movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
True Confessions | Old School Reviews | John A. Nesbit | Acting compensates for disappointing ending | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,962 |
Vernon, Florida | Old School Reviews | John A. Nesbit | the great turkey hunter creates a long lasting character along with the other Vernon residents | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,962 |
The Way We Were | Old School Reviews | John A. Nesbit | Sentimental but not overly smaltzy | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,962 |
The Book of Life | On the Box | Ian Wolf | There are many things that are striking about The Book of Life. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,963 |
When the Levees Broke: A Requiem in Four Acts | One People's Project | Kam Williams | Despite capturing many heartbreaking aspects of the disaster, this is essentially an overambitious mess which ultimately fails to convey effectively the scale or scope of the ongoing tragedy. | 1/4 | 4 | 1 | 4 | false | 0 | 4 | 1 | 1,964 |
Rise of the Footsoldier | One People's Project | Tim Evans | Gore-flecked rucks and bruising rumbles are the order of the day in this unflinching portrait of a demi-monde your really rather wish would stay that way. | 1/5 | 5 | 1 | 5 | false | 0 | 5 | 1 | 1,965 |
The Girl on the Train | One Room With A View | Stephanie Watts | The film is an entertaining watch on its own, with some standout acting from Emily Blunt, but a poor effort in comparison to Hawkins' skillful handling of the story in the book. | C | short_letter | null | null | false | 3 | 6 | 1 | 1,966 |
Face to Face | Onya Magazine | Glenn Dunks | Face to Face will never be mistaken for the most exciting film of the year, but it's a bold one nonetheless that rewards viewers with spiky wordplay and tart performances. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,967 |
Griff the Invisible | Onya Magazine | Glenn Dunks | It's a film that asks potent questions about important topics, but will first and foremost charm viewers with its oddball humour and romanticism. Griff the Invisible is a treat. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,967 |
Lore | Onya Magazine | Glenn Dunks | It's this mature take on the subject matter that makes Lore the finest Australian film of the year. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,967 |
Miles Davis: Birth of the Cool | Onya Magazine | Glenn Dunks | Stanley Nelson's film shoves entire generations of content into its runtime. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,967 |
Oranges And Sunshine | Onya Magazine | Glenn Dunks | Oranges and Sunshine is a powerful exploration and its subjects should be proud. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,967 |
Sleeping Beauty | Onya Magazine | Glenn Dunks | [The] movie trades in ambiguity and uncomfortable awkwardness, the often hypnotising trance it emits is a fascinating sight to witness. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,967 |
The Edge of Democracy | Onya Magazine | Glenn Dunks | The Edge of Democracy is easily one of the great works of documentary this year. It is a riveting experience; an impeccably edited navigation of Brazil's volatile relationship with democracy... | A | long_letter | null | null | false | 16 | 18 | 1 | 1,967 |
The Hunter | Onya Magazine | Glenn Dunks | It is an atmospheric and richly rewarding film that glides along at a pace akin to that of the small country local within which it's set. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,967 |
The Sapphires | Onya Magazine | Glenn Dunks | The skill and sly moments of real panache help turn The Sapphires into a shining example of the type of film this country really ought to be making more of. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,967 |
The Tree | Onya Magazine | Glenn Dunks | [The Tree is] one of the most personally striking films of the year. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,967 |
The Waiting City | Onya Magazine | Glenn Dunks | [Director Claire McCarthy] wrings true emotion out of simple moments that audiences will recognise. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,967 |
Wake in Fright | Onya Magazine | Glenn Dunks | If you have any interest whatsoever in discovering the true classics of Australian cinema, there are far worse places you could start than with Wake in Fright. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,967 |
Wasted on the Young | Onya Magazine | Glenn Dunks | Wasted on the Young's pulsating soundtrack, immediate direction by first time filmmaker Lucas ... and Leanne Cole's hectic editing all lend the film a vibrancy that is sorely lacking in a lot of cinema these days. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,967 |
