Jimmy O | More than being just a terrible movie, Tomb Raider is a disturbing exercise in the mythologies of sexuality. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,483 |
Like Mike | Film Snobs | Stephen Himes | Hey, any movie that has Crispin Glover running an orphanage is good for a laugh. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,483 |
Moulin Rouge! | Film Snobs | Jimmy O | It looks great, stars two gorgeous people who look stunning together, and an ending that will put a tear in your eye. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,483 |
Sexy Beast | Film Snobs | Stephen Himes | The site of Gandhi wielding a broken beer bottle is enough to warrant two hours of Sexy Beast. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,483 |
Summer Catch | Film Snobs | Stephen Himes | Whitman is right: Baseball is our poetic register, and so I've become whimsical for the days of tee-ball and George Brett and when baseball movies were beautiful. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,483 |
Escape from Pretoria | Film Stories | Katie Smith-Wong | Escape From Pretoria offers solid performances and clever filmmaking but lacks tension and complexity. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,484 |
Official Secrets | Film Stories | Katie Smith-Wong | While Knightley offers a compelling performance, Official Secrets is weakened by its uneven tone and lack of punch, making it a safe effort of retelling an international scandal. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,484 |
10x10 | Film Threat | Matthew Passantino | On the surface, 10x10 is a relatively basic abduction thriller but tightly wound at a scant 88 minutes. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,485 |
Aardvark | Film Threat | Bobby LePire | Aardvark is not without some merit. The actors all do credible jobs in their underwritten roles, and the directing style suits the dramatic nature of the story. But the awkward, stiff writing and lack of characterization make all that effort pointless. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,485 |
Accident Man | Film Threat | Bobby LePire | While a few flaws prevent it from hitting its full stride, it is as fun as that team up makes it sound. Stylized directing and great action scenes make this a treat for Adkins fans and genre enthusiasts alike. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,485 |
American Satan | Film Threat | Bobby LePire | American Satan doesn't put enough time toward one of the most crucial relationships in the movie for it to work. But the acting is excellent, the directing is stylized and energetic, the characters are interesting, the ending is remarkable. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,485 |
An Evening with Beverly Luff Linn | Film Threat | Matthew Passantino | Hosking is trademarking his own brand of humor, which will play to a midnight audience. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,485 |
An Inconvenient Sequel: Truth To Power | Film Threat | Matthew Passantino | The documentary is timely and frightening and, despite some technical missteps along the way by the filmmakers, worthy of a much needed watch. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,485 |
Atomic Blonde | Film Threat | Matthew Passantino | Atomic Blonde doesn't reinvent the wheel and never really tries to. It occasionally gets tangled in its own web but it accomplishes what it set out to do. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,485 |
Backstabbing for Beginners | Film Threat | Bobby LePire | Backstabbing For Beginners is a mesmerizing, intense watch with beautiful acting and powerful directing. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,485 |
Bad Turn Worse | Film Threat | Chase Whale | We Gotta Get Out of This Place is screenwriter Dutch Southern's first produced script, and please God, don't let it be his last. From the grimy atmosphere of the town, to the bravura of his raw and untouchable dialogue - he's a wizard of words and mood. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,485 |
Better Watch Out | Film Threat | Matthew Passantino | The young cast are all great, particularly Miller, coming off the disastrous Pan a few years ago. Hidden behind a squeaky voice and skinny jeans, Miller finds a balance of childlike innocence and balances it with a dash of privilege. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,485 |
Bitch | Film Threat | Matthew Passantino | As Bitch progresses, it slides into a much more familiar redemptive tale but then Jill barks from the basement and we remember this movie still has a little - well - bite. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,485 |
Blame | Film Threat | Matthew Passantino | A lot of what doesn't fully work in Blame can be attributed to the fact it's a first time screenplay from a young talent - and talented she is. The movie will put a new set of eyes on Shephard, creating a calling card for future projects. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,485 |
Here and Now (Blue Night) | Film Threat | Matthew Passantino | "Blue Night" comes from documentary filmmaker Fabien Constant, making his feature debut, and appears to be interested in creating a swoony melodrama over anything truly substantive. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,485 |
Caught | Film Threat | Bobby LePire | The screenplay fails to provide reasons for anything that happens nor does it answer any of the mysteries it poses. As such, for all the good in the movie, Caught is a misfire. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,485 |
Chimera Strain | Film Threat | Bobby LePire | Characterizations make little sense, the pacing is off, and the ending leaves so many more questions than answers. | D+ | long_letter | null | null | false | 8 | 18 | 1 | 1,485 |
Cold November | Film Threat | Bobby LePire | Cold November isn't entirely flawless but thanks to beautiful cinematography and strong directing, coupled with a brilliant cast, it overcomes its flaws. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,485 |
Delirium | Film Threat | Bobby LePire | There are certainly worse horror movies, but aside from a strong visual presentation, Delirium fails to connect. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,485 |
Don't Sleep | Film Threat | Bobby LePire | If you go into Don't Sleep expecting to be scared, you will be disappointed. But if you are looking for a decent plot, good acting, and very impressive effects, give it a watch. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,485 |