Wish You Were Here | Onya Magazine | Glenn Dunks | [As] a more contemplative look at the ways unexplained tragedy plays with the emotions of people who supposedly have it all, it works. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,967 |
X: Night of Vengeance | Onya Magazine | Glenn Dunks | X most certainly won't be for everyone, but I found myself enjoying every second of its slick, bordering on camp, nature. It's one of the most alive and confident genre titles to come out of this country in quite some time. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,967 |
The Immigrant | Orange County Register | Michael Sragow | I can't think of another actor today who could vitalize the character of a virtuous, wronged woman as vividly and unsentimentally as Marion Cotillard does in The Immigrant. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,968 |
Venkovský Ucitel (The Country Teacher) | Orange County and Long Beach Blade | Fr. Chris Carpenter | Sometimes predictable, but it takes a number of surprising turns. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,969 |
The Kids Are All Right | Orange County and Long Beach Blade | Fr. Chris Carpenter | Despite its script's considerable shortcomings, (the film) is a timely, engaging story that provides the sublime pleasure of watching two lovely, exceptional actresses in great form. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,969 |
Happy-Go-Lucky | Orange County and Long Beach Blade | Fr. Chris Carpenter | An unusually cheery movie from veteran British writer-director Mike Leigh; one of the ten best films of 2008 | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
It's Complicated | Orange County and Long Beach Blade | Fr. Chris Carpenter | We love La Meryl, but this is the worst movie of 2009. | D | long_letter | null | null | false | 7 | 18 | 1 | 1,969 |
A Single Man | Orange County and Long Beach Blade | Fr. Chris Carpenter | Not only one of the best films of 2009, but one of the best gay-themed films ever...The most authentically detailed period film since 2002's "Far from Heaven" | A | long_letter | null | null | false | 16 | 18 | 1 | 1,969 |
A Serious Man | Orange County and Long Beach Blade | Fr. Chris Carpenter | One of the ten best films of 2009 | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
Another Gay Sequel: Gays Gone Wild! | Orange County and Long Beach Blade | Fr. Chris Carpenter | One of only three movies in my life I've walked out of before they ended; the worst film of 2008 | F | long_letter | null | null | false | 1 | 18 | 1 | 1,969 |
The Art of Being Straight | Orange County and Long Beach Blade | Fr. Chris Carpenter | The director's inexperience shows at times...but his writing and acting are fine. Indeed, everyone in the cast is quite good. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,969 |
Der Baader Meinhof Komplex (The Baader Meinhof Complex) | Orange County and Long Beach Blade | Fr. Chris Carpenter | One of the ten best films of 2009 | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
Chris & Don | Orange County and Long Beach Blade | Fr. Chris Carpenter | A great, revealing documentary; one of the best films released in 2008 | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
The Chronicles of Narnia: Prince Caspian | Orange County and Long Beach Blade | Fr. Chris Carpenter | Excessively violent but oddly dull...a Crusades allegory for teeny-boppers | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,969 |
Filth and Wisdom | Orange County and Long Beach Blade | Fr. Chris Carpenter | Madonna's direction isn't half-bad...too bad she chose a poor script teeming with uninteresting characters | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,969 |
Four Minutes | Orange County and Long Beach Blade | Fr. Chris Carpenter | Potent tale...one of the ten best films released in 2008 | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
Humpday | Orange County and Long Beach Blade | Fr. Chris Carpenter | More sophisticated than a brief plot synopsis indicates, and it is one of the most observant and intelligent movies ever about male relationships. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,969 |
I Love You Phillip Morris | Orange County and Long Beach Blade | Fr. Chris Carpenter | Delightful...Carrey and McGregor give wonderful, unrestrained performances. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
The Last Station | Orange County and Long Beach Blade | Fr. Chris Carpenter | One of the ten best films of 2009 | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
Milk | Orange County and Long Beach Blade | Fr. Chris Carpenter | The best film of 2008; engrossing no matter what one's sexual orientation. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,969 |
Miss Pettigrew Lives for a Day | Orange County and Long Beach Blade | Fr. Chris Carpenter | A valentine to a by-gone era; one of the ten best films of 2008 | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
Precious: Based on the Novel Push by Sapphire | Orange County and Long Beach Blade | Fr. Chris Carpenter | One of the ten best films of 2009 | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
Sex Positive | Orange County and Long Beach Blade | Fr. Chris Carpenter | Definitely worth seeing...many of us literally owe our lives to (the film's subjects). | B | long_letter | null | null | false | 13 | 18 | 1 | 1,969 |
Speed Racer | Orange County and Long Beach Blade | Fr. Chris Carpenter | Fellow critics mercilessly denounced this dazzling, visually inventive adaptation; one of the ten best films of 2008 | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
Synecdoche, New York | Orange County and Long Beach Blade | Fr. Chris Carpenter | A pretentious, witless disaster that largely wastes a great cast; one of the worst films of 2008 | D | long_letter | null | null | false | 7 | 18 | 1 | 1,969 |
The Girl with the Dragon Tattoo | Orange County and Long Beach Blade | Fr. Chris Carpenter | Weaves a dark, complex tale...an engrossing, extremely well-made movie | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
WALL-E | Orange County and Long Beach Blade | Fr. Chris Carpenter | Disney-Pixar's greatest film yet; one of the ten best movies of 2008 | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
Waltz with Bashir | Orange County and Long Beach Blade | Fr. Chris Carpenter | Powerful...one of the ten best films of 2008 | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,969 |
Chicken Little | Oregonian | Shawn Levy | The computerized animation hasn't got enough pop, the characters are vapid rather than nonsensical or silly, the musical numbers are awful, and the emotional situation of the plot is handled like a large piece of meat at the end of a hook. | 2/4 | 4 | 2 | 4 | false | 1 | 4 | 1 | 1,970 |
Tangerine | Orlando Weekly | Patrick Cooper | Only when Tangerine puts on the brakes a bit can the sadness be seen, and it's then that the bittersweet undertone comes through. | 4.5/10 | 10 | 4.5 | 10 | false | 7 | 19 | 2 | 1,971 |
Broken Hill | Orlando Weekly | Justin Strout | Pleasant in a flavored-rice-cakes kind of way. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,972 |
Big Trouble | Orlando Weekly | Steve Schneider | A wearisome stab at screwball comedy. | 0/4 | 4 | 0 | 4 | true | 0 | 9 | 2 | 1,972 |
You Kill Me | Orlando Weekly | Jason Ferguson | [Leoni's] collaboration with Kingsley does provide moments of comedic excellence. Too bad those moments donâ(TM)t add up to enough to save the film from its ponderous messaging. | 2.5/4 | 4 | 2.5 | 4 | true | 5 | 9 | 2 | 1,972 |
The Informant! | Orlando Weekly | Justin Strout | Damon's portrayal is complicated, amusing and somewhat heartbreaking. | 3/4 | 4 | 3 | 4 | true | 6 | 9 | 2 | 1,972 |
World's Greatest Dad | Orlando Weekly | Justin Strout | It's hard to argue with Goldthwait's assertion that society's search for spokesmen leads to false prophets, but it feels like an observation well-made many times over in the '90s, at the height of anti-celebrity culture. | 3/4 | 4 | 3 | 4 | true | 6 | 9 | 2 | 1,972 |
A Serious Man | Orlando Weekly | Justin Strout | Joel and Ethan Coen have the ability to sit their audience down in front of a black screen and make them feel comfortable with two very important factors: 1) They will not understand everything that's going on, and 2) they won't care. | 4/4 | 4 | 4 | 4 | true | 8 | 9 | 2 | 1,972 |
Barnyard | Orlando Weekly | John Thomason | Barnyard doesn't know if it wants to be another tiresomely 'hip' piece of post-Shrek postmodernism or a comfortably traditional kids' movie that delivers family values without the self-conscious smirk. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,972 |
The Black Dahlia | Orlando Weekly | John Thomason | De Palma has finally made a movie in which his bravura filmmaking aesthetic complements an intriguing story rather than smokescreens a mediocre one. | 4/4 | 4 | 4 | 4 | true | 8 | 9 | 2 | 1,972 |
Bright Star | Orlando Weekly | Justin Strout | Has Lady Jane gone as chaste as the PG rating on Bright Star suggests? You have no idea. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,972 |
Capitalism: A Love Story | Orlando Weekly | Justin Strout | A film for everyone in the economic bottom 95 percent. | 4/4 | 4 | 4 | 4 | true | 8 | 9 | 2 | 1,972 |
The Damned United | Orlando Weekly | Justin Strout | It's too easy to dismiss Sheen's work as basic mimicry; in fact, Sheen's Clough is his most intricate work thus far. | 3/4 | 4 | 3 | 4 | true | 6 | 9 | 2 | 1,972 |