Eighth Grade | Film Threat | Matthew Passantino | As Burnham branches out to explore new avenues, he has offered a fine example of what he can do and left it with a promise that there is more to come. Same goes for Fisher, who has proven she is able to balance so much in the matter of a scene. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,485 |
Everlasting | Film Threat | Bobby LePire | Honest portrayals of teenagers can be a bit hard to come by, but Everlasting is a triumph on all levels. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,485 |
Faces Places (Visages, villages) | Film Threat | Matthew Passantino | Faces Places is inspiring and reflective and works just as well as a mismatched buddy road comedy. It's pure cinematic joy. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,485 |
Fifty Shades Freed | Film Threat | Matthew Passantino | Fifty Shades Freed thinks it's titillating and thrilling but those wise enough to see through its glossy exterior know it's just faking it. | D+ | long_letter | null | null | false | 8 | 18 | 1 | 1,485 |
Gemini | Film Threat | Matthew Passantino | Gemini feels like an homage to L.A. noir films of the past and is more concerned with being a wink and a nudge rather than its own property. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,485 |
Hearts Beat Loud | Film Threat | Matthew Passantino | In a rare leading man role, Offerman exudes charm and charisma in a performance that shatters his Ron Swanson image (said as a devout Parks and Recreation fan). | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,485 |
In a Relationship | Film Threat | Matthew Passantino | Instead of attempting to reinvent the wheel, he [Boyd] focuses on his characters' flaws and insecurities offering biting one-liners and honest moments that elevated "In a Relationship" to a bit above the norm. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,485 |
It's Not Yet Dark | Film Threat | Bobby LePire | It's Not Yet Dark is not simply a tale of optimism in the face of an uncertain future, nor just a portrait of love overcoming the odds; it is a mosaic of passion for family, friends, storytelling, and life that brings out the best in humanity. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,485 |
Itzhak | Film Threat | Bobby LePire | It is too bad that Itzhak, the documentary, has so little interest in the life of its titular subject and is so narrow in scope. | D | long_letter | null | null | false | 7 | 18 | 1 | 1,485 |
Joe | Film Threat | Chase Whale | Powerful and crushing. Joe is another profound achievement in David Gordon Green's career. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,485 |
Lean on Pete | Film Threat | Matthew Passantino | The entire story is told with a quiet but punctuating lyricism, avoiding cliches and obvious histrionics to play up the drama of the story. Movies are rarely more effective when they are told through a naturalistic lens. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,485 |
Literally, Right Before Aaron | Film Threat | Matthew Passantino | Literally, Right Before Aaron sets up its been-there premise without much deviation before heading into sitcom territory for the final act. In fact, most of the movie plays like a pilot that was never picked up for a full season. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,485 |
Miami Connection | Film Threat | Chase Whale | Miami Connection is the greatest movie from 1987 you've never seen (but need to). | B | long_letter | null | null | false | 13 | 18 | 1 | 1,485 |
Monsters and Men | Film Threat | Matthew Passantino | It's blunt with its message without being preachy, which helps it to be effective. Even when the movie leans into heavy-handedness, Green skillfully pulls us back. It's a daring task to take on as a first-time feature director and he does so admirably. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,485 |
One October | Film Threat | Bobby LePire | It elevates its simple premise by showing the resilience of the human spirit and the little moments that connect us all. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,485 |
Pirates of the Caribbean: Dead Men Tell No Tales | Film Threat | Bernard Boo | Like its predecessors, Dead Men is a wishy-washy movie that isn't violent or edgy enough for adults but feels just a bit too disgusting and unsettling for kids. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,485 |
Rampage | Film Threat | Matthew Passantino | There's a sameness that plagues these spectacles he [Johnson] attaches himself to, which lack any kind of majesty in its mayhem. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,485 |
SoulMate | Film Threat | Bobby LePire | SoulMate might have a familiar premise, hit some formulaic beats, and have a few pacing issues. But a movie is not just the story it presents, but also how it interweaves all the elements of film...the movie succeeds here in a way few recent films have. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,485 |
Spring Breakers | Film Threat | Chase Whale | Bikinis. Boobs. Bongs. Booze. Blasphemy. Bullets. Bloodshed. Bad bitches. Spring Breakers is the rawest (and perhaps greatest) movie about spring break ever. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,485 |
Stronger | Film Threat | Matthew Passantino | Everything about Stronger is rather straightforward but Green captures it tastefully and respectfully, carving out affecting moments in telling Jeff's journey. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,485 |
The Big Sick | Film Threat | Matthew Passantino | The film earns its silly and sweet moments just as much as all of the serious. It deserves to be the surprise hit of the summer, which it's on its way to being. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,485 |
The Emoji Movie | Film Threat | Matthew Passantino | The Emoji Movie is so painfully lame and an 86-minute reminder that Hollywood could do better because your children deserve better. | D- | long_letter | null | null | false | 6 | 18 | 1 | 1,485 |
The Rover | Film Threat | Chase Whale | [Director David] Michôd's bravura is an intimidating reminder that he's ahead of the audience every step of the way. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,485 |