Death of a President | Orlando Weekly | John Thomason | Death of a President is important and provocative. It should not and cannot be ignored, no matter how much the holier-than-thou bastions of moral clarity and good taste try to dismiss it as reprehensible snuff. | 4/4 | 4 | 4 | 4 | true | 8 | 9 | 2 | 1,972 |
The Descent | Orlando Weekly | Ian Grey | Aside from its high concept -- instead of Snakes on a Plane, it's Chicks in a Cave (with monsters!) -- place-setting is almost all Marshall does. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,972 |
Dinner for Schmucks | Orlando Weekly | Justin Strout | This being a Steve Carell vehicle, these moments of elevated humor coexist alongside crass gags, but not as uncomfortably as you might think. | 4/4 | 4 | 4 | 4 | true | 8 | 9 | 2 | 1,972 |
Good Hair | Orlando Weekly | Justin Strout | Whatever Rock's impetus for exploring the wallet-busting, day-consuming, sometimes chemically dangerous desire of black women to achieve European hair, he's never wanting for laughter. | 4/4 | 4 | 4 | 4 | true | 8 | 9 | 2 | 1,972 |
Gran Torino | Orlando Weekly | Rob Boylan | Where Gran Torino fails at social criticism, it succeeds at capturing an engrossing snapshot of the human saga. If itâ(TM)s Clintâ(TM)s last film, itâ(TM)s a perfect ending. | 4/4 | 4 | 4 | 4 | true | 8 | 9 | 2 | 1,972 |
Neil Young: Heart of Gold | Orlando Weekly | Corey Hall | ...The arrival of Neil Young: Heart of Gold should be an inspiration to music buffs and cinephiles alike. | 3/4 | 4 | 3 | 4 | true | 6 | 9 | 2 | 1,972 |
Hollywoodland | Orlando Weekly | John Thomason | Bearing all the trappings of lazy cutting-room manipulation, it presents a puzzle hardly worth solving. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,972 |
Humpday | Orlando Weekly | John Thomason | This low-budget art film about two straight men who drunkenly decide to shoot a porno together in the style of a low-budget art film is actually kind of touching, if you can get past the inherent credibility gap. | 3/4 | 4 | 3 | 4 | true | 6 | 9 | 2 | 1,972 |
The Invention of Lying | Orlando Weekly | Justin Strout | The Invention of Lying, Iâ(TM)m happy to report, is true. And it is a romantic comedy in the best sense of the term. | 4/4 | 4 | 4 | 4 | true | 8 | 9 | 2 | 1,972 |
Invincible | Orlando Weekly | John Thomason | This is a Disney movie, but even as harmless formula fluff, Invincible still has a genuine depth of feeling and the sincere, old-fashioned optimism inherent in classic triumphant-underdog movies. | 2.5/4 | 4 | 2.5 | 4 | true | 5 | 9 | 2 | 1,972 |
It Might Get Loud | Orlando Weekly | Justin Strout | If Guggenheim had let it play as is, without splicing in choppy life-story filler, then it might have been a rock doc for the ages. | 4/4 | 4 | 4 | 4 | true | 8 | 9 | 2 | 1,972 |
The Last Kiss | Orlando Weekly | Jason Ferguson | ... a patently offensive love story, where you root for the guy not to end up with the girl. | 2.5/4 | 4 | 2.5 | 4 | true | 5 | 9 | 2 | 1,972 |
Monster House | Orlando Weekly | Steve Schneider | Monster House is professionally assembled and contains a good amount of irreverent fun; as an adult, I dug a lot of it. | 3/4 | 4 | 3 | 4 | true | 6 | 9 | 2 | 1,972 |
More Than a Game | Orlando Weekly | Justin Strout | Let's start with the title, which is problematic by nature: There is nothing more than a game on display here. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,972 |
O' Horten | Orlando Weekly | Justin Strout | O' Horten moves slowly, sometimes excruciatingly so, but its thematic center is strong: How do you run out the clock of life? | 4/4 | 4 | 4 | 4 | true | 8 | 9 | 2 | 1,972 |
Pirate Radio (The Boat That Rocked) | Orlando Weekly | Justin Strout | Curtis takes great joy in huddling an ensemble of misfits together, connecting them loosely and then sitting back and watching them all become a messy family. | 4/4 | 4 | 4 | 4 | true | 8 | 9 | 2 | 1,972 |
Precious: Based on the Novel Push by Sapphire | Orlando Weekly | Justin Strout | It's a shame that Daniels is so unconvincing in his execution, because the performances mostly go for broke and there does seem to be a nugget of courage to Fletcher's screenplay. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,972 |
Running With Scissors | Orlando Weekly | John Thomason | The most important quality of the memoir -- the ability to compose scenes that are at once hilarious and disturbing, exhilarating and depressing -- is here in spades. | 3.5/4 | 4 | 3.5 | 4 | true | 7 | 9 | 2 | 1,972 |
Scoop | Orlando Weekly | Steve Schneider | Nobody appears to have put much effort into this thing. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,972 |
The September Issue | Orlando Weekly | Justin Strout | In its way, The September Issue is about expert craftsmen toiling away at a factory, albeit an unimaginably glamorous one. | 4/4 | 4 | 4 | 4 | true | 8 | 9 | 2 | 1,972 |
Smokin' Aces | Orlando Weekly | Cole Haddon | ... a lot more than it seems, even if you have to wait until the last five minutes to realize just how much more that is and just how integral the violence is to Carnahan's point. | 3.5/4 | 4 | 3.5 | 4 | true | 7 | 9 | 2 | 1,972 |
Talladega Nights: The Ballad of Ricky Bobby | Orlando Weekly | John Thomason | ... even if Talladega Nights occasionally undercuts its satiric comments by genuinely celebrating the race sequences, this cultural phenomenon receives a scathingly funny treatment. | 3.5/4 | 4 | 3.5 | 4 | true | 7 | 9 | 2 | 1,972 |
Terminator Salvation | Orlando Weekly | Justin Strout | Terminator Salvation: the least they could give us. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,972 |
The Devil Wears Prada | Orlando Weekly | John Thomason | The Devil Wears Prada is to the cutthroat world of chic glossies what Swimming With Sharks is to the movie business: a satirical indictment of its industry, with naive lackeys serving as the spectator's surrogates through the glitzy abyss. | 3.5/4 | 4 | 3.5 | 4 | true | 7 | 9 | 2 | 1,972 |
The Muppets | Orlando Weekly | Justin Strout | Under James Bobin's direction, however, the outing feels cheap and strangely small-screen. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,972 |
The Night Listener | Orlando Weekly | Steve Schneider | Sometimes, holding up even a small mirror to contemporary anxieties is enough, which The Night Listener does by skillfully exploiting a mass distrust that's currently reverberating from book clubs to the blogosphere. | 3.5/4 | 4 | 3.5 | 4 | true | 7 | 9 | 2 | 1,972 |
Zombieland | Orlando Weekly | John Thomason | Unencumbered by such petty nuisances as a point, a vision or even an ounce of social commentary, Ruben Fleischerâ(TM)s transparently hollow zombie flick still succeeds at passing the time, even if a good 15 of its 81 minutes are pure filler. | 2/4 | 4 | 2 | 4 | true | 4 | 9 | 2 | 1,972 |
Queen of the Damned | Ottawa Citizen | Bruce Deachman | None of the characters is particularly likable, and the dialogue too often sounds like an endless string of overly dramatic Churchillian one-liners, most delivered in that gaudy thick accent. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,973 |
The Outpost | OurQuadCities / WHBF-TV (Illinois) | Linda Cook | I think this beautifully depicts the uncertainty of combat and the moments before and after, too. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,974 |
To the Stars | Out Magazine | Josh Encinias | How Maggie's own fate is handled squarely places her in the problematic trope that's as old as the black and white styling of the movie's cinematography. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,975 |
Dhoom: 2 | Outlook | Namrata Joshi | Healthy diet is a must. But sometimes you can't help craving for junk food. Dhoom 2 is like masala street grub, tangy and savoury. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,976 |
1917 | Outtake Mag | James Hanton | The single take is no gimmick, but a way of forcing you to sit through every minute of wartime, with all of its horror and false hope. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,977 |
Abominable | Outtake Mag | James Hanton | Dreamworks have delivered a film that has lighthearted and feelgood written all over it. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,977 |
After We Leave | Outtake Mag | James Hanton | After We Leave does manage to elicit reactions, but not often enough, and this inconsistency is glaring. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,977 |
Anna | Outtake Mag | James Hanton | Any sense of empowerment in this female-led spy thriller is lost amidst a hanging fog of poor decisions and cardboard characters. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,977 |
Apollo 11 | Outtake Mag | James Hanton | The technical remastering of some of the footage is alarmingly incredible. Some shots are so clear they could have been filmed yesterday. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,977 |
Astronaut | Outtake Mag | James Hanton | Astronaut is a reflective and heartwarming tale of ageing that is let down simply by not settling comfortably on the story it wants to be. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,977 |
Avengers: Endgame | Outtake Mag | James Hanton | If Infinity War wanted to blow you away, Endgame wants to punch you in the gut and leave you a speechless, quivering wreck. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,977 |
Dark Phoenix | Outtake Mag | James Hanton | All in all, the franchise has petered out with a film that is neither its best nor worst entry. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,977 |
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