The Strange Ones | Film Threat | Bobby LePire | The Strange Ones is an elegant drama whose ending becomes poignant and elegiac. Brought to life by stellar acting and engrossing yet straightforward directing, the more the audience discovers, the more hypnotic everything becomes. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,485 |
They Remain | Film Threat | Bobby LePire | While it runs a bit too long, the direction is impeccable, the acting brilliant, and the ending pays off the slow build with something explosive yet heady. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,485 |
Tomb Raider | Film Threat | Bobby LePire | The editing is shockingly bad, the green screen is some of the worst in recent memory, and the characters are so underdeveloped it seems inappropriate to use the word 'characters' on them. | D+ | long_letter | null | null | false | 8 | 18 | 1 | 1,485 |
Universal Soldier: Day of Reckoning | Film Threat | Chase Whale | Co-writer/director John Hyams has fearlessly taken the franchise in a whole new direction and pulls it off admirably. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,485 |
Violet | Film Threat | Bobby LePire | Violet is an atmospheric drama that relies on its visuals to get the audience into the headspace of the main character. It is an arresting and intense watch that is wholly worth the experience. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,485 |
Wildlife | Film Threat | Matthew Passantino | We've seen stories like Wildlife done many times before but rarely are they done with such grace and humanity. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,485 |
Goodbye, Mr. Chips | Film Written Magazine | Andrew Howe | Robert Donat is deeply affecting as the title character. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,486 |
The Man in the Iron Mask | Film Written Magazine | Andrew Howe | Features acting which is beyond reproach. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,486 |
The Hurricane | Film Written Magazine | Andrew Howe | A story which needed to be told. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,486 |
American Beauty | Film Written Magazine | Andrew Howe | A film which turns the microscope on the human condition in all its ragged glory. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,486 |
Bad Boy Bubby | Film Written Magazine | Andrew Howe | A memorable, affecting and quietly exceptional tale | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,486 |
The Blair Witch Project | Film Written Magazine | Andrew Howe | See it, enjoy it, forget it. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,486 |
Bounce | Film Written Magazine | Andrew Howe | An agreeable but ultimately insubstantial piece of fluff. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,486 |
Bringing Out the Dead | Film Written Magazine | Andrew Howe | A powerful, emotionally-draining slice-of-life. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,486 |
A Bug's Life | Film Written Magazine | Andrew Howe | A feel-good movie I'll be revisiting on many a rainy Saturday morning. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,486 |
End of Days | Film Written Magazine | Andrew Howe | An effort which will join True Lies and Raw Deal in the dustbin of Schwarzenegger history. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,486 |
The Faculty | Film Written Magazine | Andrew Howe | A decidedly average film with flashes of inspiration. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,486 |
Falling Down | Film Written Magazine | Andrew Howe | Douglas' portrayal of a man heading for the abyss is utterly convincing. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,486 |
Forrest Gump | Film Written Magazine | Andrew Howe | There's something in the centre of Forrest Gump, and soft is one thing it definitely ain't. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,486 |
Galaxy Quest | Film Written Magazine | Andrew Howe | See it, enjoy it, and remind yourself why having fun is never a crime. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,486 |
The Green Mile | Film Written Magazine | Andrew Howe | A near-masterpiece. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,486 |
The Insider | Film Written Magazine | Andrew Howe | At its best it is very good indeed, but don't expect to come away changed. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,486 |
The Life and Death of Colonel Blimp | Film Written Magazine | Andrew Howe | A film which may just make you look at your life and ask some questions best left unanswered. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,486 |
The Lost World - Jurassic Park | Film Written Magazine | Andrew Howe | A cheerless, heartless monstrosity. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,486 |
Mission: Impossible 2 | Film Written Magazine | Andrew Howe | How the mighty have fallen. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,486 |
Mission to Mars | Film Written Magazine | Andrew Howe | Avoid at all costs. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,486 |
Mystery Men | Film Written Magazine | Andrew Howe | An exuberant, hugely enjoyable romp. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,486 |
Proof of Life | Film Written Magazine | Andrew Howe | A well-acted disappointment. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,486 |
Saving Private Ryan | Film Written Magazine | Andrew Howe | A message which can never be spoken too often, or for too long. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,486 |
The Searchers | Film Written Magazine | Andrew Howe | If ever you need proof of the worth of the genre, you'll find it here. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,486 |
The Sixth Sense | Film Written Magazine | Andrew Howe | Bruce Willis is making it increasingly difficult for me to assert that he has no acting ability. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,486 |
Sleepy Hollow | Film Written Magazine | Andrew Howe | As heroic failures go, it's up there with the best. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,486 |
Still Crazy | Film Written Magazine | Andrew Howe | A marvellous film. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,486 |
Swingers | Film Written Magazine | Andrew Howe | Promises more than it delivers. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,486 |
The Talented Mr. Ripley | Film Written Magazine | Andrew Howe | A sub-Hitchcockian runaround. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,486 |
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